- Page 3 and 4:
THE ECOLOGY OF ARTISTIC RESEARCH
- Page 5:
A Poetic Lexicon By Elizabeth Torre
- Page 8 and 9:
Academy The temple dedicated to kno
- Page 10 and 11:
Ambiguity There are many masks with
- Page 12 and 13:
Analysis In order such as in chaos
- Page 14 and 15:
Archive Maybe the true purpose of h
- Page 16 and 17:
Abstraction Simplified and reduced
- Page 18 and 19:
Appropriation Every wave in this oc
- Page 20 and 21:
Background Two key words: context a
- Page 22 and 23:
Boundary Every game is more fun onc
- Page 24 and 25:
Broader context Here come good ques
- Page 26 and 27:
Binary Opposing and contrasting ele
- Page 28 and 29:
Blueprint Taking a walk can be a pe
- Page 30 and 31:
Creativity I have yet to understand
- Page 32 and 33:
Context Everything requires a conta
- Page 34 and 35:
Craftsmanship The mastery of creati
- Page 36 and 37:
Culture The social and artistic val
- Page 38 and 39:
Community As a poet I’ve been tra
- Page 40 and 41:
Discovery There are many approaches
- Page 42 and 43:
Development Everything that is aliv
- Page 44 and 45:
Dialogue A dance between voices an
- Page 46 and 47:
Depth A coral a hideaway a truth so
- Page 48 and 49:
Deconstruction Like a puzzle that c
- Page 50 and 51:
Emergence Just like truth knowledge
- Page 52 and 53:
Experimentation A poem can take any
- Page 54 and 55:
Exploration For the past two years
- Page 57 and 58:
To Respond Acrylic and thread on pa
- Page 59 and 60:
Fragmentation The kaleidoskope appe
- Page 61 and 62:
61
- Page 63 and 64:
Grounding If you want to grow a str
- Page 65 and 66:
65
- Page 67 and 68:
67
- Page 69 and 70:
Interest In Denmark they joke about
- Page 71 and 72:
71
- Page 73 and 74:
Journey I once met a man who never
- Page 75 and 76:
75
- Page 77 and 78:
Kitsch Sometimes a concept is in su
- Page 79 and 80:
79
- Page 81 and 82:
Liminality Neither here nor there n
- Page 83 and 84:
83
- Page 85 and 86: Meaning They removed the street art
- Page 87 and 88: Metaphor When I speak of this ecolo
- Page 89 and 90: 89
- Page 91 and 92: Nature The nature of the predator i
- Page 93 and 94: 93
- Page 95 and 96: Opulence With or without clothes an
- Page 97 and 98: 97
- Page 99 and 100: Performance This one for example ha
- Page 101 and 102: Potential Dylan Moran has a perfect
- Page 103 and 104: 103
- Page 105 and 106: Qualitative It might not be a milli
- Page 107 and 108: 107
- Page 109 and 110: Reflection Looking back to look for
- Page 111 and 112: Representation In 2023 it becomes s
- Page 113 and 114: 113
- Page 115 and 116: Sensorial Come closer to the word a
- Page 117 and 118: Subjectivity What you interpret as
- Page 119 and 120: 119
- Page 121 and 122: Transformation In the beginning of
- Page 123 and 124: 123
- Page 125 and 126: Unknown(s) And so it goes that the
- Page 127: 127
- Page 130 and 131: Vulnerability When a nerve is expos
- Page 132 and 133: Vision Artists often brag about thi
- Page 134 and 135: Welcome Openness inclusion and supp
- Page 138 and 139: Yielding The creative process is no
- Page 140 and 141: Zoom in Keep the bigger picture in
- Page 142 and 143: THE ECOLOGY OF ARTISTIC RESEARCH: A
- Page 144 and 145: 5.The politics of artistic research
- Page 146 and 147: Elizabeth Torres (Madam Neverstop)
- Page 148 and 149: 148