Gabriel Jackson To the Field of Stars

GABRIEL JACKSON
To the field of
stars
SATB, violoncello, 2 percussion
for online perusal only
Score
A

To the Field of Stars was jointly commissioned by Melbourne Symphony Orchestra
Chorus, Nederlands Kamerkoor, and St Jacob’s Chamber Choir, Stockholm, to
commemorate the 400th anniversary of the death of Tomas Luis de Victoria and the
pilgrimages to Santiago de Compostela.
The first performance was given by Melbourne Symphony Orchestra Chorus, with
Sharon Draper (cello), directed by Jonathan Grieves-Smith, on 19 November 2011 at
Sacred Heart Cathedral, Bendigo, Australia.
CoNtents
Intrada
Refrain
1. Prayer for the Travelling
Refrain
2. Pilgrims’ Song with History Lesson
Refrain
3.Walking with God
Refrain
4. Miracles
Refrain
5. Our Journey had Advanced
Refrain
6. Campus Stellae (The Field of Stars)
7. Compostela (O Quam Gloriosum)
for online perusal only
instrumentation
Percussion 1: 7 Handbells
Crotales
Percussion 2: Tubular bell
Glockenspiel
Violoncello
Note:
Percussion 1 should be to the left and percussion 2 to the right of the choir,
with the violoncello in front in the centre. The cello may be discreetly
amplified if it is necessary to do so to achieve an ideal balance.
Duration: c. 34 minutes

Intrada
Primus ex apostolis,
Martir Ierosolimis,
Iacobus egregio
Sacer est martirio.
Refrain
Dum pater familias,
Rex universorum,
Donaret provincias
Ius apostolorum,
Iacobus Hispanias
Lux illustrat morum.
1. Prayer for Travelling
Life be in my speech,
Sense in what I say,
The bloom of cherries on my lips,
Till I come back again.
The love Christ Jesus gave
Be filling every heart for me,
The love Christ Jesus gave
Filling me for every one.
Traversing corries, traversing forests,
Traversing valleys long and wild.
The fair white Mary still uphold me,
The Shepherd Jesu be my shield,
The fair white Mary still uphold me,
The Shepherd Jesu be my shield.
Refrain
Iacobi Gallecia
Opem rogat piam,
Glebe cuius Gloria
Dat insignem viam,
Ut precum frequentia
Cantet melodiam.
from the Codex Calixtinus
from Carmina Gadelica
Translation by Alexander Carmichael (1832-1912)
2. Pilgrims’ Song with History
Lesson
Herru Santiagu,
Got Santiagu,
E ultreia, e suseia,
Deus adiuva nos.
First among apostles,
martyr in Jerusalem
James is made holy
by his extraordinary martyrdom.
When God the Father,
universal King,
bestowed each apostle authority
over an earthly province,
James, shining light of virtue
was chosen to enlighten Spain.
I have always regretted that We could not find time to make a
Pilgrimage to Saint Iago de Compostella. We were informed,
particularly by Mr. Lagoanere, that the Original of this Shrine
and Temple of St. Iago was this.A certain Shepherd saw a bright
Light there in the night. Afterwards it was revealed to an
Archbishop that St. James was buried there. This laid the
Foundation of a Church, and they have built an Altar on the
Spot where the Shepherd saw the Light. In the time of the
Moors, the People made a Vow, that if the Moors should be
TEXTS
driven from this Country, they would give a certain portion of
the Income of their Lands to Saint James. The Moors were
defeated and expelled and it was reported and believed, that
Saint James was in the Battle and fought with a drawn Sword at
the head of the Spanish Troops, on Horseback. The People,
believing that they owed the Victory to the Saint, very
cheerfully fulfilled their Vows by paying the Tribute.
Upon the Supposition that this is the place of the Sepulture of
Saint James, there are great numbers of Pilgrims, who visit it,
every Year, from France, Spain, Italy and other parts of Europe,
many of them on foot.
Saint Iago is called the Capital of Gallicia, because it is the Seat
of the Archbishop and because Saint James is its Patron.
Refrain
for online perusal only
Galicia asks for
the merciful aid of James,
his Glory illuminates
the earthly road
that the crowd may sing
songs of praise.
Iacobo dat parium
Omnis mundus gratis,
Ob cuius remedium
Miles pietatis
Cunctorum presidium
Est ad vota satis.
3. Walking with God
Oh! for a closer walk with God,
A calm and heavenly frame;
A light to shine upon the road
That leads me to the Lamb!
Where is the blessedness I knew
When first I saw the Lord?
Where is the soul-refreshing view
Of Jesus and his word?
What peaceful hours I once enjoyed!
How sweet their memory still!
But they have left an aching void,
The world can never fill.
Return, O holy Dove, return,
Sweet messenger of rest;
I hate the sins that made thee mourn,
And drove thee from my breast.
The dearest idol I have known,
Whate'er that idol be;
Help me to tear it from thy throne,
And worship only thee.
So shall my walk be close with God,
Calm and serene my frame;
So purer light shall mark the road
That leads me to the Lamb.
Refrain
Iacobum miraculis
Que fiunt per illum.
Arctis in periculis
John Adams (1735-1826)
The whole of mankind
freely gives thanks to James,
soldier of piety;
through his help
he redeems all, answering
our prayers.
William Cowper (1731-1800)
By the miracles
that James accomplishes
in the straits of danger

Acclamet ad illum,
Quisquis solvi vinculis
Sperat propter illum.
4. Miracles
Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of
the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night
with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer
forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so
quiet and bright,
Or the exquisite delicate thin curve of the new moon in
spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.
Refrain
O beate Iacobe,
Virtus nostra vere,
Nobis hostes remove
Tuos ac tuere
Ac devotos adhibe
Nos tibi placere.
Walt Whitman (1819-1892)
5. Our Jouney had advanced
Our journey had advanced;
Our feet were almost come
To that odd fork in Being's road,
Eternity by term.
Our pace took sudden awe,
Our feet reluctant led.
Before were cities, but between,
The forest of the dead.
Retreat was out of hope,
Behind, a sealed route,
Eternity's white flag before,
And God at every gate.
Refrain
Iacobo propicio
Veniam speremus
Et, quas ex obsequio
Merito debemus
Patri tam eximio
Dignas laudes demus.
Amen.
let whoever hopes
to be freed from his bonds
cry out to him.
O blessed James
truly our strength,
take our enemies from us
and protect your people
and enable us your devotees
to please you.
Emily Dickinson (1830-1886)
6. CAMPUS STELLAE (THE FIELD OF
STARS)
for online perusal only
With James’s favour,
let us hope for forgiveness,
and give the due praises
that we rightly owe
to so outstanding
a Father
Amen.
Aldebaran. Gorgonea Tertia. Minelava. Torcularis
Septentrionalis. Betelgeuse. Hydrobius. Nair Al Saif.
Ushakaron. Canopus. Izar. Okul. Vindemiatrix. Decrux.
Jabbah. Polaris Australis.Wasat. Etamin. Kitalpha. Rotanev.Yed
Posterior. Fum al Samakah. Lucida Anseris. Sirius. Zavijava.
Elmuthalleth. Kornephoros. Ras Algethi. Terrebellum. Al
Minliar al Asad. Shurnakabtishashutu. Proxima Centauri.
Zuben-al-Akribi. Deneb Algedi.
Miaplacidus.
Vulpecula. Andromeda. Ursa Minor. Boötes. Tucana.
Camelopardalis. Sagitta. Delphinus. Reticulum. Eridanus.
Perseus. Fornax. Octans. Grus. Norma. Horologium.
Microscopium. Indus. Leo Minor. Monoceros. Indus. Lacerta.
Iacobe servorum spes et medicina tuorum.
Redde tuis vitam per tempora longa cupitam.
Ut superum castris iungi mereamur in astris.
James, your servants’ hope and healing, restore to your people
the life long yearned-for, that we may be found worthy to reach
the heavenly citadels among the stars.
Antiphon at First Vespers, Feast of St James
Zaurak. Sheliak. La Superba. Formalhaut. Yildun. Rigil
Kentauris. Kaffaljidhma. Eltrain. Wezen. Pulcherrima. Jih.
Deneb Kaitos Schemali.
Vega. Okul. Izar. Cor Caroli. Unukalhai. Nashira. Head of
Hydra. Birhan Isat.Talith Borealis. Menkalinen. Gienar Gunab.
Alfecca Meridiana.
7. COMPOSTELA (O QUAM GLORIOSUM)
O quam gloriosum est regnum in quo cum Christo gaudent
omnes sancti. Amicti stolis albis sequuntur Agnum quocumque
ierit.
O how glorious is the kingdom in which all the saints rejoice with
Christ.
Clad in robes of white they follow the Lamb wherever he goes.
Magnificat Antiphon at Second Vespers, Feast of All Saints
O lux et decus Hispanie, sanctissime Iacobe; qui inter apostolos
primatum tenes, primus eorum martirio laureatus.
O singulare presidium, qui meruisti videre Redemptorum
nostrum adhuc mortalem in deitate transformatum; exaudi
preces servorum tuorum, et intercede pro nostra salute
omniumque populorum.
O light and glory of Spain, most holy James, who, pre-eminent among
the apostles, was the first to be crowned with the laurels of martyrdom.
O singular protector, who deservedly saw our Redeemer when, after his
mortal life, he was made divine, grant the prayers of your servants, and
intercede for our salvation, and that of all peoples.
Magnificat Antiphon at Second Vespers, Feast of St James

CommissionedbytheMelbourneSymphonyOrchestraChorus,theNetherlandsChamberChoirandStJacobsChamberChoir,Stockholm
To the Field of Stars
Percussion1
Percussion2
Steadyq=c.66
4
4
Handbells
INTRADA
GABRIELJACKSON
p ff ff 3
Tubular bell
p ff ff
SOPRANO
4
ff
for online perusal only
3 3
Pri
mus ex a po sto lis,
ALTO
4
ff
3 3
Pri
mus ex a po sto lis,
TENOR
4
ff
3 3
Pri
mus ex a po sto lis,
BASS
4
ff
3 3
Pri
mus ex a po sto lis,
Violoncello
Steadyq=c.66
4
First performed by the Melbourne Symphony Orchestra Chorus with Sharon Draper (violoncello), directed by Jonathan GrievesSmith,
at the Sacred Heart Cathedral, Bendigo, on 19 November 2011
© Oxford University Press 2011
Gabriel Jackson has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identied as Composer of this Work.
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP
Photocopying this copyright material is ILLEGAL.

2
5
Perc.1
3 3 3
ff
Perc.2
ff
S.
3 3
Mar tir Ie ro so li mis, Ia co
3 3
A.
Mar tir Ie ro so li mis, Ia co
T.
3 3
for online perusal only
Mar tir Ie ro so li mis, Ia co
3 3
B.
Mar tir Ie ro so li mis, Ia co
Vc.
9
Perc.1
ff 3 3
Perc.2
ff
S.
3
3
bus e gre gi o, Sa cer est mar ti
3 3
A.
bus e gre gi o, Sa cer est mar ti
3 3
T.
B.
bus e gre gi o, Sa cer est mar ti
3 3
bus e gre gi o, Sa cer est mar ti
Vc.

3
13
3
diminuendo
3
S.
ri o, mar ti ri o, mar ti
diminuendo
3 3
A.
ri o, mar
ti ri o, mar ti
diminuendo
3 3
T.
ri o, mar
ti ri o, mar ti
B.
diminuendo
3 3
ri o, mar
ti ri o, mar ti
Vc.
S.
17
3 3
pp
7
8
ri o, mar ti ri o, mar ti ri o.
A.
for online perusal only
3 3
pp
7
8
T.
B.
Vc.
ri o, mar ti ri o, mar ti ri o.
3 3
pp
ri o, mar ti ri o, mar ti ri o.
3 3
ri o, mar ti ri o, mar ti ri o.
pp
7
8
7
8
7
8
Vc.
21
7
8
sul tasto
p
5 8
2 4
7 8
6 8
7 8
4 4
mp p mp p
Vc.
27
4
ord.
3 3 3 3 3 3 3
mp
mf
3
4
mp
5
7
8

4
REFRAIN
Quicke = c.216
Perc.2
31
7
8
Tubular bell
4
f
f
S.
7
8
f
4
mp
f
Dum
pa ter fa mi li as, Rex
u ni ver so rum,
Do na ret pro
A.
7
8
f
4
mp
f
Dum
pa ter fa mi li as, Rex
u ni ver so rum,
Do na ret pro
T.
7
8
f
4
mp
f
Dum
pa ter fa mi li as, Rex
u ni ver so rum,
Do na ret pro
B.
7
8
f
4
mp
f
Dum
pa ter fa mi li as, Rex
6 8
6 8
6 8
6 8
6 8
6 8
5 8
5 8
5 8
5 8
5 8
5 8
2 4
2 4
2 4
2 4
2 4
2 4
7 8
7 8
7 8
7 8
7 8
7 8
4 4
4 4
4 4
4 4
4 4
4 4
u ni ver so rum,
Do na ret pro
Vc.
Quicke = c.216
7
8
4
f
Perc.2
37
4
f
S.
4
for online perusal only
mp
f
p
vin ci as Ius
a po sto lo rum,
Ia
co bus Hi
A.
4
mp
f
p
vin ci as Ius
a po sto lo rum,
Ia
co bus Hi
T.
4
mp
f
p
vin ci as Ius
a po sto lo rum,
Ia
co bus Hi
B.
4
mp
f
p
vin ci as Ius
6 8
6 8
6 8
6 8
6 8
6 8
5 8
5 8
5 8
5 8
5 8
5 8
2 4
2 4
2 4
2 4
2 4
2 4
5 8
5 8
5 8
5 8
5 8
5 8
6 8
6 8
6 8
6 8
6 8
6 8
a po sto lo rum,
Ia
co bus Hi
Vc.
4

5
43
mf
mp
6 8
6 8
6 8
6 8
6 8
7 8
7 8
7 8
7 8
7 8
6 8
6 8
6 8
6 8
6 8
7 8
7 8
7 8
7 8
7 8
3 4
3 4
3 4
3 4
3 4
f
S.
spa
ni as Lux
il lu strat mo rum.
mf
mp
f
A.
spa
ni as Lux
il lu strat mo rum.
mf
mp
f
T.
spa
ni as Lux
il lu strat mo rum.
B.
Vc.
for online perusal only
mf
mp
f
spa
ni as Lux
il lu strat mo rum.
f
Vc.
49
3
4
3 3 3 3
3
3
3
3
3
3 o
6
p
f
Vc.
54
3
3
3 3 3 3 3 3
5
4

6
1. PRAYER FOR TRAVELLING
Slowq= c.60
Perc.2
58
5
4
Tubular bell
3
4
5
4
3
4
p
p
S.
5
4
3
4
f
gliss.
5
4
3
mf
3
4
A.
5
4
p
3
4
Life
5
4
be in my speech,
p
3
4
Life
be in my speech, Sense
in what I
T.
5
4
p
3
4
5
4
p
3
4
Life
be in my speech, Sense
in what I
B.
5
4
p
3
4
5
4
p
3
4
Life
be in my speech, Sense
in what I
Vc.
Slowq= c.60
5
4
3
4
5
4
3
4
p
S.
62
3
4
f
3
for online perusal only
mf
4
3
4
Sense
be what I say,
A.
3
4
p
mp
4
3
4
say,
The
bloom
of cher ries on my
T.
3
4
4
3
4
B.
3
4
say,
p
mp
4
3
4
say,
The
bloom
of cher ries on my
Vc.
3
4
4
3
4

7
S.
67
3
4
f
3 3
mf
5
4
3
4
The
bloom of cher ries on my lips,
A.
3
4
p
mp
5
4
3
4
lips,
Till
I come back a
T.
3
4
f
3 3
gliss.
mf
5
4
3
4
The
bloom of cher
ries on my lips,
B.
3
4
p
mp
5
4
3
4
lips,
Till
I come back a
Vc.
3
4
5
4
3
4
S.
71
3
4
p
4
The
love
A.
3
4
p
for online perusal only
4
gain.
The
love
T.
3
4
mf
p
4
Till
I
come back a gain.
The
love
B.
3
4
p
4
gain.
The
love
Vc.
3
4
o
o o o o
4
fp
5
f
p

8
S.
75
mf
mp
3
4
Christ
Je sus gave,
A.
mf
mp
3
4
p
Christ
Je sus gave,
Be
ll
ing
T.
mf
mp
3
4
p
Christ
Je sus gave,
Be
ll
ing
B.
mf
mp
3
4
p
Christ
Je sus gave,
Be
ll
ing
Vc.
3
4
fp
3 5
S.
79
for online perusal only
5
4
3
4
p
4
The
love
A.
5
4
3
4
4
e very heart for me, The love
T.
5
4
e very heart for me, The love
3
4
4
B.
5
4
e very heart for me, The love
3
4
4
Vc.
f
gliss.
5
4
3 3 3 3 5
3
3
4
mp
4

9
S.
83
mf
mp
2
4
3
4
Christ
Je sus gave,
A.
mf
mp
2
4
3
4
p
Christ
Je sus gave,
Fill
ing
T.
mf
mp
2
4
3
4
p
Christ
Je sus gave,
Fill
ing
B.
mf
mp
2
4
3
4
p
Christ
Je sus gave,
Fill
ing
Vc.
2
4
3
4
fp
3 5
S.
87
for online perusal only
5
4
3
4
A.
5
4
3
4
me for e very one.
T.
5
4
3
4
me for e very one.
B.
5
4
3
4
me for e very one.
Vc.
5
4
3
o
3 3 3 3
f
5
mp fp
o o o o
5
f
3
4

10
Perc.1
90
3
4
Handbells
mf
S.
3
4
mf
3
mp mf
3
mp
Tra
vers ing cor ries, tra
vers
ing fo rests,
A.
3
4
mf
mp mf
3 3
mp
Tra
for online perusal only
vers ing cor ries, tra
vers
ing fo rests,
3
4
p
Tra
3 3 3 3 3 3 3 3 3 3 3 3
vers ing cor ries, tra vers ing fo rests, Tra ver sing val leys,
T.
3
4
p
Tra
vers ing cor ries, tra vers ing fo rests,
3
4
p
3 3 3 3 3 3 3 3 3 3 3 3
Tra
vers ing cor ries, tra vers ing fo rests, Tra ver sing val leys,
B.
3
4
p
Tra
vers ing cor ries, tra vers ing fo rests,
Vc.
3
4
mp mf mp
3 3 3 3

11
94
Perc.1
mf
3 3
p
S.
Tra vers ing val leys long
mf
for online perusal only
3 3
p
A.
Tra
vers ing val leys long
3 3 3
Tra vers ing cor ries, tra vers ing fo rests, Tra
T.
3 3 3 3 3 3
Tra vers ing cor ries, tra vers ing fo rests, Tra vers
3 3 3
Tra vers ing cor ries, tra vers ing fo rests, Tra
B.
3 3 3 3 3 3
Tra vers ing cor ries, tra vers ing fo rests, Tra vers
Vc.
mf 3 3 3 3 3 3 3 3
3 3
3 3

12
Perc.1
97
2
4
3
4
4
S.
mf
2
4
3 3
3
4
4
and
wild.
The fair
white
A.
mf
2
4
3 3
3
4
4
and
for online perusal only
wild.
The
fair
3 3 3
2
4
vers ing val leys long and wild.
3
4
4
T.
2
4
3 3
ing val leys long and wild.
3
4
4
3 3 3
2
4
vers ing val leys long and wild.
3
4
4
B.
2
4
3 3
3
4
4
ing val leys long and wild.
Vc.
3 3 3 3
2
4
3 3 3 3
3
4
3 3
4

13
S.
101
4
3
4
mp
Ma ry still up hold me,
A.
4
3
4
mp
white Ma ry still up hold me,
T.
4
3
4
mp
The
Shep herd
B.
4
3
4
mp
The
Shep herd
Vc.
4
3
4
3
mf
S.
105
f
for online perusal only
4
3
4
The
fair white Ma ry
A.
f
4
3
4
T.
mf
The
fair white Ma
4
3
4
Je su be my shield,
B.
mf
4
3
4
Je su be my shield,
Vc.
3 3 3 3 3 3 3 3
4
3
4

14
S.
110
3
4
mp
still up hold me,
A.
3
4
mp
ry still up hold me,
T.
3
4
mp
The
Shep herd Je su be my
B.
3
4
mp
The
Shep herd Je su be my
Vc.
3
4
mf
3 3 3 3 3 3 3
S.
115
5
4
mf
p
7
8
Je
for online perusal only
su my
shield.
A.
5
4
7
8
T.
f
5
4
p
7
8
shield,
Je su be my shield.
B.
f
5
4
p
7
8
shield,
Je su be my shield.
Vc.
3 3 3
5
4
f
3 3 3 3
3
3
3
3 3
3
3
7
8

REFRAIN
15
Quicke = c.216
Perc.2
118
7
8
Tubular bell
4
p
p
S.
7
8
p
4
mp
p
Ia
co bi Gal le ci a O o pem
ro ga at pi am,
Gle be cu ius
A.
7
8
p
4
mp
p
Ia
co bi Gal le ci a O o pem
ro ga at pi am,
Gle be cu ius
T.
7
8
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7 8
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Vc.
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16
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2. PILGRIMS SONG WITH HISTORY LESSON
17
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4
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4
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18
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19
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21
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22
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SOLO
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spoken,clearlyandrmly,innaturalspeechrhythm
I have always regreed that We could not nd time to make a Pilgrimage to Saint Iago de Compostella.
We were informed, particularly by Mr Lagoanere, that the Original of this Shrine and Temple of St Iago
5
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was this. A certain Shepherd saw a bright Light there in the night. Afterwards it was revealed to an Archbishop that St.
James was buried there. This laid the Foundation of a Church, and they have built an Altar on the Spot where the
5
5
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p
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183
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Shepherd saw the Light. In the time of the Moors, the People made a Vow, that if the Moors should be driven from
this Country, they would give a certain portion of the Income of their Lands to Saint James. The Moors were defeated
Vc.
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23
186
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and expelled and it was reported and believed, that Saint James was in the Bale and fought with a drawn Sword at
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chearfully fullled their Vows by paying the Tribute.
3
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24
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SOLOspoken
Upon the Supposition that this is the place of the Sepulture of Saint James, there are great numbers of Pilgrims,
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25
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who visit it, every Year, from France, Spain, Italy and other parts of Europe, many of them on foot.
5
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Saint Iago is called the Capital of
Gallicia, because it is the Seat of the
Archbishop and because Saint James
is its Patron.
7
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26
REFRAIN
S.
205
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27
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28
232
Steadyq = c.96
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29
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34
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3
4
T.
7
8
tear
f
for online perusal only
it from thy throne,
2
4
4
ff
And wor ship
3
4
tear
it from thy throne,
wor
ship
7
8
f
2
4
4
ff
3
4
B.
7
8
tear
f
it from thy throne,
2
4
4
ff
3
4
tear
it from thy throne,
Vc.
7
8
2
4
4
3
4

310
5
mf
pocorit.
5
4
atempo
p
3
4
37
4
on ly thee.
So
shall my walk be
T.
5
mf
5
4
p
3
4
4
on ly thee.
So
shall my walk be
5
4
p
3
4
4
B.
5
4
So
p
shall my walk be
3
4
4
So
shall my walk be
Vc.
pocorit.
5
4
atempo
3
4
4
mf
5
p
315
4
5
4
4
mf
5
4
mp
T.
4
for online perusal only
close with God, Calm and se rene
5
4
4
mf
my
5
4
frame:
mp
close with God, Calm and se rene
my
frame:
4
5
4
4
mf
5
4
mp
B.
4
close with God, Calm and se rene
5
4
4
mf
my
5
4
frame:
mp
close with God, Calm and se rene
my
frame:
Vc.
4
mp
5
4
4
mp
5
4

38
320
3
4
5
4
mf
mp
4
T.
So pu rer light shall mark
3
4
5
4
mf
the
road
mp
That
4
So pu rer light shall mark
the
road
That
3
4
5
4
mf
mp
4
B.
So pu rer light shall mark
3
4
5
4
mf
the
road
mp
That
4
So pu rer light shall mark
the
road
That
Vc.
3
4
I
5
4
4
mf
mp
pocorall
324
4
3
4
pp
4
7
8
T.
4
for online perusal only
leads me to the Lamb.
3
4
pp
4
7
8
leads me to the Lamb.
4
3
4
pp
4
7
8
B.
4
leads me to the Lamb.
3
4
pp
4
7
8
leads me to the Lamb.
Vc.
4
pocorall
3
4
III
p
4
IV IV II II II
7
8

REFRAIN
39
Quicke = c.216
Perc.2
329
7
8
Tubular bell
4
f
f
7
8
4
f
f
mi
ra cu lis, per
il
lum.
S.
7
8
f
4
mp
f
Ia
co bum mi ra cu lis Que
unt per il lum.
Ar ctis in pe
7
8
4
f
f
mi
ra cu lis, per
il
lum.
A.
7
8
f
4
mp
f
Ia
co bum mi ra cu lis Que
unt per il lum.
Ar ctis in pe
7
8
4
f
f
mi
ra cu lis, per
il
lum.
T.
7
8
f
4
for online perusal only
mp
f
Ia
co bum mi ra cu lis Que
unt per il lum.
Ar ctis in pe
7
8
4
f
f
mi
ra cu lis, per
il
lum.
B.
7
8
f
4
mp
f
Ia
co bum mi ra cu lis Que
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
5 8
5 8
5 8
5 8
5 8
5 8
5 8
5 8
5 8
5 8
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
7 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
unt per il lum.
Ar ctis in pe
Vc.
Quicke = c.216
7
8
4

40
Perc.2
335
4
f
4
S.
4
4
A.
4
4
T.
4
4
B.
4
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
5 8
5 8
5 8
5 8
5 8
5 8
5 8
5 8
5 8
5 8
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
2 4
5 8
5 8
5 8
5 8
5 8
5 8
5 8
5 8
5 8
5 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
f
f
pe
ri cu lis, ad
il
lum,
mp
f
p
ri cu lis Ac
cla met ad il lum,
Quis
quis sol vi
f
f
pe
ri cu lis, ad
il
lum,
mp
f
p
ri cu lis Ac
cla met ad il lum,
Quis
quis sol vi
f
f
pe
ri cu lis, ad
il
lum,
mp
f
p
ri cu lis Ac
for online perusal only
cla met ad il lum,
Quis
quis sol vi
f
f
pe
ri cu lis, ad
il
lum,
mp
f
p
ri cu lis Ac
cla met ad il lum,
Quis
quis sol vi
Vc.
4

41
341
mf
mf
f
S.
mf
vin
cu lis, pro
mp
pter il lum.
f
A.
T.
B.
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
6 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
3 4
3 4
3 4
3 4
3 4
3 4
3 4
3 4
3 4
vin
cu lis Spe
rat pro pter il lum.
mf
mf
f
mf
vin
cu lis, pro
mp
pter il lum.
f
vin
cu lis Spe
rat pro pter il lum.
mf
mf
f
mf
vin
cu lis, pro
mp
pter il lum.
f
vin
cu lis Spe
rat pro pter il lum.
mf
mf
f
mf
vin
for online perusal only
cu lis, pro
mp
pter il lum.
f
vin
cu lis Spe
rat pro pter il lum.
Vc.
f
Vc.
347
3
4
3 3 3 3 3 3 3 3
3 3
o
p
6
f
Vc.
352
3 6
p
f
3 3 3
3
3
4

42
4. MIRACLES
Perc.1
356
rall.
Handbells
3
4
Flowingq = c.72
mp
4
3
2
S.
3
4
mf
p
4
mp
3
2
Why,
who makes much of a mi
ra cle? As
to me I
A.
3
4
mf
p
4
3
2
Why,
who makes much of a mi
ra
cle?
T.
3
4
mf
p
4
3
2
Why,
who makes much of a mi
ra
cle?
B.
3
4
mf
p
4
3
2
Why,
who makes much of a mi
ra
cle?
Vc.
3
4
rall.
o
Flowingq = c.72
4
3
2
mf
S.
361
3
2
mf
for online perusal only
3
4
p
4
know of no
thing else but mi
ra
cles,
A.
3
2
3
4
p
4
mi
ra
cles,
T.
3
2
3
4
p
4
mi
ra
cles,
B.
3
2
3
4
p
4
mi
ra
cles,
Vc.
3
2
3
mf
3 3 3
3
4
mp
3
3
4

43
S.
364
mp
mf
3
3
3
4
mp
Whe
ther I walk the streets
of
Man
hat
tan,
Or
A.
mp
mf
3
4
mp
Whe
ther I walk the streets
of Man hat
tan,
T.
mp
mf
3
4
mp
Whe
ther I walk the streets
of Man hat
tan,
B.
mp
mf
3
4
mp
Whe
ther I walk the streets
of Man hat
tan,
Vc.
3
mf
3
3
3 3 3
mp
3
4
S.
368
4
mf
3
3
3
4
p
dart my sight o ver the roofs
of
hou
ses
to ward the sky,
A.
4
mp
for online perusal only
mf
3
4
p
sight
o ver the roofs
to ward the sky,
T.
4
mp
mf
3
4
p
sight
o
ver the roofs
to ward the sky,
B.
4
mp
mf
3
4
p
sight
o ver the roofs
to ward the sky,
Vc.
3
mp
4
3 3 3
3
3 3
mf
3
3
mp
3
4

44
S.
372
4
mp
na
ked feet a long the beach just in the
A.
mp
4
Or
wade with na ked feet a long the beach just
T.
mp
4
Or
wade with na ked feet a long the beach just
B.
mp
4
Or
wade with na ked feet a long the beach just
Vc.
4
mf
S.
376
mf
3
3
3
4
for online perusal only
mp
3
2
3
4
edge
of
the
wa ter,
A.
mf
3
4
mp
3
2
3
4
in
the wa ter,
T.
mf
3
4
mp
p
3
2
mp
3
4
in
the wa
ter,
Or
stand
un
der
B.
mf
3
4
mp
3
2
3
4
in
the wa ter,
Vc.
3
3
3 3
3
4
3
2
3
mp
3 3 3
3
4

45
S.
380
3
4
p
mp
p
mp
4
trees
in the woods,
Or
talk
by
A.
3
4
p
mp
p
mp
4
trees
in the woods,
Or
talk
T.
3
4
p
mp
4
trees in the woods,
Or
talk
by
B.
3
4
mp
4
Or
talk
Vc.
3
4
3 3 3
4
mp
S.
384
4
mf
3
4
mp
4
3
4
day
with a
for online perusal only
ny one I love,
or
sleep
A.
4
3
4
mf
4
p
3
4
by day with a
ny one I love,
T.
4
mf
3
4
mp
4
3
4
day
with a
ny one I love,
or
sleep
B.
4
3
4
mf
4
p
3
4
by day with a
ny one I love,
Vc.
4
3
4
4
3
4
mf
mp

46
S.
387
3
4
f
4
mf
3
4
mp
4
in the bed
at night with a ny one
I
love,
A.
3
4
f
4
mf
3
4
4
or sleep in
the bed at night with
a ny one I
T.
3
4
f
4
mf
3
4
mp
4
in the bed
at night with a
ny one I love,
B.
3
4
f
4
mf
3
4
4
or sleep in
the bed at night with
a ny one I
Vc.
3
4
mf f mf
4
3
4
4
S.
391
4
3
4
mp
Or
sit at ta
A.
4
p
3
4
for online perusal only
mp
love,
Or
sit at ta
T.
4
3
4
p
B.
4
3
4
mf
love,
Or
sit
at ta
Vc.
4
p
3
4
mp

47
S.
395
p
4
mp
3
4
ble with the rest,
look
A.
p
4
mp
3
4
ble with the rest,
look
T.
4
mf
3
4
Or look at strang
ers
B.
mp
4
mp
3
4
ble at din ner with the rest,
look
Vc.
3
mp
4
3 3 3
3
mf
3
3
3
4
S.
399
3
4
p
4
3
4
for online perusal only
4
pocorall.
mp
3
4
at strang ers,
Or
watch
A.
3
4
p
4
3
4
4
3
4
at strang ers,
T.
3
4
4
3
4
4
p
mp
3
4
op po site me rid ing in the car,
Or
watch
B.
3
4
p
4
3
4
4
mp
3
4
at strang ers,
Or
watch
Vc.
3
4
3
3
mp
4
3
4
4
pocorall.
mp
3
4

48
S.
403
Alileslowerq = c.66
mf
3
4
4
3
3
3
4
ho
ney bees bu sy a round the
hive of a
sum mer
A.
3
4
4
3
4
T.
3
4
mf
p
4
3
4
ho
ney
bees,
B.
3
4
mf
p
4
3
4
ho
ney
bees,
Vc.
Alileslowerq = c.66
3
4
mf 5
4
3 3 3 3 5
3
4
S.
406
3
4
mp
for online perusal only
mf
p
4
fore
noon,
feed
ing,
A.
3
4
mf
4
Or
a ni mals feed ing in the elds,
T.
3
4
mf
p
4
feed
ing,
B.
3
4
mf
p
4
feed
ing,
Vc.
3
4
4
5 3 3
mp

49
S.
409
4
mp
3
4
3
2
Or
bir ir ir irds,
A.
4
mp
3
4
3
2
Or
bir ir ir irds,
T.
4
mp
3
4
3
2
or
the
won
B.
4
mp
3
4
3
2
or
the
won
Vc.
4
mp 5 3 3 3 3
3
4
3
2
S.
412
3
2
mp
3
3
4
mf
or
the won der ful ness of in sects in
the air,
A.
3
2
mp
for online perusal only
3
4
or
the won der ful ness of in sects,
T.
3
2
3
4
der ful ness,
B.
3
2
3
4
der ful ness of in sects,
Vc.
3
2
3
4

50
S.
415
mp
4
A.
4
mp
Or
the
T.
4
B.
Or the won der ful
4
Vc.
mp
jeté
Or the won der
4
S.
418
mp
3
3
3
4
mf
mp
Or
for online perusal only
the won der ful ness of the
sun
down,
or
of
A.
3
4
mf
won der ful ness of sun
mf
down,
mp
T.
3
4
ness of the sun
B.
3
4
mf
mp
ful
ness
of
the
Vc.
3
4
mf
5

51
S.
421
mf
p
4
stars
shi ning so quiet and bright,
A.
mf
p
4
stars
shi ning so quiet and bright,
T.
4
down,
B.
4
sun
down,
jeté
Vc.
mp
5
4
S.
425
4
p
3
4
mf
4
3 3
mp
Or
the ex qui site de li cate thin
curve
A.
4
p
for online perusal only
3
4
mp
4
Or
the ex qui
site
T.
4
p
3
4
mf
4
3 3
mp
Or
the ex qui site de li cate thin
curve
B.
4
p
3
4
mp
4
Or
the ex qui
site
Vc.
4
3
4
4

52
S.
428
mf
pocoaccel.
mp
3
4
of the new
moon in spring;
A.
mf
mp
3
4
the new, the new
moon
in
spring;
T.
mf
mp
3
4
of the new
moon in spring;
B.
mf
mp
3
4
the new, the new
moon
in
spring;
Vc.
5
pocoaccel.
3
4
mf
Flowingq = c.72
Perc.1
432
3
4
Handbells
4
5
4
3
4
mp
4
S.
3
4
f
4
5
4
3
4
p
4
These
for online perusal only
with the rest, one and all, are to me mi
ra
cles,
A.
3
4
f
4
5
4
3
4
p
4
These
with the rest, one and all, are to me mi
ra
cles,
T.
3
4
f
4
5
4
3
4
p
4
These
with the rest, one and all, are to me mi
ra
cles,
B.
3
4
f
4
5
4
3
4
p
4
These
with the rest, one and all, are to me mi
ra
cles,
Vc.
Flowingq = c.72
3
4
f
4
5
4
3
5
3
3
4
p
4

53
S.
436
4
f
mf
3
4
The
whole re fer
ring, yet each di
A.
4
f
mf
3
4
The
whole re fer
ring, yet each di
T.
4
f
mf
3
4
The
whole re fer
ring, yet each di
B.
4
f
mf
3
4
The
whole re fer
ring, yet each di
Vc.
4
3
4
S.
440
3
4
rall.
4
pp
3
4
7
8
stinct and in its place.
A.
3
4
for online perusal only
4
pp
3
4
7
8
stinct and in its place.
T.
3
4
4
pp
3
4
7
8
stinct and in its place.
B.
3
4
4
pp
3
4
7
8
stinct and in its place.
Vc.
3
4
rall.
4
3
4
7
8
p

54
REFRAIN
Quicke = c.216
Perc.2
444
7
8
Tubular bell
4
mf
mf
S.
7
8
p
4
mf
p
O
be a te Ia co be, Vir tus no stra ve re,
No
bis ho stes
A.
7
8
p
4
mf
p
O
be a te Ia co be, Vir tus no stra ve re,
No
bis ho stes
T.
7
8
p
4
mf
p
O
be a te Ia co be, Vir tus no stra ve re,
No
bis ho stes
B.
7
8
p
4
mf
p
O
6 8
6 8
6 8
6 8
6 8
6 8
5 8
5 8
5 8
5 8
5 8
5 8
2 4
2 4
2 4
2 4
2 4
2 4
7 8
7 8
7 8
7 8
7 8
7 8
4 4
4 4
4 4
4 4
4 4
4 4
be a te Ia co be, Vir tus no stra ve re,
No
bis ho stes
Vc.
Quicke = c.216
7
8
4
Perc.2
450
4
mf
S.
4
mf
p
for online perusal only
re mo ve Tu os ac tu e re
Ac
de vo tos
A.
4
mf
p
re mo ve Tu os ac tu e re
Ac
de vo tos
T.
4
mf
p
B.
4
6 8
6 8
6 8
6 8
6 8
6 8
5 8
5 8
5 8
5 8
5 8
5 8
2 4
2 4
2 4
2 4
2 4
2 4
5 8
5 8
5 8
5 8
5 8
5 8
6 8
6 8
6 8
6 8
6 8
6 8
re mo ve Tu os ac tu e re
Ac
de vo tos
mf
p
re mo ve Tu os ac tu e re
Ac
de vo tos
Vc.
4

55
456
f
6 8
6 8
6 8
6 8
6 8
7 8
7 8
7 8
7 8
7 8
6 8
6 8
6 8
6 8
6 8
7 8
7 8
7 8
7 8
7 8
3 4
3 4
3 4
3 4
3 4
S.
ad hi be Nos
ti bi pla ce re.
f
A.
ad hi be Nos
ti bi pla ce re.
f
T.
ad hi be Nos
ti bi pla ce re.
B.
Vc.
Vc.
462
3
4
for online perusal only
f
ad hi be Nos
ti bi pla ce re.
f
5 5
5
Vc.
466
5 5
p mf mp 5
mf
5
4

56
5. OUR JOURNEY WAS ADVANCED
Slowq = c.60
Perc.2
471
4
Tubular bell
3
2
4
3
4
3
2
4
p
p
S.
4
p
3
2
4
mp
3
4
p
3
2
4
Our
jour ney had ad vanced;
Our jour ney had ad
A.
4
p
3
2
4
mp
3
4
p
3
2
4
Our
jour ney had ad vanced;
Our jour ney had ad
T.
4
p
3
2
4
mp
3
4
p
3
2
4
Our
jour ney had ad vanced;
Our jour ney had ad
B.
4
p
3
2
4
mp
3
4
p
3
2
4
Our
jour ney had ad vanced;
Our jour ney had ad
Vc.
Slowq = c.60
4
p
3
2
4
mp
3
4
3
2
4
Perc.2
476
4
3
4
4
3
4
4
3
4
p
S.
4
mp
3
4
p
4
3
4
for online perusal only
4
mf
3
4
A.
4
vanced;
mp
3
4
p
Our feet were al most come
4
3
4
4
mf
3
4
vanced;
Our feet were al most come
T.
4
mp
3
4
p
4
3
4
4
mf
3
4
B.
4
vanced;
mp
3
4
p
Our feet were al most come
4
3
4
4
mf
3
4
vanced;
Our feet were al most come
Vc.
4
3
4
4
3
4
4
3
4
mp
mf

57
S.
481
3
4
mp
4
3
4
4
f
3
4
To that odd fork in Be ings road,
A.
3
4
mp
4
3
4
4
f
3
4
To that odd fork in Be ings road,
T.
3
4
mp
4
3
4
4
f
3
4
To that odd fork in Be ings road,
B.
3
4
mp
4
3
4
4
f
3
4
To that odd fork in Be ings road,
Vc.
3
4
4
3
4
4
3
4
f
Perc.1
486
3
4
Handbells
4
3
4
2
4
p
SOLO
SOP.
3
4
4
p
3
4
2
4
E
ter ni ty.
S.
3
4
4
p
3
4
2
4
for online perusal only
E ter ni ty by term.
A.
3
4
4
p
3
4
2
4
E ter ni ty by term.
T.
3
4
4
p
3
4
2
4
E ter ni ty by term.
B.
3
4
4
p
3
4
2
4
E ter ni ty by term.
Vc.
3
4
4
3
4
2
4

58
491
2
4
3
2
mp
3 3 3 3 3
4
3
4
S.
pace
took su(d) den awe, su(d) den awe, su(d)
2
4
p
3
2
4
mp
3
4
Our
pace took sud den awe,
A.
2
4
p
3
2
4
mp
3
4
Our
pace took sud den awe,
T.
2
4
p
3
2
4
mp
3
4
Our
pace took sud den awe,
B.
2
4
p
3
2
4
mp
3
4
Our
pace took sud den awe,
Vc.
2
4
3
2
4
3
4
mp
494
3
4
for online perusal only
3
2
3 3 3 3 3 3
4
3
4
S.
A.
T.
B.
3
4
3
4
3
4
3
4
p
p
p
p
den awe, su(d) den awe, took su(d) den awe, pace took su(d) den awe, su(d)
3
2
Our pace took sud den awe,
3
2
Our pace took sud den awe,
3
2
Our pace took sud den awe,
3
2
Our pace took sud den awe,
4
4
4
4
mp
mp
mp
mp
3
4
3
4
3
4
3
4
Vc.
3
4
3
2
4
3
4

59
497
3
4
4
3 3 3 3 3 3
3
4
4
S.
3
4
p
den awe, feet re lu ctant led, re
4
3
4
4
Our feet re lu ctant
A.
3
4
p
4
3
4
4
Our feet re lu ctant
T.
3
4
p
4
3
4
4
Our feet re lu ctant
B.
3
4
p
4
3
4
4
Our feet re lu ctant
Vc.
3
4
4
3
4
4
500
4
mf
3
4
3 3 3
4
3
3
3
4
S.
4
lu
mf
ctant led, re lu ctant led, re lu ctant led. Be fore,
3
4
mp
4
3
4
led.
for online perusal only
Be fore were
A.
4
mf
3
4
mp
4
3
4
led.
Be fore were
T.
4
mf
3
4
mp
4
3
4
led.
Be fore were
B.
4
mf
3
4
mp
4
3
4
led.
Be fore were
Vc.
4
3
4
4
3
4
mf

60
503
3
4
3 3 3 3 3
4
f
3
3
4
S.
A.
3
4
3
4
were ci ties be tween, be fore were ci
ci ties, but be tween,
4
4
f
f
ties be tween, be fore were
3
4
3
4
T.
B.
3
4
3
4
ci ties, but be tween,
ci ties, but be tween,
ci ties, but be tween,
4
4
f
f
3
4
3
4
Vc.
3
4
4
3
4
f
SOLO
SOP.
506
3
4
4
p
3
4
of
the dead.
3
4
3
for online perusal only
4
3
3
p
3
4
S.
A.
3
4
3
4
ci ties be tween, be fore were Thefo rests of the dead.
4
The fo rest of the dead.
4
The fo rest of the dead.
p
p
3
4
3
4
T.
3
4
4
p
3
4
The fo rest of the dead.
B.
3
4
4
p
3
4
The fo rest of the dead.
Vc.
3
4
4
3
4
mp

61
Perc.1
510
3
4
Handbells
p
2
4
3
4
2
4
4
3
4
2
4
SOLO
SOP.
3
4
2
4
3
4
2
4
4
3
4
2
4
S.
3
4
2
4
pp
3
4
2
4
4
p
3
4
pp
2
4
A.
3
4
2
4
Re
pp
3
4
treat was out of hope,
2
4
4
p
3
4
pp
Be hind, a
2
4
T.
3
4
2
4
Re
pp
3
4
treat was out of hope,
p
2
4
4
3
4
pp
Be hind, a
2
4
B.
3
4
2
4
Re
pp
3
4
treat was out of hope,
p
2
4
4
3
4
pp
Be hind, a
2
4
Re
treat was out of hope,
Be hind, a
Vc.
3
4
2
4
3
4
2
4
4
p
3
4
2
4
S.
517
2
4
for online perusal only
3
4
p
pp
4
3
4
seal ed route,
E ter ni tys white ag, E
A.
2
4
3
4
p
pp
4
3
4
seal ed route,
E ter ni tys white ag, E
T.
2
4
3
4
p
pp
4
3
4
seal ed route,
E ter ni tys white ag, E
B.
2
4
3
4
p
pp
4
3
4
seal ed route,
E ter ni tys white ag, E
Vc.
2
4
3
4
p
4
3
4
p

62
S.
524
4
3
4
ter ni tys white ag, E ter ni tys white ag be
4
3
4
A.
T.
4
4
3
4
ter ni tys white ag, E ter ni tys white ag be
3
4
ter ni tys white ag, E ter ni tys white ag be
4
4
3
4
3
4
B.
4
3
4
ter ni tys white ag, E ter ni tys white ag be
4
3
4
Vc.
4
3
4
p
4
3
4
Perc.1
531
Handbells
2
4
3
4
2
4
7
8
f
S.
f
2
4
3
4
2
4
7
8
fore, And God
at e very gate.
A.
f
for online perusal only
2
4
3
4
2
4
7
8
fore, And God
at e very gate.
T.
f
2
4
3
4
2
4
7
8
fore, And God
at e very gate.
B.
f
2
4
3
4
2
4
7
8
fore, And God
at e very gate.
Vc.
2
4
3
4
2
4
7
8
mp
f

REFRAIN
63
Quicke = c.216
Perc.2
536
7
8
Tubular bell
4
f
f
S.
7
8
f
4
mp
f
Ia
co bo pro pi ci o Ve
ni am spe re mus
A.
7
8
f
4
mp
f
Ia
co bo pro pi ci o Ve
ni am spe re mus
T.
7
8
f
4
mp
f
Ia
co bo pro pi ci o Ve
ni am spe re mus
B.
7
8
f
4
mp
f
Ia
co bo pro pi ci o Ve
6 8
6 8
6 8
6 8
6 8
6 8
5 8
5 8
5 8
5 8
5 8
5 8
2 4
2 4
2 4
2 4
2 4
2 4
7 8
7 8
7 8
7 8
7 8
7 8
ni am spe re mus
Vc.
Quicke = c.216
7
8
4
Perc.2
541
7
8
4
f
S.
7
8
4
for online perusal only
mp
f
A.
7
8
4
T.
7
8
4
6 8
6 8
6 8
6 8
6 8
6 8
5 8
5 8
5 8
5 8
5 8
5 8
2 4
2 4
2 4
2 4
2 4
2 4
Et, quas ex ob se qui o Me
Et, quas ex ob se qui o Me
mp
ri to de be mus
ri to de be mus
f
mp
f
B.
7
8
Et, quas ex ob se qui o Me
4
Et, quas ex ob se qui o Me
mp
ri to de be mus
ri to de be mus
f
Vc.
7
8
4

64
546
Perc.2
S.
A.
T.
B.
Vc.
5 8
5 8
5 8
5 8
5 8
5 8
6 8
6 8
6 8
6 8
6 8
6 8
7 8
7 8
7 8
7 8
7 8
7 8
6 8
6 8
6 8
6 8
6 8
6 8
p
mf
mp
Pa
tri tam ex i
mi o Di
gnas
p
mf
mp
Pa
tri tam ex i
mi o Di
gnas
p
mf
mp
Pa
tri tam ex i
mi o Di
gnas
p
mf
mp
Pa
tri tam ex i
mi o Di
gnas
S.
551
7
8
f
4
mp
3
4
lau des de mus.
A
A.
7
8
f
for online perusal only
4
mp
3
4
lau des de mus.
A
T.
7
8
f
4
3
4
lau des de mus.
B.
7
8
f
4
3
4
lau des de mus.
Vc.
7
8
mf
4
3
4

555
S.
A.
T.
B.
Vc.
559
S.
A.
T.
B.
Vc.
3
4
3
4
3
4
3
4
3
4
4
4
4
4
4
4
4
4
4
4
3
4
3
4
3
4
3
4
3
4
4
4
4
4
4
4
4
4
4
4
3
4
3
4
3
4
3
4
3
4
4
4
4
4
4
4
4
4
4
4
mf
men.
A
mp
mf
men.
mf
men.
A
mp
mf
men.
A
mp
mf
men.
A
mp
mf
A
mp
mf
men.
A
mp
mf
A
men.
ff
A
men.
ff
men.
A
f
men.
ff
men.
A
f
men.
ff
ff
3
65
for online perusal only

66
Perc.1
563
6. CAMPUS STELLAE (THE FIELD OF STARS)
Slowandstillq = c.60
Crotales
l.v.sempre
p
S.
for online perusal only
Repeat adlib., independently of the conductor (and each other)
pp veryrapidparlando
A.
Aldebaran. Gorgonea Tertia. Minelava. Torcularis Septentrionalis.
Repeat adlib., independently of the conductor (and each other)
pp veryrapidparlando
Betelgeuse. Hydrobius. Nair Al Saif. Ushakaron.
Repeat adlib., independently of the conductor (and each other)
pp veryrapidparlando
T.
Canopus. Izar. Okul. Vindemiatrix.
Repeat adlib., independently of the conductor (and each other)
pp veryrapidparlando
Decrux. Jabbah. Polaris Australis. Wasat.
Repeat adlib., independently of the conductor (and each other)
pp veryrapidparlando
B.
Etamin. Kitalpha. Rotanev. Yed Posterior.
Repeat adlib., independently of the conductor (and each other)
pp veryrapidparlando
Fum al Samakah. Lucida Anseris. Sirius. Zavijava.
Vc.
Slowandstillq = c.60
p sempre 3 3 3

67
567
Perc.1
p
S.
for online perusal only
A.
T.
B.
Vc.
3 3 3

68
571
Perc.1
S.
for online perusal only
A.
T.
B.
Vc.
3 3

69
575
Perc.1
p
Repeat adlib., independently of the
conductor (and each other)
pp
El
mu tha(l) leth. Kor ne pho ros.
S.
for online perusal only
A.
T.
B.
Vc.
3 3 5

70
579
Perc.1
p
S.
Repeat adlib., independently of the conductor (and each other)
pp
Ras
Al ge thi. Te re be(l) lum.
for online perusal only
At the conductors signal, nish the bar you are singing
and move on immediately to the next one
Al Min li ar al A sad.
A.
At the conductors signal, nish the bar you are singing
and move on immediately to the next one
Shur na kab ti sha shu
T.
B.
Vc.
5

71
582
Perc.1
S.
for online perusal only
A.
tu.
At the conductors signal, nish the bar you are singing
and move on immediately to the next one
Pro xi ma Cen tau ri.
T.
At the conductors signal, nish the bar you are singing
and move on immediately to the next one
Zu ben el A kri bi.
At the conductors signal, nish the bar you are singing
and move on immediately to the next one
De neb Al ge di.
B.
Vc.
5
5

72
585
Perc.1
p
S.
for online perusal only
A.
T.
B.
At the conductors signal, nish the bar you are singing
and move on immediately to the next one
Mi a pla ci dus.
Vc.
5

73
589
Perc.1
At the conductors signal nish the bar you are singing
and hold the last note to the barline
(os.)
S.
At the conductors signal nish the bar you are singing
and hold the last note to the barline
(um.)
for online perusal only
At the conductors signal nish the bar you are singing
and hold the last note to the barline
(ad.)
A.
At the conductors signal nish the bar you are singing
and hold the last note to the barline
(u.)
At the conductors signal nish the bar you are singing
and hold the last note to the barline
(i.)
T.
At the conductors signal nish the bar you are singing
and hold the last note to the barline
(i.)
At the conductors signal nish the bar you are singing
and hold the last note to the barline
(i.)
B.
At the conductors signal nish the bar you are singing
and hold the last note to the barline
(us.)
5 5
Vc.
5

74
593
Glockenspiel
l.v.sempre
Perc.2
p
p sempre
Vul
pe cu la. An dro me da. Ur sa Mi nor. Bo ö tes. Tu ca
S.
p sempre
Vul
pe cu la. An dro me da. Ur sa Mi nor. Bo ö tes. Tu ca
for online perusal only
p sempre
Vul
pe cu la. An dro me da. Ur sa Mi nor. Bo ö tes. Tu ca
A.
p sempre
Vul
pe cu la. An dro me da. Ur sa Mi nor. Bo ö tes. Tu ca
T.
B.
Vc.

75
597
Perc.2
na. Ca me lo par da lis. Sa git ta. Del phi nus.
S.
na. Ca me lo par da lis. Sa git ta. Del phi nus.
for online perusal only
na. Ca me lo par da lis. Sa git ta. Del phi nus.
A.
na. Ca me lo par da lis. Sa git ta. Del phi nus.
T.
B.
Vc.

76
601
Perc.2
Re ti cu lum. E ri da nus. Per se us. For nax.
S.
Re ti cu lum. E ri da nus. Per se us. For nax.
for online perusal only
Re ti cu lum. E ri da nus. Per se us. For nax.
A.
Re ti cu lum. E ri da nus. Per se us. For nax.
T.
B.
Vc.

77
605
Perc.2
Oc tans. Grus. Nor ma. Ho ro lo gi um.
S.
Oc tans. Grus. Nor ma. Ho ro lo gi um.
for online perusal only
Oc tans. Grus. Nor ma. Ho ro lo gi um.
A.
Oc tans. Grus. Nor ma. Ho ro lo gi um.
T.
B.
Vc.

78
608
Perc.2
p sempre
3
SOLO
SOP.
Ia
co be ser vo rum spes et me de ci na
S.
for online perusal only
pp veryrapidparlando
Zaurak. Sheliak. La Superba. Formalhaut.
A.
pp veryrapidparlando
Yildun. Rigil Kentauris. Kaaljidhma. Eltrain.
pp veryrapidparlando
Wezen. Pulcherrima. Jih. Deneb Kaitos Schemali.
T.
pp veryrapidparlando
Vega. Okul. Izar. Cor Caroli.
pp veryrapidparlando
Unukalhai. Nashira. Head of Hydra. Birhan Isat.
B.
pp veryrapidparlando
Talith Borealis. Menkalinen. Gienar Gunab. Alfecca Meridiana.
Vc.

79
611
Crotales
Perc.1
f
Perc.2
f
3
SOLO
SOP.
tu o rum. Red de tu is
whispered
3
S.
Mi
for online perusal only
cro sco pi um.
whispered
3
3
In
dus.
Le o Mi nor.
A.
T.
B.
Vc.
p 3

80
614
Perc.1
Perc.2
SOLO
SOP.
3 3
vi tam per tem po ra lon ga cu pi tam.
for online perusal only
S.
A.
T.
B.
3
Vc.
p

81
617
Perc.1
f
Perc.2
f
SOLO
SOP.
Ut su pe rum ca stris iun
whispered
3 3
S.
whispered
In
dus.
for online perusal only
La cer ta.
Mo
no ce ros.
At the conductors signal, gradually
reduce the speed of the parlando
A.
At the conductors signal, gradually
reduce the speed of the parlando
At the conductors signal, gradually
reduce the speed of the parlando
T.
At the conductors signal, gradually
reduce the speed of the parlando
At the conductors signal, gradually
reduce the speed of the parlando
B.
At the conductors signal, gradually
reduce the speed of the parlando
Vc.
3

82
620
Perc.1
f
Perc.2
f
SOLO
SOP.
3
gi me re a mur in a stris.
S.
for online perusal only
At the conductors signal, nish the bar you singing
and hold the last note to the barline
A.
(aut.)
At the conductors signal, nish the bar you singing
and hold the last note to the barline
(ain.)
At the conductors signal, nish the bar you singing
and hold the last note to the barline
T.
(i.)
At the conductors signal, nish the bar you singing
and hold the last note to the barline
(i.)
At the conductors signal, nish the bar you singing
and hold the last note to the barline
B.
(at.)
At the conductors signal, nish the bar you singing
and hold the last note to the barline
(a.)
I
Vc.
p
3 3 5
624
I
I
slow
trem.
Vc.
3 5 5 5

628
7. COMPOSTELA (O QUAM GLORIOSUM)
Steadyq = c.96
Handbells
83
Perc.1
Tubular bell
f
Perc.2
f
f
O,
O quam glo ri o sum
S.
p
f
O
quam
glo ri o sum
p
f
A.
O
quam
glo ri o sum
f
O,
O quam glo ri o sum
p
f
for online perusal only
O
quam
glo ri o sum
T.
f
O,
O quam glo ri o sum
mp
f
O
quam
glo ri o sum
B.
f
O,
O quam glo ri o sum
Steadyq = c.96
Vc.

84
634
f
est
in
quo cum
S.
est re gnum in quo cum Chri
for online perusal only
A.
est re gnum in quo cum
f
est
in
est re gnum in quo cum Chri sto, in
T.
f
est
in
quo cum
est re gnum in quo cum Chri sto,
B.
f
est
in
Vc.

85
640
Chri
sto
S.
sto, in quo, in quo cum Chri
for online perusal only
Chri sto, in quo cum Chri sto, in quo cum
A.
quo cum Chri to
quo cum Chri sto, in quo cum Chri sto, in quo cum
T.
Chri
sto
in quo cum Chri sto, in quo cum
B.
quo cum Chri sto
Vc.

86
645
f
gau
dent, gau dent om nes
S.
sto gau dent, gau dent
for online perusal only
Chri sto gau dent, gau dent, gau
A.
f
gau
dent, gau dent om nes San
Chri sto gau dent, gau
T.
f
gau
dent, gau dent om nes
Chri sto gau dent, gau dent, gau dent
B.
f
gau
dent, gau dent, gau
Vc.

87
650
mp
San cti. A
mi cti
S.
mp
om nes San cti, om nes San
cti.
mp
for online perusal only
dent om nes San cti, om nes San
cti. A mi cti
A.
cti, San cti.
mp
dent om nes San cti, om nes San
cti. A mi cti
T.
San
cti.
mp
om nes San cti, om nes San
cti A mi cti
B.
dent.
Vc.

88
656
sto lis, a mi cti sto lis, a mi cti sto
S.
mp
A
mi cti sto lis al bis, a mi cti
for online perusal only
sto lis al bis, a mi cti sto lis al bis, a mi
A.
mp
A
mi cti sto lis, a mi cti sto lis al bis,
sto lis al bis, a mi cti sto lis al bis, a
T.
mp
A
mi cti sto lis, a mi cti sto lis, a mi cti sto
sto lis al bis, a mi
B.
mp
A
mi cti sto lis, a mi cti
Vc.

89
661
f
lis al bis se
S.
mf
sto lis al bis se
quun tur A
mf
f
A.
for online perusal only
cti sto lis al bis se
quun tur A gnum, se
quun
mf
f
mi cti sto lis al bis se
quun tur A gnum, se
T.
lis al bis
mf
cti sto lis al bis ae
quun tur A gnum,
B.
sto lis al bis
Vc.

90
667
quun tur A gnum
S.
gnum, se quun
for online perusal only
A.
tur A gnum, se quun tur A
f
se
quun tur A gnum
quun tur A gnum, se quun tur A
T.
f
se
quun tur A
f
se
quun tur A gnum
B.
f
se
quun tur A gnum
Vc.

91
672
quo cum que i e rit, quo cum que i
S.
tur A gnum quo cum que i
for online perusal only
A.
gnum quo cum que
quo cum que i e rit, quo cum que i
gnum quo cum que i e rit, quo
T.
gnum quo cum que,
quo cum que i e rit, quo cum que i
B.
quo cum que, quo
Vc.

92
677
e rit, quo cum que i
S.
e rit, quo cum que i e rit, quo cum que i
for online perusal only
i e rit, quo cum que i e rit, quo cum que i e
A.
e rit, quo cum que i
cum que i e rit, quo cum que i
T.
f
quo
cum
que
e rit, quo cum que i e rit, quo cum que
B.
cum que i e rit, quo cum que
Vc.

682
ff
e
rit.
93
3
4
S.
e
ff
rit.
3
4
ff
3
4
for online perusal only
A.
rit, quo cum que i e rit.
ff
e
rit.
3
4
e
ff
rit,
quo cum que i e rit.
3
4
T.
i
ff
e
rit.
3
4
ff
i e rit,
quo cum que i e rit.
3
4
B.
i
ff
e
rit.
3
4
Vc.
3
4

94
687 pocoaccel.
3
4
S.
3
4
p
3
4
p
for online perusal only
A.
3
4
3
4
p
T.
3
4
3
4
p
B.
3
4
pocoaccel.
Vc.
3
4
f
3 3
5
3
5
3 3
3 3 3 3
mp

Perc.1
692
Handbells
atempo
3
4
f
4
95
3
4
S.
f
3
4
4
3
4
O
lux et de cus Hi spa ni e,
A.
f
3
4
4
3
4
O
lux et de cus Hi spa ni e,
T.
f
3
4
4
3
4
O
lux et de cus Hi spa ni e,
B.
f
3
4
4
3
4
O
lux et de cus Hi spa ni e,
Vc.
3
3
f
atempo
3
4
f
4
3 3 3 3
3
3
3
4
Perc.1
698
3
4
4
3
4
f
S.
3
4
for online perusal only
4
p
3
4
san ctis si me Ia co be; qui
in
ter
A.
3
4
4
p
3
4
san ctis si me Ia co be; qui
in
ter
T.
3
4
4
p
3
4
san ctis si me Ia co be; qui
in
ter
B.
3
4
4
p
3
4
san ctis si me Ia co be; qui
in
ter
3
Vc.
3
4
f
4
3 3 3 3
3
3
4

96
704
S.
a po sto los pri ma tum te nes,
A.
a po sto los pri ma tum te nes,
T.
a po sto los pri ma tum te nes,
B.
a po sto los pri ma tum te nes,
for online perusal only
3
Vc.
mp
mf
709
crescendo
S.
pri
mus e o rum mar ti ri o lau re
crescendo
A.
pri
mus e o rum mar ti ri o lau re
crescendo
T.
pri
mus e o rum mar ti ri o lau re
crescendo
B.
pri
mus e o rum mar ti ri o lau re
Vc.
mp

97
Perc.1
714
Handbells
f
4
S.
f
4
a tus. O
sin gu la rie pre si di um,
A.
f
4
a tus. O
sin gu la rie pre si di um,
T.
f
4
a tus. O
sin gu la rie pre si di um,
B.
f
4
a tus. O
sin gu la rie pre si di um,
Vc.
f
3
f
3 3 3
4
Perc.1
720
4
for online perusal only
3
4
f
4
S.
4
3
4
4
qui me ru i ste vi de re.
A.
4
3
4
4
qui me ru i ste vi de re.
T.
4
3
4
4
qui me ru i ste vi de re.
B.
4
3
4
4
qui me ru i ste vi de re.
3
Vc.
4
3
4
3 3 3 3 3
f
4

98
Perc.1
Perc.2
725
4
4
Crotales
Glockenspiel
3
4
3
4
mp
mp
4
4
S.
4
p
3
4
4
A.
4
Re
p
dem pto rem no strum ad huc mor ta lem
3
4
4
T.
4
Re
p
dem pto rem no strum ad huc mor ta lem
3
4
4
B.
4
Re
p
dem pto rem no strum ad huc mor ta lem
3
4
4
Re
dem pto rem no strum ad huc mor ta lem
3
Vc.
4
3
3
3
4
mp
4
Perc.1
730
4
3
4
3
2
Perc.2
4
3
4
mf
3
2
mf
S.
4
for online perusal only
3
4
mf
pp
3
2
A.
4
in de i ta te trans for ma tum;
3
4
mf
ex
pp
3
2
T.
4
in de i ta te trans for ma tum;
3
4
mf
ex
pp
3
2
in de i ta te trans for ma tum;
ex
B.
4
3
4
mf
pp
3
2
in de i ta te trans for ma tum;
ex
Vc.
4
3
4
3
2
mf

Perc.1
736
3
2
Handbells
l.v.sempre
p
4
99
3
2
Perc.2
3
2
4
3
2
S.
3
2
4
3
2
au di pre ces ser vo rum tu o rum, et in ter
A.
3
2
4
3
2
au di pre ces ser vo rum tu o rum, et in ter
T.
3
2
4
3
2
au di pre ces ser vo rum tu o rum, et in ter
B.
3
2
for online perusal only
4
3
2
au di pre ces ser vo rum tu o rum, et in ter
Vc.
3
2
4
3
2
Perc.1
Perc.2
S.
740
3
2
3
2
3
2
Crotales
f
f
f
A.
T.
B.
3
2
3
2
3
2
ce
f
ce
f
ce
f
de pro no stra sa
de pro no stra sa
de pro no stra sa
ce
de pro no stra sa
Vc.
3
2

100
Perc.1
Perc.2
742
ff
2
2
ff
S.
ff
2
lu te om
ni
A.
ff
2
T.
lu te om
ff
ni
2
B.
lu te om
ff
ni
2
lu te om
ni
Vc.
2
ff
Perc.1
744
2
rall.
3 3
3
2
3
Perc.2
2
3
3
3
2
fff
fff
3
S.
2
3
2
for online perusal only
fff
A.
2
um que po pu lo
3
2
fff
rum.
T.
2
um que po pu lo
3
2
fff
rum.
B.
2
um que po pu lo
fff
3
2
rum.
um que po pu lo
rum.
Vc.
2
rall.
3
3 3
3
3
2
fff
3 3
Brockley,October2010April2011