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Issue 20 - In Conversation with .. 9!

Welcome to the 20th issue of KALTBLUT. In conversation with TROYE SIVAN, NURA, FKA.M4A, MAYA BAKLANOVA, NAMILIA, ANDREA OCAMPO, OHII KATYA, LARASEVERA, BARRY BRANDON, ORKIDEH DAROODI, EVÎN, RICHARD KRANZIN, ALEXANDRA S. ADERHOLD and EDWARD MUTEBI. Featuring works by Nik Pate, Lewin Berninger, Alessandro Amarante, Mert Degirmendereli, Myriam Tisbo, Davide Corona, Nicky De Silva, Angel Ruiz, Julian Freyberg, Sebastian Kiener, DZHUS, Omid Aghdami, Oscar Latorre and David Kaminsky. On the cover: Concept/Photography/Edit  - Nik Pate www.nikpate.com @Nikpatestudio Model - Chay Needs @Chayneeds_ Hair & Makeup -  Rosie Mcginn Using Fenty Beauty & Refy www.rosiemcginnmakeup.com / @Rosiemcginnmakeup All Fashion Pieces - Brian De Carvalho www.briandecarvalho.co.uk @Briandecarvalho Millinary Piece - Rafa Peinador www.rafapeinador.com @Rafa_peinador www.kaltblut-magazine.com

Welcome to the 20th issue of KALTBLUT. In conversation with TROYE SIVAN, NURA, FKA.M4A, MAYA BAKLANOVA, NAMILIA, ANDREA OCAMPO, OHII KATYA, LARASEVERA, BARRY BRANDON, ORKIDEH DAROODI, EVÎN, RICHARD KRANZIN, ALEXANDRA S. ADERHOLD and EDWARD MUTEBI. Featuring works by Nik Pate, Lewin Berninger, Alessandro Amarante, Mert Degirmendereli, Myriam Tisbo, Davide Corona, Nicky De Silva, Angel Ruiz, Julian Freyberg, Sebastian Kiener, DZHUS, Omid Aghdami, Oscar Latorre and David Kaminsky.

On the cover:

Concept/Photography/Edit  - Nik Pate www.nikpate.com @Nikpatestudio
Model - Chay Needs @Chayneeds_
Hair & Makeup -  Rosie Mcginn Using Fenty Beauty & Refy
www.rosiemcginnmakeup.com / @Rosiemcginnmakeup
All Fashion Pieces - Brian De Carvalho
www.briandecarvalho.co.uk @Briandecarvalho
Millinary Piece - Rafa Peinador
www.rafapeinador.com @Rafa_peinador
www.kaltblut-magazine.com

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How can a country at war address<br />

political, social, cultural and societal<br />

issues?<br />

Today, the experience of artists and cultural workers<br />

in Ukraine is profoundly marked by war trauma,<br />

displacement, lack of access to basic resources and,<br />

in many cases, direct involvement in armed resistance<br />

or the experience of life under military occupation.<br />

This poses existential challenges for the future of art<br />

and cultural production in Ukraine.<br />

Europe-wide solidarity commitment of<br />

various art institutions.<br />

"<strong>In</strong>stead of abandoning the project and thus<br />

submitting to the logic of war that attacks everything<br />

civil, the <strong>20</strong>23 Biennial draws upon its founding<br />

idea: that of being a multi-centric initiative in a<br />

European, interconnected and solidary form."—said<br />

the organisers of the Kyiv Visual Culture Research<br />

Center and the curators of the main exhibition,<br />

Serge Klymko, Hedwig Saxenhuber and Georg<br />

Schöllhammer, who had to plan the concept and<br />

format of the Biennial on short notice and anew.<br />

Art institutions in Ukraine (in Kyiv, Ivano-Frankivsk<br />

and Uzhhorod) organise presentations and events in<br />

their endangered yet working infrastructures. Despite<br />

the late start of planning due to the war, museums<br />

and exhibition halls in Vienna (the main exhibition<br />

spot), Warsaw and Berlin, together <strong>with</strong> venues in<br />

other European cities, have freed up their spaces and<br />

platforms for exhibitions and events <strong>with</strong> Ukrainian<br />

and international artists, as well as for discursive,<br />

performative and educational activities.<br />

Together, the institutions have formed a curatorial<br />

consortium to jointly create a conceptual framework<br />

<strong>with</strong>in which they develop their respective Kyiv<br />

Biennial programs.<br />

Bridge between European and<br />

Ukrainian artistic communities –<br />

towards an emancipatory future<br />

The Kyiv Biennial <strong>20</strong>23 is aware of the special<br />

challenges of the project. Its intention is to reintegrate<br />

the Ukrainian artistic community, divided by the war<br />

and scattered all over Europe, and to enable its<br />

actors to work and reflect together <strong>with</strong> international<br />

colleagues on the cultural, social and environ- mental<br />

challenges Ukraine is currently facing, while at the<br />

same time creating images and scenarios for an<br />

open and emancipatory future of the country and its<br />

cultural field in a global context.<br />

The Kyiv Biennial´s strategy, developed in the<br />

course of its four previous editions, merges artistic<br />

production, critical knowledge and social engagement<br />

in the times of emergency, where curatorship goes far<br />

beyond its contemporary meaning of an artistic and<br />

organisational practice and becomes resignified <strong>with</strong><br />

its original sense of restoration, rehabilitation and<br />

relief, thus suggesting not a biennial, but a perennial<br />

long-run international project, a “Kyiv Perennial.”<br />

Kyiv Biennial <strong>20</strong>23 is conceived and organised by the<br />

Visual Culture Research Center (Kyiv) together <strong>with</strong><br />

tranzit.at (Vienna), tranzit.org (Bratislava, Budapest,<br />

Bucharest, Cluj, Iași, Prague and Vienna), Museum of<br />

Modern Art in Warsaw, Museum Crisis Center (Lviv),<br />

Other Edges, Dovzhenko Centre (Kyiv), Asortymentna<br />

Kimnata (Ivano-Frankivsk) and Sorry, No Rooms<br />

Available (Uzhhorod).<br />

Venues:<br />

Kyiv, Ukraine:<br />

The River Wailed Like a Wounded Beast<br />

Curators: Stanislav Bytiutskyi, Aliona Penzii,<br />

Oleksandr Teliuk<br />

Dovzhenko Center, Vasylkivska, 1<br />

Runtime: October 5 – December 29, <strong>20</strong>23<br />

Ivano-Frankivsk, Ukraine:<br />

On the Periphery of War<br />

Curators: Alona Karavai, Roman Khimei,<br />

Yarema Malashchuk, Anton Usanov<br />

Asortymentna Kimnata, Sichovykh Striltsiv, 15<br />

Runtime: October 7–30, <strong>20</strong>23<br />

Uzhhorod, Ukraine:<br />

Where Are We Now, After All Those Endlessly<br />

Repeated Words?<br />

Curators: Petro Ryaska, Daria Shevtsova<br />

Sorry No Rooms Available, <strong>In</strong>tourist-Zakarpattia<br />

Hotel, Ploshcha Kyryla i Mefodiya, 5<br />

Runtime: October 8 – November 12, <strong>20</strong>23<br />

Vienna, Austria:<br />

Main exhibition<br />

Curators: Serge Klymko, Hedwig Saxenhuber<br />

and Georg Schöllhammer<br />

Augarten Contemporary, Scherzergasse, 1A<br />

and independent spaces in Vienna<br />

Runtime: October 17 – December 17, <strong>20</strong>23<br />

Warsaw, Poland: Museum Forum:<br />

Ukrainian Museums <strong>In</strong> the War Between russia<br />

and Ukraine: Professionalism, Cooperation,<br />

Solidarity<br />

Curator: Olha Honchar<br />

Museum of Modern Art, Wybrzeże<br />

Kościuszkowskie, 22<br />

Event Date: October 23, <strong>20</strong>23<br />

Lublin, Poland:<br />

This Is Just an Exhibition<br />

Curator: Waldemar Tatarczuk<br />

Galeria Labirynt, J. Popiełuszki, 5<br />

Runtime: October 27 – January 22, <strong>20</strong>24<br />

Antwerp, Belgium:<br />

DISPATCHES postcard project<br />

Curators: Nav Haq, Vasyl Cherepanyn<br />

M HKA (Museum of Contemporary Art Antwerp),<br />

Leuvenstraat, 32<br />

<strong>20</strong>3

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