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Issue 20 - In Conversation with .. 9!

Welcome to the 20th issue of KALTBLUT. In conversation with TROYE SIVAN, NURA, FKA.M4A, MAYA BAKLANOVA, NAMILIA, ANDREA OCAMPO, OHII KATYA, LARASEVERA, BARRY BRANDON, ORKIDEH DAROODI, EVÎN, RICHARD KRANZIN, ALEXANDRA S. ADERHOLD and EDWARD MUTEBI. Featuring works by Nik Pate, Lewin Berninger, Alessandro Amarante, Mert Degirmendereli, Myriam Tisbo, Davide Corona, Nicky De Silva, Angel Ruiz, Julian Freyberg, Sebastian Kiener, DZHUS, Omid Aghdami, Oscar Latorre and David Kaminsky. On the cover: Concept/Photography/Edit  - Nik Pate www.nikpate.com @Nikpatestudio Model - Chay Needs @Chayneeds_ Hair & Makeup -  Rosie Mcginn Using Fenty Beauty & Refy www.rosiemcginnmakeup.com / @Rosiemcginnmakeup All Fashion Pieces - Brian De Carvalho www.briandecarvalho.co.uk @Briandecarvalho Millinary Piece - Rafa Peinador www.rafapeinador.com @Rafa_peinador www.kaltblut-magazine.com

Welcome to the 20th issue of KALTBLUT. In conversation with TROYE SIVAN, NURA, FKA.M4A, MAYA BAKLANOVA, NAMILIA, ANDREA OCAMPO, OHII KATYA, LARASEVERA, BARRY BRANDON, ORKIDEH DAROODI, EVÎN, RICHARD KRANZIN, ALEXANDRA S. ADERHOLD and EDWARD MUTEBI. Featuring works by Nik Pate, Lewin Berninger, Alessandro Amarante, Mert Degirmendereli, Myriam Tisbo, Davide Corona, Nicky De Silva, Angel Ruiz, Julian Freyberg, Sebastian Kiener, DZHUS, Omid Aghdami, Oscar Latorre and David Kaminsky.

On the cover:

Concept/Photography/Edit  - Nik Pate www.nikpate.com @Nikpatestudio
Model - Chay Needs @Chayneeds_
Hair & Makeup -  Rosie Mcginn Using Fenty Beauty & Refy
www.rosiemcginnmakeup.com / @Rosiemcginnmakeup
All Fashion Pieces - Brian De Carvalho
www.briandecarvalho.co.uk @Briandecarvalho
Millinary Piece - Rafa Peinador
www.rafapeinador.com @Rafa_peinador
www.kaltblut-magazine.com

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Tarot cards play a pivotal role in the visual<br />

narrative of “Bitter Moon.” How do they<br />

contribute to the mystical storytelling aspect<br />

of the project?<br />

Since every single card features a unique coal<br />

drawing by Magdalena Piech, the cards perfectly<br />

came <strong>with</strong> a story of their own. Each card,<br />

meticulously illustrated by Magdalena Piech in<br />

coal, carries its own narrative.<br />

Magda’s intimate involvement is portrayed as she<br />

models <strong>with</strong> her tarot set, reflecting the countless<br />

hours invested in each motif, painstakingly drawn<br />

and brought to life through coal before finding its<br />

place on the cards, designed and photographed<br />

by me.<br />

The fusion of sensuality and avant-garde is<br />

prominently showcased in “Bitter Moon”<br />

through the use of skin-tight latex. How does this<br />

symbolize the intersection of art, fashion, and<br />

technology?<br />

Latex is truly fascinating; its futuristic appearance<br />

and the fact that it’s derived from rubber trees<br />

give it a distinct texture and aesthetic. Personally,<br />

I believe latex represents a glimpse into the future<br />

of fashion, where plant-based materials will<br />

replace the skin of other animals, their hair, their<br />

silk, and their wool.<br />

Working <strong>with</strong> such a forward-looking<br />

material is not just incredible; it has become<br />

one of my favourite aspects of photo shoots<br />

in recent years.<br />

<strong>In</strong> “Bitter Moon,” both Magdalena Piech<br />

and yourself challenge artistic norms and<br />

redefine the boundaries of creativity.<br />

Can you share some insights into this<br />

boundary-pushing collaboration?<br />

Magdalena Piech and I embrace a creative,<br />

out-of-the-box mindset, leading us to adopt<br />

a novel approach for this product shoot.<br />

<strong>In</strong>tegrating Artificial <strong>In</strong>telligence into our<br />

artistic toolkit alongside traditional mediums<br />

like photography and coal drawing opens<br />

up avenues for entirely unprecedented<br />

outcomes.<br />

This synergy of AI and classic artistic<br />

expression mirrors the transformative impact<br />

that photography had on painting when it<br />

was first introduced.<br />

While AI doesn’t replace traditional<br />

methods, it enriches the creative process.<br />

It’s essential to note that I exclusively<br />

used ethically sourced AI, primarily from<br />

databases <strong>with</strong> copyrights, such as Firefly<br />

AI.<br />

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