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Issue 20 - In Conversation with .. 9!

Welcome to the 20th issue of KALTBLUT. In conversation with TROYE SIVAN, NURA, FKA.M4A, MAYA BAKLANOVA, NAMILIA, ANDREA OCAMPO, OHII KATYA, LARASEVERA, BARRY BRANDON, ORKIDEH DAROODI, EVÎN, RICHARD KRANZIN, ALEXANDRA S. ADERHOLD and EDWARD MUTEBI. Featuring works by Nik Pate, Lewin Berninger, Alessandro Amarante, Mert Degirmendereli, Myriam Tisbo, Davide Corona, Nicky De Silva, Angel Ruiz, Julian Freyberg, Sebastian Kiener, DZHUS, Omid Aghdami, Oscar Latorre and David Kaminsky. On the cover: Concept/Photography/Edit  - Nik Pate www.nikpate.com @Nikpatestudio Model - Chay Needs @Chayneeds_ Hair & Makeup -  Rosie Mcginn Using Fenty Beauty & Refy www.rosiemcginnmakeup.com / @Rosiemcginnmakeup All Fashion Pieces - Brian De Carvalho www.briandecarvalho.co.uk @Briandecarvalho Millinary Piece - Rafa Peinador www.rafapeinador.com @Rafa_peinador www.kaltblut-magazine.com

Welcome to the 20th issue of KALTBLUT. In conversation with TROYE SIVAN, NURA, FKA.M4A, MAYA BAKLANOVA, NAMILIA, ANDREA OCAMPO, OHII KATYA, LARASEVERA, BARRY BRANDON, ORKIDEH DAROODI, EVÎN, RICHARD KRANZIN, ALEXANDRA S. ADERHOLD and EDWARD MUTEBI. Featuring works by Nik Pate, Lewin Berninger, Alessandro Amarante, Mert Degirmendereli, Myriam Tisbo, Davide Corona, Nicky De Silva, Angel Ruiz, Julian Freyberg, Sebastian Kiener, DZHUS, Omid Aghdami, Oscar Latorre and David Kaminsky.

On the cover:

Concept/Photography/Edit  - Nik Pate www.nikpate.com @Nikpatestudio
Model - Chay Needs @Chayneeds_
Hair & Makeup -  Rosie Mcginn Using Fenty Beauty & Refy
www.rosiemcginnmakeup.com / @Rosiemcginnmakeup
All Fashion Pieces - Brian De Carvalho
www.briandecarvalho.co.uk @Briandecarvalho
Millinary Piece - Rafa Peinador
www.rafapeinador.com @Rafa_peinador
www.kaltblut-magazine.com

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Can you elaborate on your perspective<br />

on humor in your illustrations? How do<br />

you incorporate humor, and what do<br />

you hope to convey to the viewers<br />

through it?<br />

Hard question! Thinking about humour in my<br />

illustrations is hard because I think my sense of<br />

humour is absurd. However, I don’t know if this<br />

humour is in my art. Sometimes, I think it is,<br />

always using little details and thinking how this<br />

could be accurate for viewers.<br />

How does your heritage or cultural<br />

background influence your work as an<br />

illustrator? Are there any particular<br />

themes or elements from your heritage<br />

that you incorporate into your<br />

illustrations?<br />

<strong>In</strong> some way my cultural background influences<br />

me, even if I don’t consider it as a reference.<br />

Everything surrounding my life so far has been<br />

an influence on me, even on my academic<br />

choices, like having started a career outside of<br />

art. The context where I grew up delayed my<br />

choice to study illustration, but in the end, I was<br />

able to do it. The nature of things has allowed<br />

me to keep my eye, find beauty and even be<br />

inspired by the ugly things of a social context.<br />

However, that’s not usually the main focus of my<br />

art.<br />

Recently, I made an illustration about the town<br />

where I grew up, and I had to stop and think<br />

about all the places where I have enjoyed and<br />

cried; the people who surrounded me and<br />

everything, it gave me a new perspective about<br />

my place as an artist here.<br />

<strong>In</strong>terview by Marcel Schlutt<br />

Follow Andrea at @ancrioca<br />

www.behance.net/ancrioca<br />

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