- Page 1 and 2: FOR THE LOVE OF LIGHT THE OWL HOUSE
- Page 4: PUBLISHED BY: ADDRESS: EDITOR: PHOT
- Page 8: NOTE FROM THE CHAIRMAN I am privile
- Page 12: CONTENTS THE LANDSCAPE: Daniël van
- Page 16: THE LANDSCAPE Daniël van die Merwe
- Page 22: She met a young, dashing teacher an
- Page 26: To see a World in a Grain of Sand A
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- Page 38: THE ENTRANCE HALL Stepping over the
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- Page 50: THE DINING ROOM On the dining room
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- Page 62: SAINTS A reproduction of a mawkish
- Page 66: THE SITTING ROOM The sitting room h
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MOONLIGHT When interviewed by Susan
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LAMPS Arranged around the room, bra
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EROS AND PSYCHE II As the day unfol
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MONA LISA Four prints of Leonardo d
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The print on the wall above the cab
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An imposing object that immediately
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THE PANTRY The pantry shelves are l
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GOLLIES Two dolls lie together on o
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THE GREEN ROOM The bedroom leading
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THE COLOUR GREEN In Islam, green ne
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A sentimental picture of a mother h
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THE LONG BEDROOM The north-facing l
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THE BATHROOM The bathroom is anothe
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THE LION’S DEN The Lion’s Den i
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BLUEBEARD’S CHAMBER Leading from
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THE BACK STOEP The backyard, known
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Born to one of the wealthiest famil
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Most of the figures featured in the
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WILLIAM BLAKE Three pieces in the y
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This poetic use of materials can be
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RELIGION AND SPIRITUALITY In a lett
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MOVEMENT IN MINDSCAPES: OUTSIDER AR
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Organically, all these aspects of O
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The novelty of Sibusiso Mbhele’s
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ACKNOWLEDGMENTS: FOR THE LOVE OF LI