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The Moving Finger writes; and, having writ, Moves on: nor all the Piety nor Wit Shall lure it back to cancel half a Line, Nor all thy Tears wash out a Word of it. Omar Khayyám 216 FOR THE LOVE OF LIGHT FOR THE LOVE OF LIGHT 217
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FOR THE LOVE OF LIGHT THE OWL HOUSE
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PUBLISHED BY: ADDRESS: EDITOR: PHOT
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NOTE FROM THE CHAIRMAN I am privile
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CONTENTS THE LANDSCAPE: Daniël van
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THE LANDSCAPE Daniël van die Merwe
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HELEN MARTINS - OUTSIDER Melvyn Min
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16 FOR THE LOVE OF LIGHT FOR THE LO
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FRONT VERANDAH At the approach, Hel
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The Owl that calls upon the Night S
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Houses are really bodies. We connec
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• The Sunshine Polish tin, an una
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SHELLS A collection of shells is di
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SPRINGBOK A leaping tin springbok i
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COMPASS The eight-pointed star in t
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EROS AND PSYCHE The first known ver
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SAMARKAND Framed and hanging to the
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THE KITCHEN Strikingly, the kitchen
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According to Imrie Ross, Helen used
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100 FOR THE LOVE OF LIGHT FOR THE L
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THE HONEYMOON ROOM The room is over
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This Victorian print, captioned The
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GLOOKS On the dresser is a bright y
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SHEEP Sheep featured prominently in
Page 172: A photograph of Helen’s mother He
Page 176: 168 FOR THE LOVE OF LIGHT FOR THE L
Page 192: OMAR KHAYYAM In the early 20th cent
Page 196: The illustration to rubai number 71
Page 208: The Gates of Paradise was conceived
Page 216: TEXTURES AND MATERIALS Daniël van
Page 220: This poetic use of materials can be
Page 266: RELIGION AND SPIRITUALITY In a lett
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MOVEMENT IN MINDSCAPES: OUTSIDER AR
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Organically, all these aspects of O
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The novelty of Sibusiso Mbhele’s
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ACKNOWLEDGMENTS: FOR THE LOVE OF LI
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