20.11.2023 Views

InRO Weekly — Volume 1, Issue 1

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

FILM REVIEWS<br />

available as a plush toy). Alongside the wacky adverts that just<br />

preceded them, like the Gorilla drumming along to Phil Collins’ In<br />

The Air Tonight for Cadbury, they are driving marketing further<br />

toward abstraction, moving away from the tropes that the<br />

general public are familiar with in order to smuggle their<br />

messages into their brains through other means, such as the<br />

false pretenses of quirkiness, sentimentality, or social cause. And<br />

so, despite how aggressively surface-level and thin Mackesy’s<br />

work seems to be, one has to ask what exactly it is that he’s<br />

trying to sell.<br />

Most literally, it’s all the T-shirts and tote bags, and a new<br />

twenty-pound version of his book composed of screenshots from<br />

the film. But when returning to the source, his Instagram, there is<br />

a sense of the wider project. He seems to share most of the<br />

same pet causes with the Tories (the British right): from<br />

supporting nurses without ever advocating for their better<br />

treatment (he side-steps this by drawing them as angels, as<br />

saint-like creatures only to be looked up at and celebrated) to<br />

worshiping the royal family. Some of the only art that isn’t<br />

nakedly recycled is his loving portraits of the rotting former<br />

Queen and her ghoulish husband. This might seem in contrast<br />

with his calls for kindness, with the use of mental health and<br />

self-help rhetoric, but of course, it isn’t. This language has been<br />

appropriated by the right in increasingly cynical ways, teaching<br />

people to solipsistically acquiesce to the status quo; to look<br />

inward rather than out.<br />

Even Mackesy’s already wishy-washy gesture toward climate<br />

change <strong>—</strong> a character saying, without context, that there is “so<br />

much beauty we need to look after ”<strong>—</strong> can be read in this way,<br />

knowing that Mackesy has said that these characters are all<br />

fragments of the same person. The empty space around them,<br />

made blank by the white snow, is intentionally non-specific<br />

because it doesn’t represent a place but a mind, much like the<br />

room that Jordan Peterson claims you must clean before trying<br />

to change anything outside. But maybe that’s imagining a work<br />

more coherent than Mackesy is capable of making. Maybe this is<br />

15

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!