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ALBUM REVIEWS<br />
achieving greater success in both the U.S.<br />
and worldwide than Blur ever reached, and<br />
elevating Albarn to bonafide auteur status.<br />
Albarn has always been a jet setter <strong>—</strong><br />
famously soaking up inspiration from<br />
everywhere he hangs his hat. 2001’s Mali<br />
Music, his collaboration with Afel Bocoum<br />
and Toumani Diabaté & Friends, was born<br />
out of his journeys through Mali, a country<br />
whose music he’s long since championed.<br />
Elsewhere, work on Blur’s comeback<br />
album, 2015’s The Magic Whip, began<br />
during an extended layover in Hong Kong<br />
after a canceled festival appearance in<br />
Japan. In that spirit, Cracker Island is<br />
Albarn’s California album, recorded in LA<br />
and boasting a sunny demeanor and<br />
plenty of Golden State guest stars and<br />
references. The project kicks off with the<br />
Thundercat-featuring title track, with the<br />
bass virtuoso offering his distinctive<br />
plucking and falsetto over a textured<br />
instrumental. While Albarn’s vocal melody<br />
on the verse feels a little rudimentary and<br />
gets a bit redundant, the song’s lyrics<br />
succeed in welcoming us to the album’s<br />
ebullient but sinister setting: “Where the<br />
truth was auto-tuned / And its sadness, I<br />
consumed.” This textural space is<br />
expanded on the following track, “Oil,”<br />
which features the album’s most<br />
surprising guest star, Stevie Nicks. Her<br />
iconic gravely voice enters with a dark<br />
bassline to give the track a gleefully<br />
ominous feel, while her harmonies help to<br />
entrance listeners: “You can't hеlp<br />
yourself anymore and the madness comes<br />
/ You'll be falling into the bass and drum.”<br />
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