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FILM REVIEWS<br />
CREED III<br />
Michael B. Jordan<br />
Creed III continues to mirror the trajectory of its parent Rocky<br />
franchise. The first one was a dare-you-say transcendent<br />
recapitulation of the original film’s working-class inspirational<br />
sports story about a young (and this time Black) man coming to<br />
understand his own political capital. Creed II tossed most of that<br />
aside: our hero Adonis (Michael B. Jordan), like Rocky Balboa<br />
before him, became merely the arrogant champion, this while the<br />
much more interesting story of his opponent got pushed to the<br />
background. Now, with this third entry, we get closer to Rocky III,<br />
in which the complacent hero must fight someone who has a<br />
legitimate beef to battle for so that he can maintain his<br />
masculine pride.<br />
Adonis is flourishing in retirement from fighting. He’s rich and<br />
successful, his family is thriving; his wife Bianca (Tessa<br />
Thompson) is a renowned music producer, and his daughter<br />
Amara (Mila Davis-Kent) wants to take up boxing. But out of<br />
Adonis’ past comes an old face, that of Damian Anderson<br />
(Jonathan Majors), a childhood friend who took the fall for an act<br />
of violence committed when they were teenagers and has been<br />
in prison for 18 years. Originally the more promising fighter,<br />
Damian has only honed both his skills and his anger in the joint,<br />
and now he wants Adonis to get him a title match out of the gate.<br />
You’d think Adonis would turn to mentor Rocky for a little advice<br />
here, but pretty much any mention of Sylvester Stallone’s<br />
character has been conspicuously scrubbed here for whatever<br />
reason. In any case, it’s not long before some suspicious<br />
circumstances give Damian exactly the opportunity he demands,<br />
and when he unsurprisingly finds himself champion, his larger<br />
agenda of revenge snaps into view for Adonis, even though the<br />
audience could have smelled it from a mile off. Adonis will, of<br />
course, eventually have to come out of retirement to fight him,<br />
and the movie sets about its bland trajectory of explaining how<br />
violence doesn’t solve anything, except when it does.<br />
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