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Clout Culture - Youth Cultures in Changing Societes Conference

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although their possibilities of consumption are remarkably divergent. On the<br />

whole, a so-called leisure scenario (Gábor, 2004) had developed, with<br />

consumption and the expanded leisure <strong>in</strong>dustry becom<strong>in</strong>g an <strong>in</strong>creas<strong>in</strong>gly<br />

significant contributor to leisure activities. The recent phenomenon of an <strong>in</strong>crease<br />

<strong>in</strong> leisure time confronts society with a new situation. Furthermore, ris<strong>in</strong>g demand<br />

can also be observed <strong>in</strong> the field of culture, with every member of society<br />

becom<strong>in</strong>g a consumer of a certa<strong>in</strong> form of culture. The past decades have<br />

witnessed the transformation of cultural and content consumption habits, as well<br />

as the <strong>in</strong>creas<strong>in</strong>g weight of new media. Consequently, the cultural consumption of<br />

contemporary youth cannot be <strong>in</strong>terpreted outside of the context of digital<br />

culture.<br />

In my presentation, I present the research results carried out by the <strong>Youth</strong><br />

Research Institute, which exam<strong>in</strong>ed the attitudes of young people <strong>in</strong> Hungary<br />

related to classical music. The f<strong>in</strong>d<strong>in</strong>gs are drawn from two public op<strong>in</strong>ion polls<br />

conducted between December 2022 and January 2023 among Hungarian citizens<br />

between 15 and 39 years of age, on a nationwide, representative sample of 1,000<br />

respondents, with tablet-assisted personal <strong>in</strong>terview<strong>in</strong>g (TAPI).<br />

POSSIBLE USES FOR DIGITAL VISUAL COMMUNICATIONS BY LAW<br />

ENFORCEMENT AGENCIES AMONG FUTURE GENERATION Z<br />

POLICE OFFICERS BASED ON THE MET MODEL<br />

URICSKA ERNA (CORVINUS UNIVERSITY OF BUDAPEST, SOCIOLOGY AND<br />

COMMUNICATION SCIENCES)<br />

ANDRÁS PATYI (LUDOVIKA UNIVERSITY OF PUBLIC SERVICE)<br />

NÓRA BARNUCZ (LUDOVIKA UNIVERSITY OF PUBLIC SERVICE)<br />

Abstract<br />

The development of digital competences, <strong>in</strong>clud<strong>in</strong>g the development of digital<br />

visual competences, receives special attention <strong>in</strong> 21st century educationresearch<br />

and communication-research (Val<strong>in</strong>t<strong>in</strong>e 2019; Veszelszki 2019). While<br />

our <strong>in</strong>formation society transforms the educational process, the real question<br />

is "how to maximize the use of different tools and methods <strong>in</strong> order to<br />

<strong>in</strong>crease the efficiency of learn<strong>in</strong>g <strong>in</strong> the midst of a digital revolution" (Patyi -<br />

Barnucz 2020: 2). As Generation Z makes its way <strong>in</strong>to the realms of both public<br />

and higher education, the necessary transformation of education ensues,<br />

because its members of this latest generation f<strong>in</strong>d it more difficult to adapt to<br />

hierarchical relationships and require flexibility (Kocsis 2017). This is<br />

24<br />

LECTURE

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