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Magzoid Magazine - Luxury Magazine in the Creative Space | January 2024 |

"Color helps to express light—not the physical phenomenon, but the only light that really exists, that in the artist's brain." -Henri Matisse As we bid farewell to 2023, embrace the dawn of 2024 with Magzoid Magazine's New Year edition. Our cover story unfolds the enchanting palette of Pantone's "Peach Fuzz," a visual journey into warmth, subtlety, and vibrancy. Delve into the 2024 interior design trends forecast—bold color choices and innovative concepts transforming spaces dynamically.

"Color helps to express light—not the physical phenomenon, but the only light that really exists, that in the artist's brain."
-Henri Matisse

As we bid farewell to 2023, embrace the dawn of 2024 with Magzoid Magazine's New Year edition. Our cover story unfolds the enchanting palette of Pantone's "Peach Fuzz," a visual journey into warmth, subtlety, and vibrancy. Delve into the 2024 interior design trends forecast—bold color choices and innovative concepts transforming spaces dynamically.

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CONVERSATIONS<br />

Q.Your work seamlessly comb<strong>in</strong>es digital art with literature,<br />

creat<strong>in</strong>g a unique synergy. How did your journey <strong>in</strong> both<br />

fields <strong>in</strong>fluence each o<strong>the</strong>r, and what role does storytell<strong>in</strong>g<br />

play <strong>in</strong> your artistic process?<br />

I have always loved read<strong>in</strong>g and discovered my passion for mythology<br />

about 10 years ago, which I <strong>the</strong>n began <strong>in</strong>tegrat<strong>in</strong>g <strong>in</strong>to<br />

my work. Dur<strong>in</strong>g a ra<strong>the</strong>r dark phase of my life, I developed an<br />

<strong>in</strong>terest <strong>in</strong> poetry and psychology. These areas have enriched<br />

my work and helped me to deal with my own emotions more<br />

effectively. Orig<strong>in</strong>ally, storytell<strong>in</strong>g wasn’t particularly important<br />

to me; I simply wanted to express my emotions and feel<strong>in</strong>gs <strong>in</strong><br />

some form. Eventually, this led to a sort of storytell<strong>in</strong>g develop<strong>in</strong>g<br />

quite naturally.<br />

Q.Hav<strong>in</strong>g exhibited your art <strong>in</strong> various cultural hubs globally,<br />

from San Francisco to Zurich, how do diverse cultural landscapes<br />

<strong>in</strong>fluence or <strong>in</strong>spire your creative process? Are <strong>the</strong>re<br />

specific experiences from <strong>the</strong>se <strong>in</strong>ternational exhibitions<br />

that stand out to you?<br />

It feels wonderful to have had <strong>the</strong> opportunity to exhibit my work<br />

<strong>in</strong> so many different places. I am quite shy and prefer to stay <strong>in</strong><br />

<strong>the</strong> background, so I rarely visit exhibitions... even if <strong>the</strong>y are my<br />

own. However, I recall one exhibition where I observed an older<br />

woman stand<strong>in</strong>g <strong>in</strong> front of one of my pa<strong>in</strong>t<strong>in</strong>gs for a long time.<br />

After a while, she noticed me through <strong>the</strong> crowd and gave me<br />

a long look that made me feel as though she understood everyth<strong>in</strong>g<br />

I felt while pa<strong>in</strong>t<strong>in</strong>g that piece, possibly because she had<br />

felt it herself at some po<strong>in</strong>t. Maybe I mis<strong>in</strong>terpreted <strong>the</strong> whole<br />

situation, but that woman gave me <strong>the</strong> feel<strong>in</strong>g that what I do has<br />

value, which was hard for me to comprehend at <strong>the</strong> time.<br />

38 <strong>January</strong> <strong>2024</strong> www.magzoid.com

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