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AHJ, Vol. 4 No. 3, Spring 1974

AHJ, Vol. 4 No. 3, Spring 1974

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Harp Contest in Israel, discussed some of the more<br />

modern works for harp, showing the unusual notation<br />

of these numbers. Mr. Falcao introduced us to the<br />

"Coloring Book for Harpists" by Yanny Yehuda.<br />

The program was rounded out with the playing of<br />

two tapes: the first, an original composition by Yong<br />

Sook Won, a member of our chapter and a student at the<br />

University, was a hauntingly lovely number for Piano,<br />

Voice and Harp called <strong>No</strong>stalgia. The other tape was<br />

Heinz Holliger's "Mobile" for Oboe and Harp; played<br />

by R. Richards, oboe and Suzanne Thomas, harp.<br />

At our next meeting, Michael Amorosi will discuss<br />

and demonstrate arranging popular music for harp.<br />

Assisting in the demonstration will be Suzanne Thomas<br />

and Carol Wilson, using arrangements by Laura Erb<br />

and Phyllis Schlomovitz.<br />

This has been a year of learning and advancement.<br />

We are proud of the accomplishments of our members.<br />

TALLAHASSEE<br />

President, Mary Brigid Roman, 1318-C Charlotte St.,<br />

Tallahassee, Fla. 32304.<br />

The Tallahassee chapter held its fall business meeting<br />

at the home of Mary Brigid Roman. Ms. Roman<br />

briefed members on several new journals devoted to<br />

study and research on the harp. She has joined the<br />

United Kingdom Harpists Association to stay informed<br />

of the activities of harpists in other parts of the world.<br />

The society's newsletter features articles by prominent<br />

British harpists. Membership information can be obtained<br />

by writing the Honorable Secretary, U.K.H.A.,<br />

83 Westside, Clapham Common, London SW4, England.<br />

Kern Jackson played a tape recording of the chapter's<br />

spring recital. The meeting closed with a program<br />

played by Sharon Enders. Ms. Enders is a self-instructed<br />

folk harpist from Crestview, Florida. She delighted<br />

members by playing several of her own compositions<br />

and she also sang gospel songs with her own accompaniments.<br />

On December 21 the chapter presented its annual<br />

winter recital in Longmire Lounge at Florida State University.<br />

The Tudor style room had been decorated with<br />

tall Christmas trees and evergreen garlands to mark the<br />

holiday season. Members participating in the recital<br />

were: Sondra Gordon, Libby Gruender, Amy Finnell,<br />

Cindy Remington, Lyndy Marchich, Kathy Mitchell,<br />

Mary Brigid Roman and Karen Jackson. Brian Finnell,<br />

guitarist, also performed. Other members of the<br />

chapter entertained the performers and guests with an<br />

eggnog party after the recital.<br />

The chapter sponsored a harp maintenance clinic<br />

held on January 12 and 13. Mr. Henning Christiansen<br />

of Lyon-Healy conducted the workshop. Ms. Marjorie<br />

Tyre and several students from Auburn University<br />

joined Florida harpists for this event. Altogether fifteen<br />

harpists gained considerable confidence in their abilities<br />

to maintain their instruments in good working order.<br />

MIAMI<br />

President, Trudy Frank Faust, 7801 S.W. Court,<br />

Miami, Florida.<br />

The Miami Chapter of the AHS held a reception for<br />

Edna Phillips Rosenbaum at the Caplan Room of the<br />

Temple Israel of Greater Miami on January 3, <strong>1974</strong>.<br />

SUMMER INSTITUTE OF MUSIC<br />

IN ITALY<br />

proudly announces<br />

2ND HARP MASTER CLASS<br />

by<br />

SUSANN McDONALD<br />

July 15-August 2<br />

Please send me additional information for the<br />

SUMMER INSTITUTE OF MUSIC IN ITALY with SUSANN MCDONALD<br />

Nam~ _ ________ ___ __ __,_.d dress, _ ___ _<br />

State/Country ______________ .L. lp, ___ _ _<br />

Mail to: Susann McDonald, 504 S. Catalina Ave., Pasadena, Calif.<br />

91106<br />

Telephone, 213-681-161 l<br />

California State University<br />

credit optional (maximum 4 units)<br />

Coaching for contests<br />

Solo and ensemble performance<br />

opportunities<br />

Solfeggio<br />

50 AMERICAN HARP JOURNAL

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