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AHJ, Vol. 7 No. 4, Winter 1980

AHJ, Vol. 7 No. 4, Winter 1980

AHJ, Vol. 7 No. 4, Winter 1980

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Nylon Strings<br />

A nylon string requires no special attention except<br />

that since it is rather slick, the holding knot will<br />

sometimes undo itself when you bring it to pitch.<br />

Doubling or tripling the safety loop seems to help.<br />

Also, since nylon stretches more than gut, pull the<br />

string quite taut (making sure it passes over the nut)<br />

before making any turns with the tuning key. This<br />

will prevent over-coiling on the pin.<br />

Although this article is aimed toward economy, I<br />

strongly advise maintaining good strings on your<br />

instrument. Don't allow your ear to become accustomed<br />

to false or dead strings.<br />

In the case of nylon strings you must watch for<br />

"pitting'' of the string which is created by the disc<br />

pins. This not only creates weakness but also puts<br />

the string out of round and makes it false. There is<br />

no remedy other than to change the string, since it<br />

can never be in tune in natural or sharp.<br />

2. Always tune your harp in the key of C-flat. If your<br />

pitch source is A- or C-natural, tune the string to<br />

the proper vibration, release the pedal to flat position,<br />

return it to natural and check it against the<br />

source. You will probably have to retune it, perhaps<br />

even a second or third time. The greatest<br />

amount of stretch occurs between the tuning pin,<br />

stationary or adjustable nut and the disc pins,<br />

thereby causing unevenness of stretch along the<br />

entire length of the string. (It goes without saying<br />

that your harp must be kept in good regulation at<br />

all times.)<br />

3. Intertwining a narrow felt strip among the strings<br />

below the middle octave in which you set the<br />

temperament will prevent these strings from vibrating<br />

sympathetically (they will be heard even<br />

when off pitch). As you tune downward, remove<br />

the felt, string by string: your tuning of these<br />

strings will be easier and more accurate.<br />

Some Thoughts on Tuning<br />

1. I suggest that you read Jane Weidensaul's book,<br />

Scientific Tuning. It contains invaluable information<br />

which is explained clearly and concisely.<br />

4. The lowest three or four notes of the harp are<br />

often rather hard to hear. Try plucking the string<br />

with the fingernail just a few inches below the<br />

stationary nut. (This will more intensely activate<br />

the upper harmonic partials, making the vibrations<br />

easier to hear.<br />

We offer a fine range of handmade Harps based on<br />

traditional designs, but incorporating best modern<br />

techniques and materials. The models vary in size from<br />

the three octave "Ballad" to the "Celtic" with over four<br />

octaves.<br />

Illustrated is the "Celtic Traditional de Luxe" with<br />

artist hand-carved original Celtic design in gilted<br />

"pokerwork."<br />

"IRISH AIRS FOR THE HARP'" -Harp Instructions and Thiny-Three Airs arranged by<br />

E. O'Gallagher@ $6.50 Post Free,<br />

"SIX AIRS FOR THE HARP" by Carolan from the Bunting Collection @ $2.20 Post<br />

Free.<br />

THE CAL THORPE COLLECTION -37 IRISH AIRS and SONGS, many of them<br />

award-winning arrangements Arranged by Nancy Calthorpe for the IRISH HARP @<br />

$12.50 Post Free.<br />

A CELTIC BOUQUET FOR THE HARP. Popular Irish Songs and Airs. arranged by<br />

Nancy Calthrope , Post Free $6.50.<br />

WALTONS'<br />

DUBLIN 1, IRELAND<br />

HARP EXPORT DEPT.<br />

2-5, <strong>No</strong>rth Frederick Street Write for our free catalogue.<br />

<strong>Winter</strong>/<strong>1980</strong> 23

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