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AHJ, Vol. 7 No. 4, Winter 1980

AHJ, Vol. 7 No. 4, Winter 1980

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Elie Siegmeister, Sioned Williams, Lucien Thomson, Pearl Chertok, and Bernard Grandjany at a reception following the concert.<br />

Two debut programs were well-received by New<br />

York City public and critics this past season. Sioned<br />

Williams, Welsh harpist and winner of the Concert<br />

Artists Guild competition, performed at Carnegie<br />

Recital Hall on the evening of 8 April <strong>1980</strong> in the<br />

middle of the transit strike. Raymond Ericson of the<br />

New York Times wrote:<br />

There were no doubts about her ability as a performer. Her<br />

playing was technically smooth, accurate, rhythmically<br />

steady and alive with color . . . . The Sonatine (Op. 30) of<br />

Marcel Tournier, the noted French harpist, in a way comes<br />

to terms with the harp and lets it do what it does best. It<br />

provides the player with virtuoso effects to be exploited, and<br />

they work beautifully. Miss Williams played it excellently,<br />

as she had everything on the program, with lovely washes of<br />

color and great delicacy.<br />

In May Mary Emily Mitchell offered her program at<br />

the Abraham Goodman House. Joseph Horowitz, also<br />

of the New York Times, observed:<br />

The harp is such an intractable solo instrument that merely<br />

to play difficult music cleanly and accurately can seem a feat<br />

worth noticing. But the first thing one noticed about Emily<br />

Mitchell's playing Saturday night ... was her mature,<br />

incisive musicianship, her sure grasp of style, her ability to<br />

mold long phrases, the bold intensity of her climaxes. It<br />

seemed mainly incidental that she also proved a superb<br />

executant, demonstrating a broad range of color and<br />

dynamics, and unusual facility in running passages.<br />

In short, Miss Mitchell, who won first prize in the 1979<br />

International Harp Contest in Jerusalem, is a marvelous<br />

harpist whose technical skills seem always at the service of<br />

the music.<br />

Ms. Mitchell represented the AHS as exchange<br />

recitalist at the 20th International Harpcourse in<br />

Holland this past summer, and was featured as one of<br />

the "Young Artists of <strong>1980</strong>" in the July <strong>1980</strong> issue of<br />

Musical America.<br />

<strong>Winter</strong>/<strong>1980</strong><br />

Emily Mitchell<br />

Dean Morrette Rider of the University of Oregon<br />

has announced the winners of the Ruth Lorraine<br />

Close Musical Fellowship Awards in Music. The<br />

three grants of $2,000.00 each were won by Sarah<br />

Bullen, Ann Pemberton-Roush, and Catherine White.<br />

Sally Maxwell administers the competition for the<br />

American Harp Society. (Photograph of Ann<br />

Pemberton-Roush not received at press time.)<br />

On the b., ,is of an audition by invitation, Barbara<br />

Allen has been chosen principal harpist with the San<br />

Francisco Symphony for the <strong>1980</strong>- 81 season. Anne<br />

Adams, who joined the Symphony in 1941, is retiring<br />

from the job in order to have more time for solo<br />

playing, chamber music, and the San Francisco<br />

Opera which now runs concurrently with the Sym-<br />

35

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