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OTTOMANIA 2<br />
For centuries the figure of “the Turk”<br />
spread fascination and fear –<br />
in the theatre of war and on stage<br />
OTTOMANIA<br />
2<br />
Bent Holm<br />
THE TAMING OF THE TURK<br />
Bent Holm<br />
THE TAMING<br />
OF<br />
THE TURK<br />
OTTOMANS ON THE<br />
DANISH STAGE 1596–1896<br />
translated from the Danish by<br />
Gaye Kynoch<br />
From the staging of “the Turk” as a<br />
diabolical player in royal ceremonies of<br />
early modern times, to the appearance<br />
DON JUAN ARCHIV WIEN is an independent research<br />
of<br />
institute<br />
harmless<br />
for opera and<br />
“Turkish”<br />
theatre history in Central<br />
entertainment<br />
and<br />
Mediterranean Europe from the beginnings to the nineteenth<br />
figures century. in the late nineteenth century.<br />
Artistic,<br />
Don Juan is an<br />
theatrical<br />
important figure in cultural<br />
and<br />
and<br />
theo<br />
theatre<br />
logical<br />
history, originating in Spain in the early seventeenth century,<br />
conceptions co-act in paradoxical ways<br />
becoming increasingly widespread in Europe and since the<br />
against late eighteenth century a backdrop continuously disseminated of pragmatic overseas. connections<br />
are being systematically with catalogued and Ottomans. documented by the The book<br />
The numerous traces of this theatrical triumphal procession<br />
DON JUAN ARCHIV WIEN.<br />
elucidates, for the first time, three<br />
centuries DON JUAN ARCHIV of cultural WIEN is a member history of several as articulated<br />
collaborates in dealings with archives, libraries, between museums, and research the Kingdom<br />
international organisations, such as SIBMAS and IAML, and<br />
institutions – particularly in Vienna, Salzburg, Prague,<br />
of Denmark and the Ottoman Empire<br />
Florence and Rome. The archive fosters academic and artistic<br />
seen<br />
exchanges<br />
in<br />
on both<br />
a<br />
a<br />
general<br />
regional and international<br />
European<br />
level through<br />
context.<br />
numerous events like conferences, workshops, dialogue<br />
meetings, lectures, and notably the series of symposia<br />
Ottoman Empire and European Theatre, which has been held<br />
since 2008. In addition, the DON JUAN ARCHIV WIEN<br />
has presented its research in the form of publications that are<br />
published by HOLLITZER Wissenschaftsverlag.<br />
The book series “<strong>Ottomania</strong>” researches the cultural<br />
transfers between the Ottoman Empire and Europe with a<br />
focus on the performing arts.<br />
Michael Hüttler and Hans Ernst Weidinger (eds.): Ottoman<br />
Empire and European Theatre, vol. 1: The Age of Mozart and<br />
Selim III (1756-1808), 2013 (= <strong>Ottomania</strong> 1)<br />
Bent Holm (* 1946) was until 2014 associate<br />
professor at the Institute for Arts and<br />
Cultural Studies, University of Copenhagen.<br />
Research travels led him to Italy, France<br />
and India. He published interdisciplinary<br />
studies on historical and dramaturgical issues.<br />
Bent Holm<br />
The Taming of the Turk.<br />
Ottomans on the Danish Stage 1596–1896<br />
Translated from the Danish by Gaye Kynoch<br />
2014 | <strong>Ottomania</strong> 2<br />
ISBN 978-3-99012-118-4<br />
348 pages | 17,5 × 24,5 cm<br />
English<br />
Hardcover with dustjacket<br />
€ 55,00<br />
21.5.2014 9:43:00<br />
also available as e-book<br />
€ 39,99<br />
6 Hollitzer Verlag Catalogue of Publications <strong>Ottomania</strong> by Don Juan Archiv Wien