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OTTOMANIA 2<br />

For centuries the figure of “the Turk”<br />

spread fascination and fear –<br />

in the theatre of war and on stage<br />

OTTOMANIA<br />

2<br />

Bent Holm<br />

THE TAMING OF THE TURK<br />

Bent Holm<br />

THE TAMING<br />

OF<br />

THE TURK<br />

OTTOMANS ON THE<br />

DANISH STAGE 1596–1896<br />

translated from the Danish by<br />

Gaye Kynoch<br />

From the staging of “the Turk” as a<br />

diabolical player in royal ceremonies of<br />

early modern times, to the appearance<br />

DON JUAN ARCHIV WIEN is an independent research<br />

of<br />

institute<br />

harmless<br />

for opera and<br />

“Turkish”<br />

theatre history in Central<br />

entertainment<br />

and<br />

Mediterranean Europe from the beginnings to the nineteenth<br />

figures century. in the late nineteenth century.<br />

Artistic,<br />

Don Juan is an<br />

theatrical<br />

important figure in cultural<br />

and<br />

and<br />

theo<br />

theatre<br />

logical<br />

history, originating in Spain in the early seventeenth century,<br />

conceptions co-act in paradoxical ways<br />

becoming increasingly widespread in Europe and since the<br />

against late eighteenth century a backdrop continuously disseminated of pragmatic overseas. connections<br />

are being systematically with catalogued and Ottomans. documented by the The book<br />

The numerous traces of this theatrical triumphal procession<br />

DON JUAN ARCHIV WIEN.<br />

elucidates, for the first time, three<br />

centuries DON JUAN ARCHIV of cultural WIEN is a member history of several as articulated<br />

collaborates in dealings with archives, libraries, between museums, and research the Kingdom<br />

international organisations, such as SIBMAS and IAML, and<br />

institutions – particularly in Vienna, Salzburg, Prague,<br />

of Denmark and the Ottoman Empire<br />

Florence and Rome. The archive fosters academic and artistic<br />

seen<br />

exchanges<br />

in<br />

on both<br />

a<br />

a<br />

general<br />

regional and international<br />

European<br />

level through<br />

context.<br />

numerous events like conferences, workshops, dialogue<br />

meetings, lectures, and notably the series of symposia<br />

Ottoman Empire and European Theatre, which has been held<br />

since 2008. In addition, the DON JUAN ARCHIV WIEN<br />

has presented its research in the form of publications that are<br />

published by HOLLITZER Wissenschaftsverlag.<br />

The book series “<strong>Ottomania</strong>” researches the cultural<br />

transfers between the Ottoman Empire and Europe with a<br />

focus on the performing arts.<br />

Michael Hüttler and Hans Ernst Weidinger (eds.): Ottoman<br />

Empire and European Theatre, vol. 1: The Age of Mozart and<br />

Selim III (1756-1808), 2013 (= <strong>Ottomania</strong> 1)<br />

Bent Holm (* 1946) was until 2014 associate<br />

professor at the Institute for Arts and<br />

Cultural Studies, University of Copenhagen.<br />

Research travels led him to Italy, France<br />

and India. He published interdisciplinary<br />

studies on historical and dramaturgical issues.<br />

Bent Holm<br />

The Taming of the Turk.<br />

Ottomans on the Danish Stage 1596–1896<br />

Translated from the Danish by Gaye Kynoch<br />

2014 | <strong>Ottomania</strong> 2<br />

ISBN 978-3-99012-118-4<br />

348 pages | 17,5 × 24,5 cm<br />

English<br />

Hardcover with dustjacket<br />

€ 55,00<br />

21.5.2014 9:43:00<br />

also available as e-book<br />

€ 39,99<br />

6 Hollitzer Verlag Catalogue of Publications <strong>Ottomania</strong> by Don Juan Archiv Wien

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