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OTTOMANIA 3<br />
An exploration of the relationship<br />
between Western artists<br />
and Turkish-Ottoman culture<br />
OMANIA<br />
3<br />
OTTOMAN EMPIRE AND<br />
EUROPEAN THEATRE II<br />
OTTOMAN EMPIRE<br />
AND<br />
EUROPEAN THEATRE<br />
II<br />
THE TIME OF JOSEPH HAYDN:<br />
FROM SULTAN MAHMUD I<br />
TO MAHMUD II (r.1730–1839)<br />
edited by<br />
Michael Hüttler ∙ Hans Ernst Weidinger<br />
Twenty-seven contributions<br />
by renowned experts shed light on<br />
DON JUAN ARCHIV WIEN is an independent research<br />
the mutual influences that affected<br />
institute for opera and theatre history in Central and<br />
European Mediterranean Europe and from the Ottoman beginnings to the society<br />
nineteenth<br />
century.<br />
and art in the 18th-century. Ottoman<br />
Don Juan is an important figure cultural and theatre<br />
artists have been interested in European<br />
becoming culture, increasingly widespread as well in Europe as and Western<br />
since the<br />
history, originating in Spain in the early seventeenth century,<br />
late eighteenth century continuously disseminated overseas.<br />
playwrights, The numerous traces of this composers theatrical triumphal procession and visual<br />
are being systematically catalogued and documented by the<br />
artists in the Turkish-Ottoman culture.<br />
DON JUAN ARCHIV WIEN.<br />
The articles reflect the growth of<br />
DON JUAN ARCHIV WIEN is a member of several<br />
research<br />
international organisations,<br />
in the<br />
such<br />
area<br />
as SIBMAS<br />
of<br />
and<br />
cultural<br />
IAML, and<br />
transfers<br />
collaborates with archives, libraries, museums, and research<br />
between the Ottoman Empire and<br />
institutions – particularly in Vienna, Salzburg, Prague,<br />
non-Ottoman Florence and Rome. The archive Europe, fosters academic as and expressed<br />
artistic<br />
exchanges on both a regional and international level through<br />
in theatre, music and the visual arts.<br />
numerous events like conferences, workshops, dialogue<br />
meetings, lectures, and notably the series of symposia Ottoman<br />
Empire and European Theatre, which has been held since 2008.<br />
In addition, the DON JUAN ARCHIV WIEN has presented<br />
its research in the form of publications that are published by<br />
HOLLITZER Wissenschaftsverlag.<br />
The book series “<strong>Ottomania</strong>” researches the cultural transfers<br />
between the Ottoman Empire and Europe with a focus on the<br />
performing arts.<br />
Michael Hüttler and Hans Ernst Weidinger (eds.): Ottoman<br />
Empire and European Theatre, vol. 1: The Age of Mozart and<br />
Selim III (1756–1808), 2013 (= <strong>Ottomania</strong> 1)<br />
Bent Holm: The Taming of the Turk: Ottomans on the Danish<br />
Stage 1596–1896, 2014 (= <strong>Ottomania</strong> 2).<br />
Michael Hüttler (* 1966) has been conducting<br />
research for Don Juan Archiv Wien since<br />
2001. Since 2010 he has been head of the<br />
then founded HOLLITZER Verlag.<br />
Hans Ernst Weidinger (* 1949) studied law,<br />
classical languages, theatre studies<br />
and art history in Vienna and founded<br />
the Don Juan Archiv Wien in 1987.<br />
Michael Hüttler / Hans Ernst Weidinger (eds.)<br />
Ottoman Empire and European Theatre II.<br />
The Time of Joseph Haydn: From Sultan Mahmud I<br />
to Mahmud II (r.1730–1839)<br />
2014 | <strong>Ottomania</strong> 3<br />
ISBN 978-3-99012-068-2<br />
736 pages | 17,5 × 24,5 cm<br />
English<br />
Hardcover with dustjacket<br />
€ 77,00<br />
13.5.2014 19:07:06<br />
also available as e-book<br />
€ 44,99<br />
8 Hollitzer Verlag Catalogue of Publications <strong>Ottomania</strong> by Don Juan Archiv Wien
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