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March 2024<br />
<strong>Sacred</strong> <strong>leaflets</strong><br />
<strong>for</strong> <strong>upper</strong> <strong>voices</strong>
<strong>Sacred</strong> <strong>leaflets</strong> <strong>for</strong> <strong>upper</strong> <strong>voices</strong><br />
Contents <strong>for</strong>ces page<br />
All things bright and beautiful: Mack Wilberg SA & piano More Info 375<br />
Ave Maria: Rebecca Clarke SSA unaccompanied More Info 44<br />
Ave Maria: Gustav Holst<br />
SSAA double choir More Info 97<br />
unaccompanied<br />
Ave Maria: Cecilia McDowall SSA unaccompanied More Info 168<br />
Bless to me this day: Cecilia McDowall SA (div), piano or organ More Info 173<br />
Brother James’s Air: Gordon Jacob SSA & piano More Info * 120<br />
Call of Wisdom, The: Will Todd SS (or SA) & organ More Info * 339<br />
Cantique de Jean Racine arr. Rutter SSAA, organ or piano More Info * 415<br />
Columba aspexit: Tarik O’Regan SSA & piano (ad lib.) More Info 215<br />
Deep Peace: Andrew Carter SA unaccompanied More Info 41<br />
Faith, hope, and love remain:<br />
SA, organ or piano More Info * 5<br />
Malcolm Archer<br />
For Remembrance: Paul Drayton SSA, organ or piano More Info * 56<br />
Give to eyes, Lord: Ronald Corp SA & piano More Info 49<br />
God will give orders/Sweet child: Sarah Quartel SSAA, cello, djembe & More Info 236<br />
piano<br />
Hodie Christus natus est: Palestrina arr. Marvin SSAA unaccompanied More Info * 227<br />
How can I keep from singing?: Sarah Quartel SSAA unaccompanied More Info * 251<br />
How can I keep from singing?: arr John Scott SS, organ or piano More Info 160<br />
In Paradisum: Jonathan Willcocks SS unaccompanied More Info 397<br />
King of Glory, King of Peace: William H Harris SSA & organ More Info 83<br />
Lamb, The: Robert A Harris SSAA unaccompanied More Info 75
Land of Spices, The: Gabriel Jackson Unison & organ More Info 113<br />
Laudate Dominum: Mozart arr. Lethbridge SSA & piano More Info 207<br />
Let all the world in every corner sing:<br />
SS & organ More Info 132<br />
CS Lang<br />
Lions and Oxen: Joel Martinson Unison, oboe & organ More Info 428<br />
Litany, A: William Walton SSAA unaccompanied More Info 351<br />
Lord, make me an instrument: Jonathan<br />
SA & piano More Info 401<br />
Willcocks<br />
Love is come again: Alan Smith S solo, SA & piano More Info 332<br />
Magnificat and Nunc dimittis: Edward Bairstow Unison & organ More Info 13<br />
Magnificat and Nunc dimittis: George Dyson<br />
Magnificat and Nunc dimittis (The Edinburgh<br />
Unison & organ or More Info 64<br />
piano<br />
Unison & organ More Info 311<br />
Service): Howard Skempton<br />
May the road rise to meet you: Michael Higgins SSA & piano More Info 90<br />
My soul is awakened: Sarah Quartel SSAA & piano More Info 263<br />
Non nobis Domine: William Byrd SSA unaccompanied More Info 39<br />
O be joyful: Becky McGlade SSA & piano More Info 192<br />
O Taste and See: Vaughan Williams SSA unaccompanied More Info * 348<br />
Prayer of St Richard of Chichester: Antony<br />
SS (or SA) & organ More Info 21<br />
Baldwin<br />
Prayer of St Richard of Chichester: LJ White Unison (or SA), organ More Info 371<br />
or piano<br />
Prologue (from Snow Angel): Sarah Quartel SSA, cello & piano More Info 279<br />
Psalm 121: Libby Larsen<br />
SSSAAA<br />
More Info 136<br />
unaccompanied<br />
Psalm 150: John Harper SA & organ More Info 72<br />
Psalm 150: Zoltán Kodaly SSA unaccompanied More Info 128
Psalm 150: David Willcocks SSAA & orgsan More Info 447<br />
Psalm 23: Franz Schubert SSAA & piano More Info 437<br />
Regina Caeli: Cecilia McDowall SSAA unaccompanied More Info * 183<br />
Ring the Bells: Libbly Larsen SSA & piano More Info 153<br />
Sanctum: Sarah Quartel SSAA unaccompanied More Info 286<br />
Softly and tenderly: Mack Wilberg SSAA & piano More Info 387<br />
Solitude: James Whitbourn SSA, piano or harp More Info * 358<br />
Song’s Eternity: Howard Skempton SS unaccompanied More Info 328<br />
Sursum Corda: Alan Bullard SSAA unaccompanied More Info 31<br />
Thou art God: Lionel Bourne<br />
SS, organ & opt. flute More Info * 409<br />
and oboe<br />
Veni Sancte Spiritus: Sarah Quartel SSA, organ & piano More Info 304<br />
* Where a recording of the three-part version is not available this links to an<br />
alternative scoring of the piece
ANTHEMS<br />
General Editor David Willcocks<br />
SA and organ or piano<br />
5<br />
2<br />
Faith, hope,<br />
<strong>for</strong> online perusal only<br />
and love remain<br />
(SA)<br />
Malcolm Archer<br />
A
6<br />
Composed to celebrate the marriage of Laura and Andrew Robinson at St Giles’ Church, Durham<br />
Faith, hope, and love remain<br />
1 Corinthians 13:13 and Song of Solomon 8:6–7<br />
MALCOLM ARCHER<br />
Unhurried q = 72<br />
<br />
<br />
<br />
SOPRANO <br />
ALTO<br />
<br />
<br />
ORGAN<br />
or<br />
PIANO<br />
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<br />
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Unhurried q = 72<br />
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now these three re - main:<br />
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<br />
Also published in a version <strong>for</strong> mixed <strong>voices</strong> (SATB) and organ (ISBN 978–0–19–338924–3).<br />
© Ox<strong>for</strong>d University Press 2012 and 2013<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
7<br />
3<br />
12<br />
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faith, hope, and love, faith, hope, and<br />
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love,<br />
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<strong>for</strong> online perusal only<br />
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<strong>for</strong> online perusal only<br />
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47<br />
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<strong>for</strong> online perusal only<br />
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W175 Faith, hope, and love remain (SA) ARCHER<br />
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<strong>for</strong> online perusal only<br />
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Processed in England by Enigma Music Production Services, Amersham, Bucks.<br />
Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
2<br />
CHURCH SERVICES LJ<br />
General Editor David Willcocks<br />
13<br />
SATB and organ<br />
THIS Service can be sung by either men, or women, or both. If by men only, it may be advisable to<br />
use the alternatives printed in small notes, thus avoiding the high notes. Choirmasters can use their<br />
discretion in apportioning various passages to different groups. Antiphonal singing can be arranged<br />
between men and women, men and boys, choir and congregation, or between a few <strong>voices</strong> and the<br />
whole choir. There are other places besides those marked in the Evening Service where this may be<br />
done.<br />
It is possible to play the accompaniment on an instrument without pedals. If this is done, the small<br />
notes should be omitted, and also the pedal part when it is an octave below the next part above.<br />
G. = Great organ<br />
S. = Swell organ<br />
C. = Choir organ<br />
P. = Pedal organ<br />
M. = Manual without Pedals<br />
VOICES<br />
ORGAN<br />
1-Magnificat<br />
from the Unison Service in E ftat<br />
Allegro moderato A<br />
---<br />
Key E~. tJ m :d :r I m :f :1 I 1 : 4' :t<br />
A I<br />
_, ,_<br />
&I '<br />
~ I<br />
legato<br />
•<br />
- - - - I<br />
• G.r,f.<br />
I<br />
<strong>for</strong> online perusal only<br />
-.J I<br />
P.<br />
My soul doth<br />
I I I I<br />
J ..J J J J .J<br />
E. C. BAIRSTOW<br />
1. .,f:" :f<br />
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magnify the<br />
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Lord, and my spirit hath re - joic - ed in God my<br />
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A I l I<br />
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Sa - viour.<br />
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L<br />
A=Choir and congregation, or Full Choir.<br />
B=Choir only, or Soprano and Alto, or a few <strong>voices</strong>. N.H. These are not obligatory.<br />
Copyright 1923 Ox<strong>for</strong>d University Press Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
Photocopying this copyright material is ILLEGAL.
14<br />
<strong>for</strong> online perusal only
15<br />
<strong>for</strong> online perusal only
16<br />
<strong>for</strong> online perusal only
17<br />
<strong>for</strong> online perusal only
18<br />
<strong>for</strong> online perusal only
19<br />
<strong>for</strong> online perusal only
20<br />
<strong>for</strong> online perusal only
21<br />
OXFORD CHURCH MUSIC<br />
ANTONY BALDWIN<br />
PRAYER<br />
OF SAINT<br />
RICHARD OF<br />
CHICHESTER<br />
<strong>for</strong> online perusal only<br />
For Upper Voices (SS or SA)<br />
and Organ
22<br />
<strong>for</strong> Simon Lole and the Choir of Salisbury Cathedral, England<br />
Prayer of Saint Richard of Chichester<br />
For Upper Voices (SS or SA) and Organ<br />
St. Richard, Bishop of Chichester*<br />
Antony Baldwin<br />
Upper<br />
Voices<br />
Organ<br />
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<strong>for</strong> online perusal only<br />
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Thanks be to Thee, my Lord Je - sus<br />
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*Richard of Wyche, born circa 1197 in Worcestershire, England; died on 3 April 1253 at Dover. Known as the “laughing<br />
Bishop,” he was a man of strong character, kind, and modest about his own abilities. He loved people and was<br />
greatly loved by them. He was made a saint in 1262.<br />
Copyright © 2004, Ox<strong>for</strong>d University Press, Inc.<br />
Printed in U.S.A.
11<br />
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day by day.<br />
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! YY Y C C C BO<br />
O B O B<br />
# Y Y Y C<br />
BO<br />
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19 March 2003<br />
ISBN 0-19-386705-2<br />
www.oup.com<br />
9 780193 867055
25<br />
2<br />
<strong>for</strong> online perusal only
26<br />
<strong>for</strong> online perusal only
27<br />
<strong>for</strong> online perusal only
28<br />
<strong>for</strong> online perusal only
29<br />
<strong>for</strong> online perusal only
30<br />
<strong>for</strong> online perusal only
UPPER-VOICE MUSIC<br />
General Editor Ronald Corp<br />
SSAA a cappella<br />
31<br />
2<br />
Sursum Corda<br />
<strong>for</strong> online perusal only<br />
Alan Bullard<br />
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Commissioned by St Margaret’s School, Bushey, <strong>for</strong> its 250th Anniversary<br />
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© Ox<strong>for</strong>d University Press 2001<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
Photocopying this copyright material is ILLEGAL.
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<strong>for</strong> online perusal only<br />
W152 Sursum Corda BULLARD<br />
ha<br />
ha<br />
ha<br />
ha<br />
be<br />
be<br />
be<br />
be<br />
mus<br />
mus<br />
mus<br />
mus<br />
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ad<br />
ad<br />
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2<br />
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Do<br />
Do<br />
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mi<br />
mi num.<br />
! 0 ! 0 W<br />
+ 6 6<br />
! 0 ! 0 W<br />
num.<br />
! 0 ! 0 W<br />
num.<br />
(m)<br />
(m)<br />
(m)<br />
! 0 ! 0 W<br />
(m)<br />
6 6<br />
) 6 6<br />
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1
39<br />
<strong>for</strong> online perusal only<br />
© Ox<strong>for</strong>d University Press (Canadian Branch) 1972, assigned to Ox<strong>for</strong>d University Press Inc. Assigned to Ox<strong>for</strong>d University Press 2010<br />
Printed in U.S.A.
40<br />
<strong>for</strong> online perusal only
41<br />
2<br />
<strong>for</strong> online perusal only
42<br />
<strong>for</strong> online perusal only
43<br />
<strong>for</strong> online perusal only
CHURCH MUSIC<br />
Upper <strong>voices</strong> (SSA) unaccompanied<br />
44<br />
2<br />
<strong>for</strong> online perusal only<br />
Ave Maria<br />
Rebecca Clarke<br />
A
45<br />
<strong>for</strong> online perusal only<br />
Copyright © 1998 Ox<strong>for</strong>d University Press, Inc. Assigned to Ox<strong>for</strong>d University Press 2010.<br />
Printed in the U.S.A.
46<br />
<strong>for</strong> online perusal only
47<br />
<strong>for</strong> online perusal only
48<br />
<strong>for</strong> online perusal only
ANTHEMS<br />
General Editor David Willcocks<br />
SA and piano<br />
49<br />
2<br />
Give to my eyes,<br />
<strong>for</strong> online perusal only<br />
Lord<br />
Ronald Corp<br />
A
50<br />
Give to my eyes, Lord<br />
Colin Coppen (b. 1953)<br />
RONALD CORP<br />
SOPRANO<br />
ALTO<br />
Flowing<br />
<br />
<br />
<br />
<br />
<br />
<br />
PIANO<br />
mp legato<br />
<br />
<br />
<br />
<strong>for</strong> online perusal only<br />
4<br />
<br />
<br />
unis. mp<br />
<br />
1. Give to my<br />
2. Give to my<br />
<br />
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8<br />
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eyes, Lord, the bless-ing<br />
of see - ing your face In all a - round me, the<br />
hands, Lord, the bless-ing<br />
of do - ing your will, Bring-ing<br />
your touch where it’s<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<br />
© Ox<strong>for</strong>d University Press 2007 Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
11<br />
<br />
<br />
<br />
light of<br />
<br />
<br />
13<br />
<br />
your glo - ri - ous grace.<br />
need-ed<br />
to soothe ev - ery ill.<br />
<br />
<br />
<br />
<br />
Help me<br />
Help me<br />
<br />
to<br />
to<br />
see<br />
heal<br />
<br />
<br />
the needs<br />
the pain<br />
<br />
of<br />
of<br />
<br />
<br />
<br />
3<br />
<br />
your peo - ple and be<br />
your peo - ple and be<br />
<br />
<br />
rit leads me.<br />
rit leads me.<br />
<br />
<br />
<br />
<br />
più f<br />
<br />
<br />
<br />
<br />
3. Give to my<br />
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Rea - dy to go, Lord, wher - ev - er your Spi -<br />
Rea - dy to serve, Lord, wher - ev - er your Spi -<br />
<br />
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15<br />
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mp<br />
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17<br />
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cresc.<br />
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più f
52<br />
4<br />
19<br />
<br />
più f<br />
<br />
(3.) The bless-ing<br />
of walk-ing<br />
your way,<br />
you<br />
<br />
<br />
feet, Lord, the bless-ing<br />
of walk-ing<br />
your way, Go-ing<br />
wher-ev<br />
- er you<br />
<br />
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22<br />
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<br />
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<br />
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<br />
lead methrough-out<br />
the wholeday.<br />
<br />
<br />
<br />
lead methrough-out<br />
the wholeday.<br />
<br />
<br />
<br />
<br />
Show me the paths that lead where your peo - ple need me,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Show me the paths that lead where your peo - ple need me,<br />
<br />
<br />
<br />
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<strong>for</strong> online perusal only<br />
24<br />
<br />
<br />
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Mine your own foot-steps,<br />
wher -ev<br />
- er your Spi - rit leads me.<br />
<br />
<br />
<br />
<br />
<br />
Mine your own foot - steps, wher -ev<br />
- er your Spi - rit leads me.<br />
<br />
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S.<br />
A.<br />
26<br />
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dim.<br />
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p<br />
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4. Give to my<br />
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p
53<br />
5<br />
30<br />
<br />
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mouth, Lord, the cour-age<br />
to speak of yourcross, Bold - ly pro-claim<br />
- ing your<br />
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33<br />
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death was a gain not a loss. That through your blood, true just-ice<br />
and mer - cy may be<br />
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35<br />
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Build-ing<br />
your King-dom,<br />
wher-ev<br />
- eryour Spi - rit leads me.<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
38<br />
<br />
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f<br />
<br />
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S. <br />
<br />
5. Give to my heart, Lord,<br />
<br />
<br />
<br />
f<br />
A.<br />
<br />
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5. Give to my heart, Lord, the grace to re-joice<br />
in your love,<br />
<br />
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cresc.<br />
f<br />
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<strong>for</strong> online perusal only
54<br />
6<br />
41<br />
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Show-ing<br />
<strong>for</strong>-give<br />
- ness and mer - cy and grace from a bove.<br />
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Show ing<br />
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- <strong>for</strong>-give<br />
- - - ness and<br />
mer<br />
- cy from a<br />
- That by your<br />
-<br />
43<br />
<br />
<br />
- bove.<br />
<br />
word<br />
<br />
<br />
<br />
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Help<br />
<br />
<br />
I’ll share in the joys you give free,<br />
<br />
me<br />
<br />
Helpme to go,<br />
<br />
<br />
to<br />
<br />
go<br />
<br />
Lord,<br />
<br />
where the<br />
-<br />
<br />
wher ev - er your<br />
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45<br />
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Spi - rit leads me.<br />
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Spi - rit leads me.<br />
<br />
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<strong>for</strong> online perusal only<br />
S.<br />
A.<br />
49<br />
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unis. più f<br />
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6. Je - sus, Lord, take me, I of fer<br />
<br />
<br />
<br />
<br />
cresc.<br />
più f<br />
<br />
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- my whole life to you
55<br />
52<br />
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And by my ser<br />
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<br />
<br />
<br />
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- vice I’ll show that I’m faith-ful<br />
and true.<br />
<br />
Help me<br />
<br />
<br />
to<br />
7<br />
<br />
<br />
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54<br />
poco dim.<br />
dim. al fine<br />
<br />
<br />
<br />
<br />
live and praise you; please Lord set me free<br />
That you may use me, wher-<br />
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poco dim.<br />
dim. al fine <br />
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<strong>for</strong> online perusal only<br />
57<br />
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- ev - er your Spi - rit needs me.<br />
<br />
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mp<br />
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59 <br />
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62<br />
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Processed in England by Enigma Music Production Services, Amersham, Bucks.<br />
Printed in England by Halstan & Co. Ltd., Amersham, Bucks.
SACRED<br />
SSA and organ or piano<br />
56<br />
2<br />
<strong>for</strong> online perusal only<br />
For Remembrance<br />
Paul Drayton<br />
A
Laurence Binyon<br />
(1869–1943)<br />
SOPRANO<br />
ALTO<br />
{<br />
ORGAN *<br />
6<br />
°<br />
¢ &<br />
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Serenely q = 86<br />
°<br />
¢ & 4 ∑ ∑ ∑<br />
& 4<br />
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4<br />
mp legato<br />
Ped.<br />
For Remembrance<br />
S. & A. unis. mp<br />
They shall grow not old,<br />
as we that are left grow old: Age shall not wea - ry them,<br />
nor the years con - demn.<br />
At the go-ing<br />
down of the sun<br />
PAUL DRAYTON<br />
Œ ˙ œ œ œ j ˙<br />
Œ ˙ œ œ œ œ œ ˙œ œ œ œ œ ˙œ œ œ œ œ œ œ ˙ œ œ œ œ œ ˙œ œ œ œ<br />
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57<br />
<strong>for</strong> online perusal only<br />
Ó<br />
& œ œ œ<br />
˙ œ œ# œ œ œ œ # œ œ ˙ œ<br />
˙<br />
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œ œ œ œ œ J ˙ Œ œ œ œ œ œ j ˙<br />
and in the morn - ing<br />
We<br />
œ œ œ œ œ<br />
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will re - mem - ber them, we will re -<br />
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In per<strong>for</strong>mances with congregational participation, the congregation should join in <strong>for</strong> bars 4–23 (both times) and 48–67.<br />
* This part may be adapted <strong>for</strong> piano, as required.<br />
© Ox<strong>for</strong>d University Press 2020<br />
Duration: 5.5 mins<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
20<br />
°<br />
¢ &<br />
&<br />
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œ œ # œ œ œ œ œ œ œ œ<br />
w<br />
ẇ<br />
Œ<br />
2nd time to Coda <br />
œ œ œ œ œ j ˙ ˙ Ó<br />
œ œ ẇ<br />
58<br />
˙<br />
pp<br />
∑<br />
b b b b â ä<br />
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Πb b b<br />
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Man.<br />
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3<br />
25<br />
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S. 1<br />
∑ ∑<br />
S. 2<br />
poco f<br />
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So-lemn<br />
the drums<br />
¢ &b b b b<br />
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poco f<br />
So-lemn<br />
the drums<br />
&b b b b<br />
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j ‰ ‰<br />
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(Man.)<br />
28<br />
°<br />
&b b b b<br />
<strong>for</strong> online perusal only<br />
œ j œ œ j œ œ<br />
œ œ œ J<br />
œ j ‰ œ œ œ J<br />
œ j ‰<br />
œ œ œ J<br />
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œ œ œ J<br />
œ j ‰ œ œ œ J<br />
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œ œ œ J<br />
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Death<br />
œ œ œ ˙ Œ ˙œ œ œ<br />
au<br />
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gust<br />
and ro - yal<br />
œ<br />
j<br />
œ œ œ œ œj œ œœ<br />
J<br />
thrill;<br />
Death<br />
au<br />
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and<br />
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yal<br />
¢ &b b b b<br />
& bb b b<br />
{<br />
œ œ ˙ Œ œ œ œ œ œ œ j œ œ<br />
thrill; Death au - gust and ro - yal<br />
. . . .<br />
œ œ œ j ‰<br />
J œ œ œ j ‰ J œ œ œ j ‰ œ œ œ j ‰<br />
œ<br />
J J œ œ œ œ j<br />
œ œ œ œ<br />
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cresc.<br />
f<br />
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. œ.<br />
j ‰ ‰<br />
- œ - œ œ œ<br />
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- œ - œ - œ
59<br />
4<br />
31<br />
°<br />
& bb b b<br />
Sings sor - row<br />
œœ œ œ œ<br />
j œ œ œ œ œ œ œ œ<br />
˙<br />
˙<br />
˙<br />
œ<br />
b b b<br />
ff<br />
w<br />
¢ & bb b b<br />
Sings<br />
& bb b b . . . .<br />
{<br />
sor<br />
Sings sor<br />
? b b b b ∑<br />
-<br />
row<br />
œ œ œ œ œ j œ œ œ œ<br />
œ œ œ œ œ œ œ<br />
up in - to im - mor - tal spheres.<br />
- row up in - to im - mor - tal spheres.<br />
più f<br />
Ped.<br />
œ œ œ œ œ œ<br />
‰ Œ ˙ œ œ œ Œ ˙œ œ<br />
Œ<br />
œ œ<br />
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œ<br />
Œ<br />
ff<br />
˙<br />
˙<br />
b b b<br />
ff<br />
b b b n˙œ œ œ ˙œ œ œ<br />
b b b<br />
w<br />
˙<br />
‰<br />
˙<br />
œ œ œ ‰<br />
œ œ<br />
œ<br />
<strong>for</strong> online perusal only<br />
35<br />
°<br />
&b b b<br />
¢ &b b b<br />
∑<br />
∑<br />
p<br />
Ó œ œ œ œ œ œ œ œ œ œ<br />
There<br />
p<br />
Ó œ œ<br />
There<br />
is mu - sic in the midst of de - so -<br />
œ œ œ œ œ œ œ œ<br />
is mu - sic in the midst of de - so -<br />
&b b b<br />
{<br />
˙œ œ œ ˙œ œ œ n˙œ œ œ Ó œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
˙<br />
p legato<br />
˙ ˙<br />
? b b b ‰ œ œ œ ‰ œ œ œ ‰ œ œ œ<br />
Ó & ‰ œ œ ‰ œ œ œ œ<br />
Man.<br />
38<br />
°<br />
&b b b<br />
f<br />
œ œ ˙ œ œ œ œ œ œ ˙ œ œ œ œ<br />
¢ &b b b<br />
& bb b<br />
{<br />
- la - tion<br />
And a glo - ry that shines up - on our<br />
œ ˙ œ œ ˙<br />
- la - tion<br />
And a glo<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙œ œ œ œ<br />
f<br />
f<br />
- ry that shines up - on our<br />
˙œ œ b<br />
œ œ œ œ œ<br />
& bb wœ œ b<br />
?<br />
b ‰<br />
œ<br />
œ œ ‰ œ œ œ<br />
œ œ Œ œ<br />
œ œ<br />
Ped.<br />
œ œ œ<br />
œ j œ<br />
œ<br />
Œ
60<br />
5<br />
41<br />
°<br />
& bb b ∑ ∑ ∑<br />
ww<br />
tears.<br />
n n n ä<br />
¢ & bb b ∑ ∑ ∑ n n n â<br />
w<br />
& bb b<br />
{<br />
tears.<br />
œ Œ ˙œ œ œ ˙œ œ œ ˙œ œ œ ˙œ œ œ ˙œ œ œ ˙ Ó<br />
mf<br />
œ . . . .<br />
? . .<br />
b b<br />
. . . .<br />
b œ Œ ‰ œ œ j œ œ<br />
- œ ‰ ‰<br />
j<br />
- œ ‰ ‰ œ œ j<br />
- œ ‰ ‰ œ œ j<br />
- œ ‰ ‰ œ œ j œ œ ‰<br />
-<br />
Man.<br />
-œ j ‰<br />
-œ j ‰<br />
-œ j ‰<br />
n n n<br />
n n n<br />
<strong>for</strong> online perusal only<br />
45<br />
°<br />
S.<br />
A. ¢ & ∑ ∑ ∑<br />
S. & A. unis. mp<br />
Œ<br />
˙ œ œ œ j ˙<br />
They<br />
shall grow not old,<br />
&<br />
{<br />
°<br />
¢ &<br />
{<br />
?<br />
50<br />
&<br />
?<br />
Œ<br />
mp legato<br />
˙<br />
˙<br />
Ped.<br />
˙ œ œ œ œ œ ˙œ œ œ œ œ ˙œ œ œ œ œ œ œ ˙ œ œ œ œ œ ˙œ œ œ œ<br />
œ<br />
˙<br />
œ œ ˙ œ<br />
˙<br />
˙œ œ ˙œ œ˙<br />
œ œ œ œ œ œ<br />
œ<br />
˙<br />
œ œ<br />
˙<br />
œ<br />
œ<br />
œ j ˙<br />
œ œ ˙<br />
˙<br />
as we that are left grow old: Age shall not wea - ry them,<br />
œ<br />
J ˙<br />
Œ<br />
˙<br />
œ<br />
˙<br />
œ œ ˙<br />
˙<br />
˙œ œ<br />
mf<br />
œ # œ œ œ j ˙<br />
œ œ # # #<br />
œ œ ˙œ œ œ œ œ ˙ œ ˙œ œ œ œ# œ<br />
œ œ œ œ œ œ œ œ œ<br />
œ<br />
w œ j ˙ œ<br />
˙ œ j œ œ w<br />
˙<br />
# œ ˙<br />
54<br />
°<br />
¢ &<br />
&<br />
{<br />
œ œ œ œ œ w<br />
nor the years con<br />
œ œ œ<br />
œ# œ<br />
œ#<br />
œ<br />
- demn.<br />
At the go-ing<br />
down of the sun<br />
˙<br />
w<br />
? ˙ wœ œ# œ œ ˙ œ n<br />
˙<br />
Œ<br />
Ó˙<br />
w œ œ ˙ œ œ w<br />
Ó<br />
œ œ<br />
œ œ# œ œ œ œ # œ œ<br />
œ œ ˙ œ œ w<br />
˙<br />
˙<br />
œ œ œ œ
61<br />
6<br />
59<br />
°<br />
¢ &<br />
Œ<br />
più f<br />
œ œ œ œ œ J ˙ Œ œ œ œ œ œ j ˙<br />
and in the morn - ing<br />
We<br />
Œ œ œ œ<br />
will re - mem - ber them, we will re -<br />
&<br />
{<br />
?<br />
œ œ œ œ œ<br />
œ œ œ œ œ œ œ œ œ œ œ ‰ œ<br />
j<br />
œ<br />
J œœ œ ˙œ œ ˙ œ<br />
w<br />
w<br />
w w w<br />
˙<br />
˙<br />
˙<br />
˙˙ Œ œ œ ˙˙<br />
˙<br />
˙<br />
œ<br />
<strong>for</strong> online perusal only<br />
64<br />
°<br />
¢ & œ<br />
∑ b b b b â<br />
œ j Œ<br />
˙ œ œ œ œ œ j ˙ ˙ Ó<br />
ä<br />
- mem - ber them, we will re - mem - ber them.<br />
&<br />
{<br />
?<br />
wœ œ œ œ œ œ œ œ œ<br />
œ œ w œ œ œ œ œ ˙<br />
œ œ # œ œ œ œ œ œ œ œ<br />
w<br />
ẇ<br />
œ œ ẇ<br />
˙<br />
# b<br />
œ œ œ œ n˙<br />
Πb b b<br />
˙<br />
˙<br />
pp<br />
Ó Ó b˙<br />
&<br />
Man.<br />
? b b b b<br />
69<br />
°<br />
&b b b b<br />
S. 1<br />
∑<br />
S. 2<br />
¢ &b b b b<br />
A. ∑<br />
poco f<br />
Ó Œ œ œ œ œ<br />
j œ<br />
J<br />
œ<br />
As the stars that shall be<br />
poco f<br />
Ó Œ œ œ œ œ j œ œ<br />
As the stars that shall be<br />
œ œj<br />
& bb b b<br />
{<br />
? b b b b<br />
œ œ œ j ‰ œ œ œ j ‰<br />
J J œ œ œ j ‰<br />
J œ œ œ j ‰ J œ œ œ j ‰<br />
œ œ œ j ‰<br />
J J<br />
p poco pesante<br />
. . . .<br />
. .<br />
‰ œ œ<br />
. . j ‰ ‰ œ œ j ‰ ‰ œ œ j ‰ ‰ œ. œ.<br />
j ‰ ‰<br />
- œ - œ - œ - œ œ œ<br />
. . j ‰ ‰ œ œ j ‰<br />
- œ - œ<br />
(Man.)
72<br />
°<br />
& bb b b<br />
¢ & bb b b<br />
& bb b b<br />
{<br />
75<br />
°<br />
&b b b b<br />
¢ &b b b b<br />
&b b b b . . . .<br />
{<br />
79<br />
°<br />
&b b b<br />
¢ &b b b<br />
& bb b<br />
{<br />
œ ‰ œ œ œ œ<br />
œ œ œ<br />
p legato<br />
˙<br />
‰<br />
Œ œ Ó ‰ œ<br />
7<br />
œ œ œ ˙ Œ<br />
bright<br />
when we are dust,<br />
˙œ œ œ<br />
j<br />
œ œ œ œ œ œj œ œœ<br />
J<br />
bright,<br />
bright when we are dust,<br />
œ œ ˙ Œ œ œ œ œ œ œ j œ œ<br />
bright, bright when we are dust,<br />
œ œ œ j ‰<br />
J œ œ œ j ‰ J<br />
. . . .<br />
œ œ œ j ‰ œ œ œ j ‰<br />
œ<br />
J J œ œ œ œ j<br />
œ œ œ œ<br />
‰<br />
cresc.<br />
f<br />
. .<br />
œ œ j ‰ ‰ œ<br />
. .<br />
. œ.<br />
j ‰ ‰<br />
- œ - œ œ œ<br />
. . j ‰ ‰ œ œ j ‰ ‰ œ œ j ‰ Ó<br />
- œ - œ - œ<br />
Mov - ing in<br />
ff<br />
œœ œ œ<br />
œ<br />
œ b<br />
œ b b<br />
œ œ œ<br />
˙ ˙<br />
œ œ œ œ<br />
˙ œ w<br />
Mov - ing in march-es<br />
up-on<br />
the heav’n - ly<br />
plain;<br />
œ œ œ œ œ j œ<br />
œ œ œ œ<br />
œ œ œ œ œ œ<br />
ff<br />
b b b w<br />
Mov- ing in march-es<br />
up-on<br />
the heav’n - ly plain;<br />
œ œ œ œ œ œ J ‰ Œ ˙ œ œ Œ ˙œ œ b b b n˙œ œ œ<br />
˙œ œ œ<br />
Œ<br />
più f<br />
ff<br />
œ œ<br />
œ œ œ œ ˙<br />
b b ˙ ˙<br />
œ Œ ˙ b ‰ œœ œ ‰<br />
œœ<br />
œ<br />
Ped.<br />
∑ Œ<br />
p<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
As the stars that are star - ry in the time of our<br />
p<br />
∑ Œ œ œ œ œ œ<br />
œ œ œ œ œ œ œ<br />
As the stars that are star - ry in the time of our<br />
œ<br />
n<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
? b b b b . .<br />
? b b b b ∑<br />
˙œ œ œ ˙œ œ œ œ œ œ ˙<br />
62<br />
<strong>for</strong> online perusal only<br />
˙<br />
œ<br />
? b b b ‰ œ œ œ œ &<br />
Man.
63<br />
8<br />
82<br />
°<br />
& bb b<br />
¢ & bb b<br />
& bb b<br />
{<br />
85<br />
°<br />
&b b b ∑ ∑ ∑ n n n<br />
ww<br />
-<br />
¢ &b b b ∑ ∑ ∑ n n n<br />
w<br />
&b b b<br />
{<br />
dark<br />
dark<br />
main.<br />
- main.<br />
- ness,<br />
To the end,<br />
- ness,<br />
To the end,<br />
f<br />
œ œ ˙ œ œ œ œ œ œ œ ˙ œ<br />
j J œ<br />
œ ˙ œ œ ˙<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙œ œ œ œ<br />
f<br />
f<br />
to the end they re -<br />
to the end they re -<br />
˙œ œ b<br />
œ œ œ œ œ<br />
&b b wœ œ b<br />
?<br />
b ‰<br />
œ<br />
œ œ ‰ œ œ œ<br />
œ œ Œ œ<br />
œ œ<br />
Ped.<br />
œ œ œ ˙<br />
<strong>for</strong> online perusal only<br />
œ Œ ˙œ œ œ ˙œ œ œ ˙œ œ œ ˙œ œ œ ˙œ œ œ ˙ Ó<br />
D.C. al Coda<br />
mf<br />
œ . . . .<br />
? . .<br />
b b<br />
. . . .<br />
b œ Œ ‰ œ œ j œ œ<br />
- œ ‰ ‰<br />
j<br />
- œ ‰ ‰ œ œ j<br />
- œ ‰ ‰ œ œ j<br />
- œ ‰ ‰ œ œ j œ œ ‰<br />
-<br />
? n n n<br />
Man.<br />
-œ j ‰<br />
-œ j ‰<br />
-œ j ‰<br />
œ<br />
œ<br />
Œ<br />
œ<br />
j<br />
J<br />
n n n<br />
W200 For Remembrance DRAYTON<br />
CODA<br />
89<br />
rit.<br />
°<br />
¢ & ∑ ∑ ∑ U ∑<br />
&<br />
{<br />
?<br />
nw˙ œ œ œ œ œ ˙œ œ œ œ w œ œ ˙<br />
pp<br />
Ó & ˙œ œ œ˙<br />
Man.<br />
˙ œ<br />
˙ w œ œ œ œ ˙<br />
?<br />
Uw<br />
Œ<br />
ppp<br />
U<br />
˙<br />
˙<br />
u<br />
Ped.<br />
Music originated by Andrew Jones<br />
Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
64<br />
2<br />
<strong>for</strong> online perusal only
65<br />
<strong>for</strong> online perusal only
66<br />
<strong>for</strong> online perusal only
67<br />
<strong>for</strong> online perusal only
68<br />
<strong>for</strong> online perusal only
69<br />
<strong>for</strong> online perusal only
70<br />
<strong>for</strong> online perusal only
71<br />
<strong>for</strong> online perusal only<br />
ISBN 0-19-351506-7<br />
9 780193 515062
72<br />
<strong>for</strong> online perusal only
73<br />
<strong>for</strong> online perusal only
74<br />
<strong>for</strong> online perusal only
SACRED<br />
SSAA unaccompanied<br />
75<br />
2<br />
<strong>for</strong> online perusal only<br />
The Lamb<br />
Robert A. Harris<br />
A
76<br />
<strong>for</strong> online perusal only<br />
© 1988, Ox<strong>for</strong>d University Press, Inc. Assigned to Ox<strong>for</strong>d University Press, 2010
77<br />
<strong>for</strong> online perusal only
78<br />
<strong>for</strong> online perusal only
79<br />
<strong>for</strong> online perusal only
80<br />
<strong>for</strong> online perusal only
81<br />
<strong>for</strong> online perusal only
82<br />
<strong>for</strong> online perusal only<br />
ISBN 978-0-19-385797-1<br />
9 780193 857971
83<br />
<strong>for</strong> online perusal only
84<br />
<strong>for</strong> online perusal only
85<br />
<strong>for</strong> online perusal only
86<br />
<strong>for</strong> online perusal only
87<br />
<strong>for</strong> online perusal only
88<br />
<strong>for</strong> online perusal only
89<br />
<strong>for</strong> online perusal only
SACRED<br />
SSA and piano<br />
90<br />
2<br />
<strong>for</strong> online perusal only<br />
May the road rise<br />
to meet you<br />
Michael Higgins<br />
A
91<br />
<strong>for</strong> Lissa Gray and the National Children’s Choir of Great Britain<br />
May the road rise to meet you<br />
Traditional Gaelic Blessing<br />
MICHAEL HIGGINS<br />
S. 1/S. 2<br />
Gently flowing q = 84<br />
unis. p<br />
° 3<br />
& # # # #<br />
4 ∑ ∑ ∑ Œ Œ<br />
œ œ ˙<br />
?# #<br />
# #<br />
May the road<br />
3<br />
ALTO<br />
¢ & # # # #<br />
4 ∑ ∑ ∑ ∑ ∑<br />
Gently flowing q = 84<br />
3<br />
4 Œ ‰<br />
œ j œ œ œ ˙ ˙ Œ œ œ œ ˙ Œ ‰<br />
œ j œ œ œ<br />
PIANO<br />
p molto legato<br />
?# #<br />
# # 3<br />
4 œ˙<br />
œ œ œ ˙<br />
œ˙<br />
œ œ œ œ<br />
con Ped.<br />
˙ <br />
œ˙<br />
œ œ œ 6<br />
˙ œ<br />
œ ˙ œ<br />
Œ œ œ ˙ œ œ œ œ œ<br />
rise to meet you, may the wind be al - ways at your<br />
˙<br />
˙<br />
œ<br />
œ œ j œ œ˙ ˙ Œ ‰ œ œ œ œ œ œ œ œ<br />
SOPRANO 1<br />
SOPRANO 2<br />
°<br />
¢ & # # # #<br />
& # # # #<br />
{<br />
& # # # 3<br />
#<br />
{<br />
‰<br />
˙<br />
<strong>for</strong> online perusal only<br />
œ œ œ œ œ œ ˙<br />
œ œ ˙˙ œ ˙ œ œ œ œ˙<br />
œ ˙<br />
Duration: 2.5 mins<br />
© Ox<strong>for</strong>d University Press 2019<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
92<br />
3<br />
11<br />
°<br />
& # # # #<br />
back,<br />
mp espress.<br />
˙ œ Œ œ œ ˙ ˙ œ œ œ ˙<br />
S. 1/S. 2<br />
-<br />
the<br />
sun shine warm up - on your face,<br />
¢ & # # # #<br />
A. ∑<br />
Œ<br />
Œ<br />
mp espress.<br />
œ ˙ nœ<br />
-˙ œ œ œ ˙<br />
the<br />
sun shine warm up - on your face,<br />
& # # # # -<br />
{<br />
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# #<br />
˙<br />
˙<br />
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œ ˙<br />
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J<br />
˙<br />
˙<br />
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˙<br />
mp espress.<br />
nœ<br />
‰ œ nœ<br />
œ œ<br />
n˙<br />
n˙<br />
˙<br />
œ œ œ œ œ j œ œ<br />
œ˙<br />
œ œ<br />
œ<br />
‰<br />
˙<br />
˙ œ œ œ œ œ<br />
<strong>for</strong> online perusal only<br />
16<br />
°<br />
& # # # #<br />
dolce<br />
œ Œ œ ˙ œ œ œ j œ œ ˙ œ Œ<br />
the<br />
rains fall soft up-on<br />
your fields, and<br />
p<br />
œ œ<br />
un-<br />
¢ & # # # #<br />
œ<br />
Œ<br />
dolce<br />
œ ˙ œ œ œ j œ œ ˙ œ<br />
the<br />
rains fall soft up-on<br />
your fields,<br />
Œ<br />
Œ<br />
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{<br />
- - - - -<br />
˙ œ œ ˙ ‰ œ j œ œ œ œ œ<br />
œ ‰ œ œ œ œ œ ‰ œ<br />
œœœ œœ J J œ œ œ<br />
dolce<br />
˙<br />
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Œ œ œ ˙ œ œ œ œ œ ˙ œ Œ œ<br />
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46<br />
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<strong>for</strong> online perusal only<br />
57<br />
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Music originated by Andrew Jones<br />
Printed in England by Halstan & Co. Ltd, Amersham, Bucks.<br />
A<br />
A<br />
-<br />
-<br />
men.<br />
men.<br />
U<br />
rit.<br />
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sacred<br />
SSAA double choir unaccompanied<br />
97<br />
<br />
CHORAL<br />
CLASSICS<br />
Ox<strong>for</strong>d Choral Classics Octavos<br />
ave maria<br />
<strong>for</strong> online perusal only<br />
gustav holst<br />
<br />
EDITED BY
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OCCO64 Ave Maria HOLST<br />
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113<br />
<strong>Sacred</strong><br />
Treble <strong>voices</strong> and organ<br />
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GABRIEL JACKSON<br />
The Land of Spices
114<br />
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<strong>Sacred</strong><br />
SSSAAA unaccompanied<br />
<strong>for</strong> online perusal only<br />
LIBBY LARSEN<br />
Psalm 121
137<br />
PSALM 121<br />
("I will lift mine eyes")<br />
John Muir, Patricia Hennings For Upper Voices (SSSAAA), Unaccompanied Libby Larsen<br />
SJ<br />
Choral Sunrise: slowly, growing in intensity<br />
poco a poco crescendo e accelerando<br />
Ah<br />
poco a poco crescendo e accelerando<br />
Ah<br />
S2<br />
=--"'<br />
Ah<br />
poco a poco crescendo e accelerando<br />
Ah<br />
Ah<br />
S3<br />
Ah<br />
poco a poco crescendo e accelerando<br />
Ah<br />
Ah<br />
Al<br />
Ah<br />
p poco a poco crescendo e accelerando<br />
<strong>for</strong> online perusal only<br />
A2<br />
A3<br />
Ah<br />
poco a poco crescendo e accelerando<br />
Ah<br />
Choral Sunrise: slowly, growing in intensity<br />
1<br />
Ah<br />
<strong>for</strong><br />
rehearsal<br />
only<br />
poco a poco ere cendo e accelerando<br />
(Ah)<br />
Ah<br />
(Ah)<br />
Ah<br />
Ah<br />
(Ah)<br />
Ah<br />
Ah<br />
Ah<br />
Ah<br />
(Ah)<br />
Ah<br />
Ah<br />
Ah<br />
(Ah) Ah Ah<br />
© Ox<strong>for</strong>d University Press 2008<br />
Libby Larsen has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Composer of this wmk.<br />
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Libby Larsen<br />
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,<br />
Ring the Bells<br />
<strong>for</strong> SSA Chorus and Piano<br />
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UPPER-VOICE MUSIC<br />
General Editor Ronald Corp<br />
SS and piano or organ<br />
160<br />
2<br />
<strong>for</strong> Emma<br />
Traditional<br />
Verse 3 by Doris Plenn<br />
SOPRANO 1<br />
SOPRANO 2<br />
PIANO<br />
or<br />
ORGAN<br />
How Can I Keep From Singing?<br />
V 34 p p p p<br />
V 34 p<br />
CHORUS<br />
r t mp<br />
ŠeŠŠ ‰ Š Š Š Š. Še<br />
<strong>for</strong> online perusal only<br />
Ooh<br />
? ROBERT LOWRY<br />
arr. JOHN SCOTT<br />
V# 34 Š. ŠeŠ Š ‰.<br />
Š Š Š { ‰. ‰ Š ‰ Š Š<br />
p<br />
B#34 Š Š Š Š Š Š Š Š ‰ Š ‰ Š<br />
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5<br />
SOLO<br />
p p p r t<br />
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V # div.<br />
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My life goes<br />
V# ‰ Š. Š Š Š ‰ ‰. r<br />
{<br />
f<br />
Š. Š f Š Š Š. Š f Š Š ‰<br />
B# ‰ Š Š ‰ ‰. Š Š Š Š Š Š Š r<br />
G Ox<strong>for</strong>d University Press 2003<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
2<br />
161<br />
V #<br />
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Š. Še Š Š ‰ Š Š Š. Š Š<br />
on in end - less song, a - bove earth’s la-men -<br />
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<strong>for</strong> online perusal only<br />
V #<br />
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Š Š f Še Š Š Š. Še Š Š ‰ Š Š Š Š. Še Š Š<br />
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162<br />
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<strong>for</strong> online perusal only<br />
V #<br />
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Š. Š f Š Š ‰ Š Š Š. Š f Š Š Š. =Š f Š Š<br />
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mf<br />
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<strong>for</strong> online perusal only<br />
V #<br />
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‰ Š Š Š Š. Š Š Š Š f Še Š Š<br />
roars, I hear the truth, it liv - eth, and though the<br />
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Š. Še Š Š ‰ Š Š Š ‰ Š Š<br />
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164<br />
V # 41<br />
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earth, how can I keep from sing-ing? Ah<br />
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<strong>for</strong> online perusal only<br />
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<strong>for</strong> online perusal only<br />
W147 How Can I Keep From Singing? SCOTT<br />
Music origination by Barnes Music Engraving Ltd., East Sussex.<br />
Printed in Great Britain by Halstan & Co. Ltd., Amersham, Bucks.
NEW<br />
HORIZONS<br />
168<br />
2<br />
<strong>Sacred</strong><br />
SSA a cappella<br />
<strong>for</strong> online perusal only<br />
CECILIA McDOWALL<br />
Ave Maria
169<br />
The Angelic Salutation<br />
SOPRANO 1<br />
Commissioned <strong>for</strong> the Canterbury Chamber Choir<br />
by Janet and Douglas Mackay in memory of their parents<br />
Ave Maria<br />
CECILIA McDOWALL<br />
Andante sostenuto e espressivo q = c.82<br />
<br />
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SOPRANO 2<br />
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p legato<br />
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Ave Maria is No. 2 of a set of Three Latin Motets. No. 1, Ave Regina (SSATB), is published as ISBN 978–0–19–335557–6, and<br />
No. 3, Regina Caeli (SATB), is published as 978–0–19–343922–1.<br />
© Ox<strong>for</strong>d University Press 2006 Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
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Processed in England by Enigma Music Production Services, Amersham, Bucks.<br />
Printed by Halstan & Co. Ltd., Amersham, Bucks.
SACRED<br />
SA (with divisions) and piano or organ<br />
173<br />
2<br />
<strong>for</strong> online perusal only<br />
Bless to me<br />
this day<br />
Cecilia McDowall<br />
A
174<br />
Commissioned by the BBC <strong>for</strong> Susan Hollingworth and<br />
the Scunthorpe Cooperative Junior Choir, winners of the BBC Radio 3 Choir of the Year 2008<br />
Bless to me this day<br />
St Brendan the Voyager (484–577)<br />
from Carmina Gadelica, Vol. III (1940)<br />
SOPRANO<br />
Simply, always flowing q = c.100<br />
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& 4 ∑ ∑<br />
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God,<br />
CECILIA McDOWALL<br />
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PIANO<br />
or<br />
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œw<br />
œ ˙˙ <br />
mf<br />
œw<br />
œ ˙˙ <br />
œw<br />
œ œ<br />
œ œ œ œ<br />
Duration: 4 mins<br />
© Ox<strong>for</strong>d University Press 2016<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
175<br />
4<br />
9<br />
°<br />
&<br />
¢ &<br />
mp<br />
œ œ œ œ w Œ ˙ œ<br />
bless this day, bless this day,<br />
mp<br />
mf<br />
œ œ œ œ w Œ œ œ œ w<br />
bless this day, bless this day,<br />
mf<br />
w<br />
&<br />
{<br />
?<br />
œ<br />
˙<br />
œ œ œ œ j œ œ œ œ œ<br />
˙ œ œ<br />
mp<br />
œ˙<br />
œ œ œ<br />
œ œ œ<br />
œ<br />
œw<br />
œ ˙˙ <br />
œ˙<br />
œ œ œ<br />
(Ped.)<br />
œ œ œ<br />
œ<br />
œ œ <br />
mf<br />
œw<br />
œ # ˙˙ œ j œ œ œ œ<br />
13<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
?<br />
p<br />
God,<br />
p<br />
God,<br />
p<br />
mp<br />
˙ Œ w œ ‰ j œ œ # œ œ # œ ˙ œ œ<br />
mp<br />
mp<br />
bless to me, bless<br />
Œ w œ ‰<br />
˙ j œ œ # œ œ # œ ˙ œ œ<br />
œ<br />
œ<br />
œ j œ<br />
<strong>for</strong> online perusal only<br />
œ<br />
œ<br />
# œœ œ œ j œ œ œ œ<br />
œœ<br />
œœ<br />
bless to me, bless<br />
œ j œ œ œ<br />
# œœ œ œ j œ œ œ # œ<br />
œw<br />
œ # ˙˙ œw<br />
œ # ˙˙ œw<br />
œ # ˙˙ œw<br />
œ # ˙˙ œ œ<br />
17<br />
°<br />
&<br />
¢ &<br />
mf<br />
˙ ˙ ˙ œ<br />
mf<br />
this night, bless<br />
˙ ˙ ˙ # œ œ<br />
this night, bless<br />
f<br />
œ ˙ œ œ ˙ œ<br />
f<br />
this night, this<br />
˙ ˙ # ˙ ˙<br />
this night, this<br />
&<br />
{<br />
?<br />
œ <br />
mf<br />
œ˙<br />
nœ<br />
œ<br />
œ j œ œ j œ œ j œ œ # œ œ<br />
œ<br />
œ <br />
œ˙<br />
œ # œ<br />
œw<br />
œ # ˙˙ œ˙<br />
nœ<br />
f<br />
œ<br />
œ j œ œ œ j œœ<br />
œ œ j œœ<br />
<br />
<br />
œ˙<br />
œ # œ<br />
œ˙<br />
œ # œ<br />
nœ˙<br />
œ œ<br />
œ j
21<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
25<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
29<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
5<br />
pochiss. rit. a tempo<br />
mf<br />
nw<br />
˙ Œ œ œ œ œ œ w<br />
night;<br />
Bless,<br />
O<br />
bless,<br />
mf<br />
Œ<br />
w<br />
˙ œ ˙ ˙ œ œ ˙<br />
night;<br />
Bless,<br />
O bless, O bless,<br />
pochiss. rit. a tempo<br />
∑<br />
œ j œ œ œ œ ˙ Ó<br />
œ Œ<br />
œ œ j œ œ œ œ<br />
mf<br />
œw<br />
œ ˙˙ ˙˙<br />
˙<br />
Ó<br />
œw<br />
œ ˙˙ <br />
(Man.)<br />
œ œ œ œ œ œ œ œ œ ˙ ˙ Œ Œ œ œ œ œ œ œ<br />
thou God of grace, Each day and<br />
œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ ˙ œ œ<br />
thou God of grace, of grace, thou God of grace, Each<br />
œ œ j œ œ œ œ Œ ‰ œ j Œ œ œ œ<br />
œ œ œ œ œ œ<br />
œ<br />
œ j œ œ œ œ<br />
œw<br />
œ ˙˙ œw<br />
œ ˙˙ <br />
œw<br />
œ ˙˙ <br />
œw<br />
œ ˙˙ <br />
f<br />
mp cresc.<br />
˙<br />
œ œ œ œ ˙ ˙ Œ Œ œ œ œ œ œ œ<br />
hour<br />
of my life, of life; O bless, O<br />
f<br />
mp cresc.<br />
œ ˙ œ œ ˙ œ œ œ œ ˙ Œ Œ œ œ œ œ<br />
hour<br />
of my life, of my life; O bless, O<br />
œ<br />
œ<br />
œ j œ<br />
œ œ œ œ œ <br />
œ j œœ œ œ œ œ œ œ ˙œ œ œ œ œ<br />
œ œ j œ œ œ œ<br />
f<br />
mp cresc. J<br />
œw<br />
œ ˙˙ <br />
œw<br />
œ ˙˙ <br />
œw<br />
œ ˙˙ <br />
? n<br />
∑<br />
?<br />
?<br />
œw<br />
œ ˙˙ <br />
176<br />
<strong>for</strong> online perusal only
177<br />
6<br />
33<br />
°<br />
&<br />
¢ &<br />
mf<br />
œ ˙ œ œ w ˙ ˙ Œ œ œ œ<br />
bless, thou God,<br />
Each day and<br />
mf<br />
˙ œ œ œ œ œ œ œ œ œ œ ˙ œ<br />
bless, thou God, thou God of grace, Each day and<br />
Œ<br />
mp<br />
mp<br />
œ œ œ<br />
&<br />
{<br />
?<br />
˙<br />
œ œ<br />
œ œ œ<br />
˙<br />
mf<br />
Œ<br />
œœ<br />
œw<br />
œ ˙˙ Œ<br />
˙˙ œw<br />
œ ˙˙ <br />
œ j œ œ œ œ<br />
œ <br />
mp<br />
œw<br />
œ ˙˙ <br />
œ j œ<br />
œ œ<br />
37<br />
°<br />
&<br />
¢ &<br />
mf<br />
œ ˙ œ œ w ˙ Œ<br />
hour of my life.<br />
mf<br />
˙ œ œ œ œ œ œ<br />
hour of my life, of my life.<br />
œ ˙ Œ<br />
∑<br />
∑<br />
&<br />
{<br />
?<br />
œ˙<br />
˙<br />
œw<br />
œ ˙˙ <br />
˙<br />
<strong>for</strong> online perusal only<br />
œ œ j œ œ œ<br />
œ œ œ<br />
J<br />
mf f legato<br />
œw<br />
œ ˙˙ œ œ œ<br />
œ<br />
˙˙<br />
˙<br />
œ<br />
œœ œ<br />
œ œ œ˙ ˙ œ œœ œ<br />
œ<br />
œ ˙ œ œ<br />
41<br />
°<br />
& ∑ ∑<br />
¢ & ∑ ∑<br />
mp<br />
mp<br />
poco<br />
mp<br />
Œ œ œ œ ˙ ‰ œ<br />
j<br />
God,<br />
bless<br />
the<br />
poco<br />
mp<br />
w œ ˙ ‰ œ j<br />
God,<br />
bless<br />
the<br />
&<br />
{<br />
?<br />
œ œ ˙˙<br />
mp<br />
œ œ œ<br />
œ œ<br />
œw<br />
œ œ œ œ œw<br />
œ œ<br />
œ<br />
J œ œ œ œ œ œ j œ œ œ Œ ‰ j œ œ œ œ œ œ<br />
œ<br />
œ<br />
œw<br />
œ ˙˙ <br />
œw<br />
œ ˙˙
45<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
?<br />
49<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
?<br />
53<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
?<br />
œw<br />
œ ˙˙<br />
<strong>for</strong> online perusal only<br />
# œw<br />
œ # ˙˙ œw<br />
œ ˙˙<br />
(Man.)<br />
178
179<br />
8<br />
56<br />
°<br />
&<br />
¢ &<br />
mf<br />
˙ ‰ œ j œ œ ˙ ˙ ˙ œ œ œ ˙ œ<br />
earth that is be - neath my sole, God, bless the<br />
mf<br />
œ# œ œ # œ œ œ ˙ J<br />
˙ ˙ # œ œ<br />
the earth be - neath my sole, God, bless the<br />
f<br />
f<br />
˙ œ œ<br />
&<br />
{<br />
?<br />
# œœ œ œ j œ œ œ # œ<br />
œ<br />
œ <br />
mf<br />
œw<br />
œ # ˙˙ œ œ<br />
œ˙<br />
nœ<br />
œ<br />
œ j œ œ <br />
œ j œœ<br />
œ œ j œ œ # œ œ<br />
œ<br />
œ <br />
œ˙<br />
œ # œ<br />
œw<br />
œ # ˙˙ œ˙<br />
nœ<br />
f<br />
œ<br />
œ j œ œ <br />
œ˙<br />
œ # œ<br />
œ j<br />
60<br />
°<br />
&<br />
¢ &<br />
(Ped.)<br />
earth, the earth; Bless, O<br />
earth, the earth; Bless, O<br />
mf<br />
mf<br />
pochiss. rit.<br />
œ ˙ œ w ˙ Œ œ œ˙ œ œ œ<br />
# ˙ œ œ nw<br />
˙ Œ œ ˙ ˙<br />
&<br />
{<br />
?<br />
œ<br />
œœ œ j œœ<br />
<br />
<br />
œ˙<br />
œ # œ<br />
nœ˙<br />
œ œ<br />
œ j<br />
<strong>for</strong> online perusal only<br />
œ<br />
Œ<br />
nœw<br />
œ ˙˙ œ j œ œ œ œ ˙˙ Ó<br />
˙˙<br />
˙<br />
Ó<br />
∑<br />
∑<br />
pochiss. rit.<br />
64<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
?<br />
a tempo<br />
w œ œ œ œ œ œ œ œ œ ˙<br />
God, and give to me thy love,<br />
œ œ ˙ œ œ œ œ œ ˙ œ œ<br />
God, and give to me thy love,<br />
a tempo<br />
œ<br />
œ <br />
mf<br />
(Ped.)<br />
œ j œ œ œ œ œ œ <br />
œ ˙˙ œw<br />
œw<br />
œ j œ œ œ œ œ œ œ j œ œ<br />
œ ˙˙ œw<br />
œ<br />
˙˙
180<br />
67<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
?<br />
70<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
?<br />
73<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
?<br />
œ ˙˙ mf<br />
mp<br />
œw<br />
œ ˙˙ <br />
Œ œw<br />
œ ˙˙ <br />
œw<br />
9<br />
f<br />
˙ Œ Œ œ œ œ œ œ œ ˙<br />
œ<br />
O God of gods,<br />
bless<br />
f<br />
œ œ œ œ œ œ œ ˙ œ œ œ ˙ œ œ<br />
give to me thy love, Of gods,<br />
bless<br />
œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ œ <br />
œ j œ œ œ œ<br />
œw<br />
œ ˙˙ f<br />
œw<br />
œ ˙˙ œw<br />
œ ˙˙ <br />
mp cresc.<br />
œ œ ˙ œ œ œ œ ˙ Œ œ œ œ œ œ œ<br />
my rest and my re-pose;<br />
O bless, O<br />
mp cresc.<br />
˙ œ œ œ œ w Œ œ œ œ œ<br />
my rest; O bless, O<br />
œ<br />
œ <br />
œ j œœ œ œ œ œ œ œ œ œ<br />
˙œ œ œ œ œ œ J j œ œ œ œ<br />
mp cresc.<br />
œw<br />
œ ˙˙ œw<br />
œ ˙˙ œw<br />
œ ˙˙ <br />
(Man.)<br />
œ ˙ œ œ<br />
mf<br />
mp<br />
w ˙ ˙ Œ œ œ œ<br />
God, O bless,<br />
bless my<br />
˙ œ œ<br />
mf<br />
mp<br />
œ œ œ œ œ œ œ œ ˙ œ<br />
Œ<br />
œ œ œ<br />
God, and give to me thy love, bless my<br />
˙<br />
œ<br />
œ œ œ ˙ Œ Œ ‰ j œ œ œ œ œ œ<br />
œ j œ œ œ<br />
<strong>for</strong> online perusal only<br />
˙˙˙
181<br />
10<br />
77<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
mf<br />
rest, my re - pose,<br />
Bless, O<br />
rest,<br />
(Ped.)<br />
mf<br />
my re - pose,<br />
mf<br />
my re - pose, Bless,<br />
f<br />
f<br />
f<br />
pochiss. rit.<br />
œ ˙ œ œ w ˙ Œ œ œ˙ œ œ œ<br />
˙ œ œ œ œ œ œ<br />
œ˙<br />
˙<br />
˙ œ œ œ j œ œ œ œ ˙ Ó<br />
œ ˙ Œ œ ˙ ˙<br />
? ∑<br />
œw<br />
œ ˙˙ <br />
œw<br />
œ œœ œ œ œ œ ˙<br />
Ó<br />
˙<br />
O<br />
∑<br />
pochiss. rit.<br />
81<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
?<br />
85<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
?<br />
a tempo<br />
w œ œ œ œ œ œ œ œ œ ˙ ˙ Œ<br />
God, and give to me thy love,<br />
œ œ ˙ œ œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ<br />
God, and give to me thy love, give to me thy<br />
a tempo<br />
œ<br />
œ <br />
f<br />
œw<br />
œ ˙˙ <br />
(Ped.)<br />
œ j œ œ œ œ<br />
œ<br />
œ <br />
Œ œ œ œ œ œ œ ˙<br />
œw<br />
œ ˙˙ <br />
œ j œ œ œ œ Œ ‰ œ j œ œ<br />
œw<br />
œ ˙˙ <br />
O God of gods, bless my rest and my re-pose,<br />
love, Of gods, bless my rest,<br />
Œ<br />
œw<br />
œ ˙˙ <br />
œ œ œ œ œ œ œ<br />
œ œ œ ˙ œ œ œ œ ˙<br />
˙ œ œ œ ˙ œ œ ˙ œ œ œ œ w<br />
œ<br />
œ œ j œ œ œ œ œ<br />
œ <br />
œw<br />
œ ˙˙ <br />
<strong>for</strong> online perusal only<br />
œw<br />
œ ˙˙ <br />
œ j œ œ œ œ Œ ‰ œ j œœ œ œ œ Œ ‰ œ j œ œ œ œ<br />
œw<br />
œ ˙˙ <br />
œw<br />
œ ˙˙
182<br />
11<br />
89<br />
°<br />
&<br />
¢ &<br />
mf<br />
Œ œ œ œ œ œ œ w w Œ œ œ œ œ œ œ w w<br />
And bless, O God, and bless, O God,<br />
mf<br />
Œ œ œ œ œ œ<br />
And<br />
mp<br />
mp<br />
œ œ œ Œ œ œ œ œ œ<br />
bless, O God of gods, and<br />
œ œ œ<br />
bless, O God of gods,<br />
&<br />
{<br />
?<br />
œ<br />
œ <br />
mf<br />
œw<br />
œ ˙˙ <br />
œ j œ œ œ œ œ<br />
œœ œ J ˙œ œ œ œ œ<br />
œ j œ œ œ œ œ œ œ<br />
œ<br />
J<br />
J<br />
mp<br />
œw<br />
œ ˙˙ <br />
bœw<br />
œ ˙˙<br />
œw<br />
œ ˙˙ <br />
œ<br />
˙ œ nœ<br />
œ<br />
œ<br />
93<br />
°<br />
&<br />
¢ &<br />
&<br />
{<br />
?<br />
97<br />
°<br />
&<br />
¢ &<br />
dim. poco a poco<br />
Œ œ œ œ œ ˙˙ Œ ˙ œ œ ˙˙ Œ<br />
Œ<br />
and<br />
and<br />
bless, O God, my re - pose,<br />
dim. poco a poco<br />
œ œ œ œ œ œ ˙<br />
bless, O God of gods, my re - pose,<br />
œ œ œ j œ œ j œœœ œ J ˙œ œ œ œ ˙œ ˙ œ<br />
J<br />
œ˙<br />
œ œœ<br />
dim. poco a poco<br />
<strong>for</strong> online perusal only<br />
œ˙<br />
œ œœ<br />
œw<br />
œ ˙˙ <br />
ritardando<br />
U<br />
˙ œœ ˙˙ œ w w my re - pose,<br />
re - pose.<br />
U<br />
˙ ˙ ww ww ww<br />
Œ<br />
œw<br />
œ ˙˙ <br />
˙ œ œ œ ˙<br />
œ<br />
œœœ <br />
œw<br />
œ ˙˙ <br />
œ J ˙œ œ œ œ<br />
pp<br />
pp<br />
my re - pose.<br />
&<br />
{<br />
?<br />
œœ œ œw<br />
œ ˙˙ <br />
œ j œ œ œ œ<br />
ritardando<br />
œœ œœ<br />
œw<br />
œ ˙˙ <br />
œ œ œ œ œ œ<br />
œ <br />
œœ<br />
œ j œ œ œ œ<br />
U<br />
w<br />
pp<br />
œw<br />
œ ˙˙ w u
183<br />
<strong>Sacred</strong><br />
SSAA unaccompanied<br />
<strong>for</strong> online perusal only<br />
CECILIA MC DOWALL<br />
Regina Caeli
184<br />
Commissioned <strong>for</strong> the City of Canterbury Chamber Choir<br />
by Janet and Douglas Mackay in memory of their parents<br />
Regina Caeli<br />
<strong>for</strong> SSAA<br />
Eastertide Hymn<br />
or general<br />
SOPRANO 1<br />
SOPRANO 2<br />
ALTO 1<br />
ALTO 2<br />
2<br />
4<br />
2<br />
4<br />
2<br />
4<br />
2<br />
4<br />
Adagio maestoso q = c.69<br />
f<br />
Al<br />
f<br />
Al<br />
f<br />
Al<br />
f<br />
le lu ia, lu<br />
le lu ia, lu<br />
le lu ia, lu<br />
4<br />
4<br />
4<br />
4<br />
2<br />
4<br />
2<br />
4<br />
2<br />
4<br />
2<br />
4<br />
p dolce<br />
p dolce<br />
p dolce<br />
p dolce<br />
CECILIA McDOWALL<br />
3<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
4<br />
ia,<br />
ia,<br />
ia,<br />
pp<br />
pp<br />
pp<br />
pp<br />
q = h<br />
2<br />
4<br />
2<br />
4<br />
2<br />
4<br />
2<br />
4<br />
Al<br />
le lu ia, lu<br />
ia,<br />
2<br />
4<br />
Adagio maestoso q = c.69<br />
4<br />
2<br />
4<br />
3<br />
4<br />
q = h<br />
2<br />
4<br />
<strong>for</strong><br />
rehearsal<br />
only<br />
2<br />
4<br />
f p dolce pp<br />
4<br />
2<br />
4<br />
3<br />
4<br />
2<br />
4<br />
7<br />
Allegro spiritoso q = c.138<br />
mf leggiero<br />
2<br />
4<br />
3<br />
8<br />
2<br />
4<br />
Re<br />
gi na cae li, lae ta re,<br />
2<br />
4<br />
3<br />
8<br />
<strong>for</strong> online perusal only<br />
2<br />
4<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
mf leggiero<br />
Re<br />
2<br />
4<br />
mf leggiero<br />
3<br />
8<br />
2<br />
4<br />
2<br />
4<br />
Allegro spiritoso q = c.138<br />
2<br />
4<br />
Re<br />
3<br />
8<br />
3<br />
8<br />
gi na cae li, lae ta re,<br />
2<br />
4<br />
2<br />
4<br />
mf leggiero<br />
Re<br />
mf leggiero<br />
2<br />
4<br />
3<br />
8<br />
2<br />
4<br />
First per<strong>for</strong>med by the City of Canterbury Chamber Choir, conducted by George Vass, on 4 April 2004<br />
© Ox<strong>for</strong>d University Press 2014<br />
Cecilia McDowall has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Composer of this work.<br />
OXFORD UNIVERSITY PRESS, GREAT CLARENDON STREET, OXFORD OX2 6DP.<br />
Photocopying this copyright material is ILLEGAL
185<br />
2<br />
14<br />
3<br />
8<br />
2<br />
4<br />
6<br />
8<br />
3<br />
8<br />
2<br />
4<br />
mf<br />
Re<br />
gi<br />
na<br />
3<br />
8<br />
2<br />
4<br />
6<br />
8<br />
3<br />
8<br />
2<br />
4<br />
3<br />
8<br />
2<br />
4<br />
6<br />
8<br />
3<br />
8<br />
2<br />
4<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
gi na cae li lae ta re,<br />
mf<br />
Re<br />
gi<br />
na<br />
3<br />
8<br />
2<br />
4<br />
6<br />
8<br />
3<br />
8<br />
2<br />
4<br />
gi na cae li lae ta re,<br />
3<br />
8<br />
2<br />
4<br />
6<br />
8<br />
3<br />
8<br />
2<br />
4<br />
3<br />
8<br />
2<br />
4<br />
6<br />
8<br />
3<br />
8<br />
2<br />
4<br />
20<br />
2<br />
4<br />
mf<br />
sub. p<br />
<strong>for</strong> online perusal only<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
cae li, cae<br />
li, lae ta re,<br />
Re gi na<br />
2<br />
4<br />
2<br />
4<br />
cae li, Re gi na cae li, lae ta re,<br />
cae li, Re gi na cae li, lae ta re,<br />
sub. p<br />
sub. p<br />
Re gi na<br />
Re gi na<br />
2<br />
4<br />
mf<br />
sub. p<br />
cae li, cae<br />
li, lae ta re,<br />
Re gi na<br />
2<br />
4<br />
sub. p<br />
2<br />
4
186<br />
3<br />
26<br />
2<br />
4<br />
mf<br />
sub. p<br />
mf<br />
cae<br />
li<br />
Re gi na cae li,<br />
cae li, cae li,<br />
2<br />
4<br />
mf<br />
sub. p<br />
mf<br />
cae<br />
li,<br />
Re gi na cae li,<br />
cae li, cae li,<br />
2<br />
4<br />
mf<br />
sub. p<br />
mf<br />
cae<br />
li,<br />
Re gi na cae li,<br />
cae li, cae li,<br />
2<br />
4<br />
mf<br />
sub. p<br />
mf<br />
cae<br />
li,<br />
Re<br />
gi<br />
na cae li,<br />
cae li, cae li,<br />
2<br />
4<br />
2<br />
4<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
3 8<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
9 8<br />
9 8<br />
9 8<br />
9 8<br />
9 8<br />
9 8<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
mf sub. p mf<br />
32<br />
Adagio maestoso q = c.69<br />
f<br />
2<br />
4<br />
4<br />
mp<br />
Allegro spiritoso q = c.138<br />
pp<br />
mp<br />
2<br />
4<br />
al<br />
le lu ia.<br />
Qui<br />
a<br />
2<br />
4<br />
f<br />
4<br />
mp<br />
pp<br />
2<br />
4<br />
al<br />
<strong>for</strong> online perusal only<br />
le lu ia.<br />
2<br />
4<br />
f<br />
4<br />
mp<br />
pp<br />
2<br />
4<br />
mp<br />
2<br />
4<br />
al<br />
f<br />
le lu ia.<br />
4<br />
mp<br />
pp<br />
2<br />
4<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
5 8<br />
5 8<br />
5 8<br />
5 8<br />
5 8<br />
5 8<br />
Qui<br />
a<br />
al<br />
le lu ia.<br />
Adagio maestoso q = c.69<br />
2<br />
4<br />
4<br />
Allegro spiritoso q = c.138<br />
2<br />
4<br />
f mp pp mp<br />
2<br />
4<br />
4<br />
2<br />
4
187<br />
4<br />
39<br />
5<br />
8<br />
p<br />
mf<br />
quem,<br />
qui<br />
a quem me<br />
ru is ti por<br />
5<br />
8<br />
mp<br />
p<br />
mf<br />
Qui<br />
a quem, qui<br />
a quem me<br />
ru is ti<br />
5<br />
8<br />
p<br />
mf<br />
quem,<br />
qui<br />
a quem me<br />
ru is ti por<br />
5<br />
8<br />
mp<br />
p<br />
mf<br />
Qui<br />
a quem, qui<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
2 4<br />
a quem me<br />
<strong>for</strong> online perusal only<br />
ru is ti<br />
5<br />
8<br />
p<br />
mf<br />
5<br />
8<br />
43<br />
2<br />
4<br />
poco rit.<br />
ta re al<br />
Adagio maestoso q = c.69<br />
f<br />
4<br />
le lu ia.<br />
p dolce<br />
2<br />
4<br />
por ta re, al<br />
f<br />
4<br />
le lu ia.<br />
p dolce<br />
2<br />
4<br />
2<br />
4<br />
ta re, al<br />
f<br />
f<br />
4<br />
le lu ia.<br />
4<br />
p dolce<br />
p dolce<br />
2<br />
4<br />
por ta re, al<br />
poco rit.<br />
Adagio maestoso q = c.69<br />
le lu ia.<br />
4<br />
f<br />
p<br />
2<br />
4<br />
4
188<br />
49<br />
Allegro spiritoso q = c.138<br />
2<br />
4<br />
2<br />
4<br />
2<br />
4<br />
2<br />
4<br />
Allegro spiritoso q = c.138<br />
2<br />
4<br />
6<br />
8<br />
6<br />
8<br />
6<br />
8<br />
6<br />
8<br />
p leggiero<br />
p leggiero<br />
Re<br />
Re<br />
6 8<br />
6 8<br />
sur rex it, si cut, re sur rex it, dix it,<br />
mp legato<br />
Re<br />
sur rex it,<br />
sur rex it, si cut, re sur rex it, dix it,<br />
5<br />
<strong>for</strong> online perusal only<br />
p leggiero<br />
2<br />
4<br />
54<br />
mp<br />
re sur rex it, si cut, re sur rex it, si<br />
cut, re sur rex it,<br />
mf legato<br />
Re<br />
sur rex it, si cut,<br />
mp<br />
si cut dix it, re<br />
sur rex it, si cut, re sur rex it,<br />
mp<br />
re sur rex it, si cut, it, si<br />
cut dix it, si cut,<br />
mf legato
189<br />
6<br />
59<br />
mf legato e cresc.<br />
poco rit.<br />
4<br />
si cut, re<br />
sur rex it,<br />
mf cresc.<br />
re sur rex it, si cut dix it, si cut dix it,<br />
mf cresc.<br />
4<br />
4<br />
si cut, re<br />
mf cresc.<br />
sur rex it, si cut dix it,<br />
4<br />
re sur rex it, re<br />
sur rex it, si cut dix it, si cut dix it,<br />
poco rit.<br />
4<br />
mf legato e cresc.<br />
4<br />
64<br />
4<br />
Adagio maestoso q = c.69<br />
f<br />
2<br />
4<br />
3<br />
4<br />
mp<br />
2<br />
4<br />
4<br />
p dolce<br />
pp<br />
al<br />
le lu ia,<br />
lu<br />
ia,<br />
4<br />
f<br />
2<br />
4<br />
3<br />
4<br />
mp<br />
2<br />
4<br />
4<br />
p dolce<br />
pp<br />
al<br />
<strong>for</strong> online perusal only<br />
le lu ia,<br />
lu<br />
ia,<br />
4<br />
f<br />
2<br />
4<br />
3<br />
4<br />
mp<br />
2<br />
4<br />
4<br />
p dolce<br />
pp<br />
al<br />
le lu ia,<br />
lu<br />
ia,<br />
4<br />
f<br />
2<br />
4<br />
3<br />
4<br />
mp<br />
2<br />
4<br />
4<br />
p dolce<br />
pp<br />
al<br />
le lu ia,<br />
lu<br />
ia,<br />
4<br />
Adagio maestoso q = c.69<br />
2<br />
4<br />
3<br />
4<br />
2<br />
4<br />
4<br />
f mp p dolce pp<br />
4<br />
2<br />
4<br />
3<br />
4<br />
2<br />
4<br />
4
190<br />
70<br />
Allegro spiritoso q = c.138<br />
mp legato<br />
2<br />
4<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
6 8<br />
O<br />
poco<br />
mp legato<br />
7<br />
ra,<br />
o<br />
ra,<br />
2<br />
4<br />
p leggiero<br />
O<br />
ra pro no bis, pro no bis De um,<br />
2<br />
4<br />
2<br />
4<br />
p leggiero<br />
O<br />
ra pro no bis, pro no bis De um,<br />
Allegro spiritoso q = c.138<br />
2<br />
4<br />
mp legato<br />
p leggiero<br />
2<br />
4<br />
75<br />
poco<br />
mp<br />
poco<br />
mp<br />
o<br />
ra,<br />
o<br />
ra<br />
mp legato<br />
poco<br />
mp<br />
poco<br />
o<br />
<strong>for</strong> online perusal only<br />
ra,<br />
o<br />
ra<br />
p leggiero<br />
pro<br />
no bis De um, pro no bis De um, pro no bis<br />
pro no bis De um, pro no bis De um, pro no bis<br />
mp cresc.
191<br />
8<br />
80<br />
mf<br />
pro no bis De<br />
mf<br />
pro, pro no bis De um,<br />
mf<br />
De um, no bis De um,<br />
mf<br />
De um, pro no bis De um,<br />
3<br />
2<br />
3<br />
2<br />
3<br />
2<br />
3<br />
2<br />
meno mosso<br />
um, O ra pro no bis<br />
O ra pro no bis<br />
O ra pro no bis<br />
O ra pro no bis<br />
3<br />
2<br />
meno mosso<br />
mf<br />
3<br />
2<br />
85<br />
rit.<br />
p<br />
2<br />
4<br />
Adagio maestoso q = c.69<br />
f<br />
4<br />
poco rit.<br />
lunga<br />
mp<br />
ppp<br />
De<br />
um,<br />
al<br />
le lu ia.<br />
p<br />
2<br />
4<br />
f<br />
4<br />
mp<br />
ppp<br />
De<br />
um,<br />
al<br />
<strong>for</strong> online perusal only<br />
le lu ia.<br />
p<br />
2<br />
4<br />
f<br />
4<br />
mp<br />
ppp<br />
De<br />
um,<br />
al<br />
le lu ia.<br />
p<br />
2<br />
4<br />
f<br />
4<br />
mp<br />
ppp<br />
De<br />
um,<br />
al<br />
le lu ia.<br />
rit.<br />
2<br />
4<br />
Adagio maestoso q = c.69<br />
4<br />
poco rit.<br />
lunga<br />
p f mp ppp<br />
2<br />
4<br />
4
SACRED<br />
SSA and piano<br />
192<br />
<strong>for</strong> online perusal only<br />
O be joyful<br />
Becky McGlade
193<br />
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194<br />
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<strong>for</strong> online perusal only
CHORAL SONGS<br />
SSA and piano<br />
207<br />
2<br />
<strong>for</strong> online perusal only
208<br />
<strong>for</strong> online perusal only
209<br />
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214<br />
<strong>for</strong> online perusal only<br />
ISBN 978-0-19-342590-3
NEW<br />
HORIZONS<br />
215<br />
2<br />
<strong>Sacred</strong><br />
SSA and piano ad lib.<br />
<strong>for</strong> online perusal only<br />
TARIK O’REGAN<br />
Columba aspexit
216<br />
Tarik O’Regan’s Columba aspexit is based in part on a sequence ascribed to Hildegard von Bingen (1098 –1179).<br />
The first stanza is given below, along with a non-singing translation.<br />
<br />
<br />
<br />
<br />
Co<br />
-<br />
<br />
lum<br />
<br />
<br />
- ba as<br />
<br />
-<br />
<br />
pex<br />
<br />
- it per<br />
<br />
can<br />
-<br />
<br />
cel<br />
<br />
- los fe<br />
<br />
<br />
-<br />
<br />
nes<br />
<br />
<br />
-<br />
<br />
tre<br />
<br />
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u<br />
<br />
- bi an<br />
<br />
<br />
- te fa<br />
<br />
<br />
- ci - em e<br />
<br />
<br />
<br />
- ius su<br />
-<br />
<br />
dan<br />
<br />
- do su<br />
<br />
- da - vit bal<br />
<br />
-<br />
<br />
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- sa<br />
<br />
- -<br />
<strong>for</strong> online perusal only<br />
<br />
mum<br />
<br />
<br />
de<br />
<br />
lu<br />
-<br />
<br />
ci<br />
<br />
-<br />
<br />
do<br />
<br />
<br />
Ma<br />
<br />
-<br />
<br />
xi<br />
<br />
<br />
<br />
- mi - no.<br />
The dove peered in<br />
through the lattices of the window<br />
where, be<strong>for</strong>e its face,<br />
a balm exuded<br />
from incandescent Maximin.<br />
Sequence and translation reproduced from Sequences and Hymns by Hildegard of Bingen (ed. Christopher Page) by permission<br />
of the publisher, Antico Edition.
217<br />
<br />
<br />
SOLO PLAINCHANT<br />
p<br />
<br />
<br />
<br />
<br />
Flowing swiftly<br />
h = 116<br />
p<br />
<br />
- lum - ba<br />
<br />
<br />
SOPRANO 1<br />
Co<br />
p<br />
<br />
SOPRANO 2 <br />
Co -<br />
p<br />
<br />
ALTO 1 <br />
Co - lum<br />
ALTO 2<br />
PIANO*<br />
<br />
Co<br />
- lum<br />
<br />
<br />
- ba as<br />
<br />
-<br />
<br />
pex<br />
<br />
<br />
<br />
<br />
- it per can-<br />
cel<br />
<br />
<br />
116<br />
<br />
Flowing swiftly<br />
<br />
<br />
<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
- los fe - nes<br />
<br />
-<br />
<br />
tre<br />
<br />
<br />
con Ped.<br />
<br />
3<br />
<br />
- ba<br />
niente<br />
<br />
S.1<br />
4<br />
<br />
<br />
as<br />
S.2<br />
<br />
-lum<br />
<br />
A. <br />
as -<br />
-<br />
<br />
-<br />
<br />
pex<br />
<br />
ba<br />
<br />
pex<br />
<br />
<br />
p<br />
<br />
- it per<br />
p<br />
<br />
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<br />
<br />
<br />
per<br />
p<br />
<br />
- it per<br />
<strong>for</strong> online perusal only<br />
<br />
<br />
can - cel<br />
<br />
<br />
<br />
<br />
<br />
- los fe -<br />
<br />
can - cel - los<br />
<br />
<br />
can - cel<br />
<br />
<br />
<br />
- los fe<br />
-<br />
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nes<br />
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nes<br />
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<br />
<br />
<br />
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† f<br />
<br />
- tre u<br />
† f<br />
<br />
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u<br />
f<br />
<br />
- tre u<br />
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- bi an<br />
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<br />
- bi, u<br />
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<br />
- bi, u<br />
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- te<br />
-<br />
-<br />
<br />
<br />
bi<br />
<br />
<br />
bi,<br />
<br />
<br />
<br />
Prize winner in the Concours Européen pour Chœurs et Maîtrises de Cathédrales, 2001<br />
* The piano part should be omitted in per<strong>for</strong>mance, but may be used if required.<br />
† Bars 9–25 should be omitted by sopranos unable to sing the lower notes in this passage; altos may be divided to support the sopranos<br />
if necessary.<br />
<br />
<br />
<br />
mf
218<br />
4<br />
10<br />
<br />
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<br />
fa<br />
<br />
- ci -em<br />
e<br />
<br />
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- ius, u<br />
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- bi an - te fa<br />
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e<br />
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-<br />
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ius,<br />
p<br />
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an<br />
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- te fa<br />
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- ci - em e<br />
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- bi an<br />
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p<br />
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te<br />
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p<br />
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mf<br />
<br />
<br />
<br />
<br />
<br />
15<br />
<br />
f lyrical<br />
<br />
<br />
Co<br />
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<br />
<br />
<strong>for</strong> online perusal only<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
S.1<br />
<br />
<br />
u<br />
-<br />
lum<br />
<br />
<br />
<br />
- bi an - te fa<br />
- - ba as<br />
<br />
- ci-em<br />
e<br />
<br />
- -<br />
<br />
pex<br />
<br />
- ius, u<br />
- -<br />
it<br />
<br />
<br />
<br />
- bi an - te fa<br />
<br />
<br />
- ci-em<br />
e<br />
-<br />
S.2<br />
<br />
ius,<br />
<br />
- u<br />
<br />
<br />
<br />
- bi an<br />
<br />
<br />
- te fa<br />
<br />
- ci - em e<br />
<br />
<br />
<br />
- ius, u<br />
<br />
<br />
<br />
- bi an<br />
<br />
<br />
- te fa<br />
-<br />
ci-<br />
A.<br />
<br />
<br />
<br />
<br />
<br />
- ius, u<br />
<br />
<br />
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- bi an - te fa<br />
<br />
- ci-em<br />
e<br />
<br />
<br />
<br />
- ius, u<br />
<br />
- te<br />
<br />
- bi an<br />
<br />
<br />
<br />
mp
219<br />
5<br />
20<br />
<br />
<br />
<br />
<br />
- em e<br />
<br />
fa<br />
<br />
f <br />
per<br />
<br />
- ius, u<br />
<br />
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e<br />
<br />
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can<br />
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<br />
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te<br />
- ius, u<br />
<br />
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<br />
cel<br />
<br />
- bi an- fa<br />
<br />
<br />
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- ci-em<br />
e<br />
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- bi an-te<br />
fa<br />
<br />
- ius, u<br />
<br />
<br />
te<br />
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los<br />
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<br />
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fe<br />
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ius,<br />
-<br />
<br />
<br />
nes<br />
<br />
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e<br />
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<br />
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<br />
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ius,<br />
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<br />
- - -<br />
<br />
<br />
tre<br />
f<br />
f<br />
f<br />
<br />
ius,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
26<br />
<br />
<br />
niente<br />
<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
e<br />
-<br />
<br />
<br />
ius,<br />
<br />
niente<br />
<br />
<strong>for</strong> online perusal only<br />
su - dan -do<br />
su<br />
mf<br />
<br />
<br />
<br />
<br />
su - dan -do<br />
su<br />
- da - vit bal<br />
<br />
<br />
<br />
- da - vit bal<br />
<br />
-<br />
-<br />
sa<br />
<br />
sa<br />
-<br />
-<br />
<br />
<br />
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e<br />
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e<br />
-<br />
-<br />
div.<br />
div.<br />
<br />
<br />
ius,<br />
<br />
<br />
<br />
ius,<br />
<br />
<br />
<br />
<br />
molto<br />
<br />
<br />
su<br />
molto<br />
<br />
<br />
<br />
su<br />
<br />
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-<br />
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mp<br />
mp<br />
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dan - -<br />
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dan - -<br />
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do<br />
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do<br />
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su<br />
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su<br />
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<br />
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f<br />
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<br />
<br />
<br />
<br />
<br />
mf
220<br />
6<br />
S. 1<br />
32<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ossia<br />
f<br />
*<br />
<br />
<br />
<br />
mum<br />
S. 2 <br />
- da<br />
-<br />
-<br />
<br />
de<br />
<br />
vit<br />
lu - ci - do<br />
<br />
bal<br />
Ma<br />
-<br />
<br />
-<br />
xi<br />
<br />
sa<br />
mi<br />
- -no,<br />
<br />
- mum,<br />
<br />
<br />
dan<br />
<br />
-<br />
su - -do<br />
su<br />
unis.<br />
<br />
ossia*<br />
f<br />
<br />
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su - dan-<br />
A.<br />
<br />
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da<br />
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unis.<br />
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f<br />
-<br />
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vit<br />
bal<br />
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sa<br />
-<br />
mum,<br />
<br />
<br />
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mf<br />
<br />
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<br />
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<br />
38<br />
<br />
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da<br />
- - vit bal<br />
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mum<br />
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lu - ci - do<br />
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Ma -<br />
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-do<br />
su<br />
<br />
da<br />
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<br />
- - vit bal<br />
<br />
-<br />
<strong>for</strong> online perusal only<br />
<br />
sa<br />
- -<br />
<br />
mum<br />
<br />
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de<br />
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lu - ci - do<br />
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3<br />
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3<br />
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3<br />
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<br />
REGAN<br />
NH8 Columba aspexit O’<br />
<strong>for</strong> online perusal only<br />
<br />
S.1<br />
S.2<br />
A.<br />
96<br />
<br />
ff <br />
<br />
<br />
as<br />
ff<br />
<br />
as<br />
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fff<br />
<br />
- pex - it.<br />
<br />
fff<br />
<br />
- pex - it.<br />
<br />
Co<br />
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ff<br />
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ff<br />
as<br />
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as<br />
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ff<br />
<br />
<br />
<br />
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pex<br />
- - it.<br />
<br />
pex<br />
molto<br />
molto<br />
SOLO PLAINCHANT (slower)<br />
f<br />
fff<br />
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fff<br />
<br />
- - it.<br />
<br />
<br />
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- lum - ba as<br />
molto<br />
molto<br />
<br />
-<br />
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pex<br />
<br />
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* niente<br />
<br />
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* niente<br />
*<br />
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- it per can - cel<br />
niente<br />
*<br />
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niente<br />
*<br />
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- los fe - nes<br />
<br />
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<br />
* All <strong>voices</strong> to coincide with the soloist on the syllable ‘-it’.<br />
<br />
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fff<br />
<br />
<br />
<br />
<br />
-<br />
pp<br />
<br />
<br />
<br />
tre.<br />
Cambridge, July 2000
227<br />
<strong>for</strong> online perusal only
228<br />
<strong>for</strong> online perusal only
229<br />
<strong>for</strong> online perusal only
230<br />
<strong>for</strong> online perusal only
231<br />
<strong>for</strong> online perusal only
232<br />
<strong>for</strong> online perusal only
233<br />
<strong>for</strong> online perusal only
234<br />
<strong>for</strong> online perusal only
235<br />
<strong>for</strong> online perusal only
SACRED<br />
SSAA, solo cello, djembe, and piano<br />
236<br />
2<br />
God will give orders/<br />
Sweet child<br />
<strong>for</strong> online perusal only<br />
Sarah Quartel<br />
A
237<br />
SOPRANO 1<br />
SOPRANO 2<br />
Commissioned by Jennifer Moir <strong>for</strong> Les Choristes,<br />
Western University, London, Ontario, Canada<br />
God will give orders/Sweet child<br />
With a feeling of one q = 96<br />
Words and music by<br />
SARAH QUARTEL<br />
°<br />
& bb 3<br />
4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑<br />
ALTO 1<br />
ALTO 2<br />
3<br />
¢ & bb 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑<br />
DJEMBE<br />
3<br />
/ 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑<br />
<strong>for</strong> online perusal only<br />
VIOLONCELLO<br />
B b b<br />
3<br />
4<br />
œ œ œ œ œ œ J<br />
œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ ˙<br />
mp<br />
PIANO<br />
&b b<br />
{<br />
? b b<br />
With a feeling of one q = 96<br />
3<br />
4<br />
3<br />
4<br />
˙<br />
˙ ˙˙ ˙ ˙ ˙˙ ˙˙ ˙˙ n˙˙<br />
mp<br />
˙<br />
˙ ˙˙<br />
˙˙ ˙˙<br />
˙˙<br />
˙˙<br />
˙˙ ˙˙<br />
<br />
con Ped.<br />
VC.<br />
9<br />
B b b<br />
œ œ œ ˙ œ nœ<br />
œ ˙ nœ<br />
œ œ œ œ œ œ œ œ ˙ ˙<br />
mf<br />
mp<br />
3<br />
&b b<br />
{<br />
mf<br />
? b b<br />
˙<br />
˙ ˙˙ ˙ ˙ ˙˙ ˙˙ ˙ n˙<br />
˙<br />
˙ ˙˙<br />
˙˙ ˙˙<br />
˙˙<br />
˙˙<br />
˙˙ ˙˙ <br />
mp<br />
Offprinted from Snow Angel (ISBN 978–0–19–351228–3).<br />
Duration: 5 mins<br />
© Ox<strong>for</strong>d University Press 2016<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
238<br />
4<br />
S. 1/2<br />
17<br />
°<br />
¢ & bb<br />
SOPRANOS unis.<br />
mp<br />
œ œ œ œ œ œ œ œ œ œ œ ˙ œ œ œ<br />
God<br />
will give or - ders to his an - gels a - bout you, God will give<br />
& bb<br />
{<br />
? b b<br />
œ<br />
œ œ j œ œ œ œ œ j œ œ œ œ j œ œ ˙œ<br />
mp<br />
œ œ ˙<br />
œ œ ˙<br />
œ œ ˙<br />
œ œ ˙<br />
œ<br />
œ œ<br />
œ œ œ j œ œ<br />
œ œ<br />
œ œ ˙<br />
22<br />
°<br />
&b b œ œ œ<br />
S. 1/2<br />
œ œ œ œ œ ˙<br />
∑ ∑<br />
or<br />
- ders to his an - gels a - bout you,<br />
¢ &b b<br />
A. 1/2<br />
∑ ∑<br />
unis.<br />
mp<br />
Œ Œ œ ˙ œ œ œ œ<br />
And<br />
all his an - gels,<br />
&b b<br />
{<br />
? b b<br />
œ<br />
œ œ j œ œ œ<br />
œ œ ˙<br />
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œ j œ œ<br />
œ n<br />
œ œ ˙<br />
œ j œ œ œ œ œ j œ œ œ œ œ j œ œ<br />
œ œ ˙<br />
œ œ ˙<br />
27<br />
°<br />
&b b<br />
mp<br />
<strong>for</strong> online perusal only<br />
Œ œ œ œ œ œ ˙<br />
˙<br />
˙ <br />
¢ &b b<br />
all<br />
his ar - mies sing: ‘ah!’<br />
˙ œ œ œ œ ˙<br />
˙ ˙<br />
˙<br />
all his ar - mies sing: ‘ah!’<br />
& bb<br />
{<br />
? b b<br />
œ œ j œ œ ˙œ œ œ œ œ œ<br />
œ œ ˙<br />
œ<br />
J<br />
œ<br />
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œ œ œ œ ˙<br />
œ j œ œ<br />
œ<br />
œ œ ˙<br />
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œ <br />
œ œ ˙<br />
œ j œ œ
239<br />
5<br />
32<br />
°<br />
& bb<br />
˙ œ œ œ<br />
œ œœ œ œ œ œ œ œ œ ˙<br />
God will give or - ders to his an - gels a - bout you,<br />
¢ & bb<br />
˙<br />
œ œ œ œ œ œ œ œ<br />
œ œ œ œ œ œ ˙œ œ<br />
God will give or - ders to his an - gels a - bout you,<br />
VC.<br />
B b b<br />
∑<br />
œ œ œ ˙ ˙ ˙<br />
mp<br />
&b b<br />
œ œ<br />
œ œ œ œ œ˙<br />
œ œ œ˙<br />
œ<br />
œ œ˙ œ œ<br />
œ<br />
˙<br />
{? b b<br />
œ œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ J<br />
œ œ<br />
37<br />
°<br />
&b b<br />
ah<br />
<strong>for</strong> online perusal only<br />
˙œ œ œ œ œ˙<br />
œ œ œ œ œ œ<br />
˙ œ œ œ<br />
ah<br />
mf<br />
˙<br />
œ œ œ<br />
God will give or - ders to his an - gels a - bout you, And<br />
all<br />
his<br />
¢ &b b<br />
œ<br />
œ<br />
œ œ œ œ œ œ œ œ œ nœ œ<br />
God will give or - ders to his an - gels a - bout you, And all<br />
mf<br />
˙<br />
œ<br />
his<br />
B b b<br />
œ œ œ ˙ ˙ ˙<br />
œ œ œ<br />
mf<br />
& bb<br />
{<br />
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œ<br />
˙<br />
œ œ œ˙<br />
œ œ œ˙ œ œ<br />
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œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
˙ œ œ<br />
n<br />
œ˙<br />
mf<br />
œ œ nœ<br />
œ œ œ j œ<br />
œ<br />
J œ œ
240<br />
6<br />
42<br />
°<br />
& bb<br />
˙<br />
˙<br />
œ<br />
˙ œœ œ œ œ<br />
˙<br />
˙<br />
an<br />
- gels, all his ar - mies sing: ‘ah!’<br />
¢ & bb<br />
˙œ œ œ ˙ œ œ œ œ ˙<br />
˙<br />
˙<br />
an<br />
- gels, all his ar - mies sing:<br />
‘ah!’<br />
B b b<br />
˙ œ œ<br />
œ ˙ œ ˙ ˙<br />
&b b<br />
œ<br />
˙<br />
œ<br />
œ œ˙ œ œ<br />
œ œ œ ˙<br />
˙ <br />
{? b b<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ œ J<br />
œ<br />
œ œ œ œ œ œ<br />
œ œ œ œ œ<br />
47<br />
°<br />
&b b ˙<br />
n˙<br />
˙<br />
˙<br />
f<br />
bœ<br />
œ œ œœ œ<br />
œ<br />
j<br />
J<br />
œ œ œ<br />
Do<br />
not think poor - ly of these lit - tle<br />
¢ &b b<br />
˙<br />
˙<br />
f<br />
œ<br />
<strong>for</strong> online perusal only<br />
œ œ œ œ œ<br />
œ<br />
j<br />
J<br />
œ œ œ<br />
Do<br />
not think poor - ly of these lit - tle<br />
B b b<br />
˙ œ œ œ œ œ œ œ œ œ œ œ J<br />
œ œ<br />
f<br />
œ<br />
& bb<br />
{<br />
? b b<br />
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nœ<br />
nœ<br />
j œ œ<br />
nœ<br />
œ œ œ œ œ b œ œ œ œ œ œ œ œ œ œ œ œ<br />
œ œ ˙ ˙ œ j œ<br />
f<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ œ œ œ œ œ<br />
œ j œ<br />
œ<br />
J œ œ
241<br />
7<br />
52<br />
°<br />
& bb<br />
œ<br />
child<br />
˙<br />
œ<br />
œ œ œ œ œ œ J<br />
œ j œ œ œ ˙<br />
- ren. All of them have an an - gel in heav’n, And<br />
œ<br />
¢ & bb<br />
œ ˙ œ<br />
child<br />
œ œ œ œ œ<br />
œ<br />
j J œ œ œ n˙ œ<br />
- ren. All of them have an an - gel in heav’n, And<br />
B b b œ ˙ œ œ œ œ œ œ ˙ ˙ œ œ œ ˙<br />
3 3<br />
<strong>for</strong> online perusal only<br />
&b b<br />
{<br />
? b b<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ n<br />
œ j œ<br />
œ J<br />
œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ œ œ œ œ<br />
nœ<br />
œ<br />
J<br />
57<br />
°<br />
&b b<br />
mf<br />
œ˙ œ œœ œœ œ œ ˙ œœ œ œ œ ˙<br />
all<br />
their an - gels can see the face of the Fa - -<br />
¢ &b b<br />
mf<br />
˙ œœ œœ œ œœ ˙<br />
œ œ œœ œ ˙<br />
all<br />
their an - gels can see the face of the Fa - -<br />
B b b œ œ œ œ œ œ œ œ ˙ œ œ œ œ ˙<br />
3<br />
mf<br />
& bb<br />
œ œ œ œ œ œ<br />
œ œ œ œ œ œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
{? b b<br />
mf<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ œ<br />
j œ œ J<br />
œ<br />
œ œ j œ<br />
œ<br />
J œ œ
242<br />
8<br />
62<br />
°<br />
& bb<br />
˙<br />
˙ ˙ <br />
˙<br />
- - ther,<br />
all their an - gels can<br />
œ<br />
˙<br />
œ œœ œœ œ œ<br />
¢ & bb<br />
˙<br />
˙ <br />
˙ <br />
˙ ˙ œœ œœ œ œœ<br />
- - ther,<br />
all their an - gels can<br />
B b b<br />
˙ ˙ œ œ œ œ œ<br />
œ œ œ œ œ œ<br />
&b b<br />
{<br />
? b b<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ œ<br />
œ œ œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ<br />
œ<br />
J œ œ<br />
67<br />
°<br />
&b b<br />
<strong>for</strong> online perusal only<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
˙ œœ œ œ œ ˙<br />
˙<br />
n<br />
˙ <br />
see the face of the Fa - - - - ther.<br />
¢ &b b<br />
˙<br />
œ œ œœ œ ˙<br />
see the face of the Fa - - - - - ther.<br />
˙<br />
˙ <br />
˙ <br />
B b b<br />
œ<br />
œ<br />
œ ˙ œ ˙ ˙ ˙<br />
& bb<br />
{<br />
? b b<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ j œ œ J<br />
œ<br />
œ œ j œ<br />
œ<br />
J œ œ<br />
œ j œ<br />
œ<br />
J œ œ<br />
œ œ ˙<br />
œ j œ œ
243<br />
72<br />
°<br />
& bb<br />
˙<br />
f<br />
˙ œ œ<br />
˙˙<br />
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˙<br />
œ<br />
œ<br />
œ<br />
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9<br />
4<br />
All your an - gels see the face of your<br />
¢ & bb<br />
˙<br />
f<br />
˙ œœ ˙œ œ œ ˙ œœ<br />
œ œ œ<br />
4<br />
All<br />
your an - gels see the face of your<br />
B b b œ œ j nœ<br />
œ œ ˙ ˙ ˙ ˙<br />
3<br />
4<br />
f<br />
&b b<br />
{<br />
? b b<br />
œ œ nœ<br />
œ œ œ bœ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
œ<br />
nœ<br />
œ œ<br />
œ j œ<br />
bœ<br />
œ J œ<br />
œ j œ<br />
œ<br />
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j œ<br />
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J œ œ œ<br />
j œ œ J<br />
œ<br />
œ<br />
4<br />
4<br />
77<br />
°<br />
&b b 4<br />
Rooted and strong q = 84<br />
w<br />
˙<br />
œ œ w˙ œ œ w<br />
∑<br />
¢ &b b 4<br />
Fa<br />
w<br />
<strong>for</strong> online perusal only<br />
- - - -<br />
w<br />
ther.<br />
nw<br />
∑<br />
Fa<br />
- - - -<br />
ther.<br />
D. / 4 ∑ ∑<br />
*<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
mf<br />
VC.<br />
B b b<br />
4<br />
w w w<br />
∑<br />
& bb<br />
{<br />
Rooted and strong q = 84<br />
4<br />
? b b 4<br />
w<br />
w<br />
w<br />
w<br />
w<br />
w<br />
n w<br />
w<br />
w<br />
∑<br />
∑<br />
* The percussionist may improvise and expand upon the notated rhythm as desired.
244<br />
10<br />
81<br />
°<br />
& bb<br />
mf<br />
œ<br />
œ j<br />
œ<br />
J<br />
˙<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
œ<br />
œ j<br />
œ<br />
J<br />
˙<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
Sweet<br />
child, hear my song.<br />
mf<br />
¢ & bb # œ w œ j ˙ n œ w nœ<br />
j ˙ # œ<br />
j<br />
œ n<br />
J<br />
˙ œ w<br />
Sweet<br />
child, hear my song.<br />
nœ<br />
j ˙<br />
/<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
&b b<br />
œ<br />
œ j ˙<br />
nœ<br />
nœ<br />
j ˙<br />
œ œ <br />
œ j ˙<br />
nœ<br />
nœ<br />
j ˙<br />
{? b b<br />
mf<br />
# œ œ j ˙<br />
<strong>for</strong> online perusal only<br />
œ œ j ˙ # œ œ j ˙<br />
œ<br />
œ j ˙<br />
85<br />
°<br />
&b b<br />
œ<br />
œ j<br />
œ<br />
J<br />
˙<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
Sweet child, I will guard you.<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
œ<br />
œ<br />
œ j<br />
œ<br />
J<br />
˙<br />
¢ &b b # œ w œ j ˙ n œ w nœ<br />
j ˙ # œ<br />
j<br />
œ n n<br />
J<br />
˙<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
Sweet child, I will guard you.<br />
/<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
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# œ œ j ˙<br />
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245<br />
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* SMALL GROUP<br />
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¢ & bb ∑<br />
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& bb<br />
œ<br />
œ j<br />
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Oh, sweet child!<br />
¢ & bb # œ w œ j ˙ n œ w nœ<br />
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Ó ‰ œ œ œ w Ó ‰ œ œ œ<br />
œ<br />
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Sweet child, you’re the fu - ture.<br />
Sweet child, you’re the fu - ture.<br />
œ<br />
œ j<br />
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J<br />
˙<br />
œ<br />
œ<br />
j<br />
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Oh, sweet<br />
11<br />
/<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
<strong>for</strong> online perusal only<br />
&b b<br />
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œ<br />
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# œ œ j œ j œ œ j œ œ j ˙ # œ œ j œ j œ œ j œ œ j ˙<br />
93<br />
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w Ó ‰ œ œ œ w<br />
child! Oh, sweet child!<br />
œ<br />
œ<br />
j<br />
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œ<br />
œ<br />
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show to o - thers.<br />
¢ &b b # œ<br />
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show to o - thers.<br />
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# œ œ j œ j œ œ j œ œ j ˙ # œ œ j œ j œ œ j œ œ j ˙<br />
* This part should be strong and heard above the rest of the choir. If available, singers with a rich and warm vocal colour should sing this line.
246<br />
12<br />
97<br />
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œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
Faith,<br />
mp<br />
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like a child, can hear the song, A song that falls on ears of those who<br />
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w<br />
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child,<br />
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œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
pizz.<br />
# œ<br />
œ œ œ nœ<br />
œ œ œ œ nœ<br />
œ œ<br />
<strong>for</strong> online perusal only<br />
&b b<br />
{<br />
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f<br />
œ<br />
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# œ œ j œ<br />
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œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
wait, Like a child, <strong>for</strong> peace to come. And trust that we will learn to show them<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
n<br />
œ<br />
hear my song.<br />
j<br />
œ<br />
J<br />
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hear my song.<br />
œ<br />
j<br />
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nœ<br />
j<br />
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/<br />
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œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
# œ œ œ œ nœ<br />
œ nœ<br />
œ œ œ œ<br />
& bb<br />
{<br />
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œ<br />
œ j<br />
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# œ œ j œ<br />
nœ<br />
nœ<br />
j<br />
œ œ œ œ œ j ˙<br />
˙
°<br />
¢ & bb<br />
°<br />
& bb<br />
¢ & bb # œ w œ j ˙ nœ<br />
w<br />
{<br />
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¢ &b b<br />
°<br />
&b b<br />
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j<br />
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n n<br />
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101<br />
/<br />
? b b<br />
&b b<br />
? b b<br />
103<br />
/<br />
? b b<br />
13<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
love, Like a child, who knows no wrong From be - ing loved by those who’ve taught them<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
Sweet<br />
child,<br />
nœ<br />
j ˙<br />
Sweet<br />
child,<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
œ # œ œ œ œ nœ<br />
œ œ<br />
œ<br />
œ j ˙<br />
nœ<br />
nœ<br />
j ˙<br />
# œ œ j œ<br />
œ œ œ œ œ j ˙<br />
ff<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
Faith, like a child, <strong>for</strong> - ev - er strong. The cir - cle goes on. Sweet<br />
ff<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
œ<br />
œ<br />
j<br />
J<br />
œ œ<br />
I will guard you. Sweet<br />
ff<br />
œ œ<br />
I will guard you. Sweet<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
arco<br />
# œ œ œ œ œ œ œ J<br />
œ œ j œ œ<br />
ff<br />
œ<br />
œ j ˙<br />
nœ<br />
nœ<br />
j œ œ<br />
# œ œ j œ<br />
œ œ œ œ œ j œ œ œ œ œ<br />
& bb cresc.<br />
? b b<br />
247<br />
<strong>for</strong> online perusal only
248<br />
14<br />
105<br />
°<br />
¢ & bb<br />
°<br />
& bb œ<br />
œ œ œ œ œ œ œ œn œ ˙ ‰ n œ<br />
j b b n<br />
J<br />
œ<br />
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œ œ œ œ œ<br />
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œ œ œ œ œ œ œ œ œ œ ˙ ‰ œ j œ œ œ bœ<br />
œ œ œ œ œ œ<br />
child! Sweet child!<br />
child! Sweet child!<br />
œ œ œ œ<br />
œ œ œ œ œ ˙<br />
œ ˙<br />
child! Sweet child!<br />
/ ><br />
œ<br />
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œ œ œ œ œ œ<br />
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œ<br />
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ff<br />
˙ ˙ ˙ œ œ œ ˙ ˙<br />
‰<br />
œ j<br />
œ<br />
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œ<br />
œ œ œ œ œ<br />
œ œ œ œ œ<br />
&b b<br />
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œ b<br />
ff<br />
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œ<br />
œ<br />
œ<br />
n<br />
œ j œ œ œ œ œj œ œ <br />
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<strong>for</strong> online perusal only<br />
œ<br />
œ<br />
œnœ<br />
œ œ<br />
bœ<br />
œ j œ œ œj œ œ œ œj œ œ œ œj œ œ œ œj<br />
œ<br />
œ<br />
œ<br />
108<br />
°<br />
¢ &b b<br />
°<br />
&b b<br />
¢ &b b<br />
& bb<br />
{<br />
f<br />
Faith, like a child,can hear the song, A song that falls on ears of those who<br />
mf<br />
Sweet<br />
mf<br />
child,<br />
Sweet child, oh sweet,<br />
f<br />
pizz.<br />
f<br />
b<br />
œ<br />
j<br />
J<br />
# œ w œ j ˙ nœ<br />
˙<br />
/ ><br />
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œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
? b b<br />
? b b<br />
˙ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
˙ Œ œ<br />
˙<br />
˙<br />
Œ<br />
œ œ œ j -<br />
- œ œ n<br />
-<br />
œ œ # œ œ œ œ œ œ nœ<br />
œ œ<br />
J J œ œ j<br />
w<br />
n<br />
w<br />
w<br />
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f<br />
bœ<br />
j<br />
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œ<br />
nœ<br />
œ<br />
œ œ<br />
J<br />
˙<br />
nœ<br />
j ˙œ nœ<br />
œ œ<br />
nœ<br />
j ˙<br />
# œ œ œ œ œ<br />
œ œ œ œ œ œ œ œ nœ<br />
nœ<br />
œ
249<br />
15<br />
111<br />
°<br />
¢ & bb<br />
°<br />
& bb<br />
¢ & bb #<br />
œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
wait, Like a child, <strong>for</strong> peace to come. And trust that we will learn to show them<br />
œ<br />
œ j œ<br />
J<br />
˙<br />
hear my song.<br />
œ j<br />
œ<br />
J<br />
˙<br />
hear my song. Oh sweet,<br />
œ<br />
nœ<br />
˙<br />
œ<br />
œ œ<br />
J<br />
˙<br />
nœ<br />
j<br />
˙œ<br />
œ œ œ<br />
/<br />
? b b<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
# œ œ œ<br />
œ œ œ œ œ œ œ œ nœ<br />
œ<br />
&b b<br />
œ<br />
œ j<br />
˙<br />
nœ<br />
nœ<br />
j<br />
˙<br />
{? b b<br />
# œ œ œ œ œ<br />
<strong>for</strong> online perusal only<br />
œ œ œ œ œ œ œ œ nœ<br />
nœ<br />
œ<br />
113<br />
°<br />
¢ &b b<br />
°<br />
&b b<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
love, Like a child, who knows no wrong From be - ing loved by those who’ve taught them.<br />
œ<br />
Sweet<br />
œ<br />
j<br />
J<br />
˙<br />
œ<br />
child,<br />
œ<br />
œ J<br />
œ ˙<br />
¢ &b b # œ w œ j ˙ nœ<br />
˙<br />
nœ<br />
j ˙œ nœ<br />
œ œ<br />
/<br />
? b b<br />
Sweet child, oh sweet,<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
œ œ œ œ<br />
œ œ œ œ œ<br />
œ<br />
& bb<br />
œ<br />
œ j<br />
˙<br />
œ<br />
nœ<br />
j<br />
˙<br />
{? b b<br />
# œ œ œ œ œ<br />
œ œ œ œ œ œ œ œ nœ<br />
nœ<br />
œ
250<br />
16<br />
115<br />
°<br />
¢ & bb<br />
°<br />
& bb<br />
œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ ˙<br />
Faith, like a child, <strong>for</strong> - ev - er strong. The cir - cle goes on.<br />
œ<br />
œ j œ<br />
J<br />
˙<br />
œ<br />
I will guard you. Sweet<br />
¢ & bb # œ<br />
j<br />
œ<br />
n n #<br />
J<br />
˙<br />
œ<br />
œ<br />
j ˙<br />
œ<br />
J<br />
œ nœ<br />
œ œ w œ j ˙<br />
I will guard you. Oh sweet, Sweet<br />
/ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
><br />
œ<br />
><br />
œ<br />
><br />
œ ∑<br />
œ<br />
3<br />
ff<br />
œ œ<br />
J<br />
˙ œ<br />
ff<br />
œ j<br />
œ<br />
J<br />
∑<br />
˙<br />
? b b<br />
‰<br />
> œ > > > - -<br />
J ‰<br />
œ<br />
J ‰ œ B<br />
J ‰ œ ˙ œ œ œ<br />
J J J<br />
arco<br />
<strong>for</strong> online perusal only<br />
∑<br />
&b b<br />
{<br />
œ<br />
cresc.<br />
œ j ˙<br />
œ<br />
nœ<br />
j ˙<br />
? b b #œ<br />
∑<br />
# œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ n<br />
n œ œ n nœ œ œ œ<br />
∑<br />
S. 1<br />
S. 2<br />
118<br />
°<br />
&b b<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
child, hear my song. Sweet<br />
mf<br />
¢ &b b<br />
A. 1<br />
A. 2 n œ w nœ<br />
j ˙ # œ<br />
j<br />
œ n # n<br />
J<br />
˙ œ w nœ<br />
j ˙ œ w œ j ˙ œ w<br />
child, hear my song. Sweet<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
mf<br />
œ<br />
œ<br />
j<br />
J<br />
˙<br />
œ<br />
child,<br />
child,<br />
œ<br />
j<br />
J<br />
˙<br />
nœ<br />
j ˙<br />
123<br />
°<br />
&b b<br />
¢ & bb<br />
œ<br />
œ j<br />
œ<br />
J<br />
˙<br />
rit.<br />
œ<br />
I will show you how to love!<br />
U<br />
# œ<br />
j<br />
œ n n b n<br />
J<br />
˙<br />
œ<br />
œ<br />
j<br />
J<br />
œ œ œ œ œ œ œ œ œ œ œ<br />
œ œ œ w<br />
u<br />
I will show you how to love!<br />
œ<br />
j<br />
J<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
U<br />
ww<br />
u<br />
Music originated by Andrew Jones<br />
Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
SACRED<br />
SSAA unaccompanied<br />
251<br />
<br />
<strong>for</strong> online perusal only<br />
How can I keep<br />
from singing?<br />
Sarah Quartel<br />
A
252<br />
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<strong>for</strong> online perusal only
253<br />
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<strong>for</strong> online perusal only
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<strong>for</strong> online perusal only
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Ā<br />
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Ā Ȁ !"" #$%& '()<br />
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<strong>for</strong> online perusal only
SECULAR<br />
SSAA and piano<br />
263<br />
2<br />
<strong>for</strong> online perusal only<br />
My soul is awakened<br />
Sarah Quartel<br />
A
264<br />
Anne Brontë (1820–49)<br />
Commissioned by Portsmouth High School, George Tinsley, Director of Music<br />
My soul is awakened<br />
SARAH QUARTEL<br />
Fresh and buoyant q. = 56<br />
°<br />
SOPRANOS 1&2 6<br />
ALTOS 1&2 ¢ 8 ‰<br />
∑ ∑ ∑<br />
“”<br />
& bb b b œ œ<br />
6<br />
œœ<br />
œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ <br />
8<br />
2<br />
PIANO<br />
p<br />
6 8 ‰ œ<br />
œ œ œ œ œ<br />
œ<br />
˙˙<br />
2<br />
con Ped.<br />
4<br />
p<br />
°<br />
¢ &b b b b<br />
unis.<br />
∑ 9 6 8 Œ Œ Œ œ œ 8 œ œ œ œ œ œ œ<br />
My soul is a - wak - ened, my<br />
&b b b b œ œ œ œ œ œ œ<br />
9 œ œ ˙œ<br />
œ 6 œ œ <br />
{<br />
8 8<br />
9 6<br />
&b b b b œ œ œ œ œ œ 8 ˙<br />
˙˙<br />
8<br />
œ œ<br />
œ <br />
7<br />
°<br />
¢ &b b b b œ œ œ œ œ Œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
spi - rit is soar - ing,<br />
And car - ried a - loft on the wings of the breeze;<br />
“”<br />
&b b b b œ œ œ œ œ œ œ <br />
œ<br />
œ œ<br />
˙<br />
{&b b b b œ œ<br />
œ<br />
2<br />
˙<br />
˙ <br />
œ <br />
10<br />
°<br />
¢ &b b b b œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
For, a - bove, and a - round me, the wild wind is roar - ing,<br />
&b b b b<br />
˙œ œ œ œ ˙ <br />
{& bb b b ˙<br />
˙<br />
œ œ<br />
œ <br />
˙˙<br />
& bb b b<br />
{& bb b b<br />
˙ <br />
˙<br />
˙<br />
6 8<br />
6 8<br />
6 8<br />
<strong>for</strong> online perusal only<br />
9 8<br />
6 8<br />
9 8<br />
6 8<br />
9 8<br />
6 8<br />
â ä<br />
Duration: 4.5 mins<br />
© Ox<strong>for</strong>d University Press 2019<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
S. 1<br />
S. 2<br />
A. 1<br />
A. 1<br />
3<br />
13<br />
°<br />
& bb b b<br />
9 6<br />
œ Œ ≈ r œ 8 œ œ œ œ œ œ œ œ œ œ œ œ 8 ˙ ˙<br />
A - rous ing to rap - ture the earth and the seas.<br />
& bb b b<br />
9 6<br />
œ Œ ≈ r œ 8 œ œ œ œ œ œ œ œ œ œ œ œ 8 ˙ ˙<br />
A - rous ing to rap - ture the earth and the seas.<br />
& bb b b<br />
9 6<br />
œ Œ ≈ r œ 8 œ œ œ œ œ œ œ œ œ œ œ œ 8 œ œ œ œ<br />
A - rous ing to rap - ture the earth and the seas.<br />
9 6<br />
¢ & bb b b œ Œ ≈ r œ 8 œ œ œ œ œ œ œ œ œ œ œ œ 8 œ œ œ œ<br />
A - rous ing to rap - ture the earth and the seas.<br />
“<br />
œ œ œ œ œ œ œ <br />
9 œ œ<br />
6 8<br />
˙<br />
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oo<br />
mp<br />
&b b b b ˙ œ Œ<br />
˙ œ œ ˙<br />
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mp<br />
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2<br />
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{<br />
265<br />
<strong>for</strong> online perusal only<br />
2
266<br />
4<br />
22<br />
°<br />
& bb b b 2<br />
œ Œ<br />
œ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ J<br />
The long wi-thered<br />
grass in the sun - shine<br />
is<br />
& bb b b<br />
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oo<br />
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bœ œ œ nœ œ œ j<br />
oo<br />
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<strong>for</strong> online perusal only<br />
œ œ œ œ nœ œ œ j<br />
oo<br />
&b b b b n<br />
{<br />
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26<br />
°<br />
&b b b b<br />
œ œ œ œ j ‰<br />
glanc<br />
œ j œ œ œ œ œ œ œ œ œ œ œ œ n˙<br />
- ing,<br />
The bare trees are toss - ing their branch - es on high;<br />
&b b b b<br />
œ œ œ ‰ œ œ<br />
oo<br />
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{<br />
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267<br />
5<br />
30<br />
°<br />
& bb b b<br />
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mf<br />
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œbœ<br />
œ œ œ œ œ œ œ<br />
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nœ<br />
œ œ œ œ œ<br />
The<br />
dead leaves be - neath them are mer-ri- ly, mer - ri - ly<br />
& bb b b<br />
mf<br />
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bœ<br />
œ j œ œ J œ œ j œ œ œ nœ<br />
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danc<br />
mp<br />
- ing,<br />
The<br />
œ œ J<br />
œ œ œ œ J<br />
white clouds are scud - ding<br />
a -<br />
&b b b b<br />
mp<br />
nœ œ ‰ b˙ ˙ œ œ œ j<br />
oh<br />
&b b b b<br />
mp<br />
œ œ ‰ ˙ ˙ ˙<br />
¢ &b b b b<br />
œ œ ‰<br />
oh<br />
mp<br />
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oh<br />
& bb b b<br />
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b œ<br />
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mp<br />
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268<br />
6<br />
38<br />
°<br />
& bb b b<br />
œ œ œ ˙ œ œ J<br />
‰ œ œ œ œ œ œ œ œ œ<br />
- cross the blue sky. My<br />
mf<br />
soul is a - wak - ened, my<br />
& bb b b<br />
˙ ˙ œ œ j ‰ œ œ œ œ œ œ œ œ œ<br />
mf<br />
My<br />
soul is a - wak - ened, my<br />
& bb b b<br />
œ œ n˙ œ nœ<br />
j ‰ œ œ œ œ œbœ<br />
œ œ œ<br />
mf<br />
My<br />
soul is a - wak - ened, my<br />
¢ & bb b b<br />
˙ ˙ œ œ j ‰ œ œ œ œ œ œ œ œ œ<br />
mf<br />
My<br />
soul is a - wak - ened, my<br />
&b b b b<br />
œ œ n <br />
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n œ ‰ œ œ œ œ œ œ<br />
{? b b b b<br />
œ œ J<br />
œ œ œ œ<br />
<strong>for</strong> online perusal only<br />
œ<br />
nœ<br />
œ<br />
œ<br />
nœ<br />
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bœ<br />
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42<br />
°<br />
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spi<br />
9 6<br />
œ œ 8 œ œ œ œ œ œ œ œ œ œ œ œ 8<br />
- rit is soar - ing,<br />
And car - ried a - loft on the wings of the breeze;<br />
&b b b b<br />
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spi<br />
9 6<br />
œ œ 8 œ œ œ œ œ œ œ œ œ œ œ œ 8<br />
- rit is soar - ing,<br />
And car - ried a - loft on the wings of the breeze;<br />
&b b b b<br />
¢ &b b b b<br />
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spi<br />
spi<br />
Œ<br />
9 6<br />
œ œ 8 œ œ 8<br />
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- rit is soar - ing,<br />
And car - ried a - loft on the wings of the breeze;<br />
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9 6<br />
œ œ 8 œ œ 8<br />
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And car - ried a - loft on the wings of the breeze;<br />
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269<br />
45<br />
° 6 9<br />
& bb b b 8 œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ ≈ r œ 8<br />
For, a - bove, and a - round me, the wild wind is roar - ing,<br />
A -<br />
7<br />
6 9<br />
& bb b b 8 œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ ≈ r œ 8<br />
For, a - bove, and a - round me, the wild wind is roar - ing,<br />
A -<br />
6 9<br />
& bb b b 8 Œ œ 8<br />
œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
ΠŠr<br />
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their thun-der<br />
to-day!<br />
<strong>for</strong> online perusal only<br />
102<br />
°<br />
&b b b b<br />
a tempo<br />
˙ ˙ œ œ œ Œ œ œ<br />
My<br />
&b b b b<br />
œ<br />
bœ œ bœ œ œ ˙<br />
&b b b b<br />
œ œ bœ œ œ œ ˙<br />
¢ &b b b b<br />
œ<br />
& bb b b a tempo<br />
{<br />
? b b b b<br />
œ<br />
b <br />
œ<br />
2<br />
œ<br />
œ<br />
≈<br />
œ r œ œ œ œ œ œ œ œ j œ œ œ œ œ j œ œ<br />
The wild wind* is roar<br />
bœ<br />
œ bbœ<br />
œ<br />
bœ<br />
œ<br />
bœ<br />
bœ<br />
- ing, the wild wind, the wild wind, the<br />
œ œ bœ<br />
2 2<br />
b<br />
œ œ œ œ œ œ œ œ œ<br />
œ<br />
<br />
œ<br />
œ<br />
œ œ<br />
œ <br />
2<br />
&<br />
œ<br />
2<br />
œ œ<br />
œ<br />
≈<br />
œ r<br />
?<br />
* Close immediately to n <strong>for</strong> each ‘wind’ in this section.
277<br />
15<br />
106<br />
°<br />
& bb b b<br />
bœ<br />
œ œ œ œ œ œ œ bœ<br />
œ œ œ œ œ œ œ œ j ‰ œ œ<br />
soul is a - wak - ened, my spi - rit is soar - ing,<br />
my<br />
& bb b b<br />
mp<br />
œ<br />
oo<br />
bœ œ bœ œ œ ˙<br />
& bb b b<br />
mp<br />
œ œ bœ œ œ œ œ œ j ‰<br />
oo<br />
œ j<br />
My<br />
¢ & bb b b<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ j œ œ<br />
wild wind is roar<br />
- ing, the wild wind is roar - ing, the wild wind, the wild wind, the<br />
mp<br />
≈<br />
œ<br />
r<br />
&b b b b<br />
{<br />
bœ b œ<br />
<br />
bœ<br />
˙<br />
bœ ˙ œ œ œ œ œ<br />
œ œ œ œ <br />
? b b b b œ<br />
œ bœ<br />
œ b b œ<br />
œ b<br />
œ œ œ œ œ œ œ<br />
&<br />
bœ<br />
œ œ <br />
?<br />
110<br />
°<br />
&b b b b<br />
bœ<br />
œ œ œ œ œ œ œ œ bœ œ œ œ bœ<br />
œ œ œ œ œ œ<br />
soul is a -wak<br />
- ened<br />
and soar - ing, my soul is a -wak<br />
- ened<br />
&b b b b<br />
œ<br />
bœ<br />
<strong>for</strong> online perusal only<br />
b˙ œ œ bœ<br />
œ œ bœ œ bœ<br />
Seas, hear their thun - der, seas,<br />
&b b b b<br />
œ œ œ bœ<br />
œ j œ œ œ j ‰<br />
spi<br />
œ j œ œ œ<br />
- rit is soar - ing,<br />
my spi - rit is<br />
¢ &b b b b<br />
& bb b b<br />
{<br />
? b b b b<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
wild wind is roar - ing, the wild wind is roar - ing, the wild wind is roar - ing, the wild wind is roar - ing, the<br />
bœ œ ˙ <br />
mp<br />
œ<br />
œ <br />
œ <br />
bb b<br />
œ b b ˙˙ ˙˙ œ bb b<br />
œ b œ <br />
b œ <br />
œ
278<br />
16<br />
114<br />
°<br />
& bb b b<br />
& bb b b<br />
& bb b b<br />
¢ & bb b b<br />
œ œ bœ œ ˙ ˙<br />
soar<br />
mp<br />
and soar - ing.<br />
oh<br />
b˙ œ œ bœ<br />
œ œ bœ œ bœ<br />
hear their thun - der, seas,<br />
bœ<br />
œ j œ œ œ j ‰<br />
- ing,<br />
my spi - rit is soar - ing,<br />
wild wind is roar - ing, the wild wind is roar - ing, the wild wind, the wild wind,<br />
b˙<br />
œ j œ œ œ bœ<br />
œ j œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ j œ œ<br />
W209 My soul is awakened QUARTEL<br />
&b b b b<br />
{<br />
? b b b b<br />
œ œ œ œ bœ<br />
˙ œ œ <br />
b<br />
b ˙ ˙˙<br />
œ bb b<br />
œ b<br />
b<br />
˙˙ <br />
bœ<br />
118<br />
°<br />
&b b b b<br />
rit.<br />
p<br />
˙ ˙ ˙ ˙<br />
pp<br />
U<br />
∑<br />
oh<br />
&b b b b<br />
˙ œ bœ<br />
p<br />
b˙<br />
˙<br />
pp<br />
∑ U<br />
seas.<br />
& bb b b<br />
œ œ j ‰<br />
<strong>for</strong> online perusal only<br />
p<br />
œ j œ œ œ bœ<br />
œ j œ bœ<br />
œ j œ bœ<br />
my<br />
spi<br />
- rit is soar - ing,<br />
soar - ing,<br />
soar<br />
pp<br />
-<br />
U<br />
œ j œ<br />
ing.<br />
p<br />
¢ &b b b b<br />
≈<br />
œ œ œ r œ j œ œ œ œ œ j œ œ ˙<br />
the wild wind,<br />
the wild wind.<br />
&b b b b rit.<br />
U<br />
{<br />
? b b b b<br />
œ <br />
b œ œ b œ <br />
p<br />
b œ œ b œ œ bœ<br />
˙<br />
˙ œ bb b<br />
œ b<br />
b<br />
˙˙ ˙˙ ˙˙<br />
u<br />
pp<br />
pp<br />
∑ U<br />
œ <br />
Music originated by Andrew Jones<br />
Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
279<br />
SSAA, piano, and cello<br />
<strong>for</strong> online perusal only<br />
Prologue<br />
from Snow Angel<br />
Sarah Quartel
280<br />
Commissioned by Jennifer Moir <strong>for</strong> Les Choristes, Western University, London, Ontario, Canada<br />
Prologue<br />
from Snow Angel<br />
Words and music by<br />
SARAH QUARTEL<br />
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Duration: 3 mins<br />
Offprinted from Snow Angel <strong>for</strong> SSAA, solo cello, djembe, and piano (ISBN 978 – 0 –19 –351228 –3).<br />
© Ox<strong>for</strong>d University Press 2017 and 2023<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
281<br />
3<br />
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282<br />
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283<br />
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284<br />
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285<br />
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SACRED<br />
SSSAA unaccompanied<br />
286<br />
2<br />
Sanctum<br />
<strong>for</strong> online perusal only<br />
Sarah Quartel<br />
A
287<br />
Words taken from the Missa pro defunctis<br />
Commissioned by Ensemble Laude, Director Elizabeth MacIsaac<br />
Sanctum<br />
1. Requiem aeternam<br />
SARAH QUARTEL<br />
SOPRANO 1<br />
SOPRANO 2<br />
°<br />
& b<br />
4<br />
Like the tumult of a dark sea q = 60<br />
mp<br />
Re-qui-em<br />
ae - ter-nam,<br />
mp<br />
& b<br />
SOPRANO 3 4 ∑ ∑ œ œ nœ<br />
œ nœ<br />
˙ ∑<br />
ALTO 1<br />
ALTO 2<br />
&b<br />
4<br />
∑ ∑ unis. œ œ nœ<br />
œ nœ<br />
˙ ∑<br />
Re-qui-em<br />
ae - ter-nam,<br />
∑ ∑ ∑ ∑ ∑<br />
* SMALL GROUP<br />
6<br />
¢ &b 4 í œ œ œ œ œ j œ<br />
°<br />
2<br />
S. 1/2 &b œ œ œ nœ<br />
nœ<br />
˙ ∑ œ œ nœ<br />
# œ œ œ j ˙ 4 ∑ ì 4 12<br />
°<br />
&b 4 Start together and then repeat ad lib., at your own pace<br />
p<br />
Re -qui-em<br />
ae-ter-nam<br />
re - qui - em ae - ter-nam<br />
do - na e - is, Do - mi-ne,<br />
2<br />
S. 3 &b œ œ œ nœ<br />
nœ<br />
˙ ∑ œ œ nœ<br />
# œ œ œ j ˙ 4 ∑ ì 4 SMALL<br />
GROUP<br />
&b 4 4<br />
re - qui - em ae - ter-nam<br />
do - na e - is, Do - mi-ne,<br />
¢ &b ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
œ œ nœ<br />
do<br />
do<br />
2<br />
# œ œ œ j ˙ 4 ∑ 4 œ œ nœ<br />
2<br />
# œ 4 ˙ 4 œ œ j ˙<br />
- na e - is, Do - mi-ne,<br />
do - na e - is,<br />
Do - mi-ne,<br />
œ œ nœ<br />
<strong>for</strong> online perusal only<br />
2<br />
# œ œ œ j ˙ 4 ∑ 4 œ œ nœ<br />
î ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
2<br />
# œ 4 ˙ 4 œ œ j ˙<br />
- na e - is, Do - mi-ne,<br />
do - na e - is,<br />
Do - mi-ne,<br />
¢ &b ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
* This part needs to provide a strong foundation while also allowing the <strong>upper</strong> parts to be in the <strong>for</strong>efront. Depending on the size and<br />
distribution of the choir, having around a third of singers, with a mixture of sopranos and altos, on this lower part would be<br />
appropriate.<br />
First per<strong>for</strong>med by Ensemble Laude, directed by Elizabeth MacIsaac, at First Church of Christ, Scientist, Victoria, British Columbia, on<br />
27 April 2014.<br />
Duration: 10 mins<br />
© Ox<strong>for</strong>d University Press 2016<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.<br />
Printed in Great Britain
288<br />
4<br />
S. 1<br />
S. 2<br />
S. 3<br />
18<br />
°<br />
& b<br />
& b<br />
& b<br />
A. 1<br />
A. 2<br />
b<br />
SMALL<br />
GROUP<br />
Ó Œ ‰<br />
Ó Œ ‰<br />
Ó Œ ‰<br />
f<br />
œ j<br />
œ<br />
J<br />
et<br />
f<br />
et<br />
f<br />
Et<br />
f<br />
b<br />
œ œ œ<br />
# œ<br />
( )<br />
b<br />
bœ œ œ œ œ œ<br />
lux per - pe-tua†<br />
lu - ce-at<br />
e - is,<br />
et<br />
lux per - pe-tua†<br />
lu - ce-at<br />
e - is,<br />
et<br />
lux per - pe-tua†<br />
lu - ce-at<br />
e - is,<br />
et<br />
¢ &b ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
2<br />
4<br />
œ 4 Ó Œ ‰<br />
2<br />
œ j œ œ œ œ bœ<br />
œ œ 4 œ œ 4 Ó Œ ‰<br />
j<br />
œ<br />
J<br />
œ œ œ<br />
œ œ œ œ œ œ<br />
2<br />
4<br />
œ<br />
œ<br />
œ<br />
4<br />
Ó Œ ‰<br />
œ j<br />
œ<br />
J<br />
œ j<br />
j<br />
œ<br />
J<br />
& b<br />
Ó Œ ‰<br />
bœ<br />
œ<br />
J œ œ<br />
bœ<br />
b œ<br />
œ<br />
œœ<br />
œ b<br />
œ<br />
œ œ<br />
2<br />
4<br />
œ<br />
œ<br />
œ<br />
œ 4 Ó Œ ‰<br />
œ<br />
J<br />
{<br />
*<br />
<strong>for</strong> online perusal only<br />
bœ ? b Ó Œ ‰ œ<br />
œ œ œ œ<br />
J<br />
f<br />
œ<br />
œ œ œ<br />
2<br />
œ 4<br />
œ 4 Ó Œ ‰<br />
œ<br />
J<br />
22<br />
°<br />
&b b<br />
œ b<br />
b b b b b<br />
œ œ b œ œ œ œ œ œ œ œ Œ œ œ œ œ œ Œ œ œ œ ˙<br />
p<br />
˙<br />
&b<br />
lux per - pe-tua<br />
lu - ce-at<br />
e - is, lu - ce-at<br />
e - is, lu - ce-at<br />
e<br />
p<br />
œ œ œ œ bœ<br />
œ œ œ œ Œ bœ<br />
œ œ œ œ Œ bœ<br />
œ œ ˙ ˙<br />
lux per - pe-tua<br />
lu - ce-at<br />
e - is, lu - ce-at<br />
e - is, lu - ce-at<br />
e<br />
-<br />
-<br />
is.<br />
is.<br />
&b b œ œ œ œ œ œ Œ<br />
œ œ œ œ Œ œ œ œ œ œ œ œ œ œ ˙<br />
p<br />
˙<br />
lux per - pe-tua<br />
lu - ce-at<br />
e - is, lu - ce-at<br />
e - is, lu - ce-at<br />
e<br />
¢ &b ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
p<br />
-<br />
is.<br />
& b b<br />
{<br />
? b<br />
œ<br />
œ<br />
œ<br />
bœ<br />
b œ<br />
œ<br />
œœ<br />
bœ œ œ œ œ<br />
œ b<br />
œ<br />
œ<br />
œ œ<br />
œ<br />
œ<br />
œ<br />
œ Œ b<br />
b œ<br />
œ œ œ œ œ<br />
œ œ Œ<br />
b<br />
œ<br />
œ<br />
œ<br />
œ<br />
œ<br />
œ Œ b<br />
b œ<br />
œ œ œ œ œ<br />
œ œ Œ<br />
b<br />
œ<br />
œ<br />
˙<br />
˙<br />
p<br />
œ œ œ ˙˙<br />
˙<br />
˙<br />
˙<br />
* Keyboard reduction <strong>for</strong> rehearsal only<br />
† Go straight onto the ‘a’ after a short ‘u’
289<br />
5<br />
26<br />
unis. mp<br />
°<br />
& b<br />
S. 1/2 ∑ œ<br />
œ nœ<br />
œ nœ<br />
˙ ∑ œ<br />
¢ & b í œ œ œ œ œ j œ<br />
A. œ œ œ œ œJ œ<br />
Re-qui -em ae-ter-nam<br />
Re - qui - em ae - ter - nam,<br />
re - qui- em ae -<br />
mp<br />
& b<br />
S.3 ∑ œ<br />
œ nœ<br />
œ nœ<br />
˙ ∑ œ<br />
SMALL<br />
GROUP<br />
Start together and then repeat ad lib., at your own pace<br />
S. p<br />
œ œ nœ<br />
œ œ nœ<br />
Re - qui - em ae - ter - nam,<br />
re - qui- em ae -<br />
î ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
<strong>for</strong> online perusal only<br />
31<br />
°<br />
2<br />
2<br />
&b nœ<br />
˙ 4 ∑ 4 œ<br />
œ nœ<br />
# œ œ œ j ˙ 4 ∑ 4 œ<br />
-ter<br />
- nam<br />
do - na e - is, Do - mi-ne,<br />
do - na e - is,<br />
2<br />
2<br />
&b nœ<br />
˙ 4 ∑ 4 œ<br />
œ nœ<br />
# œ œ œ j ˙ 4 ∑ 4 œ<br />
-ter<br />
- nam<br />
do - na e - is, Do - mi-ne,<br />
do - na e - is,<br />
œ<br />
œ<br />
nœ<br />
nœ<br />
# œ<br />
# œ<br />
¢ &b ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
37<br />
°<br />
&b<br />
&b<br />
œ œ j ˙ ∑ œ<br />
Do<br />
Do<br />
pp<br />
2<br />
U<br />
# œ 4 ˙ 4 ˙ œ œ j w<br />
- mi - ne,<br />
do - na e - is,<br />
Do<br />
œ œ j ˙ ∑ œ<br />
- mi - ne,<br />
do - na e - is,<br />
Do<br />
œ<br />
œ<br />
nœ<br />
nœ<br />
- mi - ne.<br />
pp<br />
2<br />
U<br />
# œ 4 ˙ 4 ˙ œ œ j w<br />
- mi - ne.<br />
Fade to silence by the beginning of bar 41<br />
¢ & b ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 4 ∑ U ∑
290<br />
6<br />
2. Kyrie<br />
* SOPRANO 1<br />
SOPRANO 2<br />
°<br />
& bb b b 4<br />
Tempo I: With grandeur q = 120<br />
f (e=e)<br />
Ó<br />
f<br />
œ œ œ<br />
6 4 6 8 œ œ œ œ 4 ˙ œ œ œ<br />
8 œ<br />
œ œ œ<br />
Ky -ri-e,<br />
Ky-ri<br />
- e,<br />
Ky -ri-e,<br />
Ky-ri<br />
- e,<br />
6 4 6 4<br />
¢ & bb b b<br />
ALTO 1<br />
ALTO 2 4<br />
œ œ ˙ 8 œ œ œ œ<br />
b œ œ ˙ 8 b<br />
œ œ œ œ<br />
Ky -ri-e,<br />
Ky-ri<br />
- e,<br />
Ky -ri-e,<br />
Ky-ri<br />
- e,<br />
5<br />
°<br />
&b b b b 4<br />
˙<br />
œ œ œ<br />
Ky-ri-e,<br />
Ky-ri<br />
-e,<br />
Ky-ri-e,<br />
Ky-ri<br />
-e.<br />
poco rit.<br />
6 4 6 8 œ œ œ œ 4 5 ˙ œ œ œ<br />
8 œ œ œ œ<br />
w 4 ä â<br />
6 4 6 4 5<br />
¢ &b b b b 4 b œ œ ˙˙<br />
8 œ œ œ œ<br />
b œ œ ˙ 8 4 â œ œ œ œ œ<br />
w ä<br />
Ky-ri<br />
- e,<br />
Ky-ri<br />
-e,<br />
Ky-ri-e,<br />
Ky-ri<br />
-e.<br />
S. 1<br />
S. 2<br />
10<br />
°<br />
&b b b b<br />
Tempo II: Expansive and open q = 60<br />
mp<br />
5<br />
4<br />
w œ 3 5<br />
3<br />
4 b˙˙ <br />
4 w œ 4 b˙˙<br />
Ky<br />
- - ri - e,<br />
Ky - - ri - e,<br />
5<br />
4<br />
S. 3<br />
&b b b b<br />
5<br />
4<br />
mp<br />
<strong>for</strong> online perusal only<br />
w œ 3 5<br />
3<br />
4 b˙ 4 w œ 4 b˙<br />
5<br />
4<br />
Ky<br />
- - ri - e,<br />
Ky - - ri - e,<br />
A. 1<br />
&b b b b<br />
5<br />
4<br />
mp<br />
3 5<br />
3<br />
w œ 4 ˙ 4 w œ 4 ˙<br />
Ky<br />
- - ri - e,<br />
Ky - - ri - e,<br />
5<br />
4<br />
A. 2<br />
5<br />
¢ &b b b b 4<br />
mp<br />
3 5<br />
4 4<br />
œ œ œ œ œ œ<br />
œ ∫˙ œ œ œ œ<br />
Ky<br />
œ œ<br />
( n )<br />
- ri - e e - le - i - son,<br />
Ky - ri - e e - le - i - son,<br />
3<br />
4<br />
˙<br />
5<br />
4<br />
†<br />
& bb b b<br />
{<br />
Tempo II: Expansive and open q = 60<br />
5<br />
4<br />
ww<br />
mp<br />
œ<br />
3<br />
4<br />
˙ 5<br />
bb˙˙<br />
4 ww<br />
? b b 5 œ œ œ œ œœ œ<br />
3 ∫˙ 5 œ œ œ œ ˙ <br />
œ œ<br />
3<br />
b b 4<br />
4<br />
4<br />
4<br />
&<br />
œ<br />
3<br />
4<br />
˙<br />
bb˙˙<br />
5<br />
4<br />
5<br />
4<br />
* In this movement, the sopranos split into two parts in some sections and three parts in others. Ideally the parts should be balanced<br />
throughout, so some singers will need to switch between parts, at the conductor’s discretion.<br />
† Keyboard reduction <strong>for</strong> rehearsal only
291<br />
7<br />
14<br />
mf<br />
° 5<br />
3<br />
3<br />
& bb b b 4 w œ 4 b˙˙ œœ 4 w 4 b˙˙<br />
& bb b b<br />
& bb b b<br />
5<br />
4<br />
5<br />
4<br />
Ky<br />
mf<br />
Ky<br />
mf<br />
Ky<br />
- - ri - e e - lei - - - son.<br />
w œ 3<br />
3<br />
4 b˙<br />
œ 4 w 4 b˙<br />
- - ri - e e - lei - - - son.<br />
3<br />
3<br />
w œ 4 ˙ œ 4 w 4<br />
˙<br />
- - ri - e e - lei - - - son.<br />
mp<br />
mp<br />
mp<br />
4ä<br />
4â<br />
4ä<br />
5<br />
¢ &b b b b 4<br />
mf<br />
œ<br />
Ky<br />
œ 3<br />
3<br />
œ œ œ œ 4<br />
4<br />
4<br />
∫˙<br />
œ ˙ œ œ ∫˙<br />
- ri - e e - le - i - son, e - le - i - son.<br />
mp<br />
4â<br />
& b b b b<br />
5<br />
4<br />
ww<br />
œ<br />
3 ˙<br />
4 b b˙˙<br />
œ œ<br />
4 ww<br />
3<br />
4<br />
bb˙˙<br />
˙<br />
4<br />
{& b b b b<br />
5<br />
4<br />
mf<br />
œ<br />
<strong>for</strong> online perusal only<br />
œ 3<br />
3<br />
œ œ œœ œ 4 ˙<br />
4<br />
4<br />
∫ œœ ˙˙ œ œ ∫ ˙˙ mp<br />
4<br />
S. 1<br />
S. 2<br />
18<br />
°<br />
&b b b b 4<br />
Tempo I<br />
Ó<br />
f<br />
œ œ œ<br />
6 4 6 8 œ œ œ œ 4 ˙ œ œ œ<br />
8 œ<br />
œ œ œ<br />
Ky - ri - e,<br />
Ky - ri - e,<br />
Ky - ri -e,<br />
Ky -ri<br />
- e,<br />
f<br />
6 4 6 4<br />
¢ &b b b b<br />
A. 1<br />
A. 2 4 b œ œ ˙ 8 œ œ œ œ<br />
b œ œ ˙ 8 b<br />
œ œ œ œ<br />
Ky - ri -e,<br />
Ky -ri<br />
- e,<br />
Ky - ri -e,<br />
Ky -ri<br />
- e,<br />
22<br />
°<br />
& bb b b 4<br />
˙<br />
œ œ œ<br />
Ky-ri<br />
-e.<br />
Ky-ri-e,<br />
Ky-ri<br />
-e,<br />
Ky-ri-e,<br />
Ky-ri<br />
-e.<br />
poco rit.<br />
6 4 6 8 œ œ œ œ 4 5 ˙ œ œ œ<br />
8 œ œ œ œ<br />
w 4 ä â<br />
6 4 6 4 5<br />
¢ & bb b b 4 b œ œ˙˙<br />
8 œ œ œ œ<br />
b<br />
œ œ ˙ 8 œ œ œ œ œ<br />
w 4<br />
Ky-ri<br />
- e,<br />
Ky-ri<br />
-e,<br />
Ky-ri-e,<br />
Ky-ri<br />
-e.
292<br />
S. 1<br />
S. 2<br />
S. 3<br />
A. 1<br />
A. 2<br />
œ œ œ œ<br />
8<br />
Tempo II<br />
27<br />
mp<br />
œ œ b<br />
3<br />
4 ˙<br />
5 œ<br />
4 œ œ<br />
œ œ œ 3<br />
4<br />
˙<br />
& bb b b 3 b˙ œ<br />
Ky - ri - e e - le - i - son,<br />
Ky - ri - e e - le - i - son,<br />
mp<br />
5<br />
& bb b b 4<br />
˙ ˙ 3<br />
4 b˙˙ œœ 5<br />
4<br />
˙ ˙ 3<br />
4 b b˙ œ<br />
Ky - ri - e,<br />
Ky - ri -<br />
mp<br />
˙<br />
3 5<br />
4 b 4 ˙<br />
˙ ˙ ˙ œ ˙ ˙<br />
3<br />
4 ˙˙ œœ<br />
Ky - ri - e,<br />
Ky - ri -<br />
Tempo II<br />
5<br />
3<br />
5<br />
4 œ œ œ œ œ bœ<br />
4 b b˙˙ ˙ œ œ 4 œ œ œ œ œ<br />
mp<br />
bœ<br />
3<br />
4 b b˙˙<br />
œ<br />
& b b b b 5<br />
4 ˙ ˙<br />
3<br />
4 ˙˙ œ<br />
5<br />
4 ˙ ˙<br />
3<br />
4 ˙˙ œœ<br />
poco rit.<br />
31 mf<br />
mp<br />
œ œ œ œ<br />
œ œ 3 ˙ œ<br />
4<br />
˙<br />
4<br />
œ 3 ∫˙<br />
4<br />
Ky - ri - e e - le - i - son, e - le - - i - son.<br />
mf<br />
5<br />
&b b b b 4<br />
˙ ˙ 3<br />
4 b˙˙ mp<br />
œœ 4 œœ œœ œœ œœ 3<br />
4 bb<br />
˙<br />
- e,<br />
Ky - ri - e e - le - i - son.<br />
mf<br />
mp<br />
˙<br />
3<br />
3<br />
˙ ˙ 4 b˙ œ 4 œœ œœ œœ œœ 4<br />
˙<br />
- e,<br />
Ky - ri - e e - le - i - son.<br />
poco rit.<br />
5<br />
3<br />
3<br />
4 œ œ œ œ<br />
œ œ ˙ œ ˙<br />
4<br />
4 œ œ œ œ ∫<br />
4 b ˙<br />
mf<br />
mp<br />
° 5<br />
& bb b b 4<br />
5<br />
¢ &b b b b 4<br />
& b b b b<br />
{<br />
° 5<br />
&b b b b 4<br />
5<br />
¢ &b b b b 4<br />
& bb b b<br />
{<br />
5<br />
4<br />
˙<br />
˙˙<br />
<strong>for</strong> online perusal only<br />
˙˙<br />
˙<br />
4 b<br />
4<br />
œ<br />
œœ<br />
œ<br />
œœ<br />
œ<br />
œœ<br />
œ<br />
œœ<br />
3<br />
4<br />
b˙<br />
5<br />
4<br />
5<br />
4<br />
5<br />
4<br />
5<br />
4<br />
5<br />
4<br />
4ä<br />
4â<br />
4<br />
4<br />
4
293<br />
S. 1<br />
S. 2<br />
35<br />
°<br />
& bb b b<br />
4<br />
Tempo I<br />
Ó<br />
f<br />
b<br />
œ œ œ<br />
6 4 6 8 œ œ œ œ 4 ˙ œ œ œ<br />
8 œ<br />
œ œ œ<br />
Ky - ri -e,<br />
Ky -ri<br />
- e,<br />
Ky - ri -e,<br />
Ky -ri<br />
- e,<br />
9<br />
f<br />
¢ & bb b b<br />
A. 1<br />
6 4 6 4<br />
A. 2 4<br />
œ œ ˙ 8 b œ œ œ œ<br />
n œ œ ˙ 8 b<br />
œ œ œ œ<br />
Ky - ri - e,<br />
Ky - ri - e,<br />
Ky - ri - e,<br />
Ky -ri<br />
- e,<br />
39<br />
°<br />
&b b b b<br />
4<br />
˙ œ œ œ 6 4 6 8 œ œ œ œ ˙ œ œ œ 8<br />
Ky - ri - e,<br />
Ky - ri - e,<br />
Ky - ri - e,<br />
<strong>for</strong> online perusal only<br />
¢ &b b b b 6 4 6<br />
4 b œ œ ˙˙<br />
8 œ œ œ œ b<br />
œ<br />
œ ˙<br />
8<br />
Ky<br />
- ri - e,<br />
Ky - ri - e,<br />
Ky - ri - e,<br />
42<br />
poco rit. Tenderly q = 72<br />
mp<br />
°<br />
&b b b b 6 4 # 2 4 8 ( ) #<br />
#<br />
œ<br />
œ œ œ w<br />
# œ ## n˙ œ œ 4 ˙<br />
Ky<br />
- ri - e.<br />
Chris<br />
- te e - lei -<br />
mp<br />
6 4 2 4<br />
¢ &b b b b # 8 #<br />
# œ<br />
##<br />
( )<br />
œ œ œ œ w<br />
4 (#<br />
# œ œ<br />
)<br />
˙˙ œ œ ˙<br />
Ky<br />
- ri - e.<br />
Chris<br />
- te e - lei -<br />
46<br />
°<br />
2<br />
& # # # # #<br />
# 4 wœ ˙ ˙ œ œ œ<br />
œ<br />
j J<br />
œ œ<br />
4<br />
œ œ<br />
j J 4 w<br />
- son,<br />
Chris - te e - le - i - son, e - le - i - son,<br />
2<br />
¢ & # # # # # 4 ww<br />
œ<br />
4<br />
˙˙<br />
j #<br />
œ œ œ œ<br />
J œ œ œ<br />
œ<br />
- son, Chris - te e - le - i - son, e - le - i - son,<br />
j<br />
œ<br />
J<br />
4<br />
w
294<br />
10<br />
Chris - te e - le - i - son, e<br />
51<br />
°<br />
& # # # # # ˙ œ œ ˙ ˙˙ œ w œ œ<br />
Chris<br />
- te e - le - i - son,<br />
- le i<br />
- - son,<br />
f<br />
œ<br />
w w<br />
f<br />
¢ & # # # # #<br />
˙<br />
Chris<br />
œ<br />
œ ˙ ˙ ww ww<br />
- te e - le - i - son,<br />
f<br />
55<br />
°<br />
& # # # # #<br />
# ( )<br />
˙ œ œ œ œ<br />
j b b b b 2 3<br />
J<br />
œ œ b<br />
b œ 4 ˙ 4 ˙<br />
Chris<br />
- te e - le - i - son, e - lei - son.<br />
p<br />
4<br />
<strong>for</strong> online perusal only<br />
¢ & # # # # # œ<br />
j<br />
( )<br />
( )<br />
˙ œ œ œ œ<br />
J œ œ b<br />
b œ œ<br />
Chris<br />
b b b b 2<br />
4<br />
- te e - le - i - son, e - lei - son.<br />
˙˙<br />
3<br />
4<br />
p<br />
˙<br />
˙<br />
4<br />
59<br />
°<br />
&b b b b<br />
4<br />
Tempo I<br />
f<br />
f<br />
Ó œ œ œ 6 4 6 8 œ œ œ œ ˙ œ œ œ 8<br />
Ky<br />
- ri - e,<br />
Ky - ri - e,<br />
Ky - ri - e,<br />
6 4 6<br />
¢ &b b b b 4<br />
œ œ ˙ 8 b œ œ œ œ b<br />
œ<br />
œ ˙˙<br />
8<br />
Ky<br />
- ri - e,<br />
Ky - ri - e,<br />
Ky - ri - e,<br />
62<br />
° 6 4<br />
& bb b b<br />
8 œ œ œ œ ˙ œ œ œ œ œ œ<br />
Ky - ri - e,<br />
Ky - ri - e, Ky<br />
ff<br />
- ri e<br />
j<br />
œ<br />
J<br />
œ<br />
œ Ó<br />
- e - lei - son!<br />
6 4<br />
¢ & bb b b 8 œ œ œ œ<br />
b œ œ ˙ bœ œ œ j œ<br />
J<br />
œ<br />
Ky - ri - e,<br />
Ky - ri - e,<br />
Ky<br />
ff<br />
- ri e<br />
œ<br />
- e - lei - son!<br />
Ó
295<br />
3. Agnus Dei<br />
11<br />
SOPRANO 1<br />
SOPRANO 2<br />
°<br />
& bb 3<br />
4<br />
With the freshness of the wind q = 108<br />
A<br />
mp<br />
-<br />
gnus<br />
mp<br />
De<br />
A<br />
-<br />
i,<br />
œ œ œ ˙ œ ˙˙<br />
˙ Œ<br />
∑<br />
- - gnus<br />
De - -<br />
ALTO 1<br />
ALTO 2<br />
3<br />
¢ & bb 4<br />
∑<br />
mp<br />
˙<br />
˙<br />
˙ ˙<br />
A<br />
- - gnus<br />
De - -<br />
5<br />
°<br />
&b b<br />
a<br />
- - gnus De<br />
-<br />
i,<br />
De<br />
- - -<br />
œ˙ œ œ ˙ œ ˙ œ˙ œ œ j<br />
-<br />
i,<br />
a<br />
- -<br />
gnus<br />
De<br />
- - -<br />
¢ &b b<br />
˙ ˙<br />
˙<br />
˙<br />
˙<br />
- i, a - - gnus<br />
De - - -<br />
9<br />
°<br />
&b b<br />
- i,<br />
qui tol - lis pec - ca - ta mun - di.<br />
Œ œ˙ œ œ œ˙ œ œ œ œ ˙<br />
j œ œ œ n ˙<br />
- i,<br />
a<br />
- - -<br />
gnus<br />
De<br />
-<br />
i.<br />
¢ &b b<br />
˙<br />
˙<br />
<strong>for</strong> online perusal only<br />
˙ œ ˙<br />
- i,<br />
a - - - gnus<br />
De - i.<br />
13<br />
mp<br />
°<br />
&b b œ<br />
n˙ œ œ œ œ ˙ ˙ <br />
˙<br />
Œ<br />
A<br />
- gnus De - i,<br />
mp<br />
¢ & bb ˙ œ n˙ œ b˙ œ n<br />
˙<br />
A<br />
- gnus, a - - gnus, a - gnus De - -
296<br />
S. 1<br />
S. 2<br />
A. 1<br />
A. 2<br />
*<br />
12<br />
SOPRANO SOLO or SMALL GROUP<br />
17<br />
mf<br />
°<br />
& bb ∑<br />
˙ ˙ ˙<br />
A - - - - - - gnus<br />
mf<br />
& bb œ˙ œ bœ<br />
b˙ œ ˙ ˙ Œ<br />
a - gnus De - i,<br />
mf<br />
Œ<br />
˙ œ œ œ œ<br />
˙<br />
- i,<br />
a - gnus,<br />
a - gnus De - -<br />
œ˙ œ bœ<br />
˙<br />
b˙<br />
œ<br />
˙ <br />
˙<br />
˙ Œ<br />
mf<br />
& b b<br />
n˙<br />
Œ ˙ œ œ œ œ ˙<br />
21<br />
˙ ˙ ˙ ˙<br />
De - - - - - i,<br />
&b b œ˙ œ œ<br />
a - gnus De - i,<br />
De - -<br />
˙ ˙ œ œ œ œ ˙<br />
˙<br />
- i,<br />
a - gnus,<br />
a - gnus De - -<br />
˙<br />
œ<br />
œ<br />
œ<br />
˙<br />
˙ œ<br />
¢ & bb<br />
n˙<br />
& b b<br />
{<br />
°<br />
&b b<br />
¢ &b b<br />
& bb<br />
{<br />
<strong>for</strong> online perusal only<br />
˙ œ ˙ œ˙ œ œ j<br />
˙ ˙ œ œ œ œ<br />
˙<br />
˙ œ œ œ˙ j<br />
˙<br />
˙<br />
* Keyboard reduction <strong>for</strong> rehearsal only
297<br />
13<br />
25<br />
°<br />
& bb<br />
œ œ œ ˙<br />
& bb Œ<br />
˙ œ œ œ ˙<br />
qui tol - lis pec - ca - ta mun - di,<br />
& bb œ Œ œ œ œ œ œ œ œ<br />
j J<br />
œ œ œ n˙<br />
- i,<br />
qui tol - lis pec - ca - ta mun - di,<br />
˙<br />
œ<br />
œ œ œ ˙ œ œ ˙<br />
- i,<br />
qui tol - lis pec - ca - ta mun - di,<br />
˙<br />
˙œ Œ œ œ œ œ œ œ œ J<br />
œ œ œ ˙<br />
n<br />
& b b<br />
˙<br />
œ œ œ œ ˙ œ œ ˙<br />
29<br />
mf<br />
œ Œ œ œ œ œ œ ˙ œ œ ˙<br />
qui tol - lis pec - ca - ta mun - di,<br />
&b b<br />
œ<br />
Œ<br />
mf<br />
œ œ œ œ œ œ œ<br />
j œ<br />
J œ œ n˙<br />
qui tol - lis pec - ca - ta mun - di,<br />
œ<br />
Œ<br />
mf<br />
b<br />
œ<br />
œ<br />
œ<br />
œ<br />
œ œ ˙ œ œ ˙<br />
qui tol - lis pec - ca - ta mun - di,<br />
œ ˙<br />
Œ œ œ œ œ œ œ œ J<br />
œ œ œ ˙<br />
n<br />
mf<br />
¢ & bb<br />
& b b<br />
{<br />
°<br />
&b b<br />
¢ &b b<br />
& bb<br />
{<br />
œ<br />
<strong>for</strong> online perusal only<br />
bœ<br />
œ<br />
œ<br />
œ ˙ œ œ œ<br />
œ ˙
298<br />
14<br />
33<br />
°<br />
& bb<br />
mf<br />
a<br />
- gnus De - i.<br />
poco rit.<br />
˙ œ œ ˙ ˙ ˙ ˙ Œ<br />
b b b<br />
mf<br />
& bb œ<br />
b˙ œ œ œ œ ˙ ˙ <br />
De - i.<br />
A -<br />
mp<br />
b b b<br />
˙ <br />
˙ ˙ œ<br />
a<br />
- gnus De - i.<br />
mf<br />
¢ &b b ˙ œ n˙ œ b˙ œ n˙ œ bœ b˙<br />
b b b<br />
a<br />
- gnus, a - gnus De - i, a - gnus De - i.<br />
& b b<br />
˙œ œ œ œ<br />
œ ˙˙<br />
poco rit.<br />
˙<br />
˙˙ ˙˙<br />
œ<br />
b b b<br />
{& b b<br />
mf<br />
b˙<br />
œ<br />
n˙<br />
œ b˙<br />
œ n˙<br />
œ bœ<br />
b˙<br />
mp<br />
b b b<br />
S. 1<br />
S. 2<br />
38<br />
°<br />
&b b b<br />
mp<br />
A<br />
a tempo<br />
- -<br />
˙<br />
gnus,<br />
˙˙<br />
˙ œ œ œ ˙<br />
- gnus,<br />
a - - gnus<br />
De -<br />
A. 1<br />
A. 2<br />
¢ &b b b<br />
˙<br />
<strong>for</strong> online perusal only<br />
˙<br />
˙<br />
˙<br />
˙<br />
˙<br />
A<br />
- gnus,<br />
a - - gnus<br />
De -<br />
43<br />
°<br />
&b b b<br />
œ œ œ ˙ ˙ œ œ œ œ ˙ œ<br />
mp<br />
- - - i,<br />
qui tol - lis<br />
pec -<br />
¢ & bb b<br />
˙<br />
mp<br />
˙ ˙ œ ˙<br />
- - - i,<br />
qui<br />
tol<br />
˙<br />
- - lis pec -<br />
œ
299<br />
15<br />
48<br />
°<br />
& bb b<br />
œ œ œ ˙ œ<br />
mf<br />
˙<br />
poco rit.<br />
˙<br />
˙<br />
˙ ˙<br />
¢ & bb b<br />
- ca - ta,<br />
pec - ca - ta<br />
mun - di.<br />
mf<br />
˙ ˙˙ œœ ˙<br />
˙<br />
- ca - - ta, pec - ca - ta<br />
mun - di.<br />
a tempo<br />
˙<br />
˙<br />
˙ ˙<br />
S. 1<br />
S. 2<br />
54<br />
°<br />
&b b b<br />
&b b b<br />
SOPRANO SOLO or SMALL GROUP<br />
mp<br />
mp<br />
˙<br />
∑<br />
˙ ˙ ˙ œ ˙<br />
A<br />
˙˙<br />
- - - - gnus<br />
De<br />
mf<br />
mf<br />
˙ œ œ œ ˙<br />
- -<br />
A. 1<br />
A. 2<br />
¢ &b b b<br />
A<br />
mp<br />
˙<br />
<strong>for</strong> online perusal only<br />
- - gnus,<br />
a - gnus<br />
De<br />
˙<br />
˙<br />
˙<br />
mf<br />
˙<br />
˙<br />
- -<br />
{<br />
& b b b<br />
& b b b<br />
A<br />
a tempo<br />
˙<br />
mp<br />
- - gnus,<br />
a - gnus<br />
De<br />
˙<br />
˙ ˙˙ ˙œ œ<br />
˙ ˙ ˙<br />
˙<br />
œ<br />
˙ <br />
mf<br />
˙˙ <br />
- -<br />
°<br />
&b b b<br />
&b b b<br />
¢ &b b b<br />
{<br />
59<br />
& bb b<br />
& b b b<br />
˙ ˙ ˙ œ ˙ ˙ œ<br />
- - - i,<br />
qui tol - - lis pec -<br />
œ œ œ ˙ ˙ ˙ œ œ œ b œ ˙ b œ<br />
˙<br />
- - - i,<br />
qui tol - lis<br />
pec -<br />
n ˙ ˙˙ œœ b b<br />
˙<br />
˙<br />
- - - i,<br />
qui tol - - lis pec -<br />
˙ œ œ œ<br />
˙<br />
n<br />
˙<br />
˙<br />
˙˙ ˙ ˙˙ œœœ<br />
˙ œ ˙<br />
œ œ œ<br />
b˙<br />
œ<br />
˙<br />
b˙<br />
œ<br />
œ<br />
œ
300<br />
16<br />
64<br />
°<br />
& bb b<br />
¢ & bb b<br />
cresc.<br />
˙ ˙ œ ˙ ˙ ˙<br />
-ca<br />
- - ta, pec - ca - - ta<br />
mun -<br />
& bb b n œ œ œ ˙ œ<br />
cresc.<br />
˙<br />
- ca - ta,<br />
pec - ca - - ta<br />
mun -<br />
cresc.<br />
˙ ˙˙ œœ ˙<br />
˙<br />
-ca<br />
- - ta, pec - ca - - ta<br />
mun -<br />
˙<br />
˙<br />
˙<br />
˙<br />
& b b b<br />
{<br />
& b b b<br />
nœœœ<br />
˙<br />
œ<br />
œ<br />
˙<br />
˙ ˙˙ œœœ<br />
œ ˙ ˙˙˙<br />
cresc.<br />
˙<br />
˙<br />
˙<br />
˙<br />
˙<br />
<strong>for</strong> online perusal only<br />
69<br />
°<br />
&b b b<br />
&b b b<br />
¢ &b b b<br />
& bb b<br />
{<br />
& bb b<br />
˙ œ ˙ ˙ ˙ ˙ ˙<br />
-di,<br />
pec - ca - - ta<br />
mun - di.<br />
˙˙ œ œ ˙<br />
- di, pec - ca - - ta<br />
mun - di.<br />
˙˙ œœ ˙<br />
˙<br />
- di, pec - ca - - ta<br />
mun - di.<br />
˙˙<br />
˙˙<br />
œ<br />
œœ<br />
˙<br />
˙<br />
˙<br />
˙<br />
˙<br />
f<br />
f<br />
˙˙ ˙<br />
f<br />
˙˙<br />
˙ ˙<br />
˙ ˙˙ ˙˙ <br />
˙<br />
˙<br />
˙<br />
˙<br />
f<br />
˙˙˙ <br />
˙˙ <br />
˙<br />
˙ ˙<br />
˙˙˙ <br />
S. 1<br />
S. 2<br />
75<br />
°<br />
& bb b<br />
∑<br />
poco meno mosso<br />
p<br />
œ˙ œ œ<br />
˙ œ ˙<br />
˙<br />
A<br />
- gnus De - i,<br />
A. 1<br />
A. 2<br />
¢ & bb b<br />
∑<br />
p<br />
De<br />
˙ œ ˙˙<br />
-<br />
i,<br />
œ<br />
˙<br />
œ œ œ ˙˙<br />
œ<br />
A<br />
- gnus De<br />
-<br />
i,<br />
a<br />
- gnus De - i,
301<br />
17<br />
80<br />
°<br />
& bb b<br />
œ˙ œ œ<br />
˙ œ ˙ ˙ <br />
˙ ˙ œ<br />
œ<br />
¢ & bb b<br />
a<br />
a<br />
- gnus De - i,<br />
qui<br />
- gnus De - i,<br />
˙ œ ˙ œ ˙ œ œ œ ˙ ˙ œ ˙ œ<br />
De - i,<br />
a - gnus De - i,<br />
qui<br />
85<br />
°<br />
&b b b<br />
œ œ œ œ ˙ œ œ œ J<br />
œ œ œ ˙ ˙<br />
œ œ œ œ œ<br />
œ<br />
¢ &b b b<br />
tol<br />
œ<br />
- lis pec - ca - ta mun - di,<br />
qui tol - lis pec -<br />
œ<br />
œ<br />
œ ˙<br />
j œ œ œ n ˙ ˙<br />
œ œ œ œ<br />
b<br />
<strong>for</strong> online perusal only<br />
tol<br />
- lis pec - ca - ta mun - di,<br />
qui tol - lis pec -<br />
90<br />
°<br />
&b b b<br />
¢ &b b b<br />
˙<br />
œ<br />
J<br />
œ œ œ ˙ ˙<br />
-ca<br />
- ta mun - di,<br />
do<br />
œ˙<br />
j œ œ œ n˙ ˙<br />
-ca<br />
- ta mun - di,<br />
do<br />
rit.<br />
p<br />
˙<br />
˙<br />
p<br />
˙<br />
b˙<br />
-<br />
-<br />
˙<br />
˙<br />
na<br />
˙<br />
na<br />
95<br />
°<br />
&b b b<br />
e<br />
e<br />
- is<br />
re - qui - em,<br />
-<br />
is<br />
re<br />
- qui - em,<br />
sem<br />
- pi -<br />
œ ˙ ˙˙ œ n<br />
˙ œ ˙˙<br />
˙˙ œ<br />
¢ &b b b<br />
œ<br />
˙<br />
˙<br />
˙<br />
˙ œ b<br />
˙<br />
˙<br />
e<br />
- is<br />
re - qui - em,<br />
100<br />
- ter - nam<br />
molto rit.<br />
°<br />
& bb b n œ˙ ˙ œ ˙˙<br />
˙˙ œœ<br />
pp<br />
˙ <br />
˙ <br />
U<br />
˙<br />
˙<br />
¢ & bb b<br />
re<br />
re<br />
- qui - em,<br />
re<br />
pp<br />
- qui - em,<br />
re<br />
- qui - em.<br />
˙ œ b ˙ b˙ œ n<br />
˙ <br />
- qui - em.<br />
U<br />
˙
302<br />
18<br />
4. Lux aeterna<br />
SOPRANO 1<br />
SOPRANO 2<br />
° 3<br />
& # 4<br />
With lots of push and pull q = c.76<br />
p<br />
˙ œ ˙ œ<br />
Lux<br />
ae<br />
˙ œ œ œ œ œ œ ˙ ˙ œ œ œ œ<br />
- ter - na lu - ce - at e - is, lu - ce - at<br />
ALTO 1<br />
ALTO 2<br />
3<br />
¢ & # 4<br />
p<br />
˙ œ ˙˙ œœ ˙˙<br />
Lux<br />
ae<br />
œ œ<br />
- ter - na lu - ce - at e - is, lu - ce - at<br />
œ<br />
˙<br />
˙˙<br />
œ œ<br />
œ œ<br />
<strong>for</strong> online perusal only<br />
6<br />
°<br />
& #<br />
¢ & #<br />
œ˙ œ œ œ œ œ<br />
j ˙ <br />
J<br />
˙ ˙ œ ˙ œ<br />
e<br />
e<br />
- is, Do - mi - ne, lux ae - ter - na lu - ce - at<br />
˙ œ œ œ œ<br />
j ˙ ˙ œ ˙˙ œœ<br />
J<br />
˙˙<br />
- is, Do - mi - ne, lux ae - ter - na lu - ce - at<br />
˙<br />
œ<br />
œ<br />
œ œ<br />
œ œ<br />
12<br />
°<br />
& #<br />
¢ & #<br />
œ ˙ ˙ œ œ œ˙ œ œ œ œ œ<br />
j ˙ œ œ<br />
e<br />
œ<br />
e<br />
- is, lu - ce - at e - is, Do - mi - ne, cum<br />
˙<br />
˙˙<br />
˙<br />
œ œ œ œ œ œ<br />
j ˙<br />
J<br />
- is, lu - ce - at e - is, Do - mi - ne, cum<br />
J<br />
œ<br />
17<br />
°<br />
& #<br />
˙ œ ˙ œ ˙<br />
san<br />
œ œ œ ˙ ˙ œ<br />
- ctis tu - is in ae - ter - num, qui - a<br />
¢ & # ˙ œ ˙˙ œ # ˙ œ<br />
san<br />
˙ œ ˙ œ<br />
- ctis tu - is in ae - ter - num, qui - a
303<br />
19<br />
22<br />
°<br />
& #<br />
pi<br />
pi<br />
pi<br />
- us es,<br />
˙ œ ˙ ˙<br />
-<br />
-<br />
us,<br />
us,<br />
pi<br />
pi<br />
œ<br />
- us es, cum san - ctis tu - is<br />
- us es,<br />
˙ œ œ œ˙ œ œ ˙<br />
œ<br />
¢ & # ˙ œ # ˙ œ # ˙ œ n˙ œ ˙˙<br />
pi<br />
-<br />
us<br />
es,<br />
cum san - ctis tu - is<br />
œ<br />
27<br />
f<br />
°<br />
& # # œ # œ œ œ˙<br />
œ œ ˙<br />
in ae<br />
f<br />
˙ œ ˙ œ<br />
- ter - num, qui - a pi - us es.<br />
p<br />
¢ & # # ˙<br />
˙ œ<br />
œœ ˙ œ ˙˙ œ # ˙˙ <br />
in ae - ter - num, qui - a pi - us es.<br />
p<br />
˙ ˙ ˙<br />
˙ <br />
˙<br />
<strong>for</strong> online perusal only<br />
33<br />
°<br />
& #<br />
¢ & #<br />
38<br />
°<br />
& #<br />
¢ & #<br />
43<br />
°<br />
& #<br />
Lux<br />
Lux<br />
ae<br />
ae<br />
-<br />
ter<br />
-<br />
-<br />
ter<br />
-<br />
na<br />
˙ œ œ ˙œ œ œ<br />
Œ<br />
na<br />
˙ œ ˙˙ œœ ˙˙<br />
lu<br />
p<br />
¢ & # U<br />
˙<br />
œ œ œ œ œ<br />
œ œ ˙˙ œ<br />
œ œ œ ˙ #<br />
˙<br />
-<br />
lu<br />
-<br />
ce - at<br />
ce - at<br />
e<br />
e<br />
-<br />
-<br />
is,<br />
is,<br />
lu<br />
-<br />
lu<br />
-<br />
ce - at<br />
ce - at<br />
Lux ae - ter - na lu - ce - at e - is,<br />
lu - ce - at<br />
œ˙ œ œ œ œ œ<br />
j ˙ <br />
J<br />
˙<br />
e<br />
e<br />
lu<br />
lu<br />
- is, Do - mi - ne.<br />
Œ<br />
˙ œ œ<br />
- is, Do<br />
-<br />
lu<br />
ce - at<br />
Do<br />
-<br />
-<br />
mi<br />
-<br />
mi<br />
- ce - at e - is; cum san<br />
- ce - at e - is; cum san<br />
˙<br />
œ œ œ œ œ ˙<br />
ne.<br />
œ œ<br />
Lux<br />
Lux<br />
per<br />
per<br />
-<br />
pe<br />
-<br />
-<br />
tu<br />
-<br />
pe - tu -<br />
- ne.<br />
Lux per - pe - tu - a<br />
p<br />
U<br />
œ œ œ œ œ ˙ œ œ œ œ œ œ œ˙ ˙ ˙<br />
˙<br />
œ œ œ œ œ<br />
rit.<br />
œ<br />
œ<br />
˙<br />
Œ˙ œ œ<br />
œ<br />
- ctis tu - is in ae - ter - num.<br />
- ctis tu - is in ae - ter - num.<br />
œ<br />
˙˙<br />
Œ˙ œ œ œœ<br />
œœ œ œ<br />
˙ ˙ œ œœ<br />
J<br />
œ<br />
a<br />
œ j œ<br />
œ œ œ<br />
a<br />
œ<br />
œ<br />
j J<br />
œ
304<br />
SACRED<br />
SSA and organ or piano<br />
<strong>for</strong> online perusal only<br />
Veni Sancte Spiritus<br />
Sarah Quartel
305<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<strong>Sacred</strong><br />
Treble <strong>voices</strong> and organ<br />
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HOWARD SKEMPTON<br />
Magnificat and Nunc Dimittis<br />
(The Edinburgh Service)
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NEW<br />
HORIZONS<br />
328<br />
2<br />
<strong>Sacred</strong><br />
SS a cappella<br />
<strong>for</strong> online perusal only<br />
HOWARD SKEMPTON<br />
Song’s Eternity
329<br />
to Pamela Russell on her 90th birthday<br />
Song’s Eternity<br />
John Clare (1793–1864)<br />
SOPRANO 1<br />
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<br />
Andante = 104<br />
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HOWARD SKEMPTON<br />
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SOPRANO 2<br />
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What<br />
is song’s e - ter- ni - ty? Come and see. Can it noise and bus-tle<br />
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be? Come and see. Prai - ses sung or prai - ses said Can it be?<br />
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Wait a - while and these are dead— Sigh, sigh; Be they high or low - ly<br />
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bred They die. What is song’s e - ter - ni - ty? Come and see. Me -lo<br />
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-dies<br />
of earth and sky, Here they be. Song once sung to A-dam’s<br />
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Song’s Eternity was commissioned by the Aldeburgh Festival and composed <strong>for</strong> The Abbey Chapel Choir, Woodbridge.<br />
© Ox<strong>for</strong>d University Press 2010 Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
46<br />
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330<br />
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ears Can it be? Bal-lads<br />
of six thou - sand years Thrive, thrive;<br />
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Song a - wak - ens with the spheres A - live. Might - y songs that miss de -<br />
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- cay, What are they? Crowds and ci - ties pass a - way Like a day.<br />
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73<br />
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Books are out and books are read; What are they? Years will lay them<br />
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with the dead— Sigh, sigh; Tri -fles<br />
un - to no-thing<br />
wed, They die.<br />
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Dream-ers,<br />
mark the ho - ney bee; Mark the tree Where the blue cap ‘too-tle
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tee’ Sings a glee Sung to A-dam<br />
and to Eve— Here they be.<br />
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When floods co-vered<br />
ev - ’ry bough, Noah’s ark Heard that bal - lad<br />
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NH76 Song’s Eternity SKEMPTON<br />
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sing - ing now; Hark, hark, ‘Too - tle too - tle too - tle tee’— Can it<br />
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be Pride and fame must sha-dows<br />
be? Come and see— Ev - ’ry sea - son<br />
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owns her own; Bird and bee Sing cre - a- tion’s mu - sic on;<br />
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- ture’s glee Is in ev - ’ry mood and tone E - ter - ni - ty.<br />
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March 2010<br />
Processed in England by Enigma Music Production Services, Amersham, Bucks.<br />
Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
SACRED<br />
Soprano soloist, SA, and piano<br />
332<br />
<br />
Love is come again<br />
<strong>for</strong> online perusal only<br />
Alan Smith<br />
A
333<br />
Love Is Come Again<br />
For Soprano Solo, Upper Voices (SA), and Piano<br />
J.M.C. Crum*<br />
Soprano<br />
Solo<br />
= 80<br />
<br />
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Now the green blade<br />
<br />
ris - eth from the bur<br />
- ied grain,<br />
Alan Smith<br />
<br />
<br />
5<br />
<br />
<br />
wheat<br />
<br />
that in<br />
<br />
dark<br />
earth<br />
<br />
ma -ny<br />
days<br />
<br />
lain;<br />
Love<br />
has<br />
<br />
<br />
<br />
<br />
lives<br />
a -<br />
10<br />
<br />
<br />
gain,<br />
<br />
that<br />
<br />
with the dead<br />
<br />
has<br />
<br />
<br />
been;<br />
<br />
<strong>for</strong> online perusal only<br />
<br />
<br />
Love is come<br />
<br />
a<br />
<br />
- gain, like<br />
15<br />
<br />
Piano<br />
<br />
<br />
<br />
<br />
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wheat that spring-eth<br />
green.<br />
<br />
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sempre con ped.<br />
<br />
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<br />
*Words by J.M.C. Crum (1872-1958), copyright © 1928, Ox<strong>for</strong>d University Press, from The Ox<strong>for</strong>d Book of Carols.<br />
Reproduced by permission.<br />
Alan Smith has asserted his right under the United Kingdom Copyright, Designs and Patents Act, 1988, to be identified<br />
as the Composer of this Work.<br />
Copyright © 2006, Ox<strong>for</strong>d University Press, Inc. Assigned to Ox<strong>for</strong>d University Press, 2010.<br />
OXFORD UNIVERSITY PRESS, GREAT CLARENDON STREET, OXFORD OX2 6DP
334<br />
3<br />
20<br />
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Sopranos<br />
unis.<br />
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In the grave they laid him, Love, whom men had slain,<br />
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24<br />
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think - ing that ne - ver he would wake a - gain,<br />
Laid in the<br />
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29<br />
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earth, like grain that sleeps un - seen: Love is come a - gain, like<br />
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34<br />
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wheat that spring - eth green.<br />
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335<br />
4<br />
39<br />
Sopranos<br />
<br />
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Forth<br />
he came<br />
<br />
at<br />
<br />
sen<br />
Eas - ter, like the ri - grain,<br />
<br />
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<br />
he<br />
<br />
that <strong>for</strong><br />
Altos<br />
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<br />
Forth he came<br />
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at<br />
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Eas<br />
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sen<br />
- ter, like the ri - grain,<br />
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44<br />
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three days<br />
<strong>for</strong> online perusal only<br />
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in the grave had<br />
<br />
lain,<br />
<br />
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Quick<br />
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from<br />
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<br />
the<br />
<br />
dead<br />
<br />
my<br />
<br />
he<br />
<br />
that <strong>for</strong><br />
<br />
three<br />
<br />
days<br />
<br />
lain,<br />
had<br />
<br />
<br />
<br />
Quick<br />
<br />
from<br />
<br />
the<br />
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dead<br />
<br />
my
336<br />
5<br />
49<br />
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ri<br />
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- sen Lord<br />
<br />
is<br />
<br />
seen:<br />
<br />
<br />
<br />
Love is come<br />
<br />
a<br />
<br />
- gain, like<br />
<br />
ri - sen Lord<br />
<br />
is<br />
<br />
seen:<br />
<br />
<br />
Love<br />
<br />
is<br />
<br />
come a - gain, like<br />
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53<br />
<br />
wheat that spring<br />
<br />
<br />
green.<br />
-eth<br />
<br />
wheat<br />
<br />
that<br />
<br />
spring-eth<br />
green.
337<br />
6<br />
58<br />
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Solo <br />
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When our hearts are<br />
<br />
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win - try, griev-ing<br />
or<br />
<br />
in<br />
<br />
pain,<br />
<br />
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thy<br />
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touch<br />
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can<br />
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Ah<br />
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Ah<br />
Ah<br />
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Ah<br />
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Ah<br />
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Ah<br />
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63<br />
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gain,<br />
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call<br />
us<br />
back to life<br />
a -<br />
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<strong>for</strong> online perusal only<br />
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hearts<br />
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Ah<br />
Fields<br />
<br />
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of<br />
our<br />
<br />
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<br />
that<br />
<br />
Ah<br />
Fields<br />
of<br />
our
338<br />
68<br />
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dead and bare have been:<br />
hearts<br />
<br />
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that dead and bare have<br />
<br />
<br />
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Love<br />
<br />
been:<br />
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<br />
is<br />
<br />
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come a - gain,<br />
<br />
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a<br />
Love is come<br />
<br />
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- gain,<br />
<br />
Solo<br />
<br />
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Like<br />
7<br />
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<strong>for</strong> online perusal only<br />
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73<br />
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wheat that spring eth<br />
<br />
- green.<br />
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spring<br />
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spring<br />
<br />
<br />
<br />
- eth green.<br />
<br />
<br />
<br />
- eth green.
ANTHEMS<br />
General Editor David Willcocks<br />
SS (or SA) and organ<br />
339<br />
2<br />
The Call of Wisdom<br />
<strong>for</strong> online perusal only<br />
Will Todd<br />
A
340<br />
Commissioned by the Chapter of St Paul’s Cathedral <strong>for</strong> the Diamond Jubilee of HM The Queen,<br />
with generous sponsorship by The Worshipful Company of Horners<br />
The Call of Wisdom<br />
Michael Hampel (based on Proverbs 8)<br />
WILL TODD<br />
UPPER<br />
VOICES<br />
Free q = c.72<br />
<br />
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unis. p<br />
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Lord of wis-dom,<br />
Lord of truth,<br />
<br />
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<br />
,<br />
,<br />
ORGAN<br />
<br />
(32'), 16'<br />
p misterioso<br />
<br />
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Ped.<br />
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pp<br />
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5<br />
mp<br />
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<strong>for</strong> online perusal only<br />
Lord of just - ice, Lord of mer - cy;<br />
<br />
<br />
<br />
,<br />
walk be - side us down the years<br />
,<br />
<br />
<br />
<br />
,<br />
,<br />
<br />
<br />
9<br />
rit.<br />
<br />
<br />
<br />
Flowing<br />
mp<br />
till we see you in your glo - ry.<br />
Striv-ing<br />
to at - tain the<br />
<br />
<br />
<br />
<br />
(slow arp.) pp<br />
<br />
<br />
<br />
<br />
<br />
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<br />
Sw.<br />
p<br />
<br />
The Call of Wisdom was per<strong>for</strong>med at St Paul‘s Cathedral on 5 June 2012 in the presence of HM The Queen.<br />
Man.<br />
This anthem is also available in an arrangement <strong>for</strong> SATB <strong>voices</strong> and organ (ISBN 978-0-19-339031-7).<br />
© Ox<strong>for</strong>d University Press 2012<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
341<br />
4<br />
13<br />
<br />
<br />
<br />
heights,<br />
Solo<br />
cresc. poco a poco<br />
<br />
<br />
turn-ing<br />
in a new di - rec - tion, en - ter -ing<br />
a lone -ly<br />
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17<br />
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place,<br />
rit.<br />
<br />
a tempo<br />
mf espress.<br />
<br />
wel-com-ing<br />
a friend or stran - ger. I am here, I am<br />
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Sw.<br />
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<strong>for</strong> online perusal only<br />
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Ped.<br />
21<br />
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with you. I have called: do you hear me? I am here, I am<br />
<br />
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mp<br />
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25<br />
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here, I am with you.<br />
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Solo<br />
mf
29<br />
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S. 1 <br />
*S. 2 <br />
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342<br />
mf<br />
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Sil -ver<br />
is of pass-ing<br />
worth,<br />
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mp<br />
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mp<br />
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Sil<br />
-<br />
ver,<br />
5<br />
Man.<br />
33<br />
<br />
<br />
gold,<br />
je- wels spark-le<br />
<strong>for</strong> a while,<br />
<br />
mf<br />
cresc.<br />
<br />
cresc.<br />
<br />
gold is not of con-stant<br />
va - lue, je -wels<br />
spark-le<br />
<strong>for</strong> a while;<br />
<br />
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<br />
<br />
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<strong>for</strong> online perusal only<br />
<br />
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37<br />
what you long <strong>for</strong><br />
rit.<br />
a while; I<br />
is not last - ing. I<br />
f<br />
a tempo<br />
f<br />
<br />
<br />
<br />
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am here, I am here,<br />
<br />
am here, I am with you. I have<br />
<br />
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rit.<br />
<br />
<br />
Sw.<br />
<br />
a tempo<br />
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f<br />
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Ped.<br />
*Alternatively, the 2nd soprano part may be sung by altos throughout.
343<br />
6<br />
41<br />
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I am here with you. I am here, I am here, I<br />
<br />
<br />
<br />
<br />
<br />
<br />
called: do you hear me? I am here, I am here, I<br />
<br />
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Add<br />
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45<br />
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<strong>for</strong> online perusal only<br />
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am with you.<br />
<br />
am with you.<br />
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Solo<br />
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49<br />
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f<br />
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Ru<br />
f<br />
- lers go-vern<br />
un - der me with my in -sight<br />
and my<br />
<br />
<br />
<br />
mf warmer
53<br />
344<br />
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<br />
<br />
Those who know me know my love, my<br />
wis - dom.<br />
<br />
<br />
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Those who know me know my love;<br />
rit.<br />
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a tempo<br />
57<br />
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ff<br />
<br />
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<br />
love.<br />
Here,<br />
I am here, I am here with<br />
ff<br />
<br />
<br />
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<br />
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<br />
<br />
<br />
an - swer. I am here, I am with you. I have called: do you<br />
a tempo<br />
Sw.<br />
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f<br />
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61<br />
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you. I am here, I am here, I am with<br />
<br />
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<br />
<br />
<br />
hear me? I am here, I am here, I am<br />
<br />
<br />
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<strong>for</strong> online perusal only<br />
rit.<br />
those who seek me find their<br />
7
345<br />
8<br />
65<br />
you,<br />
mf<br />
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<br />
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I am here, I am with you. I have called: do you<br />
<br />
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<br />
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with you, mf<br />
<br />
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mf<br />
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69<br />
<br />
unis.<br />
<br />
<br />
hear<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
me? I am here, I am here, I am<br />
<br />
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<strong>for</strong> online perusal only<br />
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73<br />
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<br />
f<br />
rit.<br />
a tempo<br />
<br />
<br />
with you.<br />
God<br />
the<br />
<br />
<br />
Gt.<br />
<br />
<br />
<br />
<br />
<br />
f
S. 1<br />
S. 2<br />
77<br />
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Fa - ther<br />
and the Son, Ho - ly<br />
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poco rit.<br />
a tempo<br />
81<br />
div.<br />
<br />
Spi - rit<br />
co - e - ter - nal.<br />
Glo - ry,<br />
Sw.<br />
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85<br />
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glo - ry<br />
be a - scribed to you, now and to the<br />
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346<br />
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9
10<br />
89<br />
347<br />
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dim.<br />
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93<br />
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unis.<br />
mp<br />
p<br />
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with you. I have called: do you hear me?<br />
I am<br />
<br />
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mp<br />
pp<br />
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97 rit.<br />
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here, I am here, I am<br />
Solo<br />
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p<br />
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101<br />
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with you, with you, with you.<br />
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Sw.<br />
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<br />
end of a - ges.<br />
I am here, I am<br />
end, to the end of a - ges. I am here, I am<br />
rit. slower q = 56<br />
<strong>for</strong> online perusal only<br />
<br />
<br />
Processed in England by Enigma Music Production Services, Amersham, Bucks.<br />
Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
SSA a cappella with organ introduction<br />
348<br />
2<br />
O Taste and See<br />
<strong>for</strong> online perusal only<br />
Ralph Vaughan Williams<br />
In its original version <strong>for</strong><br />
SATB choir this motet was<br />
composed <strong>for</strong> the coronation of<br />
Her Majesty Queen Elizabeth II<br />
in Westminster Abbey<br />
on Tuesday, 2 June 1953<br />
MUSIC DEPARTMENT<br />
OXFORD<br />
UNIVERSITY PRESS
349<br />
<strong>for</strong> online perusal only
350<br />
<strong>for</strong> online perusal only
SACRED<br />
four <strong>upper</strong> <strong>voices</strong> unaccompanied<br />
351<br />
<br />
A Litany<br />
<strong>for</strong> online perusal only<br />
(Version 1)<br />
William Walton<br />
A
352<br />
Phineas Fletcher<br />
(1582–1650)<br />
<br />
TREBLE 1<br />
TREBLE 2<br />
TREBLE 3<br />
TREBLE 4<br />
<strong>for</strong><br />
rehearsal<br />
only<br />
Adagio<br />
pp<br />
Vbb 4 r Š f<br />
t Š Š Š bŠ Š Š r Š Š Š bŠ Š Š r 34<br />
Drop, drop, drop, drop, drop, drop, drop,<br />
ppp<br />
Vbb 4 ‰ ‰. Š ˆ 34<br />
Drop,<br />
drop,<br />
ppp<br />
Vbb 4 ‰ ‰. Š ˆ 34<br />
Drop,<br />
drop,<br />
ppp<br />
Vbb 4 b‰ ‰. b ˆ<br />
34<br />
Drop,<br />
Adagio<br />
pp<br />
A Litany<br />
(Version 1)<br />
<strong>for</strong> online perusal only<br />
{}Š<br />
drop,<br />
WILLIAM WALTON<br />
V bb<br />
4 r Š f<br />
t Š Š Š bŠ Š Š r Š Š Š bŠ Š Š r 34<br />
{ B bb 4 b‰ ppp<br />
‰. bŠ ˆ 34<br />
3<br />
Vbb34 =( ) ‰ Š Š Š Š =Š. Še Š Š Š Š. Š<br />
drop, slow tears, slow tears, And bathe those beau - teous<br />
f<br />
Vbb34 ‰ Š b‰ Š #Š. Še Š Š =Š bŠ. =Še<br />
drop, slow tears, slow tears, And bathe those beau - teous<br />
Vbb34 ‰ Š ‰ Š Š. Še Š Š Š bŠ. Še<br />
drop, slow tears, slow tears, And bathe those beau - teous<br />
Vbb34 ‰ Š ‰ Š Š. Še Š Š Š Š. Še<br />
drop, slow tears, slow tears, And bathe those beau - teous<br />
V bb 34 =( ) ‰ Š b‰ Š Š Š #=Š. Še Š Š = Š bŠ. =Š f<br />
{ B bb ‰ Š ‰ Š Š. ŠŠ<br />
Š<br />
34<br />
f<br />
Š ŠŠ<br />
Š Š. Š f<br />
Taken from Shorter Choral Works without Orchestra, William Walton Edition, vol 6, edited by Timothy Brown (Ox<strong>for</strong>d, 1999), where full<br />
critical apparatus may be found. Also published in a version <strong>for</strong> mixed <strong>voices</strong> SATB (ISBN 978–0–19–359436–6).<br />
This edition © Ox<strong>for</strong>d University Press 1999 & 2014<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
7<br />
Vbb ‰ Š Š Š. =Š#Š. Š f Š. Š f Š #Š =Š Š<br />
Vbb<br />
feet, Which brought from heav’n The news and Prince of<br />
Vbb ‰ ŠŠ Š. Š Š. Š f Š. Še Š Š #Š =Š<br />
Vbb<br />
feet, Which brought from heav’n The news and Prince of<br />
‰ ŠŠ Š. Š #Š. Še Š. Še Š =Š Š #Š<br />
feet, Which brought from heav’n, The news and Prince of<br />
‰ Š Š Š. Š Š. Še ‰ Š Š Š =Š<br />
feet, Which brought from heav’n The news and Prince of<br />
V bb ‰ Š Š Š. =Š #Š. ŠŠ<br />
f Š. Š f Š #Š =Š Š<br />
{ B bb ‰ Š Š V Š. Š #Š. Še Š. ‰ Še ŠŠ =Š #Š #Š<br />
353<br />
3<br />
<strong>for</strong> online perusal only<br />
Vbb #‰ Š #‰. ‰. 24 =Š.<br />
11 p pp<br />
[mf ]<br />
=Š f #‰<br />
Peace, of Peace: Cease not,<br />
p<br />
pp<br />
Vbb ‰ Š #‰. ‰. 24#‰ #‰<br />
p<br />
pp<br />
Vbb #‰ r #‰. ‰. 24 ‰ #‰<br />
[mf ]<br />
Peace, of Peace: Cease not,<br />
Vbb =‰ r ‰. ‰. 24=‰ #‰<br />
[mf ]<br />
Peace, Peace: Cease not,<br />
p<br />
pp<br />
[mf ]<br />
Peace, Peace: Cease not,<br />
V bb #‰ Š ##‰. ‰. 24==Š. ‰ Še ##‰<br />
p<br />
{<br />
pp mf<br />
V bb # =‰ r #‰. ‰. 24 #‰ ##‰
4<br />
16<br />
Vbb =Š. #Še 34 =‰ Š 24=Š. Še 34=Š. bŠe bŠ Š<br />
cease not, wet eyes, His mer - cy to en -<br />
Vbb #‰ 34 ‰ =Š 24=Š. Še 34=Š. bŠe bŠ Š<br />
cease not, wet eyes, His mer - cy to en -<br />
Vbb =‰ 34 ‰ =Š<br />
24=Š. Še 34=Š. bŠe bŠ Š<br />
cease not, wet eyes, His mer - cy to en -<br />
Vbb =‰ 34 #‰ =Š<br />
24=Š. Še 34=Š. bŠe bŠ Š<br />
cease not, wet eyes, His mer - cy to en -<br />
V bb #‰ Š. Še 34 =‰ Š 24 =Š. Š f<br />
34 =Š. bŠ f bŠ Š<br />
{ V bb = =‰ B 34 #‰ =Š 24 =Š. Š f 34 =Š. bŠ f bŠ Š<br />
20<br />
Vbb ‰. Š. f<br />
Še Š Š b‰.<br />
Vbb<br />
24 Š bŠ<br />
- treat; To cry <strong>for</strong> ven - - geance,<br />
f<br />
Vbb ‰. Š r t Š Š Š ‰ f<br />
24 Š . Š<br />
- treat; To cry <strong>for</strong> ven - - geance,<br />
f<br />
ff<br />
Vbb<br />
‰. ‰. Š. Še ŠbŠ 24 Š Š<br />
- treat; To cry <strong>for</strong> ven -<br />
ff<br />
Š. Še Š Š ‰ Š Š b‰<br />
- treat; To cry <strong>for</strong> ven - geance, ven - geance, Sin<br />
V bb Š. Še Š b‰.<br />
‰. Š 24 Š bŠ<br />
r t Š Š Š ‰ Š. Š f f<br />
{ B<br />
ff<br />
bb V ‰. ‰. Š. Še ŠbŠ 24 Š Š<br />
Š. Š Š Š ‰ Š Š b‰ ‰<br />
f<br />
354<br />
<strong>for</strong> online perusal only<br />
24‰
Vbb Š Š bŠ. Š f 34 =‰ 5<br />
24<br />
. r r Šp<br />
f<br />
t 4<br />
Sin doth ne - ver cease. Drop,<br />
VbbŠ f bŠ Š f<br />
Š Š bŠ 34b‰. r =‰ 4<br />
Sin doth ne - ver cease. Drop,<br />
VbbbŠ ŠŠ bŠ ŠŠ 34=Š Š bŠ Š pp<br />
Š Š Š ‰ 4<br />
- geance, Sin doth ne - ver cease, sin doth ne - ver cease.<br />
Vbb bŠ Š Š bŠ 34 ‰. r<br />
doth ne - ver cease. Drop,<br />
V bb ŠŠ f bŠ Š Š bŠ. Še 34b=‰. r r Š f<br />
t f<br />
Š Š bŠ 4<br />
{ V bb b bŠ Š bŠ Š Š 34 =Š Š bŠ Š Š Š Š B ppp<br />
Š Š Š bŠ<br />
b=‰<br />
‰.<br />
4<br />
Vbb 4 Š<br />
28<br />
Š ŠbŠ Š Š r Š Š ŠbŠ Š Š r 34 =( ) ‰ Š Š Š Š =‰.<br />
drop, drop, drop, drop, drop, drop, drop, slow tears, slow tears.<br />
Vbb 4 ‰. Š ˆ 34 ‰ Š b‰ Š #‰.<br />
drop, drop, slow tears, slow tears.<br />
[ppp ]<br />
Vbb 4 ‰. Š ˆ 34 ‰ Š ‰ Š ‰.<br />
Drop, drop, slow tears, slow tears.<br />
Vbb 4 ‰. bŠ ˆ<br />
34 ‰ Š ‰ Š ‰.<br />
355<br />
<strong>for</strong> online perusal only<br />
drop, drop, slow tears, slow tears.<br />
V bb 4 Š Š Š bŠ Š Š r Š Š Š bŠ Š Š r 34 =( ) ‰ Š b‰ Š Š Š #=‰.<br />
{ B bb 4<br />
‰. bŠ ˆ ‰ Š ‰ Š ‰.<br />
34<br />
ppp<br />
ppp<br />
b‰<br />
p<br />
4
6<br />
Vbb r r Š<br />
‰ Š Š Š Š 4 Š<br />
33<br />
p<br />
=Š #Š Šf<br />
p<br />
Vbb r r Š #Š Š Š Š ‰ 4 Š ‰ Šf<br />
In your deep flood Drown<br />
In your deep flood Drown<br />
p<br />
Vbb r r Š Š Š Š ‰ Š<br />
Vbb r r Š Š Š Š Š Š Š<br />
4 Š Š Š Š<br />
In your deep flood Drown<br />
p<br />
4 ‰ Š Š<br />
In your deep flood Drown<br />
V bb r r Š #Š‰ Š Š Š Š‰ Š 4 Š =Š ‰ #Š bŠ<br />
{<br />
p<br />
f<br />
B bb r r V Š Š Š Š ‰ Š 4 Š Š Š<br />
Š Š ‰ Š<br />
Vbb Š. =Š Š. f<br />
Š f 34 ‰.<br />
37<br />
p<br />
r r Š 24Š bŠ Š Š<br />
all my faults and fears; Nor let his eye See<br />
VbbŠ. Š f<br />
Š. bŠ f 34 ‰. r r t Še 24Š Š Š Š<br />
all my faults and fears; Nor let his eye See<br />
Vbb Š. Še Š. bŠe 34 ‰. r r t Še 24Š ŠŠ #Š<br />
all my faults and fears; Nor let his eye See<br />
Vbb<br />
Š. bŠe Š. Še 34 ‰. r r t p<br />
Še 24Š Š Š Š<br />
all my faults and fears; Nor let his eye See<br />
V bb Š. =Š Š. bŠ f f 34 ‰. r r Št Š 24 Š bŠ Š =Š f<br />
{<br />
p<br />
V bb Š. bŠe Š. bŠe 34 ‰. r r t Še 24 Š Š Š #Š<br />
356<br />
<strong>for</strong> online perusal only<br />
p<br />
p<br />
f<br />
f
41<br />
Vbb Š. pp<br />
Š f<br />
Š. Š ‰ ‰ ‰<br />
f<br />
[pp ]<br />
sin, but through my tears,<br />
Vbb Š. Š f<br />
Š. Še Š Š Š Š Š Š bŠ ‰<br />
[pp ]<br />
sin, but through my tears, but through my tears,<br />
Vbb Š. Še Š. Še ‰ ‰ Š Š Š =Š<br />
[pp ]<br />
Vbb<br />
Š. Še Š. Še ‰ Š. Še ‰<br />
sin, but through my tears, but through<br />
sin, but through my tears, my tears,<br />
V bb Š. Š f<br />
Š. Š ‰ f<br />
Š Š Š ‰ Š Š Š bŠ ‰<br />
{ V bb Š . Š pp<br />
e Š. Še ‰ ‰ Š. Š Š Š Š =Š f ‰<br />
357<br />
<strong>for</strong> online perusal only<br />
46<br />
Vbb Š<br />
Vbb ‰<br />
r p<br />
p<br />
pp<br />
Š bŠ Š<br />
p<br />
F<br />
34 b‰. F<br />
F Fpp<br />
34 ‰.<br />
F‰.<br />
F<br />
‰.<br />
Vbb Š Š Š ‰<br />
p<br />
my<br />
F Fpp<br />
34 b‰.<br />
F<br />
=‰.<br />
Vbb<br />
‰ Š<br />
p F Fpp<br />
Š<br />
34 b‰.<br />
F<br />
‰.<br />
my tears, my tears.<br />
tears.<br />
my tears, my tears.<br />
V bb Š r p F<br />
Š bŠ Š 34 b‰ F F<br />
‰<br />
. ‰.<br />
{<br />
pp<br />
V bb Š Š Š ‰<br />
p B 34 b b‰. =‰.<br />
‰ Š Š E E<br />
my tears, my tears.<br />
7<br />
Music originated by Katie Johnston<br />
Printed in Great Britain by Halstan & Co. Ltd, Amersham, Bucks.
NEW<br />
HORIZONS<br />
358<br />
2<br />
SSA and piano or harp<br />
<strong>for</strong> online perusal only<br />
JAMES WHITBOURN<br />
Solitude
359<br />
<strong>for</strong> the choir of Oriel College, Ox<strong>for</strong>d<br />
Solitude<br />
John Henry Newman (1801–90)<br />
JAMES WHITBOURN<br />
SOPRANO 1<br />
Tranquillo q = 84 (q = q throughout)<br />
°<br />
& # 4 ∑ ∑ ∑ ∑ ∑<br />
SOPRANO 2<br />
& # 4 ∑ ∑ ∑ ∑ ∑<br />
ALTO<br />
¢ & # 4 ∑ ∑ ∑ ∑ ∑<br />
PIANO *<br />
{<br />
Tranquillo q = 84 (q = q throughout)<br />
& # ?<br />
4 Œ œ œ œ ˙<br />
˙<br />
˙<br />
œ œ œ ˙ ww<br />
pp<br />
p<br />
& # Π?<br />
4 w ˙ œ ˙ œ œ w<br />
œ ˙<br />
w œ Œ Œ<br />
œ ˙ ˙<br />
Ped. ø ø<br />
6<br />
°<br />
& #<br />
Œ<br />
mp<br />
œ<br />
There<br />
<strong>for</strong> online perusal only<br />
œ œ # ˙ ˙<br />
˙<br />
# œ œ œ ˙ w<br />
is in still - ness oft a ma - gic pow’r<br />
& #<br />
Œ<br />
mp<br />
œ<br />
There<br />
œ œ # ˙ ˙<br />
˙<br />
# œ œ œ ˙ w<br />
is in still - ness oft a ma - gic pow’r<br />
¢ & # ∑ Œ<br />
{<br />
?#<br />
?#<br />
pp<br />
(Ped.)<br />
pp<br />
œ œ œ ˙ ˙ ˙<br />
œ œ ˙ œ<br />
mm<br />
ah<br />
Œ œ œ œ œ œ œ œ w w œ œ œ œ<br />
œ œ œ œ œ w<br />
œ<br />
w w œ œ<br />
ø ø ø<br />
Duration: 7 mins<br />
* This anthem may alternatively be accompanied by harp. The harp part is available separately <strong>for</strong> purchase (ISBN 978–0–19–353245–8).<br />
© Ox<strong>for</strong>d University Press 2019<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
360<br />
3<br />
11<br />
°<br />
& #<br />
& #<br />
Œ<br />
Œ<br />
œ<br />
To calm the breast, when strug - gling pas-sions<br />
lower;<br />
œ<br />
œ œ # ˙ ˙<br />
œ œ # ˙ ˙<br />
To calm the breast, when strug - gling pas-sions<br />
lower;<br />
˙<br />
˙<br />
# œ œ œ ˙ w<br />
# œ œ œ ˙ w<br />
¢ & # œ Œ Ó Œ<br />
œ œ œ ˙ ˙ ˙ œ œ œ œ œ<br />
{<br />
?#<br />
?#<br />
(Ped.)<br />
w w œ œ<br />
ø<br />
ø<br />
mm<br />
ah<br />
œ<br />
œ œ œ œ œ œ œ w ˙ œ œ œ œ œ<br />
œ œ œ ˙ w<br />
œ<br />
&<br />
<strong>for</strong> online perusal only<br />
16<br />
°<br />
& #<br />
Œ œ œ œ œ œ œ œ œ œ œ œ # w<br />
mf<br />
Touch’d by<br />
its in - fluence, in the soul a - rise<br />
& #<br />
¢ & #<br />
Œ œ œ œ ˙ # ˙ œ œ œ œ w<br />
Touch’d by its in - fluence, in the soul a - rise<br />
mp<br />
Œ œ œ<br />
œ ˙ # ˙ œ œ œ œ w<br />
Touch’d by its in - fluence, in the soul a - rise<br />
mf<br />
mf<br />
& # #<br />
{<br />
?#<br />
Œ œ ˙œ<br />
mp<br />
˙<br />
˙<br />
œ ˙œ œ ˙œ œ<br />
œ<br />
‰<br />
œœ<br />
œ œ œ œ<br />
J œ œœ œ<br />
mf ˙<br />
Ó #<br />
˙ ˙˙ w w<br />
w<br />
˙<br />
Ped.<br />
œ # œ œ œ œ œ œ œ<br />
ø
361<br />
4<br />
20<br />
°<br />
& #<br />
& #<br />
¢ & #<br />
mp<br />
Œ œ # œ<br />
Div<br />
mp<br />
Œ œ # œ<br />
Div<br />
mp<br />
Œ œ # œ<br />
Div<br />
p<br />
# œ ˙ ˙ œ ˙ œ œ œ ˙ œ<br />
- in - er feel<br />
p<br />
- in - er feel<br />
p<br />
- in - er feel<br />
- ings, kin - dred with the skies,<br />
# œ ˙ ˙ œ œ œ œ w<br />
- ings, kin - dred with the skies.<br />
# œ # ˙ ˙ œ œ œ œ w<br />
- ings, kin - dred with the skies,<br />
mf<br />
mf<br />
mf<br />
the<br />
& # ?<br />
{<br />
?#<br />
œ<br />
˙<br />
p<br />
# œ w˙ ˙<br />
#<br />
w<br />
˙˙ # ˙<br />
œ œ œ ˙<br />
3<br />
w œ œ R ˙ œ œ J<br />
œ œ œ<br />
˙<br />
˙<br />
mf<br />
˙<br />
˙<br />
˙<br />
&<br />
24<br />
°<br />
& #<br />
w<br />
skies.<br />
w<br />
<strong>for</strong> online perusal only<br />
animato (q = q )<br />
Ó<br />
Œ<br />
mp<br />
œ<br />
By<br />
& #<br />
w w Ó Œ<br />
mp<br />
œ<br />
By<br />
¢ & #<br />
œ œ œ<br />
Ó<br />
Œ<br />
œ w<br />
kin - dred with the skies. By<br />
mp<br />
œ<br />
animato (q = q )<br />
œ œ œ œ˙ œ<br />
˙œ œ˙ œ œ<br />
œœ œ<br />
œ<br />
œ<br />
mp<br />
w<br />
?# # œ œ œ œ œ œ œ<br />
œ œ w ˙œ ˙<br />
˙ œ œ w<br />
& # ?<br />
{<br />
Ped.<br />
œ # œ œ œ œ œ œ œ<br />
œ˙<br />
œ œ œ
°<br />
& #<br />
¢ & #<br />
{<br />
27<br />
& #<br />
?#<br />
?#<br />
29<br />
°<br />
& #<br />
& #<br />
¢ & #<br />
& #<br />
{<br />
#<br />
?#<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
‰ œ j œ œ œ œ œ œ œ œ # œ 5<br />
mp<br />
œ œ œ # œ<br />
œ œ œ œ ˙ Œ<br />
œ<br />
this the Ar - ab’s kind - ling thoughts ex - pand,<br />
When<br />
mp<br />
œ œ œ # œ<br />
œ œ œ œ ˙ Œ œ<br />
this the Ar - ab’s kind - ling thoughts ex - pand,<br />
When<br />
mp<br />
œ œ œ # œ<br />
œ œ œ œ ˙ Œ<br />
œ<br />
this the Ar - ab’s kind - ling thoughts ex - pand,<br />
When<br />
œ œ œ œ œ œ œ œ œ œ œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ # œ œ œ<br />
&<br />
œ œ<br />
œ œ œ œ œ œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
œ<br />
J<br />
œ<br />
J œ œ<br />
mf<br />
œ œ œ # œ<br />
œ œ œ œ<br />
w<br />
circ - ling skies in - close the des - ert sand;<br />
mf<br />
˙<br />
# œ œ J<br />
˙ # œ œ œ œ<br />
circ - - - - -<br />
mf<br />
œ œ œ # œ<br />
œ œ œ œ w<br />
circ - ling skies in - close the des - ert sand;<br />
?<br />
&<br />
œ œ œ<br />
œ œ<br />
œ # œ<br />
œ œ<br />
œ<br />
# # j<br />
œ œ # œ œ œ œ<br />
œ œ œ œ<br />
œ<br />
mf<br />
˙<br />
˙<br />
Ped.<br />
362<br />
<strong>for</strong> online perusal only<br />
ø
363<br />
6<br />
31<br />
°<br />
& #<br />
w ‰ œ j œ œ<br />
# œ œ<br />
For this the her - mit seeks the<br />
œ<br />
œ<br />
& #<br />
œ<br />
# œ œ œ # œ œ œ œ œ ‰ œ j œ œ<br />
# œ œ<br />
- - - - - ling skies, the her - mit seeks the<br />
¢ & #<br />
w ‰<br />
# œ<br />
j œ œ<br />
œ œ œ œ<br />
For this the her - mit seeks the<br />
& # ?<br />
{<br />
?#<br />
(Ped.)<br />
œ œ œ<br />
&<br />
œ œ œ œ œ ˙<br />
œ œ # œ œ ≈ œ ##<br />
œœ œ ≈ œ œ ≈ œ# #œœ<br />
œ ≈ œ # œ œ<br />
##<br />
œ<br />
œ œ<br />
œ œ œ œ#<br />
œ œ œ ˙œ œ œ œ œ<br />
œ j ‰ œ œj œ œ<br />
‰ œ<br />
J ‰ J ‰<br />
œ<br />
?<br />
33<br />
°<br />
& #<br />
# œ œ # ˙<br />
Œ Ó ‰<br />
thick<br />
# œ<br />
j # œ œ<br />
- est grove, To catch th’in -<br />
& #<br />
œ<br />
<strong>for</strong> online perusal only<br />
# œ ˙ ‰ œ j œ œ<br />
# œ œ<br />
˙<br />
¢ & #<br />
thick - est grove, To catch th’in - spir - ing glow,<br />
œ œ # ˙<br />
‰ œ j œ œ œ œ<br />
thick - est grove, To catch th’in - spir - ing glow, the glow of<br />
#œ<br />
#œ<br />
# œ œ<br />
{<br />
?#<br />
?#<br />
≈# œ# œ œ ≈ œ œ œ ≈ œ œ œ ≈ œ œ œ ≈# œ œ œ ≈ œ œ œ ≈ œ # œ œ ≈ œ œ œ<br />
j ‰<br />
œ<br />
œ j ‰ j ‰<br />
œ<br />
œ j ‰ j ‰<br />
œ<br />
œ j ‰ j ‰<br />
œ<br />
œ j ‰<br />
&
35<br />
°<br />
& #<br />
& #<br />
¢ & #<br />
><br />
& #<br />
{<br />
?#<br />
38<br />
°<br />
& #<br />
& #<br />
¢ & #<br />
œ<br />
w w w<br />
w<br />
7<br />
# œ œ # œ œ<br />
œ œ<br />
f<br />
#w<br />
∑<br />
f<br />
#<br />
∑<br />
- - - ly love.<br />
f<br />
#<br />
∑<br />
- - - ly love.<br />
“” ><br />
≈ œ# #œœ<br />
œ ≈ œ# œ # œ<br />
≈ œ œ œ # # œ<br />
# œ<br />
#<br />
# œ#<br />
œ<br />
œ œ<br />
œ<br />
œ œ # # œ œ œ œ<br />
œ œ<br />
œ # ##œ œ<br />
f<br />
?<br />
&<br />
œ j ‰ œ j œ<br />
‰ J ‰ j<br />
#<br />
#œ<br />
><br />
œ #œ #œ<br />
# œ<br />
œ<br />
∑<br />
tranquillo<br />
Œ<br />
p<br />
œ œ<br />
œ ˙ ˙ œ œ œ œ # w<br />
It is not sole - ly in the free-dom<br />
giv’n<br />
Œ<br />
p<br />
œ œ<br />
œ ˙ ˙ œ œ œ œ # w<br />
It is not sole - ly in the free-dom<br />
giv’n<br />
Ó Œ<br />
p<br />
œ ˙ # ˙ œ œ œ œ w<br />
Not sole - ly in the free -dom<br />
giv’n<br />
tranquillo<br />
w<br />
# œ œ œ œ<br />
p<br />
-spir<br />
- ing glow of heav’n - ly love.<br />
heav’n<br />
heav’n<br />
& # ∑ ∑<br />
{<br />
mp<br />
# œ<br />
∑<br />
∑<br />
∑<br />
?# ∑<br />
˙ œ w<br />
# ˙ œ w<br />
≈<br />
œ# # œ œ<br />
j<br />
##œœ<br />
œ<br />
#˙<br />
‰<br />
#˙<br />
364<br />
<strong>for</strong> online perusal only
365<br />
8<br />
43<br />
°<br />
& #<br />
Œ<br />
mp<br />
œ<br />
To<br />
œ œ # ˙ ˙<br />
pu<br />
mf<br />
˙<br />
- ri - fy and fix<br />
mp<br />
# œ œ œ ˙<br />
the heart on heav’n;<br />
& #<br />
Œ<br />
mp<br />
œ<br />
To<br />
œ œ # ˙ ˙<br />
pu<br />
mf<br />
˙<br />
- ri - fy and fix<br />
mp<br />
# œ œ œ ˙<br />
the heart on heav’n;<br />
¢ & #<br />
Ó<br />
Œ<br />
mp<br />
œ<br />
To<br />
pu<br />
mf<br />
œ œ œ œ œ ˙ œ œ # œ ˙<br />
- ri - fy and fix<br />
mp<br />
the heart on heav’n;<br />
<strong>for</strong> online perusal only<br />
& #<br />
{<br />
?#<br />
w<br />
# w<br />
Ó<br />
œ œ œ œ œ œ mp<br />
w w œ œ ˙˙<br />
w<br />
47<br />
°<br />
& #<br />
Œ œ œ œ œ œ œ œ œ œ œ œ # w<br />
There is a Spi - rit sing - ing aye in air,<br />
mf<br />
& #<br />
˙ œ œ ˙ # ˙ œ œ œ œ w<br />
There is a Spi - rit sing - ing aye in air,<br />
mf<br />
¢ & #<br />
Œ œ œ<br />
œ ˙ # ˙ œ œ œ œ w<br />
There is a Spi - rit sing - ing aye in air,<br />
mf<br />
& # #<br />
{<br />
?#<br />
Œ œ ˙œ<br />
œ ˙œ œ ˙œ œ<br />
?<br />
‰ œ J<br />
w ˙˙ ˙˙ w<br />
œ œ œ œ œ œ<br />
#<br />
‰ # œ<br />
j œ œ œ œ œ<br />
Ped. ø ˙<br />
˙<br />
ø<br />
mf<br />
œ # œ
366<br />
51<br />
°<br />
& #<br />
& #<br />
¢ & #<br />
?#<br />
{<br />
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55<br />
°<br />
& #<br />
& #<br />
¢ & #<br />
?#<br />
{<br />
?#<br />
9<br />
mp<br />
Œ œ # œ # œ ˙ ˙ œ œ œ œ œ ˙<br />
That lifts us high a - bove all mor - tal care.<br />
mp<br />
Œ œ # œ # œ # ˙ ˙ œ œ œ œ œ ˙<br />
That lifts us high a - bove all mor - tal care.<br />
mp<br />
∑ ˙ œ ˙ ˙ w<br />
high a - bove.<br />
# ˙ œ<br />
?<br />
& ˙ ˙˙ ˙ œ w<br />
mp<br />
w<br />
w w w<br />
animato<br />
mp<br />
Ó<br />
Œ<br />
œ œ œ œ # œ<br />
œ œ œ œ<br />
No mor - tal mea - sure swells that mys - tic<br />
mp<br />
Ó<br />
Œ<br />
œ œ œ œ # œ<br />
œ œ œ œ<br />
No mor - tal mea - sure swells that mys - tic<br />
mp<br />
Ó<br />
Œ<br />
œ œ œ œ # œ<br />
œ œ œ œ<br />
No mor - tal mea - sure swells that mys - tic<br />
animato<br />
≈ œ # œ œ ≈ œ œ œ ≈ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # œ œ œ œ<br />
œ<br />
mp<br />
œ j ‰ œ j ‰ œ˙<br />
œ œ œ œ œ<br />
œ œ œ œ œ œ<br />
œ œ œ œ<br />
<strong>for</strong> online perusal only
367<br />
10<br />
57<br />
°<br />
& #<br />
& #<br />
˙<br />
sound, No mor - tal min - strel breathes such tones a -<br />
˙<br />
Œ<br />
Œ<br />
œ œ œ<br />
œ œ œ<br />
sound, No mor - tal min - strel breathes such tones a -<br />
œ<br />
œ<br />
œ<br />
œ<br />
œ<br />
œ œ œ œ œ œ<br />
œ<br />
¢ & #<br />
œ<br />
sound,<br />
Œ<br />
mp<br />
˙ œ œ œ œ œ<br />
No<br />
mor<br />
- tal min - strel breathes such tones a -<br />
œ<br />
œ œ<br />
?#<br />
{<br />
?#<br />
<strong>for</strong> online perusal only<br />
œ # œ œ œ œ œ œ œ œ œ œ œ œ # œ œ œ<br />
œ œ œ œ œ œ œ œ œ œ œ<br />
J<br />
œ<br />
œ œ<br />
J œ œ<br />
&<br />
#<br />
œ<br />
œ<br />
œ œ œ œ œ<br />
œ œ œ œ œ<br />
nœ<br />
œ<br />
œ<br />
Ped.<br />
œ<br />
œ<br />
ø<br />
œ<br />
œ<br />
œ<br />
œ<br />
œ œ œ œ<br />
œ œ œ œ<br />
59<br />
°<br />
& #<br />
& #<br />
¢ & #<br />
mf<br />
- round,<br />
The<br />
mf<br />
- round,<br />
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Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
371<br />
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372<br />
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373<br />
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374<br />
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375<br />
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SA choir and piano<br />
Mack Wilberg<br />
All things bright<br />
<strong>for</strong> online perusal only<br />
and beautiful<br />
ox<strong>for</strong>d music <strong>for</strong> <strong>upper</strong> <strong>voices</strong>
All things bright and beautiful<br />
Cecil Frances Alexander (1818–1895)<br />
SOPRANO<br />
ALTO<br />
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<strong>for</strong> my children, K., J., J., and C<br />
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arr. MACK WILBERG<br />
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Also available scored <strong>for</strong> (1) four-hands and two flutes (optional) (978-0-19-386497-9); (2) two flutes, glockenspiel, celeste or<br />
piano, harp, and strings; (3) two flutes, glockenspiel, piano, harp, and optional cello; (2) and (3) available<br />
<strong>for</strong> rental from the Publisher.<br />
Copyright © 2002, Ox<strong>for</strong>d University Press, Inc. and © Ox<strong>for</strong>d University Press 2007.<br />
Photocopying this copyright material is ILLEGAL.<br />
Printed in Great Britain
377<br />
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54<br />
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57<br />
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All things wise and won - der - ful: the Lord God made them
60<br />
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all.<br />
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63<br />
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lips<br />
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66<br />
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that<br />
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crea - tures great and<br />
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All<br />
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things<br />
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bright<br />
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and<br />
beau<br />
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385<br />
<strong>for</strong> online perusal only
10<br />
O,<br />
386<br />
72<br />
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small,<br />
O,<br />
all things wise and won - der - ful:<br />
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7<br />
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poco rit.<br />
75<br />
dim.<br />
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a little slower<br />
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loco<br />
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dim.<br />
mp<br />
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mp<br />
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the<br />
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Lord<br />
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God<br />
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<strong>for</strong> online perusal only<br />
78<br />
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made<br />
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them<br />
mf<br />
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a tempo<br />
all.<br />
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mf <br />
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7
387<br />
4<br />
SSAA and piano<br />
Mack Wilberg<br />
Softly and tenderly<br />
<strong>for</strong> online perusal only<br />
ox<strong>for</strong>d sacred music
388<br />
SOPRANO 1 & 2<br />
ALTO 1 & 2<br />
PIANO<br />
<strong>for</strong> the women of the Mormon Tabernacle Choir and the Orchestra at Temple Square<br />
Softly and tenderly<br />
Gently, with expression e = 108<br />
WILL L. THOMPSON (1847–1909)<br />
arr. MACK WILBERG<br />
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mp<br />
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con Ped.<br />
5<br />
TUTTI VOICES unis.<br />
mp<br />
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Soft<br />
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- ly and ten - der - ly Je - sus is call - ing, Call - ing <strong>for</strong> you and <strong>for</strong><br />
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<strong>for</strong> online perusal only<br />
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8<br />
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me; See, on the por - tals he’s wait - ing and watch-ing,<br />
<br />
<br />
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<br />
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<br />
An accompaniment <strong>for</strong> small orchestra (fl, 3hn, hp, str) is available on rental from the publisher’s Hire Library or appropriate<br />
agent.<br />
The women of the Mormon Tabernacle Choir and the Orchestra at Temple Square have recorded this piece with orchestral<br />
accompaniment on the CD Come, Thou Fount of Every Blessing (SKU 5014332).<br />
© Ox<strong>for</strong>d University Press 2013 Printed in the USA<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Arranger have been asserted. Photocopying this copyright material is ILLEGAL.
4<br />
11<br />
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Watch-ing<br />
<strong>for</strong> you and <strong>for</strong> me.<br />
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389<br />
Come<br />
S.<br />
A.<br />
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home,<br />
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Come home,<br />
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come<br />
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14<br />
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S./A. unis.<br />
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home,<br />
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Ye who are wea - ry, come home;<br />
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17<br />
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Ear<br />
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- nest-ly,<br />
ten - der - ly, Je - sus is call - ing, Call-ing,<br />
O sin-ner,<br />
come
S. 1<br />
S. 2<br />
A. 1<br />
A. 2<br />
390<br />
5<br />
20<br />
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home!<br />
mp<br />
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p<br />
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Why should we tar - ry when Je - sus is plead - ing, Plead-ing<br />
<strong>for</strong> you and <strong>for</strong><br />
mf unis. (melody)<br />
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Why should we tar - ry when Je - sus is plead - ing, Plead-ing<br />
<strong>for</strong> you and <strong>for</strong><br />
p<br />
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Why should we tar - ry when Je - sus is plead - ing, Plead-ing<br />
<strong>for</strong> you and <strong>for</strong><br />
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LH<br />
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p<br />
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6<br />
27<br />
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391<br />
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me? Why should we lin - ger and heed not his mer - cies,<br />
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me? Why should we lin - ger and heed not his mer - cies,<br />
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me? Why should we lin ger<br />
- and heed not his mer - cies,<br />
LH LH LH<br />
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30<br />
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Mer<br />
- cies <strong>for</strong> you and <strong>for</strong> me? Come home, come<br />
<br />
Mer - cies <strong>for</strong> you and <strong>for</strong> me?<br />
<br />
Mer<br />
Come<br />
S. 2<br />
A. 1<br />
Come<br />
home,<br />
home,<br />
come home,<br />
- cies <strong>for</strong> you and <strong>for</strong> me? Come home, come<br />
LH LH LH<br />
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come<br />
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come
392<br />
7<br />
poco rit.<br />
33<br />
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home, Ye who are wea - ry, come home;<br />
S. 2/A. 1 unis.<br />
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home,<br />
Ye who are wea - ry, come home;<br />
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home, Ye who are wea - ry, come home;<br />
poco rit.<br />
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LH<br />
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36 a tempo<br />
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Ear - nest-ly,<br />
ten - der - ly, Je - sus is call - ing, Call-ing,<br />
O sin-ner,<br />
come<br />
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Ear - nest-ly,<br />
ten - der - ly, Je - sus is call - ing, Call-ing,<br />
O sin-ner,<br />
come<br />
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Ear - nest-ly,<br />
ten - der - ly, Je - sus is call - ing, Call-ing,<br />
O sin-ner,<br />
come<br />
a tempo<br />
LH LH LH<br />
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<strong>for</strong> online perusal only
8<br />
393<br />
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home!<br />
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home!<br />
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home!<br />
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mp<br />
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43<br />
TUTTI VOICES unis.<br />
mf<br />
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O<br />
<br />
<strong>for</strong> the won - der - ful love he has prom-ised,<br />
Prom-ised<br />
<strong>for</strong> you and <strong>for</strong><br />
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mf<br />
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46<br />
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me! Though we have sinned, he has mer - cy and par - don,
S.<br />
A.<br />
394<br />
9<br />
49<br />
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Come home,<br />
Par - don <strong>for</strong> you and <strong>for</strong> me.<br />
come<br />
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Come home,<br />
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poco rit.<br />
52<br />
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home, Ye who are wea - ry, come home;<br />
<br />
A. 1<br />
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A. 2<br />
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poco rit.<br />
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55 a tempo<br />
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S. 1<br />
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S. 2<br />
Ear - nest-ly,<br />
ten - der - ly, Je - sus is call - ing, Call-ing,<br />
O sin-ner,<br />
come<br />
unis. A. 1<br />
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A. 2<br />
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a tempo<br />
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395<br />
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poco rit.<br />
58<br />
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home!<br />
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poco rit.<br />
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62<br />
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a tempo (but slightly slower)<br />
mp unis.<br />
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poco rit.<br />
<br />
Ear<br />
- nest - ly, ten - der - ly, Je - sus is call - ing, Call-ing,<br />
O sin-ner,<br />
come<br />
unis.<br />
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mp<br />
A. 1<br />
<br />
<br />
A. 2<br />
a tempo (but slightly slower)<br />
poco rit.<br />
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mp
65<br />
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396<br />
a tempo<br />
poco rit.<br />
p<br />
pp<br />
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11<br />
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home,<br />
come<br />
home, come home, come<br />
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p pp<br />
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poco rit.<br />
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68<br />
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a tempo<br />
rit.<br />
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home!<br />
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a tempo<br />
mp<br />
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p<br />
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rit.<br />
LH p LH LH<br />
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Processed in the United Kingdom by Enigma Music Production Services, Amersham, Bucks.
397<br />
<strong>for</strong> online perusal only
398<br />
<strong>for</strong> online perusal only
399<br />
<strong>for</strong> online perusal only
400<br />
<strong>for</strong> online perusal only
UPPER-VOICE MUSIC<br />
<br />
Ronald Corp<br />
<br />
<br />
401<br />
<br />
<br />
<br />
<br />
<br />
SOPRANO<br />
ALTO<br />
<br />
<br />
Gently q = c.88<br />
<br />
<br />
<br />
<strong>for</strong> online perusal only<br />
PIANO<br />
<br />
p<br />
<br />
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<br />
4<br />
<br />
<br />
<br />
unis.<br />
p<br />
<br />
Lord,<br />
<br />
make<br />
<br />
me an<br />
<br />
in <br />
<br />
<br />
stru ment of<br />
<br />
Thy<br />
<br />
peace;<br />
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p cresc.<br />
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is ha<br />
where there<br />
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<br />
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tred,<br />
<br />
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<br />
let me sow love;<br />
<br />
<br />
where there is<br />
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cresc.
402<br />
2<br />
11<br />
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in<br />
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14<br />
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dis<br />
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cord,<br />
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may there be<br />
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nion,<br />
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where there is doubt,<br />
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faith;<br />
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S.<br />
18<br />
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p cresc.<br />
<br />
Lord,<br />
<br />
make<br />
<strong>for</strong> online perusal only<br />
<br />
<br />
me an in<br />
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stru<br />
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ment,<br />
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Lord,<br />
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make<br />
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p cresc.<br />
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Lord,<br />
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make<br />
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me an in<br />
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stru<br />
ment,<br />
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p cresc.
403<br />
3<br />
21<br />
<br />
<br />
<br />
in<br />
<br />
Lord,<br />
<br />
<br />
mf<br />
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stru ment, Lord,<br />
mf<br />
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make me an in<br />
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make<br />
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me an<br />
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in<br />
stru ment<br />
of Thy peace,<br />
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ment<br />
of<br />
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of<br />
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mf<br />
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24<br />
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peace,<br />
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33<br />
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p cresc.<br />
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where there is des pair,<br />
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let there be hope,<br />
mp cresc.<br />
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where there<br />
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where there<br />
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36<br />
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dark<br />
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<strong>for</strong> online perusal only<br />
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light,<br />
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where<br />
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there is<br />
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dark<br />
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where<br />
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there is
405<br />
5<br />
39<br />
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sad<br />
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there is<br />
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where<br />
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there is<br />
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sad<br />
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42<br />
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cresc.<br />
p cresc.<br />
<br />
may<br />
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there<br />
<br />
be<br />
<br />
joy,<br />
<br />
<br />
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p cresc.<br />
<br />
may<br />
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there<br />
<br />
be<br />
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<br />
joy,<br />
<br />
<br />
mf cresc.<br />
<br />
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mf cresc.<br />
<br />
may<br />
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there<br />
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be<br />
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45<br />
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mf cresc.<br />
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ff<br />
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joy,<br />
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may<br />
there<br />
be<br />
joy,<br />
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may<br />
f cresc.<br />
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may<br />
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there<br />
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there<br />
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be<br />
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joy!<br />
ff<br />
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406<br />
6<br />
48<br />
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mp<br />
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joy!<br />
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mp<br />
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51<br />
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p cresc.<br />
<br />
Lord,<br />
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make<br />
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<strong>for</strong> online perusal only<br />
<br />
<br />
me an in<br />
p cresc.<br />
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Lord,<br />
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make<br />
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me an in<br />
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make<br />
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me<br />
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p cresc.<br />
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stru ment,<br />
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make me an<br />
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make<br />
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me an<br />
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of<br />
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407<br />
7<br />
57<br />
SOLO SOPRANO mp<br />
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May we all be in<br />
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p<br />
S. <br />
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peace,<br />
Thy<br />
peace,<br />
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peace,<br />
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peace,<br />
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60<br />
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mp <br />
peace,<br />
peace, and on ly peace,<br />
and may that<br />
SOLO ALTO<br />
mp<br />
mp<br />
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May we all be in peace,<br />
peace, and on ly peace, and may that<br />
<br />
S. <br />
<br />
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peace,<br />
peace,<br />
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peace,<br />
peace,<br />
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408<br />
8<br />
64<br />
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peace<br />
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peace<br />
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come<br />
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come<br />
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Thy<br />
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Thy<br />
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to<br />
un<br />
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to<br />
un<br />
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each<br />
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each<br />
<br />
peace,<br />
peace,<br />
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of<br />
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of<br />
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Thy<br />
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Thy<br />
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peace.<br />
p<br />
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peace.<br />
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W153 Lord, make me an instrument J. WILLCOCKS<br />
<strong>for</strong> online perusal only<br />
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p<br />
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68<br />
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rall.<br />
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pp<br />
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<br />
Music setting by Stave Origination.<br />
Printed in Great Britain by Halstan & Co. Ltd., Amersham, Bucks.
409<br />
2<br />
<strong>for</strong> online perusal only
410<br />
<strong>for</strong> online perusal only
411<br />
<strong>for</strong> online perusal only
412<br />
<strong>for</strong> online perusal only
413<br />
<strong>for</strong> online perusal only
414<br />
<strong>for</strong> online perusal only
UPPER-VOICE MUSIC<br />
General Editor Ronald Corp<br />
SSAA and organ or piano<br />
415<br />
OXFORD<br />
Cantique de Jean Racine<br />
<strong>for</strong> online perusal only<br />
Canticle of Jean Racine, Op. 11<br />
Gabriel Faure<br />
arranged <strong>for</strong> <strong>upper</strong> <strong>voices</strong> by<br />
John Rutter<br />
MUSIC DEPARTMENT<br />
OXFORD<br />
UNIVERSITY PRESS
416<br />
<strong>for</strong> online perusal only
417<br />
<strong>for</strong> online perusal only
418<br />
<strong>for</strong> online perusal only
419<br />
<strong>for</strong> online perusal only
420<br />
<strong>for</strong> online perusal only
421<br />
<strong>for</strong> online perusal only
422<br />
<strong>for</strong> online perusal only
423<br />
<strong>for</strong> online perusal only
424<br />
<strong>for</strong> online perusal only
425<br />
<strong>for</strong> online perusal only
426<br />
<strong>for</strong> online perusal only
427<br />
<strong>for</strong> online perusal only
SACRED<br />
428<br />
Unison <strong>voices</strong>, with optional divisions, oboe and organ<br />
2<br />
Lions and Oxen<br />
<strong>for</strong> online perusal only<br />
Joel Martinson<br />
Words by<br />
Thomas H. Troeger<br />
A
429<br />
<strong>for</strong> online perusal only<br />
OXFORD UNIVERSITY PRESS, GREAT CLARENDON STREET, OXFORD, OX2 6DP
430<br />
<strong>for</strong> online perusal only
431<br />
<strong>for</strong> online perusal only
432<br />
<strong>for</strong> online perusal only
433<br />
<strong>for</strong> online perusal only
434<br />
<strong>for</strong> online perusal only
435<br />
<strong>for</strong> online perusal only
436<br />
<strong>for</strong> online perusal only
OCCO 19 Schubert: Psalm 23 SSAA and piano<br />
437<br />
2<br />
CHORAL<br />
CLASSICS<br />
Ox<strong>for</strong>d Choral Classics Octavos<br />
PSALM 23<br />
(The Lord is my<br />
shepherd)<br />
FOR SSAA CHOIR WITH PIANO<br />
FRANZ SCHUBERT<br />
<strong>for</strong> online perusal only<br />
Edited by John Rutter
438<br />
<strong>for</strong> online perusal only
439<br />
<strong>for</strong> online perusal only
440<br />
<strong>for</strong> online perusal only
441<br />
<strong>for</strong> online perusal only
442<br />
<strong>for</strong> online perusal only
443<br />
<strong>for</strong> online perusal only
444<br />
<strong>for</strong> online perusal only
445<br />
<strong>for</strong> online perusal only
446<br />
<strong>for</strong> online perusal only
447<br />
<strong>for</strong> online perusal only
448<br />
<strong>for</strong> online perusal only
449<br />
<strong>for</strong> online perusal only
450<br />
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451<br />
<strong>for</strong> online perusal only
452<br />
<strong>for</strong> online perusal only
453<br />
<strong>for</strong> online perusal only
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