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Design Strategies IMPULSE - Sustainable Facades Vol 2

Report Winter Semester 2023/24

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DESIGN<br />

STRATEGIES<br />

SPECIAL ISSUE Impulses from teaching and research<br />

Winter Semester Report<br />

04.2024<br />

SUSTAINABLE FAÇADES<br />

volume 2 ISSN 2943-4467


EDITORIAL<br />

Welcome to the second edition of <strong>Sustainable</strong> Façades, a Special Issue of the<br />

<strong>Design</strong> <strong>Strategies</strong> Magazine produced by the Institute for <strong>Design</strong> <strong>Strategies</strong> (IDS)<br />

of TH OWL in Detmold, Germany. We are happy to be back, this time reporting<br />

the activities of the Winter Semester 2023-2024. We are grateful that over 1400<br />

people downloaded the previous issue between between November 2023 and<br />

April 2024.<br />

<strong>Sustainable</strong> Façades was originally intended as a digital-only resource. However,<br />

further actions were taken after the successful realization of the first issue as a<br />

proof of concept, and the encouraging feedback obtained at it‘s public release<br />

during the European Façade Network Conference in Detmold, on November<br />

2023. <strong>Sustainable</strong> Façades was developed into an indexed magazine, and in<br />

January 2024, 150 issues were printed and distributed at the IDS, providing a<br />

printed issue to every contributor and the rest offered free of charge at the front<br />

desk of the IDS until they run out. The release of digital and printed media will be<br />

repeated in this second edition or "volume 2".<br />

We hope this issue will resonate with our readers and we extend the invitation<br />

for contributions and feedback to expand our outreach, fine-tune our processes<br />

and grow our network for the next issues of <strong>Sustainable</strong> Façades.<br />

Alvaro Balderrama & Daniel Arztmann<br />

EDITORIAL VORWORT<br />

<strong>Design</strong> <strong>Strategies</strong> <strong>IMPULSE</strong> – <strong>Sustainable</strong> Façades 04.2024<br />

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CONTENTS<br />

1. INTRODUCTION<br />

7<br />

4. MID DESIGN CONCEPTS<br />

62 – JTI Headquarters, Switzerland<br />

Meltem Durmus, Hiruy Tekeste, Abdelrahman Badr<br />

2. LATEST RESEARCH<br />

66– Montparnasse, France<br />

Ahmet Faruk Çakır, Murat Gül<br />

3. ARTICLES<br />

10 – Values-Based Governance and<br />

Intervention Framework for Mass<br />

Housing Neighbourhoods<br />

Anica Dragutinovic<br />

13 – A Guide to Biodegradable<br />

Materials in Envelope <strong>Design</strong><br />

Shashi Karmaker<br />

29 – Energy Efficiency of a Timber<br />

Frame House in Detmold<br />

Mina Kherad<br />

5. EVENTS<br />

70 – 35XV, USA<br />

Priyanka Bamble, Najmeh Najafpour<br />

74 – Dockland Office Building, Germany<br />

Aysegül Gürleyen, Rodolph Naalabend<br />

78 – One World Trade Center, USA<br />

Ghazaleh Valipour, Lama Ibrahim<br />

82 – 20 Fenchurch Street, England<br />

Amrani Chemseddine, Harishankar Kallepalli<br />

87 – Past events<br />

37 – Preliminary Observation<br />

for the Structural Performance of<br />

Timber Façade Mullion and Transom<br />

Connection with Large Glass Dead<br />

Load<br />

Hiruy Gebremariam Tekeste<br />

6. IMPRINT<br />

91 – Upcoming events<br />

92<br />

40 – Façade Acoustics and<br />

Soundscape Assessment Workshops:<br />

Implementing Soundscape Criteria in<br />

Façade Education<br />

Alvaro Balderrama<br />

53 – Solar Façade: Energy<br />

Generation with 2.500 m2 of BIPV<br />

Melicia Planchart, Stefan Grünsteidl, Augustin Rohr<br />

4 CONTENTS CONTENTS<br />

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1. INTRODUCTION<br />

As the title <strong>Sustainable</strong> Façades declares, the focus<br />

of this report is on “façades”, which generally refer<br />

to the vertical surfaces of the building envelope,<br />

including the walls, doors, windows, balustrades,<br />

balconies, parapets and depending on the case,<br />

possibly parts of the roof (Knaack et al., 2007; Klein,<br />

2013), and how they impact the people inside and<br />

outside of buildings, as well as the environment<br />

and the economy. <strong>Sustainable</strong> practices can be<br />

integrated into multiple stages of projects, including<br />

the design, construction, use, maintenance, and<br />

end-of-life stage of buildings. However, determining<br />

the sustainability of a project is a complex task,<br />

given its wide-ranging implications.<br />

The cover of this magazine shows the façade of the<br />

Schüco One building in Bielefeld designed by 3XN<br />

Architects, the first building in the world to receive<br />

all three sustainability certifications from the LEED,<br />

BREEAM and DGNB labels. This sets a precedent<br />

in the construction industry but also highlights<br />

some conceptual differences between labels. For<br />

example, the BREAM category “pollution” differs<br />

from the LEED v.4.1. scorecard for Building <strong>Design</strong><br />

and Construction, which is the most popular<br />

worldwide (Chomsky, 2023) since LEED doesn’t<br />

account for potential unintended by-products of<br />

the building, showing how BREAM is more flexible<br />

to unexpected circumstances.<br />

The controversial case of the 20 Fenchurch Street<br />

skyscraper – the “walkie talkie” in London can<br />

exemplify how the BREAM covers an aspect that<br />

could be neglected by other labels. As it became<br />

well known, the concave façade acted as a mirror<br />

reflecting sunbeams to the street, leading to<br />

material damage (Smith-Spark, 2013). The project<br />

was applying for BREAM certification, and it was<br />

put on hold until the developers solved the issue<br />

by installing a brise-soleil to diffuse the reflected<br />

sunlight and prevent further damage. Afterwards,<br />

the certification was restored and it has since then<br />

become an iconic project in the skyline of London.<br />

When focusing on the requirements for adequate<br />

façade performance it is clear that the criteria<br />

are probably not the same in every project,<br />

therefore façade performance is contextdependent.<br />

According to Bianchi et al. (2024)<br />

façade performance can be classified into<br />

three main performance categories: Functional,<br />

Environmental, and Financial. These categories<br />

correspond to the three pillars of the triple<br />

bottom line (Society, Environment, Economy).<br />

Therefore, raising the idea that for a façade to<br />

be sustainable, it should perform adequately in<br />

those three aspects. The functional performance<br />

category includes structural safety, human comfort<br />

(including air quality, thermal, acoustic and visual<br />

comfort), and durability as the main criteria.<br />

Environmental performance includes energy and<br />

material efficiency, considering not only energy<br />

demand, generation and storage, but also carbon<br />

footprint and biodiversity impacts. The financial<br />

performance category is focused on the initial,<br />

operational and end-of-life costs. This overview of<br />

performance criteria helps identify the potential<br />

performance of a specific project, however,<br />

this classification does not exclude overlapping<br />

between categories.<br />

Considering these issues, as explained in the<br />

first edition of <strong>Sustainable</strong> Façades, the goal of<br />

this report is to explore the possible meanings<br />

of sustainability within the built environment,<br />

examining façades as intrinsic elements of every<br />

building and every city. This introduction is followed<br />

by the next sections:<br />

Section 2 | Latest Research is a showcase of<br />

recent publications by members of the academic<br />

network of TH OWL. In this edition, we have<br />

a summary of the PhD thesis of Dr.-Ing. Anica<br />

Dragutinovic, focused on the deterioration and<br />

management challenges of post-war mass housing<br />

neighborhoods, exemplified by New Belgrade<br />

Blocks. It explores how ownership changes and<br />

community dynamics affect these areas. The study<br />

applied participatory methods to develop a valuesbased<br />

intervention framework for these spaces,<br />

promoting inclusive heritage management, and<br />

contributing to residents‘ sense of belonging.<br />

Section 3 | Articles presents original work<br />

developed recently that has not been published<br />

elsewhere. This section includes two Master<br />

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INTRODUCTION<br />

<strong>Design</strong> <strong>Strategies</strong> <strong>IMPULSE</strong> – <strong>Sustainable</strong> Façades 04.2024<br />

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2. LATEST RESEARCH<br />

thesis summaries, providing the opportunity<br />

to communicate the theses more effectively,<br />

and perhaps serve as a stepping stone towards<br />

publication elsewhere (e.g. conference or journal).<br />

One thesis provides a catalog of biodegradable<br />

materials for façades, and the other thesis analyzed<br />

the thermal and energy performance of the façades<br />

of a “Fachwerkhaus” (timber frame house) built in<br />

Detmold more than 100 years ago. Then, a short<br />

article examines the impact of large glass dead<br />

loads on the structural performance of the timber<br />

mullion and transom façade of the Riegel building<br />

at the campus of TH OWL in Detmold. Finally, a<br />

research article regarding the implementation of<br />

soundscape criteria in façade design education is<br />

presented.<br />

Section 4 | MID <strong>Design</strong> Concepts provides a<br />

summary of six projects developed by the students<br />

of the class “Materials, Surfaces and Security”,<br />

where complex existing façade projects were<br />

analyzed, describing façade details.<br />

Section 5 | Events closes the report with a<br />

summary of recent activities, like the Detmold<br />

Conference Week 2023, which held the European<br />

Façade Network Conference, and a handson<br />

workshop at Schüco for MID FD students.<br />

Regarding the upcoming Summer Semester 2024,<br />

information about the Detmolder Räume and the<br />

Detmold <strong>Design</strong> Week, as well as an introductory<br />

course of ArcGIS, is presented.<br />

References:<br />

Bianchi, S., Andriotis, C., Klein, T., Overend, M. (2024).<br />

Multi-criteria design methods in façade engineering:<br />

State-of-the-art and future trends. https://doi.<br />

org/10.1016/j.buildenv.2024.111184<br />

Chomsky, R. (2023). Top Green Building Certifications.<br />

https://sustainablereview.com/top-green-buildingcertifications/<br />

Klein, T. (2013) Integral Facade Construction. Towards<br />

a new product architecture for curtain walls. A+BE |<br />

Architecture and the Built Environment. ISBN 978-<br />

9461861610<br />

Knaack, U., Klein, T., Bilow, M., Auer, T. (2007), Façades:<br />

Principles of Construction. Birkhäuser Basel. https://<br />

doi.org/10.1007/978-3-7643-8281-0<br />

Smith-Spark, L., CNN (2013). Reflected light from<br />

London skyscraper melts car. https://edition.cnn.<br />

com/2013/09/03/world/europe/uk-london-buildingmelts-car/index.html<br />

8 INTRODUCTION<br />

<strong>Design</strong> <strong>Strategies</strong> <strong>IMPULSE</strong> – <strong>Sustainable</strong> Façades 04.2024<br />

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Latest Research<br />

Values-Based Governance and Intervention Framework for Mass<br />

Housing Neighbourhoods<br />

Summary of the PhD Dissertation of Anica Dragutinovic published by TU Delft:<br />

Dragutinovic, A. (2023). Mass Housing Neighbourhoods and Urban Commons: Values-based Governance<br />

and Intervention Framework for New Belgrade Blocks. TU Deflt. https://doi.org/10.7480/abe.2023.15<br />

Anica Dragutinovic 1,2<br />

1. Faculty of Architecture and the Built Environment, TU Delft, P.O. Box 5043, 2600GA, Delft, the Netherlands<br />

2. Detmold School of <strong>Design</strong>, TH OWL, Emilienstrße 45, D-32756 Detmold, Germany<br />

from the theoretical and contextual frameworks<br />

and empirical studies, this research develops a<br />

values-based intervention framework for reuse<br />

and governance of the common spaces in the New<br />

Belgrade Blocks, aimed at improving devalued,<br />

conserving and reinforcing the sustained, and<br />

adding new values. Although based on contextspecific<br />

argumentation, selections and decisions,<br />

the developed framework is possibly adaptable<br />

to another set of issues. Its methodology,<br />

and the principles it enhances, such as selforganisation,<br />

participation, multi-scale networks,<br />

stakeholders’ engagement, collaboration, etc.,<br />

contribute to the democratisation of the urban<br />

heritage governance processes.<br />

The doctoral research has established a specific<br />

methodology for studying contemporary issues<br />

of urban heritage, in particular related to mass<br />

housing neighbourhoods. This research has<br />

been conducted by (1) combining critical and<br />

correlational analysis in exploring deterioration<br />

of New Belgrade Blocks and their common<br />

spaces; (2) socio-spatial analysis including<br />

empirical, place-based and participatory<br />

methods in assessing their current condition; and<br />

(3) „design-polemical theory“ (abstract thought,<br />

speculation) in developing an intervention<br />

framework and a set of guidelines for valuesbased<br />

governance and reuse of the common<br />

spaces of New Belgrade Blocks. Throughout<br />

the three main parts, the doctoral research<br />

develops various findings and perspectives,<br />

and provides different levels of knowledge on<br />

approaches for integrated conservation, urban<br />

planning and governance of urban heritage, and<br />

in particular mass housing neighbourhoods. It<br />

shows co-dependence of those fields and offers<br />

an integrative and cross-disciplinary approach.<br />

The results represent a valuable contribution<br />

to architecture, urban planning and especially<br />

heritage studies, in particular for governance<br />

and heritage management of complex sites, as<br />

mass housing neighbourhoods are. Besides the<br />

scientific and academic impact, the research<br />

achieves a societal and cultural impact through<br />

an engaging research approach conducted<br />

with society. It emphasizes the importance of<br />

engagement of local communities, but also<br />

the importance of cross-sectoral and interinstitutional<br />

communication and collaboration<br />

in urban planning, including the civil sector.<br />

Summary<br />

The post-war mass housing neighbourhoods<br />

are one of the most widespread typologies of<br />

the modern architecture and urbanism, and<br />

represent one of the most significant legacies<br />

of the twentieth century. Nevertheless, their<br />

deterioration and devaluation are major<br />

challenges, both in the field of heritage<br />

conservation and management and in urban<br />

planning and design. The mass housing<br />

neighbourhoods encapsulate a greater<br />

complexity of issues compared to single, iconic<br />

buildings, which have been more extensively<br />

addressed in the heritage sector. The reasons for<br />

their deterioration are different and interlinked<br />

with the socio-cultural discourse, as well as the<br />

spatial characteristics of these neighbourhoods,<br />

or how they were planned, built, lived and<br />

governed. This doctoral research addresses the<br />

challenges of those neighbourhoods, focusing<br />

on the New Belgrade Blocks, which are part of<br />

this larger cultural phenomenon, yet strongly<br />

tied into a very specific contextual framework.<br />

New Belgrade is one of the largest modernist<br />

post-war mass housing areas in Europe. As<br />

the legacy of both modernism and socialism,<br />

it represents a symbol of collectiveness and<br />

participatory planning and governance, though<br />

with contradictions in practice. Following the<br />

gradual transformation of the urban landscape of<br />

modernity in parallel with different socio-spatial<br />

factors—such as transformed ownership and<br />

governance relations, suppressed importance<br />

of community, as well as the modernist planning,<br />

or rather performance of the plans, and later<br />

urban practices—this research investigates the<br />

correlation between deterioration and previously<br />

mentioned factors. It identifies common spaces<br />

of the blocks as the most neglected components<br />

of the blocks that are at the same time crucial to<br />

their quality, vitality and preservation of values.<br />

Moreover, the specific Yugoslav housing policy<br />

and collective self-management from the postwar<br />

period, although neglected over the time,<br />

represent a valuable intangible heritage that<br />

can contribute to the contemporary discussions<br />

on commons, linking historical forms of<br />

decentralized governance and contemporary<br />

discourses on urban commons.<br />

After understanding and clarifying the specific<br />

socio-spatial setting, the research explores<br />

and assesses the common spaces of the blocks<br />

through a multi-level socio-spatial analysis<br />

including different participatory methods for<br />

exploration, assessment and eventually codesign<br />

of the strategies for their improvement.<br />

The common spaces are crucial for the actual<br />

implementation or manifestation of the heritage<br />

management shift from the expert-led and<br />

authoritarian procedures towards more inclusive<br />

practices. They enable spatialisation of the right<br />

to the city, allowing for bottom-up initiatives,<br />

reactive actions and proactive practices. The<br />

common spaces have a potential to facilitate<br />

bottom-up governance and direct democracy<br />

in the city, enabling ’defence’ of the common<br />

interest in urban development. Collating findings<br />

Figure. Cover of the PhD Dissertation | Block 23, New Belgrade, 2020. Photograph taken by Ivona<br />

Despotovic for the student workshop “Reuse of Common Spaces of New Belgrade Blocks: Co-designing<br />

the Urban Commons”, Belgrade, September 2020.<br />

10<br />

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3. ARTICLES<br />

Article<br />

A Guide to Biodegradable Materials in Envelope <strong>Design</strong><br />

Summary of the Master Thesis presented for the Master of Integrated <strong>Design</strong> -<br />

Façade <strong>Design</strong> specialization (2023).<br />

Shashi Karmaker 1<br />

Supervisor 1. Prof. Dipl.-Ing. Daniel Arztmann 1,2 ; Supervisor 2. M.Eng. Alvaro Balderrama 1,2,3<br />

1. MID Façade <strong>Design</strong>, Detmold School of Architecture and Interior Architecture, Technische Hochschule Ostwestfalen-Lippe, Emilienstraße 45, 32756 Detmold, Germany<br />

2. Schüco International KG, Karolinenstraße 1-15, 33609 Bielefeld, Germany<br />

3. Architectural Façades and Products Research Group, Department of Architectural Engineering and Technology, Faculty of Architecture and the Built Environment, TU<br />

Delft, Julianalaan, 134, 2628 BL Delft, The Netherlands<br />

Abstract<br />

This research explores the potential of biodegradable materials in building envelopes, with an emphasis<br />

on design principles and performance characteristics. Physical qualities and performance in areas such<br />

as thermal resistance, acoustic properties, and weather resistance will be used to assess the materials. A<br />

database of product lists and design methods for each material will also be established to encourage and<br />

ease their usage in building construction. The main research question is- What design guidelines need to be<br />

considered for biodegradable materials used in building envelopes? Ultimately, this research aims to contribute<br />

to the advancement of eco-friendly construction and encourage the use of biodegradable materials in building<br />

envelopes<br />

1. Introduction<br />

In recent years, there has been increasing pressure<br />

on the construction sector to embrace sustainable<br />

practices and lessen their environmental effect.<br />

The use of biodegradable materials in building<br />

envelopes is one area of attention since it may<br />

assist in decreasing waste and enhance the overall<br />

sustainability of the building. Biodegradable<br />

materials decay naturally without affecting the<br />

environment, and they have various advantages<br />

over standard building materials like concrete, steel,<br />

and plastic.<br />

Some criteria for a material to be biodegradable<br />

include Chemical Composition, Decomposition time,<br />

Environmental Impact, Diversity of degradation, and<br />

Disposal method. According to the research of Eleni<br />

Sgouropoulou [1], there are seven categories of<br />

biodegradable materials, among them five categories<br />

of materials that have already been utilized as<br />

building materials and can be sourced from natural<br />

resources like earth, plants, animals‘ hair, and trees.<br />

The other two categories include materials that are<br />

either in the process of development or derived from<br />

emerging technologies that hold potential for the<br />

future use. The selection of materials for this research<br />

was influenced by the potential of the materials that<br />

may be employed as cladding or as construction<br />

components of the wall. Some products made from<br />

these materials may also fit infill areas which has also<br />

been discussed while creating the design manual.<br />

The chosen materials are Unfired earth products,<br />

Rammed-earth products, Straw products, Hemplime<br />

products, and Cork products. These materials<br />

can be split into three groups: (1) Earthen products<br />

- products derived from the earth (soil), (2) Plants<br />

fibrous products - products made from fibrous<br />

plants, and (3) By-or recycled derived products -<br />

products derived from recycled materials.<br />

2. Unfired Earth products<br />

Around 30% of the world’s population lives in earthmade<br />

construction [2]. There is very wide use of<br />

such products in New Mexico and Arizona (America),<br />

Africa, and Asia [3]. However, their use is also<br />

beginning to spread once again in Europe.<br />

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Figure 1. Criteria of a biodegradable material<br />

Production technique<br />

Raw earth, straw, and water are combined to form<br />

the adobe bricks that make up the structure of the<br />

adobe home. These bricks are then dried in the<br />

sun after being pressed into molds. The Adobe<br />

construction style is ideal for owner-builders since<br />

no expensive tools or equipment are required, and<br />

the skills needed can be quickly gained at a training<br />

session and through hands-on experiences.<br />

<strong>Design</strong> guidelines<br />

• Orientation and room arrangement: To make<br />

use of the thermal mass of earth walls, adequate<br />

direct sunshine should be allowed to penetrate<br />

an earth structure, especially in winter.<br />

Compressed earth bricks may or may not be<br />

stabilized. However, they are usually stabilized by<br />

cement or lime. As a result, they are now known as<br />

Compressed Stabilized Earth Blocks (CSEB)<br />

Equipment<br />

Today, there are manual presses that are light or<br />

heavy, as well as motorized presses that provide<br />

compression energy via an engine. There are also<br />

mobile machines that combine a crusher and a<br />

mixer in the same equipment. The Impact 2001A<br />

CEB machine from the business AECT Earth block<br />

is seen in Figure 8. This automated machine makes<br />

300 CEBs every hour.<br />

Figure 3. Biodegradable material<br />

• Large eaves are required to protect from<br />

weather damage.<br />

Figure 2. List and category of<br />

discussed materials<br />

• In cold climates, at least the south walls are<br />

insulated. Wool insulation with cladding might<br />

be an excellent alternative since wool is a natural<br />

insulation material with low embodied energy<br />

and hygroscopic properties like earth [8].<br />

Strength:<br />

• In earthquake-prone areas, the structural<br />

design may necessitate vertical and horizontal<br />

reinforcing of earth walls.<br />

• The drying of Unfired earth products requires<br />

less energy input in comparison to fired earth<br />

brick [4].<br />

• Extremely low embodied energy (0.011-0.051<br />

MJ/kg)<br />

• Fire resistance is high (Euroclass fire testing rate<br />

A1-B2)<br />

• Products mixed with straw and other fibrous<br />

materials, usually have lots of thermal mass.<br />

• A CEB wall of 150mm thickness can be resistant<br />

to airborne sound [5].<br />

• Capable to construct self-supporting walls if<br />

their compressive strength is more than 2 MPa.<br />

Weakness:<br />

• Should not be exposed to water for a long<br />

period.<br />

• CEBs may need extra exterior wall insulation for<br />

U-value, despite their high thermal mass in cold<br />

climates [6].<br />

• Stabilizers can affect the final product’s<br />

biodegradability and recyclability, but they are<br />

needed for water resistance and compressive<br />

strength.<br />

• It is advisable to avoid using Adobe Brick for<br />

constructing houses with more than one story [7].<br />

Available products of Unfired Earth are Adobe, CEB,<br />

and 3D-printed walls.<br />

2.1 Adobe bricks<br />

Figure 4. Unfired earth (CEB)<br />

Adobe brick building is an ancient technique<br />

common in the Americas and the Middle East.<br />

In nations with high demand, adobe bricks<br />

are manufactured mechanically at industrial<br />

brickyards, or they can be made on-site by<br />

renting a brick-making machine. According to the<br />

manufacturers, the usual size of an adobe brick<br />

can be 40*20*10 cm<br />

Soil selection<br />

The soil must include between 15% and 30% clay<br />

to provide a suitable binding to the dough. When<br />

using soil with more than 30% clay, adobe brick<br />

will shrink (during sun-drying) and crack, whereas<br />

soil with less than 15% clay will disintegrate.<br />

Furthermore, it is advised that the soil be used<br />

from a depth of 50 cm, eliminating the presence of<br />

organic components such as rotting leaves, plant,<br />

and animal remnants, or roots that may interfere<br />

with the quality of the brick.<br />

• Earth constructions require stable sites. The<br />

site should not flood and, preferably, should not<br />

be exposed to strong rains.<br />

2.2 Compressed Earth Block (CEB)<br />

CEBs began in 19th-century Europe with handmade<br />

blocks. The fi rst steel press in Colombia<br />

improved upon adobe by creating denser, stronger,<br />

and more water-resistant bricks. This technique<br />

has since spread to Africa, South America, India,<br />

and South Asia with the development of advanced<br />

machinery and soil expertise.<br />

Soil selection<br />

Not every soil is ideal for earth construction,<br />

particularly CEB. Topsoil and organic soils are not<br />

permitted. The soil condition and project needs<br />

will influence the choice of a stabilizer. Cement<br />

will be preferred for sandy soils and achieving a<br />

higher strength rapidly. Lime will be utilized for<br />

particularly clayey soil; however, it will take longer<br />

to solidify and provide sturdy blocks.<br />

Production technique<br />

The raw or stabilized soil for a compressed<br />

earth block is slightly moistened before being<br />

poured into a steel press and compacted with<br />

either a manual or automated press. CEB may<br />

be compacted into a variety of forms and sizes.<br />

Figure 5. Typical reinforced adobe wall construction<br />

Figure 6. Adobe Bricks<br />

Figure 7. CEB<br />

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<strong>Design</strong> guidelines<br />

CEB structures require a base that is at least 45 cm<br />

broad and 60 cm deep. Reinforced concrete, rubble<br />

masonry, or stone masonry should be used for the<br />

foundation.<br />

For CEB structures, the required wall thickness is<br />

300 mm for load-bearing walls and 200 mm for nonload-bearing<br />

walls.<br />

CEBs should be set in a stretcher bond with a mortar<br />

joint of 10 mm.<br />

When constructing a double-layer wall, the CEB layer<br />

must be put on the interior side when the room<br />

is primarily inhabited during the day and on the<br />

outside side when the room is primarily occupied at<br />

night [9].<br />

CEB walls, unlike adobe, have great compressive<br />

strength and can withstand seismic stresses,<br />

making them appropriate for usage in earthquakeprone<br />

locations.<br />

2.3 3D-Printed clay wall<br />

3D printed earth walls are a newer building method<br />

that employs 3D printing processes to construct<br />

earth walls. The technique of 3D printing earth<br />

walls requires the use of a specialized printer that<br />

creates blocks out of a mixture of earth and water,<br />

which are then piled and cemented together to form<br />

a wall. The printer can generate blocks of various<br />

sizes and shapes and an entire wall. One benefit<br />

Figure 9.: CEB wall section<br />

Figure 10. Variety of CEB blocks<br />

the composition of the earth mixture adapts to<br />

local climatic circumstances, and the envelope<br />

filling is parametrically tuned to balance<br />

thermal mass, insulation, and ventilation based<br />

on climate demands.<br />

While 3D printing has given the possibility to<br />

create complex geometries, the intelligence<br />

of the design comes from the optimization<br />

strategies, and the creation of performative<br />

shapes becoming easier to achieve for<br />

example, the TerraPerforma project by IAAC.<br />

However, there are certain obstacles involved<br />

with 3D-printed earth walls, such as ensuring<br />

that the earth mixture used in the printing<br />

process is of uniform quality and addressing<br />

any moisture management and waterproofing<br />

issues. Furthermore, the technology is still in its<br />

early stages, and additional study is required to<br />

properly comprehend its long-term durability<br />

and sustainability.<br />

Recycle and reuse<br />

Unfired earth products like adobe, earth walls,<br />

and compressed earth blocks can be sustainably<br />

recycled and reused. They can be crushed into<br />

aggregate for construction projects, used as<br />

soil or soil additives, repurposed as decorative<br />

elements, or rebuilt in a new location. If none of<br />

these options work, they can be used as fill material<br />

in other construction projects. The provider<br />

says that it is feasible to recover about 90% of<br />

the waste material throughout the demolition<br />

process. As a result, the remaining 10% goes to<br />

waste (e.g., small broken components, demolition<br />

dust, etc.) that is left on the construction site.<br />

Since the product is primarily formed of dirt,<br />

returning it to the natural environment has no<br />

substantial impact.<br />

• It absorbs vibrations very well and reduces<br />

airborne sound by 40-50 decibels<br />

Weakness:<br />

• The performance of in-situ rammed-earth<br />

constructions is weather-dependent.<br />

• In cold climates, a wall thickness of more<br />

than 700 mm is required to be able to fulfill<br />

the thermal requirements of the Building<br />

Regulations. But this will increase cost and<br />

reduce usable area.<br />

• It is preferable to construct rammed earth<br />

walls with 200–350 mm thickness and to<br />

provide greater thermal insulation to the wall.<br />

There are two ways that rammed-earth walls may<br />

be built: on-site or as prefabricated heavyweight<br />

façade and wall components produced by specific<br />

construction companies.<br />

Figure 12. TECLA Construction<br />

3. Rammed-earth products<br />

Figure 13. Project TerraPerforma<br />

Figure 11. Types of Bonding Patterns<br />

of 3D-printed earth walls is that they can be<br />

built fast and efficiently because the printing<br />

process is automated and needs little physical<br />

effort. When compared to typical building<br />

processes, this can result in considerable cost<br />

reductions. Another advantage of 3D-printed<br />

earth walls is their strength and longevity.<br />

Rammed earth walls are a sustainable construction<br />

method where a mixture of soil, gravel, sand, and<br />

other materials is compressed into solid blocks<br />

or walls. This ancient technique, recently revived,<br />

involves wetting the soil mixture and compacting<br />

it manually or mechanically with wooden or metal<br />

forms. After compaction, the material cures and<br />

solidifi es before being used for construction.<br />

Rammed earth walls have been historically used<br />

in various climate zones, from the Himalayan<br />

Mountains to the deserts of North Africa.<br />

Figure 8. The Impact 2001A<br />

WASP, an Italian company, is an expert in 3D<br />

printing and green building. Their unique 3D<br />

printing method can be used to construct<br />

massive earth-based structures like dwellings.<br />

The first TECLA (Technology and Clay)<br />

construction was in Italy and was 3D printed<br />

using Crane WASP (the most recent WASP 3D<br />

printer), which used a blend of natural materials<br />

soil, and rice straw to make the walls, roof, and<br />

other structural components. Furthermore,<br />

Strength:<br />

• Because of their high thermal mass, these<br />

buildings require low energy for heating<br />

and cooling [10].<br />

• According to CSIRO testing, Fire resistance is<br />

high, a 250 mm thick rammed earth wall had<br />

a fi re-resistance rating of 4 hours, whereas a<br />

150 mm thick wall had a rating of 3 hours and<br />

41 minutes<br />

Figure 14. : Rammed Earth wall<br />

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3.1 On-site rammed earth wall<br />

On-site rammed earth wall construction<br />

involves building walls directly at the intended<br />

location. The process starts with constructing<br />

formwork, temporary structures that shape<br />

and support the wall. Typically made of wood,<br />

the formwork helps achieve the desired size<br />

and shape. Soil, aggregates, and stabilizers<br />

are then compacted into the formwork using<br />

mechanical or hydraulic rammers until the<br />

desired wall height is reached. Once completed,<br />

the formwork is removed to reveal the finished<br />

rammed earth wall.<br />

This method offers benefits such as reduced<br />

transportation costs as materials are usually<br />

locally sourced and flexibility in wall design.<br />

However, it requires skilled labor and takes<br />

longer to complete. External surface protection,<br />

water resistance, shrinkage, and strength<br />

are addressed by adding stabilizers like lime,<br />

cement, or pozzolan. Stabilizers also allow for<br />

thinner walls, speeding up construction and<br />

requiring less surface preparation.<br />

Building process<br />

‚Rammed earth enterprises‘ outlines<br />

constructing rammed earth walls using steel<br />

formwork wrapped in plyboard for an ‚Off<br />

Form Finish‘. Water is added to an earth/<br />

cement mix for ideal moisture. Hand-shoveled<br />

into formwork in 150mm increments, it‘s<br />

compressed with pneumatic tampers. T-Bar<br />

lintels support earth above openings, while<br />

metal rods create tie-downs for a wooden top<br />

plate. Electrical conduits are integrated for<br />

outlets and switches. After drying overnight,<br />

formwork is removed, and the wall detailed.<br />

<strong>Design</strong> consideration<br />

• Potential soils should be examined before<br />

usage. To establish whether stabilizers are<br />

required, and which ones are best for the kind<br />

of soil, collect samples of compact soil and<br />

contact trustworthy sources.<br />

• The better the formwork, the faster and more<br />

precisely the building will go. Forms must be<br />

able to withstand the strong forces used to<br />

push the dirt within a while. Reusable forms can<br />

help to reduce the cost.<br />

• It is crucial to carefully plan mechanical systems<br />

and wall openings for structures since changing<br />

the walls can be a time-consuming procedure. It<br />

is advised to build conduits within the walls for<br />

running services rather than opening them to<br />

allow for future upgrades or repairs.<br />

• The roof needs to have been sufficiently hung<br />

to allow water to flow to the ground without<br />

damaging the wall.<br />

• An appropriate coating of the wall is also required.<br />

existing structures/framing. Steel clips provided<br />

by the manufacturer secure the panels to the<br />

structural wall, preventing forward movement.<br />

• Hiding seam lines: Color-matched sanded<br />

grout is recommended to create a seamless<br />

appearance between panels and soften the 1/4“<br />

seam lines.<br />

• Stacking panels: The maximum panel height is<br />

5 feet. For stacks taller than 20 feet, a carrier<br />

plate must be integrated into the structure to<br />

support the weight of additional panels.<br />

3.3 Insulated rammed earth panel<br />

SIREWALL, established in 1992, pioneered<br />

the method of integrating an insulative core<br />

into rammed earth walls to enhance thermal<br />

insulation, particularly in regions with extremely<br />

low temperatures. In 2008, they became the first<br />

company globally to consistently produce rammed<br />

earth with high compression strengths suitable<br />

for structural construction. Their innovative wall<br />

system allows for the construction of curved<br />

structures and imposing load-bearing walls up<br />

to 50 feet tall. Previously limited to residential<br />

buildings, SIREWALL‘s technology now enables<br />

tall, load-bearing commercial applications,<br />

exemplified by projects like Telenor’s head office<br />

in Pakistan.<br />

Installation process<br />

400mm to 450mm thickness, with options<br />

for a 50mm, 75mm, or 100mm Styrofoam<br />

core to achieve an R-value of up to 4.3.<br />

• Thickness of insulated rammed earth<br />

panels should consider desired R-value,<br />

structural strength, and wall opening size.<br />

• Minimum thickness and insulation - R<br />

ratings for rammed earth, structural, and<br />

non-structural walls are provided in a<br />

table, serving as baseline requirements<br />

that can be adjusted based on specific<br />

project needs and wall heights.<br />

Recycle and reuse<br />

When structures with rammed earth walls are<br />

demolished, the walls can be broken down and the<br />

soil mixture repurposed for other construction<br />

projects such as roads or new walls. Crushed<br />

walls can serve as soil amendments or fertilizers<br />

in agriculture, while crushed stone can be used<br />

for landscaping or pavement foundations.<br />

The walls themselves can be reused for new<br />

construction, serving as retaining or garden<br />

walls, or incorporated into projects for aesthetic<br />

appeal. Rammed earth panels can be carefully<br />

Figure 15.: On site Rammed Earth wall construction<br />

3.2 Prefabricated rammed earth panel<br />

In 1986, Nicolas Meunier introduced a prefabricated<br />

rammed earth method, refining traditional<br />

techniques to suit modern European economic and<br />

social conditions. This approach offers enhanced<br />

quality control, uniformity, and shorter construction<br />

times for panels. Prefabricated rammed earth panels<br />

can incorporate insulation and waterproofing for<br />

durability and energy efficiency. Additionally, they<br />

can be finished with various materials like paint or<br />

plaster to achieve desired aesthetics.<br />

Prefabricated rammed earth panel guide<br />

Provider Like ‘Rammed Earth Work’ shares insightful<br />

information regarding their panels, which are-<br />

• Panel sizes: Standard panels measure 12’ L x 5’<br />

H and around 3” thick, but custom sizes up to<br />

13’ or smaller are available.<br />

• Panel weight: A standard panel weighs<br />

approximately 2200 lbs., inclusive of the steel<br />

frame mounted on the back.<br />

• Mounting method: Panels are floor-mounted,<br />

featuring a steel frame for attachment to<br />

Secured reusable forms are used as the<br />

foundation of the SIREWALL System, and they are<br />

filled with a moist earth mixture. When the soil<br />

mixture is compacted, it forms sturdy rammed<br />

earth walls that won‘t require any maintenance<br />

for many lifetimes. They have created a unique<br />

additive called SIREWALL Base Admixture<br />

(SBA). It is used all over the wall because of its<br />

hydrophobic qualities and ability to reduce<br />

efflorescence. Most frequently, but not always,<br />

polyiso foam serves as the concealed core of<br />

insulation in the wall‘s middle.<br />

<strong>Design</strong> guideline<br />

Rammed Earth Tasmania, a specialized in rammed<br />

earth wall construction, has compiled design<br />

considerations for building a rammed earth wall.<br />

These include:<br />

• Insulated Rammed Earth walls are<br />

recommended for areas with winter shadowing,<br />

with a suggested thickness of 450mm for harsh<br />

winter conditions.<br />

• North-facing walls exposed to sunlight in<br />

winter can use non-insulated 300mm thick<br />

walls, which absorb heat during the day<br />

and release it at night.<br />

• Insulated earth walls typically range from<br />

Figure 16. Prefabricated Rammed Earth panel<br />

Figure 17. : Insulated Rammed Earth panel<br />

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deconstructed and reused in new structures,<br />

crushed for landscaping or road building, or<br />

pulverized into a binder for manufacturing fresh<br />

stabilized rammed earth panels.<br />

4. Straw products<br />

Straw, a natural raw material harvested from<br />

crops like wheat, rice, and barley, serves various<br />

purposes in agriculture and construction. It is<br />

used for bedding and soil enrichment, while<br />

its fibers reinforce earth buildings like adobe<br />

constructions [11]. In modern buildings, straw<br />

finds applications as load-bearing wall elements,<br />

infill, partition walls, and as a component<br />

in rammed earth and adobe constructions.<br />

Notably, it offers energy efficiency and has a low<br />

environmental impact.<br />

Strength:<br />

• When local straw bales are used to build<br />

walls, straw has a low embodied energy.<br />

Because the heating and compression of<br />

the straw used in prefabricated compressed<br />

straw slabs uses a considerable amount of<br />

energy.<br />

• Straw plastered on both sides could<br />

withstand fire for two hours and fifteen<br />

minutes. In contrast Loose straw is highly<br />

flammable [12].<br />

• Quick, easy, and cheap to build.<br />

Weakness:<br />

Figure 18.: Comparison of compressive strength of different rammed earth wall<br />

• It takes a lot of space to build a straw bale house<br />

since straw walls are usually 450 mm thick [3].<br />

• Should not be exposed to internal/external<br />

sources of water when handling straw<br />

• Recommended to use breathable plaster to<br />

prevent moisture from getting trapped in<br />

the straw.<br />

• Very vulnerable to pest infestations, To prevent<br />

the attraction of insects or rodents, it‘s<br />

important for the straw used in construction to<br />

be dry and free of seeds [13].<br />

Building products of straw include straw bales<br />

bounded with two or three strings, prefabricated<br />

compressed straw products like straw boards,<br />

and blocks, and structural insulating panels (SIP).<br />

4.1 Strawbale<br />

In straw bale wall construction, the size of straw<br />

bales used varies based on building design and<br />

construction style. Typically, three stringers<br />

measure 24′′ wide X 16′′ high X 48′′ long, while two<br />

stringers are around 18′′ wide X 14‘‘ high X 36′′ long.<br />

Two-stringers are preferred for smaller structures<br />

to maximize internal floor area, while three-stringers<br />

are better suited for larger constructions. Three<br />

stringers offer a higher R-value in cold climates<br />

but are heavier (up to 80 lbs.), while two stringers<br />

provide a lower R-value but are lighter (around 45<br />

lbs.), making transportation easier.<br />

There are four types of straw bale construction.<br />

Which are-1. Load-bearing construction type 2. Infill<br />

straw bale construction 3. Prefabricated cassettes<br />

4. Rehabilitation with straw bales<br />

i) Load-bearing construction<br />

In the load-bearing building method using straw<br />

bales, the bales are stacked like large stretcherbonded<br />

bricks and secured with sticks or lashing<br />

straps. This method, often termed „Nebraska style,“<br />

involves crushing the bales from above with weight<br />

or straps. Wall thickness can reach up to 500mm<br />

depending on the number of bales used. Currently,<br />

there are no standardized models for calculating the<br />

structural characteristics of straw bales, and their<br />

usage as load bearers may be limited due to varying<br />

regulations requiring construction estimates for<br />

building permission.<br />

<strong>Design</strong> consideration<br />

• Roof loads must be distributed uniformly across<br />

all walls. Roof loads on the bales should not be<br />

greater than 22kN/m2.<br />

• The wall height-to-wall thickness ratio should<br />

not exceed 6:1. However, if the wall is braced<br />

against buckling using horizontal bracing, the<br />

ratio can be surpassed.<br />

• Windows should have relatively small openings<br />

but be taller than broad.<br />

• The straw wall should begin at least 300mm<br />

above ground level. The plinth must be<br />

protected against moisture from the outside<br />

and rising moisture from the earth with a waterresistant<br />

covering.<br />

• Straw bales must be properly pressed before<br />

being utilized for construction. The bales are<br />

squeezed even further when put in the wooden<br />

wall compartments. Straw density in the built-in<br />

condition must be 100 kg/m3, with a margin of<br />

error of 15 kg/m3.<br />

ii) Infill straw bale construction<br />

Infill straw bale building utilizes a frame structure<br />

filled with straw bales for insulation. Two methods<br />

are used for achieving proper wall compression: 1)<br />

Placing bales in the frame and tightening the wall<br />

plate to compress them, and 2) Inserting bales and<br />

crushing the second-to-last layer to accommodate<br />

the final layer. This approach relies on the primary<br />

structure to support loads, allowing for larger spans<br />

and openings.<br />

iii) Prefabricated cassettes<br />

Prefabricated cassettes or panels, utilizing straw<br />

and wood properties, offer a quick assembly, wellinsulated,<br />

low-energy, and sustainable building<br />

solution. Manufactured off-site, they minimize<br />

material waste and ensure tight dimension tolerances.<br />

These panels can serve structurally, eliminating the<br />

need for lintels and foundation plates, potentially<br />

reducing overall costs. Transported and installed by<br />

manufacturers like ModCell, they come in various<br />

depths and types, including braced panels, lintels,<br />

sills, and inclined gable wall components, adaptable<br />

to different structural requirements. Made of double<br />

hardwood, they can support multiple floors and are<br />

suitable for ceilings, roofs, or facades. <strong>Design</strong>ed to<br />

prevent thermal bridges, breakout access spaces<br />

allow for installation of various components within<br />

the panel, with the option of using other materials<br />

for insulation if needed.<br />

iv) Rehabilitation with straw bales<br />

Straw bales are commonly repurposed for<br />

construction renovations to enhance thermal<br />

insulation. In retrofitting projects, small bales<br />

are placed outside existing walls to improve<br />

insulation. Restorations prioritize healthy<br />

environments devoid of hazardous materials,<br />

utilizing wood frameworks and straw bales coated<br />

in earth mortars and lime for walls. Incorporating<br />

substantial overhangs is essential to shield new<br />

walls from rain damage.<br />

Finishing and Truth window<br />

Straw bale buildings can last 100+ years, but<br />

exposure to water affects durability. Moisture above<br />

20% can lead to straw cellulose breakdown by<br />

fungal enzymes. To prevent rot, create a waterproof,<br />

breathable wall with finishes like lime stucco. Clay<br />

Figure 19. PStrawbale<br />

Figure 20. Infill straw bale construction<br />

Figure 21. Prefabricated cassettes<br />

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its production, providing strong thermal qualities,<br />

while lime binder adds mechanical capabilities,<br />

making it fire, rot, and insect-resistant. Although<br />

it can possess favorable compressive strength,<br />

hempcrete is not suitable for load-bearing<br />

structures but is commonly used as infill in<br />

construction [3].<br />

Strength:<br />

shifted upwards, leaving an overlap to prevent<br />

spillage. Hempcrete walls are framed with 2×4s at<br />

24-inch spacing, with potential wood use reduction<br />

under engineer‘s guidance. Once cured, lime plaster<br />

is applied internally and externally, with fiberglass<br />

mesh reinforcing the exterior. Additional rain<br />

protection may include a face brick splash guard on<br />

a zinc shelf at the bottom, topped with flashing for a<br />

seamless joint with plaster.<br />

Figure 22. Rehabilitation with straw bales<br />

• High rot, and insect resistance<br />

• Hemp-lime buildings may collect roughly<br />

165 kg of CO2 per m3. (manufacturers ‘Lime<br />

Technology Ltd and Technichanvre)<br />

• There are no solid wastes generated during<br />

construction.<br />

• Structural element, good thermal and<br />

acoustic insulation, can be cast into any<br />

shape.<br />

5.3 Prefab hempcrete panel<br />

Using prefabricated hemp panels for construction<br />

offers a more efficient and faster alternative to<br />

traditional on-site builds, reducing construction<br />

time and eliminating the 45-day curing period<br />

required for cast hempcrete buildings. These<br />

panels, filled with hempcrete mixture, utilize 3-ft by<br />

Weakness:<br />

plaster is ideal for interior finishes, regulating indoor<br />

moisture. Builders often include a „Truth Window“ to<br />

showcase straw bale construction, revealing a piece<br />

of straw within the wall.<br />

Recycle and Reuse<br />

Straw bale walls and panels offer environmentally<br />

friendly building materials that can be recycled<br />

and reused in various ways. Recycling begins<br />

with careful deconstruction, separating<br />

straw from extraneous components like<br />

plaster or wood framework. The straw can be<br />

repurposed for animal bedding, mulch, or soil<br />

amendment, while the plaster and wood can<br />

also be recycled. If in good condition, straw<br />

bales may be reused for earth-building like<br />

Adobe construction.<br />

5. Hemp-lime products<br />

Figure 23. Truth window<br />

Hemp-lime, also known as „hempcrete,“ is a<br />

bio-composite material made from lime-based<br />

binders and hemp shiv. It offers strength, thermal<br />

efficiency, and versatility, suitable for monolithic<br />

walls or insulating bricks and blocks. Originating<br />

in France, about 15% of hemp shives are used in<br />

• The material must be well sheltered from<br />

frost and severe rain during construction,<br />

and the outside temperature must not drop<br />

below 5°C.<br />

• Protective clothing, gloves, and other gear<br />

are necessary when handling hemp-lime due<br />

to its skin and eye irritant properties, as well<br />

as the potential to cause burns when damp.<br />

• To maintain proper plaster coating and wall<br />

finishes, maintenance is frequently required.<br />

Hemp-lime products come in blocks, precast<br />

elements, and in situ cast forms. In-situ<br />

application involves molding or spraying it<br />

around the building‘s structural frame. Blocks<br />

are available in structural and thermal varieties,<br />

while precast panels are filled with hemp-lime<br />

and hung on steel, timber, or concrete frames,<br />

providing insulation and an airtight enclosure for<br />

buildings.<br />

5.1 The hempcrete block<br />

‚Isohemp‘ provides hemp blocks, a non-loadbearing<br />

glued masonry product suitable for<br />

various construction purposes such as residential<br />

houses, wall doubling, industrial partitioning, and<br />

apartments. They offer two types: solid blocks and<br />

machined blocks. Solid hemp blocks are 60cm by<br />

Figure 24. Hempcrete blocks<br />

30cm, and available in thicknesses from 6 to 36cm.<br />

Machined blocks include holed and U-shaped<br />

blocks with thicknesses of 30 and 36cm.<br />

Hempro System<br />

The Hempro System by ‚Isohemp‘ utilizes two types<br />

of 30cm thick hemp blocks: solid and machined.<br />

Machined blocks serve as insulating lost formwork<br />

within the building envelope for pouring reinforced<br />

concrete structural frames. Holed blocks form<br />

column formwork, while U-blocks facilitate beam<br />

pouring to support floors and roofs. Additional<br />

hemp block layers of varying thicknesses can be<br />

added for enhanced thermal performance.<br />

5.2 The hempcrete formwork<br />

On-site hempcrete walls are constructed by<br />

blending hemp hurd (the woody core of the hemp<br />

plant), a binder (such as lime or cement), and water.<br />

This mixture produces a durable and lightweight<br />

material suitable for both load-bearing and nonload-bearing<br />

walls in construction.<br />

Construction Process<br />

Figure 25. : Hempro system<br />

‘Hempstone,‘ a professional hempcrete installer,<br />

outlined the construction process for Hempcrete<br />

Formwork. To prevent moisture absorption from the<br />

ground, plastic membrane strips are placed directly<br />

on the slab with spray foam insulation sealing any<br />

cracks. Small PVC conduits on 2” x 4” studs create<br />

an interior barrier, acting as spacers for plywood<br />

formwork. T1-11 siding serves as the outer barrier,<br />

secured with 5-inch<br />

screws into studs, forming a 6.5-inch cavity for<br />

hempcrete. After filling the mold with<br />

hempcrete mix, the formwork is unscrewed and<br />

Figure 26. Hempcrete formwork<br />

Figure 27. Prefab hempcrete panel<br />

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8-ft wood frames and come in thicknesses of 9 and<br />

12 inches. After curing for 30 days, they are shipped<br />

to the building site and can be easily installed,<br />

offering various finishing options. <strong>Design</strong>ed by<br />

‚Dunagro Prefab Hemp Construction,‘ these panels<br />

can adapt to any desired home design, suitable for<br />

low-rise and high-rise structures, from tiny huts to<br />

major commercial complexes. While suitable for up<br />

to six-story buildings, design experts should assess<br />

hempcrete‘s suitability for larger projects covered<br />

by relevant code provisions.<br />

Finishing<br />

To achieve resilient hemp-lime walls, it is imperative<br />

to select low-permeability finishes and utilize a<br />

two-coat plaster system such as BioLime over<br />

hemp-based substrates. Additionally, treating wood<br />

surfaces to prevent cracking during plastering is<br />

essential. Moreover, plaster should only be applied<br />

in temperatures above 5°C and below 32°C. Lastly,<br />

it is crucial to use exclusively breathable external<br />

paints to ensure durability and longevity.<br />

Recycle and Reuse<br />

Hempcrete‘s ecological soundness spans its entire<br />

life cycle, starting from its creation using natural<br />

waste products to its eventual reuse or recycling in<br />

case of demolition. At the Tuorla Agricultural School,<br />

hemp structures were crushed and found to be<br />

degradable, improving soil structure and allowing<br />

for hemp cultivation to resume. According to Mike<br />

Lawrence of the University of Bath, UK, at the end<br />

of a building‘s life, hemp lime can be repurposed<br />

as mulch, preventing weed growth, conserving<br />

water, and promoting plant growth. Over time, it<br />

decomposes into plant fertilizer.<br />

6. Cork products<br />

Cork, sourced from the spongy bark of Cork Oaks,<br />

is a renewable material harvested every 9 to 11<br />

years. The trees are left undisturbed for 25 years<br />

before harvesting. During hot summers, the cork<br />

dries out and cracks, facilitating manual removal<br />

of the bark. Cork for building products is sourced<br />

sustainably or repurposed from wine bottlestoppers.<br />

Recent studies indicate that debarked<br />

cork oaks store three to fi ve times more CO2 than<br />

those left unharvested [14].<br />

Strength:<br />

• Very light material, weights only 0.16gm/cm3<br />

[15].<br />

• Cork contains a natural substance called<br />

Suberin, which is a mixture of organic acids that<br />

coats the walls and prevents water and gases<br />

from passing through.<br />

• The material is fire retardant and does not emit<br />

any toxic gases during a fire.<br />

• Has very good sound insulation quality [14].<br />

• Naturally unaffected by mice or termites and<br />

maintenance-free [15].<br />

Weakness:<br />

• Its products have an intense smell during the<br />

first few months of use.<br />

• Cork is expensive and can only be harvested in<br />

a limited amount each time.<br />

Available products from cork are Cork tile and Cork<br />

board.<br />

6.1 Cork tile<br />

Wall-cladding cork tiles are crafted by bonding thin<br />

layers of cork to a backing material or adhesive,<br />

retaining cork‘s natural texture, warmth, and<br />

sound-absorbing qualities. These tiles offer ease of<br />

installation and come in diverse sizes, shapes, and<br />

patterns for creative design options. They can be<br />

affixed to prepared walls using screws, adhesive,<br />

or peel-and-stick backing. Installation may require<br />

cutting tiles to fit precise dimensions and arranging<br />

them for aesthetic appeal.<br />

Cladding Process<br />

Cork has garnered global attention as a versatile<br />

cladding material due to its high insulation values<br />

and exceptional acoustic performance, making it<br />

favored by designers worldwide.<br />

Before installation, it is imperative to ensure the<br />

surface is clean and sturdy, free from any dust,<br />

grease, or other substances that could compromise<br />

adhesion. Precise measurements and markings<br />

are essential to accurately position the first tile.<br />

Adhesive application, whether using a water-based<br />

or latex-based primer for absorbent surfaces,<br />

should adhere strictly to manufacturer instructions,<br />

ensuring optimal settings and drying times. Liquid<br />

adhesive is then evenly applied to both the wall and<br />

the back of the cork tile, utilizing a new, high-quality<br />

microfiber roller with a short pile. The initial tile is<br />

carefully placed as marked, with subsequent tiles<br />

following suit, ensuring close alignment of edges for<br />

a seamless finish.<br />

For MD Façade Cork Board, a glue fixation method is<br />

recommended to maximize energy efficiency, owing to<br />

its low thermal conductivity of 0.043 W/m.K, contributing<br />

to both environmental and economic savings.<br />

Additionally, mechanical fixation of MD Façade<br />

boards can be achieved through hidden mechanical<br />

fastening directly to metal or other supports using a<br />

shiplap system.<br />

<strong>Design</strong> consideration<br />

• Selection of high-quality cork tailored for<br />

outdoor use is pivotal for durability and weather<br />

resistance.<br />

• Regular maintenance routines, including<br />

cleaning and resealing, are vital to uphold the<br />

facade‘s appearance and structural integrity.<br />

• Cork‘s warmth, diverse finishes, colors, and<br />

textures offer versatility for captivating facade<br />

designs.<br />

• Whether as the primary cladding material<br />

or in combination with other architectural<br />

elements, cork allows for visually striking exterior<br />

expressions.<br />

• Prioritizing sustainably sourced cork and ecofriendly<br />

manufacturing practices aligns with<br />

environmental responsibility and ensures longterm<br />

viability.<br />

• Adherence to prescribed installation procedures,<br />

with expert guidance as needed, is crucial for<br />

establishing enduring and reliable cork facades.<br />

• Attention to detail during installation, particularly<br />

in joints, connections, and sealing, is imperative for<br />

structural integrity and effective water resistance.<br />

Recycle and Reuse<br />

Figure 28 : Cork facade<br />

Figure 29. Cork tile<br />

Figure 30. Glued fixation of MD corkboard<br />

Companies like ReCork and Cork Forest Conservation<br />

Alliance specialize in recycling corks to create new<br />

products. However, due to the high cost, recycling<br />

small quantities of cork may not be practical. ReCork<br />

offers a solution for disposing of large quantities by<br />

shredding and repurposing cork as filler in other<br />

materials. Cork tiles or boards in good condition can<br />

be salvaged and reused for interior wall cladding<br />

or creative projects like furniture or artwork.<br />

Improperly dismantled cork can biodegrade in<br />

landfills over time, as it is a natural material.<br />

7. Comparative analysis of the biodegradable<br />

materials<br />

The selected 5 biodegradable materials which<br />

were described already are now compared with<br />

each other with charts, tables, and graphs. The<br />

comparisons will be made based on parameters<br />

like density, thermal conductivity, mechanical<br />

and acoustic properties, embodied energy, and<br />

CO2 emission which have been collected from<br />

different manufacturer’s websites, research<br />

papers, and design manuals. These results will<br />

finally help users to understand the difference<br />

Figure 31. Mechanical fixation of MD corkboard<br />

and identify suitable material for a project.<br />

Thermal conductivity measures a material‘s<br />

heat conductivity, with lower values indicating<br />

better insulation. Fig 33 displays two categories<br />

of materials, with straw and cork showing<br />

the lowest thermal conductivity. Earthen<br />

products vary widely due to density and<br />

composition, ranging from 0.5-1.5 W/m*K (Fig<br />

32). Generally, higher density correlates with<br />

higher conductivity, implying denser materials<br />

are poorer insulators.<br />

Heat capacity, or thermal capacity, measures<br />

the amount of heat energy needed to change<br />

an object‘s temperature. Specific heat capacity<br />

(J/kg K) is heating capacity per unit mass.<br />

Fig 34 shows cork, straw, and hemp-lime<br />

products with the highest heat capacity, while<br />

earth-based products have the lowest. These<br />

materials‘ significant mass contributes to their<br />

thermal mass, allowing them to accumulate,<br />

store, and re-emit heat, influencing indoor<br />

temperatures.<br />

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Figure 32. Density<br />

Figure 36. Summary of comparative analysis<br />

Figure 33. Thermal Conductivity<br />

Figure 34. Heat Capacity<br />

Figure 35. Compressive strength<br />

Figure 35. Sound reduction (dB)<br />

The U-value, expressed in W/m²K, represents<br />

the overall heat transfer coefficient of a building<br />

element or product. It‘s calculated using the<br />

equation U-value = thermal conductivity (λ) /<br />

thickness (d). This value indicates the rate at which<br />

heat is transferred through one square meter<br />

of the structure, divided by the temperature<br />

difference across the structure.<br />

Compressive strength is the strength of a<br />

material loaded in compression. For load-bearing<br />

structures (1-2 stories) a compressive strength<br />

of 0.1-0.2MPa is sufficient, but for safety reasons<br />

and after the safety factors are applied, the<br />

compressive strength should be ca. 2-2.5 MPa [2].<br />

As Fig 35 shows unfi red earthen products,<br />

rammed earth and cork present the highest values<br />

of compressive strength, while hemp lime product<br />

presents a slightly lower value of compressive<br />

strength but still a sufficient compressive strength<br />

of more than 2 MPa. On the other hand, straw<br />

products have very low values, less than 1 MPa<br />

which means they are not suitable as load-bearing<br />

materials.<br />

Fig 36 represents the sound reduction capability<br />

of the materials. From this graph, it is noticed that<br />

Rammed earth and Hemp lime products present<br />

the highest sound reduction. In a project where<br />

acoustic performance has a high priority, these<br />

materials can be a better choice.<br />

Different comparative analyses result that<br />

different materials may belong to multiple<br />

categories depending on their applications<br />

(Fig 37), each offering unique benefi ts and<br />

considerations. While biodegradable materials<br />

require careful design to avoid moisture issues,<br />

cork stands out for its water resistance, alongside<br />

stabilized earthen structures. Conversely, straw<br />

products necessitate robust water protection due<br />

to susceptibility to rot. Despite this, straw remains<br />

cost-effective and widely available, boasting<br />

favorable thermal and mechanical properties,<br />

ideal for eco-friendly construction projects.<br />

8. Conclusion<br />

This study provides valuable insights into the<br />

practical implementation of biodegradable<br />

materials in envelope design, equipping<br />

architects, engineers, and builders with informed<br />

decision-making tools. Biodegradable materials<br />

offer numerous benefits, including renewability,<br />

reduced environmental impact, and compatibility<br />

with circular economy principles,<br />

while also enhancing structural integrity and<br />

indoor environmental quality. „Building for the<br />

Future: A Guide to Biodegradable Materials<br />

in Envelope <strong>Design</strong>“ aims to inspire industry<br />

professionals and researchers to embrace<br />

these materials for a more sustainable future,<br />

leveraging advancing technology to further<br />

enhance their performance and unlock their full<br />

potential in sustainable construction endeavors.<br />

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9. References:<br />

1- Sgouropoulou, E. (2013). Possibilities of applying<br />

biodegradable materials in solid building envelopes<br />

in the Netherlands. MSc thesis. TU Delft, Faculty of<br />

Architecture, page: 43<br />

2- Houben H. and Guillaud H. (1994). Earth<br />

construction; a comprehensive guide. France:<br />

practical action publishing, page: 152-153<br />

3- Halliday S, 2008 Halliday, S. (2008) <strong>Sustainable</strong><br />

Construction. Butterworth-Heinemann, page.148<br />

4- Lyons A., 2010 Lyons, A. (2010) Materials for<br />

architects and builders. (4th edition) Elsevier,<br />

page:17<br />

5- Keefe L., 2005 Keefe, L. (2005) Earth building<br />

methods and materials, repair and conservation.<br />

USA and Canada: Taylor & Francis, page: 96<br />

6- Roaf, S. et al (2013) Ecohouse; a design guide (4th<br />

edition), Routledge: page: 286<br />

7- Paul G. McHenry, Jr. McHenry and Co. Albuquerque,<br />

NM. Appropriate building codes and specifications<br />

for Adobe construction, page: 429<br />

8- Solid Earth Adobe Buildings, https://www.<br />

solidearth.co.nz/earthbuilding-information/earthbuilding-design/<br />

9- Césaire Hema (2020) Impact of the <strong>Design</strong> of Walls<br />

Made of Compressed Earth Blocks on the Thermal<br />

Comfort of Housing in Hot Climate, DOI:10.3390/<br />

buildings 10090157<br />

10- Roaf, S. et al (2013) Ecohouse; a design guide (4th<br />

edition), Routledge: page: 127<br />

11- Elizabeth, L. and Adams, C. (edited) (2005)<br />

Alternative construction; contemporary natural<br />

building methods. Canada: Jon Willey & sons,<br />

page:210<br />

12- Woolley, T. and Kimmins, S. (2000) Green Building<br />

Handbook; volume 2. Great Britain: E and FN Spon,<br />

page: 161<br />

Article<br />

Energy Efficiency of a Timber Frame House in Detmold<br />

Summary of the Master Thesis presented for the Master of Integrated <strong>Design</strong> -<br />

Façade <strong>Design</strong> specialization (2024).<br />

Mina Kherad 1<br />

Supervisor 1. Prof. Dipl.-Ing. Daniel Arztmann 1,2 ; Supervisor 2. M.Eng. Alvaro Balderrama 1,2,3<br />

1. Detmold School of <strong>Design</strong>, TH OWL, Emilienstrße 45, D-32756 Detmold, Germany<br />

2. Schüco International KG, Karolinenstraße 1-15, 33609 Bielefeld, Germany<br />

3. Architectural Façades and Products Research Group, Department of Architectural Engineering and Technology, Faculty of Architecture and the Built Environment, TU<br />

Delft, Julianalaan, 134, 2628 BL Delft, The Netherlands<br />

Abstract<br />

These days, sustainability is one of the most critical topics, including reducing energy loss. In Germany,<br />

most houses were built before 1978, meaning that around 64% of today‘s buildings were constructed<br />

without obligation to meet energy efficiency standards. Therefore, the need for renovation to reduce<br />

energy waste in residential houses increases; moreover, 13% of energy waste in buildings is related to their<br />

facade. Investigating ways to improve the thermal performance of historic buildings in Germany, focusing<br />

on addressing their energy inefficiency issues, many of which stem from their pre-1920 construction. It<br />

begins with a global overview of current building stocks, then zeroes in on the challenges historic German<br />

buildings face, such as high thermal transmittance materials and the lack of strict building standards at the<br />

time of their construction. The research proposes strategies for energy-efficient refurbishments adaptable<br />

to homeowners‘ financial situations and interests while navigating the complexities of current building<br />

regulations to show how these can be integrated into refurbishment plans effectively.<br />

A crucial part of the study involves a detailed case study of a heritage house in NRW, Detmold, using digital<br />

analysis tools like Ubakus to compare original and proposed refurbishment plans. The ultimate goal is to<br />

establish a comprehensive framework for retrofitting heritage houses to meet GEG and KfW guidelines,<br />

contributing to the discourse on energy efficiency and conservation in historic building preservation and<br />

emphasizing the importance of sustainable practices to maintain their cultural and architectural integrity.<br />

Key topics include building envelope, refurbishment, energy efficiency, space heating, U-value, Ubakus,<br />

and internal insulation.<br />

13- Kwok, A., 2011 Kwok A. et al. (2011) The Green<br />

studio Handbook Environmental strategies for<br />

Schematic <strong>Design</strong>. (2nd edition). USA: Elsevier Inc.<br />

page:49<br />

14- Cork factory Van Avermaet, https://www.kurk.<br />

be/nl/kurk/belang-kurk/<br />

15- APCOR- https://www.apcor.pt<br />

1. Introduction<br />

Sustainability has emerged as a crucial concept,<br />

particularly regarding the environmental impact<br />

of human activities and the necessity to balance<br />

economic, social, and ecological concerns to secure a<br />

viable future for coming generations. In construction<br />

and building design, sustainability has added<br />

significance given that urban areas, though occupying<br />

only 3% of the Earth‘s land, account for 60-80% of<br />

energy consumption and 75% of carbon emissions.<br />

The building and construction sector presents critical<br />

opportunities for reducing environmental impacts<br />

and achieving sustainable development goals.<br />

Historical building practices prioritized functionality<br />

and control over internal environments, evolving with<br />

more durable materials like stone, clay, and metals,<br />

which enhanced building longevity and resilience.<br />

Modern energy efficiency in buildings is influenced<br />

by factors such as building stock age, ownership,<br />

and tenant structures, with a significant portion of<br />

today‘s buildings lacking energy efficiency standards<br />

due to their age. Consequently, energy-saving<br />

renovations, particularly in communal assets like the<br />

building envelope, require broad owner agreement,<br />

highlighting the sector‘s role in energy consumption<br />

reduction and performance enhancement through<br />

informed material use and structural analysis.<br />

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1.1. Objectives<br />

The research scope of this project is to find various<br />

insulattions for different structures. This research‘s<br />

main objective is solutions for a specific project‘s<br />

facade renovation that incorporates principles of<br />

circularity and materiality.<br />

The study will aim to answer the following issues:<br />

• Improve Heating performance<br />

• Facade Renovation<br />

• The situation of getting the best support from<br />

the government for House Renovation<br />

The research will involve a literature review of<br />

existing studies, case studies, and best practices<br />

related to Facade Renovation. The study will focus on<br />

a project‘s renovation, insulation, and cost-benefit.<br />

• To assess the impact of internal insulation on<br />

historic buildings‘ thermal performance and<br />

moisture regulation and how it aligns with<br />

contemporary energy efficiency standards.<br />

• To evaluate the balance between preserving<br />

architectural heritage and implementing<br />

modern energy conservation solutions in<br />

renovating historic buildings<br />

• To examine the regulatory compliance of<br />

sustainable refurbishment practices with<br />

GEG and KfW standards in German heritage<br />

buildings.<br />

• To explore the technical challenges and solutions<br />

in integrating vapor barriers with traditional<br />

construction materials to enhance the energy<br />

efficiency of half-timbered constructions<br />

without compromising their historical value.<br />

2. Literature review<br />

2.1. Essential Energy-Efficient Upgrades and<br />

Eco-Friendly Materials<br />

Buildings are a significant source of energy use and<br />

CO2 emissions, with the sector responsible for 14%<br />

of Germany‘s emissions as of 2018. Many of these<br />

emissions come from older residential buildings, with<br />

over half of the country‘s nearly 22 million buildings<br />

constructed before energy-efficient thermal<br />

insulation regulations were introduced in 1977.<br />

These older structures represent a significant energy<br />

conservation and climate protection opportunity<br />

through retrofitting. Currently, most buildings use<br />

heating systems powered by gas and oil, accounting<br />

for about 60% of a building‘s energy consumption,<br />

but there is a growing shift towards renewable<br />

energy systems. Upgrading buildings for better<br />

energy efficiency and adopting renewable heating<br />

solutions are crucial to climate change mitigation.<br />

Additionally, using sustainable building materials,<br />

which require energy for production and recycling,<br />

offers further potential to reduce emissions from the<br />

industrial sector. (Bundesförderung für effiziente<br />

Gebäude - BEG)<br />

2.2. Energy Efficiency and Residential Building<br />

Targets through Façade Renovation<br />

In the face of mounting global concerns over climate<br />

change and the need for resource optimization,<br />

facade renovations stand out as a crucial strategy<br />

for sustainable and energy-efficient building<br />

performance enhancement. These renovations,<br />

significant in the context of Germany‘s commitment<br />

to a 20% reduction in heating requirements by<br />

2020 and an 80% decrease in primary energy use<br />

by 2050, go beyond energy savings and carbon<br />

footprint reduction. They also improve indoor<br />

comfort and contribute to the aesthetic appeal<br />

of buildings. Tailored to the building‘s context and<br />

respecting architectural heritage, such interventions<br />

are aligned with circular economy principles that<br />

prioritize reducing resource use and waste. This<br />

involves implementing durable, maintainable, and<br />

recyclable design strategies. These efforts are<br />

central to Germany‘s vision of achieving nearly<br />

climate-neutral building stock by 2050, primarily<br />

reliant on renewable energies. (Deutsche Energie-<br />

Agentur (dena))<br />

2.3. GEG Regulations<br />

The GEG is a unified German building code that<br />

enhances energy efficiency by consolidating<br />

previous regulations and aligning with EU directives<br />

for nearly zero-energy buildings from 2021. While<br />

it emphasizes thermal efficiency, criticism arises<br />

from its oversight of ecological impact and total<br />

greenhouse gas emissions. The German <strong>Sustainable</strong><br />

Building Council has proposed incorporating<br />

CO2 limits and taxes into the GEG framework. For<br />

refurbishments, GEG requires adherence to specific<br />

U-value standards and encourages evaluations of<br />

energy performance against new buildings, with the<br />

Energy Saving Ordinance mandating upgradesfor<br />

significant refurbishments. (Zusammenfassung zum<br />

Entwruf des Gebäudeenergiegesetzes (GEG)).<br />

2.4. KFW Energy House Denkmal<br />

In Germany, the KfW development bank has initiated<br />

a financial program to improve buildings‘ energy<br />

efficiency, offering subsidies and low-interest loans<br />

for constructing and renovating structures that<br />

exceed the energy efficiency standards set by the<br />

current GEG (Building Energy Act). This program plays<br />

a significant role in the country‘s efforts to enhance<br />

energy efficiency, supporting a third of all renovations<br />

and half of all new construction projects. Specifically<br />

for historic monuments, KfW has established<br />

tailored guidelines within its funding programs to<br />

ensure renovations meet energy efficiency goals<br />

while adhering to preservation criteria. For instance,<br />

a KfW Efficiency House Monument is allowed to<br />

have energy requirements approximately 60%<br />

lower than those of new buildings, with adjusted<br />

criteria to accommodate the preservation of the<br />

building‘s structure. The program provides more<br />

lenient funding requirements for listed buildings,<br />

considering the challenges of meeting energysaving<br />

targets without compromising the building‘s<br />

historical integrity. Key measures include thermal<br />

insulation of external walls and window renewal, with<br />

allowances for alternative approaches like internal<br />

wall insulation to protect the building‘s aesthetic<br />

and structural significance. Eligibility extends to<br />

buildings recognized as architectural monuments,<br />

part of a monument ensemble, or considered<br />

particularly worth preserving by local authorities.<br />

(Baudenkmal KfW Zuschuss)<br />

3. Methodology<br />

Following a clear explanation of how a heritage house<br />

can achieve energy efficiency and adhere to GEG and<br />

KfW building regulations, one heritage house in a<br />

specific district has been selected for a case study in<br />

this project.<br />

This project involves one pre-1946 building at Am<br />

Heidenbachstraße in Detmold, which was initially used<br />

as farm storage before being converted into residences<br />

between 1975 and 1985. Collaborating closely with<br />

the property owner, essential historical and technical<br />

information was collected, allowing for a precise<br />

refurbishment strategy.<br />

Digital analyses were conducted, focusing on wall details,<br />

to identify the best materials for the refurbishment,<br />

aligning with GEG and KfW regulations. The case<br />

study buildings, Fachwerkhaus by type, constructed<br />

before 1920, feature half-timber construction with an<br />

external stone wall layer, c omprising five ground floor<br />

apartments, four on the first floor, and 2 in the attic, all<br />

utilizing natural gas for heating and hot water.<br />

The table compares traditional and non-traditional<br />

construction techniques, focusing on different aspects<br />

of building design, including structural elements, types<br />

Figure 1. Building pictures<br />

of fenestrations, and roofing styles. The timber frame<br />

construction of this building suggests it was erected<br />

before 1920, classifying it as a heritage property.<br />

Internal insulation is required to comply with German<br />

regulations to enhance its energy efficiency<br />

3.1. Project Description<br />

Observation:<br />

• Timber framing<br />

• Stone wall Construction<br />

• There is a newer addition to the house, visible<br />

on the right side, which shows a different<br />

window style and exterior, possibly indicating<br />

a modern extension to the original structure<br />

• The main facade of the house is covered with<br />

stucco, a typical exterior finish that provides a<br />

smooth surface<br />

• The placement and sizes of the windows are<br />

asymmetrical, which could suggest that the<br />

house has been modified over time<br />

• Interior Wall 30 cm<br />

• Outside Wall 25 cm<br />

• Single glazing<br />

• Half-Timbered Wall: This is the most prominent<br />

feature, where the structural timber frame is<br />

exposed, and the spaces between the timbers<br />

are filled with a non-wood material, often<br />

wattle and daub, brick, or plaster<br />

• Sloped Ceiling: The ceiling is sloped,<br />

characteristic of attic or loft spaces in many<br />

residential buildings<br />

3.2.Insulation<br />

Insulating heritage buildings is essential for several<br />

reasons, but it must be approached carefully to<br />

preserve the structure‘s historical integrity.<br />

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Figure 2. Ground floor plan Figure 3. First floor plan Figure 4. Attic plan<br />

Figure 5. Northeast elevation<br />

Figure 6. Northwest elevation<br />

• Heat loss during the heating season 23 kWh/m² and<br />

the amount of non-renewable energy (from sources<br />

like fossil fuels and nuclear energy) is 76 kWh/m².<br />

• Greenhouse gas emissions associated with<br />

producing the materials Limestone contributes are<br />

18 kg, and Profilholz (Fichte/Tanne) contributes -84<br />

kilograms.<br />

• Under certain environmental conditions<br />

(specifically, an inside temperature of 20°C with 50%<br />

humidity and an outside temperature of -5°C with<br />

80% humidity), the wall is expected to accumulate<br />

0.46 kilograms of water (as condensation) per<br />

square meter of its surface. As a result, the wall‘s<br />

performance in terms of moisture protection is<br />

considered inadequate or rated poorly.<br />

Second Alternative:<br />

In the second one we have a cavity in between.<br />

usually, this air gap is between 20-50 or 50-100mm,<br />

and I decided it‘s 50mm because of the thickness<br />

of the wall.<br />

• The overall thermal transmittance of the wall<br />

is given as U=0.28 W/(m²K), which measures<br />

how well the wall can contain heat. standard<br />

(GEG 2020 Bestand) is U=0.24 W/(m²K) and the<br />

current configuration is slightly worse than the<br />

standard and it rated in insufficient range.<br />

4. Renovation Proposal<br />

In this thesis, I mainly focus on Wall insulation.<br />

Adding internal insulation is recommended for<br />

the internal walls with zero insulation to minimize<br />

heat loss and prevent moisture accumulation.<br />

Upgrading to double-glazed doors is proposed<br />

for better thermal insulation, energy cost<br />

reduction, and improved soundproofing.<br />

Single-glazed, wooden frame windows will be<br />

replaced with double-glazed to decrease heat<br />

and thermal transmission and enhance sound<br />

insulation.<br />

After investigating internal insulation, I<br />

chose two materials and compared them.<br />

GutexThermoroom and Calcium Silikat board. I<br />

chose Gutexthermoroom because it was more<br />

accessible to install and has slightly higher thermal<br />

conductivity.<br />

Revised Detail:<br />

First Alternative:<br />

Here, you can see the revised details of the wall<br />

and installation method. In front of the wall,<br />

insulating plaster was used, followed by lime<br />

cement plaster behind Gutexthermoroom and<br />

a thin layer of lime cement plaster and bitumen<br />

coating.<br />

Figure 7. Southwest elevation<br />

Insulation is necessary for heritage buildings<br />

for Energy efficiency, Preservation, Comfort,<br />

Sustainability, Adaptation to Modern Use,<br />

Moisture Control, Noise Reduction, Regulatory<br />

Compliance, Value Preservation, and Responsible<br />

Stewardship. Benefits of Internal Insulation are<br />

Keeping Heritage Aesthetics, Easier Planning<br />

Permission, Individual Room Treatment, Reduced<br />

Thermal Bridging, Protection from External<br />

Elements, Cost efficiency, Acoustical, Reduced Risk<br />

of External Weather Exposure and also drawbacks<br />

are Space Reduction, Complex Installation, Risk<br />

of Moisture Trapping, Thermal Mass Reduction,<br />

Potential for Cold Bridging, Moisture Management<br />

Challenges.<br />

3.3. Details<br />

Drawings are based on typical drawings of this<br />

type of construction because there isn‘t any<br />

documentation of the specific building. I need to<br />

make an assumption about the situation of the<br />

building; therefore, we have two alternatives.<br />

First Alternative:<br />

Figure 8. Southeast elevation<br />

in the first one, we don‘t have any airgap in between<br />

these two constructions.<br />

• The overall thermal transmittance of the wall is<br />

given as U=0.30 W/(m²K), which measures how<br />

well the wall can contain heat. standard (GEG<br />

2020 Bestand) is U=0.24 W/(m²K) and the current<br />

configuration is slightly worse than the standard<br />

and it rated in insufficient range.<br />

• The wall dries in 99 days. And condensate is 458 g/<br />

m² and it rated in insufficient range.<br />

• The temperature amplitude damping of 22 means<br />

that the wall can significantly reduce the changes<br />

in temperature from the outside to the inside and<br />

the phase shift of 12.2 hours means that there is<br />

a delay of about half a day between the hottest or<br />

coldest time outside and when that temperature is<br />

felt on the inside of the wall therefore it rated into<br />

excellent range.<br />

• The wall dries in 100 days. And condensate is<br />

458 g/m² and it rated in insufficient range.<br />

• The temperature amplitude damping of 23<br />

means that the wall can significantly reduce<br />

the changes in temperature from the outside<br />

to the inside and the phase shift of 12.2 hours<br />

means that there is a delay of about half a day<br />

between the hottest or coldest time outside<br />

and when that temperature is felt on the inside<br />

of the wall therefore it rated into excellent<br />

range.<br />

• Heat loss during the heating season 22 kWh/m²<br />

and the amount of non-renewable energy (from<br />

sources like fossil fuels and nuclear energy) is<br />

77 kWh/m²<br />

• Greenhouse gas emissions associated with<br />

producing the materials Limestone contributes<br />

are 18 kg, and Profilholz (Fichte/Tanne)<br />

contributes -84 kilograms.<br />

•<br />

• Under certain environmental conditions<br />

(specifically, an inside temperature of 20°C with<br />

50% humidity and an outside temperature of<br />

-5°C with 80% humidity), the wall is expected<br />

to accumulate 0.46 kilograms of water (as<br />

condensation) per square meter of its surface.<br />

As a result, the wall‘s performance in terms of<br />

moisture protection is considered inadequate<br />

or rated poorly.<br />

Calculations<br />

• The overall thermal transmittance of the wall<br />

is given as U=0.19 W/(m²K), which measures<br />

how well the wall can contain heat. standard<br />

(GEG 2020 Bestand) is U=0.24 W/(m²K) and<br />

the current configuration is better than the<br />

standard and it rated in excellent range.<br />

• The wall dries in 93 days. It‘s also noted that<br />

there is no condensate, meaning the wall is not<br />

expected to accumulate moisture internally.<br />

This section is rated as „excellent,“ showing it<br />

has good moisture management.<br />

• The temperature amplitude damping of 22<br />

means that the wall can significantly reduce<br />

the changes in temperature from the outside<br />

to the inside and in this context, „non-relevant“<br />

suggests that due to the wall‘s high level of<br />

insulation, the phase shift is not a significant<br />

factor in its performance. Essentially, the<br />

insulation is so effective that the time it takes<br />

for the outside temperature to affect the inside<br />

is not a concern, as the temperature fluctuation<br />

is greatly dampened and it is in excellent range.<br />

• Heat loss during the heating season 15 kWh/<br />

m² and the amount of non-renewable energy,<br />

over 145 kWh/m², used in the production of the<br />

material. It includes energy from fossil fuels and<br />

nuclear energy.<br />

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Figure 9. Revised details - First alternative<br />

• A measure of the potential greenhouse gas<br />

emissions associated with the material expressed<br />

as -64 kg CO2 equivalent per square meter.<br />

• The wall is noted to accumulate 0.00 kg/m² of<br />

condensation, which implies excellent moisture<br />

management as no internal condensation is<br />

expected and the temperature of the inside<br />

surface is given as 18.8°C, which leads to a<br />

relative humidity on the surface of 54%. It‘s<br />

stated that mold formation is not expected<br />

under these conditions, indicating a healthy<br />

moisture level within the wall.<br />

Second Alternative:<br />

For second alternative I decided to use cellulose<br />

as an insulation and method is that they push the<br />

cellulose with high pressure inside of the cavity and<br />

also use bitumen coating for internal face of the wall<br />

due to moisturizing reasons.<br />

Calculations<br />

• The overall thermal transmittance of the wall<br />

is given as U=0.22 W/(m²K), which measures<br />

how well the wall can contain heat. standard<br />

(GEG 2020 Bestand) is U=0.24 W/(m²K) and<br />

the current configuration is better than the<br />

standard and it rated in excellent range.<br />

• The wall dries in 93 days. It‘s also noted that<br />

there is no condensate, meaning the wall is not<br />

expected to accumulate moisture internally.<br />

This section is rated as „excellent,“ showing it<br />

has good moisture management.<br />

• A damping of 35 means that the wall can<br />

significantly smooth out the highs and lows of<br />

the external temperature. So, if the temperature<br />

outside fluctuates greatly, inside the building,<br />

those fluctuations will be much less noticeable,<br />

helping to keep the indoor environment more<br />

stable and in this context, „non-relevant“<br />

suggests that due to the wall‘s high level of<br />

insulation, the phase shift is not a significant<br />

factor in its performance. Essentially, the<br />

insulation is so effective that the time it takes<br />

for the outside temperature to affect the inside<br />

is not a concern, as the temperature fluctuation<br />

is greatly dampened and it is in excellent rang<br />

and a phase shift of 13.2 hours means that if<br />

the temperature outside peaks at noon, that<br />

extreme temperature won‘t be felt on the inside<br />

until approximately 13.2 hours later.<br />

• Heat loss during the heating season 17 kWh/m²<br />

and the amount of non-renewable energy, over 117<br />

kWh/m², used in the production of the material. It<br />

includes energy from fossil fuels and nuclear energy.<br />

• A measure of the potential greenhouse gas<br />

emissions associated with the material expressed<br />

as -67 kg CO2 equivalent per square meter.<br />

• The wall does not accumulate condensate, and<br />

it also provides the drying reserve capacity and<br />

the minimum required protection, concluding<br />

that the moisture protection of this component<br />

is rated poorly and The absence of condensate<br />

across the materials suggests good moisture<br />

management within the wall structure the<br />

temperature of the inside surface of the wall and<br />

the relative humidity, which indicates that mold<br />

is not expected to form under these conditions.<br />

5. Conclusion<br />

In conclusion, this thesis has shown that wood fiber<br />

insulation enhances historic buildings‘ thermal<br />

performance and energy efficiency, notably in<br />

half-timber constructions. Its application not only<br />

maintains the structural integrity of these buildings<br />

but also significantly reduces U-values, underscoring<br />

its high efficiency. Furthermore, incorporating a<br />

vapor barrier with wood fiber insulation plays a<br />

pivotal role in controlling moisture transfer from<br />

the inside to the outside. This combination balances<br />

moisture control and insulation needs, ensuring the<br />

building‘s persistence and structural health. The<br />

total internal insulation thickness system ranges<br />

from 95 to 155 millimeters, accommodating various<br />

U-Value requirements. The insulation‘s U-value<br />

improves progressively with increased thickness,<br />

transitioning from 0.24 at 20 mm to 0.16 at 100<br />

mm. A 60 mm thickness was selected for its optimal<br />

balance of thermal performance, making a U-value<br />

that aligns with the standards set forth by the GEG<br />

and KfW and represents a common choice for<br />

diverse structural types. Additionally, the findings<br />

of this research confirm that this insulation method,<br />

including the vapor barrier, complies with current<br />

GEG and KFW regulations, reinforcing its applicability<br />

and relevance in contemporary sustainable building<br />

practice. This marks a significant contribution<br />

to sustainable renovation and conservation of<br />

historical architecture, offering a balanced approach<br />

to modern insulation techniques while respecting<br />

the heritage value of historic structures.<br />

7. References<br />

1. Federal Ministry for Economic Affairs and Energy<br />

(BMWi). (2018). Energy solutions made in Germany.<br />

Berlin, Germany.<br />

2. Federal Ministry for Economic Affairs and Energy<br />

(BMWi). (2020). Energy efficiency strategy for buildings.<br />

Berlin, Germany.<br />

3. Federal Republic of Germany. (2010). National heritage<br />

policy of Germany. Munich, Germany.<br />

4.Federal Ministry for Economic Affairs and Energy<br />

(BMWi). (2018). Climate action plan 2050. Berlin,<br />

Germany.<br />

5. Stefan Hulsbosch, Edwin J. van Dijk, Elisa C. Boelman,<br />

34<br />

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Christoph M. Ravesloot. Flexible buildings and cellulose<br />

insulation. TU Delft, Netherland. https://www.irbnet.de/<br />

daten/iconda/CIB4701.pdf<br />

6. M. Jarosz. High Performance and Optimum <strong>Design</strong> of<br />

Structures and Materials. Insulating timber-framed walls<br />

of historical buildings using modern technologies and<br />

materials. https://www.witpress.com/Secure/elibrary/<br />

papers/HPSM14/HPSM14045FU1.pdf<br />

7. K Hutkai, D Katunský, M Zozulák. Internal insulation<br />

systems and their assessment for historic buildings by<br />

hygrothermal simulation. Slovakia. 2022.<br />

8. Hartwell, R., Macmillan, S., & Overend, M. (2021).<br />

Circular economy of façades: Real-world challenges and<br />

opportunities. Resources, Conservation & Recycling.<br />

Retrieved from https://www.sciencedirect.com/journal/<br />

resources-conservation-and-recycling<br />

9. Salavessa, E., Jalali, S., Sousa, L. M. O., Fernandes, L., &<br />

Duarte, A. M. (2013). Historical plasterwork techniques<br />

inspire new formulations. Construction and Building<br />

Materials, 858-867.<br />

10. Eßmann, F. (2022). Peculiarities of installing<br />

internal insulation in half-timbered walls; Detailed<br />

solutions; Some examples. [Journal Name Needed],<br />

2(4), 219-246.<br />

11. Latif, E., Ciupala, M. A., Tucker, S., Wijeyesekera, D. C.,<br />

& Newport, D. J. (2015). Hygrothermal performance of<br />

wood-hemp insulation in timber frame wall panels with<br />

and without a vapour barrier. Building and Environment,<br />

122-134. https://www.sciencedirect.com/science/<br />

article/abs/pii/S0360132315001912?via%3Dihub<br />

concise_2018_building_report.pdf<br />

20. Deutsche Energie-Agentur GmbH (DENA). (2018).<br />

Dena study integrated energy transition. Retrieved from<br />

https://www.dena.de/en/themen-projekte/projekte/<br />

projektarchiv/dena-study-integrated-energy-transition<br />

21. Robust Internal Thermal Insulation of Historic<br />

Buildings (RIBuild). (2019). Report on historical building<br />

types and combinations of structural solutions.<br />

22. Konstantinou, T. (2014). Façade refurbishment<br />

toolbox: Supporting the design of residential energy<br />

upgrades (b/W version). [A+BE | Architecture and the<br />

Built Environment].<br />

23. Das Baudenkmal. (n.d.). Zuschuss für Ihre Sanierung.<br />

Retrieved from https://www.das-baudenkmal.de/<br />

wissenswertes/foerderung/kfw<br />

24. Bundesförderung für effiziente Gebäude -<br />

BEG. (2022, September 22). Building and housing.<br />

Retrieved from https://www.bundesregierung.de/<br />

breg-en/issues/climate-action/building-and-housing-<br />

1795860#:~:text=Around%2014%20percent%20of%20<br />

all,saving%20thermal%20insulation%20in%20buildings.<br />

25. Federal Minister of Justice. (n.d.). Baugesetzbuch.<br />

(November 27, 2017). https://www.gesetze-im-internet.<br />

de/bbaug/BauGB.pdf<br />

26. Federal Minister of Justice. (n.d.). Gesetz zur<br />

Einsparung von Energie und zur Nutzung erneuerbarer<br />

Energien zur Wärme- und Kälteerzeugung in Gebäuden<br />

(Gebäudeenergiegesetz - GEG). (August 28, 2023).<br />

https://www.gesetze-im-internet.de/bbaug/BauGB.pdf<br />

Article<br />

Preliminary Observation for the Structural Performance of Timber Façade<br />

Mullion and Transom Connection with Large Glass Dead Load<br />

Hiruy Gebremariam Tekeste 1<br />

1. Detmold School of <strong>Design</strong>, TH OWL, Emilienstrße 45, D-32756 Detmold, Germany<br />

Abstract<br />

Contemporary architectural trends increasingly feature timber curtain walls for their sustainability and<br />

aesthetic appeal. This observational report highlights potential structural issues of timber-frame facades.<br />

Despite no apparent performance issues, concerns arise regarding the outward rotation of the bottom<br />

transom, possibly due to eccentric glass loading or connector inadequacy. Visual observations reveal clear<br />

indications of transom rotation, alongside isolated instances of timber rot. Hypotheses suggest connector<br />

failure or excessive mullion rotation as potential causes, but further analysis is recommended. This paper<br />

highlights the importance of addressing structural concerns in timber curtain walls for ensuring long-term<br />

facade integrity and performance. Future work involves collaborative efforts to conduct detailed analyses. A<br />

structural model is under development to continue the research.<br />

12. Lenz, W. (2005). Fachwerkhäuser. Fraunhofer IRB<br />

Verlag.<br />

13. Hauser, G., & Stiegel, H. (1992). Wärmebrücken Atlas<br />

für den Holzbau. Bauverlag.<br />

14. Hähnel, E. (2007). Fachwerk Instandsetzung.<br />

Fraunhofer IRB Verlag.<br />

15. Weiss, W. (2019). Fachwerk Bautraditionen in<br />

Mitteleuropa. Fraunhofer IRB Verlag.<br />

16. Stelzer, C. (2005). Beispielhafte umweltgerechte<br />

Sanierung der historischen des Detmolder<br />

Sommertheaters. Fraunhofer IRB Verlag.<br />

17. Institut für Bauforschung e.V. (2008). Atlas Bauen im<br />

Bestand. Rudolf Müller.<br />

18. Buildings Performance Institute Europe (BPIE).<br />

(2015). Renovating Germany’s building stock. Brussels,<br />

Belgium.<br />

19. Deutsche Energie-Agentur GmbH (DENA).<br />

(2018). Energy efficiency in building stock – Statistics<br />

and analyses. Retrieved from https://www.dena.<br />

de/fileadmin/dena/Dokumente/Pdf/9268_dena_<br />

27. Rosenkranz, A. (2023, September 10). EnEV – Wichtige<br />

Anforderungen im Überblick. Heizung.de. https://www.<br />

heizung.de/ratgeber/diverses/enev-wissenswertefakten-zu-energieausweis-co.html<br />

28. Geg: Was Steht Im Neuen Gebäudeenergiegesetz?”<br />

Verbraucherzentrale.de. (October 31, 2023). https://<br />

www.verbraucherzentrale.de/wissen/energie/<br />

energetische-sanierung/geg-was-steht-im-neuengebaeudeenergiegesetz-13886<br />

29. ”Gutex Thermoroom “. Ecological Building system.<br />

https://www.ecologicalbuildingsystems.com/product/<br />

thermoroom<br />

1. Introduction<br />

In contemporary architectural design, glazed timber<br />

curtain walls are increasingly favored for their<br />

sustainable and visually appealing looks. This trend<br />

involves utilizing timber as the primary structural<br />

support for facades, supplemented by aluminum<br />

add-on systems.<br />

A critical observation has been made regarding<br />

the timber facade of Building 2 situated at the<br />

TH OWL Detmold campus. Despite no significant<br />

visible performance issues noted by the observer,<br />

a specific concern has been identified that requires<br />

immediate attention and thorough investigation.<br />

The ground floor of the building features wide<br />

glazed areas, enhancing the facade‘s aesthetics but<br />

presenting a challenge with the bottom transom<br />

exhibiting outward rotation, possibly due to the<br />

eccentric loading of glass on the transom and/or<br />

insufficient connector.<br />

Eccentric loading of large glass panels on timber<br />

transoms, leading to torsional effects, is a recognized<br />

concern among facade designers and constructors.<br />

Contractors typically address this issue by employing<br />

specialized T-connectors between mullions and<br />

transoms for supporting glass loads.<br />

This observational report tries to show the<br />

existing issue and advocates for a comprehensive<br />

investigation into the extent of the problem, its<br />

underlying causes, and potential solutions within a<br />

short timeframe.<br />

Figure 1. Timber façade at TH OWL campus with<br />

large glazing marked red (picture by Ferndorf)<br />

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2. Visual Observation<br />

Visual inspection of the ground floor timber facade<br />

reveals clear indications of rotation caused by the<br />

eccentric loading of large glass panels. These effects<br />

manifest as an upward gap between the lifted<br />

transom and the adjacent skirting finish seen from<br />

the interior, along with visible downward shifting of<br />

the aluminum pressure plates on the outside.<br />

Figure 2. Upward lifted transom from inside<br />

Source (picture by the author)<br />

Figure 4. timber transom with a sign of rot<br />

(picture by the author)<br />

Additionally, isolated instances of slight timber rot<br />

are observed (Figure 4), although it is premature to<br />

ascertain its role in causing or exacerbating torsional<br />

deformation. The top spacer of the big IGU glasses<br />

is exposed a little more than expected which might<br />

be caused by the downward translation due to the<br />

outward rotation of the supporting bottom transom<br />

(Figure 5).<br />

3. Hypothesis<br />

To understand the possible cause of the transom<br />

rotation more complete data on the design, material,<br />

construction, and previous maintenance record (if<br />

any) is required. However, the following causes can<br />

be hypothesized as some of the many potential<br />

causes for failure that demand further investigation:<br />

1. Connector failure: there are many wellperforming<br />

connectors for timber curtain walls<br />

(Figure 6). However, due to lack of proper design<br />

or workmanship, there might be a possibility of<br />

inadequacy on the connector which in turn might<br />

lead to excessive transom rotation.<br />

force on the connector. This shall be checked with<br />

structural analysis including the effect of longterm<br />

cyclic wind loading.<br />

4. Future work<br />

To comprehensively understand the underlying<br />

causes and extent of the problem, detailed visual<br />

and analytical analysis of a representative sample<br />

location on the ground floor is imperative. This<br />

endeavor necessitates collaborative efforts among<br />

the stakeholders. Although the issue may not pose<br />

an immediate threat to the facade functionality,<br />

preemptive action is advisable to avert potential<br />

major failures.<br />

Currently, the structural model is being developed<br />

using Dlubal RFEM 6 based on the available data.<br />

Once complete and accurate data is available the<br />

results will be published in the next publications.<br />

5. References<br />

1. Ferndorf, Campus Emilie in Detmold, accessed<br />

on March 13, 2024. https://www.baunetzwissen.<br />

de/akustik/objekte/bildung/campus-emilie-indetmold-730725/gallery-1/1<br />

2. Raico, Timber curtain wall mullion and transom<br />

connector, accessed on March 13, 2024. https://<br />

www.raico.de/en/products/t-connectors/tconnectors-h-i.html<br />

Figure 6. Timber façade connector<br />

(images by Raico)<br />

3. DelftX: Façade design and engineering:<br />

complexity made simple – Dr. Knaack and Dr. Bilow,<br />

accessed on March 13, 2024. https://www.edx.org/<br />

learn/engineering/delft-university-of-technologyfacade-design-and-engineering-complexitymade-simple<br />

Figure 7. Single-bolted dead load support<br />

used on the project (picture by DelftX)<br />

Figure 3. downward shifted Transom Aluminum<br />

cover mark (pictures by the author)<br />

Figure 5. possible downward slippage of glass<br />

(pictures by the author)<br />

2.Excessive mullion rotation: The mullion is<br />

connected to the supporting bracket using a single<br />

bolt instead of multiple bolts (Figure 7). This might<br />

lead to an excessive mullion rotation. On the other<br />

hand, the bigger span transom is carrying a larger<br />

glass load which might hinder it from rotating<br />

together with the mullion causing excess reaction<br />

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Article<br />

Façade Acoustics and Soundscape Assessment Workshops:<br />

Implementing Soundscape Criteria in Façade Education<br />

Alvaro Balderrama 1,2,3<br />

1. Detmold School of <strong>Design</strong>, TH OWL, Emilienstrße 45, D-32756 Detmold, Germany<br />

2. Schüco International KG, Karolinenstraße 1-15, 33609 Bielefeld, Germany<br />

3. Architectural Façades and Products Research Group, Department of Architectural Engineering and Technology, Faculty of Architecture and the Built Environment, TU<br />

Delft, Julianalaan, 134, 2628 BL Delft, The Netherlands<br />

Abstract<br />

Having a holistic understanding of the impact that a façade design can have in an urban environment is crucial for<br />

sustainable development. Façade acoustics traditionally considers sound reduction for indoor environments,<br />

and although its acoustic effects outdoors are acknowledged, the discipline has no formal requirements to<br />

analyze their impact. Furthermore, beyond physical acoustics, increasing research indicates that façades can<br />

also affect people’s perception and experience of sound due to contextual factors, but these are also neglected<br />

by policy and practice. A conceptual framework to analyze the influence of façades on the urban soundscape<br />

has been developed in previous studies by the author, and this paper provides the results of a workshop<br />

focused on integrating these concepts into an academic workshop. A group of fourteen (n = 14) students of<br />

the MID Façade <strong>Design</strong> program participated in the workshop with the aim to analyze the effects of individual<br />

façades on the urban soundscape in different streets of Detmold. First, a soundwalk was conducted to collect<br />

acoustic and perceptual data in five locations. Then, five groups of students chose façades in those locations<br />

to examine them. The outcomes reveal that students were capable of applying the conceptual framework of<br />

façades and urban soundscape successfully to analyze essential aspects. A feedback survey was distributed<br />

after the activity and the results indicate that the participants found the activity relevant and useful in order<br />

to improve their façade design skills. Finally, an evaluation of the requirements to apply the framework is<br />

presented, followed by a discussion with recommendations and limitations of the methodology.<br />

Keywords: ISO 12913, architecture, sustainability<br />

1. Introduction<br />

Understanding how buildings affect people’s<br />

health and comfort is essential to tackling some<br />

of the many issues of urban densification and<br />

the rising global population. As we approach the<br />

culmination of the 2030 Agenda for <strong>Sustainable</strong><br />

Development (United Nations, 2015), there is an<br />

increasing need for further efforts and innovation<br />

since the progress has not been as optimistic as it<br />

was predicted (United Nations, 2023), in part, due<br />

to the unfortunate global events of this ongoing<br />

decade. Particularly, the design of façades plays<br />

a key role in the impact of architectural projects<br />

as they are the boundary between indoor and<br />

outdoor environments, mediating the transfer of<br />

sound, heat, air and light from one side through<br />

the other, therefore, are partly responsible energy<br />

consumption, carbon emissions, and overall<br />

people’s comfort (Knaack et al., 2007; Klein, 2013;<br />

Bianchi et al., 2024).<br />

Regarding the subfield of façade acoustics, the<br />

traditional approach of building physics considers<br />

how façades affect sound propagation using<br />

decibel-based metrics. However, increasing efforts<br />

in the interdisciplinary research field known as<br />

“soundscape” have shifted the focus from reducing<br />

sound levels without accounting for the quality<br />

of sounds, towards a human-centered approach<br />

focused on people’s perception and experience of<br />

sound in context. The International Organization<br />

for Standardization released a series of standards<br />

for soundscape research (ISO 12913-1:2014; ISO<br />

12913-2:2018; ISO/TS 12913-3:2019) that have been<br />

broadly adopted as an updated approach to sound<br />

management.<br />

Façade education is a key parameter in the<br />

development of the discipline (Knaack, 2023),<br />

but despite the critical role of sound in people’s<br />

experience of the built environment, architectural<br />

practice and policy often neglects acoustics and<br />

soundscape awareness, leaving professionals<br />

unequipped to effectively incorporate sound<br />

considerations due to limited resources and<br />

strategies (Taralo et al., 2024; Krimm, 2018). A<br />

systematic literature review focused on façades<br />

and urban soundscape (Balderrama et al., 2022)<br />

revealed that the methodologies presented in<br />

ISO 12913 for soundscape research have not<br />

yet been explicitly implemented in the façade<br />

design processes, and bridging the gap between<br />

soundscape theory and practice is one of the<br />

main challenges in the field (Aletta and Xiao,<br />

2018). Addressing this issue, a novel conceptual<br />

framework of façades and urban soundscape was<br />

developed (Balderrama et al., 2024) as a tool for<br />

designers to analyze the potential effects of façades<br />

on the acoustic environment (physical sound<br />

propagation) and on the soundscape (people’s<br />

subjective interpretation of sound) by describing<br />

four elements: the façade, the context, the acoustic<br />

environment, and people. Previous iterations of the<br />

framework of façades and soundscape were tested<br />

in two prior workshops in Detmold: the first one, in<br />

October 2022 with three (n = 3) participants, and<br />

a second edition with fifteen (n = 15) participants<br />

in January 2023. This article explores the<br />

implementation of soundscape criteria in façade<br />

acoustics education through the third iteration of<br />

the workshop “Façade Acoustics and Soundscape<br />

Assessment”, offered to the students of the Master<br />

of Integrated <strong>Design</strong> in the specialization of façade<br />

design (MID FD) between October 2023 and January<br />

2024. An assessment of the workshop results and<br />

insights into the integration of soundscape criteria<br />

in façade design education are provided below.<br />

2. Methodology<br />

2.1. Soundwalk for data collection<br />

On October 25th, 2023, a soundwalk was organized<br />

in Detmold with the participation of seven (n = 7)<br />

students from the class Climate and Comfort of the<br />

MID FD program. A soundwalk is a method used<br />

to collect data regarding people’s perception of<br />

sound and experience of the environment (Aletta<br />

et al., 2016; ISO 12913-2:2018). The procedure was<br />

based on the guidelines of ISO 12913 but adapted<br />

as an academic exercise where participants filled<br />

in a questionnaire in five predefined locations.<br />

Additionally, a sound level meter class 2 was used<br />

by the researcher to obtain the continuous sound<br />

pressure level for those locations at that time.<br />

The data collected from the questionnaires and<br />

sound measurements was processed by the<br />

researcher and visualized in a poster (Figure 1). The<br />

visualizations were done using Python. A Jupyther<br />

notebook was created to plot every point of the<br />

questionnaire used in the soundwalk of October<br />

25th, 2023. The code was shared in the following<br />

GitHub repository (Balderrama, 2024). The poster<br />

was provided to the student groups along with<br />

an Excel file with the data as the starting point for<br />

their main task in the workshop: to analyze the<br />

relationship between façades and the soundscape<br />

by applying the four-element framework (façade,<br />

context, acoustic environment, people).<br />

2.2. Group work: analysis of façade effects<br />

on the soundscape<br />

During about two and a half months after the<br />

soundwalk, the students were able to go back to<br />

the site and collect further data on the façade<br />

such as the construction technology, dimensions,<br />

materials, aesthetics and other features. The<br />

context was also surveyed, like the time and place<br />

of the different visits, the presence of people in<br />

the area, the atmospheric conditions, and the<br />

physical boundaries in the area, such as the<br />

roads, sidewalks, vegetation, urban furniture,<br />

and more. Visiting the site at different times<br />

of the day and night, as well as different days<br />

of the week was also encouraged, to be able to<br />

compare between more situations. In order to<br />

assess the soundscape again, they could repeat<br />

the questionnaire, however, the accuracy of the<br />

results would only rely on one or a few people,<br />

instead of on seven people that attended the<br />

soundwalk.<br />

The questionnaire allowed gathering information<br />

on sound perception, including identification of<br />

sound sources, perceived affective quality (PAQ),<br />

appropriateness, perceived loudness, and overall<br />

sound quality, plus, one additional question:<br />

overall visual quality. In particular, soundscape<br />

scatter plots representing PAQ are among the<br />

most efficient methods to characterize the<br />

soundscape (Aletta et al., 2016) by plotting two<br />

coordinates: Pleasantness and Eventfulness,<br />

which are derived from eight perceptual<br />

attributes: “pleasant”, “calm”, “uneventful”,<br />

“monotonous”, “annoying”, “chaotic”, “eventful”,<br />

and “vibrant” collected through the questionnaire<br />

(e.g. from 1 to 5, how pleasant is the acoustic<br />

environment?). The students were provided with<br />

an Excel spreadsheet with the formulas of ISO<br />

12913, in order to easily obtain the coordinates<br />

of P and E to plot new soundscape assessments<br />

and compare them to the original soundwalk. The<br />

Python code described before was also offered in<br />

case they wanted to explore the tool developed<br />

for visualizing the questionnaire data.<br />

The deliverable of the workshop was a poster<br />

analyzing the four elements of the framework.<br />

Although the format of the poster was free, a<br />

suggestion of its content was made (Table 1) to<br />

orient participants towards the most essential<br />

factors involved in the effects of façades on the<br />

acoustic environment and on the soundscape.<br />

Finally, five groups analyzed the relationship<br />

between façades and the soundscape of those<br />

areas. The posters presented on January 17th,<br />

2024 are shown in the Annex at the end of this<br />

article.<br />

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Table 1. Suggested content for analysis of façade influence on the soundscape.<br />

<br />

<br />

<br />

<br />

FAÇADE<br />

• Height: Highest points of the façade.<br />

• Geometrical complexity: flat; moderate<br />

protrusions and inclinations; irregular<br />

• Façade Materials: Description of materials<br />

used including sound absorption<br />

coefficients. Vegetation growing along<br />

the façade is here considered a façade<br />

material.<br />

CONTEXT<br />

• Visits: The date and time of site visits.<br />

• Atmospheric conditions: Temperature, precipitation,<br />

wind, sky condition.<br />

• Street geometry: width to height ratio.<br />

• Crowd: Presence of people in the area.<br />

• Traffic: Density and patterns of road, rail and air traffic.<br />

• Biodiversity: Presence of vegetation and animals in the<br />

area.<br />

<br />

<br />

<br />

<br />

<br />

“Façades <br />

Soundscape” <br />

people’s <br />

<br />

<br />

<br />

<br />

<br />

<br />

ACOUSTIC ENVIRONMENT<br />

• Sound Pressure Level: Measurements of the<br />

sound pressure level in decibels.<br />

• Frequencies: Analysis of a frequency content<br />

on a spectrogram<br />

• Sound source identification: Presence of<br />

technological, human and natural sounds.<br />

• Façade exposure diagram: a 2D plot created<br />

for on-site surveying by having a listener giving<br />

its back to the façade at a close distance,<br />

looking outwards in order to analyze the<br />

direction, distance and movement of the<br />

sounds that the façade is exposed to.<br />

PEOPLE<br />

• Soundscape radar plot: Visualization of the eight<br />

perceptual attributes of different soundscape<br />

assessments.<br />

• Soundscape scatter plot: : Visualization of perceived<br />

affective quality of different soundscape assessments.<br />

It is recommended to read the scatter plot and the<br />

radar plot together to avoid loss of relevant data.<br />

• Sociodemographic factors: Information of soundscape<br />

assessment participants (age, gender, country,<br />

education, occupation).<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Figure 1. Poster with results of the soundwalk of October 25, 2023.<br />

3. Results<br />

3.1. Qualitative results of workshop outcomes<br />

The workshop results provided insights into the<br />

practical application of the framework of façades<br />

and urban soundscape. In this case, by groups of<br />

students who had never been exposed to that kind of<br />

analysis and generally, without previous knowledge<br />

of acoustics. Regardless of that, participants showed<br />

good engagement and were able to effectively apply<br />

the framework in their façade analyses. Overall, the<br />

level of the poster presentation indicates that the<br />

learning objectives of the workshop were successfully<br />

reached with some considerations such as occasional<br />

confusion over specific terminology used. This could<br />

suggest that more in-depth introductory sessions<br />

are needed to provide participants the opportunity<br />

to familiarize themselves with the key concepts.<br />

Each of the five locations of the soundwalk was<br />

assigned to a group of students. The students then<br />

chose a building at that location and visited the site<br />

several times on different dates to identify patterns<br />

in the area as well as the possible effects being<br />

produced by the façade.<br />

Three groups visited the site three times after the<br />

soundwalk, and two groups visited the site again four<br />

times. Then, each group prepared a poster to present<br />

their study and explained how the selected façade<br />

affects the acoustic environment and the soundscape<br />

of that location. All groups said they used the Excel<br />

file to obtain the coordinates of Pleasantness and<br />

Eventfulness to create soundscape scatter plots.<br />

None of them used the Python code.<br />

In order to analyze the potential effects of façades<br />

on the acoustic environment the following<br />

questions were suggested: (i) how are façade<br />

geometry and materials reflecting sound from<br />

sources in this urban context?; (ii) how are façade<br />

materials absorbing sound in this urban context?;<br />

(iii) is there any noise being emitted by the façade?<br />

To analyze the effects of façades on the context it was<br />

suggested to ask the following questions: (iv) is the<br />

façade design appropriate for this urban context?<br />

(v) is the façade making the space more or less<br />

enclosed?; (vi) is the façade affecting biodiversity in<br />

the area?; (vii) is there visible mechanical equipment<br />

installed on the façade?<br />

Group 1 analyzed the “Riegel” building at the campus<br />

of TH OWL. They described that all the materials<br />

are reflective so sound is likely being reflected<br />

around the façade and no absorption. However,<br />

they argued that the visible wood of mullions and<br />

transoms on the inner side, improved the quality<br />

of the space. The noise generated by the façade’s<br />

movable shading system was described as annoying<br />

and monotonous for the location. The sounds of<br />

children playing at the neighboring kindergarten<br />

were considered annoying and chaotic.<br />

Group 2 analyzed the façade of the Sparkasse<br />

bank located at the intersection of Paulinenstraße<br />

and Bielefelder Straße. They characterized the<br />

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area as being very active during office hours and<br />

mostly empty the rest of the time. It was argued that<br />

the façade is mostly composed of fully reflective<br />

materials, except from the climbing plants. The green<br />

façade seemed to improve perception of loudness<br />

during the soundwalk since the sound level was<br />

higher than in the two previous areas but perceived<br />

loudness was lower.<br />

Group 3 analyzed the side façade of the<br />

Sparkasse over Paulinenstraße, which is on a<br />

narrow street canyon with a high amount of<br />

traffic during office hours. They argued the<br />

place was likely louder due to the reflective<br />

façade materials such as glass, steel and<br />

concrete. Additionally, it was suggested that the<br />

soundscape in that location is also negatively<br />

affected by the feeling of enclosedness and<br />

lack of direct view of the sky, as well as higher<br />

perceived reverberation.<br />

Group 4 analyzed a façade in the Freiligrathstraße,<br />

adjacent to the main road. They observed the<br />

calmness and lack of activities, but also the<br />

absence of natural sounds. The façade is likely<br />

reflecting sound but the area is not too loud<br />

anyway. The group pointed out how the façade‘s<br />

dark appearance and front lawn with roses and<br />

ivy improved the overall quality of the street.<br />

Group 5 analyzed the façade in the corner of<br />

Bandelstraße and Palaisstraße which is mostly<br />

covered by climbing plants. They discussed that<br />

even in a calm environment, a green façade like<br />

that can improve the quality of the environment<br />

further. Firstly, sound absorption is likely higher<br />

than any surrounding buildings, but also the<br />

vegetation enhances the presence of natural<br />

sounds like birds and wind.<br />

3.2. Participant’s feedback<br />

At the end of the semester, an anonymous survey<br />

including seven Likert scale questions and three<br />

open-ended questions was distributed to the<br />

participants. Nine (n = 9) participants provided<br />

the following feedback:<br />

• Likert scale questions (Table 2)<br />

Table 2. Participant’s feedback (n = 9) about their experience at the workshop of façade acoustics and<br />

soundscape assessment.<br />

# From 1 (strongly disagree) to<br />

5 (strongly agree):<br />

Q1. It is easy to apply this framework to analyze an<br />

existing façade.<br />

Q2. The framework can be applied in real-world<br />

façade design projects.<br />

Q3. Learning this framework improved my skills for<br />

façade design.<br />

Q4. Incorporating this framework in the façade<br />

design curriculum would have a positive longterm<br />

impact on overall sustainability.<br />

Q5. The framework aligns well with the educational<br />

goals of our façade design program.<br />

Q6. The workshop made me more aware of the<br />

importance of acoustics and people’s perception.<br />

Q7. How would you rate your previous knowledge<br />

and understanding of acoustics? (before the<br />

workshop).<br />

Response<br />

• Open-ended questions<br />

Q8. What is your academic background?<br />

77.8% of the participants said to have a background<br />

in architecture, 11.1% in engineering, and 11.1% in<br />

multidisciplinary design.<br />

Q9. Please describe your overall experience<br />

analyzing the relationship of a façade and the<br />

soundscape in the workshop.<br />

In order to provide an overview of the open-ended<br />

question, three samples are presented:<br />

• “Analyzing the relationship between a facade<br />

and the soundscape in the workshop involved<br />

examining how the design and materials of the<br />

building exterior interact with the surrounding<br />

sounds. It was about understanding how<br />

sound is transmitted, reflected, or absorbed<br />

by the facade, and how that affects the overall<br />

environment. By studying this relationship, I<br />

can optimize building designs to minimize noise<br />

pollution or enhance the auditory experience<br />

within the space.”<br />

• “It was a good experience. In Bachelors we were<br />

taught about acoustics but this task was exciting<br />

and unique. It helped us understand sound<br />

and its principles in a very simple manner even<br />

though it is a sophisticated system.”<br />

• “It was really a good experience to immerse<br />

myself in the sounds and sensations of the<br />

environment surrounding the building.”<br />

Q10. Please provide any additional comments or<br />

feedback.<br />

No further feedback was provided beyond a few<br />

positive comments.<br />

3.3. Implementation requirements<br />

The feasibility of applying the framework of façades<br />

and soundscape in an educational context to<br />

introduce soundscape criteria in façade education<br />

was evaluated in a qualitative manner, considering<br />

the requirements for its implementation in terms<br />

of (i) technical knowledge of users; (ii) economic<br />

requirements; (iii) potential risks involved; and (iv)<br />

industry acceptance.<br />

i. Technical knowledge to use the framework: After<br />

the soundwalk and an introductory lecture of two<br />

hours on the topic, participants were able to explore<br />

acoustics and soundscape concepts as they do<br />

with other aspects of building physics within their<br />

studies (e.g. structural analysis, ventilation, daylight,<br />

temperature, energy, CO2 and so on), suggesting<br />

that the framework aligns well with current practices<br />

in façade design. The survey indicates that most of<br />

the participants have a background in architecture<br />

(77.8%) and one person had a background in<br />

multidisciplinary design. This shows that the<br />

framework is accessible to several design disciplines<br />

and not exclusively to people with a background in<br />

acoustics.<br />

Regarding the knowledge to use measurement<br />

and recording equipment, in this case only the<br />

researcher managed the equipment and later<br />

delivered the processed data to the participants.<br />

However, in the case of someone wanting to use<br />

the framework independently, previous training<br />

on sound measurements and technical equipment<br />

would be useful.<br />

ii. Economic requirements to use the framework:<br />

While using the framework itself does not involve<br />

any financial investment, the use of technical<br />

equipment to improve the fidelity of the results<br />

leads to additional costs. For example, in the case of<br />

the soundwalk presented above, the data collection<br />

was only conducted with questionnaires and a<br />

sound level meter class 2 with an approximate<br />

cost of 250 Euros. However, a previous study<br />

(Balderrama and Al Basha, 2023) applied the<br />

framework in a virtual reality environment instead<br />

of a soundwalk, and the costs for the data collection<br />

equipment including a 360-degree video camera,<br />

a first-order ambisonics microphone, the same<br />

sound level meter, and a virtual reality headset<br />

resulted in significantly higher costs, around about<br />

1500 Euros, but allowing a more detailed analysis<br />

like psychoacoustic indi=cators derived from<br />

ambisonics recordings, and collecting people’s data<br />

in a controlled environment can also provide some<br />

benefits. Furthermore, much more sophisticated<br />

surveying equipment (e.g. sound level meter class<br />

1 with spectrum visualization, artificial heads for<br />

binaural recordings, higher-order ambisonics,<br />

acoustic cameras, among others) could be used to<br />

increase the level of accuracy, but could also raise<br />

the budget by a couple of thousands. Therefore,<br />

applying the framework can always be economically<br />

viable, but the methodology has to adapt and<br />

the quality of the results might be compromised.<br />

For educational workshops, student projects or<br />

early design stages, a low-cost approach might<br />

be suitable, and for more detailed studies (e.g.<br />

research projects, environmental impact report) a<br />

higher budget might be more suitable.<br />

iii. Risk Assessment: When planning a data<br />

collection campaign, considering the risks of<br />

each specific circumstance is needed. A few risks<br />

were identified before the workshop, namely, the<br />

integrity and safety of the students conducting the<br />

field survey in public spaces, and privacy of external<br />

people during the site surveys. To mitigate the<br />

risks, the locations of the soundwalk tried to leave<br />

enough room for other pedestrians, not blocking<br />

the way. Additionally, during the soundwalks, a few<br />

pictures were taken at every stop, however, always<br />

avoiding to include external people and blur faces<br />

if necessary. The students were encouraged to<br />

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take similar measures when surveying the site alone.<br />

Overall, applying the framework successfully did not<br />

imply risks beyond general daily life activities with<br />

some minor considerations.<br />

iv. Industry Acceptance: The industry and market<br />

relevance of the framework is promising, particularly<br />

in sectors related to sustainability where façade<br />

performance is highly valued. The industry‘s<br />

growing focus on human-centered design and<br />

comfortable urban environments enhances the<br />

framework‘s appeal. However, the lack of regulations<br />

in acoustics, especially outdoors, neglects the<br />

possibility of buildings having a negative impact<br />

on the environment (Krimm, 2018). Additionally,<br />

The lack of tools and standardized methods to<br />

assess the relationship between buildings and<br />

soundscape contributes to the negligence of<br />

façade influence. Overall, the framework has the<br />

potential to fill this gap in design practices and<br />

policy within the construction industry. However,<br />

further demonstrations of the framework‘s benefits<br />

in real-world projects will be needed to strengthen<br />

its acceptance, as well as ongoing updates to keep<br />

it aligned with evolving industry standards and<br />

international regulations regarding and building<br />

physics, acoustics, soundscape, and sustainability.<br />

4. Discussion<br />

4.1. Main outcomes<br />

This paper presented the results of an academic<br />

workshop where fourteen (n = 14) Master’s students<br />

of the MID Façade <strong>Design</strong> program participated,<br />

applying concepts of building physics along with<br />

soundscape research for analyzing existing building<br />

façades. The framework of façades and urban<br />

soundscape (Balderrama et al., 2024) is composed<br />

of four elements (façade, context, acoustic<br />

environment, people), so students collected the<br />

most essential information to analyze the potential<br />

effects on the soundscape through the acoustic<br />

environment or through the context.<br />

The results show how students understood the<br />

task aside from some minor limitations, and were<br />

able to analyze the potential effects on the acoustic<br />

environment (reflection; absorption; emission) and<br />

possible effects on the soundscape (e.g. perceived<br />

loudness, preference of sound sources, effects<br />

of vegetation). Then, students provided feedback<br />

regarding the compatibility of the workshop with the<br />

educational content of the program.<br />

The main conclusion of the study is that it is feasible to<br />

integrate soundscape criteria into façade education<br />

by using the framework of façades and urban<br />

soundscape. Student workshops, as an academic<br />

exercise, can provide participants of multiple<br />

disciplines with the essential information they need<br />

to develop an understanding of the potential effects<br />

of façades on urban acoustic comfort. This knowhow<br />

could be useful from the early design stages<br />

to detail design, as well as for analyzing existing<br />

buildings.<br />

4.2. Recommendations<br />

This iteration of the workshop followed the plan<br />

of starting with a group soundwalk followed by<br />

an introductory lecture and announcing the<br />

assignment. Then, student groups conducted<br />

the analysis over two months. This strategy led<br />

to reaching the learning objectives successfully.<br />

However, dedicating more time to the theoretical<br />

concepts beyond the introductory lecture only could<br />

improve the quality of the outcomes.<br />

4.3. Limitations<br />

This research was intended to carry out an academic<br />

exercise with a small group of students who were<br />

also participants of the soundwalk. It is assumed<br />

that the accuracy of the soundscape assessment<br />

is not highly reliable due to the low number of<br />

participants (ISO 12913 recommends a minimum<br />

of 20 people). Nevertheless, the results with a low<br />

number of participants are still useful to gather data<br />

to kickstart the academic activity.<br />

4.4. Ethics approval<br />

This research is part of the author‘s ongoing<br />

doctoral thesis „Façades and Urban Soundscape“<br />

and has been reviewed and approved by the Human<br />

Research Ethics Committee of TU Delft.<br />

5.Acknowledgements<br />

The author would like to thank the Master‘s students<br />

of the MID Façade <strong>Design</strong> program who took part in<br />

the soundwalk and the workshop.<br />

6. References<br />

Aletta, F., Kang, J., & Axelsson, Ö. (2016). Soundscape<br />

descriptors and a conceptual framework for<br />

developing predictive soundscape models.<br />

Landscape and Urban Planning, 149, 65–74. https://<br />

doi.org/10.1016/j.landurbplan.2016.02.001<br />

Aletta, F.; Xiao, J. What are the Current Priorities<br />

and Challenges for (Urban) Soundscape Research?<br />

Challenges 2018, 9, 16. https://doi.org/10.3390/<br />

challe9010016<br />

Balderrama, A., Kang, J., Prieto, A., Luna Navarro, A.,<br />

Arztmann, D., & Knaack, U. (2022). Effects of Façades<br />

on Urban Acoustic Environment and Soundscape:<br />

A Systematic Review. Sustainability, 14(15), 9670.<br />

https://doi.org/10.3390/su14159670<br />

Balderrama, A., Al Basha, H. (2023). Digital workflow<br />

for soundscape assessment: case study of an<br />

adaptive façade in Detmold, Germany. <strong>Design</strong><br />

<strong>Strategies</strong> - Special Issue impulses from teaching<br />

and research.<br />

Balderrama, A., Luna Navarro, A., Kang, J. (2024).<br />

The role of façades in the composition of urban<br />

soundscapes. International Building Physics<br />

Conference 2024 – In press<br />

Balderrama, A. (2024) Digital toolbox for façade<br />

acoustics and soundscape assessment – Github.<br />

https://github.com/alvarobalderrama/Digital-<br />

Toolbox-for-Facade-Acoustics-and-Soundscape-<br />

Assessment.git<br />

Bianchi, S., Andriotis, C., Klein, T., Overend, M. (2024).<br />

Multi-criteria design methods in façade engineering:<br />

State-of-the-art and future trends. https://doi.<br />

org/10.1016/j.buildenv.2024.111184<br />

ISO 12913-1:2014; Acoustics–Soundscape–Part 1:<br />

Definition and Conceptual Framework; International<br />

Organization for Standardization: Geneva,<br />

Switzerland, 2014.<br />

ISO 12913-2:2018; Acoustics—Soundscape—Part<br />

2: Data Collection and Reporting Requirements;<br />

International Organization for Standardization:<br />

Geneva, Switzerland, 2018.<br />

ISO/TS 12913-3:2019, Acoustics—Soundscape—<br />

Part 3: Data Analysis; International Organization for<br />

Standardization: Geneva, Switzerland, 2019.<br />

Klein, T. (2013) Integral Facade Construction. Towards<br />

a new product architecture for curtain walls. A+BE |<br />

Architecture and the Built Environment. ISBN 978-<br />

9461861610<br />

Knaack, U., Klein, T., Bilow, M., Auer, T. (2007).<br />

Façades: Principles of Construction. Birkhäuser<br />

Basel. https://doi.org/10.1007/978-3-7643-8281-0<br />

Knaack, U. (2023). “History and Future of the EFN”,<br />

presentation at the European Façade Network<br />

Conference 2023 in Detmold, https://dcw.idsresearch.de/dcw-2023/<br />

Krimm, J. Acoustically Effective Façade. Archit. Built<br />

Environ. 2018, 16, 1–212.<br />

Taralo, C., Leclerc, F., Brochu, J., Gustavino, C. (2024)<br />

Current Approaches to Planning (with) Sound -<br />

Preprint<br />

United Nations (2015) Transforming our world:<br />

the 2030 Agenda for <strong>Sustainable</strong> Development. A/<br />

RES/70/1<br />

United Nations. The <strong>Sustainable</strong> Development<br />

Goals Report, Special Edition. 2023.<br />

ANNEX – Posters presented by five groups of<br />

students of the MID Façade <strong>Design</strong> program.<br />

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Façade Description<br />

MID S4 - WS 2023-2024 Façade Acoustics<br />

and <strong>Sustainable</strong> Soundscapes Workshop<br />

Students : Hamad Samara<br />

Md Mejbah Sakib<br />

Tahera Rezaie<br />

Fady Aziz<br />

Paulinenstraße 34 , Detmold, Germany.<br />

Commercial Building<br />

- Orientation: North - East Facade.<br />

- Height : 3 floors with height 20.80m.<br />

- Distance from Street : 5 meters.<br />

- Façade Material : Lime Stone with Curtain walls and Windows.<br />

The building contain 3 floors, first line on the street, traffic and<br />

pedestrians contribute significantly to the observed sounds, as<br />

assessed through the facade analysis. The proposed solution<br />

seeks to reduce the Sound Transmission Class (STC) while<br />

enhancing sound absorption, diffusion, and reflection<br />

characteristics.<br />

Façade Detail<br />

-Cover the metallic<br />

spandral panel woth<br />

absorpation material with<br />

diffusing pattern.<br />

Façade Solutions<br />

Façade<br />

Façade Exposure Diagram Sound Pressure Level ( dBA ) Perceived Loudness<br />

Absorpation Coefficient<br />

Soundscape Radar Plot<br />

Soundscape Scatter Plot<br />

Sound Source Identification<br />

Street Context Urban Context<br />

Date and Time of Visit<br />

Context Description<br />

Based on the data that we collected by our group mates from our four<br />

visits, correlated with different conditions, such as temperature, wind,<br />

weather, distance to collection point, each of which plays a role in<br />

every results. The building is situated close to the city center along a<br />

major thoroughfare, exposing it to the primary source of noise<br />

pollution, including mechanical sounds and crowded areas.<br />

Sociodemographic data:<br />

People Description<br />

Country and Nationalities<br />

According to the data collected in the<br />

questionnaire, all respondents are<br />

individuals holding a bachelor's degree or<br />

an equivalent qualification. The average<br />

age of the participants is 27 years, and<br />

the majority of them are female. The<br />

predominant countries of origin for the<br />

participants are Iran and India, while the<br />

remaining respondents come from<br />

Germany, Sri Lanka, and Turkey.<br />

Iran : 28.57%<br />

Germany : 14.29%<br />

Sri Lanka : 14.29%<br />

India : 28.57% Turkey : 14.29%<br />

Gender Distrbution<br />

Average Age : 27 University - Bachelor’s<br />

Degree or Similar<br />

Education Distribution Ocupation Distribution<br />

28.57% 71.43% 100%<br />

Student Employed<br />

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Article<br />

x Ubx<br />

p<br />

The exterior design of the facade, which dates back a couple of decades,<br />

showcases a cement plaster finish, giving it a classic and enduring<br />

appearance. The main entrance is situated on the north side of the<br />

building, providing easy access for visitors and inhabitants. Additionally, a<br />

balcony adorns the south facade, offering a space for relaxation and<br />

enjoyment of the surrounding views.<br />

<br />

pW2023-202<br />

Students: Bahareh Hemmatikhanshir, Yasaman Mostafa<br />

Vasefjani, Saba Tahan<br />

One of the most striking features of the building is the lush greenery that<br />

surrounds it, creating a harmonious and tranquil atmosphere. The<br />

greenery acts as a natural shield, providing insulation and contributing to<br />

the building's energy efficiency. Moreover, it adds a unique and visually<br />

appealing quality to the overall structure, enhancing its aesthetic value.<br />

2,32756,Gy<br />

NEPU BRANDSCHUTZ<br />

ggy Commercial<br />

TypLime cement plaster on masonry wall<br />

covered with ivy with doors and windows<br />

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This comprehensive document amalgamates data from six distinct visits, meticulously conducted by our group across various times<br />

and dates. The richness of the information is intricately interwoven with diverse circumstances, considering factors like temperature,<br />

wind, sky condition, and distance from the collection point, each contributing to the nuanced out comes.As for the building, gracefully<br />

nestled in the southern section of the city, it shares proximity with the city center, creating an intersection of urban convenience and<br />

tranquility. The residential surroundings, a vibrant tapestry of diverse lifestyles, magnetically draw individuals from various walks of<br />

lifestyles from energetic students to the serene presence of the elderly, each contributing to the dynamic ambiance of the locale.<br />

<br />

Expg<br />

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Eb Opb<br />

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Average Age: 27 University - Bachelor's<br />

degree or similar<br />

Pp p<br />

yNy<br />

Evp<br />

PvL<br />

Based on the data provided in the<br />

questionnaire, all participants are<br />

students with a bachelor's degree or<br />

equivalent. The average age of the<br />

participants is 27 years old, and the<br />

majority are female. Most of the<br />

participants are from Iran and India,<br />

with the rest coming from Germany,<br />

Sri Lanka, and Turkey<br />

Turkey<br />

Iran India Germany Sri<br />

Lanka<br />

The building is located in a tranquil residential area, providing a peaceful escape<br />

from the bustling city center. As a result, the main sources of noise pollution are<br />

limited to sporadic passing cars and mechanical sounds.<br />

During afternoons, the atmosphere is filled with the gentle hum of conversations<br />

and the rhythmic sound of activities such as running. However, this serene<br />

environment can sometimes create a sense of monotony and lack of excitement.<br />

28.57% 1.29% 1.29% 1.29%<br />

28.57%<br />

Solar Façade: Energy Generation with 2.500 m 2 of BIPV<br />

Melicia Planchart 1 , Stefan Grünsteidl 1 , Augustin Rohr 1<br />

1. Avancis GmbH, Solarstraße 3, 04860 Torgau, Germany<br />

Abstract<br />

Today’s growing BIPV market has marked a general need of BIPV façade solutions. There are yet not<br />

enough ready-made design tools on the BIPV market, that allows a hybrid between form finding,<br />

shape optimizations, simulations and fabrication optimization. To achieve a seamless process from<br />

design to detail planning, a set of computational tools was developed to find customized and<br />

optimized façade solutions. With this digital approach, the computational design workflow allows<br />

aesthetic design optimization, to create a shape that relates client’s wishes within the design<br />

constraints of BIPV, optimizing energetic yields in a free form façade arrangement. Parametric<br />

design, combined with optimization search algorithms and energy simulation analysis, conforms<br />

a design workflow toward informed façade design. Active façades using solar energy are also<br />

optimized to find the best façade disposition within an aesthetics range and client’s expectations.<br />

The design process uses advanced computational design tools and compares design options using<br />

solar values over rationalized ratios to enable stakeholders and designers to decide for the best<br />

optimized and informed design.<br />

Keywords: Building Integrated Photovoltaics, (BIPV), Solar Façade <strong>Design</strong>, Form-Finding, Optimization,<br />

Search Algorithms, Radiation Analysis.<br />

1. Introduction<br />

BIPV façade solutions integrate aesthetic<br />

and chromatic design, with energetic yield<br />

and economic values to façade architecture<br />

projects, towards meeting the current era<br />

need to becoming a climate neutral continent<br />

by 2050 [1]. There are many evaluation tools<br />

for environmental conditions, analysis and<br />

yield simulations [2], yet free-form BIPV façade<br />

applications represent a challenge to bring<br />

PV into facades [3 4]. This requires specific<br />

attention to provide customized solutions,<br />

that consider aesthetic design criteria, along<br />

with economic feasibility and also bring the<br />

facades PV energetic performance to its<br />

maximum. From design to planning phases,<br />

AVANCIS [5] has developed a digital workflow<br />

integrating design tools and software to plan<br />

and optimize the disposition of solar panels in<br />

active façades.<br />

This paper summarizes part of the technical<br />

consultancy AVANCIS provided to Leipziger<br />

Stadtbau for a BIPV façade project for a parking<br />

house in Leipzig, designed by the architecture<br />

office Architektur Von Domaros. The preliminary<br />

architecture façade design from the Architects<br />

had to be rationalized and reshaped in a way<br />

that maintained the most of its design essence,<br />

keeping the aesthetics of a free curvature surface.<br />

This was possible using a combination of formfinding<br />

and shape optimization processes, with<br />

energetic yield analysis techniques that ensured<br />

highly efficient BIPV facades made of SKALA solar<br />

panels [6].<br />

The BIPV façade project implements computational<br />

and automation tools in a highly efficient design<br />

and planning process [47]. These tools help<br />

designers think in an integrated framework with<br />

simulation, visualization and the spatialization<br />

of outcomes. This paper presents an overview<br />

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into the design optimization process and shape<br />

rationalization to achieve an optimal custom<br />

shape, active façade composed of solar panels.<br />

2. Methodology<br />

In order to rationalize and optimize the facades<br />

shape, the boundary conditions that constraint the<br />

design are set as follow:<br />

a. Form Rationalization to maintain Parking Haus<br />

design criteria.<br />

The preliminary design is a freeform façade element<br />

composed of several bands in a freeform curve.<br />

Along with a separation between vertical bands to<br />

ensure proper air circulation inside the buildings.<br />

b. Substructure frames optimization<br />

The second stage of the form finding process led to<br />

the realization that this customized façade had to<br />

minimize the number of customized substructure<br />

elements, to ensure a feasible substructure<br />

planning. This too had to be rationalized and<br />

optimized to bring the special substructure elements<br />

to a minimum and standardize as much as possible.<br />

c. Panel optimization<br />

algorithms produce a generative optimized design<br />

and deliver informed solutions for designers to<br />

elaborate upon [78]. This methodology allows us<br />

to understand the qualitative and quantitative<br />

results of a design process in a holistic approach<br />

to integrate aesthetics with energetic and<br />

structural optimizations.<br />

This was possible using a combination of<br />

parametric form-finding and shape optimization<br />

processes using genetic search algorithms,<br />

with energetic yield analysis techniques using<br />

parametric software Rhino and Grasshopper<br />

plugins combined. Grasshopper is a visual<br />

coding environment that interacts with the Rhino<br />

modelling space. GA genetic algorithm is a solver<br />

that creates a population of solutions based on<br />

genomes – the variables subjected to change -<br />

that approximate to a fitness value – the desired<br />

parameters to maximize or minimize [9].<br />

A genetic algorithm is solver that uses<br />

“evolutionary techniques.” This is done by<br />

generating a population of solutions based on<br />

genomes (variable subject to change) reacting<br />

to a fitness (desired parameter to be minimized<br />

Figure 2. Substructure elements - trusses<br />

profile abstraction. Kinks produced by<br />

form-finding process.<br />

Figure 4. Form Finding - Shape Optimization.<br />

Possible panel distribution in a random<br />

disposition of profiles for a free form façade.<br />

Figure 5. Form Finding - Shape Optimization.<br />

Search algorithm intermediate output to fit profiles<br />

to freeform curves from the original shape.<br />

To minimize costs and maximize energy outputs,<br />

it is a condition the use of maximum possible of<br />

Skala solar panels in standard sizes, and minimum<br />

possible passive elements.<br />

Figure 3. Form Finding - Shape Optimization.<br />

Random disposition of profiles to obtain a<br />

free-form facade.<br />

d. Energy yield simulation.<br />

To ensure the high performance of the PV<br />

panels, certain criteria had to be met. To start<br />

the disposition of panels in south, east and west<br />

facades. And tilt of the panels could achieve a<br />

better performance in relation to the free form.<br />

The Skala PV product used in the planning can<br />

be applied without need of special construction<br />

permits in surfaces up to 10 degrees facing<br />

downwards in a façade. This also allows the<br />

panels to be less exposed to shading and<br />

assures better yield outputs. The shape from<br />

finding had to incorporate this condition in it<br />

design constraints to meet the substructure<br />

requirement to minimize special custom<br />

substructure elements. It is constituted a<br />

series of structural frames in different angles<br />

that host the Skala panels. The substructure is<br />

adapted to every panel placement, allocating<br />

the substructure to the general structure.<br />

2.1. Form Rationalization<br />

Rationalization and shape optimization use<br />

several algorithms that simplify while optimizes<br />

the design, with a combination of design<br />

constraint and design goals. Parametric design<br />

combined with genetic search optimization<br />

Figure 1. Shape rationalization,<br />

I. Approximation to original shape.<br />

II. Optimized shape.<br />

III. Flat façade solution<br />

or maximized). An effective solution is found,<br />

keeping “fit” genomes in a generation and<br />

breeding them with other favorable genomes in<br />

the following generation, as well as eliminating<br />

non-favorable solutions.<br />

Three approaches to the design shape were carried out.<br />

I. First a rationalization of the desired shape, a<br />

parametric model that approximates to the client‘s<br />

wishes and the architect’s proposal.<br />

II. Second, an optimized shape, using the formfinding<br />

search algorithm to meet the highest<br />

energetic values without sacrificing PV panels to a<br />

shade and minimizing use of passive elements. This<br />

design accommodates the panels under 10 degrees<br />

of inclination and takes advantage of radiation a flat<br />

façade and the original freeform approximation.<br />

III. Third a flat standard solution to serve as a reference<br />

for the optimized and the complex solution.<br />

2.2. Substructure frames Optimization<br />

Being the optimization tool a genetic search<br />

algorithm GA, the solver modifies the parametric<br />

Figure 6. Form Finding - Shape Optimization.<br />

Search algorithm near to final output to fit profiles<br />

to freeform curves from original shape<br />

Figure 7. Form Finding - Shape Optimization. Search<br />

algorithm final output to fit profiles to freeform<br />

curves from original shape<br />

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model, created from the shape rationalization.<br />

After the fitness function evaluation, the solver<br />

modifies the disposition of the elements to<br />

find the best approximation to the given free<br />

form curve. Because it is an evolutionary solver<br />

it creates a population of solutions and finds<br />

the numerical best fit. It is known to designers<br />

this might not be the best aesthetical fit but<br />

approximates already very much an optimized<br />

solution [9].<br />

The designed and implemented optimization<br />

search algorithm uses an abstraction of the<br />

profile for the trusses for the substructure<br />

elements. The search is set to find the optimal<br />

angles for the kinks in the substructure without<br />

overpassing 10-degree angle for the downward<br />

facing panels. And iterate through the possible<br />

combinations of a given number of trusses, ten<br />

(10) was the parameter of different truss to shape<br />

as substructure elements.<br />

Table 1: Truss substructure element types and<br />

amounts found in main building design<br />

Figure 8. Form Finding - Shape Optimizations.<br />

Curves are described by optimized shape that<br />

approximate initial free-form curves.<br />

Figure 9. Original shape rationalization, with<br />

description of freeform curves.<br />

Combined with a search for optimal angles<br />

in the trusses profile kinks to fit the desired<br />

curve. The fitness for the optimization uses a<br />

combination of signalling visualization in red for<br />

the underperforming solutions and in blue when<br />

the fitness values where reached. Therefore, blue<br />

lines describe truss abstract profiles that are<br />

within fitness function results. Hhaving Galapagos<br />

modify a parametric model which had initial<br />

randomly generated variables for the genomes.<br />

After structural analysis, Galapagos was tasked<br />

with changing the form in order to minimize the<br />

overall displacement of the structure. Being<br />

an evolutionary solver, Galapagos creates a<br />

“population” of solutions and eliminates noneffective<br />

offspring to continue breeding effective<br />

offspring through multiple generations. This<br />

means that solutions found through Galapagos<br />

were best fit to the program, but were not<br />

necessarily an absolute perfect solution, as that<br />

could take hundreds of generations to find. This<br />

also means solutions vary based on the beginning<br />

placement of genomes before populations are<br />

created. However, after comparing Galapagos<br />

to what was intuited and what are known<br />

structural solutions, there is a strong case<br />

to be made that Grasshopper, Karamba, and<br />

Galapagos can be used effectively in engineering<br />

practice to create both beautiful and efficient<br />

structures.<br />

Figure 13. panels distribution optimization.<br />

Blue colored panels represent minimized<br />

passive elements<br />

Figure 14. Final Optimized shape<br />

Figure 10 Form Finding - Shape Optimization.<br />

Profile curve disposition creates a pattern and<br />

a curve, aligned with top curve to approximate<br />

initial free-form.<br />

Figure 15. Solar radiation simulations on the<br />

rationalized façade solution I.<br />

Figure 16. Solar radiation simulations on the<br />

optimized shape façade solution II<br />

Figure 11. Kinks produced by form-finding<br />

process.<br />

Figure 12. Optimized façade section<br />

overview. Letters show substructure<br />

elements positions<br />

Figure 17. Comparison of Solar radiation simulations of the different façade solutions<br />

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Table 2. Energy analysis output, comparison between three façade shape solutions<br />

Envelopes to Actively Provide Renewable Energy - a<br />

Review and Outlook<br />

The resulting curve described by the profile<br />

lines is outlined to compare with the original<br />

shape and asses aesthetically the shape. The<br />

optimized output describes yet a straight curve,<br />

and a need to include freedom to the curve is<br />

done by shifting the profiles in the vertical axis.<br />

The solution was found through adaptation<br />

to a top curve and the repetition and rotation<br />

of standardized substructure elements that<br />

describe the curves with the kinks. The final<br />

optimization rationalized the substructure<br />

elements in such a way that they describe a<br />

pattern, a combination of initial 1o frames<br />

that then rotate and mirror to achieve the<br />

final rationalized vertical frames. This way the<br />

number of repeated elements is maximized and<br />

the number of special elements is minimized<br />

and taken into consideration to achieve a special<br />

character to the curves according to design<br />

criteria and requirements. The special frames<br />

and the corners allow to evoque uniqueness to<br />

the emergence of the surface’s special traits.<br />

To reduce the amount of customized<br />

substructure frames or trusses the design used<br />

a maximum of 10 elements and placed them<br />

sequentially in a pattern that describes a curve.<br />

Nevertheless, to achieve the likeliness to the<br />

preliminary shape, this could not be done by<br />

hand without losing optimal design conditions.<br />

2.3. Panel Optimization<br />

The amount of standard sizes was maximized,<br />

and minimum possible passive elements. At<br />

the same time, creating sets of special sizes<br />

and avoiding single modules. Additionally, the<br />

design uses the smallest dimensional Skala<br />

panel that can be produced and operates freely<br />

with the dimensions to achieve a free form with<br />

restricted sizes, using scalable panels from<br />

standard sizes to customs and uses the minimal<br />

possible of dummies with sizes in ranges of the<br />

30 cm panel size (Figure. 13).<br />

The structural and shape optimizations<br />

produced 10 types of substructure frames and<br />

fewer special size (Table 1).<br />

The elements are repeated and adjusted to<br />

the guide curve to provide the free-form effect<br />

desired. (Figure. 10)<br />

2.4. Energy simulation<br />

Consequently, panels with lower inclination<br />

also receive more irradiance, a comparison<br />

between the original shape and the optimized<br />

shape proposal for Solar irradiation shows the<br />

improvement in the performance of the panels<br />

with the optimized freeform solution. (See<br />

Figures 15-17)<br />

3. Results<br />

Energy calculations where performed to<br />

compare the 3 different scenarios. The analysis<br />

considers the original shape rationalization, the<br />

optimized shape and a standard solution flat<br />

surface with Skala color grey Anthracite G001.<br />

The original shape is the first approximation<br />

to the freeform shape that the rationalization<br />

produced, the optimized shape and a flat façade<br />

to serve as a comparison point as a standard<br />

solution. Consequently, the performance ratio<br />

of the optimized solution exceeds 5.4% over the<br />

flat solution, and 8.7% over the original shape.<br />

4. Conclusions<br />

This project combined state-of-the-art PV panels<br />

with advanced computational methods in the<br />

design and planning phases for the BIPV market.<br />

Computational tools were used to support<br />

an informed design that adapts to individual<br />

requirements of a climate-friendly façade<br />

solution with a desired free-form shape. This<br />

project shows the use of computational tools<br />

to produce a design that adapts to a free-form<br />

shape incorporating the boundary limitations of<br />

Skala solar modules and structural limitations.<br />

This digital workflow allows s and stakeholders<br />

to make informed decisions in relation to design<br />

costs and yield expectations, optimizing the use<br />

of solar energy in building envelopes.<br />

5. References<br />

1. European Commission (2022). The 2030 targets.<br />

https://energy.ec.europa.eu/topics/renewableenergy/renewable-energy-directive-targets-andrules/renewable-energy-targets_en<br />

[accessed 06<br />

-08-2022]<br />

2. Cremers, Jan. (2017). The Potential of Building<br />

3. Wijeratne, W.P.U., Yang, R.J., Too, E. and Wakefield,<br />

R., (2019). <strong>Design</strong> and development of distributed<br />

solar PV systems: Do the current tools work?.<br />

<strong>Sustainable</strong> cities and society. vol. 45, pp. 553-578<br />

4. Lastra, Alberto. (2021). Architectural Form-Finding<br />

Through Parametric Geometry. Nexus Network<br />

Journal. 24. 10.1007/s00004-021-00579-4.<br />

5. AVANCIS Gmbh, https://www.avancis.de/en/<br />

magazine/interview-history https://www.avancis.de<br />

[accessed 06 -08-2022]<br />

6. AVANCIS Gmbh, SKALA solar panels datasheet,<br />

https://www.avancis.de/_Resources/Persistent/0/<br />

f/0/d/0f0d7768d235409c2ee9f7446b8de54c<br />

2d931107/SKALA_Datenblatt_DE_220725.pdf<br />

[accessed 06 -08-2022]<br />

7. Pugnale, Alberto. (2014). Form-finding. SN - 978-<br />

8895315300<br />

8. Karadağ, Derya & Bolca, Pelin. (2018). Computational<br />

<strong>Design</strong> Tools in Architectural Education.<br />

9. Goldenberg, Michael & Coburn, Nick. (2019).<br />

Topology and Form Finding via Genetic Algorithms.<br />

58<br />

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4. MID DESIGN CONCEPTS<br />

MATERIALS SURFACES AND SECURITY<br />

Prof. Daniel Arztmann<br />

Assignment: Advanced Façade Construction<br />

The module MID S6 in the winter term<br />

2023/2024 aimed to provide specific knowledge<br />

in the design and detailing of advanced façade<br />

constructions. The assignment is separated into<br />

the following tasks:<br />

Task 1<br />

Look for an existing project with an advanced<br />

façade construction. This can be a façade that is<br />

outstanding in technical or geometrical terms,<br />

such as: building height, wind loads, seismic forces,<br />

local exposition, security aspects (bomb blast,<br />

bullet resistance, fire protection), materiality,<br />

special structure (cable structure, truss structure),<br />

special/complex geometry.<br />

Analyze the façade and prepare a presentation<br />

with the most important features that make this<br />

façade in your perspective “outstanding and<br />

advanced”.<br />

Final Deliverables:<br />

• Presentation (15 minutes)<br />

• Written description of the chosen project and<br />

façade analysis (300 – 350 words)<br />

• <strong>Design</strong> approach for the updated façade<br />

construction<br />

• Set of architectural drawings for the updated<br />

façade design (horizontal and vertical section,<br />

partial elevation)<br />

• Detail drawings of the relevant façade sections<br />

on a scale 1:1<br />

• Physical mockup of 1 general façade detail<br />

Task 2<br />

<strong>Design</strong> and detail an up-to-date version of<br />

this façade while maintaining the original<br />

appearance. Further details will be discussed in<br />

the course of the semester.<br />

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MID <strong>Design</strong> Concepts<br />

JTI Headquarters: Geneva, Switzerland<br />

Meltem Durmus, Hiruy Tekeste, Abdelrahman Badr<br />

The design of the Closed Cavity Façade (CCF)<br />

at the JTI headquarters in Geneva, Switzerland<br />

represents a pinnacle in double skin façade<br />

innovation. Comprising a double or triple glazing<br />

unit on the inner layer and single glazing on the<br />

outer layer, this system creates a sealed nonventilated<br />

cavity, augmented by an automated<br />

shading device nestled within.<br />

To ensure optimal performance, a meticulous<br />

environmental analysis was undertaken using<br />

Ladybug tools in Grasshopper. This analysis<br />

scrutinized the yearly incident radiation on both<br />

the west and east facades. Furthermore, the<br />

unique triangular and sloped glass panels of the<br />

outer glazing were studied for various orientations<br />

and slopes to ascertain the most advantageous<br />

configuration for the project.<br />

the roller blinds due to elevated cavity temperatures.<br />

As a preventive measure, mechanically fixed roller<br />

blinds were proposed.<br />

The culmination of this process involved the<br />

development of a Grasshopper script to model<br />

the entire building and façade panels, facilitating<br />

preliminary renderings and ensuring the realization<br />

of a cutting-edge architectural vision.<br />

Following the environmental assessment, the<br />

façade underwent meticulous dimensioning.<br />

Beginning with a foundational boxed aluminum<br />

profile, the system was meticulously divided to<br />

meet both thermal and construction prerequisites.<br />

The exterior glass surface, bolstered by gaskets,<br />

served as the weather barrier, while triple glazing<br />

and thermal breaks were integrated into the profile<br />

design to act as thermal barriers. The interior panel<br />

surface fulfilled the role of the air barrier. Preliminary<br />

structural and thermal analyses were conducted on<br />

the mullion and transom aluminum extruded profile<br />

frames and glass elements, including connections,<br />

using advanced software such as THERM.<br />

System design commenced with detailed<br />

consideration of aluminum profile sections,<br />

accounting for extrusion dimensions, gasket grooves,<br />

glass slopes, corner connections, reinforcement,<br />

vertical insert profiles, and internal glass replacement<br />

options. High-performance materials, including low-e<br />

coated triple glazing for the internal skin and laminated<br />

glass for the outer skin, were selected. Automated<br />

shading featuring white textile was incorporated, with<br />

special attention paid to preventing detachment of<br />

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Partial Elevation<br />

Hard insulation<br />

Aluminium Sheet<br />

503<br />

603 161<br />

4200<br />

Insulation soft<br />

158.8 mm<br />

4000<br />

Aluminium Sheet<br />

159<br />

Silicon<br />

Roller Blind<br />

287<br />

988<br />

477<br />

411<br />

89.8°<br />

80<br />

269<br />

cap Extenstion Profile Triple Glazing<br />

Single Glazing<br />

320 89<br />

44<br />

Glass Rebate<br />

Silicon Joint<br />

Seal<br />

6.42 mm<br />

47<br />

Aluminium Profile<br />

67<br />

91<br />

177<br />

16<br />

84<br />

10<br />

29<br />

113<br />

Gasket<br />

Soft Material<br />

34<br />

Aluminium Sheet<br />

320 89 44<br />

10<br />

29<br />

90<br />

253<br />

cap<br />

Extenstion Profile<br />

343<br />

Triple Glazing<br />

Single Glazing<br />

Silicon Joint<br />

Glass Rebate<br />

Aluminium Profile<br />

Gasket<br />

67<br />

48<br />

Roller Blinder<br />

Fixing Bracket<br />

158<br />

154<br />

572<br />

198<br />

Screed<br />

Spanderal Area<br />

285<br />

1000<br />

73<br />

Air supply<br />

Roller blind motor<br />

Insulation soft<br />

104.33 mm<br />

257<br />

Insulation soft<br />

163.21 mm<br />

Membrane<br />

2/2351 mm<br />

Window Profile<br />

3000 3000 3000<br />

1:10<br />

274<br />

1267<br />

Spanderal Area<br />

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MID <strong>Design</strong> Concepts<br />

Montparnasse: Paris, France<br />

Ahmet Faruk Çakır, Murat Gül<br />

Montparnasse is a skyscraper in Paris, built in 1973.<br />

Its architects are Jean Saubot, Eugène Beaudouin,<br />

Urbain Cassan and Louis de Hoÿm de Marien. The<br />

building is 210 meters high. It has 40,000 m² of<br />

façade and 7200 windows. The building was criticized<br />

by Parisians for many years. It can be said that the<br />

building is a singular element in its neighborhood.<br />

The municipality of Paris opened a competion for<br />

the restoration of the building and the winners‘<br />

design was planned to be realized. However, the<br />

project was suspended for financial reasons.<br />

The existing façade of Montparnasse is constructed<br />

with I-section vertical bar elements. These<br />

I-sections protrude outwards and have a more<br />

planar appearance from the inside. The façade<br />

shows effects such as aging, surface deterioration<br />

and scratching on the glass. Our goal was to create<br />

new areas of exploration for ourselves as engineers<br />

as well as a design expectation. For this reason,<br />

we planned to design a double facade system. We<br />

envisioned that the absence of any solar barrier<br />

around the building would allow the effective use<br />

of the double facade system. As a result of deep<br />

exercises on the double façade system, we found it<br />

appropriate to use the compartmentalized corridor<br />

type double façade.<br />

We reached this conclusion by considering parameters<br />

such as fire, sound and performance output. We<br />

encountered a lot of problems that needed to be<br />

solved and examined the project examples in the<br />

sector in depth. In order to ensure that the secondary<br />

facade is carried in the panel facade system, we<br />

designed a galvanized box carrier connected to the<br />

anchorage. In this way, we supported the secondary<br />

facade from the sides and bottom and transferred<br />

the load to the main structure.<br />

wings. External shading is one of the most important<br />

issues. To solve this problem, we placed the shade<br />

right in the middle of the ventilation units. In this<br />

way, we prevented the air heated in front of the<br />

shade from escaping and the heat coming from the<br />

shade to the interior glass.<br />

Although there is an angular paneling in the plan, flat<br />

panels are preferred since the angle does not exceed<br />

1 and 1.5 degrees. At the corners, we solved three<br />

different corners: outward facing opaque, inward<br />

facing opaque and outward facing transparent.<br />

Staggered Duct Installation<br />

Air Exchange Mechanism<br />

Unitized Double Skin — how exactly our design is working?<br />

Another situation we need to solve is to close the<br />

ventilation of the secondary façade during storms<br />

or cold conditions. Although we have developed<br />

different solutions for this, we decided to develop<br />

a movable and gasketed insulation for the outer<br />

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Manufacturing Process of Second Skin<br />

Dynamic Behaviour of Flaps<br />

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MID <strong>Design</strong> Concepts<br />

35XV: New York, USA<br />

Sky exposure plane<br />

Priyanka Bamble, Najmeh Najafpour<br />

Sky exposure plane<br />

Sky exposure plane<br />

Sky exposure plane<br />

The focus of the project was on enhancing details<br />

or updating the details of an existing building,<br />

with a particular emphasis on encountering<br />

challenges that would foster a learning experience.<br />

Consequently, the choice led us to a notable<br />

building in Manhattan.<br />

Our focus initially centered on crafting an inclined<br />

unit, considering profile connections and optimizing<br />

unit-to-slab connections for easier installation<br />

through bracket modifications. Subsequently, we<br />

tackled the challenge of seamlessly integrating<br />

inclined and straight facade segments.<br />

Diagram of the reason behind inclination<br />

35XV, a residential tower in Manhattan designed<br />

by FXCollaborative, boasts a sleek facade and<br />

innovative architecture that seamlessly integrates<br />

with the urban surroundings, offering residents<br />

panoramic views of the city. Its modern design<br />

incorporates sustainable features, demonstrating<br />

a commitment to both style and environmental<br />

responsibility. This architectural masterpiece stands<br />

as a testament to contemporary design excellence<br />

in the heart of New York City.<br />

Throughout the process, all profiles underwent<br />

thorough calculations to optimize design, aiding in<br />

subsequent modifications by reducing profile sizes<br />

to a certain extent. Finally, adjustments were made<br />

to refine the details, though it‘s worth noting that<br />

like any design project, further investigation and<br />

refinement of details would benefit this endeavor.<br />

Our agenda centered on selecting a building with<br />

unique architectural aspects, particularly those<br />

that present challenges in facade detailing. In this<br />

case, the building confronts a 20-degree incline on<br />

opposing sides, presenting an intriguing challenge<br />

for our project. Given its height and inward<br />

inclination, it posed a significant undertaking.<br />

Unitized facade detailing became the focal point of<br />

our project, specifically addressing the complexities<br />

posed by such a steep incline.<br />

In the first phase, environmental factors were<br />

carefully assessed, and natural forces such as<br />

wind load and dead load were calculated. These<br />

calculations guided the selection of the most<br />

appropriate profile for the primary stages of the<br />

modifications.<br />

Distance of bracket to bracket= 3.3 m<br />

35XV - Manhattan<br />

Inclined unitized facade Connection to the slabs<br />

Distance of bracket to bracket= 3.5 m<br />

The initial hurdle was to grasp and apply the concept<br />

and principles of the unitized facade to its modified<br />

rendition. Understanding the connection between<br />

horizontal and vertical profiles at corners was crucial,<br />

followed by deliberation on installation methods.<br />

Had the inclination been outward, the challenge<br />

might have been lessened, but inward inclination<br />

heightened concerns about water penetration.<br />

<strong>Design</strong> calculation for wind Load<br />

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SLAB LINE<br />

SLAB LINE<br />

TRANSOM LINE<br />

TRANSOM LINE<br />

SLAB LINE<br />

SLAB LINE<br />

1 449.8134<br />

1 449.8134<br />

SLAB LINE<br />

SLAB LINE<br />

2 00.0000<br />

2 53.5330<br />

2 00.0000<br />

2 53.5330<br />

2 00.0000<br />

TRANSOM LINE<br />

2 00.0000<br />

TRANSOM LINE<br />

SLAB LINE<br />

SLAB LINE<br />

TRANSOM LINE<br />

TRANSOM LINE<br />

SLAB LINE<br />

SLAB LINE<br />

SLAB LINE<br />

SLAB LINE<br />

TRANSOM LINE<br />

TRANSOM LINE<br />

SLAB LINE<br />

SLAB LINE<br />

50<br />

49<br />

50<br />

49<br />

171<br />

50<br />

2<br />

171<br />

49<br />

50<br />

2<br />

49<br />

179<br />

250<br />

179<br />

248<br />

250<br />

248<br />

50<br />

49<br />

50<br />

49<br />

50<br />

49<br />

50<br />

49<br />

171<br />

103<br />

2<br />

171<br />

103<br />

2<br />

179<br />

250<br />

179<br />

248<br />

250<br />

248<br />

SECTION SECTION<br />

1000.00<br />

FINISHED FLOOR LEVEL<br />

24 MM TGU GLASS<br />

171<br />

1000.00<br />

EPDM GLASS GASKET<br />

COVER PLATE<br />

PRESSURE PLATE<br />

EPDM GASKET<br />

SCHÜCO AF UDC 80 FEMALE TRANSOM<br />

MODIFIED VERSION (INCLINED)<br />

EPDM GLASS GASKET<br />

SMOKE BARRIER<br />

50<br />

49<br />

1600.00<br />

FIRE STOP<br />

179<br />

248<br />

1600.00<br />

HOOK BRACKET<br />

PEDESTAL<br />

250<br />

ANCHOR BOLT M12 HSA GALVANISED<br />

STEEL BASEPLATE<br />

700.00<br />

130 MM SOFT<br />

INSULLATION<br />

SUSPENDED CEILING STAND<br />

700.00<br />

2 MM METAL SHEET<br />

SDUSPENDED CEILING<br />

1450.00<br />

1450.00<br />

1450.00<br />

24 MM TGU LAMINATED GLASS<br />

Detail3- Inclined facade - section<br />

1450.00<br />

1450.00<br />

1450.00<br />

FINISHED FLOOR LEVEL<br />

24 MM TGU LAMINATED GLASS<br />

plan- section _ elevation of the inclined units<br />

EPDM GLASS GASKET<br />

COVER PLATE<br />

PRESSURE PLATE<br />

EPDM GASKET<br />

SCHÜCO AF UDC 80 FEMALE TRANSOM<br />

MODIFIED VERSION (INTERSECTION)<br />

EPDM GLASS GASKET<br />

HOOK BRACKET<br />

39<br />

50<br />

171<br />

95<br />

2<br />

EPDM GASKET<br />

STEEL L-BRACKET<br />

179<br />

EPDM GASKET<br />

SCHÜCO AF UDC 80 FEMALE TRANSOM<br />

MODIFIED VERSION (INCLINED)<br />

RCC FLOOR<br />

PEDESTAL<br />

STEEL BASEPLATE<br />

ANCHOR BOLT M12 HSA GALVANISED<br />

250<br />

231<br />

47<br />

2<br />

103<br />

EPDM GASKET<br />

SUSPENDED CEILING STAND<br />

47<br />

CURTAIN WALL<br />

130 MM SOFT INSULLATION<br />

6<br />

4<br />

4<br />

4<br />

6<br />

EPDM GASKET<br />

170<br />

EPDM GLAZING GASKET<br />

PRESSURE PLATE<br />

ALUMINIUM TGU GLASS SPACER<br />

TRIPLE GLAZING<br />

EPDM GLAZING GASKET<br />

MULLION COVER CAP<br />

Detail1- Inclined horzontal profile- section and 3D<br />

2 MM METAL SHEET<br />

SDUSPENDED CEILING<br />

24 MM TGU LAMINATED GLASS<br />

Detail 4- Juction of the inline and straight profile - section<br />

EPDM GASKET<br />

EPDM GASKET<br />

SCHÜCO AF UDC 80 FEMALE TRANSOM MODIFIED VERSION<br />

(INTERSECTION)<br />

49<br />

2<br />

95<br />

EPDM GASKET<br />

39<br />

4 4 4<br />

6<br />

6<br />

170<br />

EPDM GASKET<br />

PRESSURE PLATE<br />

EPDM GLAZING GASKET<br />

ALUMINIUM TGU GLASS SPACER<br />

EPDM GLAZING GASKET<br />

MULLION COVER CAP<br />

TRIPLE GLAZING<br />

Detail 2- Juction of the inline and straight profile - section and 3D<br />

Detail 3<br />

Detail 4<br />

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MID <strong>Design</strong> Concepts<br />

Dockland Office Building: Hamburg, Germany<br />

Aysegül Gürleyen, Rodolph Naalabend<br />

The seven-story Dockland office building stands<br />

proudly atop 3,000 square meters of recently<br />

reclaimed land along the Elbe. Drawing inspiration<br />

from maritime themes, the architects at Bothe<br />

Richter Teherani envisioned a design reminiscent<br />

of shipbuilding. Completed in 2005, the form of<br />

the parallelogram-shaped building reflects the<br />

majestic bow of a ship floating on the river. With<br />

its fully glazed façade, it makes this association by<br />

using a 66-degree slope 47 metres above the river.<br />

To counteract horizontal forces along the „long“<br />

axis, steel compression and tension members are<br />

prominently displayed on the north and south<br />

double-skin facades.<br />

In the project, the facade of the building extending<br />

to the Elbe at an angle of 66 degrees was taken into<br />

consideration. The existing facade is approximately<br />

18 meters wide and extends at an angle for 45<br />

meters. This façade is divided into 11 sections<br />

horizontally and 3 sections vertically on each floor.<br />

There are spandrel glasses in front of the slabs.<br />

to window profiles from inside the building. As<br />

a window system, Jansen Arte 66 system was<br />

preferred because it will be compatible with the<br />

VISS system and has a narrow face.<br />

Although the facade is not exposed to direct<br />

sunlight due to its angle, it causes glare from time<br />

to time due to the angle made by the sun during<br />

the day. Schüco Integral Master sunshading system<br />

was preferred because it has a narrow face and also<br />

works integrated with the window.<br />

Due to the angle of the facade, special angled<br />

anchors were designed in order to connect the<br />

facade panels to the slabs and the connections<br />

welded into the facade steel profiles were mounted<br />

to these anchors. Fire resistant aluminum<br />

composite panels were used on the upper and<br />

lower ends of the facade.<br />

In the reinterpreted façade, it was aimed to reduce<br />

the horizontal divisions to 9, and the vertical<br />

divisions between the slabs were divided into 3.<br />

Insulated panels were preferred in front of the<br />

slabs in terms of lightness considering the angle<br />

of the facade. It was decided to make the facade<br />

with a steel stick system due to the weight of the<br />

glass and facade profiles in terms of load bearing.<br />

Considering the relationship of the building with<br />

the Elbe River, all steel profiles and anchors to be<br />

used on the facade were decided to be used as<br />

hot dip galvanized steel for corrosion protection.<br />

As a profile system, Jansen VISS Basic system was<br />

preferred as it is compatible with standard steel<br />

profiles.<br />

The assembly phase plays an important role<br />

in the facade design. In order to facilitate<br />

the assembly, the facade was designed to be<br />

prefabricated and assembled in sections and<br />

then the glasses were designed to be assembled<br />

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MID <strong>Design</strong> Concepts<br />

One World Trade Center: New York, USA<br />

Ghazaleh Valipour, Lama Ibrahim<br />

One World Trade Center, also known as the Freedom<br />

Tower, is an iconic skyscraper located in Lower<br />

Manhattan, New York City. One World Trade Center<br />

is the tallest building in the Western Hemisphere,<br />

soaring to a height of 541 meters including its<br />

antenna. It comprises 104 floors above ground,<br />

with a striking design that blends cutting-edge<br />

architecture with nods to the original Twin Towers.<br />

Completed in 2013, it serves as a hub for business,<br />

commerce, and tourism, featuring office spaces, an<br />

observation deck, restaurants, and more.<br />

The unitized facade system of One World Trade<br />

Center is a modern construction technique that<br />

involves prefabricating curtain wall panels offsite<br />

into modular units. These units are then<br />

transported to the construction site and installed<br />

onto the building‘s steel frame structure.<br />

The facade panels of One World Trade Center are<br />

not purely vertical but are angled slightly inward<br />

as they ascend. This subtle tapering effect helps to<br />

visually unify the building‘s form while also improving<br />

aerodynamic performance and wind resistance.<br />

integration between typical façade components<br />

such as insulated external glazing, an internal screen,<br />

and the building’s mechanical ventilation system.<br />

Offering a dynamic solution, the ACT Facade enables<br />

precise control over both heat gains and exterior<br />

views. Its performance significantly surpasses that<br />

of traditional interior glare protection screens.<br />

Remarkably, its streamlined design requires fewer<br />

materials during production, thus minimizing<br />

environmental impact.<br />

Moreover, for the design of a high-rise building in<br />

New York City which is subject to hurricanes and<br />

high wind pressure, some considerations should<br />

be taken into account. One of them is the drainage<br />

issue for the façade as it is inclined upwards. For<br />

that, the transom should be customized which<br />

creates a challenge for the corner connection of the<br />

unitized façade. A new connection method also was<br />

introduced to tackle this issue.<br />

The facade of One World Trade Center mainly<br />

consists of glass panels, offering reflective surfaces<br />

that mirror the surrounding skyline. While this<br />

reflective feature enhances the building‘s visual<br />

appeal, it has also posed challenges for its<br />

surroundings. Particularly, at different times of<br />

the day and under varying lighting conditions,<br />

the reflective surfaces have caused issues for<br />

nearby buildings and pedestrians due to glare and<br />

excessive brightness.<br />

To mitigate the sun glare issue caused by the<br />

reflective surfaces of One World Trade Center, an<br />

ACT (Active Cavity Transition) system was proposed.<br />

the Active Cavity Transition (ACT) Facade has<br />

been introduced as a further development of the<br />

conventional double skin façade. ACT Facade is<br />

an adaptive façade system that is comprised of an<br />

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20 Fenchurch Street: London, England<br />

Amrani Chemseddine, Harishankar Kallepalli<br />

In London‘s dynamic cityscape, the 20 Fenchurch<br />

Street skyscraper, affectionately known as<br />

the „Walkie Talkie,“ epitomizes the challenges<br />

and innovations of urban development and<br />

architectural design. This distinctive building, with<br />

its unique facade and geometry, has become the<br />

focus of a student project exploring the intricate<br />

challenges of designing building facades in today‘s<br />

urban environments and proposing solutions to<br />

these issues.<br />

The „Walkie Talkie“ features a full-glazed facade<br />

utilizing a unitized curtain wall system, accentuated<br />

by vertical fins on its east and west facades. Its<br />

design includes concave facades facing north and<br />

south, and convex facades to the east and west,<br />

contributing to the building‘s visual identity and<br />

sparking discussions on the impact of innovative<br />

architecture in densely populated areas.<br />

Despite its acclaim, the building faced criticism<br />

for unintended consequences of its design. The<br />

south-facing parabolic facade concentrated<br />

sunlight onto the streets below at certain times,<br />

raising temperatures and causing damage. This<br />

„Walkie-Scorchie“ phenomenon underscored the<br />

unexpected challenges of avant-garde designs.<br />

demonstrating the detailed problem-solving<br />

modern architecture demands.<br />

The installation of horizontal louvers, while<br />

addressing the sunlight reflection issue, introduced<br />

thermal bridging challenges, highlighting the<br />

delicate balance between solving one problem<br />

and potentially creating another. This aspect<br />

of the project emphasized the importance of<br />

careful consideration and innovative thinking in<br />

architectural design.<br />

This exploration of the „Walkie Talkie“ and its design<br />

challenges contributes to a broader conversation<br />

about integrating bold architectural designs into<br />

urban landscapes. It showcases the need for<br />

foresight, innovation, and adaptability in developing<br />

buildings that not only make a statement but<br />

also harmonize with their surroundings and the<br />

communities within them. Through this project, the<br />

complexities of modern urban facade design are<br />

brought to light, offering insights and solutions for<br />

future architectural endeavors.<br />

Diego Delso (CC BY)<br />

The project explored solutions to mitigate<br />

these negative impacts while preserving the<br />

building‘s architectural vision. Options like<br />

anti-reflective coatings and tinted glass were<br />

considered, but horizontal louvers were chosen<br />

for their effectiveness and minimal aesthetic<br />

disruption. This solution exemplified the need<br />

for balancing functionality with architectural<br />

significance.<br />

Addressing the curtain wall‘s design challenges,<br />

especially due to the building‘s unique shape,<br />

required custom solutions like specially<br />

designed gaskets and corner units. These<br />

adaptations ensured water tightness and<br />

integrated the complex facade geometries,<br />

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5. EVENTS PAST EVENTS<br />

Detmold Conference Week 2023<br />

Detmold, November 14th-16th, 2023 https://dcw.ids-research.de/<br />

• DCW 2023 - Day 1: Wandel oder nur Krise?<br />

/ Transformation or just crisis?<br />

The first conference day opened with words by<br />

Prof. Dr. Uta Pottgiesser and Prof. Oliver Hall,<br />

centered on the theme of change in the face of<br />

crises. Prof. Dr. Klaus Schafmeister explored<br />

the conditions necessary for effective change,<br />

highlighting the gap between knowledge and<br />

action. Prof. Dr. Jörg Felmeden discussed<br />

transforming water management systems, and<br />

learning from water crises. The session then<br />

shifted to circularity and heritage. Christine Kousa<br />

focused on post-war preservation in Aleppo,<br />

and Dr. Anica Dragutinovic discussed the role of<br />

spatial images and collective memory in urban<br />

planning. The day concluded with a panel debate<br />

and an evening lecture on residential medicine by<br />

Prof. Dr. Manfred Pilgramm<br />

• DCW 2023 Day 2: Wohnmedizinisches<br />

Symposium - „Lärm“ / Residential<br />

Medicine Symposium - „Noise“<br />

The second conference day was a deep dive<br />

into environmental noise management, with the<br />

contributions of with Prof. Dr.-Ing. Christoph<br />

Nolte and Dipl.-Ing. Jürgen Lange discussing the<br />

evolution of standards in sound insulation against<br />

external noise, including practical applications<br />

in external wall constructions. Prof. Dr. Malte<br />

Kob of Erich-Thienhaus-Institut of the HfM -<br />

Detmold University of Music explored the impact<br />

of room acoustics on sound quality, referencing<br />

key standards and offering solutions to acoustic<br />

challenges.<br />

The focus shifted in the afternoon to sustainability,<br />

with discussions on the use of moors and cattails as<br />

sustainable building materials, featuring insights<br />

from Prof. Dr. Heinrich Wigger, Friedel Heuwinkel<br />

and Maximilian Rentz. The day concluded with<br />

Ulrich Burmeister addressing the role of moors<br />

in climate protection, emphasizing the need<br />

for education and sustainable management<br />

strategies.<br />

• DCW 2023 Day 3: European Facade Network<br />

Conference: History and Future of Façades<br />

https://www.europeanfacadenetwork.eu/event/save-thedate-european-facade-network-conference-in-detmold/<br />

Celebrating 15 years of the Façade <strong>Design</strong> Master<br />

program, the EFN Conference was held once again<br />

in Detmold, opening with words of Prof. Dr. Uta<br />

Pottgiesser, followed by the keynote speakers. Prof.<br />

Dr. Ulrich Knaack who was involved in the creation<br />

of the Master of Façade, as well as the creation of<br />

the former ConstructionLab (later merged into<br />

the Institute for <strong>Design</strong> <strong>Strategies</strong>) provided an<br />

overview of the history of the EFN and its progress<br />

throughout the past decade. Next, Oliver Hans<br />

talked about current industry trends with a focus on<br />

the reduction of embodied carbon.<br />

The second session entitled Innovation in the<br />

Façade Industry included presentations by Prof.<br />

Dr. Linda Hildebrand, Susanna Noureddine, and<br />

Dima Othman, focusing on glass, timber, and other<br />

sustainable façade elements.<br />

The afternoon session focused on sustainable<br />

development with insights on the conservation of<br />

non-iconic modern buildings by Prof. Dr. Andreas<br />

Putz, followed by Dr. Holger Strauss discussing the<br />

implementation of the <strong>Sustainable</strong> Development<br />

Goals in the façade industry. Then, the importance<br />

of integrating historical and environmental<br />

considerations in façade design was discussed by<br />

Prof. in Dr. Aslıhan Ünlü and İdil Erdemir Kocagil.<br />

The last session included a talk about future<br />

façade technologies by Paul Denz, followed by<br />

Alvaro Balderrama presenting the first edition of<br />

„<strong>Sustainable</strong> Façades“, a new Special Issue of the<br />

<strong>Design</strong> <strong>Strategies</strong> magazine of TH OWL. Then, Prof.<br />

Daniel Arztmann discussed the Vitruvian Honors and<br />

Awards from the Façade Tectonics Institute. Finally,<br />

the event concluded and the conference speakers<br />

were invited to Strate’s Brauhaus, a traditional local<br />

restaurant in the historical city center of Detmold.<br />

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Aslıhan Ünlü & İdil Erdemir Kocagil (Ozyegin University)<br />

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Photos: Florian Zander<br />

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UPCOMING EVENTS<br />

Façade Fabrication Workshop at Schüco<br />

The Future Envelope 15: Circularity Now!<br />

Bielefeld, December 7th, 2023<br />

Students of the third semester of the MID<br />

Façade program participated in a theoretical<br />

and hands-on workshop at Schüco in<br />

Bielefeld, offering valuable insights into façade<br />

innovations.<br />

The day started with a lecture focusing on Addon<br />

Construction (AOC) system, the Grid to Shell<br />

(G2S) system for free-form architecture, and<br />

the FACID (Flexible Façade) system.<br />

Following the lecture, they participated in<br />

hands-on activities in the workshop area of<br />

Schüco, building mock-up physical models of<br />

AOC, and learning assembly techniques such<br />

as cutting gaskets and applying adhesives.<br />

Additionally, nodes and connections for G2S<br />

profiles were examined.<br />

Finally, students visited the Welcome Forum;<br />

Schüco’s showroom which showcases the<br />

latest technology and systems available in the<br />

market.<br />

Conference on Building Envelopes<br />

Delft, May 28th, 2024<br />

Info: FutureEnvelope-BK@TUDelft.nl<br />

https://www.tudelft.nl/bk/over-faculteit/<br />

afdelingen/architectural-engineering-andtechnology/organisatie/leerstoelen/design-ofconstruction/conferences/future-envelope-15<br />

The Faculty of Architecture and the Built<br />

Environment at TU Delft will host The Future<br />

Envelop 15: Circularity Now! conference focused<br />

on sustainable and circular building envelopes.<br />

FE15 will focus on the status quo of research<br />

related to circular building products but also on<br />

ways of accelerating and scaling up the transition.<br />

Building products are the basic components of<br />

the built environment and thus central to the<br />

circular transition.<br />

Detmolder Räume 2024<br />

Photos: Najmeh Najafpour<br />

Detmold, 3-7th June, 2024<br />

Info: https://www.detmolddesigntransfer.online/<br />

detmolder-raeume<br />

Workshop: Façade Re-Form<br />

Following this year‘s theme of the Detmolder<br />

Räume: „Re-Form“, a workshop will be offered<br />

to explore the complexity of façade adaptability<br />

to environmental stressors and social needs in<br />

different climatic conditions. This hybrid workshop<br />

will be organized in collaboration with our academic<br />

partners from Ozyegin University in Istanbul,<br />

Turkey, and the online participation of Architecture<br />

faculty and students from Universidad Católica<br />

Boliviana in Santa Cruz, Bolivia. The students will<br />

be organized in groups and receive technical data<br />

from existing buildings. Their task is to analyze the<br />

performance of the building envelope and, propose<br />

new solutions for adapting it to new conditions<br />

and raising challenges. Finally, detailed 1:10 scale<br />

models will be produced, accompanied by a poster<br />

to illustrate the results. The aim is that participants<br />

deepen their understanding of façade design,<br />

particularly in terms materials and how they affect<br />

thermal, acoustic, visual and air quality comfort,<br />

as well as fire protection, moisture control, energy<br />

efficiency and carbon footprint.<br />

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IMPRINT<br />

Publisher<br />

OWL University of Applied Sciences<br />

and Arts<br />

IDS Institute for <strong>Design</strong> <strong>Strategies</strong><br />

Emilienstrße 45, D-32756 Detmold,<br />

Germany<br />

Editors<br />

Alvaro Balderrama<br />

Prof. Daniel Arztmann<br />

Editing, layout and graphics<br />

Alvaro Balderrama<br />

Najmeh Najafpour<br />

Cover<br />

Alvaro Balderrama<br />

Contributions and illustations<br />

The authors contributing to this<br />

report are indicated in each individual<br />

work. For this first issue, authors<br />

were invited by the Editorial Team<br />

directly. The contributions published<br />

in this report are the responsibility of<br />

the authors.<br />

Unless otherwise indicated, the<br />

illustrations are the property of the<br />

respective authors.<br />

Teaching department:<br />

Façade Construction<br />

Prof. Daniel Arztmann<br />

Contact:<br />

IDS Institute for <strong>Design</strong> <strong>Strategies</strong><br />

OWL University of Applied Sciences<br />

and Arts<br />

Emilienstraße 45, D-32756 Detmold<br />

E-Mail: ids@th-owl.de<br />

Web: www.th-owl.de/ids<br />

<strong>Sustainable</strong> Façades<br />

volume 2 ISSN 2943-4467<br />

IMPRINT<br />

<strong>Design</strong> <strong>Strategies</strong> <strong>IMPULSE</strong> – <strong>Sustainable</strong> Façades 04.2024


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