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Maintaining Audio Quality in the Broadcast Facility 2011 - Orban

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Table of Contents<br />

MAINTAINING AUDIO QUALITY IN THE BROADCAST FACILITY..................................................... 1<br />

Introduction .............................................................................................................................. 1<br />

PART 1: RECORDING MEDIA.......................................................................................................... 4<br />

Compact Disc ........................................................................................................................... 4<br />

<strong>Quality</strong> Control <strong>in</strong> CD Transfers.............................................................................................. 7<br />

CD-R and CD-RW, DVD±R, DVD±RW, DVD-A, HD-DVD, Blu-ray...................................... 9<br />

Digital Tape............................................................................................................................ 10<br />

Hard Disk Systems.................................................................................................................. 11<br />

Flash RAM.............................................................................................................................. 11<br />

Data Compression .................................................................................................................. 12<br />

PART 2: SYSTEM CONSIDERATIONS ............................................................................................. 20<br />

Wir<strong>in</strong>g and Ground<strong>in</strong>g ........................................................................................................... 20<br />

Headroom............................................................................................................................... 22<br />

Bit Accuracy ........................................................................................................................... 25<br />

Meter<strong>in</strong>g ................................................................................................................................. 26<br />

Measur<strong>in</strong>g and Controll<strong>in</strong>g Loudness .................................................................................... 27<br />

Speech/Music Balance............................................................................................................ 30<br />

Electronic <strong>Quality</strong>................................................................................................................... 31<br />

The Arbitron® PPM (Portable People Meter) ....................................................................... 38<br />

PART 3: THE PRODUCTION STUDIO.............................................................................................. 40<br />

Choos<strong>in</strong>g Monitor Loudspeakers............................................................................................ 40<br />

Loudspeaker Location and Room Acoustics........................................................................... 41<br />

Loudspeaker Equalization ...................................................................................................... 42<br />

Stereo Enhancement ............................................................................................................... 44<br />

O<strong>the</strong>r Production Equipment.................................................................................................. 44<br />

Production Practices .............................................................................................................. 45<br />

PART 4: EQUIPMENT FOLLOWING OPTIMOD ............................................................................. 47<br />

STL.......................................................................................................................................... 47<br />

FM Exciter.............................................................................................................................. 47<br />

FM Transmitter ...................................................................................................................... 48<br />

FM Antenna............................................................................................................................ 49<br />

AM Transmitter ...................................................................................................................... 49<br />

AM Antenna............................................................................................................................ 49<br />

DAB/ HD Radio / Netcast<strong>in</strong>g Encoders.................................................................................. 50<br />

SUMMARY ................................................................................................................................... 51<br />

APPENDIX: ANALOG MEDIA ........................................................................................................ 53<br />

V<strong>in</strong>yl Disk ............................................................................................................................... 53<br />

Analog Tape............................................................................................................................ 58<br />

Tape Recorder Ma<strong>in</strong>tenance: ................................................................................................. 61<br />

Record<strong>in</strong>g Your Own Alignment Tapes .................................................................................. 64<br />

“Sticky Shed Syndrome” ........................................................................................................ 65<br />

Cartridge Tape Mach<strong>in</strong>e Ma<strong>in</strong>tenance: ................................................................................. 66<br />

ABOUT THE AUTHORS ................................................................................................................. 67

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