Maintaining Audio Quality in the Broadcast Facility 2011 - Orban
Maintaining Audio Quality in the Broadcast Facility 2011 - Orban
Maintaining Audio Quality in the Broadcast Facility 2011 - Orban
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Table of Contents<br />
MAINTAINING AUDIO QUALITY IN THE BROADCAST FACILITY..................................................... 1<br />
Introduction .............................................................................................................................. 1<br />
PART 1: RECORDING MEDIA.......................................................................................................... 4<br />
Compact Disc ........................................................................................................................... 4<br />
<strong>Quality</strong> Control <strong>in</strong> CD Transfers.............................................................................................. 7<br />
CD-R and CD-RW, DVD±R, DVD±RW, DVD-A, HD-DVD, Blu-ray...................................... 9<br />
Digital Tape............................................................................................................................ 10<br />
Hard Disk Systems.................................................................................................................. 11<br />
Flash RAM.............................................................................................................................. 11<br />
Data Compression .................................................................................................................. 12<br />
PART 2: SYSTEM CONSIDERATIONS ............................................................................................. 20<br />
Wir<strong>in</strong>g and Ground<strong>in</strong>g ........................................................................................................... 20<br />
Headroom............................................................................................................................... 22<br />
Bit Accuracy ........................................................................................................................... 25<br />
Meter<strong>in</strong>g ................................................................................................................................. 26<br />
Measur<strong>in</strong>g and Controll<strong>in</strong>g Loudness .................................................................................... 27<br />
Speech/Music Balance............................................................................................................ 30<br />
Electronic <strong>Quality</strong>................................................................................................................... 31<br />
The Arbitron® PPM (Portable People Meter) ....................................................................... 38<br />
PART 3: THE PRODUCTION STUDIO.............................................................................................. 40<br />
Choos<strong>in</strong>g Monitor Loudspeakers............................................................................................ 40<br />
Loudspeaker Location and Room Acoustics........................................................................... 41<br />
Loudspeaker Equalization ...................................................................................................... 42<br />
Stereo Enhancement ............................................................................................................... 44<br />
O<strong>the</strong>r Production Equipment.................................................................................................. 44<br />
Production Practices .............................................................................................................. 45<br />
PART 4: EQUIPMENT FOLLOWING OPTIMOD ............................................................................. 47<br />
STL.......................................................................................................................................... 47<br />
FM Exciter.............................................................................................................................. 47<br />
FM Transmitter ...................................................................................................................... 48<br />
FM Antenna............................................................................................................................ 49<br />
AM Transmitter ...................................................................................................................... 49<br />
AM Antenna............................................................................................................................ 49<br />
DAB/ HD Radio / Netcast<strong>in</strong>g Encoders.................................................................................. 50<br />
SUMMARY ................................................................................................................................... 51<br />
APPENDIX: ANALOG MEDIA ........................................................................................................ 53<br />
V<strong>in</strong>yl Disk ............................................................................................................................... 53<br />
Analog Tape............................................................................................................................ 58<br />
Tape Recorder Ma<strong>in</strong>tenance: ................................................................................................. 61<br />
Record<strong>in</strong>g Your Own Alignment Tapes .................................................................................. 64<br />
“Sticky Shed Syndrome” ........................................................................................................ 65<br />
Cartridge Tape Mach<strong>in</strong>e Ma<strong>in</strong>tenance: ................................................................................. 66<br />
ABOUT THE AUTHORS ................................................................................................................. 67