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WD200711ZA-sm.pdf

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HEAVENLY 1080i<br />

Even though it records<br />

the same number of<br />

pixels (1,920 x 1,080)<br />

as other HD camcorders,<br />

the HV20’s picture<br />

looks sharper. Its<br />

colors are also dead-on<br />

—vibrant, but without<br />

that oversaturated,<br />

radioactive look.<br />

STIRRING, NOT<br />

SHAKEN The HV20<br />

has the best optical<br />

image stabilization of<br />

any camera we tested,<br />

keeping handheld shots<br />

<strong>sm</strong>ooth and steady.<br />

Autofocus is nearinstantaneous,<br />

too, so<br />

you capture everything<br />

as it happens.<br />

AWESOME AUDIO<br />

Most onboard camcorder<br />

microphones are<br />

mediocre at best, but<br />

the HV20 is one of the<br />

few consumer cams that<br />

let you attach a better<br />

mic, along with a pair of<br />

headphones to monitor<br />

audio as you record.<br />

SCORSESE STYLE<br />

A special mode captures<br />

video at a film-quality<br />

rate of 24 frames per<br />

second. This doesn’t<br />

mean your footage will<br />

look just like Taxi Driver,<br />

but it can give it a richer,<br />

more cinematic feel.<br />

CUT AND RUN<br />

The HV20 records in<br />

the HDV format, which<br />

many video-editing<br />

programs support right<br />

out of the box. That’s<br />

not always the case:<br />

Some camera formats<br />

need conversion<br />

before editing, while<br />

others aren’t editable<br />

at all, depending<br />

on your software.<br />

$1,099 • usa.canon.com

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