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Press File - Kunstenfestivaldesarts

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Monsieur,<br />

We make bold to obtrude ourselves on Your attention<br />

even as You are very busy with Your glorious pursuits<br />

and we are painfully aware of submitting to the country a<br />

poorly balanced matter.<br />

Nothing is greater or more splendid than the Name we<br />

dare to mention at the head of this work and nothing is<br />

baser than the latter's content.<br />

Every one will judge this match quite strange and some<br />

will even say, to hint at its flaws, that it is not unlike<br />

crowning a terracotta statue with diamonds and pearls or<br />

leading a visitor through impressive porticoes and<br />

triumphal arches to reach a hovel.<br />

And yet we dared, Monsieur, dedicate to You this nullity,<br />

this entertainment that pales besides Your magnificence,<br />

but that we contrived for Your amusement.<br />

This paltry work was composed after the writings of Jean-Baptiste Poquelin, the 17 th -century<br />

playwright whom You probably know better as Molière.<br />

In the light of Your glorious fatigue and Your victorious accomplishments it is only justice that<br />

those who pretend to strut the stage work either to praise You or to amuse You. We have tried<br />

to do so, in the humble and sincere hope that You will find it in your heart to feel kindly disposed<br />

towards this modest work.<br />

If we are unable to present You with an effort measuring up to Your resplendence, it will not be<br />

owing to any imperfections on the part of the audience, nor to any lack of zeal or study on the<br />

part of the thespians, but only to the mischance that often arises out of the best intentions, and<br />

that doubtless distresses considerably.<br />

Your most humble, most obedient and most faithful servants and subjects,<br />

La Troupe imaginaire<br />

Poquelin<br />

or Les Fourberies de la Troupe imaginaire<br />

created for the entertainment of Monsieur<br />

in the month of May 2003, the 21 st<br />

and given its first public performance in Brussels<br />

at the Théâtre de la Lune<br />

Arranged marriages, doomed love affairs, doctors, imaginary doctors, philosophers, imaginary<br />

philosophers, good manners, imaginary good manners, cuckolds, imaginary cuckolds, adultery,<br />

criticism, hiding and snooping about, asides, footmen and maids, feminists, misunderstandings,<br />

dances, music, masks, floggings, ladies and gentlemen, wenches and women, rakes and<br />

simpletons, apples and pears, misers and coffers, invalids and imaginary invalids, comedians,<br />

one-act pieces and farce, comedy and ballet, sons and daughters, fathers and mothers, sonnets<br />

and poems, poetry and prose, letters and intrigue, assault and battery, eating and drinking,<br />

stuffing oneself and stinking, wigs and bald pates, whiskers and beards, trial and error, tables<br />

and chairs, sitting and reclining, enter and exit –<br />

With, among others, Chrysalde, Philaminte, Ariste, Bélise, Armande, Henriette, Martine, L'épine,<br />

Clitandre, Vadius, Julien, Organte, Géronte, Octave, Léandre, Silvestre, Hyacinte, Nérine,<br />

Zerbinette, Lucile, Nicole, Cléonte, Covielle, Dorante, Dorimène, Argante, Béline, Angélique,<br />

Béralde, Louison, Cléante, Thomas, Dom Louis, Elvire, Carlos, Alonse, Violette, Frosine,<br />

Ragotin, Mathurine, Charlotte, Orgon, Elmire, Damis, Marianne, Valère, Dorine, Isabelle,<br />

Léonore, Lisette, Julie, Andrée, Jeannot, Criquet<br />

By Adrien Albert de La Cour-Jardin, Damis Albert Porte-Plume, François Gérard du Carrefour,<br />

Miss Yolande Valentine Bougies-Faiteur, Miss Natalie Marie Brioche, Miss Sara Alphonsine la<br />

Corbusière, Miss Christine Madeleine En-Bédroite.<br />

40

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