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Gallery of Modern Art, Brisbane, Australia - Queensland Art Gallery

Gallery of Modern Art, Brisbane, Australia - Queensland Art Gallery

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Candice BREITZ<br />

b.1972 South Africa<br />

Lives and works in Braunschweig, Germany<br />

Candice Breitz disassembles and reconstructs products from the entertainment industry with an eloquence,<br />

sophistication and clarity that places the viewer in a critically engaged relationship with popular culture. Her video<br />

installations imitate the visual languages <strong>of</strong> contemporary pop culture and the phenomenon <strong>of</strong> micro-celebrity<br />

synonymous with YouTube. Often appropriating, splicing and remixing footage taken from film, television and music<br />

videos, her approach combines a critique <strong>of</strong> consumerism with the uncritical enthusiasm <strong>of</strong> a fan.<br />

Olaf BREUNING<br />

b.1970 Switzerland<br />

Lives and works in New York, United States<br />

Based in New York since 2001, Olaf Breuning has created a body <strong>of</strong> work ranging across video, sculpture, drawing,<br />

photography and installation. His work is steeped in popular culture and humorously underlines the artifice behind wellknown<br />

movies and cultural icons. In the spirit <strong>of</strong> Dada, Breuning's practice draws directly from, and comments on, the<br />

vast circulatory and viral nature <strong>of</strong> contemporary media. He uses humour to capture and halt our attention with images<br />

that are familiar but made strange, funny, absurd and, at times, poignant.<br />

Frédéric BRULY BOUABRE<br />

b.c.1923 Côte d’Ivoire<br />

Lives and works in Abidjan, Côte d’Ivoire<br />

Frédéric Bruly Bouabré is a major figure in contemporary West African art and is one <strong>of</strong> a group <strong>of</strong> senior artists included<br />

in the exhibition whose work has had continued relevance and influence in the 21st Century. Since the 1970s, Bouabré<br />

has transferred his thoughts and research to postcard-sized drawings, which are gathered together under the title<br />

'Connaissance du Monde' ('Knowledge <strong>of</strong> the World').<br />

Jake & Dinos CHAPMAN<br />

Jake Chapman / b.1966 United Kingdom<br />

Dinos Chapman / b.1962 United Kingdom<br />

Live and work in London<br />

Brothers Jake and Dinos Chapman came to prominence in the mid 1990s alongside their ‘Young British <strong>Art</strong>ist’ peers,<br />

including Damien Hirst, Tracey Emin and Marc Quinn. Since then, they have collaborated on a provocative and<br />

influential body <strong>of</strong> work that confronts our standards <strong>of</strong> morality and taste while also questioning the social role and value<br />

<strong>of</strong> art. The Chapman brother’s work questions the idea that art emerges from unique and original creative thoughts: they<br />

regard their art practice as being situated within an ongoing process <strong>of</strong> exchange with existing images and forms in both<br />

contemporary and historical visual culture.<br />

Claude CLOSKY<br />

b.1963 France<br />

Lives and works in Paris<br />

Claude Closky’s art practice draws on the flow <strong>of</strong> images, logos and advertising strategies that are the face <strong>of</strong> consumer<br />

capitalism in the twenty-first century. His work points to the way in which the sign and the product become equivalent in<br />

the hyper-reality <strong>of</strong> publicity and consumerism.

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