Gallery of Modern Art, Brisbane, Australia - Queensland Art Gallery
Gallery of Modern Art, Brisbane, Australia - Queensland Art Gallery
Gallery of Modern Art, Brisbane, Australia - Queensland Art Gallery
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Arlo MOUNTFORD<br />
b.1978 England/<strong>Australia</strong><br />
Lives and works in Melbourne, <strong>Australia</strong><br />
Arlo Mountford makes digital animations that are <strong>of</strong>ten filled with art historical references. Habitually peopling his works<br />
with stick figures who rummage through the canon <strong>of</strong> twentieth-century art, he embarked in 2007 on an ambitious project<br />
to animate three paintings by Pieter Bruegel the Elder: The hunters in the snow 1565, The harvesters 1565 and<br />
Landscape with the fall <strong>of</strong> Icarus c.1558. Mountford set in motion the action implied in each painting, which occurs<br />
successively as the soundtrack leads the viewer’s attention from one animation to the next.<br />
Moataz NASR<br />
b.1969 Germany<br />
Lives and works in San Francisco, United States<br />
Moataz Nasr’s combines art and cultural activism to address pan-Arab issues, <strong>of</strong>ten using the language <strong>of</strong> global media<br />
and communications. Nasr’s Propaganda fabric appliqué and embroidered wall hangings represent the design and<br />
content <strong>of</strong> United States’ propaganda leaflets, distributed over Iraq and bordering nations prior to the beginning <strong>of</strong> the<br />
second Gulf War. His re-use <strong>of</strong> propaganda materials in his art constitutes a vehicle through which we can consider the<br />
use <strong>of</strong> language and image to violent ends, as well as the effects <strong>of</strong> indifference and ignorance. These messages are<br />
transformed through Nasr’s use <strong>of</strong> appliqué — a longstanding artistic practice in Egypt. The detailing <strong>of</strong> leatherwork with<br />
figurative appliqué and decorative stitching was considered one <strong>of</strong> the highest cultural forms in ancient Egypt, figuring in<br />
both cosmogony and mythology.<br />
Rivane NEUENSCHWANDER<br />
b.1967 Brazil<br />
Lives and works in Belo Horizonte, Brazil<br />
Rivane Neuenschwander’s unique and multifaceted practice reflects on language, the natural world and the passing <strong>of</strong><br />
time. The recognition <strong>of</strong> her work Contingent 2008 that geographies are dependent on the rate <strong>of</strong> consumption is<br />
particularly resonant at a time when the globalisation <strong>of</strong> industry and climate change has brought to the fore issues <strong>of</strong><br />
responsibility to the environment and to finite resources.<br />
Chris OFILI<br />
b.1968 England<br />
Lives and works in London, England<br />
Chris Ofili’s paintings, watercolours, and assemblages came to broad attention in the 1990s and he has continued to<br />
paint and sculpt works that reflect on black culture and its portrayal. Early works featured characters from B-grade<br />
‘blaxploitation’ films and funk, hip-hop and reggae music scenes. Ofili reworks them as politically engaged superheroes<br />
expressing the need for change.<br />
Julian OPIE<br />
b.1958 England<br />
Lives and works in London, England<br />
Julian Opie is renowned for his highly simplified and effective visual language. Paradoxically, while his works employ a<br />
high degree <strong>of</strong> abstraction and abbreviation to produce a figurative image, they <strong>of</strong>ten retain a strong connection to their<br />
actual subjects. In discussing his processes, Opie has commented that 'my work isn't about paring things down but<br />
about starting from something simple and building the image up until I achieve a kind <strong>of</strong> singularity'.