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Gallery of Modern Art, Brisbane, Australia - Queensland Art Gallery

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Jana STERBAK<br />

b.1955 Czech Republic/Canada<br />

Lives and works in Montreal, Canada and Barcelona, Spain<br />

Jana Sterbak's practice encompasses sculpture, photography, performance, video and installation, and draws on a rich<br />

vein <strong>of</strong> Czech Surrealism. Her works elaborate on desire, constraint, the body, technology and artistic creation.<br />

Beat STREULI<br />

b.1957 Switzerland<br />

Lives and works in Brussels, Belgium<br />

Beat Streuli engages with the longstanding tradition <strong>of</strong> works that reflect urban life, its energy, its speed and its crowds.<br />

He presents intimate portraits taken within a public context, <strong>of</strong>fering open-ended narratives and a poignant examination<br />

<strong>of</strong> public identity and glimpsed inner life. Employing a serial, almost documentary style in his work, Streuli plays on<br />

contradictions and polarities such as the natural and the stylised, documentary and fiction, public and private.<br />

SUPERFLEX<br />

est. 1993 Denmark<br />

SUPERFLEX is a collaboration between Danish artists Bjørnstjerne Reuter Christiansen, Jakob Fenger and Rasmus<br />

Nielsen. Their practice is characterised by a high level <strong>of</strong> social engagement and responds to a range <strong>of</strong> contemporary<br />

political and social themes, including the financial markets, labour conditions, copyright law and environmentalism. They<br />

<strong>of</strong>ten involve pr<strong>of</strong>essionals from non-art disciplines in the development <strong>of</strong> their projects, which the artists describe as<br />

'tools' in both a practical, use-value or consciousness-raising sense, as well as having a conceptual or metaphorical<br />

dimension.<br />

Mitra TABRIZIAN<br />

b. Iran<br />

Lives in England<br />

Mitra Tabrizian’s large-format photographs combine techniques from documentary photography and highly stylised mise<br />

en scene to capture her subjects and settings with meticulous attention to detail and lighting.<br />

Pascale Marthine TAYOU<br />

b.1967 Cameroon<br />

Lives and works in Ghent, Belgium<br />

Pascale Marthine Tayou’s drawings, sculptures, installations, videos and performances address issues <strong>of</strong> cultural and<br />

national identity and borders in an age <strong>of</strong> global tourism, drawing on his own experiences <strong>of</strong> frequent travel. Tayou <strong>of</strong>ten<br />

works with found materials, objects and images emblematic <strong>of</strong> people’s itinerancy and circulation around the world, such<br />

as train and bus tickets, flags and postcards.<br />

THE ATLAS GROUP / WALID RAAD<br />

est. 1999 Lebanon / b.1967 Lebanon/United States<br />

The Atlas Group is a project established by artist Walid Raad in 1999 with the aim <strong>of</strong> researching and documenting the<br />

contemporary history <strong>of</strong> Lebanon, collecting and presenting what appear to be factual photographic, textual and video<br />

documents. The documentary nature <strong>of</strong> their work's content contrasts with its aestheticised presentation, ultimately<br />

leading the viewer to question the validity <strong>of</strong> the information presented. By extension, they examines broader issues <strong>of</strong><br />

authorship, legitimacy and authenticity related to the writing <strong>of</strong> history and media reportage.

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