Gallery of Modern Art, Brisbane, Australia - Queensland Art Gallery
Gallery of Modern Art, Brisbane, Australia - Queensland Art Gallery
Gallery of Modern Art, Brisbane, Australia - Queensland Art Gallery
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Sally GABORI<br />
b.c.1924 Kaiadilt people, <strong>Australia</strong><br />
Lives and works on Mornington Island, <strong>Australia</strong><br />
Sally Gabori’s paintings are widely acclaimed and admired for their vitality, immediacy and intuitive use <strong>of</strong> colour. Born<br />
into the Kaiadilt people <strong>of</strong> Bentinck Island in the southern Gulf <strong>of</strong> Carpentaria, until her early twenties she had lived an<br />
almost exclusively traditional life, gathering bush foods and fishing with the aid <strong>of</strong> the complex stone-walled fish-traps. In<br />
1948, following the effects <strong>of</strong> drought, high tide and the salination <strong>of</strong> underground freshwater stores, all Bentinck people<br />
were moved to the Methodist Mission on the larger Mornington Island. Gabori has, however, maintained a strong<br />
connection to Kaiadilt country through language, story and physical return whenever possible.<br />
Shaun GLADWELL<br />
b.1972 <strong>Australia</strong><br />
Lives and works in Sydney, <strong>Australia</strong><br />
In recent years Shaun Gladwell has gained a national and international pr<strong>of</strong>ile for his videos, which feature acts <strong>of</strong><br />
physical prowess and endurance. After an injury ended his ambitions to become a pr<strong>of</strong>essional skateboarder, Gladwell<br />
began to experiment with video, filming street subculture arts such as skateboarding, breakdancing and BMX-bike riding.<br />
Katharina GROSSE<br />
b.1961 Germany<br />
Lives and works in Berlin, Germany<br />
Katharina Grosse's work embraces many <strong>of</strong> the traditions <strong>of</strong> painting while opening it up to new possibilities and<br />
investigating its interaction with other disciplines, including drawing, performance, sculpture and architecture. Having<br />
worked predominantly with a brush in the early phase <strong>of</strong> her practice, in the late 1990s Grosse began working with a<br />
spray gun. In recent years, her works have brought together a range <strong>of</strong> painting techniques in an ongoing dialogue<br />
about gesture and paint.<br />
Fiona HALL<br />
b.1953 <strong>Australia</strong><br />
Lives and works in Adelaide, <strong>Australia</strong><br />
Fiona Hall’s practice includes major public commissions and projects that have embraced a broad range <strong>of</strong> media, and<br />
have increasingly engaged with themes <strong>of</strong> ecology, history and the effects <strong>of</strong> globalisation.<br />
Romuald HAZOUMÈ<br />
b.1962 Benin<br />
Lives and works in Porto-Novo, Benin<br />
Romuald Hazoumè's assemblages are constructed from a range <strong>of</strong> discarded materials. This 'recycling' refers to<br />
historical inequities in exchange between Africa and Europe — <strong>of</strong> slaves, <strong>of</strong> traditional artefacts being sent to Europe<br />
and the Americas over centuries, and <strong>of</strong> the contemporary phenomenon in which industrialised countries pay African<br />
nations to allow the dumping <strong>of</strong> their waste. Hazoumè creates a subversive feedback loop within this system by<br />
recycling the waste as sculpture to be exhibited in (primarily) European galleries.