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Gallery of Modern Art, Brisbane, Australia - Queensland Art Gallery

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Susanne KRIEMANN<br />

b.1972 Germany<br />

Lives and works in Berlin, Germany and Rotterdam, The Netherlands<br />

Susanne Kriemann investigates the uses <strong>of</strong> photography as a documentary and historiographic tool and has stated her<br />

interest in how ‘photographs evoke imagination and mystery about the past’. She collects not only images but historical<br />

documents, vintage photographs, books, old newspaper articles and artefacts as part <strong>of</strong> her expanded photographic<br />

practice. Her photography records historical moments or sites and is <strong>of</strong>ten imbued with particular social and ideological<br />

meanings.<br />

Yayoi KUSAMA<br />

b.1929 Japan<br />

Lives and works in Tokyo, Japan<br />

Yayoi Kusama has worked as a painter, sculptor and environmental artist for the past 50 years. She moved to the United<br />

States in 1957 where she lived and worked in New York before returning to Tokyo in 1973. Kusama has developed a<br />

motif in her work known as the ‘infinity net’, which she explores through a variety <strong>of</strong> materials and forms. She traces this<br />

motif to her early childhood experiences, in which she '. . . was <strong>of</strong>ten troubled by a thin silk-like greyish-coloured veil that<br />

came to envelop [her] . . .' Kusama uses images <strong>of</strong> nets, dots, repeated patterns and mirrors as ways <strong>of</strong> understanding<br />

and coming to terms with the vastness <strong>of</strong> life.<br />

Gabriella and Silvana MANGANO<br />

b.1972 <strong>Australia</strong><br />

Live and work in Melbourne, <strong>Australia</strong><br />

Gabriella and Silvana Mangano studied drawing separately at the Victorian College <strong>of</strong> the <strong>Art</strong>s, only later did they come<br />

together to collaborate on the videos for which they are now well-known. Drawing remains integral to the twins’ work and<br />

it <strong>of</strong>ten features in their videos. The moving image allows them to imply the drawn line in different ways too, effectively<br />

drawing with their bodies or with props such as fabric, chairs or window shutters.<br />

MANINGRIDA artists<br />

Sally Garrimarra / b.1967 <strong>Australia</strong>, Ganalbingu people<br />

Lorna Jin-Gubarangunyja / b.1952 <strong>Australia</strong>, Burarra people<br />

Shirley Malgarrich / b.1947 <strong>Australia</strong>, Burarra people<br />

Mary Nalmakarra / b.1942 <strong>Australia</strong>, Burarra people<br />

Agnes Wilinggirra / b.1943 <strong>Australia</strong>, Burarra people<br />

Pandanus fish traps are made by artists who live in and around Maningrida in north-central Arnhem Land. The<br />

Maningrida Aboriginal community occupies an area <strong>of</strong> 10,000 square kilometres, with many outlying communities where<br />

artists live. Since the first craft outlet was set up in 1967, the cultural diversity <strong>of</strong> the region has contributed to the artists’<br />

reputation for innovative, vibrant bark paintings, wooden sculptures and fibre works, ambitious in both scale and vision.<br />

LEE Mingwei<br />

b.1964 Taiwan<br />

Lives and works in San Francisco and New York, United States<br />

Lee Mingwei creates works which forge a direct connection between the artist and audience. These connections are<br />

established via creative projects where gestures <strong>of</strong> trust, dialogues with strangers, cultural exchanges and the<br />

appreciation <strong>of</strong> others are foregrounded.

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