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Masti Radio - Ofcom Licensing

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Application to <strong>Ofcom</strong><br />

For the FM Independent Local <strong>Radio</strong> Licence<br />

for<br />

MANCHESTER<br />

OCTOBER 2006<br />

1


<strong>Masti</strong> <strong>Radio</strong> Manchester Licence Application<br />

Index<br />

Page<br />

2. Index<br />

3. General Information<br />

4. Certificate of Incorporation<br />

5. Section 1 - Ownership and Control<br />

15. Section 2 - Finance and Business<br />

29. Section 3 - Transmission Proposals<br />

33. Section 4 - Format<br />

35. Section 5 - Programming<br />

54. Section 6 - Evidence of Demand<br />

66. Section 7 - Evidence of Support<br />

69. Section 8 - Declaration<br />

Confidential Appendices<br />

CA1: <strong>Ofcom</strong> Contact Information<br />

CA2: Shareholder Addresses<br />

CA3: Financial Forecasts (spreadsheet) / <strong>Ofcom</strong> Template (CA3B)<br />

CA4: Advertising and Revenue Calculations<br />

CA5: Original Asian Survey - Full Tables / Questions (CA5B)<br />

CA6: 2006 Listener Survey – Full Tables / Questions (CA6B)<br />

CA7: TSA Census Data Spreadsheet<br />

CA8: Asian Sound Monitoring 2005 / CA8B Asian Sound 2006<br />

CA9: Key 103 Monitoring Spreadsheet<br />

CA10: Galaxy 102 Monitoring Spreadsheet<br />

CA11: Technical Footnote Regarding Section 3<br />

Non-Confidential Appendices<br />

A12: A Selection of Letters of Support in 4 Volumes (A12A-D)<br />

A13: Saturday and Sunday Programme Schedules<br />

A14: Promotional Events/School Surveys in the Manchester Area<br />

A15: Examples of Music Policy Songs and Genres<br />

A16: Map of Asian Population Distribution<br />

A17: Rajar Tables<br />

2


GENERAL INFORMATION<br />

a) Name of Applicant: <strong>Masti</strong> <strong>Radio</strong> Ltd.<br />

Address: c/o Sunrise <strong>Radio</strong> (Yorkshire),<br />

Sunrise House<br />

30 Chapel Street,<br />

Little Germany,<br />

BRADFORD<br />

BD1 5DN<br />

Telephone: 01274 735043<br />

Fax: 01274 728534<br />

E-mail address: info@mastiradio.com<br />

(b) Main Contact (For Public Purposes)<br />

Name: Ms Usha Parmar<br />

Telephone (daytime): 01274 735043<br />

Address: c/o Sunrise <strong>Radio</strong> (Yorkshire),<br />

Sunrise House<br />

30 Chapel Street,<br />

Little Germany,<br />

BRADFORD<br />

BD1 5DN<br />

E-mail address: usha@mastiradio.com<br />

(c) Proposed Station Name: <strong>Masti</strong> <strong>Radio</strong><br />

(d) Main Contact (for <strong>Ofcom</strong> purposes) – See Confidential Appendix CA1<br />

3


SECTION 105(A): ABILITY TO MAINTAIN PROPOSED SERVICE<br />

1. Ownership and control of the company which will operate the licence<br />

(a) Board of Directors<br />

(i) Provide the name, occupation, other directorships, other media interests, background and<br />

relevant media experience of each director (executive and non-executive), including the<br />

proposed chairperson.<br />

Chair (Non - Executive)<br />

Name: Ms Nighat Awan O.B.E.<br />

Occupation: CEO, Shere Khan Group<br />

Other commitments: Chair, Ethnic Minority NW Development<br />

Agency; Business Champion for Business<br />

in the Community;<br />

Ambassador for the Prince’s Trust and<br />

Oxfam; Board Member of Bolton<br />

Business Ventures and Regional CBI;<br />

Fundraiser for Cancer BACUP;<br />

Speaker for Cancer Research UK<br />

Other media interests: She made a television documentary<br />

about modern day Pakistan<br />

Background and relevant experience:<br />

On winning the prestigious Outstanding Contribution Award in 2004 at the Manchester<br />

Food and Drink Festival Nighat spoke of her pride to be a “British Asian, Manchester<br />

born and bred.”<br />

Now a Regional Board member of the CBI and Chair of the Ethnic Minority North West<br />

Development Agency, she began her illustrious career aged 18 printing T-shirts in her<br />

father’s factory. Within two years she had made a name for herself in fashion through Je<br />

T’Aime, a successful chain of women’s boutiques and the floristry business Sukhi<br />

International, floristry products helping families in Bangladesh.<br />

Since moving into the restaurant trade Nighat has built an international empire -The<br />

Shere Khan Group - with world famous restaurants in Rusholme and the Trafford Centre,<br />

plus “Express Counters” in the UK and Spain. Through her award winning business<br />

acumen she has also developed the company’s own distinctive brand of curry products<br />

for supermarkets around the world including Hong Kong, Canada, Belgium and the USA.<br />

Based on Nighat’s own exacting standards, the name of the Shere Khan Group is<br />

synonymous with quality, attracting diners from all over the world including famous<br />

sporting figures, pop personalities and film stars to an environment light-years away from<br />

the stereotypical impression of an Indian restaurant as a late night eating place with<br />

dark, dated décor.<br />

5


She has been awarded many honours for her tireless efforts and sharp business sense,<br />

including the Woman of the Year 2003 category at the Asian Jewel Awards (Northern<br />

Region) and an O.B.E. for her services to export and to charity in 2004.<br />

Nighat is a philanthropist who uses her own business success story and personal health<br />

challenges to educate and inform others as she squeezes every drop out of life, having<br />

overcome near fatal throat cancer, a heart bypass and a serious motor neurone infection<br />

which left her paralysed.<br />

Inspiring people through initiatives, seminars and public speaking engagements Nighat<br />

empowers women in business, promotes business development and innovation in the<br />

North West and works hard to integrate Asian and non-Asian Businesses.<br />

She is an ambassador for Oxfam and committed to devoting much of her spare time to<br />

developing fundraising schemes for various charitable organisations to the point her<br />

2006/7 diary is jam-packed with engagements. These include the establishment of her<br />

own charitable foundation to support schools and other projects in Bangladesh, building<br />

on her previous work founding two schools, the Nighat Awan Academies for Muslims<br />

and Hindus which provide education, community support and employment opportunities<br />

for around 500 children and their families.<br />

A mother of three, Nighat is the natural choice to Chair <strong>Masti</strong> <strong>Radio</strong> because of her<br />

shining example, local roots, character and commitment to the young - a beacon to<br />

which our young listeners (and everyone else) can heed and aspire.<br />

Director: (Non – Executive)<br />

Name: Mohammed Arshad Ali<br />

Occupation: Managing Director<br />

Other directorships: Cheshire Homes (UK) Ltd.<br />

Other media interests: None<br />

Background and relevant experience:<br />

Arshad was born in Pakistan but emigrated with his family to Manchester at a young<br />

age. On leaving school he joined his father’s business in the fashion retail industry and<br />

was faced with the enormous challenge of running it at the tender age of 18 when his<br />

father sadly died. Through his characteristic ethos of honest hard work Arshad built ‘Mak<br />

1 Clothing’ into a highly successful chain of fashion retail shops, creating a mini empire<br />

on the foundations of his father’s hopes and dreams.<br />

In 1995, with great foresight, he recognised an opportunity to go into the property sector.<br />

With an initial purchase of a handful of terraced houses which he refurbished and let out,<br />

he gradually moved on to bigger and bigger projects and from strength to strength.<br />

Cheshire Homes Ltd. is now a multi-million pound company with a portfolio including<br />

over one hundred properties, comprising residential, commercial and land in the North<br />

West of England. His aim is to double the value of this portfolio in just the next 3-4 years.<br />

6


In 2004 Ashad was the proud recipient of the Business Award at the Asian Jewel<br />

Awards and was also a runner-up at the National Business Awards for the entrepreneur<br />

of the year 2005. He describes himself as a very hardworking, honest person with<br />

excellent communication skills who enjoys building good rapport with business<br />

executives and the general public alike. His achievements from a very early age show<br />

strength of character, self motivation and the drive to go on and succeed further. He is<br />

the type of individual who gives 100% in all aspects of his life be it business or in his<br />

personal interests such as swimming, squash or travelling the world.<br />

Arshad contributes his spare time as well as donating to most registered local and<br />

national charities. At present he is a trustee of a charity organisation which supplies free<br />

medicine and medical check-ups to poor patients in third world countries.<br />

With his local knowledge and interest in the North, particularly the Greater Manchester<br />

area, Arshad shares a strong affinity with the aims of <strong>Masti</strong> <strong>Radio</strong> and wants to<br />

encourage the growth of the local economy by investing in its youth. His winning<br />

experiences clearly indicate the dizzy heights that young Asian entrepreneurs can aspire<br />

to - and reach - if they are given the tools and possess strength of character, confidence<br />

and drive to succeed. <strong>Masti</strong> <strong>Radio</strong> will give a voice and a basis on which to build these<br />

tools with these youngsters.<br />

His fellow Board members at <strong>Masti</strong> <strong>Radio</strong> welcome his involvement, recognising his vast<br />

business success, acumen and commitment to the Manchester area.<br />

Director: (Executive - MD)<br />

Name: Ms Usha Parmar<br />

Occupation: Company and Managing Director<br />

Other directorships: Bradford City <strong>Radio</strong> Ltd;<br />

Club Asia (London) Ltd;<br />

Intime Promotions;<br />

Action for Business (Bradford) Ltd<br />

TVO…Ltd<br />

Other media interests: Bradford City <strong>Radio</strong> Ltd;<br />

Club Asia (London) Ltd;<br />

TVO…Ltd<br />

Background and relevant media experience:<br />

Usha Parmar is widely respected as a very successful radio executive. She combines<br />

being sales driven with being dedicated to helping the development of younger Asians.<br />

Her career in radio began 16 years ago when she moved from the computer industry to<br />

take the helm of Bradford City <strong>Radio</strong>. She transformed this loss making company into a<br />

profitable operation within three and a half years, through a combination of a focussed<br />

strategy and entrepreneurial skill. She also gained a majority shareholding, reducing the<br />

influence of Sunrise <strong>Radio</strong> London but retaining the name for local branding continuity.<br />

7


What is now Sunrise <strong>Radio</strong> (Yorkshire) is one of the most profitable and successful<br />

Asian stations outside London, with a 78% penetration of the Asian market in its TSA. It<br />

is down to Usha’s skill and determination that this station has become an essential part<br />

of the fabric of Asian life in the North of England.<br />

Her success has been recognised by her peers. In 1999 Usha was named Asian<br />

Business Entrepreneur of the Year in the first ever Asian Women of Achievement<br />

Awards. This national award was reaffirmed when she was voted Business Woman of<br />

the Year 2000 by the Asian Business Development Network, HSBC and HM Customs &<br />

Excise. She then won Business Woman of the Year 2001 sponsored by Asian Trades<br />

Link and Business Link.<br />

For three years, in 2001, 2002 and 2004, Sunrise <strong>Radio</strong> (Yorkshire) won the Ethnic<br />

Media of the Year Awards and in 2004 Usha was named Media Personality of the Year<br />

at the Asian Jewel Awards sponsored by Lloyds TSB. She has also been a member of<br />

the Lord Chancellor’s Advisory Committee.<br />

Earlier this year Usha was part of a delegation that went to Dubai and persuaded the<br />

International Indian Film Academy to bring their highly prestigious four day Awards event<br />

to Yorkshire next year, fending off competition from New York. It’s Bollywood’s<br />

equivalent to the Oscars and not only will Sunrise <strong>Radio</strong> (Yorkshire) play a big role in<br />

staging the event, Usha has been personally asked to organise the international media<br />

coverage. The Yorkshire area is expected to benefit from £9.5m in extra tourism revenue<br />

alone.<br />

Usha’s success is built not only on her winning work ethic, but on her willingness to<br />

contribute to the progression of the Asian Community, being a valuable member of<br />

numerous action teams – and as a high profile speaker about subjects such as forced<br />

marriage, the role of women and the issues facing British Asian youth at international,<br />

national and local events. Recently she also joined the Advisory Board dealing with<br />

Hepatitis.<br />

She is actively involved at grass roots level in her capacity as an independent visitor for<br />

Barnardo’s, working with deprived young people who are in care away from their homes<br />

for their own safety. Usha has a flair for encouraging young people to become<br />

responsible members of society, a very useful skill.<br />

For some time she has realised the potential and need for a younger Asian radio brand<br />

that would recognise the development and changing face of her community and this<br />

belief led her to team up with Club Asia (London) as their Launch Director – a<br />

partnership which proved successful in that Club Asia were awarded a licence to<br />

broadcast in London, helped greatly by Usha’s extensive experience in the industry. Her<br />

next move was to set up her own ‘youth’ brand, <strong>Masti</strong> <strong>Radio</strong>, on DAB in West Yorkshire.<br />

Although Sunrise <strong>Radio</strong> (Yorkshire) is based in Bradford a number of bodies both<br />

statutory and voluntary have invited the station to host major events in the Manchester<br />

area, including the Manchester Mela for five years, the Rochdale Mega Mela for the last<br />

four years and Asian cultural events at the Gmex. Through these and other<br />

developments Usha became aware that Manchester would be an ideal place for a<br />

custom built, locally focussed FM version of <strong>Masti</strong> <strong>Radio</strong> - the meaning of which she<br />

playfully explains to non-Asians as “naughty but nice”.<br />

8


Director (Non – Executive)<br />

Name: Shahzad Irshad<br />

Occupation: Businessman & Entrepreneur<br />

Other directorships: Vh2o Ltd (ta Indus 5); Secure Claims;<br />

Sugarhouse Media<br />

Other media interests: Producer, Promoter and Broadcaster<br />

Background and relevant media experience:<br />

Shahzad describes himself as ’innovative, analytical, adaptive, quick to learn, deadline<br />

driven and always looking for a new challenge’. These attributes have helped him<br />

develop a diverse career from original beginnings in IT and Financial Services.<br />

Among his current interests is the operation of a restaurant and banqueting venue<br />

valued at £1 million in Manchester where last year Shahzad was elected Chair of<br />

Longsight Traders Association.<br />

Since 1998 he has been researching and promoting the archaeological heritage of the<br />

Indus Valley civilisation, the music of Pakistan and ‘Indian’ cuisine. In 2004, <strong>Radio</strong> 4<br />

featured an article based on his research on the subject of Pakistani/Indian food.<br />

Shahzad is familiar with commercial radio in Manchester too, having been Senior Sales<br />

Executive at ‘incremental’ station Sunset <strong>Radio</strong> from 1989 to 1991, where he generated<br />

the highest personal airtime and sponsorship sales revenue. He was also involved in<br />

various marketing activities, scripting and producing advertisements and deputised for<br />

the Chief Executive. He even hosted a live radio programme, an experience he<br />

thoroughly enjoyed. Having a keen interest in media, Shahzad recently worked on the<br />

International Multi-Award winning short documentary ‘Waiting for Sunrise’.<br />

His strong musical interests led earlier this year to securing a contract from PHA, Lahore<br />

to organise a visit by UK based Fusion Qawwali band for the Basant festivities. Since<br />

2004 he has been promoting the International Qawwali band BJS and Sohail Salamat,<br />

who provided the vocals on the JINX album which recently reached No.1 in the UK Asian<br />

music chart.<br />

Shahzad is a passionate believer in promoting peaceful cross-cultural activities and in<br />

response to the ‘terror’ image of Muslims and Pakistan conceived the Sufi Qawwali ‘UK-<br />

PEACE’ tour in 2004 with Anglo-Pakistani musicians.<br />

Prior to this, he devised and implemented a marketing strategy to raise funds for<br />

Commonwealth Games 2002 Asian Mela and in 2001 set up SDI, an IT website<br />

consultancy and worked on an EU funded project to bring ‘Rusholme Curry Mile’ on-line.<br />

9


Between 1999 and 2001 as Chief Executive Officer of Puredm Ltd he was involved in<br />

starting this multi-faceted cross-platform music company, one of the facets being<br />

Puredm <strong>Radio</strong>, an Internet dance music station. At Puredm Shahzad helped develop the<br />

initial dynamic strategy and was responsible for implementation of key components<br />

including setting up the radio station with over 45 DJs. There was also a cutting edge ezine<br />

with input from over 20 journalists, a record company with a new re-mix release, a<br />

WAP enabled data-base driven web site which received over 1 million hits in just eight<br />

months without the benefit of a marketing campaign, an income/promotion facility for<br />

DJs, artistes, events, and venues - plus a sales/sponsorship package.<br />

Other activity around that time included organising one of only two UK screenings of the<br />

feature film JINNAH in Manchester, raising over £10,000. As Honorary Secretary of<br />

Pakistani Community Association Manchester he helped to save the Centre from closing<br />

by raising in excess of £75,000 in grants and devising a £1.5 million activity and facilities<br />

expansion plan.<br />

As a student (1983) Shahzad was active in Asian Culture and held the post of President<br />

of the Asian Cultural Society at Trent Polytechnic, Chair of the Midland Region of cultural<br />

societies and was then elected as President of the National Union of Asian Students<br />

(NUAS).<br />

His interests and hobbies include cinema, snooker, badminton, chess, music and<br />

painting.<br />

Director: (Executive - Programme Director)<br />

Name: Rajan Parmar<br />

Occupation: Marketing & Events Manager/Broadcaster/<br />

Performer/Programmer, Sunrise <strong>Radio</strong><br />

(Yorkshire) and <strong>Masti</strong> <strong>Radio</strong> (Yorkshire)<br />

Other directorships: Spice Entertainment Ltd.<br />

Other media related interests: Chief Executive of Spice Entertainment and<br />

a shareholder in Bradford City <strong>Radio</strong> Ltd<br />

Background and relevant media experience:<br />

Rajan currently runs the prototype <strong>Masti</strong> <strong>Radio</strong>, a music-led DAB service for young<br />

British Asians in West Yorkshire, as part of six years’ management involvement at<br />

Sunrise <strong>Radio</strong> (Yorkshire) where he is also responsible for output on Sunrise,<br />

communications, events management and marketing.<br />

A true ‘all-rounder’, since becoming a radio presenter at the unusually early age of ten<br />

he has consistently demonstrated an eagerness for knowledge of and involvement in all<br />

aspects of the radio station, from commercial production to routine office administration.<br />

Now responsible for quality control he is busy introducing a variety of excellence<br />

systems from health and safety to automated output monitoring.<br />

10


Rajan is very familiar with the Manchester area. This week (Oct 8 th ) he is hosting the<br />

Dashehra Diwali Mela 2006 at Platt Fields Park in Fallowfield, a Hindu festival he’s<br />

helped bring to the North for the first time, staged by the Indian Association in<br />

conjunction with Manchester City Council. In recent years he’s organised or appeared at<br />

a number of different events plus the RSL station Mela FM for the Manchester<br />

Multicultural Mela 2001, audible in the Manchester, Rochdale and Oldham areas. For<br />

this station he was solely responsible for creating revenue, recruiting and training<br />

presenters and the promotion of Mela FM at a variety of events across the North.<br />

As a broadcaster he is the regular host of Sunrise <strong>Radio</strong> (Yorkshire)’s Bhangra music<br />

programme (one of its ‘youngest’ appeal shows). He also worked for a short period at<br />

Club Asia in London.<br />

In addition to his radio interests Rajan is passionate about dancing and performance.<br />

Having appeared at all the Melas in the North of England, since 1996 he has been the<br />

mainstay of the main stage at Bradford Mela, which attracts crowds in excess of<br />

180,000. He also works in a freelance capacity for ‘Kala Sangam’ an arts company with<br />

strong South Asian roots. ‘Kala’ means Art and ‘Sangam’ a meeting point and their<br />

mission is to bring people together. This is done via promotion and delivery of the many<br />

art forms from India, Pakistan, Sri Lanka and Bangladesh, using music, dance,<br />

poetry/literature and creative writing, plus visual arts and crafts from folk, classical and<br />

contemporary styles.<br />

He has conducted many dance workshops at various schools and community centres<br />

specifically for the young, along with mini-courses in dance.<br />

A talent for choreography to any type of music has resulted in Rajan devising the dance<br />

routines for a number of British Asian stars and music videos. And as an aspiring actor<br />

he has had several small parts in films including the forthcoming James Bond release<br />

Casino Royale, played the lead role in four music videos shown on major Asian TV<br />

channels, is a local TV “Bollywood expert” and even appeared on C4 TV’s ‘Deal or No<br />

Deal’, where he was the gracious winner of £1.00!<br />

Appearances as a catwalk model in shows organised by Asian Fashion Magazine, as<br />

well as corporate fashion shows and successful ones he’s organised himself afford yet<br />

another dimension to Rajan’s talents, but there is another angle still:<br />

Away from the limelight he is committed to furthering the interests of young people and<br />

passionately believes that given the right encouragement and access to choices there is<br />

nothing they cannot achieve, whatever their backgrounds or culture. As part of his<br />

commitment in this regard he works voluntarily as an Independent Visitor for Barnado’s,<br />

a role which involves befriending and advising young people and children in care,<br />

contributing towards their social, emotional and educational development.<br />

We believe Rajan’s commercial radio expertise, contemporary music knowledge,<br />

performance experience, marketing skills and enthusiasm for active involvement with<br />

youth combine to make him the ideal choice to lead the on-air creative team at our<br />

exciting new multi-cultural radio station in the vibrant and diverse city of Manchester.<br />

11


Director: (Non – Executive)<br />

Name: Recardo Patrick<br />

Occupation: Businessman, Singer/Songwriter & Actor<br />

Other directorships: Managing Director EPC International,<br />

Director - Red Bubble Music Ltd<br />

Director - Sprint 1088 Ltd<br />

Other media interests: Media Ambassador for the Austrian Tyrol<br />

Background and relevant media experience:<br />

Coming from an Anglo/Barbados background, Recardo has been involved in a wide<br />

range of activities over a notable career. For example he is currently Patron of BASIC<br />

(Brain and Spinal Injury Charity) and was nominated for Business Man of the Year by the<br />

European Times following his sale of £900m worth of night clubs and restaurants.<br />

But he is probably best known as a musician and was voted ‘Best International<br />

Newcomer’ at the MTV European Entertainer of the Year. Recardo is an electrifying<br />

performer, vocalist, saxophonist and composer. One of his most familiar songs launched<br />

his career, the big hit ‘Sad Sweet Dreamer’ which he sang with his band Sweet<br />

Sensation in 1976, though he’s written many others including the ‘B’ side of ‘In The Army<br />

Now’ by Status Quo.<br />

As a performer and event organiser Recardo has worked alongside some of the greatest<br />

musical legends of our time, ranging from being invited to sing with Diana Ross to<br />

performing before an audience of millions at Live Aid and with Simple Minds at the<br />

Nelson Mandela concert at Wembley Stadium.<br />

Concerts he has staged include Simply Red’s ‘Red River Project’ and ‘The Michael<br />

Jackson and Friends Concert for Kosovo’ in Munich, where he sang with Michael<br />

Jackson. He is also the man behind ‘Message from The Mountain’ an annual concert in<br />

Austria with special guests who have included Bill Clinton and Naomi Campbell. Other<br />

artists and celebrities he has worked with include Prince, Whitney Houston, Elton John,<br />

and Paris Hilton, to name but a few.<br />

He started his acting career very young in the theatre before moving into television<br />

where he appeared in Coronation Street, Juliet Bravo, The History Man, The Hitman<br />

(USA) and in the part of Pharaoh in ‘Joseph’ - as well as Never Mind The Buzzcocks<br />

(2003). Recardo has also been the subject of a BBC music lifestyle documentary<br />

produced by Terry Jarvis. And in the world of Movies he sang on the soundtrack and<br />

played the lead role of Jake Rennicks in the gangster film ‘The Van Boys’, which won an<br />

award at the Cannes Film Festival, as well as playing Baz in ‘Daddyfox’, both films<br />

directed by John McCormack.<br />

His hobbies include running, weight training and swimming.<br />

12


(ii) If there are firm plans to appoint any further directors, provide information (with details of any specific<br />

individuals in mind). This information may be submitted in confidence.<br />

At present we have no plans to appoint further directors.<br />

(b) Proposed Investors and Shareholding Structure<br />

Full details of the proposed shareholding structure should be provided, including:<br />

(i) Names and addresses (the latter may be submitted in confidence) of all existing or proposed<br />

shareholders.<br />

Sunrise <strong>Radio</strong> (Yorkshire)<br />

Mr. Mohammed Arshad Ali<br />

Ms. Usha Parmar<br />

Ms. Nighat Awan<br />

Mr. Shahzad Irshad<br />

Shareholders’ addresses can be found in Confidential Appendix CA2.<br />

(ii) Total number, class/classes of shares and issue price of shares (specify voting, non-voting, preference,<br />

other etc.).<br />

A total of one million ordinary voting shares of £1.00 will be issued at par.<br />

(iii) All voting shareholders and holders of 5% or more of non-voting shares and loan stock should be<br />

named. State the number, class/classes and price of shares to be issued to each investor.<br />

Sunrise <strong>Radio</strong> (Yorkshire) 450,000 Ordinary £1 voting shares<br />

Mr Mohammed Arshad Ali 250,000 Ordinary £1 voting shares<br />

Ms Usha Parmar 100,000 Ordinary £1 voting shares<br />

Ms Nighat Awan 100,000 Ordinary £1 voting shares<br />

Mr. Shahzad Irshad 100,000 Ordinary £1 voting shares<br />

Total 1 Million Ordinary £1 voting shares<br />

(iv) Outline any shareholders agreements or arrangements which exist<br />

There are no shareholder agreements in place.<br />

.<br />

(v) Where a corporate body other than a current <strong>Ofcom</strong> licensee will be providing 30% or more of the<br />

required funding, details should be given of its directors and main shareholders, and of its activities.<br />

Not applicable, as Sunrise <strong>Radio</strong> (Yorkshire) is an existing <strong>Ofcom</strong> licensee.<br />

(vi) <strong>Ofcom</strong> may request additional information (e.g. a banker's letter, statutory/management accounts)<br />

regarding the shareholders, or any other providers of finance, listed in the application.<br />

13


(c) Involvement of the Applicant in Specified Activities<br />

Details are required of the involvement by the applicant and its participants (including shareholders or other<br />

subscribers of more than 5% of the applicant's total funding requirements) in any of the activities listed<br />

below, and the extent of the interest. For these purposes, the applicant includes associates of the applicant<br />

(i.e. directors and their associates and other group companies).<br />

(i) Advertising agencies;<br />

None<br />

(ii) Newspapers;<br />

Sunrise <strong>Radio</strong> (Yorkshire) (45% shareholding) owns the (now dormant)<br />

Asian magazine company: TVO… Ltd.<br />

(iii) Other broadcasting interests;<br />

Sunrise <strong>Radio</strong> (Yorkshire) (45% shareholding) is an <strong>Ofcom</strong> FM commercial local radio<br />

licensee in the Bradford area which also broadcasts its Sunrise Yorkshire and <strong>Masti</strong><br />

<strong>Radio</strong> brands in West Yorkshire on DAB.<br />

Ms Usha Parmar (10% shareholding): has a 49.8% shareholding in Bradford City <strong>Radio</strong><br />

Ltd (the controlling shareholder in Sunrise <strong>Radio</strong> Yorkshire) and a 10% shareholding in<br />

Club Asia (London) Ltd.<br />

Mr Rajan Parmar (director) has an 11.9% shareholding in Bradford City <strong>Radio</strong> Ltd.<br />

(iv) Bodies whose objects are wholly or mainly of a religious nature;<br />

None<br />

(v) Bodies whose objects are wholly or mainly of a political nature;<br />

None<br />

(vi) Local authorities;<br />

None<br />

(vii) Other publicly-funded bodies.<br />

None<br />

* Applicants should note that this information is required for the purposes of checking compliance with the<br />

ownership rules, and is not relevant to an applicant's ability to maintain its proposed service. If none of the<br />

categories above apply to the application this should be clearly stated.<br />

14


2. Financial and business plan<br />

(a) Overall Financial Strategy<br />

Provide a concise summary of how the applicant considers it is able to establish and maintain, throughout<br />

the licence period, its proposed service, and how this licence fits in with the investors' strategy.<br />

<strong>Masti</strong> <strong>Radio</strong> is a youth-focussed radio station designed to serve a rapidly growing<br />

population sector and fill a clearly defined gap in existing local commercial radio<br />

provision in Manchester.<br />

Our plans have solid financial backing and are under the control of a board comprising<br />

people with directly relevant experience and an impressive track record of achievement.<br />

Most have also signalled their confidence in the project through substantial personal<br />

investments.<br />

Principal shareholder Sunrise <strong>Radio</strong> (Yorkshire) is the longest established Asian<br />

broadcaster in Northern England, having operated a very successful commercial station<br />

in nearby Bradford for over fifteen years. During this time it has sought to expand its<br />

operation to reach more British Asian listeners whenever possible, so it was a natural<br />

step to team-up with prominent Manchester business and community figures in order to<br />

exploit its already strong links with the city.<br />

Northern FM & DAB Pioneers<br />

The UK’s only FM Asian commercial station, Sunrise <strong>Radio</strong> (Yorkshire)’s commercial<br />

success is founded on a thorough understanding of the needs of British Asian audiences<br />

in the North of England and the advertisers who want to reach them.<br />

After starting life as an ‘incremental’ station under the experimental IBA scheme it grew<br />

quickly into the profitable full scale commercial licensee it is today. Not content to simply<br />

pioneer Asian FM broadcasting, it has gone on to provide two DAB programme services<br />

across West Yorkshire from state-of-the-art studios in the heart of Bradford’s<br />

regenerated city centre. These stations are the original Sunrise <strong>Radio</strong> (Yorkshire) and<br />

the prototype <strong>Masti</strong> <strong>Radio</strong> brand for young British Asian listeners - and both are also<br />

available on-line world-wide.<br />

An interest in broader horizons is also reflected by the fact the Sunrise (Yorkshire) and<br />

<strong>Masti</strong> brands based in West Yorkshire already enjoy goodwill, awareness and ‘overspill’<br />

listening in the Manchester area as a result of many years involvement in Melas and<br />

other cultural events at the request of local Asian communities.<br />

So it makes perfect strategic sense to establish a radio station in Manchester under the<br />

<strong>Masti</strong> ‘youth’ brand, to compliment the more traditional older targeted Asian<br />

programming already provided by Asian Sound <strong>Radio</strong>, as well as to offer a new service<br />

to the local Black and Chinese communities which are also forecast to grow considerably<br />

during the term of this licence.<br />

15


Local Board Experience and Guidance<br />

We feel the decision to actively involve key Manchester entrepreneurs and community<br />

figures further strengthens our proposition by making a wealth of local know-how<br />

available at board level to Managing Director Usha Parmar and Programme Director<br />

Rajan Parmar. In turn, Usha brings experience of launching the UK’s first analogue<br />

Asian youth format through her directorship of Club Asia in London, as well as<br />

introducing - alongside Rajan - the original <strong>Masti</strong> <strong>Radio</strong> to West Yorkshire.<br />

Financial Prudence and Realism<br />

<strong>Masti</strong> <strong>Radio</strong>’s financial plans feature a £1 million shareholder investment and show a<br />

profit in year two despite deliberately cautious revenue forecasts based on the Asian<br />

output alone and very low commercial minutage, sold at the average spot rate actually<br />

being achieved at present by Sunrise <strong>Radio</strong> (Yorkshire) in the smaller Bradford market.<br />

We chose these revenue projection methods so that <strong>Masti</strong> <strong>Radio</strong>’s viability is not<br />

dependent on hitting specific audience targets which are extremely hard to forecast and<br />

measure accurately among ethnic audiences.<br />

We have total faith in the commercial potential of our plan to cater chiefly for young<br />

Asians because (unlike the ageing profile of the UK population as a whole) this group<br />

already comprises the majority of people in Manchester’s Asian communities and is<br />

forecast to grow considerably during the term of this licence, exceeding increases in<br />

many other population sub-groups by a considerable margin. This means our potential<br />

audience will literally grow year-on-year, even before the effect of the increasing<br />

popularity of our station is taken into account, in direct contrast to the potential<br />

listenership for stations aimed at predominantly white audiences.<br />

In a further move to strengthen our overall appeal - and maximise our public value with<br />

regard to occupancy of a scarce FM frequency resource - we also propose to provide<br />

specific programming for Manchester’s Black and Chinese communities, neither of which<br />

were directly catered-for by any existing commercial radio licensee up to very recently,<br />

although we note Asian Sound has just launched a weekly two hour Chinese<br />

programme. That move endorses the demand we originally revealed in our 2005<br />

application for the licence eventually won by XFM. But even after the addition of our<br />

planned Chinese programme sequence to the few hours of weekly output now offered by<br />

Asian Sound and BBC <strong>Radio</strong> Manchester, this sector of the population will still have very<br />

little dedicated programming by comparison with the mainstream population. The same<br />

is true of the rather larger Black population.<br />

By offering output to three rather than one local ethnic population group and adopting a<br />

young format which will also enjoy secondary patronage among a minority of white<br />

youngsters as shown in our research, we expect to attract combined audience levels<br />

from the outset that are at least comparable with those of ‘niche’/specialist interest<br />

stations likely to form the majority of our competitors for this licence – with the added<br />

advantage that our target audience will steadily grow as the population in our target<br />

groups increases out of proportion with many other specific interest groups.<br />

16


Sending a Positive Signal<br />

Our July 2006 survey in the Manchester area revealed that 35% of young Asian adults,<br />

29% of young Blacks and 36% of young Chinese don’t listen to radio on a weekly basis<br />

(as defined by listening for five minutes or more), in contrast with only 15% of White<br />

youngsters. We believe these figures directly reflect the lack of effective listening choice<br />

for ethnic groups by comparison with the white mainstream population. In addition to<br />

making a positive step toward redressing this imbalance, we feel the launch of <strong>Masti</strong><br />

<strong>Radio</strong> on FM in Manchester at this time would send a timely signal of ‘establishment’<br />

support for the concept of a multi-cultural Britain, at a moment when ethnic community<br />

relations are under particular strain, mainly due to world events.<br />

Vote of Confidence<br />

The fact that Sunrise <strong>Radio</strong> (Yorkshire)’s pragmatic MD Usha Parmar plans to invest<br />

£100,000 of her own money in <strong>Masti</strong> <strong>Radio</strong> Manchester marks a significant level of<br />

personal confidence in the project, matched by several other investing directors.<br />

These are the main reasons we feel confident in our ability to offer a top quality and<br />

commercially successful radio service to largely un-catered-for segments of<br />

Manchester’s population throughout the licence term and beyond, thereby increasing the<br />

overall audience for local commercial radio without adversely affecting existing<br />

licensees.<br />

(b) Funding<br />

Detail the sources of finance that will be used to fund the licence, under the following headings:<br />

(i) Share capital<br />

We plan to raise £1 million in share capital, composed as follows:<br />

£ 450,000 (45%) - Sunrise <strong>Radio</strong> (Yorkshire)<br />

£ 250,000 (25%) - Mr Mohammed Arshad Ali<br />

£ 100,000 (10%) - Ms Usha Parmar<br />

£ 100,000 (10%) - Ms Nighat Awan<br />

£ 100,000 (10%) - Mr. Shahzad Irshad<br />

£1,000.00 (100%)<br />

(ii) Loan stock<br />

We have no plans to issue loan stock.<br />

(iii) Leasing/HP facilities (capital value)<br />

Not applicable because we plan to purchase our assets outright, including a building to<br />

house the radio station located in the centre of Manchester.<br />

(iv) Bank overdraft<br />

At present we do not anticipate a need for an overdraft but are confident we would be<br />

able to secure one on the basis of Sunrise <strong>Radio</strong> (Yorkshire)’s successful trading record.<br />

17


(v) Grants and donations<br />

We are not expecting to receive any funding via these means.<br />

(vi) Other (please specify)<br />

No other sources of income are planned.<br />

Where relevant, provide information on:<br />

(i) Loan terms ; (ii) Assets leased.<br />

Not applicable.<br />

All of the funding identified above should be confirmed to the applicant. Explanation should be provided if<br />

this is not the case<br />

(c) Financial Projections<br />

The purpose of this question is to allow the applicant to demonstrate its understanding of the market. The<br />

forecasts should be based on reasonable assumptions, that are logically applied and justifiable.<br />

Background<br />

The number of non-white Britons increased by 53% between 1991 and 2001, rapid<br />

growth which looks set to continue. A study of population increase by ethnic group<br />

published in January 2006 by the Office of National Statistics estimated that against an<br />

overall population rise of just 0.4% per annum during the period mid 2001-mid 2003, the<br />

main sector of the UK Asian community (i.e. people of Indian, Pakistani and Bangladeshi<br />

origin) averaged 3.0% growth per year, UK Blacks (Caribbean and African origin) 4.7%<br />

and UK Chinese 11.9%.<br />

The Manchester Market<br />

Our plan is to cater primarily for young Asians (who comprise the vast majority of the<br />

area’s total Asian population), but also to broadcast regular programmes for the local<br />

Black and Chinese communities.<br />

Although our extensive Asian broadcasting experience makes us confident of being able<br />

to operate viably from day one, the fact our main audience target groups are growing far<br />

quicker that the overall population not only offers considerably enhanced commercial<br />

potential for the future, but is also of great social significance – with ‘knock-on’<br />

implications for the overall balance of commercial local radio provision in the Manchester<br />

area.<br />

In fact, unlike virtually all other ‘minority interest’ formats that might seek this final<br />

Manchester-wide FM licence, there will have already been a dramatic rise since the<br />

2001 census in the size of our potential audience before we even get on-air, with further<br />

steady growth expected throughout the licence term.<br />

18


For example, if we base our TSA on Arqiva’s coverage prediction for a signal strength of<br />

54dB or higher and allow for the effects of expected interference from Real <strong>Radio</strong>, the<br />

total population reached according to 2001 census figures is 2,231,146 (equivalent to<br />

1,792,832 Adults 15+). And the sum of the Asian, Black, Chinese and Mixed Race<br />

sectors represents 8.38% of the total population figure. But if we apply the ethnic group<br />

year-on-year growth percentages mentioned above and contrast them with much smaller<br />

growth expected in the total population we find that by today (2006) our target audience<br />

will already comprise 10.1% of the total Manchester TSA population - and if the same<br />

growth rate continues will represent 12.43% by 2011 and 15.65% in ten years time<br />

(2016).<br />

Of course these figures are averaged across Manchester, so the effect will be even more<br />

dramatic in districts already shown in the 2001 census to have far higher proportions of<br />

people of ethnic origin. For example, Asians alone represented 9.1% of Manchester<br />

(City’s) population in 2001 (twice the 4.6% UK average) the Bolton area also had 9.1%,<br />

Rochdale 9.8% and Oldham 11.9%. Today (2006) these population percentages could<br />

already have risen to 11.4% in Manchester, 10.4% in Bolton; 11.3% in Rochdale and<br />

13.5% in Oldham.<br />

The fact the above are all former mill towns affords a strong clue to the jobs of the<br />

original Asian immigrants, though predominant Asian occupations today tend to be in<br />

service industries, of which property, shop keeping and owning restaurants are probably<br />

the most well known. Meanwhile Manchester’s Black population is concentrated nearer<br />

the city centre, with the Chinese distributed more evenly across Greater Manchester.<br />

Age and Attitude<br />

To fully understand our plans, including how a ‘young’ format within ethnic groups can<br />

be viable and why young Asians need a fundamentally different programming approach<br />

than (Asian Sound already provides for) their elders, it is also important to recognise two<br />

key differences between Asian communities in the UK and those of the indigenous White<br />

population.<br />

1. Non-white populations, including those in Asian communities, are predominantly<br />

young, illustrated by the fact that 30% of the UK ethnic minority population is aged under<br />

16 years, compared to 19% of the white population, with only 10% aged over 55 years,<br />

compared to 25% of Whites. According to a special Rajar breakdown we commissioned<br />

for our original application in 2005, 85.5% of the adult Asian population in Greater<br />

Manchester is aged 15-44, a statistic that underlines the logic of adopting a specifically<br />

‘young’ radio format, which is therefore likely to be directly interesting to a far higher<br />

proportion of the total Asian population than would be the case for another youthfocussed<br />

station within the mainstream/White population.<br />

2. Major differences exist between the cultural identities of the various generations of<br />

Asians living in Britain, a factor closely related to where individuals were born and<br />

brought up. For example, people at the young end of the <strong>Masti</strong> <strong>Radio</strong> target audience<br />

will be third generation Asians who were born and raised in Britain. Their parents<br />

(second generation) may also have been born here, or may have come to Britain as a<br />

result of marriage or because they had relatives already living here. But their<br />

grandparents (first generation) are much more likely to have been raised in an Asian (or<br />

African) country.<br />

19


Understandably therefore, third generation Asians are particularly likely to use English as<br />

a first language and take many aspects of Western culture and lifestyle for granted, even<br />

though there are still strong Asian cultural influences in their immediate family<br />

background, especially from grandparents. As a result the majority of today’s young<br />

Asians have a much broader ‘hybrid’ of tastes than their elders, having absorbed<br />

aspects of both eastern and western popular culture and music styles while growing up.<br />

They have also adapted their own Pop, Urban and Bhangra music styles and Asian DJ’s<br />

now make occasional appearances on ‘western’ radio stations like <strong>Radio</strong> 1 and Galaxy.<br />

Integration: Positive Social Strategies = Good Business Practice<br />

We believe the degree of affinity between the musical tastes of British youngsters from<br />

nearly all social and ethnic backgrounds - based around a near universal liking for Black<br />

music genres – holds the key to commercial success far beyond what would be possible<br />

for a station targeting just one ethnic group.<br />

For example, our July 2006 research confirmed that <strong>Masti</strong> <strong>Radio</strong>’s unique Asian/Urban<br />

music format will attract a secondary audience of young White people. Although this<br />

factor alone will not be directly significant to our financial success, the addition of only a<br />

small percentage of listeners from this statistically very large population sector will<br />

contribute considerably to our overall audience numbers when added to Asian listeners,<br />

plus the proportionally larger but numerically smaller audiences generated among our<br />

other two ethnic target groups. The overall effect of this ‘cross-over’ interest will be to<br />

considerably broaden awareness of <strong>Masti</strong> <strong>Radio</strong> among young listeners - and therefore<br />

advertisers – as a whole across Greater Manchester, something that will be directly<br />

beneficial to our bottom-line commercial results.<br />

So while we are arguing strongly in this document for a distinct and separate station to<br />

(primarily) serve the growing number of young British Asians in Manchester, the<br />

establishment of the format we are proposing should be seen as a positive development<br />

that will assist the process of community integration – as we will broadcast mostly in<br />

English (again at the request of our target audience) and reflect the standpoint of young<br />

British people who happen to have an Asian (Black or Chinese) family background. In<br />

doing so we should therefore help foster better understanding of local young people’s<br />

attitudes within these groups among the population as a whole, as well as create a<br />

distinct new commercial radio advertising opportunity for clients in the Manchester<br />

market.<br />

The applicant should provide financial projections on an annual basis for the licence. The projections must<br />

include:<br />

(i) Profit and loss accounts<br />

(ii) Balance sheets<br />

(iii) Cash-flow forecasts<br />

The period covered is at the discretion of the applicant, but should be justified. The forecasts should be<br />

supplied on an Excel spreadsheet or similar, with any accompanying guidance notes. The applicant must<br />

also complete and submit the spreadsheet entitled “Financial Template” using information from its business<br />

model.<br />

These projections can be found in Confidential Appendices CA3 and CA3 B<br />

20


This section must include a full listing of the underlying assumptions on which the financial projections are<br />

based, relating such assumptions clearly to other parts of the application (e.g. proposed format, extent of<br />

coverage area).<br />

Licence Coverage<br />

Coverage prediction maps provided to us by Arqiva suggest the new licence should<br />

reach all main concentrations of our target ethnic groups in Greater Manchester despite<br />

the predicted interference from Real <strong>Radio</strong> in Yorkshire. Furthermore, listeners living<br />

near the edge of our coverage area who do experience reception problems will have the<br />

option of installing a directional FM aerial to focus our signal. This tactic should be<br />

effective in virtually all cases of home-based reception because hardly any of our target<br />

audience lives sufficiently far to the west of Manchester city centre to require an aerial<br />

pointing in the same direction as Emley Moor, the source of the interference. This makes<br />

this new FM licence particularly suitable for city-wide broadcasting to the particular<br />

ethnic groups we seek to serve.<br />

Revenue Projections & Advertising Rates<br />

To reliably predict our advertising income we adopted the calculation technique already<br />

used at Sunrise <strong>Radio</strong> (Yorkshire) which has proved very accurate and reliable over the<br />

last sixteen years. This involves setting advertising rates around what the average local<br />

advertiser might consider reasonable to reach a local Asian audience.<br />

The approach works well because many Asian advertisers are the proprietors of family<br />

businesses, more likely to be looking for easy-to-understand evenly-scheduled<br />

commercial packages than wanting to get involved with the science of specific sub-group<br />

targeting. That said, we’ll also be ready to offer tailored packages if needs-be, for<br />

example to businesses selling music/fashion/leisure products and services (etc) to our<br />

young audience, perhaps around particular programmes or features.<br />

Special packages will also be available for advertisers wishing to use our specific Black<br />

and Chinese programmes to target those particular groups, though we have not<br />

attempted to forecast this income as no appropriate model will exist until we’ve run the<br />

station for a while.<br />

Our ‘reasonable rate’ approach to Asian advertising spot pricing is actually similar to that<br />

adopted by many mainstream small-scale commercial licensees who also find it more<br />

appropriate than ‘cost per thousand/revenue per head’ techniques because it effectively<br />

disconnects the success of day to day advertising sales from the need to prove precise<br />

audience numbers. Indeed, quite a few stations broadcasting to populations of this size<br />

either cannot afford, or don’t feel a need, to be part of Rajar, provided their popularity is<br />

sufficiently obvious ‘on the street’.<br />

So we have based our revenue projections firmly on the reality of actual spot rates<br />

already being achieved in nearby Bradford by Sunrise <strong>Radio</strong> (Yorkshire). And to make<br />

doubly-sure that any errors are on the side of caution, we have projected sales of less<br />

than a third of our total advertising inventory during the first year on-air, followed by only<br />

small increments so that the proportion of ‘sold’ airtime is still under 50% in year three.<br />

21


Format<br />

Our dynamic daytime music policy will mix popular Eastern and Western influences in a<br />

format members of our group helped pioneer elsewhere, customised for the Manchester<br />

area in accordance with listener opinions expressed through our two specially<br />

commissioned market research studies. The fact that Urban R’n’B influences will be<br />

present in the daytime mix will also be of interest to some members of the local Black<br />

community, though they will also be catered for - as will the Chinese - through dedicated<br />

(mainly off-peak) output.<br />

Daytime programming will principally target young Asian adults aged 15-34 many of<br />

whom regard the existing Asian station ‘Asian Sound <strong>Radio</strong>’ as catering mainly for an<br />

older audience, something illustrated by the fact a lot more of them actually listen to<br />

Galaxy at present. We also expect <strong>Masti</strong> <strong>Radio</strong> to appeal to older Asian children and, to<br />

some extent, 35-44’s, plus a proportion of Blacks and Chinese as outlined above. Our<br />

research also suggests we will gain a residual audience of White youngsters attracted by<br />

a music policy containing music mainly from Asian and Black genres with broad ‘crossover’<br />

appeal, plus predominantly English on-air presentation.<br />

Establishing Asian Commercial <strong>Radio</strong> Listening Choice<br />

Specially prepared Rajar estimates showed the 15-44 sector of the Asian population in<br />

Greater Manchester to contain around 100,000 people in 2001, accounting for 85.5% of<br />

the total adult Asian population - a percentage emphasising the young profile of the<br />

Asian community by comparison with the population at large.<br />

In terms of introducing a second (primarily) Asian commercial station into the market, our<br />

confidence is bolstered both by the audience support already demonstrated for the<br />

existing commercial licensee Asian Sound <strong>Radio</strong> and, in particular, through the massive<br />

appetite shown in both our specially commissioned research surveys for the idea of our<br />

new station (see below and in Section 6 Evidence of Demand).<br />

The applicant should detail how revenue figures were derived, distinguishing between local, national and<br />

sponsorship revenue .The response to this question may be submitted in confidence.<br />

This information can be found in Confidential Appendix CA4<br />

(d) Audience Projections<br />

Provide the following information:<br />

(i) The projected adult (aged 15+) population of the Total Survey Area (TSA) within which it is intended to<br />

measure the listenership of the service;<br />

TSA Adults (15+): 1,792,832<br />

Our TSA population count is based on 2001 Census figures and Arqiva’s estimate for<br />

interference-limited coverage at a signal strength of 54dB or higher. We settled on this<br />

modest TSA definition as our revenue is not directly linked to it and because the<br />

interference is likely to be far more disruptive at signal strengths below 54dB.<br />

22


We believe this factor in particular makes it unwise to adopt the more usual approach of<br />

claiming a TSA nearer, or even greater than, the population reached by the 48db+ signal<br />

contour.<br />

Below are comparative population figures using the same initial coverage/census<br />

criteria, plus population growth forecasts based on ‘official’ estimates of what happened<br />

between mid 2001-mid 2003:<br />

2001 2006 2011 2016<br />

TSA Total Population: 2,231,146 2,276,127 2,322,015 2,368,829<br />

TSA Total Asians: 115,838 135,694 159,313 187,532<br />

TSA Total Blacks: 28,487 34,494 43,170 55,859<br />

TSA Total Chinese: 11,791 20,687 36,296 63,680<br />

TSA Total Mixed Race: 30,590 39.046 49,833 63,601<br />

<strong>Masti</strong> Target Ethnic Groups Total: 2001: 186,706 (8.4% of the total TSA population)<br />

2006: 229,921 (10.1% of the total TSA population)<br />

2011: 288,612 (12.4% of the total TSA population)<br />

2016: 370,672 (15.7% of the total TSA population)<br />

(ii) Projections for listenership ratings (e.g. weekly reach, average weekly hours of listening) over the first<br />

three years of the service, with detailed demographic breakdowns as appropriate;<br />

Assuming a mid/late 2007 launch, these are our total adult reach and hours estimates,<br />

below which are the detailed breakdowns for our main Asian target audience.<br />

Asian Black Chinese White Total Adult Reach<br />

<strong>Masti</strong> <strong>Radio</strong> (adults) (adults) (adults) (% of 15-44’s) & Hours<br />

Year 1 (2008) % 35% 31.7% 32.95% 3.75% 4.9%<br />

000’s 38,456 10,522 5,975 34,322 89,275<br />

Total Hours 384,560 47,349 11,950 102,966 546,825<br />

Av.Hours 10.0 4.5 2.0 3.0 6.13<br />

Year 2 (2009) % 40% 31.7% 32.95% 7.5% 7.2%<br />

000’s 45,442 11,014 6,686 68,575 131,717<br />

Total Hours 477,141 55,070 16,715 240,013 788,939<br />

Av.Hours 10.5 5.0 2.5 3.5 5.99<br />

Year 3 (2010) % 50% 42.2% 43.9% 8.5% 8.9%<br />

000’s 58,740 15,363 9,967 77,641 161,711<br />

Total Hours 646,140 84,497 27,908 295,036 1,053,581<br />

Av.Hours 11.0 5.5 2.8 3.8 6.51<br />

23


According to the most recently available Manchester area Rajar figures (Q2 2006) if we<br />

were on air now, our first year reach would put us neck and neck in percentage terms<br />

with Magic 1152 and ahead of Capital Gold, with more listeners (in 000’s) than half of the<br />

mainstream smaller scale commercial local stations in the Greater Manchester area. But<br />

our third year reach percentage would put us well clear of Magic and not far behind<br />

Smooth FM, with a physically larger audience than all of Greater Manchester’s<br />

mainstream smaller scale stations. And even if the most successful local commercial talk<br />

station in the UK, London’s LBC 97.3 (8% weekly reach) were on the air here, we’d beat<br />

that too by year three!<br />

Our Asian Audience<br />

Our primary audience predictions for commercial purposes concentrate on our audience<br />

expectations among Manchester’s Asian community, taking into account the forecast<br />

year-on-year rise in the Asian population of around 3% per annum. These estimates are<br />

based on the following Asian adult (15+) predictions within our TSA: Year 1<br />

(2008):109,873; Year 2 (2009):113,604; Year 3 (2010):117,479<br />

Detailed Asian Audience Breakdown<br />

Predicted Asian Weekly Reach - <strong>Masti</strong> <strong>Radio</strong>, Manchester<br />

Year 1 Year 2 Year 3 % of Audience<br />

Asian Adults 15+ 35% / 38,456 40% / 45,442 50% / 58,740 100<br />

Asian Adults 15-44 34,610 40,898 52,866 90<br />

Asian Adults 45+ 3,846 4,544 5,874 10<br />

Asians 15-24 14,998 17,722 22,909 39<br />

Asians 25-34 12,691 14,996 19,384 33<br />

Asians 35-44 6,922 8,180 10,573 18<br />

Predicted Average Hours % of Hours<br />

Total Asian Adult Hours 384,560 477,141 646,140 100<br />

Av.Hours Asian Adults 10 10.5 11<br />

Asian Adults 15-44 365,332 453,284 613,833 95<br />

Asian Adults 45+ 19,228 23,857 32,307 5<br />

Asians 15-24 192,280 238,571 323,070 50<br />

Asians 25-34 115,368 143,142 193,842 30<br />

Asians 35-44 57,684 71,571 96,921 15<br />

Details of all our audience calculations and assumptions can be found at answer iv).<br />

below where you will see we have been very conservative in our interpretation of our<br />

July 2006 survey results with regard to likelihood of listening among each group,<br />

especially white crossover listening.<br />

(iii) The expected impact of the proposed service on existing services, in listenership terms;<br />

Only 5.9% of the people interviewed in our original Asian Listener study who said they<br />

were ‘likely’ or ‘very likely’ to listen to a new Asian station said they would stop listening<br />

to one or more of their existing station choices to do so (just 25 out of 422 people). Of<br />

these 7 said they’d stop listening to <strong>Radio</strong> 1; 7 to Asian Sound <strong>Radio</strong>; 6 to Key 103; 3 to<br />

Galaxy 102; 1 to the BBC Asian Network and 1 to Sunrise <strong>Radio</strong> (London) – but nobody<br />

said they would stop listening to <strong>Masti</strong> from Yorkshire.<br />

24


Meanwhile 29.1% said they would listen less to one or more of their current station<br />

choices. But by far the most popular answer - chosen by 64.5% of those likely to listen to<br />

a new Asian station - was that they would listen more to the radio to accommodate the<br />

new station. This answer is perfectly feasible in reality because Asians in Manchester<br />

tend to spend considerably less time tuned to radio each week compared with the<br />

‘average’ listener.<br />

Results from our second dedicated audience study (July 2006) paint a similar picture, in<br />

that the vast majority of people from three of the racial backgrounds quizzed who said<br />

they were either likely or very likely to listen to <strong>Masti</strong> <strong>Radio</strong> would listen more to the radio<br />

to accommodate the new station. Only the Chinese showed a slightly different pattern,<br />

with nearly as many people saying they would listen less to their existing station choices<br />

as would listen more to the radio. However, in this survey, as in the original one, such a<br />

small number of respondents said they would stop listening to one or more of their<br />

existing station choices that detailed analysis of their answers is unlikely to reveal<br />

anything meaningful (see below for a chart showing July 2006 responses).<br />

In conclusion, on the basis of two separate surveys and because there is so much scope<br />

for increased radio listening among our ethnic target groups, we conclude that the<br />

introduction of the station we propose will have a negligible effect on the audience sizes<br />

of existing commercial local stations in the area, including Asian Sound <strong>Radio</strong>, despite<br />

the large following it is likely to attract.<br />

% of 15-34's Likely or Very Likely To Listen To <strong>Masti</strong> <strong>Radio</strong><br />

90%<br />

80%<br />

70%<br />

60%<br />

50%<br />

40%<br />

30%<br />

20%<br />

10%<br />

0%<br />

<strong>Masti</strong> 2006 Survey - How Would You Accommodate Listening To <strong>Masti</strong> <strong>Radio</strong>? - By Ethnic<br />

Groups<br />

Stop listening to one or more of your<br />

current station choices<br />

Listen less to one or more of your<br />

current station choices<br />

Listen to the radio more to<br />

accommodate the new station<br />

South Asian<br />

Black<br />

Chinese<br />

White<br />

25


(iv) The basis on which the estimates above have been calculated, and any assumptions taken into account.<br />

Population Growth<br />

We have projected ethnic population increases since the 2001 Census according to<br />

estimates in a recent report issued by the Office of National Statistics. This study<br />

“Estimates of the population by ethnic group for areas within England” projected year-onyear<br />

increases within individual ethnic sub-groups between 2001 and 2003, compared<br />

with an overall average UK population growth of 0.4% during the same period. This<br />

average figure resulted from a decline in the majority ‘British White’ population (of 0.1%<br />

per annum) being more than compensated for by big rises among individual ethnic<br />

groups for a number of reasons including natural birth rates and immigration.<br />

Of particular interest to us are the following estimates of percentage rise per annum:<br />

Asian-Indian: +2.9%; Asian-Pakistani +2.9%; Asian-Bangladeshi +3.2%;<br />

Asian – Other +6.6%;<br />

Black-Caribbean +0.7%; Black-African +8.7%; Black-Other +2.8%;<br />

Chinese +11.9%; Mixed White/Black-Caribbean +3.3%; Mixed White/Black-African +7%;<br />

Mixed White/Asian +5.6%*.<br />

*For our mixed-race growth projections we adopted a 5% per annum average increase figure because<br />

individual sub-group information is not available within our statistics for this sector in Manchester and there<br />

are considerably more Black Caribbean than Black African people in the area at present.<br />

Although these averages relate to the UK-wide populations of these particular groups,<br />

there is no reason to assume they are not applicable in the Manchester area, so we<br />

have used them to project our population growth estimates in order to illustrate the<br />

probable position today (2006) and what is likely to happen by the next Census (2011),<br />

and in ten years time (2016), if the same growth rates continues. Our base figures for<br />

these calculations are the actual 2001 census numbers for each of the ethnic subgroups<br />

in question for the interference-limited coverage area /TSA outlined above.<br />

Asian Audience Reach Predictions<br />

To arrive at an estimate of the approximate number of Asian Adults (15+) in the local<br />

population we added 28.6% of the mixed race total (representing the UK average of<br />

White/Asian people) to the total number of Asians then subtracted 30% representing the<br />

large number of Asian youngsters aged under 15.<br />

Given the great enthusiasm shown by 83.7% of Asian radio listeners in our original<br />

research study who said they’d be likely to listen regularly to a new Asian station<br />

answering our description, it is likely we have under-estimated our initial audience reach<br />

(see Section 6, Evidence of Demand for details). Our only reservation in not predicting<br />

higher initial reach is the relatively high proportion of Asian non-radio listeners, meaning<br />

our early audience must come from a smaller pool of existing listeners.<br />

26


Once established however, we are confident we can expand the market by eventually<br />

persuading at least some of the large number of ethnic non-radio listeners to switch-on,<br />

thereby increasing the audience to local commercial radio in Manchester too. And while<br />

we readily accept our Year 2 and 3 reach projections would be unrealistic in a<br />

‘mainstream’ radio market, because we are actually giving local Asians their first taste of<br />

commercial local radio choice by launching only their second (dedicated) station, we are<br />

convinced such ambitious projections are attainable.<br />

Asian Audience Composition<br />

Adopting the Rajar estimate that 85.5% of the Asian population is in the 15-44 age group<br />

and bearing in mind we are primarily targeting 15-34’s, we think it reasonable to assume<br />

around 90% of our audience will be aged under 45, of whom around 80% will be in the<br />

15-34 target group.<br />

Asian Listening Hours Projections<br />

Once again, our original researches revealed large differences between the Rajar<br />

estimate of 21.12 hours (total listening) per Asian listener per week (just 3 hours per<br />

listener per week less than the all-adult average at the time), and the 9 hours per listener<br />

per week average outlined in our own initial research study (see Section 6 Evidence of<br />

Demand for details). This finding was backed-up by our most recent study which found<br />

that although the majority of young Asian radio listeners tend to listen every day, far<br />

more said they did so for under an hour than for 1-3 hours, or longer.<br />

Taking a similar view to the one we used in relation to weekly reach predictions, our<br />

initial 10 weekly average hours per listener would be the maximum proportion you’d<br />

expect out of (say) 15 hours total listening, but comfortable in relation to a total of 21<br />

hours. But given that many of our research respondents said they would listen to the<br />

radio for longer in order to accommodate our station we feel our prediction is attainable,<br />

even in the face of our own evidence that total weekly listening is currently relatively low,<br />

certainly by comparison with the population as a whole.<br />

In years two and three the growth in our average hours is shown to be very modest to<br />

compensate for large incremental jumps in weekly reach, even though the likelihood is<br />

that the market will expand once we are in it, as our research suggests.<br />

Forecasting Asian Listening Hours by Age Group<br />

Listening hours are apportioned in a similar way to weekly reach, though percentages<br />

are further adjusted to take account of the likelihood of longer listening hours among the<br />

younger sector of our overall audience, particularly 15-24’s.<br />

Audience Reach Predictions for Black, Chinese and White Listeners<br />

These are based on the results of our July 2006 survey in which we asked respondents<br />

from each group how likely they would be to listen regularly to <strong>Masti</strong> <strong>Radio</strong>.<br />

27


To project weekly reach amongst Black and Chinese listeners for years one and two we<br />

used a formula based on half the total number of people from each group in our survey<br />

who said they were either very or quite likely to listen regularly. For year 3 we used two<br />

thirds of that total. The total number of adults 15+ in each ethnic group was calculated by<br />

subtracting 30% from our projected total population figures for the years in question. In<br />

the case of the Black population 47.8% of the local Mixed Race total was also factoredin<br />

(to represent the UK proportion of mixed race people with Black ethnic roots).<br />

We took an even more cautious approach when calculating the cross-over white<br />

audience, using only half the percentage of people who said they were very likely to<br />

listen in year 1, the whole number of ‘very likely’s’ in year 2 and one percent higher still<br />

in year 3 (i.e. 3.75%; 7.5% and 8.5%). The total percentage of White 15-34’s saying they<br />

were either ‘very’ or ‘quite’ likely to listen to <strong>Masti</strong> <strong>Radio</strong> in our survey was actually<br />

24.7%. The total number of White adults was calculated using 2001 Census ‘White’<br />

population figures multiplied by the expected annual growth levels (of -0.1%), less 19%<br />

to represent under 15’s, less 49% of the remainder to leave only the approximate<br />

number of white 15-44 adults (i.e. 915,254 in year 1; 914,338 in year 2 and 913,424 in<br />

year 3).<br />

Total adult populations for the years in question (needed to calculate <strong>Masti</strong> <strong>Radio</strong>’s<br />

adult weekly reach) are based on our total population estimates less 21% to represent<br />

the approximate proportion of under 15’s by that time (it was 19.65% in 2001) – i.e.<br />

2008: 1,812,555; 2009: 1,819,804; 2010: 1,827,084<br />

Listening Hours Predictions For Black, Chinese and White Listeners<br />

Relatively low listening hours for Black and Chinese listeners are due to the restricted<br />

broadcast hours of their dedicated weekly programming. In fact to err on the ‘safe side’<br />

projected average hours per listener remain below the actual number of dedicated<br />

programming hours for both groups over the whole three year period, even though in<br />

reality we expect there to be some patronage (especially by Black listeners) of<br />

mainstream programming which will mix R’n’B / Urban styles with popular Asian tracks.<br />

Of course there will be no dedicated White programming as such, hence the lower<br />

average hour figures when compared to Black listeners and the prediction that all<br />

crossover listening is expected to occur in the 15-44 sector of the White adult audience.<br />

We expect most White listening to occur during mainstream daytime output, together<br />

with some of the specialist Black interest programmes.<br />

28


3. Transmission proposals<br />

(a) Provide details of the transmission site you propose to use, under the following headings:<br />

(i) Name and National Grid Reference of site;<br />

Sunley Building, Manchester, ngr SJ844983<br />

(ii) Height of site above Ordnance datum (in metres); 44m<br />

(iii) Height of transmitting aerial above ground level (in metres); 130m<br />

(iv) Radiated power in either or both planes of polarisation, and aerial radiation pattern:<br />

500w Vertical + 500w Horizontal - omni-directional<br />

The applicant should confirm whether he believes that his intended mast aperture will be available, and<br />

whether, where required, planning permission can be obtained. Where appropriate, evidence to support this<br />

belief should be provided. Details of any negotiations which have been entered into with the site owner<br />

should also be provided.<br />

Arqiva has indicated it will be possible for us to share their existing antennae, so no<br />

additional planning permission will be required.<br />

The information provided above must take into account any requirements set out in Section 2 of this Notice.<br />

As the Sunley Building normally provides generally good coverage of Manchester and<br />

surrounding areas we first concentrated our efforts and those of Arqiva on discovering<br />

the likely area of possible first adjacent channel interference from Real <strong>Radio</strong> (Emley<br />

Moor 106.2 MHz). Once this was established we also assessed the potential suitability of<br />

various other transmission sites to maximise reception/minimise interference for our<br />

main ethnic target groups.<br />

However, as the highest concentrations of Asians are to be found in Manchester itself<br />

(where the majority of Black people also live), plus Oldham, Rochdale and Bolton we feel<br />

the Sunley Building would best suit our purposes because it will deliver high field<br />

strengths in and around the city centre plus reasonably consistent reception elsewhere<br />

including 60dB+ coverage in Oldham and Bolton plus some coverage in the Rochdale<br />

area.<br />

(b) Please provide a detailed computer predicted map (in colour) of the coverage anticipated using the<br />

transmission site and parameters described above.<br />

We asked Arqiva to prepare two coverage prediction maps for this licence application.<br />

The first (overleaf) predicts the likely level of interference by showing Emley Moor<br />

coverage into the Manchester area, down to a field strength of 33dB. Other important<br />

considerations are explored in a technical footnote in Confidential Appendix CA11.<br />

As can be seen, the Pennines appear to provide a mostly effective natural barrier and<br />

although we realise allowance also needs to be made for ‘lift’ conditions we hope the<br />

Emley site may be too close to Manchester for this to be a significant variable.<br />

29


The second map predicts interference limited coverage from the Sunley site:<br />

31


(ci) Describe proposed arrangements for transmission provision (installation, maintenance and repair).<br />

Our transmission provider Arqiva has the resources both to install the complete system<br />

and conduct regular maintenance. Transmission parameters will be regularly monitored<br />

via telemetry and remote monitoring systems which provide information (carrier power,<br />

lack of modulation etc) to Arqiva’s control centre on a 24 hour basis. Their maintenance<br />

personnel are highly trained and have the necessary spares and test equipment to<br />

ensure any problems are resolved quickly and that the equipment continues to operate<br />

within expected limits.<br />

(d) What is the anticipated time-lapse between the award of licence and start of broadcasting?<br />

We aim to be ready to commence broadcasting six months after licence award.<br />

32


SECTION 105(B) AND (C): CATERING FOR TASTES AND INTERESTS/BROADENING<br />

CHOICE<br />

4. Proposed Format<br />

A blank Format is attached at Annex 3. Fill it in, ensuring that each of the following criteria are addressed<br />

within, where it is felt appropriate to do so. It should follow the style of <strong>Ofcom</strong> Formats, which can be viewed<br />

at: http://www.ofcom.org.uk/static/radiolicensing/amfm/analogue-main.htm. Reasons for omission of any<br />

particular criteria (and it is accepted that not all criteria will be relevant to all applications) should be set out<br />

separately.<br />

The Format will form part of the licence. Therefore, questions of clarification may be asked prior to licence<br />

award and the wording amended to reflect this, if necessary.<br />

(a) Station Name (working titles accepted);<br />

(b) Service Duration. This is the number of hours you will broadcast each day. It should also include the<br />

number of hours of locally-made programming (i.e.programming made within the licensed area) promised.<br />

(c) Character of Service. This is a clear, one or two sentence description of the output and target audience.<br />

(d) Detail. This should address, where appropriate:<br />

(i) A clear description of the type/range of music.<br />

(ii) Specialist music programmes.<br />

(iii) A level of speech content (peak/non-peak)<br />

(iv) Any specific plans for local material.<br />

(v) News obligations, local and national (weekdays and weekends, peaktime, non-peak, etc.)<br />

(vi) Other character-defining elements of programming<br />

(N.B. As set out in Phase 2 of <strong>Radio</strong> - Preparing for the Future, <strong>Ofcom</strong> does not believe that the amount of<br />

automation utilised by a station is an indication of programme quality. Therefore, <strong>Ofcom</strong> has no specific rules<br />

relating to the amount of automation that a licensee may utilise, and applicants do not need to include details<br />

in their proposed Format of how much live programming they intend to provide. However, should an<br />

applicant wish to include such information, it should be included in this part of the Format and will be<br />

regarded as a binding commitment in the event of a licence award.)<br />

Our suggested Format is reproduced overleaf.<br />

You will note that while we make a firm commitment to carry ‘supplementary’ output of<br />

interest to non-Asian ethnic groups in our ‘Character of Service’, we do not specify which<br />

groups or for how long. This is purely so we do not have to seek a variation of format if,<br />

in the light of experience, we need to adjust this output in any way and should not be<br />

taken as a lack of commitment to either introducing or sustaining our dedicated Black or<br />

Chinese output.<br />

We do not define specific quotas of individual music genres for the same reason,<br />

essentially because what we are proposing is new, certainly in the Manchester market<br />

and will no doubt need to be fine-tuned. However, having very carefully formulated our<br />

programming plans we will not be expecting to stray from the spirit, or much of the detail,<br />

outlined in the forthcoming pages.<br />

Naturally we will be happy to discuss these or any other issues with <strong>Ofcom</strong> at any time.<br />

33


Format Outline<br />

MASTI RADIO<br />

Station Name: <strong>Masti</strong> <strong>Radio</strong><br />

Licence Area: Manchester and surrounding area<br />

(as defined in the licence advertisement)<br />

Frequency: 106.10 MHz<br />

Hours of Broadcast: 24 hours a day<br />

(at least 18 hours weekdays,<br />

15 hours Sat & Sun locally made)<br />

Definitions<br />

Speech excludes advertising, trails, sponsor credits and the like<br />

and will be calculated over the period specified.<br />

Music percentages are calculated as a percentage of the total<br />

tracks broadcast in the specified period.<br />

Peak time(s) refers to weekday breakfast and afternoon drive output,<br />

and weekend late breakfast.<br />

Daytime is 0600 to 1900 weekdays and 0800 to 1400 weekends.<br />

Locally made refers to output produced and presented from within the<br />

licence area and must include peak time where required.<br />

Character of Service<br />

A contemporary Asian/Urban/Popular Music led service primarily targeting young<br />

people of Asian ethnic origin up to the age of 35. The station will also carry<br />

supplementary output of particular interest to people in other ethnic groups in the<br />

Manchester area.<br />

Detail<br />

<strong>Masti</strong> <strong>Radio</strong> will play a variety of contemporary music genres including Bollywood,<br />

Lollywood, R’n’B, Bhangra, Asian Pop and Remixes. The overall music selection will<br />

appeal primarily to young people from Asian and other ethnic sectors of the local<br />

population. Specialist music programmes may complement the main mix, mainly during<br />

non-daytime hours.<br />

The station will showcase local talent and interests. It will also tackle social and other<br />

issues of interest to its target audience(s) in a responsible way. Speech will be mainly in<br />

English and will not normally exceed 25% of output. National news will feature hourly<br />

everyday at least during daytime, with hourly local news at least during weekday<br />

daytime. Regular religious programmes may be supplemented with extra themed<br />

programmes or features around key religious events and festivals.<br />

34


5. Programming Philosophy<br />

(a) This sub-section of the application should take the form of a statement setting out the applicant's overall<br />

programming philosophy and vision for the radio service.<br />

If radio could smile (and we think it can), <strong>Masti</strong> <strong>Radio</strong> will have a cheeky grin from ear to<br />

ear! That’s what ‘<strong>Masti</strong>’ means: fun, playful – naughty but nice….<br />

It’ll be an exciting station for a vibrant young community and through this licence could<br />

be born at exactly the right time to grow with it, reflecting an emerging sense of identity<br />

which fuses pride in a distinctive heritage with an upbringing in a northern English city<br />

setting.<br />

Young British Asians are exactly what their name suggests, so society at large is<br />

capable equally of making them feel at home in two hugely different cultures, or feel as if<br />

they don’t really belong in either. It is the absolute intention of our Board that <strong>Masti</strong><br />

<strong>Radio</strong> will engage with the young people of Greater Manchester, reflecting common<br />

interests in entertainment and showcasing new local talent, as well as helping them<br />

explore social and local issues. It will actively promote positive community awareness<br />

and educational initiatives targeting the young, in addition to fostering understanding of<br />

previously ‘taboo’ social subjects, the open discussion of which is taken for granted in<br />

‘Western’ society.<br />

Our target audience has a number of different religious backgrounds (though the<br />

majority are Muslim) so we will reflect Faith in an appropriate way.<br />

The station will also offer Manchester’s Chinese community a weekly three hour<br />

programme and the Black community will have six hours of dedicated output including a<br />

Gospel start to Sunday mornings, plus the crossover effect of shared interest in key<br />

music genres at the heart of our daytime music policy.<br />

Given the encouraging sense of musical/cultural empathy that is increasing between<br />

young people from different backgrounds, it is also likely that <strong>Masti</strong> <strong>Radio</strong> will attract a<br />

secondary listenership among White youngsters too, even though they already have<br />

much more radio choice by comparison with their Asian counterparts.<br />

Of course the existing licensee Asian Sound <strong>Radio</strong> already has a place in Asian lives as<br />

our audience research clearly shows, but the majority of young Asians want a station<br />

they know will be broadcasting exactly what they want to hear exactly when they want to<br />

hear it. Our research found out what they like and we simply want to give it to them on<br />

their own FM station, backed by people with very solid business and social experience<br />

with young people.<br />

35


(ii) The strategies which the applicant proposes to implement in regard to:<br />

• catering for the tastes and interests, general or particular, of persons living in the area;<br />

More Music!<br />

As you’d expect for a station with a primary audience target of Asian’s aged 12-34, <strong>Masti</strong><br />

<strong>Radio</strong> will be music led, playing a variety of contemporary music genres including<br />

Bollywood, Lollywood, R’n’B, Bhangra, Asian Pop and Re-mixes, combined with other<br />

influences and specialist music programmes which complement the main daytime<br />

format.<br />

Meanwhile, Black music aimed at a young audience will dominate three hours of<br />

Saturday night from 10pm and Gospel will feature on Sunday morning. Both these<br />

programmes are intended primarily for the Black community, whereas Chinese popular<br />

songs will be heard on Monday night from 10pm in our weekly programme targeting<br />

another ethnic group in Manchester under-served by local commercial stations despite<br />

being present in proportions well above its UK average.<br />

We have arrived at our main Asian music policy through the broadcasting experience of<br />

our group members, which includes involvement in pioneering similar formats elsewhere<br />

and (in particular) through the views expressed by the 504 local Asian radio listeners<br />

(over 300 of whom were aged under 35) who took part in our initial Asian <strong>Radio</strong> Listener<br />

Survey.<br />

Fieldworkers handed a number of showcards to respondents containing 10 groupings of<br />

well known titles/artists from various genres which were not named. The intention was to<br />

focus respondent attention onto recognising favourite artists and songs rather than<br />

looking for fashionable genre names - and also because some groupings were new,<br />

crafted by <strong>Masti</strong> <strong>Radio</strong> to mix compatible styles together. For example ‘Asian and<br />

Mainstream R’n’B’ formed one category with two title/artist examples from each.<br />

Respondents were then asked to identify the music title/artist group they’d most like to<br />

hear on a new station for Asians. They were then asked for their subsequent choices in<br />

order of preference until they ran out of examples they liked. When designing our format<br />

we took most notice of first choice genres in the main 15-24/25-34 age groups, adjusting<br />

the balance in line with greatest popularity through subsequent choices and overall<br />

compatibility from one age group to another.<br />

36


Below are the ‘first choice’ music genre results from our first survey:<br />

MASTI RADIO ASIAN SURVEY Adults 15 – 24 25 - 34 35 - 44 45+<br />

SAMPLE 504 178 146 95 84<br />

No reply 36 7 12 5 12<br />

7.10% 3.90% 8.20% 5.30% 14.30%<br />

A1 Asian Pop 69 20 19 18 12<br />

13.70% 11.20% 13.00% 18.90% 14.30%<br />

A2 New Bollywood & Lollywood 117 38 31 25 23<br />

23.20% 21.30% 21.20% 26.30% 27.40%<br />

A3 Old Bollywood & Lollywood 52 7 11 16 18<br />

10.30% 3.90% 7.50% 16.80% 21.40%<br />

A4 Bhangra Traditional & Western 71 22 25 16 8<br />

14.10% 12.40% 17.10% 16.80% 9.50%<br />

A5 Re-mixes 51 27 14 5 5<br />

10.10% 15.20% 9.60% 5.30% 6.00%<br />

B1 Asian and Mainstream R’n’B 62 30 24 4 3<br />

12.30% 16.90% 16.40% 4.20% 3.60%<br />

B2 Western Pop/Chart 10 4 4 2 -<br />

2.00% 2.20% 2.70% 2.10% -<br />

B3 Dance 7 4 1 2 -<br />

1.40% 2.20% 0.70% 2.10% -<br />

B4 Dance Hall (Hip Hop / Garage<br />

/ Bashment) 27 19 4 2 2<br />

5.40% 10.70% 2.70% 2.10% 2.40%<br />

B5 Gospel 2 - 1 - 1<br />

0.40% - 0.70% - 1.20%<br />

The example songs from each genre used in the research can be found in Appendix A15.<br />

MASTI RADIO MUSIC FORMAT - GENRE PERCENTAGES<br />

A1 Asian Pop 10%<br />

A2 New Bollywood & Lollywood 35%<br />

A3 Old Bollywood & Lollywood 5%<br />

A4 Bhangra Traditional & Western 15%<br />

A5 Re-mixes 10%<br />

B1 Asian & Mainstream R’n’B 20%<br />

B2,B3,B4&B5 (W.Pop, Dance, DanceHall & Gospel) 5%<br />

Overall we will play 85% Asian music against 15% Western.<br />

N.B. We repeated our music preference exercise with updated song lists in the same<br />

genre categories in our 2006 survey and found broadly similar results among the Asian<br />

sample. This survey also confirmed our expectations as to the overall music tastes of our<br />

other ethnic target groups.<br />

37


Music 75% / Speech 25%<br />

As can be seen below, we arrived at this music/speech ratio as it was the most popular<br />

option chosen by potential listeners aged 15-34 in our survey:<br />

MASTI RADIO SURVEY Adults Male Female 15 – 24 25 - 34 35 - 44 45+<br />

ASIAN SAMPLE 504 258 246 178 146 95 84<br />

All music 55 25 30 32 15 5 3<br />

10.90% 9.70% 12.20% 18.00% 10.30% 5.30% 3.60%<br />

Mainly music (say 75%) 253 125 128 89 89 40 34<br />

50.20% 48.40% 52.00% 50.00% 61.00% 42.10% 40.50%<br />

50% Music/50% Speech 157 86 71 53 34 39 31<br />

31.20% 33.30% 28.90% 29.80% 23.30% 41.10% 36.90%<br />

Mainly speech (say 75%) 31 17 14 3 3 10 15<br />

6.20% 6.60% 5.70% 1.70% 2.10% 10.50% 17.90%<br />

All speech 8 5 3 1 5 1 1<br />

1.60% 1.90% 1.20% 0.60% 3.40% 1.10% 1.20%<br />

Main Presentation Language<br />

Speech Content<br />

<strong>Masti</strong> <strong>Radio</strong>’s language ratio, again directly driven by our research findings, will be 70%<br />

English / 30% Asian languages, except during Asian festival periods when the proportion<br />

of Asian languages is expected to rise (though not to anything like the amount<br />

broadcast routinely by Asian Sound <strong>Radio</strong>).<br />

Religion<br />

Our research asked “How do you think a new FM station mainly for Asians should reflect<br />

religious interest?”<br />

MASTI RADIO ASIAN SURVEY Adults 15 - 24 25 - 34 35 - 44 45+<br />

504 178 146 95 84<br />

No reply 1 - - - 1<br />

0.20% - - - 1.20%<br />

Through regular religious programmes for<br />

my religion 182 59 46 41 36<br />

36.10% 33.10% 31.50% 43.20% 42.90%<br />

By covering (only) the Asian<br />

religious/community festivals 251 85 77 46 42<br />

49.80% 47.80% 52.70% 48.40% 50.00%<br />

By having no religious programming at all 70 34 23 8 5<br />

13.90% 19.10% 15.80% 8.40% 6.00%<br />

On discovering a third of people in our main target (15-34) age range wanted regular<br />

religious programmes we felt this was too large a proportion to be simply regarded as a<br />

minority view, so we decided to err on the side of caution and provide a weekly<br />

programme in a traditional early morning slot for each of the main Asian religions in<br />

order to be totally even-handed.<br />

38


A Christian programme featuring Gospel music will also be scheduled on Sunday<br />

morning as part of our commitment to Manchester’s Black community.<br />

Religious Programmes on <strong>Masti</strong> <strong>Radio</strong><br />

Muslim - Friday 0500-0700 Naaths<br />

Sikh - Sunday 0500-0700 Shabads<br />

Christian - Sunday 0700-1000 Gospel<br />

Hindu -Thursday 0500-0700 Bhajans<br />

Additionally there will be extra output around main religious festivals, e.g. Easter,<br />

Ramadan, Vaisakhi, Diwali and Christmas.<br />

News and Sport<br />

Hourly IRN bulletins will be broadcast every day from 0700 – 0000, followed from 0700-<br />

1800 on weekdays by an in-house bulletin.<br />

In-house news will be 2 minutes long, always in English and will feature local and<br />

national Asian stories, as well as sports and entertainment stories. Additionally, after the<br />

IRN bulletin at 1900 on weekdays “Daily Insight” will look at the day’s events in more<br />

depth, including business and financial news (15 minutes).<br />

Our research confirmed a strong interest in news about Manchester’s Asian Community.<br />

We will therefore concentrate our locally generated news output in that direction<br />

following the hourly IRN bulletin, rather than look further afield for Asian interest stories,<br />

for which there is comparatively little interest in our target age group.<br />

Other Speech<br />

Reference to our Programme Schedule will illustrate some of the short programme<br />

features we have in mind and we expect to incorporate all items indicated as popular<br />

through our survey, together with the community and social action initiatives indicated in<br />

Programme Philosophy at the start of this Section.<br />

As with music, speech item choices were graded by our research respondents according<br />

to importance. The results below show the type of speech item listeners regarded as<br />

their first choice – the single most important one. There were actually 15 levels of ‘next<br />

most important’ choice. (See Full Research Tables in Confidential Appendix CA5 for<br />

more details).<br />

39


MASTI RADIO ASIAN SURVEY ADULTS 15 - 24 25 – 34 35 - 44 45/+<br />

504 178 146 95 84<br />

MOST IMPORTANT SPEECH<br />

5 - - 3 2<br />

No reply 1.00% - - 3.20% 2.40%<br />

158 47 43 36 32<br />

News from Greater Manchester’s<br />

Asian Community 31.30% 26.40% 29.50% 37.90% 38.10%<br />

27 12 8 3 4<br />

News from South Asia 5.40% 6.70% 5.50% 3.20% 4.80%<br />

58 14 16 16 12<br />

UK National and World News 11.50% 7.90% 11.00% 16.80% 14.30%<br />

49 20 12 11 6<br />

Local (Greater Manchester) News 9.70% 11.20% 8.20% 11.60% 7.10%<br />

5 1 2 1 -<br />

Regional (NW England) News 1.00% 0.60% 1.40% 1.10% -<br />

12 10 1 - 1<br />

Weather Forecasts 2.40% 5.60% 0.70% - 1.20%<br />

22 11 7 1 3<br />

Whats-on (Events in the local/Asian<br />

communities) 4.40% 6.20% 4.80% 1.10% 3.60%<br />

37 17 11 6 3<br />

Entertainment/Showbiz News<br />

(including Bollywood and<br />

Lollywood) 7.30% 9.60% 7.50% 6.30% 3.60%<br />

12 7 4 - 1<br />

Gig/Club Guide 2.40% 3.90% 2.70% - 1.20%<br />

30 7 16 5 2<br />

Sport – football 6.00% 3.90% 11.00% 5.30% 2.40%<br />

11 3 4 1 3<br />

Sport – cricket 2.20% 1.70% 2.70% 1.10% 3.60%<br />

9 6 2 - 1<br />

Interviews with personalities 1.80% 3.40% 1.40% - 1.20%<br />

7 2 2 3 -<br />

Health/Fitness advice and features 1.40% 1.10% 1.40% 3.20% -<br />

1 - 1 - -<br />

Traffic and Travel news 0.20% - 0.70% - -<br />

1 - - 1 -<br />

Business/Financial News 0.20% - - 1.10% -<br />

13 2 6 3 2<br />

Features about Asian Festivals 2.60% 1.10% 4.10% 3.20% 2.40%<br />

22 8 3 2 9<br />

Prayers/Religious Features 4.40% 4.50% 2.10% 2.10% 10.70%<br />

8 3 3 - 2<br />

Debates/Discussions/Phone-ins 1.60% 1.70% 2.10% - 2.40%<br />

4 3 1 - -<br />

Quizzes/Competitions 0.80% 1.70% 0.70% - -<br />

13 5 4 3 1<br />

Don't Know 2.60% 2.80% 2.70% 3.20% 1.20%<br />

40


• broadening the range of local commercial services available in the area;<br />

It is crucial to recognise how, when viewed from an Asian (Black or Chinese)<br />

perspective, Manchester’s analogue radio dial remains almost empty with regard to<br />

stations with specific ethnic appeal, despite being crammed full of signals. In contrast<br />

London has three full time analogue Asian stations, plus Spectrum - most digital stations<br />

are originated there and there are a host of other full time Asian services on a smaller<br />

scale.<br />

So at a time when many of our competitors for this licence are likely to be proposing<br />

‘niche’ services to broaden still further the already wide listening choice available to the<br />

main population, the majority of whom are White, there is just one dedicated analogue<br />

Asian station - the existing ‘East Lancashire’ licensee Asian Sound <strong>Radio</strong> – and the<br />

Black and Chinese communities have no dedicated city-wide station at all.<br />

Noting Asian Sound’s new weekly Chinese programme, the only other city-wide<br />

analogue station carrying any specialist Asian, Black and Chinese output is BBC <strong>Radio</strong><br />

Manchester. None of the other available ethnic radio services, the most popular of which<br />

seem to be BBC Asian Network, Club Asia and (BBC) 1Xtra, are locally originated and<br />

all are confined to digital platforms, often satellite and in some cases local DAB.<br />

Our Degree of Difference From Other Stations<br />

We have reviewed the full list of stations we are required to be different from in the<br />

<strong>Ofcom</strong> specification document for this licence and are content that the service we are<br />

proposing is sufficiently distinct as to genuinely broaden listening choice by comparison<br />

with all the stations named.<br />

In the case of all the mainstream city-wide/regional and smaller scale commercial local<br />

services the differences in format are very obvious, although some community stations<br />

do carry some ethnic output. But even if they come closer to our format at times during<br />

specific ethnic programming, none of them do so on anything approaching a full time<br />

basis and their signal footprint is inevitably limited to a relatively small geographical area.<br />

To access the popularity of community stations among our target audience(s) we<br />

included both the area’s original Community ‘Access/Pilot’ stations (Wythenshaw FM<br />

and All FM) in both our specially commissioned listening surveys, as well as providing<br />

space for interviewers to note the names of any other stations mentioned by<br />

respondents. Despite this no other stations were mentioned and audience levels to the<br />

two original ones remained very small. The best result obtained in our most recent<br />

survey was All FM’s 3.4% of Black radio listeners who said they listened regularly, a<br />

comparatively good result given the station’s limited range.<br />

Asian Listener Station Choices and Listening Patterns<br />

The results shown below are taken from our original specially commissioned Asian<br />

<strong>Radio</strong> Listener Survey. Unlike Rajar this included Asian Sound <strong>Radio</strong>, showing the level<br />

of Asian listenership to a dedicated Asian local service compared with other stations.<br />

Please note however that audience percentages shown here are of the total number of<br />

actual Asian radio listeners not Rajar style ‘weekly reach’ showing audiences as a<br />

percentage of all adults.<br />

41


Considering the number of Asian non-listeners we found, the Rajar style weekly reach<br />

equivalents of the percentages shown below would be about half the size of the values<br />

expressed. Stations heard by less than 3% of Asian radio listeners in all age groups<br />

were excluded from this table. Indeed, of the 45 station options originally listed, only 6<br />

stations had ever been heard by more than 10% of all Asian radio listeners.<br />

We asked Asian radio listeners to tell us what stations they had ever heard<br />

MASTI RADIO ASIAN RESEARCH<br />

STUDY – December 2004<br />

Adult<br />

Listeners 15 – 24 25 - 34 35 – 44 45+<br />

BBC <strong>Radio</strong> 1 33.90% 38.80% 36.30% 28.40% 25.00%<br />

BBC <strong>Radio</strong> 2 8.10% 6.70% 8.90% 10.50% 7.10%<br />

BBC <strong>Radio</strong> 3 3.20% 2.20% 3.40% 3.20% 4.80%<br />

BBC <strong>Radio</strong> 4 4.40% 2.20% 5.50% 7.40% 3.60%<br />

BBC <strong>Radio</strong> Five Live/Sports Extra 8.10% 5.10% 11.00% 5.30% 13.10%<br />

BBC Asian Network (digital) 25.60% 24.20% 24.00% 26.30% 31.00%<br />

BBC World Service 2.20% 1.10% 0.70% 2.10% 7.10%<br />

1XTRA (digital) 2.40% 5.60% - - 2.40%<br />

BBC GMR 2.80% 0.60% 3.40% 2.10% 7.10%<br />

Any other BBC Local Station 1.60% - 4.80% 1.10% -<br />

Key 103 37.50% 47.20% 38.40% 26.30% 27.40%<br />

Magic 1152 5.40% 6.20% 6.80% 4.20% 2.40%<br />

Capital Gold 3.00% 2.20% 2.70% 4.20% 3.60%<br />

105.4 Century FM 6.20% 6.20% 8.90% 5.30% 2.40%<br />

100.4 Smooth FM 4.60% 2.20% 7.50% 4.20% 4.80%<br />

Asian Sound <strong>Radio</strong> 85.90% 82.60% 85.60% 86.30% 92.90%<br />

Galaxy 102 43.50% 62.90% 37.00% 32.60% 25.00%<br />

96.2 The Revolution 10.30% 9.60% 13.70% 7.40% 9.50%<br />

107.4 Tower FM 4.40% 5.60% 4.10% 4.20% 2.40%<br />

Classic FM 2.60% 1.10% 2.10% 5.30% 3.60%<br />

Talk SPORT 4.00% 2.20% 4.80% 5.30% 4.80%<br />

Virgin <strong>Radio</strong> 4.60% 5.10% 4.80% 3.20% 4.80%<br />

Sunrise <strong>Radio</strong> Yorkshire (103.2 FM<br />

Bradford area) 8.50% 9.60% 6.80% 8.40% 9.50%<br />

Sunrise <strong>Radio</strong> (London and digital) 8.70% 7.90% 11.60% 6.30% 8.30%<br />

Yarr <strong>Radio</strong> (digital) 5.00% 7.90% 3.40% 2.10% 4.80%<br />

<strong>Masti</strong> <strong>Radio</strong> (Internet only) 3.60% 6.20% 3.40% 1.10% 1.20%<br />

Kiss (digital) 8.50% 15.70% 6.80% 3.20% 2.40%<br />

The Hits (digital) 2.60% 5.60% 1.40% 1.10% -<br />

Smash Hits <strong>Radio</strong> (digital) 6.30% 10.70% 4.80% 3.20% 3.60%<br />

Any other digital radio station 2.00% 1.10% 0.70% 3.20% 4.80%<br />

Weekly Audiences<br />

When Asian radio listeners were asked what stations they listened to regularly and had<br />

heard during the past week the field narrowed still further. Stations with a weekly<br />

audience of less than 2% of Asian radio listeners have been excluded from the table<br />

below for clarity, though we’d like to point out that <strong>Masti</strong> <strong>Radio</strong> was already attracting 1%<br />

of all Asian listeners by the time this survey was carried out (December 2004), despite<br />

only launching on 1 st November 2004 and only being available in the Manchester area<br />

via the Internet and ‘overspill’ DAB reception. (In our latest survey it has 2%).<br />

42


Stations with weekly audiences of 2% or more of Asian radio listeners<br />

MASTI RADIO RESEARCH STUDY 1<br />

December 2004<br />

% Adult<br />

Listeners 15 – 24 25 – 34 35 – 44 45+<br />

BBC <strong>Radio</strong> 1 18.30% 21.30% 19.20% 16.80% 10.70%<br />

BBC <strong>Radio</strong> 2 3.00% 1.10% 4.10% 4.20% 3.60%<br />

BBC <strong>Radio</strong> Five Live/Sports Extra 4.20% 2.80% 4.10% 3.20% 8.30%<br />

BBC Asian Network (digital) 10.30% 7.90% 9.60% 10.50% 16.70%<br />

Key 103 23.60% 31.50% 22.60% 15.80% 17.90%<br />

105.4 Century FM 2.20% 1.70% 4.10% 1.10% 1.20%<br />

Asian Sound <strong>Radio</strong> 72.00% 62.90% 72.60% 77.90% 84.50%<br />

Galaxy 102 28.60% 46.60% 23.30% 22.10% 6.00%<br />

96.2 The Revolution 2.80% 2.20% 5.50% 1.10% 1.20%<br />

107.4 Tower FM 2.00% 2.80% 0.70% 3.20% 1.20%<br />

Sunrise <strong>Radio</strong> Yorkshire (103.2<br />

Bradford area) 2.60% 2.80% 3.40% 2.10% 1.20%<br />

Sunrise <strong>Radio</strong> (London and digital) 2.20% 1.70% 2.10% 4.20% 1.20%<br />

Yarr <strong>Radio</strong> (digital) 2.00% 3.90% 0.70% - 2.40%<br />

Kiss (digital) 2.60% 5.60% 1.40% 1.10% -<br />

Full research tables can be found in Confidential Appendix CA5<br />

Note how only four of Manchester’s city-wide/NW regional commercial stations appear at<br />

all, of which three (Asian Sound <strong>Radio</strong>, Key 103 and Galaxy 102) attract notable<br />

audiences. Smaller scale commercial stations 96.2 The Revolution and 107.4 Tower FM<br />

appear because segments of our research fieldwork were carried out in their respective<br />

areas (Oldham and Bolton/Bury) due to the high concentrations of Asian residents.<br />

Of BBC radio services, <strong>Radio</strong> 2 fails to work any magic on Manchester’s Asian ears and<br />

neither <strong>Radio</strong> 4 nor GMR managed to attract even 2% of all Asian adult listeners. <strong>Radio</strong><br />

4 had 1.8% overall, but 2.1% of Asian male listeners, 2.7% of 35-44’s and 4.2% of 45+’s.<br />

GMR had 0.6% overall, but 2.4% of 45+’s.<br />

In the case of GMR (now re-named BBC <strong>Radio</strong> Manchester) we were a little surprised at<br />

the very low figures since it devoted two full evenings a week to Asian programming,<br />

with prominent support on the home page of its BBC ‘Where I Live’ website.<br />

Consequently we wonder if listeners think they are actually hearing BBC Asian Network<br />

when they encounter GMR’s Asian output and report their listening under that station<br />

name.<br />

Looking at other results from the original survey we were proud to note how Sunrise<br />

<strong>Radio</strong> (Yorkshire) out-performed its London based namesake, despite access for<br />

Manchester based listeners being confined to the internet and overspill reception from its<br />

West Yorkshire DAB transmitters.<br />

Turning to age group breakdowns it can be clearly seen how Asian Sound <strong>Radio</strong>’s<br />

audience is weighted toward older listeners, as is BBC Asian Network. Meanwhile<br />

Galaxy 102, Key 103 and BBC <strong>Radio</strong> 1 attract larger proportions of younger than older<br />

Asians.<br />

43


But of all ‘mainstream’ (non-Asian) stations, only the results obtained by Galaxy 102<br />

came anywhere close to those of Asian Sound <strong>Radio</strong> in our original survey, which is<br />

shown to reach 46.6% of Asian radio listeners aged 15-24 in an average week. In our<br />

more recent (July 2006) survey the relative positions of these two stations is reversed<br />

with Galaxy taking a clear lead with 44.9%. The popularity of Galaxy is explained<br />

because young Asians like certain Western music styles, having grown up with them, in<br />

particular ‘Urban’ forms especially R’n’B. That’s why we intend to include such styles in<br />

our main daytime music policy.<br />

And the fact the roots of such music are in Black culture lies at the heart of our idea to<br />

also target Black listeners at specific times. (Further details and research results relating<br />

to music preferences are summarised elsewhere in the Programming section).<br />

Audience Levels to Asian Sound <strong>Radio</strong><br />

Firstly, on the basis that Asian Sound <strong>Radio</strong> attracted a weekly audience of 72% of the<br />

504 Asian radio listeners in our first survey, we estimated that would be equivalent to<br />

(Rajar style) weekly reach of 31.39% using our original 1,156 sample as a base. Our<br />

newer survey – this time only of people in <strong>Masti</strong> <strong>Radio</strong>’s primary 15-34 target age range<br />

– found Asian Sound to reach 28.6% of Asian radio listeners. Nonetheless, that figure<br />

still made it the second most listened-to station among young Asians, though rather a<br />

long way behind the clear market leader Galaxy.<br />

2006 Listener Study<br />

Overleaf is a table summarising the findings of our July 2006 listening survey, relating to<br />

a question asking what radio stations respondents listen to on a regular basis. As with<br />

our first survey the percentages shown are of actual radio listeners in each ethnic group.<br />

rather than weekly reach of all adults (Rajar style).<br />

Once again, the impression given from these new results is that people in the ethnic<br />

groups find it difficult to be very enthusiastic about all but a handful of stations, with<br />

many of the traditionally ‘biggest’ ones (apart from Galaxy and Key) failing to register<br />

anything like the number of listeners they do among the main population. So although<br />

Key 103 does relatively well, quite a way ahead of <strong>Radio</strong> 1, network stations like <strong>Radio</strong> 2<br />

fail to register at all with young Asian and Black listeners.<br />

Results that stand out are the strong following of Galaxy across all groups (though the<br />

Chinese appear a little less enthusiastic and seem at times to prefer similar stations to<br />

older white listeners). The fact that Smooth FM’s soul/motown led output is more popular<br />

than 1Xtra among young Black listeners is interesting, as is their preference for a<br />

mystery ‘other commercial local station’ (a pirate maybe?). Finally the comparatively<br />

strong following among Asians for London’s Club Asia is very encouraging as it’s the<br />

nearest currently available format in Manchester to the one we propose.<br />

44


<strong>Masti</strong> <strong>Radio</strong> Listening Study - July 2006 – Station % of <strong>Radio</strong> Listeners Aged 15-34<br />

Listener Group Asian Black Chinese White<br />

Station<br />

<strong>Radio</strong> 1 12.2% 11.2% 12.5% 27.6%<br />

<strong>Radio</strong> 2 0% 0% 6.3% 6.9%<br />

<strong>Radio</strong> 4 1% 1.1% 12.5% 0%<br />

<strong>Radio</strong> Five Live 1% 1.1% 3.1% 5.7%<br />

<strong>Radio</strong> Manchester 1% 3.4% 0% 0%<br />

Asian Network 8.2% 0% 0% 0%<br />

World Service 0% 2.2% 0% 0%<br />

1 Xtra 0% 10.1% 0% 1.1%<br />

Key 103 18.4% 15.7% 28.1% 46%<br />

Magic 1152 2% 2.2% 0% 3.4%<br />

Capital Gold 0% 3.4% 0% 1.1%<br />

105.4 Century FM 3.1% 2.2% 6.3% 4.6%<br />

100.4 Smooth FM 2% 16.9% 3.1% 5.7%<br />

97.7 XFM 2% 1.1% 0% 3.4%<br />

Asian Sound <strong>Radio</strong> 28.6% 1.1% 0% 0%<br />

Galaxy 102 44.9% 43.8% 21.9% 35.6%<br />

96.2 The Revolution 0% 0% 3.1% 2.3%<br />

107.4 Tower FM 1% 1.1% 0% 2.3%<br />

Othr Com Local Stn 0% 11.2% 0% 0%<br />

Classic FM 0% 1.1% 3.1% 0%<br />

Talk Sport 2% 3.4% 6.3% 5.7%<br />

Virgin <strong>Radio</strong> 2% 1.1% 0% 0%<br />

All FM 0% 3.4% 0% 0%<br />

Wythenshaw FM 0% 1.1% 0% 0%<br />

Sunrise Yorkshire 3.1% 0% 0% 0%<br />

Sunrise London 1% 0% 0% 0%<br />

<strong>Masti</strong> <strong>Radio</strong> 2% 0% 0% 0%<br />

Club Asia 10.2% 0% 0% 0%<br />

Kiss 1% 2.2% 0% 0%<br />

Karrang 0% 0% 0% 1.1%<br />

Core 1% 0% 0% 0%<br />

Heart 1% 0% 0% 0%<br />

Mojo 0% 2.2% 0% 0%<br />

The Hits 0% 1% 0% 0%<br />

Smash Hits 3.1% 0% 0% 0%<br />

Other Station 2% 2.2% 0% 0%<br />

45


Asian Surveys Summary – Manchester-wide Commercial Local Stations<br />

Dec 2004 July 2006<br />

Stations % of Asian Listeners % of Asian Listeners<br />

(sample: 504 Adults) (sample:150 15-34’s)<br />

Asian Sound <strong>Radio</strong> 72% 28.6%<br />

Galaxy 102 28.6% 44.9%<br />

Key 103 23.6% 18.4%<br />

105.4 Century FM 2.2% 3.1%<br />

100.4 Smooth FM 0.4% 2%<br />

Capital Gold Manchester 0.6% 0%<br />

Magic 1152 1.6% 2.0%<br />

Monitoring<br />

For our original 2005 application we monitored and logged the three local commercial<br />

stations which attract Asian listeners in any numbers in order to prove how <strong>Masti</strong> <strong>Radio</strong><br />

will broaden choice by being fundamentally different to anything currently on offer.<br />

Given the great degree of obvious difference, even from a non-Asian standpoint,<br />

between <strong>Masti</strong> <strong>Radio</strong> and all other stations except Asian Sound <strong>Radio</strong>, we have remonitored<br />

only that station in preparation for this application, noting a few changes in the<br />

process.<br />

Monitoring Summary - Asian Sound <strong>Radio</strong><br />

Monitoring Schedule 1: 1100 Monday 17 th January -1100 Wednesday 19 th January 2005<br />

All station output items during the 28 hours of (mainly ‘daytime’) chronological monitoring<br />

were timed in seconds (totalling 100,800) and noted on a spreadsheet. See Confidential<br />

Appendix CA8.<br />

Monitoring Schedule 2: Thursday 14 th , Monday 18 th and Tuesday 19 th September 2006<br />

During a 65 hour period over the three days all but the following 23 hours were<br />

analysed: 00.00-07.00 each day (Back to Back Music and Religious Output); 21.00-<br />

00.00 each day (14 th Mirpuri Programme; 18 th Gujrati ;19 th Urdu). For the spreadsheet<br />

see Confidential Appendix CA8B.<br />

46


Asian Sound Monitoring - Summary of Totals and Percentages.<br />

Broad Content Types Seconds Percentages<br />

Jan 05 Sep 06 Jan 05 Sep 06<br />

Music 41,382 38,191 41.1% 44.2%<br />

Programme Speech 37,901 30,298 37.6% 35.1%<br />

Advertising 11,338 9,117 11.3% 10.6%<br />

World/National News 7,581 6,427 7.5% 7.4%<br />

Local News 2,533 2,343 2.5% 2.7%<br />

None (Dead Air) 65 43 0.06% 0.03%<br />

Music Breakdown<br />

(using <strong>Masti</strong> genre definitions)<br />

% of<br />

Genre Seconds Music<br />

Jan 05 Sep 06 Jan 05 Sep 06<br />

Asian Pop 1,244 3,563 3.0% 9.3%<br />

New Bollywood and Lollywood 20,882 18,550 50.5% 48.6%<br />

Old Bollywood and Lollywood 13,183 8,719 31.9% 22.8%<br />

Bhangra traditional and western 3,359 4,251 8.1% 11.1%<br />

Remixes 1,705 1,345 4.1% 3.5%<br />

Asian and Mainstream R’n’B 0 0 0.0% 0.0%<br />

Western Pop 409 10 1.0% 0.03%<br />

Dance 0 0 0.0% 0.0%<br />

Dance Hall 0 0 0.0% 0.0%<br />

(incl Hip Hop/Garage/Bashment)<br />

Gospel 0 0 0.0% 0.0%<br />

Other Religious 600 1,753 1.4% 4.6%<br />

Although Asian Sound <strong>Radio</strong> has a daily three hour religious programme an extra 600<br />

seconds of religious music was played during the Jan 05 monitoring period due to the<br />

religious Hajj festival and an extra 3,067 seconds in Sep 06.<br />

Programme Speech Breakdown<br />

(excluding news and advertising, including jingle idents and promos)<br />

% of Programme<br />

Content Seconds Speech<br />

Jan 05 Sep 06 Jan 05 Sep 06<br />

English language 8,744 6,258 23.0% 20.7%<br />

Asian languages 25,252 19,577 66.6% 64.6%<br />

Jingles/Promo’s 3,975 4,463 10.4% 14.7%<br />

However, if Jingles and Promo’s are ignored the % split for English/Asian speech was<br />

26/74 in Jan 05 and 24/76 in Sep 06.<br />

47


International/National News Breakdown<br />

% of<br />

Presentation Seconds Int/Nat News<br />

Jan 05 Sep 06 Jan 05 Sep 06<br />

In English 6,920 5,893 91.3% 91.7%<br />

In Urdu 661 534 8.7% 8.3%<br />

Local News Breakdown<br />

% of<br />

Presentation Seconds Local News<br />

Jan 05 Sep 06 Jan 05 Sep 06<br />

In English 2,220 2,330 87.6% 99.46%<br />

In Urdu 313 12.6 12.4% 0.54%<br />

Comparisons between Asian Sound <strong>Radio</strong> and <strong>Masti</strong> <strong>Radio</strong>’s Proposals<br />

Music Format<br />

Daytime average proportions:<br />

Actual Asian Sound Planned <strong>Masti</strong><br />

<strong>Radio</strong> % <strong>Radio</strong> %<br />

Jan 2005 Sept 2006<br />

Asian Pop 3.0% 9.3% 10%<br />

New Bollywood and Lollywood 51.2% 48.6% 35%<br />

Old Bollywood and Lollywood 32.4% 22.8% 5%<br />

Bhangra traditional and western 8.2% 11.1% 15%<br />

Remixes 4.2% 3.5% 10%<br />

Asian and Mainstream R’n’B 0.0% 0.03% 20%<br />

Western Pop,Dance,Dance Hall,Gospel 1.0% 0.0% 5%<br />

Perhaps in anticipation of competition for the younger part of its Asian audience, Asian<br />

Sound’s music balance has clearly moved in a more contemporary direction since our<br />

first monitoring exercise, though the evidence from our listener surveys is of falling<br />

audiences in this sector. We think, backed by our research, their high proportions of<br />

speech and the predominant use of Asian languages are actually the main obstacles to<br />

them reaching more young Asian listeners, though of course these ingredients are<br />

equally positive reasons for their great success with older listeners - hence our plan to<br />

be fundamentally different in these and many other respects.<br />

Other Programme Content<br />

Asian Sound <strong>Radio</strong>’s programme schedule has the following genres which won’t appear<br />

on <strong>Masti</strong> <strong>Radio</strong>: Gujarati, Bengali Mirpuri and Ghazals.<br />

Religious Music<br />

Asian Sound <strong>Radio</strong> has a total of 21 hours scheduled Asian religious music per week<br />

compared to <strong>Masti</strong> <strong>Radio</strong>’s plan for 6 hours.<br />

48


Music to Speech Ratio<br />

(excluding advertising content) Music % Speech %<br />

Asian Sound <strong>Radio</strong> 2005 52 48<br />

2006 56 44<br />

<strong>Masti</strong> <strong>Radio</strong> 75 25<br />

Presentation Language<br />

English % Asian %<br />

Asian Sound <strong>Radio</strong> 2005 25 75<br />

2006 24 76<br />

<strong>Masti</strong> <strong>Radio</strong> 70 30<br />

International/National News<br />

(shown as total seconds 0700-2000 weekdays)<br />

Actual Asian Sound Planned <strong>Masti</strong><br />

Seconds (Jan 05) Seconds<br />

IRN 2,520 2,520<br />

Drivetime half-hour headlines 98 Nil<br />

Asian Sub-Continent News 727 Nil<br />

TOTAL 3,345 2,520<br />

<strong>Masti</strong> <strong>Radio</strong> will not specifically feature ‘extra’ news from the Asian Sub-Continent<br />

because it was not a popular choice in our listener survey.<br />

Asian Sound <strong>Radio</strong> also translated the 1900+2000 bulletins into Urdu (in addition to the<br />

English versions) when we listened, totalling 300 seconds. <strong>Masti</strong> <strong>Radio</strong> will not do this.<br />

Local News and Sport<br />

(shown as total seconds for 0700-2000 weekdays)<br />

Actual Asian Sound Planned <strong>Masti</strong><br />

Seconds (Jan 05) Seconds<br />

1,328 2,340*<br />

*includes the 15 minute local news magazine programme 1903-1918<br />

For all the above reasons we feel <strong>Masti</strong> <strong>Radio</strong> will be very different from and therefore<br />

complementary to the current output of Asian Sound <strong>Radio</strong>, doubling Asian radio choice<br />

in Manchester - a city in which the non-white population, led by Asians, is set to grow by<br />

at least 50% during the term of the new radio licence.<br />

49


Monitoring Summary Key 103<br />

As Manchester’s ‘heritage’ local commercial station you’d expect Key 103 to feature<br />

prominently in overall listening across the city. In terms of Asian listeners our two<br />

audience studies showed that although the station did reasonably well it is less popular<br />

than Galaxy, though it is still one of relatively few ‘mainstream’ stations to attract an<br />

audience of reasonable proportions. The preference for Galaxy among Asian (and<br />

Black) listeners is probably due to a preference for Black music styles (especially R’n’B)<br />

to mainstream western pop or rock.<br />

We monitored Key 103 for a 12 hour weekday daytime period (0600-1800) on<br />

Wednesday 2 nd February 2005 (the spreadsheet log is Confidential Appendix CA9).<br />

Apart from a competition to win a holiday in Hong Kong to celebrate Chinese New Year<br />

there was no speech content of specific interest to any of <strong>Masti</strong> <strong>Radio</strong>’s ethnic target<br />

groups.<br />

Advertising accounted for 22% of total output, news/speech/jingles/promos for 26% and<br />

music for 52%. Music and speech are broken down below. For simplicity we have put<br />

mainstream Western Pop and Rock into one category.<br />

Music category % of Music played<br />

Pop/Rock 79.6%<br />

R’n’B 10.9%<br />

Dance 9.5%<br />

Key 103 therefore plays less R’n’B than <strong>Masti</strong> <strong>Radio</strong> proposes to do (20% comprising a<br />

mix of Asian and Western styles). But it has more Dance and vast amounts more<br />

(Western) Pop/Rock. <strong>Masti</strong> <strong>Radio</strong> will have no Rock and a 5% proportion category which<br />

includes both Dance and Western Pop alongside other fringe interest styles from the<br />

point of view of our target audience.<br />

Speech Category % of Speech<br />

News and Sport 15.6%<br />

Programme Speech 73.8%<br />

(incl. links, travel etc)<br />

Recorded Branding 10.6%<br />

(promos/jingles/idents)<br />

News was presented in ‘home mix’ style throughout, with overall content weighted<br />

slightly in favour of local stories if you include those about local sport, which largely<br />

concerned Manchester United and Manchester City on the day we monitored.<br />

50


Monitoring Summary – Galaxy 102<br />

Our original Asian research survey found Galaxy to be the most listened-to existing local<br />

commercial station after Asian Sound <strong>Radio</strong>, but our July 2006 survey showed it well<br />

ahead. As you’d expect from the higher proportion of Black music content compared to<br />

Key 103 it is also the clear favourite of Manchester’s Black community.<br />

We monitored Galaxy from 0600-1800 on Thursday 3 rd February 2005. Music accounted<br />

for 56.6% of total output, even though not much of it seemed to be played on the chatintensive<br />

breakfast show. After breakfast however the station was music-intensive and<br />

didn’t even have news bulletins to interrupt the flow until late afternoon.<br />

The full Galaxy 102 content breakdown was as follows:<br />

Content Breakdown Seconds % of total<br />

output<br />

Total news 1010 2.4%<br />

Total adverts (including sponsorship) 7351 17.1%<br />

Total solus branding (promos, jingles and idents) 2007 4.7%<br />

Total songs 24366 56.6%<br />

Total presenter links 7765 18.00%<br />

Traffic/travel 376 1.0%<br />

Gaps 43 0.09%<br />

Total 42978 99.89%<br />

With just 16.8 minutes of news in 12 hours, resulting from having no bulletins between<br />

morning and evening drivetime, Galaxy had far less news overall than <strong>Masti</strong> <strong>Radio</strong> will<br />

have and none specifically about the Asian community in Manchester.<br />

Turning to music, it is clear from the chart below that Galaxy plays a lot more (western)<br />

R’n’B and Dance music than <strong>Masti</strong> <strong>Radio</strong>, though <strong>Masti</strong> will obviously play more Asian<br />

R’n’B.<br />

By music<br />

category<br />

As % of total<br />

output<br />

As % of songs<br />

played<br />

Total R'n'B 28.00% 49.50%<br />

Total dance 13.50% 23.90%<br />

Other 58.50% 26.60%<br />

Total songs 100.00% 100%<br />

The full Galaxy 102 Monitoring Log can be found in Confidential Appendix CA10.<br />

On the basis of our monitoring exercises we conclude that far from duplicating the output<br />

of any of Manchester’s existing local commercial radio stations, <strong>Masti</strong> <strong>Radio</strong> will<br />

genuinely expand local listening choice.<br />

51


• the provision of local material, if any;<br />

All our local news and feature content will be compiled in our studios in central<br />

Manchester. Obviously this will sometimes contain audio clips and script material<br />

originated elsewhere.<br />

• the proportion of locally-made programming, if any.<br />

The <strong>Masti</strong> <strong>Radio</strong> Format includes a commitment to originate at least 18 hours local<br />

output on weekdays and 15 hours on both Saturday and Sunday, including all ‘peaktime’<br />

programming.<br />

(c) If appropriate, the applicant may also provide a typical programme-by-programme weekday<br />

schedule, to give a flavour for the direction of the station.<br />

WEEKDAY PROGRAMME SCHEDULE<br />

0100 – 0700 Monday to Wednesday<br />

0100 – 0500 Thursday and Friday<br />

Night Moves<br />

Non-stop, pre-recorded/automated output through the night, featuring the <strong>Masti</strong> music<br />

mix including all the specified genres except religion, plus idents and programme trails.<br />

0500-0700 Thursday<br />

Religious Programming for Hindus<br />

Pre-recorded/automated service playing Bhajans.<br />

0500-0700 Friday<br />

Religious Programming for Muslims<br />

Pre-recorded/automated service playing Naaths.<br />

0700 – 1000<br />

Breakfast<br />

Fun, entertainment and essential information to start the day, with a lively mix of up-beat<br />

popular, contemporary music plus ‘Reload’ – a special mini tribute to the Golden Age of<br />

Music.<br />

Features: IRN followed by in-house news on the hour, traffic & travel every half hour,<br />

weather update once an hour, whats-on and showbiz gossip.<br />

1000 – 1300<br />

Mixed Bag<br />

Chit-chat with studio guests and music with a laid back feel for a mix of tastes. The onus<br />

is on letting the listeners set the agenda whether they are at home, at work or studying.<br />

Features: IRN followed by in-house news on the hour, requests and dedications, plus a<br />

once a week live link-up with a local restaurant/eatery for special recipes and cooking<br />

tips.<br />

52


1300 – 1600<br />

Strictly Filmi<br />

‘Forget the daily tedium as we take you on a magical journey of pure romantic<br />

indulgence’. Playing the best hits past and present from Bollywood and Lollywood films<br />

and pampering listeners with our star interviews with the screen idols who are setting<br />

hearts a flutter!<br />

Features: IRN followed by in-house news on the hour, weather update once an hour,<br />

Bollywood/Lollywood gossip and competitions.<br />

1600 – 1900<br />

The Drive<br />

Information to help get the listener home safely with a lively mix of up-beat popular,<br />

contemporary music, plus ‘Reload’ – a special mini tribute to the Golden Age of Music.<br />

Features: IRN followed by in-house news on the hour, traffic & travel every half hour,<br />

weather update once an hour and gig/club guide.<br />

1900 – 1918<br />

Daily Insight<br />

If it’s hitting the headlines we’ve got it covered! In-depth daily news & sports round up in<br />

English, featuring sound bites from those in the know. To include business/financial<br />

items – essential listening for the young entrepreneur.<br />

1918 – 2200<br />

<strong>Masti</strong> Madness!<br />

Light hearted chat and discussion peppers the greatest hits around. Designed to put the<br />

listener in the best frame of mind for making that all-important decision – whether to go<br />

out or to stay home and chill!<br />

Whichever they decide ---<strong>Masti</strong> Madness is the essential evening companion.<br />

Features: IRN on the hour, weather update once an hour and “what’s-on.”<br />

2200 – 0100<br />

<strong>Masti</strong> for The Connoisseur<br />

This is the programme where <strong>Masti</strong> <strong>Radio</strong> caters for specialist tastes and preferences,<br />

with every night dedicated to a different theme including regular appointments on<br />

Mondays with the ‘All Action Chinese Hero’ (our dedicated weekly programme for<br />

Manchester’s Chinese community) and Tuesdays for the R’n’B (Asian and Mainstream)<br />

lovers out there. Most nights <strong>Masti</strong> For the Connoisseur will link up with Clubs,<br />

Community Groups and Special Events. Features: IRN on the hour until midnight.<br />

Saturday and Sunday Schedules can be found in Appendix A13<br />

53


SECTION 105(D): EVIDENCE OF LOCAL DEMAND OR SUPPORT<br />

6. Evidence of Demand<br />

This section should provide an analysis of the reasons as to why it is considered that there is a demand<br />

for the type of service proposed, with reference to the size and nature of the proposed target audience.<br />

This project originally developed from a feeling that existing commercial local stations<br />

in Manchester don’t properly cater for the tastes and interests of young British<br />

Asians, including the programming of Asian Sound <strong>Radio</strong> which seemed to be<br />

primarily intended for older people.<br />

Through our original research (Dec 2004) we sought to discover to what extent<br />

Asians listen to the radio, what stations they listen to and what they’d like to hear on<br />

a new station aimed primarily at the young adults who already form the majority of<br />

Manchester’s Asian community. Supplementary research this year updated the Asian<br />

results and contrasted them with the views of young Black, Chinese and White adults<br />

aged 15-34.<br />

Research Initiatives<br />

We commissioned two independent listening/listener surveys and obtained Census<br />

and Rajar desk research from independent outside agencies (the latter in connection<br />

with the TSA for our 2005 application), supplemented by extensive (informal)<br />

discussion with people in the Asian, Black and Chinese communities.<br />

Independent research company PH Research Services, based in Oldham was<br />

selected to carry out both studies due to its experience, local knowledge and easy<br />

access to Asian/ethnic interviewers and communities. The questionnaires were<br />

devised by <strong>Masti</strong> <strong>Radio</strong> in consultation with Terry Mann under guidance from PH<br />

Research on length, complexity and layout.<br />

The reasoning and methodology of these main initiatives are summarised below.<br />

If original market research has been undertaken, please provide the following<br />

information:<br />

<strong>Masti</strong> <strong>Radio</strong> Original Research<br />

Objectives / Methodology<br />

(a) A statement of the key<br />

objectives of the research<br />

(b) The specific questions<br />

that the research sought<br />

to answer<br />

(c) How the research was<br />

conducted<br />

Asian <strong>Radio</strong> Listening<br />

Study – December 2004<br />

To discover the level and pattern<br />

of existing Asian radio listening<br />

and explore programme content<br />

preferences<br />

To discover the audience size of<br />

- and listener attitudes to –<br />

Asian Sound <strong>Radio</strong>. To<br />

ascertain if Manchester’s Asians<br />

want and will listen-to a new<br />

(mainly) Asian station - and if so<br />

what they’d like to hear on it.<br />

Face to Face in the street<br />

10 minute interviews<br />

Multi-Ethnic 15-34<br />

Listening Survey - July 2006<br />

To update Asian listening data<br />

in <strong>Masti</strong>’s main target age group<br />

and compare it with Black, White<br />

and Chinese attitudes<br />

To update Asian Sound’s<br />

audience, discover if high levels<br />

of non-radio listening are<br />

common to other ethnic target<br />

groups by comparison to young<br />

Whites, test the appetite for<br />

<strong>Masti</strong> and find out how many<br />

people will listen to it.<br />

Face to Face in the street<br />

5 minute interviews


<strong>Masti</strong> <strong>Radio</strong> Original Research<br />

Objectives / Methodology<br />

(d) The size and composition<br />

of the sample(s)<br />

(e) When and where the<br />

research was conducted<br />

Asian <strong>Radio</strong> Listening<br />

Study – December 2004<br />

1,156 Asian adults were<br />

screened to find 504 regular<br />

(at least five minutes a week)<br />

radio listeners. Males: 258<br />

Females: 246. There was a<br />

deliberate ‘young’ sampling<br />

bias to reflect both the<br />

natural bias in the Asian<br />

population and to maximise<br />

accuracy in <strong>Masti</strong>’s (likely)<br />

main target age groups: 15-<br />

24 35.4%; 25-34 29%; 35-44<br />

18.9%; 45+ 16.7%<br />

Fieldwork dates: 6 th -17 th Dec<br />

2004. Locations:<br />

Manchester, Trafford,<br />

Oldham, Ashton, Bolton,<br />

Bury and Rochdale<br />

15-34 Multi-Ethnic<br />

Listening Survey - July 2006<br />

In all 427 15-34’s were<br />

interviewed in the following<br />

quotas: Asian 150; Black<br />

125; Chinese 50; White 102.<br />

Sufficient sample balance<br />

was achieved in terms of<br />

sub-groups, gender and age<br />

representation to facilitate the<br />

‘snapshot’ illustration of key<br />

points and comparisons,<br />

assess current listening and<br />

<strong>Masti</strong>’s broad potential<br />

Fieldwork dates: 3 rd -14 th July<br />

2006. Locations: Manchester,<br />

Trafford, Oldham, Ashton,<br />

Bolton, Bury, and Rochdale<br />

Full sample breakdowns can be found in Full Tables, see Confidential Appendices<br />

CA5 and CA6<br />

(f) A summary of the main findings from the research, showing how these demonstrate evidence of<br />

demand for the service proposed;<br />

Overall Listening Levels<br />

Looking first at radio listening among Asians, original estimates for weekly adult<br />

patronage for radio as a whole varied widely, from 83.4% per week according to a<br />

special analysis of Rajar data we commissioned in 2004 (though the Rajar Asian<br />

sample size for a whole year was only 161) – down to just 43.6% according to our<br />

first independent study of Asian radio listening habits (late 2004).<br />

In fact, although we suspected the lack of primary station choice might be causing<br />

young Asians in Manchester to stop, or never start, listening to the radio on a regular<br />

basis, the scale of the problem was highlighted quite unexpectedly when research<br />

fieldworkers working on our behalf reported they had to talk to 1,156 Asians to find<br />

504 who could answer ‘yes’ to the screening question “do you listen to the radio for at<br />

least five minutes every week?” That’s equivalent to a weekly reach for radio as a<br />

medium of just 43.6%.<br />

Since the researchers were talking mainly to young Asian people this alarming<br />

statistic may forecast the eventual demise of the radio medium among Asians unless<br />

something happens to attract and hold their attention.<br />

After studying the research data at the time we suspected the true position probably<br />

lay somewhere between the Rajar and independent research results, something<br />

confirmed by the research study we commissioned in July 2006 which found that only<br />

65.3% of young Asian adults listen regularly to (at least five minutes of) radio each<br />

week. This study also revealed the equivalent listening levels among our other two<br />

ethnic target groups by comparison with white youngsters:<br />

55


% of Ethnic Group<br />

100%<br />

90%<br />

80%<br />

70%<br />

60%<br />

50%<br />

40%<br />

30%<br />

20%<br />

10%<br />

0%<br />

<strong>Masti</strong> 2006 Survey - Do You Listen To <strong>Radio</strong> For At Least Five Minutes Every Week?<br />

S.Asian Black Chinese White<br />

Manchester Area Ethnic Groups Aged 15-34<br />

Exploring the idea a little further we asked non-listeners if they had ever listened to<br />

radio:<br />

% of Non <strong>Radio</strong> Listeners Aged 15-34 In Ethnic Groups<br />

90%<br />

80%<br />

70%<br />

60%<br />

50%<br />

40%<br />

30%<br />

20%<br />

10%<br />

0%<br />

<strong>Masti</strong> 2006 Survey - Non Listeners - Ever Listened To <strong>Radio</strong>? - By Ethnic Group<br />

Yes No<br />

56<br />

Yes<br />

No<br />

South Asian<br />

Black<br />

Chinese<br />

As you can see, the vast majority of ethnic non-listeners had never tried it, again in<br />

contrast to White youngsters and again implying there is a general perception among<br />

an appreciable minority of ethnic youngsters that there will be nothing of interest to<br />

them on it.<br />

White


So now we believe more strongly than ever that the noticeably higher levels of nonradio<br />

listening among all three ethnic groups are simply explained by the drastic lack<br />

of primary (targeted) radio listening choice, compared to the enormous variety of<br />

stations for the mainstream white audience.<br />

And if that theory is true surely there would be great enthusiasm for the idea of a new<br />

‘young’ targeted ethnic station? There is:<br />

% of <strong>Radio</strong> Listeners And Non-Listeners Who Might Start Aged 15-34 In Ethnic<br />

Groups<br />

60%<br />

50%<br />

40%<br />

30%<br />

20%<br />

10%<br />

0%<br />

<strong>Masti</strong> 2006 Survey - How Likely Are You To Listen To <strong>Masti</strong> <strong>Radio</strong> At Least Once A Week?<br />

By Ethnic Group<br />

Very likely to listen Quite likely to listen Not very likely to listen Very unlikely to listen<br />

South Asian<br />

Black<br />

Chinese<br />

White<br />

37.7% of young Asian listeners said they would be ‘very likely’ to listen to <strong>Masti</strong><br />

<strong>Radio</strong> on a regular basis and 38.7% are ‘quite likely’ to – a total ‘likely’ score of<br />

76.4%.<br />

Additionally, 25.8% of young Black listeners said they’d be ‘very likely’ to listen, with<br />

37.6% ‘quite likely’ to do so – at total ‘likely’ score of 63.4%.<br />

And although only 9.1% of our Chinese sample thought they’d be ‘very likely’ to listen<br />

on a regular basis, 56.8% said they were ‘quite likely’ to do so – making the total<br />

‘likely’ score a healthy 65.9%.<br />

It is very encouraging to us that such large numbers of Black and Chinese young<br />

people want to listen, as it was clearly explained to them ours would be a mainly<br />

Asian station.<br />

The results for our core young Asian target group were less surprising however, as<br />

the much larger sample of respondents in our earlier Asian-only survey had been<br />

even keener on the idea:<br />

57


In fact, 83.7% of over 500 Asian radio listeners interviewed in our first survey<br />

said they’d be likely to listen to <strong>Masti</strong> <strong>Radio</strong> on a regular basis!<br />

This total comprised 39.3% who said they’d be ‘very likely’ and a further 44.4% ‘quite<br />

likely’ to listen (at least once a week).<br />

% of Asian radio listeners<br />

60.00%<br />

50.00%<br />

40.00%<br />

30.00%<br />

20.00%<br />

10.00%<br />

0.00%<br />

How likely would you be to listen?<br />

Very likely to listen Quite likely to listen Not very likely to<br />

listen<br />

Very unlikely to listen<br />

Adults<br />

15 - 24<br />

25 - 34<br />

35 - 44<br />

45+<br />

Male<br />

Female<br />

Within our main under 35 target group, 46.1% of listeners aged 15-24 said they were<br />

‘very likely’ to listen, with a further 37.1% ‘quite likely’ to do so. Meanwhile 30.8% of<br />

25-34’s said they were ‘very likely’ to listen and 52.1% ‘quite likely’ to do so. The ‘not<br />

very likely to listen’ scores were correspondingly low, at 14.3% among males and<br />

14.6% among 15-24’s, though in most groups they were lower still (e.g. an average<br />

10.6% among all female respondents).<br />

Once again, these results illustrate a lack of appropriate radio choice for<br />

Manchester’s British Asian population, as does evidence of large scale ‘default’<br />

listening to the only Asian station currently available.<br />

Our late 2004 research found 41.4% of listeners to Asian Sound <strong>Radio</strong> agreed with<br />

the statement they listen “because it’s the only station for the local Asian community”,<br />

the second most popular reason for listening behind liking the (Asian) music:<br />

58


% of listeners to Asian Sound <strong>Radio</strong><br />

70.00%<br />

60.00%<br />

50.00%<br />

40.00%<br />

30.00%<br />

20.00%<br />

10.00%<br />

0.00%<br />

Its the only local<br />

Asian station<br />

It plays the music<br />

I like<br />

I listen to Asian Sound <strong>Radio</strong> because…..<br />

I like the<br />

presenters<br />

It's for people like<br />

me<br />

It broadcasts in<br />

Asian languages<br />

I like the Asian<br />

community<br />

news/information<br />

Someone else<br />

puts it on<br />

I like the religious<br />

programmes<br />

I like the<br />

programme<br />

Adults<br />

15 - 24<br />

25 - 34<br />

35 - 44<br />

45+<br />

Male<br />

Female<br />

Looking through the answers, noticeably more people in 35+ age groups said they<br />

listen because the station broadcasts in Asian languages (as it does the majority of<br />

the time), backing <strong>Masti</strong> <strong>Radio</strong>’s plan to broadcast mainly in English to younger<br />

Asians.<br />

Similarly, a lot more 45+’s said they liked the religious programmes, which is why<br />

<strong>Masti</strong> <strong>Radio</strong> will have less hours of such output.<br />

Loyalty<br />

The great loyalty of Asians for stations intended especially for them was also<br />

displayed in our first survey by the fact Asian Sound <strong>Radio</strong> led all other stations by a<br />

considerable margin, attracting 72% of all Asian radio listeners each week<br />

(equivalent to a 31.4% weekly adult reach of the total number of Asians approached<br />

by the researchers), though our more recent study suggests this audience has<br />

dropped to some extent among 15-34’s.<br />

Our initial Asian listener survey also illustrated the local community’s enthusiasm to<br />

hear/see dedicated Asian services by revealing the much larger scale use of digital<br />

receiving systems by comparison with the population as a whole, in order to pick up<br />

such services because they are not available via analogue broadcasts.<br />

For example, we found that by late 2004 40.5% of Asian radio listeners were already<br />

using Digital TV set-top boxes to listen to their station choices and 39.1% claimed to<br />

use a DAB radio. These results tied-in with other evidence concerning TV viewing,<br />

such as BARB findings which showed that over 70% of the UK’s south Asian<br />

community lived in ‘pay-TV homes’, compared to just over 50% of the population as a<br />

whole.<br />

59


Local v Distant – The Balance of Media Influence<br />

The problem is that because there are no locally orientated ethnic radio services<br />

apart from Asian Sound <strong>Radio</strong> on either analogue or digital platforms, there is a real<br />

risk a large proportion of Manchester’s (growing) ethnic population will only receive<br />

news and points of view from distant radio (and TV) sources without ever hearing<br />

anything from the perspective of (say) British Asians, let alone other people in the<br />

Manchester area.<br />

Also, many Asian TV stations receivable by digital means originate outside the UK<br />

altogether, so although a desire to keep in touch with cultural roots in the Asian subcontinent<br />

is perfectly natural, we feel that disproportionate consumption of ‘distant’<br />

media may have the coincidental effect of preventing a large number of local Asian<br />

listeners and viewers from ever hearing local, (sometimes even British) points of<br />

view.<br />

Yet our research revealed a healthy appetite for news from and about the local Asian<br />

community on a new Asian local station in Manchester, confirming another need we<br />

are eager to meet (see Programming Section for details).<br />

‘Favourite’/Most Listened-to Station<br />

If further proof were needed that the majority of available stations are failing to<br />

interest Manchester’s British Asians, it can be found in the small audience sizes<br />

attracted by nearly all of them and the fact that only one station has the distinction of<br />

favourite/most listened-to station with more than 18% of Asian radio listeners.<br />

Our original research explored local Asian listening habits thoroughly through three<br />

survey questions. Results from the first two, probing what stations respondents had<br />

ever listened-to and the ones they had heard in the past seven days appeared in the<br />

‘broadening choice’ section.<br />

The third question asked listeners to tell us which station is their favourite, or if not<br />

their favourite the one they listen to the most. Even by setting the qualifying<br />

benchmark for appearance in the table below as low as 5% - it’s a very short list!<br />

Favourite / most<br />

listened-to station<br />

Adult<br />

Listeners Male Female 15 - 24 25 – 34 35 – 44 45+<br />

BBC <strong>Radio</strong> 1 5.80% 7.00% 4.50% 7.30% 6.80% 5.30% 1.20%<br />

Key 103 6.90% 7.00% 6.90% 11.20% 8.90% 1.10% 1.20%<br />

Galaxy 102 17.50% 19.40% 15.40% 29.80% 12.30% 13.70% 3.60%<br />

Asian Sound<br />

<strong>Radio</strong> 55.40% 53.90% 56.90% 38.80% 54.10% 66.30% 81.00%<br />

Note how, within its very high overall result, Asian Sound <strong>Radio</strong> commands gradually<br />

increasing scores with increasing age, ending in it being the favourite station of 81%<br />

of Asians aged over 45.<br />

In our latest survey we asked young respondents across the four groups to name<br />

their favourite stations. While Asian results are pretty similar to those of our earlier<br />

survey, it is interesting to contrast them with the views of the other three groups:<br />

60


% of <strong>Radio</strong> Listeners Aged 15-34 In Each Group<br />

40%<br />

35%<br />

30%<br />

25%<br />

20%<br />

15%<br />

10%<br />

5%<br />

0%<br />

<strong>Masti</strong> 2006 Survey - Favourite/Most Listened-to Station - Ethnic Groups<br />

South Asian<br />

Black<br />

Chinese<br />

BBC <strong>Radio</strong> 1<br />

BBC <strong>Radio</strong> 2<br />

BBC <strong>Radio</strong> 4<br />

BBC <strong>Radio</strong> Five Live<br />

BBC Asian Network<br />

BBC 1XTRA<br />

Key 103<br />

Magic 1152<br />

Capital Gold<br />

105.4 Century FM<br />

100.4 Smooth FM<br />

97.7 XFM<br />

Asian Sound <strong>Radio</strong><br />

Galaxy 102<br />

96.2 the Revolution<br />

107.4 Tower FM<br />

Any other com.local station<br />

Talk SPORT<br />

Sunrise <strong>Radio</strong> Yorkshire<br />

Sunrise <strong>Radio</strong> (from London)<br />

<strong>Masti</strong> <strong>Radio</strong><br />

Club Asia<br />

Once again, far more young White people are able to name a ‘favourite’ station, with<br />

three different ones sharing the limelight, whereas their ethnic counterparts can only<br />

name one ‘big’ favourite, Galaxy 102, with Asian Sound <strong>Radio</strong> in the runner-up spot<br />

among Asians only.<br />

Low Average Listening Hours<br />

In addition to finding out that relatively large numbers of Asians and other ethnic<br />

groups don’t consume radio in the Manchester area on a regular basis, our surveys<br />

also revealed how the ones who do tune-in tend to be ‘light’ listeners, again<br />

suggesting either a lack of appropriate station choice, or a lack of sustained<br />

programming interest on existing choices.<br />

This point is illustrated by answers to the question “How often and for how long do<br />

you listen to the radio?” in our first survey (overleaf):<br />

White<br />

61


% of Asian radio listeners<br />

35.00%<br />

30.00%<br />

25.00%<br />

20.00%<br />

15.00%<br />

10.00%<br />

5.00%<br />

0.00%<br />

Every day<br />

for up to<br />

an hour<br />

How often and for how long do you listen to the radio?<br />

Every day<br />

for 1 - 3<br />

hours<br />

Every day<br />

for more<br />

than 3<br />

hours<br />

Several<br />

times a<br />

week for<br />

up to 1<br />

hour<br />

Several Several<br />

times a times a<br />

week for 1 week for<br />

- 3 hours more than<br />

3 hours<br />

Once or<br />

twice a<br />

week for<br />

up to 1<br />

hour<br />

Once or<br />

twice a<br />

week for 1<br />

- 3 hours<br />

Adults<br />

15 - 24<br />

25 - 34<br />

35 - 44<br />

45+<br />

Male<br />

Female<br />

The top answer, chosen by 28% of Asian radio listeners was “every day for up to an<br />

hour” (i.e. 7 hours a week maximum), followed by 20.2% who chose the option “once<br />

or twice a week for up to an hour”.<br />

The third most popular answer, chosen by 18.7%, was “every day for 1-3 hours”. But<br />

“every day for more than 3 hours” was only the chosen by 10.9% of the Asian radio<br />

listeners interviewed.<br />

We calculated a typical number of hours per Asian adult listener per week from these<br />

results by adopting reasonable (often mid-point) averages, though we assumed ‘up<br />

to an hour’ meant 45 minutes. The result was an average of 8.995 hours per listener<br />

per week, a little over one third of the usual Rajar average for total listening per adult<br />

per week, normally around 24 hours in the general population.<br />

Within individual age groups average listening hours per listener were as follows:<br />

15-24: 10.5<br />

25-34: 6.62<br />

35-44: 9.79<br />

45+ : 8.93<br />

Even though 15-24’s exhibited a tendency to listen for slightly longer, this was<br />

averaged out (in the context of our primary 15-35 target sector) by comparatively<br />

short listening spans among 25-34’s. This age group often exhibits lower listening<br />

because it has the busiest social life, though in the population as a whole it still<br />

usually manages around 20 hours per week.<br />

To check whether there had been any changes in Asian listening over time - and to<br />

get our first glimpse of what the other ethnic groups are up to we asked:<br />

62


% of <strong>Radio</strong> Listeners Aged 15-34<br />

% of <strong>Radio</strong> Listeners Aged 15-34<br />

50%<br />

45%<br />

40%<br />

35%<br />

30%<br />

25%<br />

20%<br />

15%<br />

10%<br />

5%<br />

0%<br />

70%<br />

65%<br />

60%<br />

55%<br />

50%<br />

45%<br />

40%<br />

35%<br />

30%<br />

25%<br />

20%<br />

15%<br />

10%<br />

5%<br />

0%<br />

<strong>Masti</strong> 2006 Survey - On Average, How Many Days A Week Do You Listen To The <strong>Radio</strong>?<br />

1 Day 2 Days 3 Days 4 Days 5 Days 6 Days Every Day<br />

<strong>Masti</strong> 2006 Survey - For Roughly How Long Do You Listen On Any Single Day?<br />

Under 1 hour 1 - 3 hours Over 3 hours<br />

Although Asian hours are similar to before, Black and Chinese listening is also lighter<br />

than average, though even the White totals are generally low, suggesting that<br />

although a lot more Whites listen to the radio regularly, the stations they listen to<br />

don’t seem to hold their attention for very long (in line with Rajar and other findings<br />

elsewhere of late).<br />

S.Asian<br />

Black<br />

Chinese<br />

White<br />

S.Asian<br />

Black<br />

Chinese<br />

White<br />

63


By proving a viable margin exists for improvement in average Asian listening hours,<br />

these results support others (also from our survey) reported elsewhere in this<br />

document in which nearly two thirds (64.5%) of Asian listeners interviewed said they<br />

would expand their total listening hours to accommodate a new Asian station,<br />

contrasting just 5.9% who said they would stop listening to another station to do so<br />

and 29.1% who said they’d cut down their listening to other stations.<br />

We also make the reasonable assumption that the presence of our new and<br />

demonstrably different station in the Asian radio market would stimulate renewed<br />

interest in the medium of radio as a whole, bringing back lapsed listeners and<br />

perhaps even encouraging ethnic young people who have never tried it to do so.<br />

Our 2006 survey asked lapsed / never listeners if a new station might tempt them to<br />

try the medium again, or for the first time:<br />

% of 15-34 Non <strong>Radio</strong> Listeners<br />

100.00%<br />

90.00%<br />

80.00%<br />

70.00%<br />

60.00%<br />

50.00%<br />

40.00%<br />

30.00%<br />

20.00%<br />

10.00%<br />

0.00%<br />

<strong>Masti</strong> <strong>Radio</strong> 2006 Survey - 'Would You Start or Re-start Listening If A New Station Offers<br />

Programming Of Particular Interest To You?'<br />

Yes No<br />

Therefore, if we can just persuade the 17.3% of Asian non-listeners who said ‘yes’<br />

we could make a significant contribution by genuinely increasing the overall audience<br />

to commercial radio in Manchester, but in the longer term we think we can do better<br />

still.<br />

a). Census Data<br />

Summary of Background Desk Research<br />

This data profiles the 2001 census population in our proposed TSA according to<br />

Arqiva coverage predictions for a 54dB signal, allowing for the effects of interference.<br />

The full spreadsheet as provided by Arqiva can be found at Confidential Appendix<br />

CA7<br />

S.Asian<br />

Black<br />

Chinese<br />

White<br />

64


The Ethnic Composition of Greater Manchester<br />

The Asian population in the Greater Manchester area is composed largely of people<br />

of Pakistani and Bangladeshi origin. Of these, Pakistani’s form the largest single<br />

group at three times their average UK population density and there are a little over<br />

twice as many Bangladeshi’s.<br />

The largest (combined) concentrations of these groups are in Manchester where<br />

Asians comprised 9.1% of the local population at the time of the 2001 census;<br />

Rochdale (9.8%) and Oldham (11.9%). The only exception is the town of Bolton,<br />

where the Asians who comprise 9.1% of the population are largely of Indian origin.<br />

Also, 4.5% of the population of Manchester itself is Black, over twice the UK average<br />

(2%). And the Chinese population is shown to be above the UK average across the<br />

whole Greater Manchester area, due to a more even distribution pattern.<br />

The key difference between ethnic groups and the rest of the population is that only<br />

the non-white population is set to increase by more than 50% during the licence term,<br />

meaning our young target audience will literally grow year by year, against the ageing<br />

profile of the population as a whole.<br />

Religion<br />

Another reason why at least two separate Asian local stations are required is to deal<br />

with religion in styles relative to people of different ages, as well as in a British<br />

context.<br />

Religious Beliefs in the Manchester Area<br />

Source: Census/Experian<br />

RELIGION -<br />

MASTI TSA MASTI TSA U.K.<br />

CENSUS 2001<br />

(000’s)<br />

% (000’s) UK% Index<br />

Christian 1334463 71.97 40633031 71.16 101<br />

Buddhist 4228 0.23 151697 0.27 86<br />

Hindu 15077 0.81 557793 0.98 83<br />

Jewish 18584 1.00 266315 0.47 215<br />

Muslim 118317 6.38 1589645 2.78 229<br />

Sikh 3410 0.18 335612 0.59 31<br />

Any other religion 3336 0.18 177513 0.31 58<br />

No religion 215382 11.62 9103738 15.94 73<br />

Not answered<br />

All People (Religion)<br />

141467 7.63 4288711 7.51 102<br />

(GB) 1854264 100.00 57104055 100.00 100<br />

The notable aspect of these statistics from the point of view of <strong>Masti</strong> <strong>Radio</strong> is that<br />

Muslims are present in the TSA population at over twice their UK average proportion,<br />

largely (but not entirely) in tandem with the Pakistani ethnic group. Our special<br />

audience study identified the most appropriate ways of reflecting religious beliefs for<br />

our target audience, as described in the Programming section.<br />

Note: The <strong>Masti</strong> TSA referred to above was for our earlier application for the 97.7<br />

licence.<br />

65


). Rajar Sub-Area Study<br />

This used sample point data from the Galaxy TSA postcodes forming our proposed<br />

TSA (for our original application in Feb 2005). Its results were averaged over a one<br />

year period to Quarter 3 2004. This four-quarter survey period maximised the number<br />

of sample points as well as the number of Asian and Black respondents (the Chinese<br />

Rajar sample was still too small to view separately).<br />

This research sought primarily to ascertain broad audience levels to the existing local<br />

commercial radio stations among Asian and Black sub-groups by comparison with<br />

the Adult (15+) audience. Although we knew ethnic sample sizes would be<br />

comparatively small (actually 161 Asians and 80 Blacks) and listenership to Asian<br />

Sound <strong>Radio</strong> would be missing as it does not subscribe to Rajar, we wanted to<br />

gauge patterns of other listening in the familiar Rajar format as this would also help<br />

us assess the results from our own research studies.<br />

The Rajar study also allowed us access to estimates of Asian and Black population<br />

proportions divided into 15-44 and 45+ age groups, information we found very<br />

difficult to source by any other means.<br />

Summary of Rajar Findings:<br />

As with our own surveys, the Asian Rajar respondent results illustrated the relatively<br />

low weekly reach enjoyed by many existing stations and how only a handful attracted<br />

what could be described as a reasonably sized Asian audience.<br />

Unusually for Rajar a quarter of the Black people surveyed did not listen to radio on a<br />

weekly basis and as the age profile of Manchester’s Black population is weighted<br />

towards the young in a similar way to Asians, contemporary music stations were the<br />

most popular - but it was also clear the ones playing mostly mainstream pop and rock<br />

got the thumbs down in favour of Galaxy, This station was the clear market leader<br />

through its R’n’B and Urban material, attaining twice the reach of Key 103, but<br />

Smooth FM also did relatively well due to its Jazz, Soul, Motown and Blues bias,<br />

again just like it did in our own recent survey.<br />

(vii) Full data tables for any quantitative research undertaken (these may be submitted in confidence).<br />

Full tables for our two independent research studies can be found in Confidential<br />

Appendices CA5 (Questionnaire CA5B) and CA6 (Questionnaire CA6B). TSA<br />

Census tables can be found in Confidential Appendix CA7 and the Rajar tables in<br />

Appendix A17<br />

Evidence of Support<br />

This section should provide evidence of support, where appropriate, from the applicant's<br />

potential audience or from prospective local advertisers.<br />

Support for <strong>Masti</strong> <strong>Radio</strong><br />

Our plans to establish <strong>Masti</strong> <strong>Radio</strong> in Manchester have been greeted with<br />

enthusiasm and widespread expressions of support from people within, or connected<br />

to, the three Manchester ethnic groups we seek to serve.<br />

66


Here is a selection of quotes from letters received in support of our licence bid (all of<br />

which can be seen in full in Appendix 12):<br />

“I am pleased to hear that your station will be offering information and advice for Asian listeners, male<br />

and female, between the ages of 16 to 30, on education, cultural and personal development and other<br />

taboo subjects, which they may feel they are unable to discuss with their peers and elders.<br />

Your station will be covering areas where there is high Asian unemployment and poor educational<br />

levels. As you are aware, the Asian youth of today thrive on East and West music.<br />

Your station will be able to cover all aspects of Asian life within communities not currently covered by<br />

other Asian networks including ways to help tackle crime, which is on the increase”.<br />

Councillor Imran Rizvi BA (Hons) PG Dip., Labour Member for Cheetham Ward, Manchester City<br />

Council.<br />

“I feel it vital for young people to have the opportunity to talk about the issues that concern them.<br />

<strong>Masti</strong> has a modern approach….. and will no doubt establish links with many organisations, groups, and<br />

business in the community. If given the chance, <strong>Masti</strong> <strong>Radio</strong> could, in my opinion offer a great deal to<br />

the local area” M.S. Yasmin, Pakistani Refugee Organisation, Longsight, Manchester.<br />

“Our youth in greater Manchester need encouragement in different directions and <strong>Masti</strong> has done this<br />

job brilliantly through promoting educational programmes, sports clubs and organisations. We need this<br />

<strong>Masti</strong> radio station in greater Manchester” Signed on behalf of Women Cultural Programme, Woodville<br />

Centre, Manchester.<br />

“We strongly feel there is a need for an Asian <strong>Radio</strong> Station that will provide its listeners with a high level<br />

of local information and entertainment and that <strong>Masti</strong> <strong>Radio</strong>, Manchester will excel in this area given the<br />

opportunity. We offer them our strongest support” Adam A Khushi, Director, Direct Properties (UK) Ltd,<br />

28 Fir Street, Bolton<br />

“Many young members of the Asian Community are unaware of the vital messages of services provided<br />

on health issues, employment, daily life issues. <strong>Masti</strong> <strong>Radio</strong>’s programmes would be…an essential tool<br />

in remedying this shortfall. Therefore I fully support the bid for a licence in Greater Manchester for <strong>Masti</strong><br />

<strong>Radio</strong>” Signed by a senior member of South Asian Women’s Action Board (SAWAB), Cheetham Hill,<br />

Manchester M8.<br />

“As Learning Co-ordinator I am writing on behalf of the Chinese Arts Centre to express our support of<br />

<strong>Masti</strong> for your application ….aimed at the Greater Manchester Chinese community, more specifically<br />

young Chinese people…..<br />

We feel that your proposal which seeks to empower the young Chinese community through training and<br />

work experience opportunities within the radio industry fills an essential need. Similarly we also feel that<br />

it is important in outreaching to the community in offering a radio station that recognises Chinese<br />

Diaspora, and is inclusive of British-Chinese people” Amy Cham, Learning Co-ordinator, Chinese Arts<br />

Centre, Market Buildings, Manchester M4<br />

“I am delighted to hear that you are supporting a new radio licence for the Asian community of Greater<br />

Manchester, and also that Nighat Awan has decided to Chair this initiative.<br />

I have believed for a long time that a radio station is needed to cater for the Asian Community in Greater<br />

Manchester is a very young community 45% of which is under the age of 25 and 80% under the age of<br />

45. Therefore it is vital that the station represents this large under-represented group.<br />

A community station like MASTI will be a vital tool for this vibrant young community. Many Asian people,<br />

particularly the young, are in desperate need for an alternative Asian radio station that represents their<br />

listening requirements, that believes in partnership, that is innovative and socially responsible.<br />

<strong>Masti</strong>’s programming content meets this need, the focus on enterprise, education and employment is the<br />

key to improve the image and economic prosperity of the region” Khalid Saifullah, Chief Executive,<br />

Asian Business Federation, ABF Enterprise4all Ltd., Shadsworth Business Park, Blackburn<br />

67


“…At Manchester Art Gallery we are constantly striving to appeal to a very broad audience, especially<br />

those from Asian and Afro-Caribbean backgrounds and also particularly young people.<br />

We do have several exhibitions and projects coming which we feel would appeal to these audiences and<br />

if you get the license then I would be very interested to talk to you about joint promotions…”<br />

Kim Gowlard, Communications Manager, Manchester Art Gallery<br />

“As a business owner I would definitely consider using <strong>Masti</strong> <strong>Radio</strong> for advertising purposes in the future<br />

as their proposal of using young people to engage other young people is likely to make it a very effective<br />

advertising medium. As well as this, it is also likely to appeal to the younger listeners for whom there is<br />

little radio entertainment” T.A.Bajwa, North West Packaging, Chorlton Cum Hardy, Manchester M6.<br />

“We are interested to hear of your plans for a new station in Greater Manchester. Connexions is all<br />

about engaging with young people and offering opportunities for a brighter future. Any radio station that<br />

intends to do the same has our support and we would be interested in exploring ways to work together”.<br />

Martin Bush, Communications Officer, Connexions, Greater Manchester.<br />

“We carry out PR work for many organisations who aim to reach young Asian people….and <strong>Masti</strong> radio<br />

would be a wonderful channel of communication and is sorely needed in this area” Jane Smith,<br />

Managing Director, Smith & Smith PR, Byrom Street, Hale, Cheshire.<br />

“We believe that the new station is much needed to serve the community with a diverse<br />

programme…ultimately leading to a better understanding and improved relationships between<br />

communities” Mehmet Kutay, Turkish Community Centre, Norton Place, Fallowfield, Manchester M14<br />

“We certainly support the application of <strong>Masti</strong> <strong>Radio</strong> for with their considerable experience in terms of<br />

bringing quality and choice to the marketplace I am confident that <strong>Masti</strong> <strong>Radio</strong> holds the potential to<br />

deliver a platform for this and future generations to succeed by working closely with others, like<br />

ourselves.<br />

It is evident that there is a significant personality and distinctiveness to this section of the community<br />

which is not currently being met by any of the existing radio stations.<br />

Over the years we have seen a number of new influences which have emerged to help the youth of<br />

today to identify with what it means to be a British Asian. This fusion of East and West is certainly not<br />

recognised in what is currently available in the present market….It is not a matter of competition but of<br />

providing a choice for our local youth to have their needs and in turn themselves reflected correctly and<br />

sensitively in the media…” B.C.Patel, Editor in Chief, Apna News, Bolton<br />

Responding to Approaches from Manchester’s Asian Community<br />

For many years parent station Sunrise <strong>Radio</strong> (Yorkshire) has responded positively to<br />

requests for assistance and involvement from Asian groups in the Manchester area<br />

and plays a prominent role in a number of high profile community events.<br />

For example, in 2001 it operated RSL station Mela FM to tie-in with the Manchester<br />

Mela held at Platt Fields Park where it was Official Gold Sponsor, hosting<br />

performances on the Main Stage. More recently the station has increased its activity<br />

to raise awareness of the <strong>Masti</strong> <strong>Radio</strong> brand, thanks to the organisational skill of<br />

Events and Marketing Manager, Rajan Parmar. Appendix A14 contains details of 29<br />

events held between 2003 and today and a further 5 in the diary.<br />

School Research<br />

Part of Raj’s work has involved visiting local schools which he has found to be good<br />

environments to carry out research into the programming and music preferences of<br />

the under 15’s who will form an important part of <strong>Masti</strong> <strong>Radio</strong>’s audience, but difficult<br />

to research by conventional means.<br />

Examples of our self-completion school research ‘radio’s’ can also be found in<br />

Appendix A14.<br />

68

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