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THE SIMPLE ART OF MURDER by Raymond Chandler Copyright ...

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Outside the cabin, birds began to sing. lnside there was no sound but the scratching pen.<br />

NINE<br />

The sun was well up when Steve left the cabin, locked it up, walked down the steep path and along the narrow gravel road to his<br />

car. The garage was empty now. The gray sedan was gone. Smoke from another cabin floated lazily above the pines and oaks half a<br />

mile away. He started his car, drove it around a bend, past two old boxcars that had been converted into cabins, then on to a main road<br />

with a stripe down the middle and so up the hill to Crestline.<br />

He parked on the main street before the Rim-of-the-World Inn, had a cup of coffee at the counter, then shut himself in a phone booth<br />

at the back of the empty lounge. He had the long distance operator get Jumbo Walters' number in Los Angeles, then called the owner of<br />

the Club Shalotte.<br />

A voice said silkily: "This is Mr. Walters' residence."<br />

"Steve Grayce. Put him on, if you please."<br />

"One moment, please." A click, another voice, not so smooth and much harder. "Yeah?"<br />

"Steve Grayce. I want to speak to Mr. Walters."<br />

"Sorry. I don't seem to know you. It's a little early, amigo. What's your business?"<br />

"Did he go to Miss Chiozza's place?"<br />

"Oh." A pause. "The shamus. I get it. Hold the line, pal."<br />

Another voice now--lazy, with the faintest color of Irish in it. "You can talk, son. This is Walters."<br />

"I'm Steve Grayce. I'm the man--"<br />

"I know all about that, son. The lady is O.K., <strong>by</strong> the way. I think she's asleep upstairs. Go on."<br />

"I'm at Crestline--top of the Arrowhead grade. Two men murdered Leopardi. One was George Millar, night auditor at the Canton<br />

Hotel. The other his brother, an ex-fighter named Gaff Talley. Talley's dead--shot <strong>by</strong> his brother. Millar got away--but he left me a full<br />

confession signed, detailed, complete."<br />

Walters said slowly: "You're a fast worker, son--unless you're just plain crazy. Better come in here fast. Why did they do it?"<br />

"They had a sister."<br />

Walters repeated quietly: "They had a sister ... What about this fellow that got away? We don't want some hick sheriff or<br />

publicity-hungry county attorney to get ideas--"<br />

Steve broke in quietly: "I don't think you'll have to worry about that, Mr. Walters. I think I know where he's gone."<br />

He ate breakfast at the inn, not because he was hungry, but because he was weak. He got into his car again and started down the<br />

long smooth grade from Crestline to San Bernardino, a broad paved boulevard skirting the edge of a sheer drop into the deep valley.<br />

There were places where the road went close to the edge, white guard-fences alongside.<br />

Two miles below Crestline was the place. The road made a sharp turn around a shoulder of the mountain. Cars were parked on<br />

the gravel off the pavement--several private cars, an official car, and a wrecking car. The white fence was broken through and men stood<br />

around the broken place looking down.<br />

Eight hundred feet below, what was left of a gray sedan lay silent and crumpled in the morning sunshine.<br />

PEARLS ARE<br />

A NUISANCE<br />

ONE<br />

It is quite true that I wasn't doing anything that morning except looking at a blank sheet of paper in my typewriter and thinking about<br />

writing a letter. It is also quite true that I don't have a great deal to do any morning. But that is no reason why I should have to go out<br />

hunting for old Mrs. Penruddock's pearl necklace. I don't happen to be a policeman.<br />

It was Ellen Macintosh who called me up, which made a difference, of course. "How are you, darling?" she asked. "Busy?"<br />

"Yes and no," I said. "Mostly no. I am very well. What is it now?"<br />

"I don't think you love me, Walter. And anyway you ought to get some work to do. You have too much money. Somebody has stolen<br />

Mrs. Penruddock's pearls and I want you to find them."<br />

"Possibly you think you have the police department on the line," I said coldly. "This is the residence of Walter Gage. Mr. Gage talking."<br />

"Well, you can tell Mr. Gage from Miss Ellen Macintosh," she said, "that if he is not out here in half an hour, he will receive a small<br />

parcel <strong>by</strong> registered mail containing one diamond engagement ring."<br />

"And a lot of good it did me," I said. "That old crow will live for another fifty years."<br />

But she had already hung up so I put my hat on and went down and drove off in the Packard. It was a nice late April morning, if you<br />

care for that sort of thing. Mrs. Penruddock lived on a wide quiet street in Carondelet Park. The house had probably looked exactly the<br />

same for the last fifty years, but that didn't make me any better pleased that Ellen Macintosh might live in it another fifty years, unless old<br />

Mrs. Penruddock died and didn't need a nurse any more. Mr. Penruddock had died a few years before, leaving no will, a thoroughly<br />

tangled-up estate, and a list of pensioners as long as a star boarder's arm.<br />

I rang the front doorbell and the door was opened, not very soon, <strong>by</strong> a little old woman with a maid's apron and a strangled knot of<br />

gray hair on the top of her head. She looked at me as if she had never seen me before and didn't want to see me now.<br />

"Miss Ellen Macintosh, please," I said. "Mr. Walter Gage calling."<br />

She sniffed, turned without a word and we went back into the musty recesses of the house and came to a glassed-in porch full of<br />

wicker furniture and the smell of Egyptian tombs. She went away, with another sniff.<br />

In a moment the door opened again and Ellen Macintosh came in. Maybe you don't like tall girls with honey-colored hair and skin<br />

like the first strawberry peach the grocer sneaks out of the box for himself. If you don't, I'm sorry for you.<br />

39

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