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THE SIMPLE ART OF MURDER by Raymond Chandler Copyright ...

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The rain slithered about his feet and the albino leaned against the uprights of the gate, clicking his teeth. The big man said: "What<br />

yuh want? I can see yuh."<br />

"Shake it up, rube. Mister Conant wants to call on your boss."<br />

The man inside spat into the wet darkness. "So what? Know what time it is?"<br />

Conant opened the car door suddenly and went over to the gates. The rain made noise between the car and the voices.<br />

Carmady turned his head slowly and patted Jean Adrian's hand. She pushed his hand away from her quickly.<br />

Her voice said softly: "You fool--oh, you fool!"<br />

Carmady sighed. "I'm having a swell time, angel. A swell time."<br />

The man inside the gates took out keys on a long chain, unlocked the gates and pushed them back until they clicked on the chocks.<br />

Conant and the albino came back to the car.<br />

Conant stood in the rain with a heel hooked on the running board. Carmady took his big flask out of his pocket, felt it over to see if it<br />

was dented, then unscrewed the top. He held it out towards the girl, said: "Have a little bottle courage."<br />

She didn't answer him, didn't move. He drank from the flask, put it away, looked past Conant's broad back at acres of dripping trees,<br />

a cluster of lighted windows that seemed to hang in the sky.<br />

A car came up the hill stabbing the wet dark with its headlights, pulled behind the sedan and stopped. Conant went over to it, put his<br />

head into it and said something. The car backed, turned into the driveway, and its lights splashed on retaining walls, disappeared,<br />

reappeared at the top of the drive as a hard white oval against a stone porte-cochère.<br />

Conant got into the sedan and the albino swung it into the driveway after the other car. At the top, in a cement parking circle ringed<br />

with cypresses they all got out.<br />

At the top of steps a big door was open and a man in a bathrobe stood in it. Targo, between two men who leaned hard against him,<br />

was halfway up the steps. He was bareheaded and without an overcoat. His big body in the white coat looked enormous between the<br />

two gunmen.<br />

The rest of the party went up the steps and into the house and followed the bathrobed butler down a hall lined with portraits of<br />

somebody's ancestors, through a still oval foyer to another hall and into a paneled study with soft lights and heavy drapes and deep<br />

leather chairs.<br />

A man stood behind a big dark desk that was set in an alcove made <strong>by</strong> low, outjutting bookcases. He was enormously tall and thin.<br />

His white hair was so thick and fine that no single hair was visible in it. He had a small straight bitter mouth, black eyes without depth in<br />

a white lined face. He stooped a little and a blue corduroy bathrobe faced with satin was wrapped around his almost freakish thinness.<br />

The butler shut the door and Conant opened it again and jerked his chin at the two men who had come in with Targo. They went out.<br />

The albino stepped behind Targo and pushed him down into a chair. Targo looked dazed, stupid. There was a smear of dirt on one side<br />

of his face and his eyes had a drugged look.<br />

The girl went over to him quickly, said: "Oh, Duke--are you all right, Duke?"<br />

Targo blinked at her, half-grinned. "So you had to rat, huh? Skip it. I'm fine." His voice had an unnatural sound.<br />

Jcan Adrian went away from him and sat down and hunched herself together as if she was cold.<br />

The tall man stared coldly at everyone in the room in turn, then said lifelessly: "Are these the blackmailers--and was it necessary to<br />

bring them here in the middle of the night?"<br />

Conant shook himself out of his coat, threw it on the floor behind a lamp. He lit a fresh cigarette and stood spread-legged in the<br />

middle of the room, a big, rough, rugged man very sure of himself. He said: "The girl wanted to see you and tell you she was sorry and<br />

wants to play ball. The guy in the ice-cream coat is Targo, the fighter. He got himself in a shooting scrape at a night spot and acted so<br />

wild downtown they fed him sleep tablets to quiet him. The other guy is Carmady, old Marcus Carmady's boy. I don't figure him yet."<br />

Carmady said dryly: "I'm a private detective, Senator. I'm here in the interests of my client, Miss Adrian." He laughed.<br />

The girl looked at him suddenly, then looked at the floor.<br />

Conant said gruffly. "Shenvair, the one you know about, got himself bumped off. Not <strong>by</strong> us. That's still to straighten out."<br />

The tall man nodded coldly. He sat down at his desk and picked up a white quill pen, tickled one ear with it.<br />

"And what is your idea of the way to handle this matter, Conant?" he asked thinly.<br />

Conant shrugged. "I'm a rough boy, but I'd handle this one legal. Talk to the D.A., toss them in a coop on suspicion of extortion.<br />

Cook up a story for the papers, then give it time to cool. Then dump these birds across the state line and tell them not to come back--or<br />

else."<br />

Senator Courtway moved the quill around to his other ear. "They could attack me again, from a distance," he said icily. "I'm in favor of<br />

a showdown, put them where they belong."<br />

"You can't try them, Courtway. It would kill you politically."<br />

"I'm tired of public life, Conant. I'll be glad to retire." The tall thin man curved his mouth into a faint smile.<br />

"The hell you are," Conant growled. He jerked his head around, snapped: "Come here, sister."<br />

J can Adrian stood up, came slowly across the room, stood in front of the desk.<br />

"Make her?" Conant snarled.<br />

Courtway stared at the girl's set face for a long time, without a trace of expression. He put his quill down on the desk, opened a<br />

drawer and took out a photograph. He looked from the photo to the girl, back to the photo, said tonelessly: This was taken a number of<br />

years ago, but there's a very strong resemblance. I don't think I'd hesitate to say it's the same face."<br />

He put the photo down on the desk and with the same unhurried motion took an automatic out of the drawer and put it down on the<br />

desk beside the photo.<br />

Conant stared at the gun. His mouth twisted. He said thickly: "You won't need that, Senator, Listen, your showdown idea is all<br />

wrong. I'll get detailed confessions from these people and we'll hold them. If they ever act up again, it'll be time enough then to crack<br />

down with the big one."<br />

Carmady smiled a little and walked across the carpet until he was near the end of the desk. He said: "I'd like to see that<br />

photograph" and leaned over suddenly and took it.<br />

Courtway's thin hand dropped to the gun, then relaxed. He leaned back in his chair and stared at Carmady.<br />

Carmady stared at the photograph, lowered it, said softly to Jean Adrian: "Go sit down."<br />

She turned and went back to her chair, dropped into it wearily.<br />

Carmady said: "I like your showdown idea, Senator. It's clean and straightforward and a wholesome change in policy from Mr.<br />

Conant. But it won't work." He snicked a fingernail at the photo. "This has a superficial resemblance, no more. I don't think it's the same<br />

girl at all myself. Her ears are differently shaped and lower on her head. Her eyes are closer together than Miss Adrian's eyes, the line of<br />

her jaw is longer. Those things don't change. So what have you got? An extortion letter. Maybe, but you can't tie it to anyone or you'd have<br />

90

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