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THE SIMPLE ART OF MURDER by Raymond Chandler Copyright ...

THE SIMPLE ART OF MURDER by Raymond Chandler Copyright ...

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The Negro cook's fat white back was to him. At the far end of the low counter a white girl in a cheap brown felt hat and a shab<strong>by</strong> polo<br />

coat with a high turned-up collar was sipping coffee, her cheek propped in her left hand. There was nobody else in the car.<br />

Pete Anglich put his suitcase down and sat on a stool near the door, saying: "Hi, Mopsy!"<br />

The fat cook turned a shiny black face over his white shoulder. The face split in a grin. A thick bluish tongue came out and wiggled<br />

between the cook's thick lips.<br />

"How's a boy? W'at you eat?"<br />

"Scramble two light, coffee, toast, no spuds."<br />

"Dat ain't no food for a he-guy," Mopsy complained.<br />

"I been drunk," Pete Anglich said.<br />

The girl at the end of the counter looked at him sharply, looked at the cheap alarm clock on the shelf, at the watch on her gloved<br />

wrist. She drooped, stared into her coffee cup again.<br />

The fat cook broke eggs into a pan, added milk, stirred them around. "You want a shot, boy?"<br />

Pete Anglich shook his head.<br />

"I'm driving the wagon, Mopsy."<br />

The cook grinned. He reached a brown bottle from under the counter, and poured a big drink into a water glass, set the glass down<br />

beside Pete Anglich.<br />

Pete Anglich reached suddenly for the glass, jerked it to his lips, drank the liquor down.<br />

"Guess I'll drive the wagon some other time." He put the glass down empty.<br />

The girl stood up, came along the stools, put a dime on the counter. The fat cook punched his cash register, put down a nickel<br />

change. Pete Anglich stared casually at the girl. A shab<strong>by</strong>, innocent-eyed girl, brown hair curling on her neck, eyebrows plucked clean as<br />

a bone and startled arches painted above the place where they had been.<br />

"Not lost, are you, lady?" he asked in his softly husky voice.<br />

The girl had fumbled her bag open to put the nickel away. She started violently, stepped back and dropped the bag. It spilled its<br />

contents on the floor. She stared down at it, wideeyed.<br />

Pete Anglich went down on one knee and pushed things into the bag. A cheap nickel compact, cigarettes, a purple matchfolder<br />

lettered in gold: The Juggernaut Club. Two colored handkerchiefs, a crumpled dollar bill and some silver and pennies.<br />

He stood up with the closed bag in his hand, held it out to the girl.<br />

"Sorry," he said softly. "I guess I startled you."<br />

Her breath made a rushing sound. She caught the bag out of his hand, ran out of the car, and was gone.<br />

The fat cook looked after her. 'That doll don't belong in Tough Town," he said slowly.<br />

He dished up the eggs and toast, poured coffee in a thick cup, put them down in front of Pete Anglich.<br />

Pete Anglich touched the food, said absently: "Alone, and matches from the Juggernaut. Trimmer Waltz's spot. You know what<br />

happens to girls like that when he gets hold of them."<br />

The cook licked his lips, reached under the counter for the whiskey bottle. He poured himself a drink, added about the same<br />

amount of water to the bottle, put it back under the counter.<br />

"I ain't never been a tough guy, and don' want to start," he said slowly. "But I'se all tired of white boys like dat guy. Some day he<br />

gonna get cut."<br />

Pete Angliich kicked his suitcase.<br />

"Yeah. Keep the keister for me, Mopsy."<br />

He went out.<br />

Two or three cars flicked <strong>by</strong> in the crisp fall night, but the sidewalks were dark and empty. A colored night watchman moved slowly<br />

along the street, trying the doors of a small row of dingy stores. There were frame houses across the street, and a couple of them were<br />

noisy.<br />

Pete Anglich went on past the intersection. Three blocks from the lunch wagon he saw the girl again.<br />

She was pressed against a wall, motionless. A little beyond her, dim yellow light came from the stairway of a walk-up apartment<br />

house. Beyond that a small parking lot with billboards across most of its front. Faint light from somewhere touched her hat, her shab<strong>by</strong><br />

polo coat with the turned-up collar, one side of her face. He knew it was the same girl.<br />

He stepped into a doorway, watched her. Light flashed on her upraised arm, on something bright, a wrist watch. Somewhere not far<br />

off a clock struck eight, low, pealing notes.<br />

Lights stabbed into the street from the corner behind. A big car swung slowly into view and as it swung its headlights dimmed. It<br />

crept along the block, a dark shininess of glass and polished paint.<br />

Pete Anglich grinned sharply in his doorway. A custom-built Duesenberg, six blocks from Central Avenue! He stiffened at the sharp<br />

sound of running steps, clicking high heels.<br />

The girl was running toward him along the sidewalk. The car was not near enough for its dimmed lights to pick her up. Pete Anglich<br />

stepped out of the doorway, grabbed her arm, dragged her back into the doorway. A gun snaked from under his coat.<br />

The girl panted at his side.<br />

The Duesenberg passed the doorway slowly. No shots came from it. The uniformed driver didn't slow down.<br />

"I can't do it. I'm scared," the girl gasped in Pete Anglich's ear. Then she broke away from him and ran farther along the sidewalk,<br />

away from the car.<br />

Pete Anglich looked after the Duesenberg. It was opposite the row of billboards that screened the parking lot. It was barely crawling<br />

now. Something sailed from its left front window, fell with a dry slap on the sidewalk. The car picked up speed soundlessly, purred off<br />

into the darkness. A block away its head lights flashed up full again.<br />

Nothing moved. The thing that had been thrown out of the car lay on the inner edge of the sidewalk, almost under one of the<br />

billboards.<br />

Then the girl was coming back again, a step at a time, haltingly. Pete Anglich watched her come, without moving. When she was<br />

level with him he said softly: "What's the racket? Could a fellow help?"<br />

She spun around with a choked sound, as though she had forgotten all about him. Her head moved in the darkness at his side.<br />

There was a swift shine as her eyes moved. There was a pale flicker across her chin. Her voice was low, hurried, scared.<br />

"You're the man from the lunch wagon. I saw you."<br />

"Open up. What is it--a pay-off?"<br />

Her head moved again in the darkness at his side, up and down.<br />

"What's in the package?" Pete Anglich growled. "Money?"<br />

55

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