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THE SIMPLE ART OF MURDER by Raymond Chandler Copyright ...

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"To hell with you, angel. I like you," he said softly.<br />

He went back to the hallway and out. The girl touched her lips with one finger, rubbed it slowly back and forth. There was a shy<br />

smile on her face.<br />

TWO<br />

Tony Acosta, the bell captain, was slim and dark and slight as a girl, with small delicate hands and velvety eyes and a hard little<br />

mouth. He stood in the doorway and said: "Seventh row was the best I could get, Mister Carmady. This Deacon Werra ain't bad and<br />

Duke Targo's the next light heavy champ."<br />

Carmady said: "Come in and have a drink, Tony." He went over to the window, stood looking out at the rain. "If they buy it for him," he<br />

added over his shoulder.<br />

"Well--just a short one, Mister Carmady."<br />

The dark boy mixed a highball carefully at a tray on an imitation Sheraton desk. He held the bottle against the light and gauged his<br />

drink carefully, tinkled ice gently with a long spoon, sipped, smiled, showing small white teeth.<br />

"Targo's a lu, Mister Carmady. He's fast, clever, got a sock in both mitts, plenty guts, don't ever take a step back."<br />

"He has to hold up the bums they feed him," Carmady drawled.<br />

"Well, they ain't fed him no lion meat yet," Tony said.<br />

The rain beat against the glass. The thick drops flattened out and washed down the pane in tiny waves.<br />

Carmady said: "He's a bum. A bum with color and looks, but still a bum."<br />

Tony sighed deeply. "I wisht I was goin'. It's my night off, too."<br />

Carmady turned slowly and went over to the desk, mixed a drink. Two dusky spots showed in his cheeks and his voice was tired,<br />

drawling.<br />

"So that's it. What's stopping you?"<br />

"I got a headache,"<br />

"You're broke again," Carmady almost snarled.<br />

The dark boy looked sidewise under his long lashes, said nothing.<br />

Carmady clenched his left hand, unclenched it slowly. His eyes were sullen.<br />

"Just ask Carmady," he sighed. "Good old Carmady. He leaks dough. He's soft. Just ask Carmady. Okey, Tony, take the ducat back<br />

and get a pair together."<br />

He reached into his pocket, held a bill out. The dark boy looked hurt.<br />

"Jeeze, Mister Carmady, I wouldn't have you think--"<br />

"Skip it! What's a fight ticket between pals? Get a couple and take your girl. To hell with this Targo."<br />

Tony Acosta took the bill. He watched the older man carefully for a moment. Then his voice was very softly, saying: "I'd rather go with<br />

you, Mister Carmady. Targo knocks them over, and not only in the ring. He's got a peachy blonde right on this floor, Miss Adrian, in 914."<br />

Carmady stiffened. He put his glass down slowly, turned it on the top of the desk. His voice got a little hoarse.<br />

"He's still a bum, Tony. Okey, I'll meet you for dinner, in front of your hotel at seven."<br />

"Jeeze, that's swell, Mister Carmady."<br />

Tony Acosta went out softly, closed the outer door without a sound.<br />

Carmady stood <strong>by</strong> the desk, his fingertips stroking the top of it, his eyes on the floor. He stood like that for a long time.<br />

"Carmady, the All-American sucker," he said grimly, out loud. "A guy that plays with the help and carries the torch for stray broads.<br />

Yeah."<br />

He finished his drink, looked at his wrist watch, put on his hat and the blue suede raincoat, went out. Down the corridor in front of<br />

914 he stopped, lifted his hand to knock, then dropped it without touching the door.<br />

He went slowly on to the elevators and rode down to the street and his car.<br />

The Tribune office was at Fourth and Spring. Carmady parked around the corner, went in at the employees' entrance and rode to the<br />

fourth floor in a rickety elevator operated <strong>by</strong> an old man with a dead cigar in his mouth and a rolled magazine which he held six inches<br />

from his nose while he ran the elevator.<br />

On the fourth floor big double doors were lettered City Room. Another old man sat outside them at a small desk with a call box.<br />

Carmady tapped on the desk, said: "Adams. Carmady calling."<br />

The old man made noises into the box, released a key, pointed with his chin.<br />

Carmady went through the doors, past a horseshoe copy desk, then past a row of small desks at which typewriters were being<br />

banged. At the far end a lanky red-haired man was doing nothing with his feet on a pulled-out drawer, the back of his neck on the back of<br />

a dangerously tilted swivel chair and a big pipe in his mouth pointed straight at the ceiling.<br />

When Carmady stood beside him he moved his eyes down without moving any other part of his body and said around the pipe:<br />

"Greetings, Carmady. How's the idle rich?"<br />

Carmady said: "How's a glance at your clips on a guy named Courtway? State Senator John Myerson Courtway, to be precise."<br />

Adams put his feet on the floor. He raised himself erect <strong>by</strong> pulling on the edge of his desk. He brought his pipe down level, took it<br />

out of his mouth and spit into a wastebasket. He said: "That old icicle? When was he ever news? Sure." He stood up wearily, added:<br />

"Come along, Uncle," and started along the end of the room.<br />

They went along another row of desks, past a fat girl in smudged make-up who was typing and laughing at what she was writing.<br />

They went through a door into a big room that was mostly six-foot tiers of filing cases with an occasional alcove in which there was<br />

a small table and a chair.<br />

Adams prowled the filing cases, jerked one out and set a folder on a table.<br />

"Park yourself. What's the graft?"<br />

Carmady leaned on the table on an elbow, scuffed through a thick wad of cuttings. They were monotonous, political in nature, not<br />

front page. Senator Courtway said this and that on this and that matter of public interest, addressed this and that meeting, went or<br />

returned from this and that place. It all seemed very dull.<br />

He looked at a few halftone cuts of a thin, white-haired man with a blank, composed face, deep set dark eyes in which there was no<br />

light or warmth. After a while he said: "Got a print I could sneeze? A real one, I mean."<br />

79

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