MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

MODERN AND CONTEMPORARY ASIAN ART:
A Working Bibliography
2009 Version
By John Clark & Thomas Berghuis, Ann Proctor, Phoebe Scott, Gabrielle Ewington, Martin
Polkinghorne.
View of Sun Yuan and Peng Yu installation at Gwangju Biennale 2004, photographed by John Clark
With other contributions from Ajioka Chiaki, Edan Corkill, Michael Fitzhenry, Kikuchi Yôko, Lai
Meilin, Helena Poropat, & Helena Spanjaard,
1
Department of Art History & Film Studies, R.C. Mills A26, University of Sydney, NSW 2006, Australia

2
INTRODUCTORY NOTES:
This is a teaching and initial research bibliography which has been established over a number of years
with Australian students who have no access to vernacular language materials in mind. For deep
research, vernacular language speaking and reading ability is necessary, but this bibliography may
also be useful for initial research by those without linguistic access to the art writings of the
cultures concerned. It is usually updated every other year, depending on particular interests and
available resources. Since this work originates as a personal teaching bibliography for different
courses which naturally include frequent reference to my own works, I include lists of these at
three places. The bibliography is available as a PDF file via the website of the Department of Art
History and Film at:
http://www.arts.usyd.edu.au/departs/arthistory/index.php?page=staff&id=johclark
Please contact the author at arthistory.enquiries@arts.usyd.edu.au or at ja.clark@.usyd.edu.au with any
notable omissions or additions. It is desirable for speed and accuracy of updating if you can do
so with a country-specific file of additions only saved in the same categories and in .doc format for
PC, and only if the text mentioned is available via reasonable international circulation. Thematic
or artist titles should be preceded by the name in square brackets eg [Xu Bing], [Noumea] to
facilitate A-Z sorting. At the minimum a title should be held in a national library which can be
accessed by international document request facilities. Some countries have valuable material in
English but in obscure academic journals and some have extensive writings on modern art which
are nonetheless difficult to access abroad because of small-volume and / or selective coterie
circulation at home. But if a text is both important and can be found by international document
search, it should be included.
Entry is by Country, Topic, and Artist. In some sections which give works on specific artists, authors
follow the name of the work or artist. Artists who cross cultural boundaries are generally given
under contemporary art sections by their culture of origination, although there are no hard-andfast
rules for such affiliation, and some categories of overseas artists have been generated where
there is sufficient material. There has been no attempt to restrict the bibliography to books
alone, but obviously it is not possible to include too many journal articles, book reviews, or notes
on particular exhibitions. Catalogues are usually included if little other material is available on a
given artist or if they contain useful general essays. Since some works not dealing specifically
with modern art also refer to its important proto-history in the 19th and early 20th centuries, they
are also included here. In general, the art works referred to are after 1850.
In general this bibliography seeks a balance between art historical quality, availability, and relevance.
Thus texts of inadequate analytical or art historical reference have also been brought in since for
some art cultures there is little other written work available in English. Many areas like modern
history or writings on modern culture including literature are included on an ad hoc basis where
these are available and seem useful, especially in areas where I have worked. Further suggestions
for inclusion of minimum materials in political and cultural history adjacent to the field are
welcome.
For users of this bibliography in Australia:
Works given are mostly those available in Australia and chiefly at the Australian National University
Library, National Library of Australia, The Canberra School of Art Library, University of Sydney
Fisher Research and Schaeffer Fine Arts Libraries and private sources in Canberra and Sydney.
In the Sydney area, after holdings of the University of Sydney Fisher Research and Schaeffer Fine
Arts Libraries, the best source for some of this material is probably the Art Gallery of New South
Wales library which may be used for reference during weekdays. Fisher Research Library East
Asian Collection is the recipient of an important ongoing donation of art catalogues via the

3
National Art Center in Tokyo and also benefits from purchases under the Morrissey Bequest.
Details of these may be accessed off-campus by the library‘s English on-line catalogue, as well as
by CJK terminals if one is available in your library for full details. The catalogues are almost all in
Japanese but frequently include many plate titles and essays in English or other European
languages. There are also quite extensive holdings of books on Asian Art at the State Library of
New South Wales, and especially of pre-Second World War books on India, including important
runs of early Indian art journals.
For their assistance in updating this bibliography at various times I am grateful to Edan Corkill,
Kikuchi Yôko, Lai Meilian, Rhiannon Paget, Phoebe Scott, Michael Fitzhenry, Helena Spanjaard,
Yvonne Low, Helena Poropat, and Thomas Berghuis. From 2007, I have placed this
bibliography under the collective authorship of those doing the updating and their names are
given on the title page.
John Clark, June-August, 2009.

CONTENTS
Please note that pagination given below may slightly vary with printer settings
CONTENTS 4-11
-----------------------------------------------------------------------------------------------------------------
GENERAL WORKS ON ASIA AS A REGION 12
Asian-Wide Surveys 12
Museums, Art Centres and other Art Institutions1990's 12
Museums, Art Centres and other Art Institutions 2000+ 13
Asia-Wide New Art Practices and New Media 14
Web Resources 15
-----------------------------------------------------------------------------------------------------------------
RELEVANT SERIALS IN ENGLISH 15
-----------------------------------------------------------------------------------------------------------------
NORTH-EAST ASIA 16
Bibliographical Note 16
CHINA-GENERAL 16
General Problems of Modernity and Art 16
Texts and Some Terms in Chinese 18
Chinese Art before the 20 th Century (selected texts) 18
Early Contacts with European Art 19
Chinacoast and Trade Paintings 20
Photography in China 21
Photography in China 1980s-1990s 21
Performance Art in China 1980s-1990s and after 22
MAINLAND CHINA 1911 to present 23
Albums 23
Individual Artists 23
Neo-traditional Art [guohua] 43
Late Qing and Republican China before 1949 43
Culture Contact in NE China and Manchuria 44
Wartime Period and Yan‘an Base Areas 45
1949-1966 45
Selected Comparative Texts on Socialist Realism 46
Art 1966-1976 47
Art 1976-1989 48
Art 1989-2000 49
Art 2000+ 53
Recent Ink Painting 59
New Art Practices and New Media 59
Selected Exhibitions in China - 1990s Present 59
Selected Exhibitions outside China 62
Art Institutions in China [Entries after 2005] 65
Chinese Graphic Art since the Late 19th Century to 1949 65
Chinese Graphic Art after 1949 66
Selected Works on Modern Chinese Intellectual and Political History before 1949 67
Selected Works on Modern Chinese Intellectual and Political History after 1949 68
Women, Gender and Art 71
Web Resources 71
4

CHINA-HONG KONG AND MACAO 72
General 72
Individual Artists 73
Hong Kong Ink Painting 76
Oil Painting, Prints and Related Mixed Media 76
Sculpture and Ceramics 77
Art in Hong Kong Art in 1990s 77
Art 2000+ 77
Hong Kong Photography 78
CHINA-TIBET 79
General Works 79
Individual Artists 79
CHINA-TAIWAN/REPUBLIC OF CHINA 79
Individual Artists 79
Japanese Colonial Period
General Works 1950s-1970s 83
1970s-1980s 84
1990s 84
2000+ 85
Taiwan Photography 86
Political and Intellectual History of Taiwan 87
Economy and Politics of Taiwan 87
Film Taiwan [Entries from 2005] 87
CHINA-OVERSEAS 87
General Works 87
Individual Artists 89
Modern Chinese Art: Texts by John Clark 89
-----------------------------------------------------------------------------------------------------------------
JAPAN 90
General Works 90
Individual Artists 92
Europeans in Meiji Japan 99
Japonisme and cross-cultural dialogue 101
Photography 103
Meiji Art and Interaction with the ‗West‘ 104
Nihonga: Painting in ‗Traditional‘ Japanese style since Meiji 106
Prints since Meiji 107
Art 1910s to 1930s 108
War: 1930s-1940s 109
Art since 1945, In General 110
1945 to mid-1960s 111
Late 1960s-1980s 111
1990s 113
2000+ 114
New Media 115
Crafts and Modern Design 115
5

Popular Culture Including Advertising and Cinema 117
Popular visual Culture Including Comics 119
Domestic Architecture and Landscape Design 121
Japanese Cities [all periods] 123
General Texts on Modern Architecture 125
Meiji Architecture 125
1920s-1940s Architecture 125
Architecture since 1945 126
Architecture and Design 132
Architectural Bibliographies 133
Science, Technology and Their Representation . 134
Selected Texts on Cultural and Intellectual History 134
Modern Japanese thought 136
General texts on Aesthetics 136
Kuki Shûzô 136
Kuki and his times 136
Nishida Kitarô 137
Watsuji Tetsurô 137
Modern Japanese History 137
Society 138
Literary representations (selected) 139
Web Resources 140
Modern Japanese Art: Texts by John Clark 140
Modern Aesthetics 142
-----------------------------------------------------------------------------------------------------------------
KOREA-REPUBLIC OF KOREA 142
General works 142
Individual Artists 143
Colonial Period 146
1950s-1960s 146
1970s-1980s 146
1980s-1990s 146
2000+ 148
Video and New Media 148
Minjung Misul 149
-----------------------------------------------------------------------------------------------------------------
KOREA-DEMOCRATIC PEOPLE‘S REPUBLIC OF KOREA 149
-----------------------------------------------------------------------------------------------------------------
SOUTH-EAST ASIA 149
Southeast Asia Modern Art in General 149
Southeast Asian History: Selected 150
-----------------------------------------------------------------------------------------------------------------
MYANMAR [BURMA] 150
General Works 150
Individual Artists 151
-----------------------------------------------------------------------------------------------------------------
LAOS 151
General Works 151
Individual Artists 151
-----------------------------------------------------------------------------------------------------------------
6

THAILAND 152
Historical Context
Before 1780s 152
1780s to 1910s [Rama I to Rama V] 152
1910s to 1940s [Rama VI to Rama VIII] 153
1950s to present [Rama IX] 153
Individual Artists 154
Politics and Society 161
Pre-Modern Thai Art (selected) 161
Pre-Modern Thai Painting (selected) 162
Thonburi & Ratanakosin (Rama I – Rama IV) 162
Ratanakosin (Rama V – Rama VIII) 163
After 1947 (Rama IX) 164
General Works on Neo-traditional Art [plus group catalogues] 164
General Works on Modern Thai Art 164
Architecture and Environment 165
Craft 165
Reference 166
Art Collections and Galleries 166
Selected Major Exhibitions in Thailand (by year) 166
Recent Thai Art overall 169
Photography in Thailand 170
1980s 170
1990s 170
2000+ 171
Works on Modern Thai Literature in English 171
Thai Music 172
Thai Mentalities including Religions 172
Thai Society 174
Thai Economy 174
Film, T.V., and Modern Media 174
-----------------------------------------------------------------------------------------------------------------
CAMBODIA 174
General Works 174
Individual Artists 175
-----------------------------------------------------------------------------------------------------------------
VIETNAM 176
Art in General 176
Individual Artists 177
Art in the Colonial Period 179
Art in the War Period 181
Cultural Policies 181
General History 181
Women in Vietnam 182
Vietnamese Literature 182
Modern Art in General 182
1990s and after 184
Art 2000+ 186
Overseas Vietnamese Artists 186
-----------------------------------------------------------------------------------------------------------------
7

INDONESIA 186
General Works 186
Individual Artists (including Bali) 188
Raden Saleh, life and works 191
Painting in Indonesia in the 19th century 191
Art from Late 19th Century to 1945 192
Art from 1945-1965 193
Art since 1965 193
Art in the 1990s 194
Art 2000+ 195
Selected Exhibitions (entries after 2000) 197
Indonesia – Biennales (entries from 2005) 197
Bali 198
European Images of Southeast and Indonesia 199
Craft Practices 199
-----------------------------------------------------------------------------------------------------------------
EAST TIMOR 199
-----------------------------------------------------------------------------------------------------------------
BRUNEI 199
General Works 199
Individual Artists 199
-----------------------------------------------------------------------------------------------------------------
MALAYSIA 199
General Works 199
Individual Artists 201
1990s-2000+ 203
-----------------------------------------------------------------------------------------------------------------
SINGAPORE 204
General Works 204
General works on Nanyang Art and the Malayan period 204
Individual Artists 206
1990s- 2000+ 210
Works on History and Culture in Malaysia and Singapore 213
Selected Exhibitions 2000+ 214
----------------------------------------------------------------------------------------------------------------------------
PHILIPPINES 215
General History 215
Individual Artists 216
Society, Thought and Culture 221
Pre-Hispanic Philippine Myths and Society 221
Rizal, José (1861-1896) 221
General Art 222
Art of the Spanish Period – general 222
Art of the Spanish Period – academic art and its transitions 223
Art of the American Period 223
Art since 1945 in general 199
1970s-1980s, including art with political commitment 223
1990s 224
2000+ 225
Prints 226
8

Photography 227
New Media 227
Crafts (including textiles, basketwork, carving, and ceramics) 227
Women and Art, Women‘s Art 227
----------------------------------------------------------------------------------------------------------------------------
PACIFIC, OCEANIA, NEW ZEALAND 227
General Works 227
Individual Artists 229
----------------------------------------------------------------------------------------------------------------------------
PAPUA NEW GUINEA 229
----------------------------------------------------------------------------------------------------------------------------
SOUTH ASIA 229
INDIA 229
General Works 229
Individual Artists 231
Art for the British 238
Urban Popular Graphic Art in the 19th and 20th Centuries 239
The British Art School System 240
Art for the Establishment 240
Fine Art Societies 241
Neo-traditional Painting 241
Nascent Counter-establishment 241
Identity 242
The New Establishments 243
The Folk and the Modern 243
Style, Criticism, and Identity 244
1990s 245
2000+ 246
Indian Photography 247
Indian Artists Abroad 248
Web resources 248
----------------------------------------------------------------------------------------------------------------------------
NEPAL 249
General Works 249
Individual Artists 249
----------------------------------------------------------------------------------------------------------------------------
HIMALAYAN BORDERLANDS: KASHMIR, BHUTAN, SIKKHIM 249
General Works 249
Individual Artists 249
----------------------------------------------------------------------------------------------------------------------------
PAKISTAN 249
General Works 249
Individual Artists 250
----------------------------------------------------------------------------------------------------------------------------
BANGLADESH 251
General Works 251
Individual Artists 251
----------------------------------------------------------------------------------------------------------------------------
SRI LANKA/CEYLON 251
General Works 251
Individual Artists 224
9

----------------------------------------------------------------------------------------------------------------------------
MONGOLIA 252
General Works 252
Individual Artists 252
----------------------------------------------------------------------------------------------------------------------------
CIS AND OTHER 252
----------------------------------------------------------------------------------------------------------------------------
ASIAN ARTIST TRANSNATIONAL ACTIVITY 252
Asian Artists in Transnational Activity: Australia 252
Asia and Australia [selected] 253
Individual Artists 254
Critical and Historical Studies 256
Exhibitions and Reviews (selected) 257
----------------------------------------------------------------------------------------------------------------------------
Modernity in Asian Art, Australia, South Asia, Southeast Asia: Texts by John Clark 259
General Works 259
Australia 259
South Asia 259
Southeast Asia 260
----------------------------------------------------------------------------------------------------------------------------
Asian artists transnational activity - North America 260
General Works 260
Individual Artists 262
Asian artists transnational activity - Britain 266
General Works 266
Individual Artists 266
Asian artists transnational activity - France 267
General Works 267
Individual Artists 268
Asian artists transnational activity - Elsewhere in Europe 268
General Works 268
Individual Artists 269
----------------------------------------------------------------------------------------------------------------------------
PRE-HISTORIES OF EURAMERICAN MODERN ART 269
----------------------------------------------------------------------------------------------------------------------------
EURAMERICAN THEORIES OF MODERNITY (selected) 269
Theories, Logics, Ideologies 269
Taxonomy and Evolutionary Speciation 270
Literary and Linguistic Theories 270
Cultural Hybridity and Cultural Comparison 270
Cultural Globalization 272
Theories of Art (selected) 273
Art Movements 274
Corporeal Theories (selected) 274
----------------------------------------------------------------------------------------------------------------------------
ASIA, AFRICA, AND ISLAM IN PRE-MODERN EURAMERICAN ART 275
----------------------------------------------------------------------------------------------------------------------------
NON-EURAMERICAN THEORIES AND POSITIONS ON MODERNITY IN ART 275
General 275
Africa 276
Australia 277
10

Islamic World 277
Meso- and South America 277
----------------------------------------------------------------------------------------------------------------------------
POSTCOLONIALISM AND ‗THIRD‘ CRITIQUES AT THE CENTRE 278
----------------------------------------------------------------------------------------------------------------------------
BIENNALES AND CONTEMPORARY ASIAN ART 281
Museum and Exhibition Practice 281
Asian Art: Modern and Contemporary [duplicates some sections above] 282
Australia, Art and Asia [duplicates some sections above] 283
Modern and Contemporary Exhibition Systems 285
Museums, Art Centres and other Institutions 2000+ 286
Curatorial Practice 288
Biennales in Art Exhibition Systems 289
Art, Markets and the Economy 290
Art Dealers 292
Cultures and Commodities 293
Hybridity, Postcolonialism and Globalization [duplicates some sections above] 293
Other Theories and Histories [duplicates some sections above] 294
Biennales and Triennales by site 295
Beijing 295
Brisbane: Asia-Pacific Triennial of Contemporary Art [APT] 295
Chengdu 298
Fukuoka 298
Guangzhou 299
Gwangju/Kwangju 300
Istanbul 302
Kassel: Documenta 303
Jogjakarta 304
Johannesburg 304
Kitakyushu 304
Liverpool 304
Lyon 305
Manifesta 305
Nanjing Triennial 305
New Delhi 305
Osaka 305
São Paulo 305
Singapore 305
Shanghai 306
Sharjah 308
Sydney 308
Taipei 309
Venice 310
Yokohama 312
National Exhibitions at Biennales 312
Biennales from an Asian Perspective 316
Other Catalogues consulted 316
11

GENERAL WORKS ON ASIAPACIFIC AS A REGION
12
Asian-Wide Surveys
ArtAsiaPacific, ed., ArtAsiaPacific Almanac 2007, vol. 2, 2007.
Clark, John, ‗Inter-Asian Criteria of Institutional Modernity in Art‘, 28th International Congress of the
History of Art, Berlin, Kunstlerische Austausch/Artistic Exchange, Akademie Verlag, Berlin, 1993,
655-668.
Clark, John, ed., Modernity in Asian Art, Sydney, Wild Peony Press, 1993.
Clark, John; Peleggi, Maurizio; Sabapathy, T.K. eds., Eye of the Beholder, Sydney, Wild Peony Press, 2006.
Clark, John, ‗Ajia! Ajia!‘, Art Monthly Australia, April 1991.
Clark, John, Modern Asian Art, Sydney, Craftsman House & Honolulu, University of Hawai‘i Press,
1998
Clarke, David, ‗Contemporary Asian Art and Its Western Reception‘ in Third Text, Vol. 16, Issue 3
(September 2002), pp. 237-242
‗Contemporary Arts of the Region: Australia and South East Asia‘, Special Issue, Artlink, Vol. 13,
No.3&4, November-March 1993/94;
Count 10 Before You Say Asia. Asian Art after Postmodernism. International Symposium 2008 Report.
Tokyo: Japan Foundation, 2009.
Dysart, Dinah & Fink, Hannah, eds, Asian Women Artists, Sydney, Craftsman House, 1996.
Japan Cultural Forum, ed, Modern Art of Asia, Toto Shuppan, Tokyo, 1961
Joubert, Lindy, ed., Educating in the Arts, The Asian: experience, Twenty-Four Essays, Dordrecht, Springer,
2008.
Kirker, Anne, ‗Focus on Asian Women Artists‘, Artlink, Vol. 20, No. 2, July 2000
Lent, John A., ‗Asian Comic Art.‘ Art AsiaPacific issue 21 1999
Lent, John A., ed., Asian Popular Culture, Boulder, Westview, 1995
Newtonh, G., Picture Paradise. Asia-Pacific Photography 1840s-1940s. Canberra: National Gallery of
Australia, 2008.
Turner, Caroline, ed., Art and Social Change: Contemporary Art in Asia and the Pacific, Canberra, Pandanus
Books, 2005.
Winther-Tamaki, Bert, "Asian Possessions of the Cubist Body: 'Home from Home'" Cubism in Asia;
Unbounded Dialogues, International Symposium Report ed. by Yasuko Furuichi. (Tokyo: Japan
Foundation, 2006), pp.304-311
Museums, Art Centers and other Art Institutions 1990s
‗A New Cure for Asian Art Curators‘, Asian Art News 9:4 1999
‗Asia and Modernity‘, Special Issue of Humanities Research, 2, 1999 with articles by Clark, Lilley, Low,
Labrador, Sang.
‗Asian Art: Prospects for the Future.‘ International Symposium 1999 with articles by Elliott, Davenport,
Mashadi, Nakamura, Poshyananda, Rajah, Tatehata, Tokyo, Japan Foundation, 1999.
Davis, A.R., ed., Search for identity: Modern Literature and the Creative Arts in Asia, Sydney, Angus and
Robertson, 1974.
Hong Kong Art Archive, http://web.hku.hk:8400/~hkaa/hkaa/
Hou Hanru; Obrist, Hans-Ulrich, Cities on the Move, Ostfildren-Ruit, Verlag Gerg Hatje, 1997.
Manton, Neil, ‗The Arts of Diplomacy‘, Artlink, Vol. 20, No. 2, July 2000Art Asia Pacific, vol.3, no.4,
1996.
McEvilley, Thomas, ‗Arrivederci Venice‘, On the ‗Third World‘ Biennials, Artforum International, Vol.32,
Issue 3, November 1993
Poshyananda, Apinan et al, Traditions / Tensions: Contemporary Art In Asia, New York, Asia Society
Galleries & Sydney, The Fine Arts Press, 1996 [reports: Art Asia Pacific, vol.3, no.4, 1996; Mehta
in Eyeline: contemporary visual arts, no.32, summer 1996; Art in America, February 1997;

13
Ewington, Yang, Munroe in ART AsiaPacific, no.15, 1997; Owen, Michael. ‗Contemporary Art in
Asia: Traditions/Tensions.‘ Third Text no.41 Winter 1997-98
Poshyananda, Apinan, ‗A new cure for Asian art curators‘, Asian Art News, vol.9, no.4, 1999
Seminar on Fine Arts of Southeast Asia, Bangkok; Association of Southeast Asian Institutions of Higher
Learning, 1964.
Turner, C., ‗Getting the Message‘ [Review of Adelaide Festival Sculpture Installations], Art &
Australia, vol.32, no.1, Spring 1994.
Museums, Art Centers and other Art Institutions 2000+
‗Colonialism or Collaboration?: Intercultural Arts Practice and International Arts Organisations‘,
Forum Transcript, Focas (Forum on Contemporary Art & Society), no.2, July 2001
Akira, Tatehatata, ‗A Trojan Horse?: Multiculturalism in International Art Exhibitions‘, Yasuko,
Furuichi, ―Asia in Transition: Representation and Identity‖, Japan Foundation Asia Center, 2002
ART AsiaPacific, Issue 37 (2003), Special Issue Asian Art Now: 21 Curators and Critics Profile 63
Contemporary Asian Artists
Asai, Toshihiro et al ed, Promenade in Asia: Cute, Tokyo: Shiseidô/Mito: Art Tower Mito, 2001.
Asia Art Society, http://www.aaa.org.hk/links.html, Links to Online: Resources; Art Organisations;
Atsuo, Yamamoto, ‗From Dualism to Oneness‘, Mami, Kataoka, Under Construction: New Dimensions of
Asian Art, Tokyo: The Japan Foundation Asia Center, 2002
Barucha, Rustom, ‗Beyond the Box: Problematising the New Asian Museum‘, Focas (Forum on
Contemporary Art & Society), no.2, July 2001
Bharucha, Rustom, ‗The New Asian Museum Beyond the Box: Problematising the New Asian
Museum‘, in FOCAS: Forum on Contemporary Art & Society, No. 2, July 2001, p.223-237.
Benett, Tony, ‗The Rules of Culture: Exhibition and the Politics of Knowledge‘, Yasuko, Furuichi,
―Asia in Transition: Representation and Identity‖, Japan Foundation Asia Center, 2002
Berger, T., ‗Museums of the Future: Content Beats Size‘ C-Arts Asian Contemporary Art and Culture, Vol
04, July-August 2008.
Carroll, Alison, ‗A floating world‘, Art AsiaPacific 28, 2001
Chang, Alexandra, ‗The Control of Fear: Art and the Epidemic as Excess‘ in Art Asia Pacific, No. 38
(Fall 2003), pp. 54-57
Clarke, David, ‗Contemporary Asian Art and Its Western Reception‘, Huangfu, Binghui, ed., Site+Sight:
Translating Cultures, Singapore, Lasalle-SIA, 2002.
Dodd, P. ‗Shifting Sites: Cultural Desire and the Museum‘, C-Arts Asian Contemporary Art and Culture,
Vol 04, July-August 2008.
Eley, Geoff, ‗Politics, Culture and the Public Sphere‘, positions east asia cultures critique, Vol. 10, Number 1,
Spring 2002
Enwezor, Okwui. and Apinan Poshyananda, ‗Looking Ahead: Dialogues in Asian Contemporary Art,
November 8-9, 2002‘ (Asia Society and Museum, New York), in Yishu: Journal of Contemporary
Chinese Art, Vol. 2 No. 2, June 2003, p.112-121
Findlay, Ian, ‗Looking For A New Vision‘, Asian Art News, vol. 13, no. 1, January/February 2003
Furuichi Yasuko, ed., Asia in Transition: representation and identity, Tokyo, The Japan Foundation Asia
Center, 2002.
Gao, Shiming, ‗Symposium: Edges of the Earth, Hangzhou; The Syndrome of Asia: Experience and
Representation‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.83-88.
Gaweewong, Gridthiya, ‗On Under Construction and Localization‘, Mami, Kataoka, Under Construction:
New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002
Goldfine, Gil, ‗A Cultural Assembly on Mount Carmel‘, in Asian Art News, v. 17(5),
September/October, 2007, pp. 76 – 81.
Hoskote, Ranjit, ‗India Ink, Manila Envelope: Three Meditations on Art and the Global Media‘, Mami,
Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia
Center, 2002

14
Hou Hanru; Obrist, Hans-Ulrich, ‗Cities on the move‘, Art AsiaPacific, 25, 2000
Hui, Wang, ‗The Geneology of Asian Imaginaries‘, Yasuko, Furuichi, ―Asia in Transition: Representation
and Identity‖, Japan Foundation Asia Center, 2002
Kember, Pamela., ‗A Report on the Asian Art Archive‘, in FOCAS: Forum on Contemporary Art & Society,
No. 5, January 2003, p.372-377.
Lacayo, Richard, ‗The Rise and Rise of Asian Art‘, Time Magazine, March 31 2003
Lee Weng Choy, ‗Tomorrow‘s Local Library: The Asia Art Archive in Context‘, Yishu: Journal of
Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.
Mami, Kataoka, ‗Beyond a Progressive Asia: Under Construction Collective Exhibition‘, Mami,
Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia
Center, 2002
Mania, Astrid, ‗Curation on the Move‘, ArtAsiaPacific, no. 47, 2006.
McNeill, David, ‗Planet Art: Aesthetics and Labour in the Era of Globalisation‘, Huangfu, Binghui, ed.,
Site+Sight: Translating Cultures, Singapore, Lasalle-SIA, 2002.
Munroe, Alexandra, ‚Contemporary Art in Asia‘, Artforum International, Vol.35, Issue 8, April 1997
Pi Li, ‗Fantasia: an imagination towards the daily life‘ Mami, Kataoka, Under Construction: New Dimensions
of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002
Robinson, Joel D., ‗The Construction Sites of Asian Art‘ (The Exhibition of Under Construction: New
Dimensions of Asian Art, the Japan Foundation Forum and the Opera City Art Gallery, Tokyo,
2003), in Asian Art News, Vol. 14, No. 1, January/February 2004, p.52-57.
Shinkawa, Takashi, ‗Promenade in Asia, A collaborative exhibition‘, Art Asia Pacific, No.34, 2002.
Tavassoli, Babak A., ‗A Fresh Figure of Paradise‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No.
1, March 2004, p.95-103.
Thompson, Jonathan, ‗Without Borders‘ (Sovereign Art Prize for Asia), Asian Art News, vol. 16, no. 4,
2006.
Woo, Lee Yong, ‗Globalism and the Vanity of Its System‘, Yasuko, Furuichi, ―Asia in Transition:
Representation and Identity‖, Japan Foundation Asia Center, 2002
Yasuko, Furuichi, ed., International Symposium 2002, ‗Asia in Transition: Representation and Identity‘,
Report, Japan: Japan Foundation Asia Center, 2002
Xu Jiang., ‗Earth Link and Cosmic Time‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1,
March 2004, p.89-94
Asia-Wide New Art Practices and New Media
[Global Conceptualism] Global Conceptualism: Points of origin, 1950s–1980s, New York, Queens Museum
of Art, 1999; Meyer, James, ‗Global Conceptualism‘: Points of Origin, 1950s-1980s‘, Artforum
International, Vol.38, Issue 1, September1999
[MAAP in Beijing 2002] Machan, Kim, MAAP in Beijing 2002, Beijing: Hebei Education Publishing
House
[NIPAF] ‗1998 Nipaf Asian Performance Art‘, Art AsiaPacific, 22, 1999
[Polypolis] Chang Tsong-zung, ‗Outer landscapes and inner dreams‘, Asian Art News, vol.12, no.1,
2002; Seyfarth, Ludwig, ‗Asia in color and in black and white‘, Asian Art News, vol.12, no.1, 2002
[Polypolis] Seyfarth, Ludwig, ‗Asia in Color And in Black And White, Polypolis Exhibition Review, Asian
Art News, vol. 12, no. 1, January/February 2002; Chang, Tsong-zung, ‗Outer Landscapes And
Inner Dreams‘, Polypolis Exhibition Review, Asian Art News, vol. 12, no. 1, January/February 2002
[Translated Acts] Berghuis, Thomas J., ''Translated Acts': Body, Self and Performance', IIAS Newsletter,
No.24, February 2001; Kerr, Merrily, ‗Translated Acts: Asian Performance Art‘ Art AsiaPacific,
no.35, 2002
[Under Construction] Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The
Japan Foundation Asia Center, 2002; Purvis, Jennifer, ‗Under Construction; New Dimensions of
Asian Art‘, Flash Art, Vol. XXXVI, No. 229, March-April 2003; ‗Under Construction: New
Dimensions of Asian Art‘ Heartney, in Art Asia Pacific, No. 38 (Fall 2003), p. 74

15
[Video] Kuraishi, Shino, ‗Serendipity‘, Art AsiaPacific 28, 2001
Akiko Miyake, ed., let‘s talk about ART #0002, ‗Transexperiences‘, Kitakyushu: Center For
Contemporary Art, 2002 [The conference was with Marina Abramovic, Chen Zhen, Simryn Gill,
Hou Hanru, Huang Yongping, Ken Lum, Hans Ulrich Obrist on March 20, 2000].
Birnbaum, Daniel, ‗How Latitudes Become Forms, Exhibition Review at Walker Art Center, Featuring
Various Asian Artists, Artforum International, Vol.41, Issue 5, January 2003
Clark, John, ‗Art In The Present Tense‘, in Asian Art News, v. 17(6), November/December, 2007, pp.
110 – 117.
Flores, Patrick D., ‗Renewing the Contemporary‘, Mami, Kataoka, Under Construction: New Dimensions of
Asian Art, Tokyo: The Japan Foundation Asia Center, 2002
Furuichi Yasuko, ed., Out of the Window: Spaces of Distraction, Tokyo, The Japan Foundation Asia Center,
2004 [recent conceptualism in China, Japan, Korea]
Furuichi, Yasuko, ‗Asia: The Possibility of a Collaborative Space – Under Construction Project, Mami,
Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia
Center, 2002
Gakoumi, Dionissia, ‗Beyond Language‘, Artlink, Vol. 20, No. 2, July 2000
Kamiya Yukie, ‗Communicative Approach, from Asia‘, Mami, Kataoka, Under Construction: New
Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002
Kim, Sunjung, ‗In Search of an Oasis‘, Mami, Kataoka, Under Construction: New Dimensions of Asian Art,
Tokyo: The Japan Foundation Asia Center, 2002
Levin, Kim ‗Gesture, performance, behaviour, attitude: asian influences on contemporary western art‘,
Art Asia Pacific, vol.3, no.4, 1996.
Machan, Kim, ‗Digital Luggage and Meaningful Relationships‘, Asian Art News, vol. 21, no. 3,
September 2001
Machan, Kim, ‗Vis.arts.online: Asian art on the internet‘, Artlink, Vol. 20, No. 2, July 2000
Maerkle, Andrew, ‗Focal Point: Asian Video and Media Artists Take New York‘, ArtAsiaPacific, no. 48,
2006
Maxwell, Simeran, ‗Paradise from Within: Asian-Born Modernist Photography‘ in TAASA Review. The
Journal of the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 13-15.
Sivanesan, Haema, ‗Mirror Worlds: Contemporary Video Art from Asia in Sydney‘ (review), Art Monthly
Australia, no. 185, November 2005.
Teh, David, ‗Mirror Worlds, Contemporary Video from Asia‘ (review), Art and Australia, vol. 43, no. 1,
2005.
WEB RESOURCES
www.aaa.org.hk/links.html has the best set of Contemporary Asian Art links to date.
http://universes-in-universe.de/asia/english.htm art resources listed by country and useful Biennale
links elsewhere on the same site.
http://faam.city.fukuoka.jp/cgi-bin/eng/link/link.cgi has a number of links to Asian art museums and
in the same menu to other cultural organizations.
http://qag.qld.gov.au/research/acapa includes a menu with access to Asian-art related activities of the
Queensland Art Gallery, including the Asia-Pacific Triennale and also to the searchable Research
Library catalogue.
RELEVANT SERIALS IN ENGLISH
[Journal articles on Asian art and artists are listed in the relevant sections and largely updated to March
2007]
Art Asia Pacific, since 1993.
Art & Culture, since 1996.
ArtForum International
Art in America, has Asia related matters in most issues.

Art Monthly Australia, some issues.
Artlink, some issues.
Art & Text, articles in some issues, especially after 1994.
Asian Art News, since 1991, some feature issues, cumulative index vol.4, no.6, 1994.
Contemporary Visual Art
Critical Inquiry
Flash Art, some issues.
Parkett
positions: east asian cultures critique
Public Culture
Orientations, some features on modern art.
Res, material culture and anthropology journal.
South Atlantic Quarterly
Third Text, largely theory-oriented.
World Art, some contemporary artists [discontinued]
Visual Art & Culture [discontinued]
Yishu: Journal of Chinese Contemporary Art
NORTHEAST ASIA
Bibliographical Note
There is good but selective bibliography up to 1999 by Britta Erickson Twentieth Century Chinese Art
Bibliography & Individual Artists‘ Bibliographies available online at
http://www.stanford.edu/dept/art/china.
There is critical bibliography in Clark, John, ‗Art and Modernism in China, 1900-97: A review and
documentation‘, Journal of the Oriental Society of Australia, vol.29, 1997, 50-73, and Clark, John,
‗Modernity in Chinese Art, 1850s-1990s: some chronological materials‘, Journal of the Oriental
Society of Australia, vol.29, 1997, 74-169. Some texts cited in the latter are included here.
CHINA-GENERAL
16
General Problems of Modernity and Art
[Asian Art market] ‗Move over Van Gogh‘, Far Eastern Economic Review, 22 July 1993.
Andrews, Julia, and Shen Kuiyi, eds, A Century in Crisis: Modernity and Tradition in the Art of Twentieth
Century China, New York, Guggenheim Museum, 1998
Birnie Danzker, Jo-Anne, Ken Lum, and Zheng Shengtian, eds., Shanghai Modern: 1919-1945, Ostfildern
(Germany), Hatje Cantz, 2005
China Modernity and Art, and a discussion of Modern Art in Japan and Korea, Taibei, Council for Cultural
Planning and Development, 1990.
Clark, John, ‗Modernity in Chinese Art, 1850s-1990s: Some chronological materials‘, Journal of the
Oriental Society of Australia, vol. 29, 1997.
Clark, John, Modernities of Chinese Art, Singapore, Institute of Contemporary Art, 2007
Clarke, David, ‗Tradition and Innovation‘ [British Museum exhibition], ART AsiaPacific, no.15, 1997
Croizier, R., ‗Art and Society in Modern China - A Review Article‘, The Journal of Asian Studies, vol.49,
no.3, August 1990.
de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual),
Rotterdam, NAI Publishers, 2006
Fong, Wen C., ‗The Modern Chinese Art Debate‘, Artibus Asiae, vol.53, 1/2, 1993
Gao Minglu, Inside Out: New Chinese Art, Berkeley, University of California Press, 1998.
Gladston, Paul, ‗(More Writing on) The Wall: Reshaping (Gao Minglu‘s Vision of) Contemporary
Chinese Art‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 103 – 110.

17
Gladston, Paul, ‗Writing on the Wall (and Entry Gate): A Critical Response to Recent Curatorial
Meditations on the ―Chineseness‖ of Contemporary Chinese Visual Art‘, in Yishu. Journal of
Contemporary Chinese Art, v. 6(1), March, 2007, pp. 26 – 33.
Hearn, Maxwell and Smith, Judith G., eds., Chinese Art: Modern Expressions, New York, Metropolitan
Museum of Art, 2001
Jullien, François, The Impossible Nude: Chinese Art and Western Aesthetics [tr. De la Guardia, Maev],
Chicago, University of Chicago Press, 2007.
Kao, Mayching, ed, Twentieth Century Chinese Painting, Hong Kong, Oxford University Press, 1988
[proceedings of a 1984 Hong Kong Conference, this covers most areas of modern Chinese
painting in a general manner]
Kuo, Jason, C., ‗Reviews of recent books on Modern Chinese Painting‘, Ars Orientalis, vol.20, 1991.
Kuo, Jason C., Discovering Chinese Painting: Dialogues with Art Historians, Dubuque, Kendall/Hunt
Publishing Company, 2000, 2006.
Laing, E.J., An Index to Reproductions by Twentieth Century Artists, Portland, Oregon, 1984
Litzinger, Ralph A., 1959-, ‗Theorizing Postsocialism: Reflections on the Politics of Marginality in
Contemporary China‘, The South Atlantic Quarterly, 101.1, Winter 2002
Lu Peng, Bruce Doar tr., Artists in Art History: Case Histories of Artists in Art History and Art
Criticism (Changsha: Hunan Fine Arts Publishing House, 2008), 873 pp
Lu, Sheldon, H., China, Transnational Visuality, Global Postmodernity, Stanford, 2001.
Merewether, C. ‗Forgetting the Memory of the Word: Writing Lessons in Contemporary Chinese Art‘
in Re/Trace: Dialogues, pp. 62-69. Edited by Jagjit Chuhan, Angela Dimitrakaki, Emma Thomas,
Liverpool: John Moores University, 2002
Special Issue: fabrications, positions east asia cultures critique, vol 11. no.2 Fall 2003 [on fashion and
modernity in East Asia]
Sullivan, Michael, ‗Orthodoxy and Individuality in Twentieth Century Chinese Art‘, in Murck, C., ed.,
Artists and Traditions, Princeton, Princeton UP, 1979.
Sullivan, Michael, Art and Artists of Twentieth Century China, Berkeley, California University Press, 1996
[reviews: Dal Lago in ART AsiaPacific, no.15, 1997, Croizier in The Journal of Asian Studies, 1997;
Clark in Asian Studies Reviews, 1999].
Sullivan, Michael, Chinese Art in the Twentieth Century, London, Faber & Faber, 1959.
Sullivan, Michael, The Meeting of Eastern and Western Art, Palo Alto, Stanford UP, 1969 [the research and
approach of this book are highly problematic], revised version, U. California Press, 1991.
‗The Modern Chinese Landscape in New media Arts: A Conversation Among Fang Xiaofeng, Chen
Anying, Zhao Wenbing, and Jin Jianbo‘, in Yishu Journal of Contemporary Chinese Art, Vol 8,
Number 2, March/April 2009, pp 65-71.
Tsuruta, T., ‗Kinhyakunenrai Chûgoku Gajin Shiryô‘, Bijutsu Kenkyû, nos 293-294, 303, 307; ‗Minkokuki
ni okeru zenkoku kibo no bijutsu tenrankai: kinhyakunenrai chûgoku kaigashi kenkyû 1‘, Bijutsu Kenkyû,
no.349; ‗Kaihôgo no zenkoku bijutsu tenrankai: Kinhyakunenrai Chugoku Kaigashi Kenkyû 2‘, Bijutsu
Kenkyû, no.350; 2, Fu 1, Bijutsu Kenkyû, no.351 [Catalogue of the 1954 Second National Fine Arts
Exhibition]; 2, Fu 2, Bijutsu Kenkyû, no.352 [Catalogue of the 1960 Third National Fine Arts
Exhibition].
Tsuruta, T., ‗Minkokuki bijutsugakkô sotsugyôdôgakuroku, Bijutsudantai kaiinroku shûsei‘, (Izumishi
Kubosô Kinenbijutsukan), Kubosô Kinen bunka zaidan Tôyô Bijutsu Kenkyûjo Kiyô, 2,3,4, 1991.
Tsuruta, T., Kindai Chûgoku no Gaka, Osaka, Osaka Shiritsu Bijutsukan, 1972.
Walker, Allan and Rarfiled Raz, ‗Documenta 12 Magazines Feature on Education. Cultures of
Assessment: Distinctive Characteristics of Assessment in U.K. Art and design Higher Education
and their Implementation in China‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March,
2007, pp. 73 – 84.
Wan Qingli, ‗Traditionalism, Reform, and Modernism in Twentieth Century Chinese Painting‘,
Orientations, 23, no.7, July 1992.

18
Wu Hung, Transience: Chinese Experimental Art at the End of the Twentieth Century, Chicago: University of
Chicago Press, 1999
Wu Hung, Remaking Beijing: Tiananmen Square and the Creation of Political Space, Reaktion Books, 2005
Wu Hung and Kartherine R. Tsiang, Body and Face in Chinese Visual Culture, Cambridge, Mass., London,
Harvard University Press, 2005
Yü Christina Yü, ‗Documenta 12 Magazines Feature on Education. Some Thoughts on Art Game: An
Experience of Agency in Contempoary Art‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1),
March, 2007, pp. 85 - 90.
Zheng Shengtian, ‗Documenta 12 Magazines Feature on Education. Interview with Zhu Naizheng‘,
trans. Chunyee Li, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 62 – 72.
Texts and Some Terms in Chinese:
MS: Meishu, Art, the only national art monthly, published by the Artists‘ Association. Generally the
issue number equals the month, thus 1979-3, means the issue puiblished for March 1979. But for
a brief period from 1960 until about 1964 it was published bi-monthly. Publication was
suspended during the Cultural Revolution and restarted in 1977.
MSJTX: Meishujia Tongxun, Information Bulletin of the Artists‘ Association, this is not usually available
to non-members and foreigners and has only occasionally been available to this author. MSJY:
Meishu Yanjiu, Art Research, quarterly, published by CAFA.
MY: Meishuyanjiu, Art Research, published by the Central Academy of Fine Arts, Beijing.
RMRB: Renmin Ribao, People‘s Daily, the official CCP newspaper.
Shijie Meishu, World Art.
Xinmeishu: New Art, irregular journal of Zhejiang Academy of Fine Art.
youhua: oil painting.
zhongguohua: Chinese painting, sometimes used as a full form for guohua.
ZMB: Zhongguo Meishubao, Fine Arts in China, published 1985-1989.
ZYC: Zhongguo Yishujia Cidian, 5 Volumes, Dictionary of Chinese Artists, Changsha, Hunan Renmin
Chubanshe, 1981-1985
Chinese Art before the Twentieth Century (selected texts)
Clunas, Craig, Superfluous Things: Material Culture and Social Status in Early Modern China, Urbana &
Chicago, University of Illinois Press, 1991.
Clunas, Craig, Pictures and Visuality in Early Modern China, London, Reaktion Books, & Princteon,
Princeton University Press, 1997.
Clunas, Craig, Fruitful Sites: Garden Culture in Ming Dynasty China, London: Reaktion Books, 1996
Hay, John, ed., Boundaries in China, London: Reaktion Books, 1994
Hay, Jonathan, Shitao: painting and modernity in early Qing China, Cambridge ; New York : Cambridge
University Press, 2001.
Shen and Marilyn Fu, Studies in Chinese Connoisseurship, Princeton, Princeton University Press, 1973.
Siren, O., Chinese Painting, Ronald Press, New York, 1958
Sullivan, M. The Birth of Landscape Painting in China, University of California Press, 1962.
Wen C. Fong, Between Two Cultures: Late Nineteenth and Twentieth-Century Chinese Paintings from the Robert H.
Ellsworth Collection in the Metropolitan Museum of Art, New Haven and London, 2001.
Whitfield, R., ‗Landscape Painting in the Late Ch‘ing Period‘ in W. Watson, editor, Landscape Style in
Asia, Percival David Foundation of Chinese Art, London, 1979.
Wu Hung, The Double Screen: Medium and Representation in Chinese Painting, London, 1996.
Wu Hung, Monumentality in Early Chinese Art, Stanford University Press, 1995.
Wu Hung, Han Tang zhi jian de shi jue wen hua yu zhi wen hua, Beijing, 2003.
Wu Hung, Han Tang zhi jian wen hua yi shu de hu dong yu jiao rong, Beijing, 2001.
Wu Hung, Art in itr ritual context: essays on ancient Chinese art, Beijing shi, 2005

19
Early Contacts with European Art
Arnold, Lauren, Princely gifts and papal treasures: the Franciscan mission to China and its influence on the art of the
West, San Francisco, Desiderata Press, 1999
Barmé, Geremie, ‗The Garden of Perfect Brightness: A Manchu Vision of China‘, Paroissien, Leon, ed.,
Visual Arts and Culture, Volume 1, Part 1 (1998), see http://www.chinaheritagequarterly.org/ No.
8, December 2006:
Yuanming Yuan, the Garden of Perfect Brightness
Beurdeley, M. &. C, Giuseppe Castiglione, Rutland, Tuttle, 1971.
Braat, J., Filedt Kok, J.P., Hofenk de Graaff, J.H., Poldervaart,P., ‗Restauratie, conservatie en
onderzoek van de op Nova Zembla gevonded zestiende-eeuwse prenten‘, Bullet van het
Rijksmuseum, vol. 28, 1980.
Cahill, James, ‗Late Ming landscape albums and European printed books‘, in Rosenwald, L.J., The Early
Illustrated Book, 1982.
Cahill, James, The Compelling Image: Nature and Style in Seventeenth Century Chinese Painting, Cambridge,
Harvard University Press, 1982
Delahaye, Hubert, ‗Du peu d‘effet de la peinture occidentale en Chine‘ in Jami, Catherine; Delahaye,
Hubert, eds., L‘Europe en Chine, interactions scientifiques, religieuses et culturelles aux XVII e et XVIII e
siécles, Paris, Collége de France, 1993.
Edgerton, S.Y., The Heritage of Giotto‘s Geometry, [Chapter 8, Geometry and the Jesuits in the Far East],
Ithaca, Cornell University Press, 1991.
Franke, Wolfgang, China and the West, Oxford, Basil Blackwell, 1967
Gilman, S.I. ‚ Lam Qua and the development of westernized medical iconography in China‘, Medical
History, 30 (1) January 1986.
Heinrich, Larissa, ‗Curing Chinese Culture: Lam Qua‘s medical portraiture‘, in Liu, Lydia, ed.,
Translating Modernity, Durham, Duke University Press, 2007.
Hsiang Ta (Xiang Da), ‗European influences on Chinese Art of the Later Ming and Early Ch‘ing
Period‘ [original in Dongfang Zazhi , vol.27, no.1, January 10th, 1930, translated by Wang Tehchao],
Renditions no.6, Spring 1976.
Ijezerman, Hollandsche prenten als handelsartikel te Patani in 1602, ‘s Gravenhage, Gedenksschrift Koninlijk
Insituuut voor Taal-, Land- en Volkenkunde van N.I., 1926
Ishida Mikinosuke, ‗A Biographical Study of Giuseppe Castiglione (Lang Shih-ning), a Jesuit Painter in
the Court of Peking under the Ch‘ing Dynasty‘, Memoirs of the Tôyô Bunko, 1960, p.79-121;
Jeyns, Soame, ‗George Chinnery(1774-1852) with emphasis on the Chinese period (1825-1852) and the
so-called Chinnery School of Chinese trade painting‘, in Watson, W., The Westward Influence of the
Chinese Arts, from the n14th to the 18 th century , London, Percival David Foundation of Chinese Art,
1973.
Kôno Minoru, ed., Chûgoku Yôfû? Hyôgen no Dônyû? Meimatsu kara Shin jidai no kaiga, hanga, sashie-hon,
Machida, Machida Shirtisu Kokusai Hanga Bijutsukan, 1995.
Kraus, Werner, ‗Einige Bermerkungen zur chinesischen ―Trade Art‖ ‘, unpublished ‗finger exercises‘,
n.d. [source of some German bibliography here].
Loehr, G., ‗Missionary artists at the Manchu Court‘, Journal of the Oriental Ceramic Society, 34, 1962-63;
Loehr, George, ‗The Sinicization of Missionary artists and their work at the Manchu court during the
Eighteeenth Century‘, Cahiers d‘Histoire Mondiale, vol. VII, no.3, p. 795-815, 1963;
Le Comte, L., Das heutige Sina, Nürnberg 1699
Pelliot, Paul, ‗La Peinture et la Gravure Européennes en Chine au temps de Mathieu Ricci‘, T‘oung Pao,
1922, 1-18;
Pirazzoli-T‘Serstevens, M., Gravures des Conquêtes de l‘Empereur de Chine K‘ien-Long au Musée Guimet, Paris,
Mus?e Guimet, 1969;
Qing Imperial Court Painting, 25th Anniversary Special Issue of Orientations, vol.26, no.7, Jul-Aug 1995
Ricci, Matteo [Nicola Trigault ed. Latin, 1615, tr. Louis J. Gallagher] China in the 16th Century: The
Journals of Matteo Ricci, New York, New York, 1953

20
Sandrart, Joachim von , Teutsche Academie der Bau- Bild- und Mahlerey Künste, Amsterdam 1679, reprint,
München, Saur, 1992
Sullivan, Michael, ‗Some possible sources of European influence on late Ming and early Ch‘ing
painting‘, in Proceedings of the International Symposium on Chinese Painting, Taipei, National Palace
Museum, 1972,
Swiderski, Richard M., ‗The dragon and the straightedge, part 1: a semiotics of the Chinese response to
European pictorial Space‘, Semiotica 81-1/2, (1990); ‗part 2: The ideological impetus of linear
perspective in late Ming early Qing China‘, ibid, 82-1/2 (1990); ‗part 3: Porcelains, horses, and ink
stones - the ends of acceptance‘, ibid, 82 -3/4, (1990).
Topsfield Andrew, ‗Ketelaar‘s Embassy and the Farangi theme in the art of Udaipur‘, Oriental Art, new
series, vol. XXX, no.4, Winter 1984/5.
Vinograd, Richard, Boundaries of the Self, Chinese Portraits, 1600-1900, Cambridge, Cambridge University
Press, 1992;
Chinacoast and Trade Paintings
Berry-Hill, H. and S., Chinnery and China Coast Paintings, Leigh-on-Sea, 1970.
Broadbent, J., China, Australia: Trade and Society 1788-1850, Sydney, Historic Houses of New South
Wales, 2003.
Chen Yuhuan, zhubian, Zhongshandaxue Lishixi, Guangdong bowuguan, bian, Xifangrenyanli de zhongguo
qingdiao Views from the West, Beijing, Zhonghua shuju, 2001
Cheng Cunjie, zhubian, Haiyi yizhen, 1820, Gems left by overseas trade: Cantonese export arts ad crafts from the
18 th to early 20 th century, Shanghai, Shanghai guji chubanshe,2005
Christies‘, Fine Chinatrade Paintings, Hong Kong, Christies‘ Swire, sale of 26-9-1989.
Conner, Patrick, The China Trade 1600-1860, Brighton, Royal Pavilion, 1986
Conner, Patrick, George Chinnery 1774-1852,artist of India and the China Coast, Woodbridge: Antique
Collectors‘ Club, 1993
Conner, Patrick, Chinese Views – Western Perspectives, 1770-1870, the Sze Yuen Tang Collection of China Coast
Paintings and the Wallem Collection of China Coast Ship Portraits, London: Asia House, 1996.
Conner, Patrick, & Iseki Masaki, Journey to the Far East: George Chinnery and the art of Canton, Macao and
Hong Kong in the 19 th century¸ Tokyo: Tokyo Metropolitan Teien Museum, 1996
Conner, P., & Leglouix, S., William Alexander, Brighton, Royal Pavilion,1981.
Crossman,C.L., The China Trade: Paintings, Furniture, Silver, and other Objects, Princeton, 1972
Exploring Marine Art, Hong Kong, Maritime Museum, 2007
Gregory, M., In the Western Manner, Catalogue 53, London, Martyn Gregory Gallery, 1989.
Ho Kam-chuen et al, Historical Pictures, Hong Kong Museum of Art, 1999 [3 rd ed],
Hutcheon, R., Chinnery, The Man and the Legend, Hong Kong, 1975
Lee, J.G., Philadelphians and the China Trade 1784-1844, Philadelphia Museum of Art/ University of
Pennsylvania Press, 1984.
Lee, Sai Chong Jack, China trade painting: 1750s to 1880s unpublished PhD thesis, University of Hong
Kong, 2005.
Leglouix, S., Image of China: William Alexander, London; Jupiter Books, 1980
Lu, Wenxue, Yuedu he lijie: 17 shiji-19shiji zhongqi ouzhoude zhongguotuxiang [Reading and understanding: The
image of China in Europe from the 17th century to the mid-19th century] unpublished PhD thesis, Chinese
University of Hong Kong, 2003.
Orange, J. The Chater Collection; Pictures relating to China, Hong Kong, Macao, London, 1924.
Tam, L.C.S.,et al, Hong Kong: The Changing Scene, Hong Kong Museum of Art, 1980
Thompson, Jonathan, ‗The Rake‘s Progress‘ (George Chinnery), Asian Art News, vol. 15, no. 4, 2005.
Ting, J.S.P., Hung V.W.Y., Gateways to China, Hong Kong Museum of Art, 1987.
Ting, J.S.P., George Chinnery: His Pupils and Influence, Hong Kong Museum of Art, 1985.
Ting, Joseph S.P. et al, East Meets West, Cultural relics from the Pearl River Delta Region, bilingual catalogue,
Hong Kong, Museum of History, 2005

21
Warner, J., Hong Kong Illustrated: Views and News, 1840-1890, Hong Kong, John Warner, 1981
Wu, L., ‗A Newly discovered school of Chinese export painting‘, Orientations, vol.20, no.7, July 1989
University Museum and Art gallery, The University of Hong Kong, Picturing Cathay: Maritime and
Cultural Images of the China Trade, Hong Kong, 2002
Van der Poel, Rosalien, Twintig export olioeverschilderijen uit China in de collectie van Museum Volkenkunde. Een
nadere beschouwing, unpublished BA Thesis, Kunstgeshiednis, Universiteit Leiden, 2007
Yangcheng Fengwu / Souvenir from Canton, Chinese Export Painting from the Victoria & Albert Museum,
Guangzhou Meishuguan, 2003
Photography in China
Cartier-Bresson, H., China in Transition, London, Thames and Hudson, 1956
Cook, Henrietta Rose, ‗Perceptions of Tradition in Post-Imperial Chinese Photography‘, Unpublished
undergraduate dissertation, University of London, School of Oriental and African Studies, 2006.
Crombie, Isobel; ‗Body Language: Contemporary Chinese Photography in TAASA Review. The Journal of
the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 18-19
Harris, David, Of battle and beauty : Felice Beato‘s photographs of China, Santa Barbara,: Santa Barbara
Museum of Art & London : University of California Press, 1999.
Jenner, W. J. F., China: a Photohistory, London, Thames & Hudson, 1988.
Lum, Raymond, ‗Beijing 1933-46: The Photographs of Hedda Morrison‘, in Orientations, vol. 39, no. 5,
June, 2008.
Ma Yunzeng, Zhongguo sheyingshi, 1840-1937, Beijing, Zhongguo sheying chubanshe, 1987.
Moore, Oliver, ‗Photography in China: a global medium locally appropriated‘, IIAS Newsletter no.44,
Summer 2007.
Moore, Oliver, ‗Zou Baoqi (1819-1869), Map-Maker and Photographer‘, in Hammond, Kenneth, ed.,
The Human Tradition in Modern China, Lanham, PUBLISHER?, 2007
Roberts, Claire, ‗In her view: Hedda Morrison‘s photographs of Peking, 1933-46‘, East Asian History, 4,
December 1992.
Roberts, Claire, ed., In her view: the photographs of Hedda Morrison in China and Sarawak 1933-67, Haymarket,
N.S.W : Powerhouse Publishing, 1993.
Roberts, Claire, ‗Captured city: Hedda Morrison‘s Peking‘, TAASA Review, vol.11, no.3, 2002
Serfaty, Paul, ‗Retreat, Fantasy, Uncertainty‘, in Asian Art News, v. 18(3), May/June, 2008, pp. 78 – 81.
Sumner, Christina, ‗In the Pblic Domain: Hedda Morrison in the Powerhouse Museum‘ in TAASA
Review. The Journal of the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 16-17
Thiriez, Régine, ‗Photography and Portraiture in Nineteenth-Century China‘, East Asian History, nos
17/18, June/December 1999.
Thiriez, Régine, Barbarian lens: Western photographers of the Qianlong emperor‘s European palaces, New York,
Gordon & Breach, 1998.
Thomson, J., China The Land and Its People, Hong Kong, John Warner, 1977
Tinari, Philip, ‗Review of 3030: New Photography in China‘, in Yishu. Journal of Contemporary Chinese Art, v.
6(1), March, 2007, pp. 122 – 127.
Worswick, C., Spence, J., Imperial China, Photographs 1850-1912, London, Scolar Press, 1978.
Wu Hung, Phantasmagoria: Recent Photographs by Miao Xiaochun, Chicago: Walsh Gallery, 2004.
Wu Hung with Christopher Philips, Between Past and Future: New Chinese Photography and Video, New York
and Chicago: International Center of Photography and Smart Museum of Art, 2004.
Zhang, Hai‘er, Fotografien aus China, 1986-1989, Heidelberg : Edition Braus, 1990.
Zhongguo Sheying, 1860-1912, Taibei, Xiongshi Tushu, 1979
Photography in China 1980s-1990s and after
Dewar, Susan, ‗Contemporary Chinese Photography‘, Art & Asia Pacific, vol.3, no.2, 1996.
Dewar, Susan, ‗Photography in China‘, ART AsiaPacific, no.13, 1997.

Louie, Reagan, Toward a truer life : photographs of China 1980-1990, New York: Aperture Foundation &
San Francisco, Friends of Photography, 1991.
Smith, Karen, ‗Contagious desire, the other in contemporary Chinese art‘, Art AsiaPacific, 31, 2001
Wu Hung, Beyond: recent photographs by RongRong and irni, Walsh Gallery, Chicago, 2005.
Yu Shing-tak and Yang Shaoming.Contemporary Chinese photographs, Beijing, China Photographic
Publishing House, 1985.
Zhang Zhaohui, ‗A return to the real: new art and new spaces‘, Art AsiaPacific, 31, 2001
22
Performance in China 1980s-1990s and after
"Animalworks in China." TDR: The Journal of Performance Studies 51.1 (Spring 2007): 63-91. [A
Special Issue Guest-edited by Una Chaudhuri.]
"Catalyst, Praxis, Habitat: Performative Objects in Chinese Time-based Art." Performance Research
12.4 (Winter 2007): 147-162.
"Down and Under, Up and Over: Animalworks by Sun Yuan and Peng Yu." Performance Paradigm #4
(June 2008): 1-42.
Berghuis, Thomas J., ‗Flesh Art: Body and Performance Art in Post-Mao China‘,online Chinese Type
Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001.
Berghuis, Thomas J., Performance Art in China, Hong Kong, Timezone 8, 2006
Berghuis, Thomas, ‗Close Encounters – Performance art practices in China during the 1990s and the
role of the mediated subject of the acting body in art‘, Peter Lewis and Hoor Al-Qasimi, ed.,
Sharjah International Biennial 6 (Catalogue), United Arab Emirates: Sharjah International Biennial,
2003, pp. 034-038.
Berghuis, Thomas, ‗Performance Art and The Art of Performance‘, in Contemporary Visual Arts +
Culture Broadsheet, vol. 36, no. 3, September, 2007, pp. 186 – 189.
Cheng Meiling, "Clandestine Interventions" in Public Art Review: International Art Issue (Fall/Winter
2004): 26-29.
Cheng Meiling, "Extreme Performance and Installation from China" in TheatreForum (Summer 2006):
88-96. [the cover feature]
Cheng Meiling, "Indexing Death in Seven Xingwei and Zhuangzhi Pieces" in Performance Research 11.2
(June 2006): 24-38.
Cheng Meiling, "Violent Capital: Zhu Yu on File‖ in TDR: The Journal of Performance Studies 49.3 (Fall
2005): 58-77.
Clapham, Rachel Lois, ‗A Chinese Frquency: Vital 07 – The Essence of Performance‘, in Yishu. Journal
of Contemporary Chinese Art, v. 7(2), March, 2008, pp. 84 – 89.
Daozi, ‗The Wisdom of the Body‘, Chinese Type Contemporary Art Magazine, Vol. 4, Issue 5, November,
2001, published Online at: http://www.chinese-art.com
Gao Minglu, ―Private Experience and Public Happenings: The Performance Art of Zhang Huan‖
(Translated by Alexa Olga) in Pilgramage to Santiago, Barcelona and Brussels, Cotthem Gallery,
2001
Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art
Gallery, University at Buffalo Art Galleries, and Millennium Art Museum, 2006
Ling, Gao, ‗Art is Action‘, , Chinese Type Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001,
published Online at: http://www.chinese-art.com
Merewether, Charles, ‗The spectre of being human‘, Yishu: Journal of Contemporary Chinese Art, vol.2, no.,
June 2003
Sanderson, Lesley, ‗Male Body Fatigue‘, in Yishu. Journal of Contemporary Chinese Art, v. 7(3), May, 2008,
pp. 78 – 85.
Song Dong, Guo Shirui, Yesheng, 1997 Nian Jing zheshi, Beijing, Xiandai YishuZhongxin, 1997 [includes
a chronology for chiefly avant-garde and performance art since 1986]
Xing Danwen, Danwen Xing, Wo-men: A Personal Diary of Chinese Avant Garde in the 1990s: Photographs,
1993-1998, Zurich, Scalo Publishers, 2007 (Forthcoming)

MAILAND CHINA, 1911 to PRESENT
23
Albums
Between the thunder and the rain: Chinese paintings from the Opium War to the Cultural Revolution, 1840-1979, San
Francisco, Asian Art Museum, 2000
Bobot, M.-T., Collection des Peintures et Calligraphies Chinoises Contemporaines, Paris, Musée Cernuschi, 1985
Brown, Claudia; Chou Ju-hsi; Transcending turmoil: painting at the close of China‘s empire, 1796-1911, Phoenix,
Phoenix Art Museum, 1992.
Eliséef, V., Exposition de la Peinture Moderne Chinoise, Paris, Musée Cernuschi, 1946
Eliséef, V., Quatre Artistes Chinoises Contemporaines, [Pan Yu-lin, Lam Oi, Ou Seu-tan, Shing Wai], Paris,
Musée Cernuschi, 1977
Eliséef, V., Peintures Chinoises Traditionelles, 1975-80, Paris, Musée Cernuschi, 1981
Ellsworth, R.H. et al, Later Chinese Painting and Calligraphy, 1800-1950, 3 volumes, New York, Random
House, 1987
Hajek, L., Hofmeister, A., Chinesische Malerei der Gegenwart,Prague, Artia, 1959
Hua Junwu,ed., Contemporary Chinese Painting, Beijing, New World Press, 1981
Moss.H., ed.,The Experience of Art, Hong Kong, Umbrella, 1983
Strassberg, R.E., Nielsen, W.A., Beyond the Open Door, Pasadena, Pacific Asia Museum, 1987.
Strassberg, R.E., Beyond the Open Door II, Pasadena, Pacific Asia Museum, 1991.
Sun Jie, ed., A Selection of Contemporary Chinese Painting, Beijing, Zhao Hua Publishing House, 1981
Tam, L.S., ed., Twentieth Century Chinese Painting, Hong Kong, Hong Kong Museum of Art, 1984
Tao Yongbai, ed., Oil Painting in China 1700-1985, Jiangsu Meishu Chubanshe, 1988
Whitfield, R., Chinese Traditional Painting, 1886-1966, London, Royal Academy of Arts, 1982
Individual Artists
For lists of albums see the bibliography in Kao, Mayching,ed, Twentieth Century Chinese Painting, Hong
Kong, Oxford University Press, 1988 for a list of artists‘ albums, and for other lists of
reproductions see Laing, E.J., An Index to Reproductions by Twentieth Century Artists, Portland,
Oregon, 1984. The publishing industry in both the People‘s Republic and Taiwan has also
produced many single-artist multi-volume series in the 1990s.
A number of artist‘s names become homonyms in English although written with different characters in
Chinese. To obviate lengthy explanation in these cases I have simply identified the artist the
medium or type of work e.g. Liu Wei, painter and Liu Wei, video installation, are two different
artists working in those media whose personal names are actually written with different characters
even though their surnames are identical. Sometimes the same artists also appears in later
sections by country under ‗Asian Artists Transnational Activity‘.
Ai Wei Wei: Chen Weiqing, ed., Fragments: Beijing, 2006, Hong Kong, Timezone 8, 2007; review,
Artforum, vol. 45, Iss. 1, 2006; Adjaye, David, ‗Ai Wei Wei: House and Studio, Beijing‘, Artforum,
vol. 44, Iss. 3, 2005; ‗Ai Wei Wei Urs Meile Gallery‘ (review) Flash Art, vol. XXXIX, no. 249,
July-September, 2006; Colonello, Nataline, ‗Ai Weiwei: Beyond the Checkmate‘ in Art Asia Pacific,
No. 40 (Spring 2004), pp. 52-58; Merewether, Charles, ed., Ai Weiwei Works: Beijing, 1993-2003,
Hong Kong, Timezone 8, 2004. ; Merewether, Charles, ‗Ai Weiwei. The Freedom of Irreverence‘,
in ArtAsiaPacific, No. 53, May/June, 2007, pp. 108 – 111. ; King, Natalie, ‗The is no future: An
interview with Ai Weiwei‘, in art & Australia, vol. 45, no. 4, Winter 2008, June/July/August, pp.
546 – 549; Coggins, David, ‗Ai Weiwei‘s Human Conceptualism‘, in Art in America, September
2007, pp. 126 – 131; Eccles, Jeremy, ‗Ai Weiwei: Under Construction‘, in Art Monthly Australia,
Issue No.: 211, July 2008, pp. 21 – 24. Berghuis, T. ‗Ai Weiwei: China‘s Social Consciousness‘, C-
Arts Asian Contemporary Art and Culture, Vol 04, July-August 2008. ; ‗Interview with Ai Wei Wei‘

24
ART iT, No. 21, Fall/Winter 2008, Birnie Danzker, J., ‗A Conversation with Ai Weiwei‘, in Yishu
Journal of Contemporary Chinese Art, Volume 7, No. 4, July 2008, pp. 10-19; Lee, Mabel, Ai Weiwei
Under Construction, in Contemporary Visual Art + Culture Broadsheet, vol 37, no. 3, pp196-199; Ai
Weiwei, Catalogue, curated by Mark Wilson and Sue-An Van Der Zijpp, with texts by Karen
Smith and Sue-An Van Der Zijpp, Groninger Museum-Nai Pblishers, 2008; Ai Weiwei, by Karen
Smith, Hans Ulrich Obrist and Bernard Fibicher, Phaidon, London, 2009; Vine, Richard, ‗The
way we were, the way we are: China's most outspoken artist reflects on the ongoing struggle for
expressive freedom in the People's Republic.‘ (CHINA WATCH)(Ai Weiwei)(Interview) in Art in
America 96.6 (June-July 2008): 99(3).
Bai Yi Luo: Ling Ling Braude, ‗Bai Yi Luo. Contemporary Photographer Artist of China‘, in C Arts.
Asian Contemporary Art and Culture, vol. 00, November/December, 2007, pp. 88 – 91.
Big Tail Elephant Chiu, Melissa, ‗Static Interference: The Big Tail Elephant Group of Guangzhou.‘ Art
Asia Pacific 24:1999; Lin, Yilin., Chen Shaoxiong, Xu Tan and Liang Juhui, ‗Big Tail Elephants in
the 1990s‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.22-32.
Bingyi Huang: Ikegami, Hiroko, ‗Emotions Are Beautiful: Bingyi‘s Unfashionable Faith in Painting‘, in
Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 92 – 96.
Cai Guoqiang, painter and installation art, New York: Cai Guoqiang, Day Dreaming, Taipei, Cherng Pin
Gallery 1998; Zaya Octavio et al, Venice‘s Rent Collection Courtyard, Hong Kong & Vancouver,
Annie Wong Art Foundation, 1999; Zhang Zhaohui, Cultural Metamorphosis: The Art of Xu Bing and
Cai Guoqiang, unpublished MA in Curatorial Studies Thesis, Bard College, 1998; Zhang Qing,
‗History challenges reality: the life and art of Cai Guoqiang‘, Yishu, vol.1, no.1, 2002; Zhang
Zhaohui, ‗Tiandi zhi ji: Cai Guoqiang yu Xu Bing Suoshi biye zhanlan jihua shuomingshu‘, Jiangsu
Huakan, 2, 1999; ‗Naoshima no commishon waaku: Cai Guoqiang Bunkadaikonyoku, Naoshima
no tame no projekuto‘, Naoshima Tsûshin, vol.1, no.2, 1988; Hirano Akihiko & Takeuchi Hiroko
eds., Cai Guoqiang ―From the Pan-Pacific‖ [translated by Dutz, Margaret E.], Iwaki, Iwaki City Art
Museum, 1994; Cai Guoqiang in ―Ajia Shichô no Potensharu‖, Hôkokusho, Tôkyô, Kokusai
Kôryûkikin ASEAN Bunka Sentaa, 1994, p.84-89; Heartney, Elanor, ‗Cai Guoqiang: illuminating
the new China‘, Art in America, May 2002; Cultural Meeting Bath: Projects for the 20th century, New
York, Queens Museum of Art, 1997 [review: Goodman, Art AsiaPacific,no.18, 1998.]; Huang Du.
‗Cai Guoqiang: From mystery and philosophy to reality.‘ Art AsiaPacific issue 20 1998; Naylor,
Stephen, ‗A Gondola In Suburbia‘, Art Monthly Australia August 1999: 122; Bartelik, Marek, ‗Cai
Guo-Qiang‘, Artforum International, Vol.40, Issue 10, Summer 2002; Stringa, Nico (ed), Terrecotte
Cinesi dalla 48 a Biennale di Venezia (Chinese Terracota at the 48 th Venice Biennial), Cornuda: Antiga
Edizoni, 2003.; Cai, Guo-Qiang, Bunker Museum of Contemporary Art, Kinmen Island: A Permanent
Sanctuary for Art in a De-Militarised Zone, Charta, Milan, 2006; Ng, Elaine W., ‗Where I Work : Cai
Guo-Qiang‘, ArtAsiaPacific, no. 47, 2006; Winchester, Rupert, ‗Zhang Lin Hai, Wang Yidong and
Cai Guo-Qiang: Light and Shadow‘ (review), ArtAsiaPacific, no. 47, 2006; Goodbody, Bridget,
‗No Introductions Necessary‘, ArtAsiaPacific, no. 45, 2005; ‗Cai Guo-Qiang: Traveller‘ (review),
ArtAsiaPacific, no. 45, 2005;‗Cai Guo-Qiang at Deutsche Guggenheim‘ (review) World Sculpture
News, vol. 12, no. 3, 2006; ‗Cai Guo-Qiang – Inopportune, Mass. MOCA‘, Parachute, 119, 2005;
review, Artforum, vol 43, iss. 6, February 2005; ‗Cao Guo-Qiang Galleria Continua‘, (review) Flash
Art, vol. XXXIX, no. 249, July-September, 2006; Xu Bing, ed., Where Heaven and Earth Meet: The
Art of Xu Bing and Cai Guo-qiang, Hong Kong, Timezone 8, 2006; Cai Guo-Qiang: Head On, Hatje
Cantz, Ostfildern, 2005; Cai, Guoqiang. Cai Guo-Qiang : life beneath the shadow. Edinburgh; London:
The Fruitmarket Gallery; Distributed by Art Data, 2005; Raspali, Thierry, Cai Guo-Qiang: Une
histoire arbitraire/ An Arbitrary History, Paris, 5 Continents Editions, 2003.; Fei, D. ‗To Dare to
Accomplish Nothing: Fei Dawei Interview Cai Guo-Qiang‘, in Cai Guo-Qaing, 2000, pp. 117 –
135; Cai Guo Qiang, ‗Painting with Gunpowder‘, in Leonardo, v. 21 (3), 1988, pp. 251 – 254; Cai
Guo Qiang, ‗Cai Guo Qiang + P3‘, in Cai Guo Qiang: The Project for Projects, Tokyo, P3 Art and
Environment, 1991; Goodman, Jonathon, ‗Cai Guo-Qiang: I Want to Believe‘, in Yishu. Journal of
Contemporary Chinese Art, v. 7(3), May, 2008, pp. 99 – 105; Grande, John K., ‗Shock and Awe: An

25
Interview with Cai Guo-Quiang‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007,
pp. 39 – 44; Soetriyono, Eddy, ‗Cai Guo-Qiang. The Big Bang‘, in C Arts. Asian Contemporary Art
and Culture, vol. 02, March/April, 2008, pp. 14 – 26; Cai Guo-Quiang, ‗Statement from Cai Guo-
Qiang: ―I want to believe‖, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April,
2008, pp. 28 – 29; Cohn, Don J., ‗Cai Guo-Qiang. The Art of War‘, in ArtAsiaPacific, No. 57,
Mar/Apr, 2008, pp. 98 - 105.; Cai Guo Qiang, ‗Cai Guo Qiang and Andrei Ujica: A
Conversation‘, in Cai Guo Qiang, Paris, Foundation Cartier pour l‘art contemporain, 2000, pp. 81
– 88.; Masatoshi, T., ‗Time and Space are Powerful and Eternal‘, in Day Dreaming: Cai Guo Qiang,
Taipei: Cherng Piin Gallery, 1998.; Zaya, O., ‗Interview: Octavio Zaya in Conversation with Cai
Guo Qiang‘, in Cai Guo Qiang, London, Phaidon, 2002; Vine, Richard, ‗China envy: the debut of
Cai Guo-Qiang's midcareer survey at the Guggenheim Museum in New York melded sheer
spectacle with an incisive treatment of the artist's signature transcultural themes.‘ in Art in America
96.9(Oct 2008): 142(6).
Cai Heng review Asian Art News, vol.12, no.3, 2002
Cai Jin, oil painter, Tianjin and New York: Yang En, ed. Cai Jin, Beijing, Renmin Meishu Chubanshe,
1995. ; review, Art AsiaPacific 28, 2001
Cang Xin, Huang Du, et.al., ed., Existence in Translation – Cang Xin, Hong Kong : Timezone 8 Ltd, 2002.
; Zhang Zhaohui, ‗The Alchemy of Art‘, in Asian Art News, v. 18(1), January/February, 2008, pp.
80 – 84.
Cao Fei: Hou Hanru, ‗Cao Fei: A Mini-Manifesto of New Human Beings‘, Flash Art, vol. XXXVIII, no.
242, May-Jun, 2005; Low, Joni, ‗Realities and Other Absurdities: A Conversation with Cao
Fei‘,Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Kovskaya, Maya, ‗Heroes of
the Mundane: The Syncretic Imagination of Cao Fei‘, Yishu: Journal of Contemporary Chinese Art,
vol. 5, no. 4, Dec 2006; Obrist, Hans-Ulrich, ‗Hans-Ulrich Obrist on Cao Fei‘, Artforum, vol. 44,
Iss. 5, 2006; Thea, Carolee, ‗Cao Fei: Global Player‘, ArtAsiaPacific, no. 50, 2006; ‗A Specific
Voice: A Conversation Between Cao Fei and Doryun Chong, with Contributions from Hu Fang,
Zhange Wei, and Keirth Wallace‘, in Yishu Journal of Contemporary Chinese Art, Vol. 7, No. 4, July
2008, pp. 52-61; Heartney, Eleanor, ‗Like life: as seen through the work of Chinese artist Cao Fei,
the virtual universe of Second Life is more glamorous and seductive, and no less melancholy,
than the world from which it offers escape.‘ (Cao Fei: Whose Utopia)(i.Mirror) in Art in America
96.5 (May 2008): 164(3).
Chang Yungho: Rehberg, Vivian., ‗Three Men and A Camera: Chang Yung Ho, Wang Jianwei, and Yang
Fudong‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.62-63;
Chang Yungho, Obrist, Hans U. ‗Hans Ulrich Obrist Camera Interviews‘, in Yishu: Journal of
Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.64-67.
Chao Chung Hsiang/ Zhao Chunxiang Findlay, Ian, ‗A master at work‘, Asian Art News, vol.10, no.2, 2000
Chao Ge: review, Asian Art News, vol. 15, no. 1, 2005.
Chen Beixin: review, Asian Art News, vol. 16, no. 5, 2006.
Chen Fengxu: review, Asian Art News, vol. 16, no. 6, Nov-Dec 2006.
Chen Haiyan, Roberts, Claire, ‗Chen Haiyan: Dream work‘, ART AsiaPacific, Issue 36 (2002)
Chen Li: Pettifor, Steven, ‗Faces, Dreams, Fictions‘, Asian Art News, vol. 16, no. 5, 2006.
Chen Lingyang: Berghuis, Thomas, 'Close Encounters – Performance art practices in China during the
1990s and the role of the mediated subject of the acting body in art', Peter Lewis and Hoor Al-
Qasimi, ed., Sharjah International Biennial 6 (Catalogue), United Arab Emirates: Sharjah
International Biennial, 2003, pp. 034-038; Jordan, Francesca and Marella, Primo, China Art Now:
Out of the Red, Milano: Marella Arte Contemporanea, 2003; Wu, Hung, ‗Chen Lingyang‘ in Art
Asia Pacific, Issue 37 (2003), p. 92Chen Yifei, Pai, Maggie, ‗The romantic Realist‘Asian Art News,
vol. 7, no. 3, May/June 1997.
Chen Shaoxiong: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002; ‗Anti-C.S.X.: A Discussion of Chen Shaoxiong‘s Solo Exhibition‘
(Vitamin Creative Space, Guangzhou, December 14, 2003), in Yishu: Journal of Contemporary Chinese

26
Art, Vol. 3, No. 1, March 2004, p.32-46.; Holmes, Rosalind, ‗Cityscapes, Crazy Consumption, and
Collective Memory: Chen Shaoxiong‘s Mimetic Reality‘, in Yishu. Journal of Contemporary Chinese
Art, v. 6(1), March, 2007, pp. 128 – 131.
Chen Yifei: Maerkle, Andrew, ‗Chen Yifei 1946-2005‘, ArtAsiaPacific, no. 46, 2005.
Chen Yu: Pettifor, Steven, ‗Faces, Dreams, Fictions‘, Asian Art News, vol. 16, no. 5, 2006.
Chen Weimin: review, Asian Art News, vol. 15, no. 6, 2005.
Chen Zhen, Sans, Jerome, ‗Paris: Chen Zhen‘, Artforum International, Vol.34, Issue 5, January 1996; review,
tribute by Hou Hanru, Art AsiaPacific, 33, 2002; Chen Zhen in Akiko Miyake, ed., Let‘s Talk
About Art #0002, ‗Transexperiences‘, Kitakyushu: Center For Contemporary Art, 2002;
Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist‘s Book Series, Chen Zhen in conversation with
Xian Zhu, Kitakyushu: Center For Contemporary Art, 1998; Chen Zhen, ‗An Interview with
Jérôme Sans‘, in Chen Zhen: Between Therapy and Meditation, Perigueux: Espace Culturel François
Mitterand, 1999; Heartney, Eleanor, ‗Chen Zhen's legacy‘, Art in America, Vol. 91, Issue 2,
February 2003; Uslip, Jeffrey Zur, Rachael, eds, Chen Zhen [a tribute], Long Island City, NY : P.S.1
Contemporary Art Center, 2003; Rosenberg, David; Xu Min; Daniel Buren, Chen Zhen : invocation
of washing fire, Prato: Ori, 2003. ; ‗Chen Zhen: Shanghai Art Museum‘ (exhibition review),
ArtAsiaPacific, no. 49, 2006; ‗Chen Zhen: Transexperiences‘ (review), ArtAsiaPacific, no. 47, 2006.
Cheng Yajie: Findlay, Ian, ‗Making the Familiar Unfamiliar‘, Asian Art News, vol. 15, no. 5, 2005.
Chengdu artists: Pettifor, Steven, ‗Individual Views‘, Asian Art News, vol. 16, no. 5, September/October
2006; Pettifor, Steven, ‗Seeing Beyond the Surface‘, Asian Art News, vol. 16, no. 5,
September/October 2006.
Ching Ho Cheng: Goodman, Jonathan, ‗Ching Ho Cheng: A Reintroduction‘, in Yishu. Journal of
Contemporary Chinese Art, v. 7(1), January, 2008, pp. 18 – 24.
Chi Peng: review, Art in America, vol. 94, iss. 1, Jan 2006.
Chu Yun: ‗Visiting Reality in the Anonymous and weak Light: A Conversation between Chu Yun and
Hu Fang‘, trans. Dong Manhong, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), January,
2008, pp. 80 – 85.; Abbas, Nadim, ‗Chu Yun: Lost Beofre the Object‘, in ArtAsiaPacific, No. 56,
Nov/Dec, 2007, p. 179; Tinari, Philip, ‗Chu Yun‘ in Artforum, Vol 47, Iss. 7, March 2009, p. 230.
Corruptionists: review, Art AsiaPacific, 25, 2000
Cui Xianji, abstract oil painter: Dao Zi, ‗Cui Xianji: zuowei jingshengwaihua de ziranchouxiang‘, Yishujie,
11/12-1998.
Cui Xiuwen: Smith, Karen, Cui Xiuwen, Hong Kong, Timezone 8, 2006 (Distributor); review, Asian Art
News, vol. 15, no. 3, 2005; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art,
Tokyo: The Japan Foundation Asia Center, 2002; Jordan, Francesca and Marella, Primo, China
Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003.
Dai Guangyu: Kóvskaya, Maya, ‗Neatly Arranged Freedom, Present Absences, Dislocated Contexts, and
Signs of Our Times: Readings of Dai Guangyu‘s Art‘, in Yishu. Journal of Contemporary Chinese Art,
v. 7(3), May, 2008, pp. 90 – 98.
Dai Jinhua: Dai Jinhua, ‗Postcolonialism and the Chinese Cinema of the Nineties‘, in Jing Wang and
Bralow, Tani E., eds., Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai
Jinhua, London and New York, 2002, pp. 50 – 57.
Ding Fang: review, Asian Art News, vol. 15, no. 1, 2005.
Ding Yi, Shanghai, painter: Xiao Kayu, Shanghai, ShanghART, 1997; Cao Weijun, ‗Ding Yi: The
Magician of Crosses‘, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 5, September 2008,
pp. 49-61.
Dong Wensheng: Borysevicz, Mathieu, ‗Dong Wensheng: Archaeologies of Corporeality‘, in Yishu. Journal
of Contemporary Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87.
Dong Xiwen, deceased, oil painter: Chen Yingde, ‗Shiping Dong Xiwen youhua‘, Mingbao Yuekan, 1,
1986, no.241.
Ed Pien: Low, Joni, ‗The Poetics of Engagement: Ed Pien and the Three-Dimenisional World‘, in Yishu.
Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 50 – 56.

27
Fang Cheng: Fang Cheng, ‗Fang Cheng‘s Theories on Humor and Cartooning‘, trans. Xu Pingsheng and
John Wetherhold, in International Journal of Comic Art, vol. 9, no. 2, Fall, 2007.
Fang Junbi: Fan Tchun-pi, A Retrospective Exhibition of the Works of Fan Tchun-pi, Hong Kong, Arts
Centre,1978; Fan Tchun-pi, Bobot,M-T., Fan Tchun-pi, Paris, Musée Cernuschi, 1984
Fang Lijun: Furuichi, Y., Nakamoto, K. eds. Fang Lijun: Human images in an uncertain age, Tokyo: Japan
Foundation Asia Center, 1996; Jose, N. in ART AsiaPacific, no.15, 1997; Chou, Yuting, ‗The
Floating Body in the Art of Fang Lijun: An Artist's Comment on the Human Condition in Post-
Cultural Revolution China‘, China Information, Vol. XII, No.‘s 1&2, Semmer/Autumn, 1997;
Hovdenakk, Per, 'Fang Lijun and His Art (1997); Li Xianting, 'Fang Lijun and Cynical Realism
(2000); Li Luming, Fang Lijun, Hunan: Hunan Fine Arts Publications, 2001; Pi Li, 'A Dialogue
with Fang Lijun', Hunan Fine Art Press , ed., Fang Lijun, Hunan, 2001; Huang Zhuan and Pi Li
ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002. ; Li Xianting, et.al., Chinese
Artists of Today: Fang Lijun, Beijing, Today art museum, 2006.; Yasuko, Furuichi, and Kazumi
Nakamoto, Fang Lijun: Human Images in an Uncertain Age. Tokyo, The Japan Foundation Asia
Centre, 1996.; Yuting Chou, ‗The Floating Body in the Art of Fang Lijun: An Artist‘s Commnet
on the Human Condition in Post-Cultural Revolution China‘, in China Information, vol. xiii, nos.
2/3, Autumn/Winter, 1998 – 1999, pp. 85 – 114; Galligan, Gregory, ‗Fang Lijun: Arario. in Art
in America 97.4 (April 2009): 146(2)
Fang Zhaolin, neo-traditionalist painter, Wong,Wucius,‘Fang Zhaolin‘, Orientations, November 1982
Feng Zhengjie: Damiani, Bologna, 2006.; Bianpoen, Carla, ‗Feng Zengjie‘s Chinese Portraits: Kitsch or
Art?‘, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 106 – 108.
Feng Mengbo, Kent, Rachel, ‗Open Market – the art of Feng Mengbo‘, Artlink, Vol. 16, No.2&3, Winter
1996; Barmé, Geremie, ‗A Beijing screensaver‘ ART AsiaPacific, no.15, 1997; Kuroda, Raiji, The
First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999.; Eisman, April A.,
‗Playing with the Political: Feng Mengbo‘s Street Fighter IV‘, Yishu: Journal of Contemporary Chinese
Art, vol. 5, no. 1, 2006; Chang, Tsong-zung., ‗A Theater of Happiness‘, in Asain Art News, Vol. 13,
No. 4, July/August 2003, p.40-45
Feng Zikai: Hung Changtu, ‗The Wartime Political cartoons of Feng Zikai‘, Modern China, 16:1, January
1990; Barmé, G., Feng Zikai: A Biographical and Critical Study, 1898-1975, Ph.D. thesis, Australian
National University, 1989.
Fu Baoshi 1904-1965, Clarke, David, ‗Raining, Drowning and Swimming : Fu Baoshi and Water‘, Art
History, 29:1, February, 2006.
Gao Brothers, The: Karetzky, Patricia Eichenbaum, ‗The Gao Brothers: All The Wolrd‘s a Stage‘, in Yishu.
Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 61 – 66.; Kóvskaya, Maya, ‗High
Places, Simulated Speces, Brave New Worlds, and the Power of Love: Thoughts on the Gao
Brother‘s Recent Works‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp.
67 – 74.
Gao Jianfu: Wong Shiu Hon, Kao Chien-fu‘s Theory of Painting, Hong Kong, Centre of Asian Studies,
University of Hong Kong, 1972; Wang Jiaohan, Gao Jianfu hualun shuping, Xianggang daxue, 1972.
Gao Minglu: Yu, Christina, ‗Curating Chinese Art in the Twenty-First Century: An Interview with Gao
Minglu‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006.
Gao Xingjian: Dagen, Phillippe, ‗Within the Gaze‘, Asian Art News, vol. 15, no. 3, 2005.
Geng Jianyi, Hangzhou, various media: Karen Smith, Baifen zhi wushi, Shanghai, ShanghART, 1999.
Gu Dexin: Ho Yeung Chan, David, ‗Curatorial Notes: Gu Dexin‘s 2005.03.05 at the Shanghai Gallery of
Art‘, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005.
Gu Wenda, calligraphy and installations, New York: Gu Wenda, ‗Yishu Biji‘, Xinmeishu, no.20, 6.1985.
Zhongguo Meishubao, no.129, 11.1.1988; Gu Wenda, ‗Women shidai de shenqu‘,[tr.Jia Chunxian],
Xinmeishu, no.4, 1996; Jaivin, Linda, ‗Gu Wenda‘, Art & Asia Pacific, vol.1, no.2, 1994; Erickson,
Britta, ‗Gu Wenda‘s silent selves and pseudo characters‘, Art AsiaPacific, 26, 2000; Xu Gan, ‗Why
Hair?‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.10-12.; Yang,
Xianeng., ‗New and Old: Gu Wenda‘s Art and Chinese Traditions‘, in Yishu: Journal of

28
Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.13-17.;Cateforis, David., ‗Gu Wenda‘s
United Nations: A Consideration of Two Monuments‘, in Yishu: Journal of Contemporary Chinese Art,
Vol. 2 No. 4, December 2003, p.18-24.; Bessire, Mark H. C., ‗Beyond the Body‘, in Yishu: Journal
of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.25-26. ‗Gu Wenda: From Middle
Kingdom to Biological Millennium, Symposium Discussion‘, in Yishu: Journal of Contemporary
Chinese Art, Vol. 2 No. 4, December 2003, p.27-32.; Wu Hung, ‗Monumentality and Anti-
Monumentality in Gu Wenda‘s Forest of Stone Steles – A Re-translation and Re-Writing of Tang Poetry‘,
Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.; Kuo, J. C., ‗Gu Wenda‘ in Art in
America, v. 77(7), July ,1989, p. 133.; Catching, Rebecca, ‘Gu Wenda: Mutations & Permutations‘,
in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 100 - 101.; Selz, P., ‗Mice, Temples, Audience: An
Interview with Gu Wenda‘, in Arts Magazine, v. 64(1), September, 1989, pp. 36 – 40.
Gu Xiong, review, Yishu, vol.1, no.1, 2002; Liu, April, ‗Karaoke Hyperspace: Gu Xiong‘s Red River as a
Study of Place-making‘, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 6, November 2008,
pp. 78-87.
Gu Zhengguo: Taylor, Roger; Lasschuyt, Helga, ‗Fire Works‘, World Art, no.2 1995.
Guan Shanyue, deceased, neo-tradtionalist painter: Guan Shanyue+Li Xiongcai: Two Chinese Modern Masters
/ AGNSW, May 1985
Guan Wei: Eastburn, Melanie, ‗Guan Wei‘s Perilous Journeys‘, ArtAsiaPacific, no. 50, 2006; Jose,
Nicholas, ‗Fantastic Cosmographies‘, Broadsheet, vol. 35, no. 3, 2006; Kelly, Philippa., ‗Thinking
about Guan Wei‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.48-49.; Cramer, S.,
‗Guan Wei: Storyteller‘, in Guan Wei: Nesting, or the Art of Idleness‘, Sydney, Museum of
Contemporary Art, 1999, pp. 4 – 12.
Guo Hairen, neo-traditionalist painter, New York & Beijing: Lin Xiaoping, ‗Guo Hairen‘s Painting: In
search of Old Beijing‘, Orientations, no.2, 1992.
Guo Jin: ‗Guo Jin: Kiddy Scheme and the Image of Man‘ (review) ArtAsiaPacific, no. 48, 2006.
Guo Wei, Guo Jin, Sichuan, painter and sculptor: Zhong Ming, ‗Rang huihua anding jiushininadai, Guo
Wei, Guo Jin chuangzaozhong de qiji‘, Yishujie, 9/10-1998; Goodman, Jonathan, 'Guo Brothers
at Michael Goedhuis', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue
Han Lei: Huang Liaoyuan, et.al., Han Lei: Where is China Now?, Beijing, Beijing Art Now Gallery, 2006
He Chengyao: ‗Life the Cover from Your Head‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3,
September 2003, p.20-24.
He Duoling: Nakayama, K. He Duoling, Fukuoka, Fukuoka Kindai Bijutsukan, 1988.
He Huaishuo: Stanley-Baker, Joan, The Art of Ho Huai-shuo, Hong Kong, Hibiya Ltd., 1981.
He Sen: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003
He Seng: review, Asian Art News, vol. 15, no. 2, 2005.
He Yunchang: Bingyi Huang, ‗Go with the Flow: He Yunchang‘s Performance Art at Niagra Falls‘,
ArtAsiaPacific, no. 48, 2006.; Clapham, Rachel Lois, ‗Mahjong 2007 at PERFORMA07‘, in Yishu.
Journal of Contemporary Chinese Art, v. 7(3), May, 2008, pp. 86 – 89; Clapham, R. L., ‗Majong 2007 at
PERFORMA 07 Interview with He Yunchang‘, in Yishu: Journal of Contemporary Chinese Art, vol.7,
no. 3, May 2008, pp. 86-89.
Hong Hao: Li Xianting, et.al., Chinese Artists of Today: Hong Hao, Beijing, Today Art Museum, 2006; Yu,
Christina, ‗Knowledge and Illusion: On Hong Hao‘s Recent Works‘, Yishu: Journal of Contemporary
Chinese Art, vol. 5, no. 2, Jun 2006.
Hong Lei: Goodman, Jonathan, ‗Hong Lei at Chambers Fine Art‘ Yishu: Journal of Contemporary Chinese
Art, vol. 5, no. 4, Dec 2006; Gu Zhenqing, et.al., Hong Lei: Ain‘t Here, Hong Kong, Timezone 8,
2006 (Distributer).
Hou Hanru: Jim, Alice Ming Wah, ‗Interview with Hou Hanru‘, Yishu: Journal of Contemporary Chinese Art,
vol. 5, no. 1, 2006; ‗Hou Hanru and the Istanbul Biennial‘, Flash Art, vol. XXXIX, no. 250, Oct
2006.
Hu Yang: ‗Hu Yang: Shanghai Living‘ (review), ArtAsiaPacific, no. 48, 2006.

29
Hu Yongkai: Binks, Hilary, ‗Refining nostalgia‘, Asian Art News, vol.9, no.1, 1999
Hu Youben, Baoding, neo-traditionalist painter: Liu Xiaojun, Hu Youben Huaji, Nanning, Guangxi Meishu
Chubanshe, 1997.
Huang Binhong, deceased, neotradtional painter: Lai,T.C., Huang Binhong, Hong Kong, Swindon Book
Company, 1980; Shen Fu, ‗Huang Binhong‘s Shanghai Period landscape paintings and his late
floral works‘, Orientations, September 1987
Huang Hankang: review, Artforum, vol. 45, iss. 4, 2006.
Huang Liaoyuan: Zeng Fazhi, Huang Liaoyuan, Lu Hong, Beijing, Beijing Art Now Gallery, 2006
Huang Rui: Huang Rui, Ôsaka, Gallery Kaze & Chinese Modern Art Center, April 13th to 25th, 1992;
Huang Rui, Tôkyô, Gallery Ueda, March 8th to 22nd, 1991; Huang Rui, Tôkyô, Gallery Ueda:
Warehouse, December 5th to 20th, 1986; Huang Rui, Tôkyô, Monte Gallery, September, 1990;
Huang Rui in Abeno Soho, Gallery O, Ôsaka, broadsheet, November 1995.; Shu Yang, ed.,
Huang Rui, London, Chinese Contemporary, 2006; Kovskaya, M., review, ‗The Cryptographic
Imagination of Huang Rui: Chinese History in Animal Time‘, Yishu: Journal of Contemporary Chinese
Art, Vol 8, No. 3, May/June 2009.
Huang Yan: review, Art AsiaPacific 28, 2001; Jordan, Francesca and Marella, Primo, China Art Now: Out
of the Red, Milano: Marella Arte Contemporanea, 2003; Acret, Susan, ‗Huang Yan‘ in Art Asia
Pacific, Issue 37 (2003), p. 30
Huang Yongping: Sans, Jerome, ‗Marseille: Huang Yongping‘, Artforum International, Vol.34, Issue 9,
May1996; Views on Contemporary Chinese Art‘, Yishu, vol.1, no.1, 2002; review, Yishu, vol.1,
no.1, 2002; Zacharopoulos, Denys and Hou, Hanru, Huang Yongping and Jean Pierre Bertrand,
Catalogue for the French Pavilion, 4 th Venice Biennale, AFAA, 1999; Nakamura, Nobuo and
Miyake, Akiko, ed., CCA Artist‘s Book Series, Huang Yongping: Travel Guide for 2000-2046,
Kitakyushu: Center For Contemporary Art, 1999; Huang Yongping in Akiko Miyake, ed., Let‘s
Talk About Art #0002, ‗Transexperiences‘, Kitakyushu: Center For Contemporary Art, 2002; Wei,
Lilly, ‗Huang Yong Ping at Barbara Gladstone‘, Art in America, Vol. 90, Issue 5, May 2002;
Köppel-Yang, Martina, 'A Bat's Life, or Big Brother is Watching You', Yishu: Journal of Chinese
Contemporary Art, March 2003, Spring Issue; Köppel-Yang, Martina., ‗A Bat‘s Life, or Big Brother
Is Watching You: A Case Study‘, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March
2003, p.101-109.; Heartney, Eleanor, ‗House of Huang‘, Art in America, 94.3 (March 2006); Hsu,
Stephanie, ‗Huang Yongping‘s Retrospective goes on a Sordid World Tour‘, ArtAsiaPacific, no.
46, 2005; Lee, Marion S., ‗House of Oracles: A Huang Yongping Retrospective‘, Yishu: Journal of
Contemporary Chinese Art, vol. 5, no. 1, 2006; McCoy, Michelle, ‗Tracking the Bat Project‘, Yishu:
Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006; Yao, Pauline J. with Doryun Chong, Huang
Yongping and Philippe Vergne, ‗Roundtable Discussion‘, Yishu: Journal of Contemporary Chinese Art,
vol. 5, no. 1, 2006; review, Artforum, vol 44, no. 1, Sep 2005; Köppel-Yang, Martina., ‗A Bat‘s Life,
or Big Brother Is Watching You: A Case Study‘, in Yishu: Journal of Contemporary Chinese Art, Vol.2,
No.1, March 2003, p.101-109.; Jounna, E., ‗According to the ‗Potential of the Situation‘‘, in
Huang Yong Ping, van Duyn, E., ed., Amsterdam, De Appel, 1998, pp. 36 – 45.
Huang Yongyu: Maggio, Meg, ‗The House that Huang Yongyu Built, Orientations, Volume 33, Number 1,
January 2002
Huang Yuanqing: Li Xu, ‗Exquisite Graffiti‘, in Asian Art News, Vol. 13, No. 3, May/June 2003, p.50-53.
Huang Zhou, deceased,neo-traditionalist painter: Huang Zhou‘s Paintings/ Hong Kong, Wen Wei Po,
1986; Huang Zhou, Roma, Accademia Nazionale di San Luca, 1988.
Huang Zhou: Huang Zhou, Roma, Accademia Nazionale di San Luca, 1988; Huang Zhou‘s Paintings, Hong
Kong, Wen Wei Po, 1986.
Hung Liu: Hung Liu: Lament (Catalogue), Shanghai: Artscene China, 2004
Inside Out: Goodman, Jonathan, ‗From the outside in‘, Art AsiaPacific, 24, 1999; Yee, Lydia, ‗A third
space‘, Art AsiaPacific, 24, 1999; Schwabsky, Barry, ‗‖Inside Out: New Chinese Art‖, Artforum
International, Vol.37, Issue 4, December 1998
Ji Dachun: Fibicher, Bernhard et. Al., eds., Ji Dachun, Hong Kong, Timezone 8, 2006.

30
Ji Yun-Fei: Lew, Christopher Y., ‗Yun-Fei Ji: Dead and Alive‘, ArtAsiaPacific, no.51, 2007.
Jia Aili: Smith, Karen, ‚A Walk in the World of Jia Aili‗, in Yishu: Journal of Contemporary Chinese Art, Vol.
7, No.6, November 2008, p.61-77
Jiang Bolin, Hangzhou, neo-tradtionalist painter: Chen Ruilin, ‗Yibian Qiusheng‘, Guohuajia, 3, 1999.
Jiang Jie, Beijing, mixed media:Wang Nanming, ‗Dui cuiruo de zuzhou, Jiangjie de yishu biaoda‘, Yishujie,
1/2-1998.
Jiang Shuo: Findlay, Ian, ‗In The Realm Of The Past‘ in World Sculpture News, Vol. 10, No. 2 (Spring
2004), pp. 45-47.
Jiang Zhaohe: deceased, illustrator and neo-traditionalist painter Renmin Meishu Chubanshe, bian,
Liumintu, Jiang Zhaohe, Beijin, Renmin Meishu Chubanshe, 1994.
Jin Feng, Ciric, Biljana, ‗Jin Feng: Art is a Way of Life: A Case Study from 2003 to Today‘, in Yishu:
Journal of Contemporary Chinese Art, Vol.8, No.2, March/April 2009, p.97-105
Jin Wenyu, Shanghai, oil painter: Jin Wenyu, [interview, Lorenz Helbling], Shanghai, ShanghART, 1997.
Jin Weihong, Nanjing, neo-tradtionalist painter: Jin Weihong [text, Bridget Goodbody]¸Shanghai,
ShanghART, 1998.
Lai Ziren, Beijing, neo-traditionalist painter: Ku Li, ‗Zai pingjing de beihou, ping Lai Ziren de hua‘,
Yishujie, 9-10-1998.
Lei Xue: review, Artforum, vol. 44, Iss. 9, 2006.
Lesley Sanderson, Sanderson, Lesley., ‗Change and Fabrication: the Body as Site for the Feminine and
Inter-cultural‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.25-29;
Karetzky, P.E., ‗Conroy/Sanderson: Two Headss Are Better Than One‘, ‗The Modern Chinese
in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 2, March/April 2009, pp 72-85.
Li Huasheng: Silbergeld J., Gong Jisui, Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li
Huasheng, Seattle and London, University of Washington, 1993
Li Jin: Maggio, Meg, ‗A world of food and family‘, Asian Art News, vol.12, no.3, 2002
Li Keran, deceased, oil and neo-traditionalist painter: Li Keran Huayu, Shanghai, Shanghai Renmin
Meishu Chubanshe, 1997.; Wan Qingli, ‗Li Keran and his Exhibition Paintings‘, in Chinese Art
Modern Expressions, Hern, Maxwell k., and Smith, Judith G., eds., New York, 2001, pp. 183 – 209.
Li Meishu, deceased, oil painter, Li Meishu Huayu, Shanghai, Shanghai Renmin Meishu Chubanshe, 1997.
Li Qing: review, Asian Art News, vol. 16, no. 6, Nov-Dec 2006.
Li Songsong: Hsu, Stephanie ‗Projects in the making: Li Songsong – Not Your Father‘s Historical
Painting‘, ArtAsiaPacific, no. 48, 2006; review, Artforum, vol 43, iss. 8, April 2005.
Li Tiefu, deceased oil painter: Chi Ge, ‗Woguo youhua yishu de xianqu - Li Tiefu‘, Meishu, no.3, 1979.
Li Wei: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003.; Chiu, Caroline, ‗Li Wei: A pause for Humanity‘ (exhibition review),
ArtAsiaPacific, no. 50, 2006; Li Wei, Li Wei, Damiani, Bologna, 2006; Zhang Zhaohui,
‗Transcendental Experiences‘, Asian Art News, vol. 15, no. 6, 2005.
Li Xianting: Chiu, M., ‗Contemporary Art in China: An Interview with Li Xianting and Liao Weng‘, in
TAASA Review, v. 7 (3), September,1998, pp. 14 – 15. ; ‗Nonexistent Reality: A Discussion
Between Li Xianting and Ye Yongqing‘, in Yishu Journal of Contemporary Chinese Art, Vol. 7, No. 3,
May 2008, pp. 52-61.
Li Xiaoxuan Tianjin, neo-traditionalist painter: Lang Shaojun, Cong Xieshi dao Huangdan, Changsha,
Hunan Meishu Chubanshe, 1997; Li Xiaoxuan, Zhongguo dangdai minghuajia shougao: Li Xiaoxuan,
Changsha, Hubei Meishu Chubanshe, 1998.
Li Xinping: Thomson, Jonathan, ‗A Synthesis of Style And Content‘, in Asian Art News, v. 17(4),
July/August, 2007, pp. 52 – 59.
Li Xiongcai, deceased, neo-tradtionalist painter: Guan Shanyue+Li Xiongcai: Two Chinese Modern Masters,
Sydney, Art Gallery of New South Wales, May 1985
Li Yifan : Bao Dong, ‗Li Yifan: From Social Archives to Social Project‘ in Yishu: Journal of Contemporary
Chinese Art, Vol.8, No.1, January/February 2009, p.78-83

31
Li Zhanyang: Gao Minglu, et. Al., eds, Li Zhanyang: Scenes, Hong Kong, Timezone 8 and Galerie Urs
Meile, 2006; review, Asian Art News, vol. 15, no. 6, 2005.
Liang Shaoji: Brouwer, Marianne, ‗Cloud (on Lian Shaoji‘s work)‘, in Yishu. Journal of Contemporary Chinese
Art, v. 6(3), September, 2007, pp. 75 – 79.
Liao Bingxiong: Lengyel, Alfonz, ‗Liao Bingxiong (1915 – 2006)‘, in International Journal of Comic Art, vol.
9, no. 1, Spring, 2007, pp. 640 – 643.; Fang Cheng, ‗Long Live, Brother Bing!‘, in International
Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 644 – 646.; Liao Bingxiong, ‗Speaking Out on
Going to Make a Will‘, trans. by Xu Ying, in International Journal of Comic Art, vol. 9, no. 1, Spring,
2007, pp. 647 – 649.; Lent, John A. and Xu Yang, ‗Liao Bingxiong: ―A Chinese Style Man with
Universal Values‖‘ , in International Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 650 – 667.
Liao Weng: Chiu, M., ‗Contemporary Art in China: An Interview with Li Xianting and Liao Weng‘, in
TAASA Review, v. 7 (3), September,1998, pp. 14 – 15.
Lin Chunhua: ‗Chairman Mao Goes to Anyuan: A Conversation with the Artist Liu Chunhua‘ in Chiu,
Melissa and Zheng Shentian, Art and China‘s Revolution, Asia Society, New York in association
with Yale University Press, New Haven and London, 2008: 119-132.
Lin Fengmian, deceased, oil painter; Lin Fengmian huayu, Shanghai, Shanghai Renmin Meishu Chubanshe,
1997.; Sandy Ng, ‗Modernism and Hybridity in the Works of Lin Fengmian (1900 – 1991)‘, in
Yishu. Journal of Contemporary Chinese Art, v. 7(1), January, 2008, pp. 25 – 30. ; Clarke, David, ‗‗Lin
Fengmian and European Art‘ The Art of Lin Fengmian, Hong Kong, Arts Centre, 1992; Lin
Fengmian/Clarke, David, ‗Exile from Tradition: Chinese and Western Traits in the art of Lin
Fengmian‘, Oriental Art XXXIX, no.4, Winter 1993-4; Xi Dejin, Lin Fengmian Huaji, Xiongshi
Tushi, Taibei, 1979.
Lin Tianmiao: Cohn, Don L., ‗Lin Tianmiao: All Sewn Up‘, ArtAsiaPacific, no. 51, 2007; Phillips,
Christopher, 'Lin Tianmiao at Courtyard', Art in America, Vol. 90, Issue 12, December 2002; Lu
Jie, ‗All Good Things Are Frail‖, conversation with Lin Tianmiao, in Yishu Journal of Contemporary
Chinese Art, Vol. 7 No. 6, November 2008, pp. 8-20.
Ling Bingchuan, Barcelona, mixed media; Ling Bingchuan, ‗Chuangzuo Zhaji‘, Yishujie, 9/10-1998.
Liu Dahong: Liu Dahong Paintings 1886-1992, Hong Kong, Schoeni Art Gallery, 1993.; ‗Liu Dahong: Red
Calender 24 Solar Terms‘, ArtAsiaPacific, no. 48, 2006; review, Asian Art News, vol. 16, no. 1,
2006.
Liu Dan: Mowry, Robert D., ‗A Compelling Art‘, Asian Art News, vol. 15, no. 5, 2005; review, Asian Art
News, vol. 15, no. 3, 2005.
Liu Ding: Spalding, David, ‗Eager Paintings, Empathetic Products: Liu Ding‘s Critical Complicity‘,
Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Lu, Carol, ‗Liu Ding – Long
March Space‘ (review), Flash Art, vol. XXXVIII, no. 244, October, 2005.
Liu Hongwei: Binks, Hilary, ‗A solitary world of dreams‘, Asian Art News, vol.10, no.3, 2000
Liu Jianhua: Borysevicz, Mathieu, ‗Export – Cargo Transit‘, in Yishu. Journal of Contemporary Chinese Art, v.
6(4), December, 2007, pp. 84 – 89.; Chan Ho Yeung David, ‗About Export-Cargo Transit: An
Interview with Lui Jianhua‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(4), December, 2007,
pp. 90 – 92.
Liu Jianping Shanghai, sculptor: Tian Shaokai, ‗Zai houxiandai hundunzhong suzao shenghun‘, Yishujie,
11/12-1998.
Liu Jin: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003.; Zhu Qi, et. al., Liu Jin, Hong Kong: Timezone 8, 2006.
Liu Qinghe: Combs, Nicky, ‗Blending Tradition and Contemporary‘, Asian Art News 8:4 1998
Liu Wei: Healy, Anthony, ‗Looking for trouble: Liu Wei‘, World Art, no.4, 1995.
Liu Xiaodong: Erickson, Britta and Ai Weiwei, eds., The Richness of Life: Personal Photographs of Contemporary
Chinese Artist Liu Xiaodong, Hong Kong, Timezone 8, 2007 (Forthcoming); Ai Weiwei, Pi Li,
et.al., Liu Xiaodong: Painting From Life, Beijing, Lingnan Fine Art Press, 2006; Decrop, Jean Marc
ed., Liu Xiaodong, Map Book Publishers – Red Flag Collection, 2005; Jose, Nicholas, ‗At home‘,
Art AsiaPacific, 30, 2001.; Merewether, C., Snapshots of an Epoch: Liu Xiadong Photographs 1994-

32
2004, Beijing: Timezone8 Books, 2007; Botz-Bornstein, Thorsten, ‗New Pictures of the ―Ugly
Chinaman:‖ The Art of Liu Xiaodong‘, in Yishu. Journal of Contemporary Chinese Art, v. 7(2),
March, 2008, pp. 18 – 24; Liu Xiaodong: review, Asian Art News, vol. 15, no. 4, 2005.
Merewether, C. ‗A Double Displacement: Liu Xiaodong‘. In Liu Xiaodong, Editor Jean Marc
Decrop, Hong Kong: MAP Book Publishers, 2006: 90-122
Liu Zheng: Wu Hong, ‗Photographing deformity: Liu Zheng and his photo series ― My Countrymen‖‘,
Public Culture, 13.3, Fall 2001.; review, Artforum, vol. 44, Iss. 2, 2005; Phillips, Christopher, et.al.,
Liu Zheng: The Chinese, Göttingen, Steidl, 2004; Liu Zheng, Maggio, Meg, ‗A contrary vision‘ Asian
Art News, vol.12, no.4, 2002
Long March Foundation: ‗Long March: A Walking Visual Display On-site Criticism Meeting‘, Lu Jie and
Philip Tinari (trans.), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003,
p.73-104.
Long March Project: Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 3, Sep 2006, special issue on
Yan‘an Forum on Art Education/ Long March Project, Yan‘an; Lu Jie. ‗Qin Ga: miniature long
march‘ [online] Artlink, v.25, no.3, 2005.
Lu Hao: Goodman, Jonathan, ‗Lu Hao at Goedhuis Contemporary‘ (review), Yishu: Journal of
Contemporary Chinese Art, vol. 5, no. 1, 2006; Huang Liaoyuan, Li Xianting, et.al., After ‘95: Lu
Hao‘s Works, Beijing, Beijing Art Now Gallery.
Lü Shengzhong , Beijing, installation artist and painter: ‗Quwei sunzhi – ―weiminjian‖ zibai‘, Meishu, 1-
1990; Zhongguo meishubao, no.173, 14.11.1986.; Tancock, John, Wu Hung, Fan Di‘an, The New
Emerging from the Old, Lu Shengzhong: Works, 1980-2005, New York, Chambers Fine Art, 2006;
review, Art in America, vol. 93, iss. 6, Jun-Jul, 2005.
Lu Yanshao, Hangzhou, neo-traditionalist painter: Chen Zhenlian, ‗Lu Yanshao Yishulun‘, Xinmeishu,
no.3, 1989.
Lu Ye, Beijing, Acrylic and oil painter: Lin Xiaoping, ‗Fanatasy, Dream, and Play in Liu Ye‘s Art‘ in Lu
Ye, Mingjidi Gallery, 1997
Luo Fanhui: Li, Xu, ‗At The Heart Of The Rose‘, On Luo Fahui, Asian Art News, vol. 12, no. 6,
November/December, 2002
Luo Zhongli: ‗A Pictorial Record of the Cultural Revolution: Luo Zhongli‘s Early Works‘ Kuiyi Shen,
‗Propaganda Posters and Art during the Cultural Revolution‘ in Chiu, Melissa and Zheng
Shentian, Art and China‘s Revolution, Asia Society, New York in association with Yale University
Press, New Haven and London, 2008: 165-186.bo yi
Ma Desheng, Paris, ink painterand computer art: The Paintings of Ma Desheng, London, goedhuis
contemporary, 1999.; Ma Dasheng: University Museum and Art Gallery, University of Hong
Kong, Ma Dasheng: Faceted Symphonies, Hong Kong, 2006.
Ma Liuming, Beijing, Performance artist: Ivanova, Maranatha, ‗Ambiguity, Absurdity, and Self-Creation
in the Art of Ma Liuming‘, Positions, vol.7, no.1, 1999; Qian Zhijian, ‗Performing Bodies: Zhang
Huan, Ma Liuming, and Performance Art in China‘, Art Journal, vol.58, no.2, Summer 1999;
Wang Val, 'Ma Liuming', Chinese Type Contemporary Art Magazine, Vol. 2, Issue 6, December 1999,
published Online at: http://www.chinese-art.com; Jordan, Francesca and Marella, Primo, China
Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003.; review, Asian Art News, vol.
15, no. 2, 2005.
Mamat, Aniwar: review, Art AsiaPacific 29, 2001
Mao Xuhui: Wu Wenguang, Mao Xuhui, ‗Yishujia xuanchang: Mao Xuhui‘, Jinri Xianfeng, 6, 1999 ;
Findlay, Ian, ‗The power of commonplace‘, Asian Art News, vol.9, no.4, 1999; Findlay, Ian, ‗The
Power of the Commonplace‘, Asian Art News, 9:4 1999
Mayling To, To, Mayling., ‗The Stranger: An Artist‘s Statement‘ in Yishu: Journal of Contemporary Chinese
Art, Vol. 2 No. 3, September 2003, p.30-31.
Miao Xiaochun: ‗Miao Xiaochun: Phantasmagoria‘ (review), ArtAsiaPacific, no. 45, 2005; Thompson,
Jonathan, ‗Silent Witness‘, Asian Art News, vol. 16, no. 5, September/October 2006; Wu Hung,
‗Phantasmagoria: Recent Photographs by Miao Xiaochun‘, Yishu: Journal of Contemporary Chinese

33
Art, vol. 4, no. 3, Sep. 2005; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art,
Tokyo: The Japan Foundation Asia Center, 2002.
Ming Wong: ‗Vain Efforts‘, Ming Wong in conversation with Sally Lai, in Yishu: Journal of Contemporary
Chinese Art, Vol.7, No.6, November 2008, p.21-26
Mo Yi [Ye] Xiamen, oil painter: Zhou Shaobin, ‗ Shinxieshi youhua de gouyi yu tushi: Mou Yi youhua
piping‘, Yishujie, 9-10-1998.; Wu Hung, ‗Mo Yi: An Ethnographer in Contemporary Chinese Art‘,
in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 48 – 53.
Mu Xin, Sensabaugh, David E., ‗Mu Xin: A Wanderer With Roots‘, Orientations, Volume 32, Number 8,
October 2001; Goodman, Jonathan, ‗The Art of MuXin‘, ART AsiaPacific, Issue 36 (2002);
Goodman, Jonathan, ‗Mu Xin at Yale University Art Gallery‘, Art in America, Vol. 90, Issue 9,
September 2002
Nan Qi: [Ink Painter], Findlay, Ian, ‗Embracing Tradition In The Digitalo Age‘, , in Asian Art News, v. 18(4),
July/August, 2008, pp. 86-91.
Ni Haifeng, Amsterdam, photography, installations; Ni Haifeng, Amsterdam, The artist, 1996.; Brouwer,
Marianne, et.al., Ni Haifeng, Amsterdam, Artimo, 2003.; Ni, H. and Arkesteijn, R. eds., Ni Haifeng:
No-Man‘s-Land. The Hague: GEM, Museum of Contemporary Art, 2003.
Ni Yide, deceased, oil painter and art theorist: Song Zhongyuan, ed., Niyide Huaji, Hangzhou, Zhejiang
Meishu Xueyuan Chubanshe, 1991; Lin Wenxia, ed., Ni Yide meishulunji, Hangzhou, Zhejiang
Meishu Xueyuan Chubanshe,1993.
Niu An: Thompson, Jonathan, ‗The Tragedy of the Figure‘, Asian Art News, vol. 15, no. 6, 2005.
Pan Yu Liang: The Exhibition of Pan Yu Liang [Exhibition Catalogue], Taiwsan: National Museum of
History and National Taiwan Museum of Fine Arts, 2006.
Pan Tianshou, 1897-1971, neo-traditionalist painter: Xu Hong, Pan Tianshou zhuan [d. 1971], Hangzhou,
Zhongguo Meishu Xueyuan Chubanshe, 1997; Roberts, Claire, ‗The art of Pan Tianshou‘, in Cao
Yiqiang, Fan Jingzhong, eds, Chinese Painting in the Twentieth Century: Creativity in the Aftermath of
Tradition, Zhejiang Renmin Meishu Chubanshe, 1997; Roberts, Claire, ‗Tradition and Modernity:
the Life and Art of Pan Tianshou (1897-1971), East Asian History, 15/16, June/December 1998;
Pan Gongkai, ‗Noble Winds and Strong Bones Meet Their Spirit: The Art of Pan Tianshou‘ in
Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution, Asia Society, New York in
association with Yale University Press, New Haven and London, 2008: 75-84.
Pang Maokun, Sichuan AFA, oil painter: Wang Lin, ‗Huhan chensui zi hun, Pang Maokun de yishu
jingli‘, Yishujie, 11/12-1998
Pi Li: Thea, Carolee, ‗Pi Li: Going Public‘, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, pp. 66 – 67.
Post-material: Combs, Nicky, ‗Post-material‘, Art AsiaPacific, 31, 2001
Public Art: Wang, Val, ‗Do you mind my art?‘, Art AsiaPacific 28, 2001
Qi Baishi, deceased, printer and neo-tradtionalist painter: Boney, A., ‗Of Qi Baishi‘; Huang Miaozi,
‗From carpenter to painter:recalling Qi Baishi‘, both in Orientations, vol.20., no.4, April 1989; Jung
Tsing Tsao, The Paintings of Xu Gu and Qi Baishi, 1993.
Qi Zhilong: review, Asian Art News, vol. 15, no. 3, 2005.
Qin Fengling: Huang Du, et.al., eds., Qin Fengling, Hong Kong, Timezone 8, 2006 (Distributor)
Qin Ga: Lu Jie, ‗Qin Ga: miniature long march‘ [online] Artlink, v.25, no.3, 2005.
Qin Yufen: Bingyi Huang, ‗One Person‘s Classics of Mountain and Sea: On Qin Yufen and her
Installation Art‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006.
Qiu Deshu: Maggio, Meg, ‗A fissured world‘, Asian Art News, vol.11, no.6, 2001.
Qiu Ping: Lawn, Andrzej, ‗Qiu Ping: Beyond the Hand‘, Yishu: Journal of Contemporary Chinese Art, vol. 5,
no. 1, 2006.
Qiu Shihua: Millichap, John, ‗Seeing through the landscape‘, Asian Art News, vol.6, no.1, Jan/Feb 1996;
Reust, Hans Rudolf, ‗Qiu Shi Hua‘, Artforum International, Vol.38, Issue 5, January 2000.; review,
Art in America, vol. 93, iss. 10, Nov 2005.
Qiu Zhijie: Mao, Christoph, et.al., The Shape of Time: Light Calli-photography by Qiu Zhijie, New York,
Chambers Fine Art Gallery, 2006; Tetmajer von Przerwa, Xenia, ‗Qiu Zhijie at CourtYard

34
Gallery‘ in Asian Art News, Vol. 14, Number 5 (September/October 2004), p. 85; Napack,
Jonathan, ‗Qiu Zhijie‘ in Art Asia Pacific, Issue 37 (2003), p. 50; „
Qu Lei Lei: ‗Qu Lei Lei: Everyone‘s Life is an Epic‘ (review), ArtAsiaPacific, no. 46, 2005.
Qui Anxiong: Holmes, Rosalind, ‗Animated Realities: the Art of Qui Anxiong‘, in Yishu. Journal of
Contemporary Chinese Art, v. 7(1), January, 2008, pp. 96 – 99.
Qui Zhijie: Qui Zhijie, ‗The Emperor Decomposed Long Ago, Only the Scent of the Nanmu Tree
Remains‘, trans. Allhusen, Lauren, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), January,
2008, pp. 10 – 17.
Ren Bonian, 1840-1896, precursor neo-traditionalist painter: Gong Chanxing, ed., Ren Bonian Yanjiu,
Tianjin, Renmin Meishu Chubanshe, 1982; Li Yu, Ren Bonian, Taibei, Xiongshi Tushu, 1977; Shen
Zhiyu, ‗Guanyu Boniande xin shiliao‘ in Gong Chanxing,bianzhu, Ren Bonian Yanjiu, Tianjin:
Renmin Meishu Chubanshe, 1982
Rong Rong: Wu Hung, Rong Rong‘s East Village, 1993-1998, New York and Chicago, Chambers Fine Art
and Chicago University Press, 2003.
Rong Rong & Inri: ‗Rong Rong and Inri‘ (review) ArtAsiaPacific, no. 47, 2006; Wu Hung, ed., Rong Rong
& Inri: Transfiguration/Tui, Hong Kong: Timezone 8, 2005
Ru Shaofan, drawing: Hou Hanru, ‗Wuyi zhuomo de kuaile jingjie‘, Jiangsu Huakan, 1-1999.
Sanyu 1901-1966, Wong, Rita, Sanyu [Chang Yu] Catalogue Raisonnée, Taipei, Lin & Keng Gallery 2001 ;
Wong, Rita, Sanyu: l‘écriture du corps, Paris Musée Guimet, 2004 [essays by Andrews, Hay,
Koutozis, Krebs &Wong].
Shan Shang Sheng: Reddick, Brandi, ‗Interview with Shan Shan Sheng‘, in Yishu. Journal of Contemporary
Chinese Art, v. 6(4), December, 2007, pp. 101 – 108.
Shao Yinong & Muchen: Shao Yinong & Muchen, Hong Kong, Timezone 8, 2006 (Distributor); Little, Carl,
‗Shao Yinong and Muchen at Goedhuis Contemporary‘ (Review) in Art in America (June/July
2004), p. 172
Shen Chen: review, Art in America, 94:10 (November 2006).
Shen Fan, Shanghai, abstract oils on paper: Wu Liang, ‗The World of Shen Fan‘, Dieter Ronte, ‗Shen
fan‘ in a trilingual catalogue, Shanghai, 1996.
Shen Hua: Thompson, Jonathan, ‗The Individual Spirit‘, Asian Art News, vol. 16, no. 2, 2006.
Shen Shaomin: Thompson, Jonathan, ‗An Uncommon Evolution‘, World Sculpture News, vol. 12, no. 2,
2006.
Shen Yuan, Paris, installation: Tawadros, Gilane et al, Shen Yuan, London & Bristol, Institute of
International Visual Arts, Arnolfini, Chisenhale Gallery, 2001; Carver, Antonia, ‗Shen Yuan: Just
like a fish in water‘, ART AsiaPacific, Issue 35 (2002).; Borne, Cécile, ‗A Conversation with Shen
Yuan‘, trans. by Wanja Laiboni, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007,
pp. 45 – 49.
Shi Chong, Wu, Hung, ‗Shi Chong‘ in Art Asia Pacific, Issue 37 (2003), p. 91
Shi Hu: Findlay, Ian, ‗From the heart of the tiger‘, Asian Art News, vol.10, no.5, 2000.
Shi Jindian: Thomson, Jonathan, ‗Spirit Of The Past – Promise Of The Future‘, in World Sculpture News,
vol 14, no 3, Summer 2008, pp.30-33
Shi Jinsong: Tancock, John, ‗Shi Jinsong: Na Zha Baby Boutique‘, Yishu: Journal of Contemporary Chinese
Art, vol. 5, no. 2, Jun 2006; review, Art in America, 94:10 (November 2006).
Shi Lei, Guangzhou, oil painter: Yang Guoqin, ‗Shi Lei: cong ziran, shehui dao renti de tantao‘, Yishujie,
11/12-1998.
Shi Xining: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003.
Shu Mei: Binks, Hilary, ‗In search of an idyll‘, Asian Art News, vol.11, no.3, 2001.
Song Tao: Ciric, Biljana, ‗Us and Our Shanghai: A Dialogue Between Biljana Ciric and Song Tao, Yishu:
Journal of Contemporary Chinese Art, Vol. 7 No. 5, September 2008, p.20-29
Su Xinping: Scarff, Julian, ‗Down to the sea‘, Asian Art News, vol.9, no.1, 1999; Shao Yiyang, ‗Out of
the Grasslands‘ Art & Asia Pacific, vol.3, no.2, 1996.

35
Sun Liang, Wu, Lintian., ‗Travels in the Mind‘, in Asian Art News, Vol. 13, No. 6, November/December
2003, p.72-77.
Song Dong: Huangfu Binghui, ‗Interview with Song Dong‘, Yishu, vol.1, no.1, 2002; Wu Hung, Hou
Hanru, Li Xianting, Leng Lin, Julia Walsh, et al., Song Dong and Yin Xiuzhen, New York: Chambers
Fine Art, 2002; Goodman, Jonathan, 'Chopsticks: Song Dong and Yin Xiuzhen at Chambers
Fine Art', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue.; Thomas, Taliesin,
‗Song Dong‘s Creative Time Video‘, ArtAsiaPacific, no. 48, 2006; ‗Song Dong Beijing Tokyo Art
Projects‘ (review), Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006.
Song Kun: review, Artforum, vol. 45, iss. 5, 2007; interview, ‗Seeking the Master But Not Meeting:
Danielle Shang in Conversation with Song Kun‘, Yishu: Journal of Contemporary Chinese Art, Vol 8,
No. 3, May/June 2009.
Song Yonghong: Lü Peng, et.al., Song Yonghong, Beijing, Beijing Art Now Gallery, 2006
Su Xingping: Zhang Zhaohui, ‗A Human Narrative‘, Asian Art News, vol. 16, no. 6, Nov-Dec 2006;
review, Asian Art News, vol. 15, no. 4, 2005; Findlay, Ian, ‗A Singular View‘ in Asian Art News,
Vol. 14, Number 5 (September/October 2004), pp. 76-80; review, Asian Art News, vol.11, no.1,
2001.; Goodman, Jonathan, ‗Su Xinping: Allegories of Loss‘, in Yishu. Journal of Contemporary
Chinese Art, v. 7(2), March, 2008, pp. 10 – 17.
Sui Jianguo, Beijing, CAFA, sculptor: Ma Qinzhong, ‗Kaituo zhungguo dangdai diaosu de bunhua yujing,
guanyu Sui Jianguo zuopin de fenxibaogao‘, Yishujie, 7-1997; Sui Jianguo, ‗Indu dangdai yishu
zhong de ―Xianshizhuyizhe‖ ‗, Dongfang, no.3, 1995; Sui Jianguo, ‗Fuzhuang de fuhao yu fuhao de
fuzhuang‘, Meishubao [Hangzhou], 8-3-1999; Dewar, Susan, ‗Sui Jianguo and the sculptural
dilemma‘, Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995.; Chang Tsong-zung, ‗A Secret Antmodernist:
Sui Jianguo and His Retirement Project‘, in Yishu. Journal of Contemporary Chinese Art, v.
7(3), May, 2008, pp. 10 – 21; Chang Tsong-zaung, ‗A Secret Anti-modernist: Sui Jianguo and His
Retirement Project‘, in Yishu Journal of Contemporary Chinese Art, Vol. 7, No.3, May 2008, pp. 10-21.
Sun Guojuan: [Kunming artist], ‗Naked Truths‘, in Asian Art News, v. 18(5), Sept/Oct, 2008, p. 84.
Sun Jianping, Tianjin, oil painter: Sun Jianping Youhua Zuopinxuan, Tianjin, Tianjin Renmin Meishu
Chubanshe, 1995.
Sze Tsung Leong: review, Artforum, vol. 45, Iss. 1, 2006.
Tan Bo: Brown, Glen R., ‗Modern Vanitas‘ Asian Art News, vol.7, no.4, July/August 1997.
Tang Maohong: Ciric, Biljana, ‗I‘m a Lazy Person: Interview with Tang Maohong‘, Yishu: Journal of
Contemporary Chinese Art, vol. 5, no. 2, Jun 2006.
Tang Zhigang, Kunming / PLA, oil painter: Xie Junqin, ‗Tang Zhigang: Yansu de youmo‘, Yishujie, 9-10-
1998; Han, Stephenie, ‗Tang Zhigang at Hanart TZ Gallery‘, Asian Art News, vol. 12, no. 4,
July/August, 2002
Tian Liming Beijing CAFA, neo-traditionalist painter: Tian Liming, Tian Liming Kegao, Wuhan, Hubei
Meishu Chubansha, 1998; Yin Jinan, preface, Tian Liming Huaji, Nanning, Guangxi Meishu
Chubanshe, 1991.
Tian Yibin: Cohn, Don L., ‗Tian Yibin: In a Sea of Revolutionary Pixels‘, ArtAsiaPacific, no. 50, 2006.
Tseng Yuho/Ceng Yuhe: review, Asian Art News, vol.10, no.4, 2000
Wang Du, Paris, installation: Wang Du Magazine: je veux être un média, no.1, été, 2001, Paris, Design Metal.;
Huang Liaoyuan, et.al., Wang Du, Beijing, Beijing Art Now Gallery, 2006; Gill, Rajdeep Singh,
‗Media Ecologies and Landscapes: An Interview with Wang Du‘, Yishu: Journal of Contemporary
Chinese Art, vol. 4, no. 3, Sep. 2005; review, Artforum, vol. 44, Iss. 3, 2005. ; Sans, Jérôme, ‗Ready
to Launch. Wang Du‘, in ArtAsiaPacific, No. 55, September/October, 2007, pp. 144 - 149.
Wang Fuyang: Zheng Huagai, ‗He Was Such a Kind Person – Eulogistic Comments on Chinese
Cartoonist Wang Fuyang, 1935 – 2003‘, trans by Xu Ying, in International Journal of Comic Art, vol.
10, no. 1, Spring, 2003, pp. 543 – 552.; Lent, John and Xu Ying, ‗Editors Remembrances of
Wang Fuyang‘, in International Journal of Comic Art, vol. 10, no. 1, Spring, 2003, p 553.
Wang Gongxin: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002; Pijnappel, Johan, ‗Intuitive Reflections‘, Asian Art News, Vol. 13,

36
Number 2, March/April 2003; Pijnappel, Johan., ‗Intuitive Reflections‘, in Asian Art News, Vol.
14, No. 1, January/February 2004, p.74-77; Ambrozy, Lee, ‗Wang Gongxin‘, in Artforum. Vol. 47,
Iss. 9, May 2009, p. 258.
Wang Guangyi, oil painter: Zhongguo Meishubao, no.39, of 28.9.1987, review Art AsiaPacific, 33, 2002;
Merewether, Charles, Smith, Karen, and Yan Shanchen, ed. Wang Guangyi, Hong Kong:
Timezone 8, 2002 ; Smith, Karen, 'From Mao to Now', Huang Zhuan and Pi Li ed., Image is
Power, Hunan: Hunan Fine Arts Publishing House, 2002; Merewether, C., ‗On the Socialist Visual
Experience: Interview with Wang Guangyi‘ in Wang Guangyi, Beijing: Timezone8 Books, 2002;
Huang Zhuan, ‗Visual Political Science: Another Wang Guangyi‘, in Yishu Journal of Contemporary
Chinese Art, Vol 8, Number 2, March/April 2009, pp. 6-24.
Wang Huaiqing: Zhang Zhaohui, ‗In Search of the Unknown‘, Asian Art News, vol. 15, no. 5, 2005.; Jia
Fangzhou, ‗A World of Contrasts – on Wang Hauiqing‘s Modern Structure‘, in Yishu. Journal of
Contemporary Chinese Art, v. 7(1), January, 2008, pp. 31 – 34.; Sullivan, Michael, ‗Some Thoughts
About Wang Huaiqing‘, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), Jan, 2008, pp. 35 – 37.
Wang Jiaxun, Jiangsu, painter, neo-tradtionalist painter: Chen Yanyi, ‗Xianhua Wang Jiaxun de gusi
cihua‘, Yishujie, 9/10-1998.
Wang Jianwei: ‗Views on Contemporary Chinese Art‘, Yishu, vol.1, no.1, 2002.; Huangfu Binghui., ‗Wang
Jianwei‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.58-62; Rehberg, Vivian., ‗Three
Men and A Camera: Chang Yung Ho, Wang Jianwei, and Yang Fudong‘, in Yishu: Journal of
Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.62-63.; David Ho Yeung Chan,
‗Starting from Zero: Wang Jainwei‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March,
2007, pp. 34 – 38.
Wang Jiqian, New York, neo-traditionalist painter: Chang, A., ‗The Landscape painting of Wang Jiqian‘,
Orientations, Janaury 1983.
Wang Jin: Wu Hong, ‗A Chinese dream by wang Jin‘, Public Culture, 12.1, Winter 2000.
Wang Jin, Feng Jiali: Dewar, Susan, ‗In the eye of the beholder‘ ART AsiaPacific, no.15, 1997
Wang Keping, Paris, sculptor: Wang Keping, London, de Tilly-Blaru, 2001; Les Voies de la sculpture, Wang
Keping, Paris, Jacques Barrère, 1999; Works by Wang Keping, Hong Kong, Hong Kong University of
Science and Technology Center for the Arts, 1997.
Wang Lang and Liu Xin Hua: Borysevicz, Mathieu, ‗Wang Lang and Liu Xin Hua: Mission
Accomplished‘, in Yishu. Journal of Contemporary Chinese Art, v. 7(2), March, 2008, pp. 57 – 63.
Wang Mai: Tung, David, ‗Situating the Inaugural Beijing Dashanzi Art Festival: The Gateway of Infinite
Wonders in Wang Mai‘s Work‘ (Review) in Yishu: Journal of Contemporary Chinese Art, June 2004,
pp. 104-106
Wang Peng: Carol Lu, et.al., Wang Peng, Beijing, 2006; review, Asian Art News, vol. 15, no. 6, 2005;.
Erikson, Britta, ‗A Spontaneous Release: Wang Peng Talks about His ‘84 Performance‘, in Yishu.
Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 80 – 87.Beijing, Photographer:
Wang Qinsong, ‗Wang Qinsong de sheying shijiao‘, Yishujie, 9/10-1998; Jordan, Francesca and Marella,
Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003. ; ‗Wang
Qingsong, Salon 94, New York‘ (review), Parachute, 117, 2005; Butt, Zoe and Albion Gallery,
London, Wang Qingsong, Hatje Cantz, bilingual edition, 2006; Sanguine Splendour [Exhibition
Catalogue], Beijing: Chinablue Gallery, 2007; ‗Big China, Strong China: Alice Schmatzberger in
Conversation with Wang Qingsong‘, Yishu: Journal of Contemporary Chinese Art, Vol 8, No. 3, May/June
2009.
Wang Tiande: review, Art in America, vol. 93, iss. 4, Apr 2005.
Wang Tianliang, Fuzhou, Head Arts and Crafts Academy: Huan Gen, ‗Wang Tianliang, gulao gongyi de
shenmei zhuanhuan‘, Yishujie, 11/12-1998
Wang Wei, Tinari, Philip., ‗If It Isn‘t Built, It Can‘t Be Torn Down: Notes on Wang Wei‘s Temporary
Space‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.72-73.
Wang Xingwei: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003

37
Wang Yin: Xie Wenxue, et.al., Wang Yin, Hong Kong, Timezone 8, 2006 (Distributor).
Wang Youshen: Chiu, Melissa, ‗Everyday Sightings: An Interview with Wang Youshen‘, Art & Asia
Pacific, vol.3, no.2; Wu, Hung, ‗Wang Youshen‘ in Art Asia Pacific, Issue 37 (2003), p. 93
Wei Dong: ‗Players in the Landscape‘, Asian Art News, vol. 8, no.2, March/April 1998.
Wei-Li Yeh: Low, Joni, ‗Buried Treasures: An Afternoon with Wei-Li Yeh at the Cité Internationale des
Art, Paris‘, in Yishu. Journal of Contemporary Chinese Art, v. 7(2), March, 2008, pp. 64 – 76.
Wei Qingji: Fan Di‘an, et.al, Wei Qingji, Hong Kong, Timezone 8, 2006 (Distributor)
Wen Lipeng, deceased, oil painter: Wen Lipeng, ‗Wogu Zhixin: Xinzhongguo Youhua Sanshiwunian
duan xiang‘, Meishu, April, 1984.
Weng Fen: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003
Wong, Wuxie/Wucius: Binks, Hilary, ‗A voyage between cultures‘, Asian Art News, vol.9, no.3, 1999.
Wu Gaozhong: Koskaya, Maya, ‗Wu Gaozhong: Sites of Intimate Remembrance tha Get Under the Skin‘
in Yishu: Journal of Contemporary Chinese Art, vol. 8, no. 2, 2009.
Wu Guanzhong: Lim Lucy, ed., Wu Guanzhong, a contemporary Chinese artist., San Francisco: Chinese
Culture Foundation of San Francisco, 1989; Farrer, Anne, Wu Guanzhong, A twentieth century
Chinese painter, London: British Museum, 1992; Wu Guanzhong, Ballingal, Sonja., ‗A Master of
Emotions‘, in Asian Art News, Vol. 13, No. 6, November/December 2003, p.56-63.
Wu Shanzhuan, Hamburg, installation artist: Zhongguo meishubao no.115, of 5.10.1987, Meishu 8.1986.
Wu Weihe, Weihe, Wu., ‗Casting the Mold of Female Body and Identity: Reinterpreting Guang Lienü
Zhuan (Biographies of Exemplary Women)…‘, Sasha S. Welland (tran.), in Yishu: Journal of
Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.15-19.
Wu Zuoren, deceased,oil painter and neo-tradtionalist painter: Gigliesi, P., ‗Wu Zuoren‘, Orientations,
vol.12, no.4, April 1981; Wu Zuoren, Wu Zuoren huaji, Renmin meishu chubanshe, Peking, 1962.
Xiao Guofu: Findlay, Ian ‗Flirting with strangers‘, Asian Art News, vol.10, no.4, 2000.
Xiao Lu: ‗Xiao Lu: The Confluence of Life and Art‘, in Yishu Journal of Contemporary Chinese Art, Vol 8,
Number 2, March/April 2009, pp. 25-32.
Xie Nanxing: Colonello, Nataline, et.al., Xie Nanxing: Paintings, 1992-2004, Beijing, China Art Archives
and Warehouse, 2006
Xin Haizhou: Liao Wen, et.al., Xin Haizhou, Beijing, Beijing Art Now Gallery, 2006
Xing Danwen: Gu Zhen, ‗Projecting the Reality of China through the Lens: On the Artistic Practice of
Xing Danwen‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006; Maerkle, Andrew,
‗Xing Danwen‘s Chinese Fantasy‘, ArtAsiaPacific, no. 49, 2006; Eswchenburg, M., ‗Xing Danwen:
Revealing the Masquerade of Modernity‘, in Yishu Journal of Contemporary Chinese Art, Vol 8,
Number 4, July/August 2009, p.51-66.
Xing Junqin: Forsyth, Graham, ‗Hide and Seek‘, Asian Art News, vol. 15, no. 2, 2005.
Xiong Lijun: Zhang Zhaohui, ‗A Look at Youth Culture‘ in Asian Art News, Vol. 14, Number 5
(September/October 2004), pp. 72-75
Xu Beihong, deceased oil painter: Ai Zhongxin, Xu Beihong yangjiu, Shanghai Renmin Meishu Chubanshe,
1981; Jiang Bihui, Huiyilu, Taibei, Huangkuan zazhishe, 1966, 1980; Liao Jingwen, Xu Beihong,
Foreign Languages Press, Beijing, 1987 [and earlier Chinese editions]; Ma Fasi, ‗Wode laoshi Xu
Beihong‘, Meishu Yanjiu, 1980, no.4; Xie Lifa, Xu Beihong, Taibei, Xiongshi Meishu, 1977; Wang,
Eugene Yuejing, ‗Xu Beihong and Chang Yu: sketch conceptualism as modernist contigency‘, in
Hearn, Maxwell; Smith, Judith G., eds, Chinese Art, Modern expressions, New York, metropolitan
Museum of Art, 2001; Yang, Shu-hwang, Xu Bei-hong, Liu Hai-su, Lin Feng-mian, Thése de
Doctorat, Université de Paris IV, 1986; Tan Hwee Koon, ‗A Modern Voice In The Wake Of
Nationalism‘, , in Asian Art News, v. 18(4), July/August, 2008, pp. 98-101.
Xu Bing, New York, installations, prints, peformances: Taylor, J.S., ‗Non-sense in context: Xu Bing‘s art
and its publics‘, Public Culture, vol.5, no.2, 1993 ; Wu Hong, ‗A ‗Ghost rebellion‘: notes on Xu
Bing‘s ‗Nonsense Writing‘ and other works‘, Public Culture, vol.6, no.2, 1994; Feng Boyi, ‗Dangdai
xitong chule shenme wenti, xishujia Xu Bing fangtanlu‘, Dongfang, no.5, 1996; Feng Boyi, Xu

38
Bing, ‗Dangdai Yishu xitong de kunjing‘, Meishu Yanjiu, 1, 1997; Lee, Benjamin, ‗Going public‘,
Public Culture, no.5, 1993; Smith, Karen, ‗Xu Bing de xinzuo, ―Wenhua Dongwu‖ ‗, Xiongshi
Meishu no.285, 1994 [and interview]; Stone, Charles, ‗Xu Bing and the printed Word‘, Public
Culture, vol.13, no.6, 1994; Yao Soucho, ‗Books from Heaven: Literaryu Pleasure, Chinese
Cultural text and the ―Struggle Against Forgetting‖ ‗, Australian Journal of Anthropology, vol.8, no.2,
1997; Zhang Zhaohui, Cultural Metamorphosis: The Art of Xu Bing and Cai Guoqiang, unpublished
MA in Curatorial Studies Thesis, Bard College, 1998; Zhang Zhaohui, ‗Tiandi zhi ji: Cai
Guoqiang yu Xu Bing Suoshi biye zhanlan jihua shuomingshu‘, Jiangsu Huakan, 2, 1999;
Davidson, Christina., ‗Words from Heaven‘, Art & Asia Pacific, vol.1, no.2, 1994; Xu Bing,
‗―Yangzhu‖ wenda‘, Hongqi. no.1, 1994, p.87, text dated 1994.5; Chen Yide, ‗My opinion to the
―Book from Heaven‖ ‗, Meishu 12-1990; Zhongguo meishubao, no.173, 14.11.1986; Xu Bing, Zhongguo
Meishubao, no.201, of 29.5.1989; Xu Bing, ‗Gu Yuan de yiyi‘, Tianya, 1, 1997; Yao Souchou, ‗Xu
Bing and Cultural Nationalism.‘ TAASA Review, 7:3 1998; Erickson, Britta, The art of Xu Bing :
words without meaning, meaning without words Washington, D.C. : Arthur M. Sackler Gallery,
Smithsonian Institution ; Seattle: University of Washington Press, 2001; Babel : contemporary art and
the journeys of communication, Birmingham: Ikon Gallery, 1999; Wu Hong, Transience : Chinese
experimental art at the end of the twentieth century, Chicago : The David and Alfred Smart Museum of
Art The University of Chicago, 1999; Yang, Alice, (edited by Jonathan Hay and Mimi Young )
Why Asia? : contemporary Asian and Asian American art, New York University Press, 1998; review,
Art AsiaPacific, 22, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale
1999 [The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art
Museum, 1999; Goodman, Jonathan, ‗Xu Bing: Cultural Translator‘, Art AsiaPacific, no.35, 2002;
‗Views on Contemporary Chinese Art‘, Yishu, vol.1, no.1, 2002; Borysevicz, Mathieu, ‗Xu Bing at
the Sackler‘, Art in America, Vol. 90, Issue 9, September 2002; Zhang Zhaohui, et.al., Xu Bing &
Cai Guoqiang: Where Heaven and Earth Meet, Beijing, Hong Kong Timezone 8, 2006; Liu, April, ‗An
Interview with Xu Bing: Nonsensical Spaces and Cultural Tattoos‘, Yishu: Journal of Contemporary
Chinese Art, vol. 4, no. 4, Dec. 2005; Monks, Christina, ‗A Visual Koan: Xu Bing‘s Dynamic
Desktop‘, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005; Goodman, Jonathan,
‗The cage of words‘, Art AsiaPacific, 26, 2000; review, Asian Art News, vol.11, no.5, 2001; Chiu,
Melissa, ‗Xu Bing: Artist Notes‘ in Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution,
Asia Society, New York in association with Yale University Press, New Haven and London,
2008: 107-118; Erickson, Britta, The Art of Xu Bing: Words Without Meaning, Meaning Without Words,
Washington D.C., Freer Gallery of Art and Arthur M. Sackler Gallery, 2001.; Erickson, B.,
‗Process and Meaning in the Art of Xu Bing‘, in Three Installations by Xu Bing, Madison, Elvehjem
Museum of Art, University of Wisconsin, 1991, pp. 2 – 32.; Erickson, B., ‗A Case Study of
Transference: Xu Bing and the Process of Interpreting Art‘, in Communications with/in Asia,
Melbourne, Asian Studies Association of Australia, 2000; Sherman, M., ‗Xu Bing and a Prayer‘, in
ARTnews, vol. 94(10), December, 1995, pp: 55 – 56; Silbergeld, Jerome, Ching, Dora C.Y., eds.,
Persistence-Transformation: text as image in the art of Xu Bing, Princeton, Princeton University Press,
2006.
Xu Jiang: ‗Views on Contemporary Chinese Art‘, Yishu, vol.1, no.1, 2002.; Gao Xindan and Gao
Shiming, ‗From Historical Landscape to Historicized Landscape‘, Asian Art News, vol. 16, no. 6,
Nov-Dec 2006; Lucie-Smith, Edward, ‗Crossing the East West Divide: On the Art of Xu Jiang‘,
Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.
Xu Shaoyan, Hebei, oil painter; Ma Qinzhong, ‗Zhongmozhe tudide jinmai‘, Yishujie, 11/12-1998
Xu Tan: ‗Regarding the Dictionary of Keywords‘, Xu Tan in Conversation with Hu Fang, in Yishu:
Journal of Contemporary Chinese Art, Vol.7, No.6, November 2009, p.27-32
Xu Wentao: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003
Xu Yong: Daozi and Shu Yang, eds., Xu Yong: Backdrops and Backdrops, Hong Kong, Timezone 8, 2006
(Distributor); Karetzky, P. E., ‗Xu Yong: Photographer 0f the Vanishing Past and the Emerging

39
Future of China‘, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 6, November 2008, pp.
88-96.
Xu Zhen: Obrist, Hans-Ulrich, ‗Hans-Ulrich Obrist on Xu Zhen‘, Artforum, vol. 45, iss. 5, 2007; review,
Eyeline, no. 59, 2006.; Catching, Rebecca, ‗Sex, Lies and Videotape‘, in ArtAsiaPacific, No. 54,
Jul/Aug, 2007, pp. 86 – 91. ‗Xu Zhen‘s Impossible is Nothing: A Discussion‘, Yishu: Journal of
Contemporary Chinese Art, Vol 8, No. 3, May/June 2009; Don, Katherine, ‗Xu Zhen: Long March
Space‘ in Art in America 97.5 (May 2009): 167(2).
Xuan, Kan: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Xue Mo: Hutchings, Patrick, ‗Xue Mo: The Clarity of Dreams‘ in in East West Arts, Number 1
(September-November 2004), pp. 36-39
Xue Song, Shanghai, painter & mixed media artist: Zhu Qi, ‗Xue Song: yichie zhi shi yingxiang he
inshuapin‘, Yishujie, 9/10-1998.
Yan Lei: Leanza, Beatrice, ‗Yan Lei: Colours‘, Flash Art, vol. XXXIX, no. 249, July-September, 2006.;
Maerkle, Andrew, ‗Yan Lei: Breathe Deep, Super Light and Sparkling‘, in ArtAsiaPacific, No. 57,
Mar/Apr, 2008, pp. 96 - 97.
Yan Peiming, Dijon, oil painter and sculptor: Besson, Christian, Yan Peiming, Paris, Éditions Hazan, 1999.
; Hou Hanru, ‗In a Dream. Yan Pei-Ming‘, in ArtAsiaPacific, No. 55, September/October, 2007,
pp. 126 - 133.
Yan Ping: Liu Xilin, ‗Private Moments], Asian Art News, vol.10, no.5, 2000.
Yan Wenliao, deceased, oil painter: Fei Yifu, ‗Yan Wenliang de youhua jifa‘, Xinmeishu, no.2, 1981: Jin
Ye, ‗Yanlao Fuzi‘, Xinmeishu, no.2, 1981
Yang Chunlin, Beijing, sculptor: Yin Ying, ‗98 Yang Chunlin:Shengcun yu Liebian, Beijing, Zhongyang
meishu Xuanyuan Hualang, 1998.
Yang Feiyun, Beijing, academic oil painter: Deng Pingxiang et al, Yang Feiyun, Macao, Century Publishing,
1996
Yang Fudong: Beccaria, Marcella, ed., Yang Fudong, JRP/Ringier, Zurich, 2006; Tan, Adele, ‗No Snow on
the Broken Bridge: Film and Video Installations by Yang Fudong‘, Yishu: Journal of Contemporary
Chinese Art, vol. 5, no. 2, Jun 2006; Jordan, Francesca and Marella, Primo, China Art Now: Out of
the Red, Milano: Marella Arte Contemporanea, 2003; Rehberg, Vivian., ‗Three Men and A Camera:
Chang Yung Ho, Wang Jianwei, and Yang Fudong‘, in Yishu: Journal of Contemporary Chinese Art,
Vol. 2 No. 3, September 2003, p.62-63; Obrist, Hans U. ‗Hans Ulrich Obrist Camera Interviews‘,
in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.69-71; Akira
Tatehata, ‗Yang Fudong‘ in Art Asia Pacific, Issue 37 (2003), p. 87.; Bertheux, Maarten, ‗Yang
Fudong – Recent Films and Videos‘, in Stedelijk Museum Bulletin, 2004/2005, p. 81.Merewether,
Charles, ‗Yang Fudong: Doubt and Hope‘, in Art Press, 290, 2003, pp. 30 – 34.
Yang Jiechang, Paris, painter, installation artist: Yang Jiechang, Another turn of the screw, Beijing, Zhongyang
Meishu Xueyuan Hualang, 1999; Yang Jiechang, Dong Cunrui, Taibei, Chengpin Gallery, 1999;
Yang Jiechang: double vue, Paris, Galerie Jeanne-Bucher, 2001. ; Geczy, Adam., ‗Yang Jiechang‘
(review), in Art AsiaPacific, Issue 38, Fall 2003, p.77-78.
Yang Jinsong, review, Asian Art News, vol. 15, no. 3, 2005.; Karetzky, Patricia Eichenbaum, ‗New Works
New Directions in the Art of Yang Jinsong‘, in Yishu. Journal of Contemporary Chinese Art, v. 7(2),
March, 2008, pp. 37 – 40.
Yang Liu: Li Ming, Yang Liu, Beijing, Beijing Art Now Gallery, 2006
Yang Shaobin: Pi Li, et.al., Chinese Artists of Today: Yang Shaobin, Essence of Violence, Beijing, Today Art
Museum, 2006; Long March Writing Group, ‗Excerots from Yang Shaobin‘s Notebook: A
Textual Interpretation of X-Blind Spot, in Yishu: Journal of Contemporary Chinese Art, Vol.8, No.1,
January/February 2009, p.67-77
Yang Shu: Panhans-Bühler, ‗Tensions of The Erotic‘ in Asian Art News, Vol. 14, Number 3 (May/June,
2004), pp.63-65

40
Yang Yong: Fei, Yuenong, ed. Yang Yong (Catalogue), Hong Kong: Timezone 8, 2003 ; Heartney,
Eleanor, ‗Yang Yong at Goedhuis Contemporaray at the Annex‘ (Review) in Art in America
(June/July 2004), pp. 172. ; Hou Hanru, Köppel-Yang, Martina, et.al., Yang Yong, Hong Kong,
Timezone 8, 2006 (Distributor); review, Asian Art News, vol. 16, no. 3, 2006.
Yang Zhengzhong: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Ye Yongqing: ‗Nonexistent Reality. A Discussion between Li Xianting and Ye Yongqing‘, in Yishu. Journal
of Contemporary Chinese Art, v. 7(3), May, 2008, pp. 29 – 40.
Yin Xin: Cheng, S., ‗A life of his own‘, Asian Art News, vol.4, no.5, September/October 1994.
Yin Xiuzhwen: Lin, Xiaoping, ‗Beijing: Yin Xiuzhen‘s The Ruined City‘, Third Text, n48, Autumn 1999,
45-54; Goodman, Jonathan, 'Chopsticks: Song Dong and Yin Xiuzhen at Chambers Fine Art',
Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue. ; Vergne, Phillipe, ‗Yin
Xiuzhen‘ in Art Asia Pacific, Issue 37 (2003), p. 89.
Young, John: Melbourne, oil painter: Chiu, Melissa, ‗Meetings along the edge‘ in John Young: The Double
Ground Paintings, Sydney, Australian Art Promotions, 1995, p.8.
Yu Chen: Pettifor, Steven, ‗Faces, Dreams, Fictions‘, Asian Art News, vol. 16, no. 5, 2006.
Yu Hong, Przerwa, Xenia Tetmajer Von., ‗Yu Hong‘s Witness to Growth: Historic Determination and
Individual Contingency‘ in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003,
p.34-42. ; Jose, Nicholas, ‗At Home‘, Art AsiaPacific, 30, 2001.
Yu Zhengyao: Majestic Mountains, Yu Chengyao at Ninety, Taibei, Hanart Gallery 1988; Yu Chengyao, The
Art of Yu Chengyao, Hong Kong, Hanart Gallery, 1987,
Yuan Yunsheng, Beijing, oil painter: Sun Jingbo, ed., Yuan Yunsheng sumiaoji, Nanning, Guangxi Meishu
Chunbanshe, 1998.
Yue Minjun: Smith, Karen, ‗Interview with Yue Minjun‘, in Yishu. Journal of Contemporary Chinese Art, v.
7(2), March, 2008, pp. 25 – 36.
[Yuefenpai posters] Dal Largo, Francesca, ‗Crossed legs in 1930s Shanghai: How ‗Modern‘ the Modern
Woman?‘, East Asian History, no.19, June 2000
Yung Ho Chang: review, Art in America, vol. 94, iss. 2, Feb 2006.
Yun-Fei Ji: Chui, M., ‗Ghosts, Three Gorges, and Ink Painting: An Interview with Yun-Fei Ji‘ in Yue-Fei
Ji: The Empty City, St Louis, Contemporary Art Museum, 2004, pp. 78 – 90.
Zeng Fanzhi: Chang Tzong-zung, ‗The naked eye‘, Asian Art News, vol.5, no.2, March-April 1995 ; Pi Li,
I/We; the Paintings of Zeng Fanzhi, 1991-2001, Catalogue, Shanghai Art Museum, 2003. ; Tan Hwee
Koon, ‗Beneath The Mask of Idealism‘, in Asian Art News, v. 17(5), September/October, 2007,
pp. 98 – 101; Morgan, R.C., ‗Zeng Fanzhi: A Marxist Critique‘, in Yishu Journal of Contemporary
Chinese Art, Vol. 7, No. 4, July 2008, pp. 70-75.
Zeng Hao, Guangzhou, oil painter: Huang Zhan, ‗Xiaofei shidai de jingshen xiaoxiang‘, Meishujie, 9/10-
1998.
Zeng Huanguang: Norton, Lisa, ‗Lost and Found‘, ArtAsiaPacific, no. 49, 2006.
Zeng Xiaojun: review, Asian Art News, vol. 15, no. 3, 2005.
Zhan Wang: Smith, Karen, ‗Contemporary Rocks: Zhan Wang.‘ World Sculpture News 3:1 Winter 1997.;
Cha, Carina, ‗Zhan Wang: the Man whose Work fell from the Stars‘, ArtAsiaPacific, no. 48, 2006.;
Kao Chienhui, ‗World-making and Mirror Reflection: Zhan Wang‘s Art in Time and Space,
Between Worry and Wandering‘, in Yishu. Journal of Contemporary Chinese Art, v. 7(3), May, 2008,
pp. 22 – 28; Kao Chienhui, ‗ World-making and Mirror Reflection: Zhan Wang‘s Art in Time and
Space, Between Worry and Wandering‘, in Yishu Journal of Contemporary Chinese Art, Vol. 7, No. 3,
July 2008, pp. 22-28.
Zhang Dali: Wu Hong, ‗Zhang Dali‘s dialogue: conversation with a city‘, Public Culture ; Borysevicz,
Mathieu, Zhang Dali: Demolition and Dialogue, Beijing: The Courtyard Gallery, 1999 ; Borysevicz,
Mathieu, ‗Dialogue: Zhang Dali‘s converstaion with Beijing.‘ Art AsiaPacific issue 221999. ;
‗Zhang Dali: The Face of China‘, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005;
Borysevicz, Mathieu, ‗Dialogue‘, Art AsiaPacific, 22, 1999 ; review, Asian Art News, vol.11, no.1,

41
2001; Wu Hung, Zhang Dali: A Second History. [Exhibition Catalogue] Chicago: Walsh Gallery,
2006.
Zhang Daqian, deceased, neotraditionalist painter: Shen Fu, Chang Da-chien‘s ‗The Three Worthies of
Wu and his practice of forging ancient art‘, Orientations, vol.20, no.9., September 1989. Fu, S.,
Challenging the Past: the paintings of Chang Dai-chien Washington, The Smithsonian Insitution, Sackler
Gallery, 1991; Liu Yang. ‗A Long Journey to Nirvana: Chang Dai-Chien‘s Life and Painting,‘
TAASA Review, 7:3 1998
Zhang Enli:, Dematte, Monica,‘Human, Too Human: The Paintings of Zhang Enli. Yishu: Journal of
Contemporary Chinese Art, Vol. 7 No. 5, September 2008, p.62-71
Zhang Hongbo: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003
Zhang Hongtu, New York, assemblages, mixed media: Yung, Danny; Lee Hui-shu, Works by Zhang
Hongtu, Hong Kong, Hong Kong University of Science and Technology Center for the Arts,
1998; Hay, Jonathan, ‗Zhang Hongtu / Hongtu Zhang; an interview‘, in Hay, John, ed., Boundaries
in China, London: Reaktion Books, 1994. ; Cao, Z., ‗The Black Hole of Mao Zedong: The Art of
Zhang Hongtu‘, in Streetlife China, Dutton, M. ed., Melbourne, Cambridge University Press, 1998,
pp. 262 – 265.; Yee, L., Zhang Hongtu: Material Mao, New York, Bronx Museum of Arts, 1996.
Zhang Huan, Yao, Souchou, ‗Two Faces of Contemporary Art in China‘, in Artlink: The China
Phenomenon, Vol. 23, No. 4, 2003, p.16-19.; Ritson, Alicia., ‗Zhang Huan- Performance‘, in The
Journal of the Asian Arts Society of Australia, Vol. 13, No. 1, March 2004, p.12-13. ; Goldberg, R.,
‗Interview with Zhang Huan‘, in Zhang Huan, Santiago, SPaind, Xunda de Galicia and Cotthem
Gallery, 1994, pp. 14 – 32. ; Dziewior, Yilmaz, and Kim Yu-Yeon, Zhang Huan, Ostfildern
(Germany), Hatje Cantz, 2003; Borysevicz, Mathier, ‗Zhang Huan‘, Art AsiaPacific, 30, 2001;
review Art AsiaPacific 29, 2001; Wang, Val, 'Zhang Huan, Interview', Ming', Chinese Type
Contemporary Art Magazine, Vol. 2, Issue 6, December 1999, published Online at:
http://www.chinese-art.com; Borysevics, Mathieu, 'Zhang Huan, Interview', Chinese Type
Contemporary Art Magazine, Artists of the Week Section, published Online at: http://www.chineseart.com;
Gao Minglu, ―Private Experience and Public Happenings: The Performance Art of
Zhang Huan‖ (Translated by Alexa Olga) in Pilgramage to Santiago, Barcelona and Brussels,
Cotthem Gallery, 2001.; Yang Yingshi, ‗Zhang Huan‘s ‗Spiritual Trail‘‘, in Orientations, vol. 35, no.
5, June, 2007.The, David, ‗Zhang Huan: Thinking Big‘, in ArtAsiaPacific, No. 55,
September/October, 2007, pp. 110 - 111.
Zhang Huan, Ma Liuming: Qian Zhijian, ‗Performing Bodies: Zhang Huan, Ma Liuming, and
Performance Art in China‘, Art Journal, vol.58, no.2, Summer 1999; Goldberg, RoseLee, Zhang
Huan‘, Artforum International, Vol.40, Issue 7, March 2002
Zhang Hui: Borysevicz, Mathieu, ‗Zhuang Hui‘s Photographic Portraits.‘ Art AsiaPacific issue 19 1998. ;
Maggio, Meg, et.al., Ten Years: Zhuang Hui‘s Photography, Hong Kong, Timezone 8, 2004.
Zhang Jian-Jun: Morgan, Robert C., ‗Zhang Jian-Jun: Memory and the Process of Historical Time‘, in
Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 54 – 60.
Zhang Linhai: Tetmajer von Przerwa, Xenia, ‗Zhang Linhai‘s World: A Sphere of Emotional Intensity‘,
Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005; Ian Findlay, ‗The Face of
Memory‘, in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p. 64-70
Zhang Peili, Hou Hanru, ‗Zhang Peili‘ in Art Asia Pacific, Issue 37 (2003), p. 57. ; Kuroda, Raiji, ed., The
First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Zhang Peili,
Report at The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar: ―Asian Art –
Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999;
Zhang Rui: ‗On Being a Conscientious Collector‘, Zhang Rui in Conversation with Jo-Anne Birnie
Danzker, in Yishu: Journal of Contemporary Chinese Art, Vol.7, No.6, November 2009, p.38-45.
Zhang Xiaogang, Chengdu, oil painter: Zhang Xiaogang, Huang Zhan, ‗Jingyan, shenfen yi wenhua
panduan‘, Hualang, nos 5&6, 1996;[Zhang Xiaogang] in ‗Prague 2000, Parkett, no.56, 1999;
Thomson, Jonathan, History‘s Public Face‘ in Asian Art News, Vol. 14, Number 3 (May/June,

42
2004), pp.44-49; Heartney, Eleanor, ‗Zhang Xiaogang: at Pacewildenstein, in Art in America 97.3
(March 2009): 134(2); Tinari, Philip, ‗Zhang Xiaogang‘ in Artforum, Vol . 47, Iss. 5, January. 2009,
p. 138
Zhang Xiaotao: Feng Boyi, et.al., Zhang Xiaotao, Hong Kong, Timezone 8, 2006 (Distributor); Huang
Zhuan, et.al., Zhang Xiaotao: Dream Factory, Rubbish Heap, Beijing, 2006; Zhang Zhaohui, ‗City and
Memory‘, Asian Art News, vol. 15, no. 3, 2005; ‗Zhang Xiaotao at Beijing Tokyo Art Project‘
(review), Flash Art, vol. XXXVIII, no. 241, Mar-Apr, 2005.
Zhang Yanyuan: Wu Hong, ‗Variations of Ink: a dialogue with Zhang Yanyuan‘, Yishu, vol.1, no.2, 2002;
Goodman, Jonathan, '"Variations of Ink: A Dialogue with Zhang Yanyuan" at Chambers Fine
Art', Art in America, Vol. 91, Issue 2, February 2003
Zhang Yu, Tianjin, neo-traditionalist painter: Huang Du et al, Zhang Yu 1984-1994 Zuopinji, Changsha,
Hunan Meishu Chubanshe, 1994; Pi Daojian, Zhang Yu de suimo lichang yu wenhua wenti, Beijing,
Chunxia Hanmo Hualang, 1999.
Zhang Yuzhou: Findlay, Ian, ‗Luminous landscape‘, Asian Art News, vol.11, no.2, 2001.
Zhao Bandi: Hill, Katie, ‗Zhao Bandi: The Real and the Unreal‘, Third Text, n40, Autumn 1997, 101-3;
Ciric, Biljana, ‗Zhao Bandi: Pandaman in the real world‘, in Contemporary Visual Art + Culture
Broadsheet, Vol 37, no. 4, p. 250-251.
Zhao Baokang, Shanghai, painting & mixed media: Zhu Qi, ‗Zhao Baokang: ‗Huihua he ziwo
bianshengzhong de lishi shiyi‘, Yishujie, 11/12-1998
Zhao Wuji, Paris, oil painter: Zao Wou-ki, Marquet, Françoise, Autoportrait, Paris, Fayard, 1988; Zhao
Wuji, Zhao Wuji zichuan, Shanghai, Wenhui Chubanshe, 2000; Leymarie, J. Zao Wou-Ki, Galeries
Nationales du Grand Palais, Paris, 1981.
Zheng Guogu: review, Art in America, vol. 93, iss. 6, Jun-Jul 2005; Leffingwell, Edward, ‗Zheng Guogu: at
Chambers ('A Hundred-Year-Old Tree Blooms Again' at the Chambers Fine Art), in Art in
America 97.2 (Feb 2009): 127(2).
Zheng Xuewu: ‗Zheng Xuewu‘ (review), ArtAsiaPacific, no. 46, 2005.
Zheng Zaidong: Zheng Zaidong, Hong Kong & Taipei, Hanart TZ, 1995.
Zhong Biao: Kember, Patricia, ‗ The Fable of Life‘ Asian Art News, vol.7, no.4, July/August 1997.
Manfredi, Paul, ‗Zhong Biao and the ―Grobal‖ Imagination‘, in Yishu. Journal of Contemporary
Chinese Art, v. 6(4), December, 2007, pp. 72 – 83.
Zhou Meijun: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003
Zhou Tiehai: Hou Hanru and Frederic Le Gourierec, Zhou Tiehai: Ego, Hong Kong, Timezone 8, 2007
(Distributor); review, Asian Art News, vol.11, no.1, 2001.
Zhou Weihua: review, Asian Art News, vol. 15, no. 1, 2005.
Zhou Xiaohu: ‗Zhou Xiaohu‘ (review), ArtAsiaPacific, no. 48, 2006.
Zhou Shanglie: Nicodemus Everlyn, ‗Shanglie Zhou: Beyond ―Landscape‖ and ―Face‖ ‗. Third Text 37
Winter 1996-97.
Zhou Tiehai: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003
Zhuang Hongxing: Lawrence, Patrick,‘ Looking to Tradition‘, in Asian Art News, v. 18(4), July/August
2008, pp. 64-68.
Zhuang Hui, review Asian Art News, vol.9, no.1, 1999; Kuroda, Raiji, ed., The First Fukuoka Asian Art
Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Maggio, Meg and Li, Zhang, Ten Years:
Zhuang Hui's Photography, Hong Kong: Timezone 8 Ltd, 2003
Zhu Qingsheng, Beijing Universuty, conceptual art, new ink painting: Shao Dazhen, ‗Hunxing, wuxin he
renxing, du Zhu Qingsheng de suimohua‘, Yishujie, 11/12-1998.
Zhu Wei: Smith, Karen, ‗World Within, World Without‘, Asian Art News, vol.6, no.5, September-
October, 1996. review, Asian Art News, vol.9, no.1, 1999. ; review, Asian Art News, vol. 16, no. 5,
2006; review, Asian Art News, vol. 16, no. 1, 2006; Thompson, Jonathan, ‗Extravagant Ways‘,
Asian Art News, vol. 15, no. 3, 2005.

43
Zhu Ming: Wang, Val, ‗Zhu Ming‘, Chinese Type Contemporary Art Magazine, Vol. 2, Issue 6, December
1999, published Online at: http://www.chinese-art.com; Berghuis, Thomas J., ‗‘Bubble‘: Birth,
Death and Transference in the Work of Zhu Ming‘, Rachel Kent, ed., Liquid Sea (Catlogue),
Sydney, Museum of Contemporary Art, 2003; Berghuis, Thomas, ‗Close Encounters –
Performance art practices in China during the 1990s and the role of the mediated subject of the
acting body in art‘, Peter Lewis and Hoor Al-Qasimi, ed., Sharjah International Biennial 6
(Catalogue), United Arab Emirates: Sharjah International Biennial, 2003, pp. 034-038; [Zhu Ming]
Cover Art Monthly Australia, Number 158, March 2003
Zhu Yan: Zhu Yan, 798: A Photographic Journal by Zhu Yan, Hong Kong: Timezone 8, 2005
‗The Return of the Individual: A Home Conversation at the Beijing Pavilion‘, in Yishu. Journal of
Contemporary Chinese Art, v. 7(3), May, 2008, pp. 70 – 77.
Zhu Yu, Beijing, installation artist: Fei Dawei, ‗Transgresser le principe céleste: Dialogue avec le group
cadavre‘[Zhu Yu, Sun Yuan, Peng Yu], ‗Représenter l‘Horreur‘, Hors Serie Artpress, Mai 2001;
Berghuis, Thomas J., ‗Flesh Art: Body and Performance Art in Post-Mao China‘, Chinese Type
Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001, published Online at:
http://www.chinese-art.com.
Neo-traditional Painting [guohua]
Andrews, Julia, F., ‗Traditional Painting in New China: Guohua and the Anti-Rightist Campaign‘, Journal
of Asian Studies, Autumn 1990.
Chang, Arnold, Painting in the People‘s Republic of China: the politics of style, Boulder, Westview Press, 1980
Croizier, Ralph, ‗Qu Yuan and the Artists: Ancient Symbols and Modern Politics of the Post-Mao Era‘,
in Unger, Jonathan, Using the Past to Serve the Present, Armonk, M.E. Sharpe, 1993.
Croizier, Ralph, Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906-1951,
Berkeley, University of California Press, 1988;
Laing, E.J., ‗Chinese Peasant Painting, 1958-1976‘, Art International, XXVII/1, January-March 1984.
Liao Wenshuo, On Human form: aesthetic alternatives for painting in modern China, unpublished PhD thesis,
2005.
Li Chu-tsing Trends in Modern Chinese Painting [The C.A.Drenowatz Collection]: Ascona, Artibus Asiae, 1979
Moss, H., Some Recent Developments in Twentieth Century Chinese Painting: A Personal View, Hong Kong,
Umbrella, 1982
Pi Daojian ‗The history of Black and White: 50 years of Evolution in Ink and Wash‘, Contemporary
Chinese Art Bulletin, vol.2, no.5, 1999.
Shen Kuiyi, Wu Changshi and the Shanghai art world in the late 19 th and early 20 th centuries, PhD Thesis, Ohio
State University, 2000
Tam, L.S.,ed., Twentieth Century Chinese Painting, Hong Kong, Hong Kong Museum of Art, 1984
Whitfield, R., Chinese Traditional Painting, 1886-1966, London, Royal Academy of Arts, 1982
Wang, Eugene Y, ‗Sketch Conceptualism and Modernist Contingency‘, in Hearn, Maxwell K. & Smith,
Judith G., ed., Chinese art : modern expressions, New York : Dept. of Asian Art, the Metropolitan
Museum of Art, 2001.
Wong, Aida Yuen, Parting the mists, discovering Japan and the rise of nationalist-style painting in modern China,
Honolulu, University of Hawai‘i Press, 2006
Wue, Roberta, Picturing the artist: Ren Bonian (1840-1896) and portraits of the Chinese art world, PhD, New
York University, 2001
Late Qing to Republican China before 1949
Andrews, J.F., ‗Traditional Chinese painting in an age of revolution, 1911-1937‘ in Cao Yiqiang, Fan
Jingzhong, eds, Chinese Painting in the Twentieth Century: Creativity in the Aftermath of Tradition,
Zhejiang Renmin Meishu Chubanshe, 1997.

44
Andrews Julia F., ‗ ―The traitor of art‖ and Chinese modernity: Liu Haisu and the nude model
controversy‘, in Vinograd, Richard, ed., Images in Exchange, Berkeley, University of California
Press, 2003
Boorman, H., Biographical Dictionary of Republican China, New York, 1967-1971 (for entries on Chang Tach‘ien
[Zhang Daqian], Ch‘i Pai-shih [Qi Baishi], Hsu Pei-hong [Xu Beihong], P‘u-ju [Pu Ru, Pu
Xinyu])
Bowen-Struyk, Heather, ‗Guest Editor's Introduction: Proletarian Arts in East Asia‘ Positions, vol. 14,
no. 2, 2006.
Chou Ju-hsi, Painting at the close of China‘s empire: Phoebus, Occasional Papers in Art History, 8, 1998.
Croizier, R., ‗Reverse Current Early 20th century influence on Chinese Painting‘, in Tam Yue-him ed.,
Sino-Japanese Cultural Interchange: Aspects of Archaeology and Art History, Hong Kong, Chinese
University, 1989?
Croizier, R., Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906-1951,
Berkeley, University of California Press, 1988
Duara, Prasenjit, ‗Local Worlds: The Poetics and Politics of the Native Place in Modern China‘, The
South Atlantic Quarterly, 99.1, Winter 2000
Hezlar, J., Chinese Watercolours, [Prague,Artia], London, Cathay Books, 1978
Ho, Virgil Kit-yiu, ‗The Limits of Hatred: Popular attitudes towards the West in Republican Canton‖,
East Asian History, no.2, December 1991.
Janicot, Eric, 50 ans d'esthétique moderne chinoise. Tradition et occidentalisme 1911-1949, (De la chute des Qing à la
République populaire). Paris, Publications de la Sorbonne, 1997
Kao, Mayching, ‗The Spread of Western Art in China: 1919-1929‘, in Lee, N. and Leung,C-K. eds,
China: Development and Challenge, Hong Kong, University of Hong Kong, 1981
Kao, Mayching, China‘s Response to the West In Art:1898-1937, Ph.D diss.Stanford University, 1972
Knight, Michael, ‗Imperial Art from the Reign of the Qianlong Emperor‘, Orientations, Volume 34,
Number 1, January 2003
Kuo, Jason, ‗Art in Shanghai, 1850-1930‘, China Exchange News, vol.23 no3, Fall 1995.
Li, Chu-Tsing, Trends in Modern Chinese Painting, Ascona, Artibus Asiae, 1979.
Park, Hyun Ok, ‗Korean Manchuria: The Racial Politics of Territorial Osmosis‘, The South Atlantic
Quarterly, 99.1, Winter 2000
Schmid, Andre, ‗Looking North toward Manchuria‘, The South Atlantic Quarterly, 99.1, Winter 2000
Shen Kuiyi, ‗On the reform of Chinese Painting in Early Republican China‘, in Cao Yiqiang, Fan
Jingzhong, eds, Chinese Painting in the Twentieth Century: Creativity in the Aftermath of Tradition,
Zhejiang Renmin Meishu Chubanshe, 1997.
Sullivan, M., ‗Recollections of Art and Artists in Wartime Chengdu‘, The Register of the Spencer Museum of
Art, University of Kansas, Vol.VI, no.3, 1986
Thiriez, Régine, ‗Ligeland: A French Photographer in 1858 Shanghai‘, Orientations, Volume 32, Number
9, November 2001
Tsuruta Takeyoshi, ‗Kinhyakunenrai Chûgoku Gajin Shiryô‘, Bijutsu Kenkyû}, nos 293-294, 303, 307.
Tsuruta Takeyoshi, Kindai Chûgoku no Gaka, Osaka, Osaka Shiritsu Bijutsukan, 1972
Tsuruta Takeyoshi, Kindai Chûgoku Kaiga, Tokyo, Kadokawa Shoten, 1974
Zheng, J. ‗The Shanghai Fine Arts College and Modern Artists in the Public Spherre (1913-1937)‘, East
Asian History, Number 32/33, December 2006/June 2007.
Culture Contact in Northeast China and Manchuria
Bakich, Olga Mikhailovna, ‗Emigré Identity: The Case of Harbin‘, The South Atlantic Quarterly, 99.1,
Winter 2000
Carter, James, ‗A Tale of Two Temples: Nation, Region, and Religious Architecture in Harbin, 1928-
1998‘, The South Atlantic Quarterly, 99.1, Winter 2000
Chernolutskaia, E. N., Trubikhina, Julia, tr., ‗Religious Communities in Harbin and Ethnic Identity of
Russian Emigrés‘, The South Atlantic Quarterly, 99.1, Winter 2000

45
Kleeman, F.Y., ‗Inscribing Manchuria: Gender, Ideology and Popular Imagination‘, East Asian History,
Number 30, December 2005.
Lahusen, Thomas, ‗The Russian Far East After Landscape: A Photoessay‘ [Northeast China and
Russia], The South Atlantic Quarterly, 98.4, Fall 1999
Lahusen, Thomas, ‗Dr. Fu Manchu in Harbin: Cinema and Moviegoers of the 1930s‘, The South Atlantic
Quarterly, 99.1, Winter 2000
Lahusen, Thomas, ‗Remembering China, Imagining Israel: The Memory of Difference‘, The South
Atlantic Quarterly, 99.1, Winter 2000
Rimer, J. Thomas, ‗Paris in Nanjing: Kishida Kunio Follows the Troops‘, in Mayo, Marlene J., Rimer J.
Thomas, Kerkham, H. Eleanor (eds), War, Occupation and Creativity: Japan and East Asia, 1920-
1960, Honolulu, University of Hawai‘i Press, 2001, p.176-187.
Tamanoi, Mariko, ‗A Road to "A Redeemed Mankind": The Politics of Memory among the Former
Japanese Peasant Settlers in Manchuria‘, The South Atlantic Quarterly, 99.1, Winter 2000
Wartime Period and Yan’an Base Areas
Barmé, G., ‗Using the past to serve the present: Dai Qing‘s Historiographical Dissent‘, East Asian
History, Vol.1, June 1991.
Benton, G., ‗The Yenan Literary Opposition‘, New Left Review, no.92, July-August, 1975
Benton, G., Wild Lillies: Poisonous Weeds, Sydney, Pluto Press, 1982
Dai Qing, Wang Shiwei and ―Wild Lillies‖: Rectification and Purges in the CCP, 1942-1944, Armonk,
M.E.Sharpe Inc., 1994.
Holm, David, Art and Ideology in Communist China, Oxford, Clarendon Press, 1992 [see also unpublished
chapters from his Ph.D. thesis on Graphic Arts and Yan‘an].
Mao Zedong, Mao Tse-tung on Art and Literature, Beijing, Foreign Languages Press, 1967
Mcdougall, B., ed., Popular Chinese Literature and the Performing Arts, Berkeley, University of California
Press, 1984
Mcdougall, B., Mao Zedong‘s ―Talks at the Yanan Conference on literature and art‖ a translation of the 1943 text
with commentary, Ann Arbor, Centre of Chinese Studies, University of Michigan, 1980
Sullivan, Michael, ‗Recollections of Art and Artists in Wartime Chengdu‘, The Register of the Spencer
Museum of Art, University of Kansas, vol.VI, no.3, 1986.
1949-1966
Andrews, Julia, ‗Traditional Painting in New China: Guohua and the Anti-Rightist Movement‘,The
Journal of Asian Studies, vol.49, no.3, 1990.
Andrews, Julia, Painters and Politics in the People‘s Republic of China, 1949-1979, Berkeley, University of
California Press, 1994.
Boucher, Brian,‘Red bright and shining: focusing on the Mao years, 'Art and China's Revolution' brings
to light the art and visual propaganda so often quoted-and satirized-by today's Chinese
artists.(FOCUS ASIA), in Art in America 96.11(Dec 2008): 120(4).
Chuang Shen, ‗The Central College of Fine Arts in Peking: Its History and Function‘, in Lee, N. and
Leung, C-K. eds, China: Development and Challenge, Hong Kong, University of Hong Kong, 1981.
Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution, Asia Society, New York in association
with Yale University Press, New Haven and London, 2008.
Clark, J., ‗Realism in Revolutionary Chinese Painting‘, Journal of the Oriental Society of Australia, July 1991
Clark, John, ‗The Chinese Artists‘ Association‘, Art Monthly [UK], May 1986.
Cohen, J.L., The New Chinese Painting, 1949-1986, New York, Abrams, 1987 [bibliography includes a
number of 1980s US‘ exhibition catalogues]
Croizier, Ralph, ‗Politics in Command: Chinese Art, 1949-1979‘ in Chiu, Melissa and Zheng Shentian,
Art and China‘s Revolution, Asia Society, New York in association with Yale University Press, New
Haven and London, 2008:57-74
Fineberg, Jonathan, Art Since 1940: Strategies of Being, New York, Prentice Hall Press, 2000

46
Fokkema, D.W., Literary Doctrine in China and Soviet Influence, 1956-1960, The Hague, Mouton, 1965.
Galikowski, Maria, Art and Politics in China, 1949-1984, Hong Kong, The Chinese University Press,
1998.
Laing, E.J., The Winking Owl, Art in The People‘s Republic of China, Berkeley, University of California Press,
1988.
Lu Jie, ‗Long march on the Road to Revolution‘ Kuiyi Shen, ‗Propaganda Posters and Art during the
Cultural Revolution‘ in Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution, Asia Society,
New York in association with Yale University Press, New Haven and London, 2008:201-213.
Macfarquhar, Roderick, ‗The Cultural Revolution‘ in Chiu, Melissa and Zheng Shentian, Art and China‘s
Revolution, Asia Society, New York in association with Yale University Press, New Haven and
London, 2008: 41-56.
Shen Jiawei, ‗The fate of Painting‘ in Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution, Asia
Society, New York in association with Yale University Press, New Haven and London, 2008:
103-104.
Yan Shanchun, ‗Painting Mao‘ in Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution, Asia
Society, New York in association with Yale University Press, New Haven and London, 2008: 91-
102.
Yan Shanchun, ‗Chen Yanning‘s Chairman Mao Inspects the Guandong Countryside‘ in Chiu, Melissa and
Zheng Shentian, Art and China‘s Revolution, Asia Society, New York in association with Yale
University Press, New Haven and London, 2008: 103-132.
Zhao Yannian, ‗Thunder Sounding amid the Silence‘ Chiu, Melissa and Zheng Shentian, Art and China‘s
Revolution, Asia Society, New York in association with Yale University Press, New Haven and
London, 2008: 85-90
Selected Comparative Texts on Socialist Realism
Bichler, Lorenz, ‗Coming to terms with a Term: Notes on the History of the Use of Socialist Realism in
China‘, in In the Party Spirit. Socialist Realism and Literary Practice in the Soviet Union, East Germany and
China, Hilary Chung (ed,), 1996, pp. 30 – 43.
Bonnell, Victoria E., Iconography of Power. Soviet Political Posters under Lenin and Stalin, Berkeley, University
of California Press, 1997.
Chung, Hilary (ed.), In the Party Spirit. Socialist Realism and Literary Practice in the Soviet Union, East Germany
and China, Amsterdam, Rodopi, 1996.
Croizier, Ralph, ‗ The avant-garde and the Democracy Movement; reflections on late communism in
the USSR and China‘, Europe-Asia Studies vol. 51, no.3, 1999
Cullerne Bown, M., Art Under Stalin, Oxford, Phaidon, 1991.
Cullerne Bown, M., Elliott, D., Sidorovo, A., Soviet Socialist Realist Painting, Oxford, Museum of Modern
Art, 1992.
Cullerne Bown, M., Taylor, Brandon, eds., Art of The Soviets, Manchester, Manchester University Press,
1993.
Golomstock, I., Totalitarian Art, London, Collins Harvill, 1990 [review: Clark, Newsletter, Art Association
of Australia, no.33, August 1991].
Groys, Boris, ‗The Birth of Socialist Realism from the Spirit of the Avant-Garde‘, in The Culture of the
Stalin Period, Hans Gunther (ed.), Macmillan, New York, pp. 122 – 148.
Jiang, Joshua JH, ‗The Extermination or Prosperity of Chinese Artists – Mass Art in Mid-Twentieth
Century China‖ in Third Text, Vol. 18, Issue 2 (March 2004), pp. 169-182
Kollwitz, Käthe. Käthe Kollwitz, Introduction by Carl Zigrosser, New York, H. Bittner and Company,
1946.
Landsberger, Stefan, Bibliography on Chinese Propaganda Posters downloadable from
Nagel, Otto, Käthe Kollwitz, Greenwich, Conneticut, New York, Graphic Society Ltd, 1971.
Prelinger, Elisabeth, Käthe Kollwitz, Washington, National Gallery of Art, 1992.
Roger, Avermaete, Frans Masereel, London, Thames and Hudson, 1977.

47
Schapiro, D., Critical Studies in American Art Social Realism: Art as a Weapon, New York, Frederick Ungar,
1973.
SOTS Art, New York, The New Museum of Contemporary Art, 1986.
Art 1966-1976
Asia Research Centre eds., The Great Cultural Revolution in China, Melbourne & Sydney, Paul Flesch and
Company, 1968.
Baum, R., Teiwes, F.C., Ssu-Ching: The Socialist Education Movement, 1962-1966, Berkeley, Center for
Chinese Studies, Univeristy of California, 1968.
Chen, Elsa Hsiang-chun, ‗Rethinking Revolution‘ in N Paradoxa, Vol. 10 (July 2002) London & Web
Publication
Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution, Asia Society, New York in association
with Yale University Press, New Haven and London, 2008.
Croizier, Ralph, ‗Chinese Art in the Chiang Ch‘ing Era‘, Journal of Asian Studies, vol.XXXVIII, no.2,
February 1979
Croizier, Ralph, ‗The Crimes of the Gang of Four: A Chinese Artist‘s Version‘, Pacific Affairs, vol.54,
no.2., Summer 1981.
Dal Largo, Francesca, ‗Personal Mao: Reshaping an Icon in Contemporary Chinese Art‘, Art Journal,
vol.58, no.2, Summer 1999.
Daubier, J., A History of the Chinese Cultural Revolution, [1971], New York, Vintage Books, 1974.
Fine Arts Collection Section, Peasant paintings from Huhsien County, Beijing, People‘s Fine Art Publishing
House, 1974
Gao Minglu, ‗No Name Group: Contemporary Recluses – the Bo Yi‘s and Shu Qi‘s of the Cultural
Revolution Kuiyi Shen, ‗Propaganda Posters and Art during the Cultural Revolution‘ in Chiu,
Melissa and Zheng Shentian, Art and China‘s Revolution, Asia Society, New York in association
with Yale University Press, New Haven and London, 2008: 179-186..
Goldman, M., ‗The Fall of Zhou Yang‘, China Quarterly, July -September, 1966
Kong Shuyu, ‗For reference only: restricted publication and distribution of foreign literature during the
Cultural Revolution‘, Yishu, vol.1, no.2, 2002
Krauss, Richard, ‗Arts Policies of the Cultural Revolution: The Rise and Fall of Culture Minister Yu
Huiyong‘, in Joseph, William, A.; Wong, Christopher P.; Zweig, David; eds. New Perspectives on the
Cultural Revolution, Cambridge, Council on East Asian Studies/Harvard University, 1991.
Kuiyi Shen, ‗Propaganda Posters and Art during the Cultural Revolution‘ in Chiu, Melissa and Zheng
Shentian, Art and China‘s Revolution, Asia Society, New York in association with Yale University
Press, New Haven and London, 2008: 149-164.
Laing, E. J., ‗Chinese Peasant Painting, 1958-1976, Amateur and Professional‘, Art International, vol.27,
no.1, 1984
Scheck, F.R., Chinesische Malerei seit der Kulturrevolution, München, Verlag M.Du Mont Schamberg, 1975
Wang Mingxian, ‗From street art to exhibition art: the art of the Red Guard during the Cultural
Revolution‘, Yishu, vol.1, no.2, 2002
Wang Mingxian, ‗The Red Guards‘ Fine Arts Campaign‘ Kuiyi Shen, ‗Propaganda Posters and Art
during the Cultural Revolution‘ in Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution,
Asia Society, New York in association with Yale University Press, New Haven and London,
2008: 187-200.
Yan Shanchen, ‗Political inspiration in art production: three oil paintings depicting Mao Zedong during
the Cultural Revolution‘, Yishu, vol.1, no.2, 2002
Zheng Shengtian, ‗Brushes are weapons: art schools and artists during the Cultural revolution‘, Yishu,
vol.1, no.2, 2002

48
Art 1976-1989
Andrews, Julia & Gao Minglu, ‗The avant-garde's challenge to official art‘, in Davis, Deborah S., ed.,
Urban spaces in contemporary China : the potential for autonomy and community in post-Mao China,
Washington, Woodrwo Wilson Center Press, and Cambridge, Cambridge University Press, 2001.
Ann Farrer, Chinese Printmaking Today: Woodblock Printing in China, 1980-2000, London, British Library,
2004
Barmé, Geremie, ‗Exploit, export, expropriate: artful meaning in China, 1989-93, Third Text, Winter
1993-1994.
Barmé, Geremie, Jaivin, L., eds, New Ghosts, Old Dreams, Chinese Rebel Voices, New York, Random
House, 1992.
Barmé, Geremie, Minford, J.eds, Seeds of Fire, Chinese Voices of Conscience,New York, Hill & Wang, 1988.
Blaine, J., et al, ‗Poèmes & Art en Chine, Les ―Non-Officiels‖‗, Paris, DOC(K)S, Hiver, 81/82,
Blaine, J., Gipouloux, A., ‗The Stars: A New Art Movement in China‘, in Benton, G., Wild Lillies:
Poisonous Weeds, Sydney, Pluto Press, 1982
Chan, Lauk‘ung, ‗Ten Years of the Chinese Avantgarde: Waiting for the curtain to fall‘, Flash Art,
Jan/Feb 1992.
Chang, Tsong-zung, et al., The Stars: Ten Years, Hong Kong, Hanart 2 Gallery, 1989
Clark, John, ‗A Tale of Two Cities‘[Beijing and Taibei], Art Monthly [Australia], no.29, April 1990
Clark, John, ‗Academicism in Chinese Oil Painting and a nascent avant-garde in the 1980s‘, in Duro, P.,
ed. Perspectives on Academic Art, Occasional Papers III, The Art Association of Australia, 1991.
Clark, John, ‗The Chinese Artists‘ Association‘, Art Monthly [UK], May, 1986
Clark, John, tr.‘Chinese Impressions of English Art Education‘, Art Monthly [UK], March 1982
Cohen, J.L., ‗Art in China Today: a new freedom- within limits‘, Artnews, Summer 1980
Cohen, J.L., ‗Braving the Currents of ―Bourgeois Internationalism‖‗ Artnews, January 1984
Croizier, Ralph, ‗ ―Going to the World‖: Art and Culture on the Cosmpolitan Tide‘, China Briefing, 1989,
New York, China Council of the Asia Society, 1989.
Croizier, Ralph, ‗ ―Opening the Mind‖: Nudity and Eroticism in Chinese Art of the 1980s‘, College Art
Association of America paper 1989.
Croizier, Ralph, ‗The avant-garde and the Democracy Movement; reflections on late communism in the
USSR and China‘, Europe-Asia Studies vol. 51, no.3, 1999
DeBevoise, Jane. ‗Seismic States: The Changing System of Support for Contemporary Art in China,
1978-1993‘, unpublished PhD Dissertation, University of Hong Kong, 2009.
Deng Xiaoping, Selected Works of Deng Xiaoping (1975-1982), Beijing, Foreign Languages Press, 1984.
Feaver, W., ‗A Visit to China‘, Art Monthly [UK], no.44, March 1981
Friend, R., ‗―Rebel artists‖ in Beijing‘, Eastern Horizon, November 1980
Gao Minglu, ‗Chronology of Chinese Contemporary Art (1978-1989)‘, Artspiral, New York, Asian
American Arts Centre, Winter 1991.
Gao Minglu, ‗Conceptual art with anti-conceptual attitude: Mainland China, Taiwan and Hong Kong‘,
in Global Conceptualism: Points of origin, 1950s–1980s, New York, Queens Museum of Art, 1999
Gladston, Paul, ‗A(n) (In)Decisive Art of Disclosure: Reflections on the ‘85 New Wave Exhibition at
the Ullens Centre for Contemporary Art in Beijing‘, in Yishu. Journal of Contemporary Chinese Art, v.
7(2), March, 2008, pp. 98 – 104.
Goldblatt, H. ed., Chinese Literature for the 1980s, Armonk, M.E.Sharpe Inc., 1982
Hou Hanru, ‗New self-awareness and international dialogue‘, Art Monthly Australia, 40, May 1991.
Jose, N., ‗Notes from the underground, Beijing Art 1985-89‘, Orientations, 23, no.7, July, 1992.
Köppel-Yang, Martina, ‗Zaofan Youli; Revolt is reasonable: remanifestations of the cultural revolution in
Chinese contemporary art of the 1980s and 1990s‘, Yishu, vol.1, no.2, 2002
Laing, E. J., ‗The Persistence of Propriety in the 1980s‘, in Link, Madsen, Pickowicz eds., Unofficial
China: popular culture and thought in the People‘s Republic, Boulder, Westview Press, 1989
Li, Xianting, ‗Notes and Illustrations to Major trends in the development of Modern Chinese Art‘, in Doran,
V.C., ed. China‘s New Art, Post-1981, Hong Kong, Hanart T Z Gallery, 1993.

49
Lim, Lucy, ed., Contemporary Chinese Painting: An Exhibition from the Peoples Republic of China, San
Francisco, Chinese Culture Foundation of San Francisco, 1984
Moss, H., ed., The Experience of Art, Hong Kong, Umbrella, 1983
Moss, H., Some Recent Developments in Twentieth Century Chinese Painting: A Personal View, Hong Kong,
Umbrella, 1982
Munro, R., ‗Unofficial Art in China‘, Index on Censorship, August 1982
Murray, M., intro. Avant-Garde in Chinese Art, New York, Vassar College Art Gallery, 1986
Peckham, R., ‗Rereading the Goddess of Democracy‘, in Yishu Journal of Contemporary Chinese Art, Vol 8,
Number 2, March/April 2009, pp. 33-42.
Roberts, Claire, New Art From China: Post-Mao Product, Sydney, Art Gallery of New South Wales, 1992;
Strassberg, R.L., ed., ―I don‘t want to play cards with Cézanne‖ and other works, Pasadena, Pacific Asia
Museum, 1991.
Sullivan, Michael, ‗Art and the Social Framework‘, Times Literary Supplement, 24-6-1983
Sullivan, Michael, ‗Contemporary Chinese Painting from the People‘s Republic of China‘, Orientations,
October 1983
Sullivan, Michael, ‗New Directions in Chinese Art‘, Art International, vol.XXV, no.1-2, 1982.
Tang, Q., ‗The Eighties in Modern Chinese Painting‘, in I Don‘t Want to Play Cards with Cézanne and Other
Works: Selections from the Chinese New Wave and Avant-Garde Art of the Eighties, Strassberg, R. ed.,
Pasadena, The Castle Press, 1991, pp. 5 – 18.
Tsao Tsing-yuan, ‗The Birth of the Goddess of Democracy‘ in Wasserstrom, Jeffrey N., Perry,
Elizabeth J., eds., Popular Protest and Political Culture in China, Boulder, Westview Press, 1994.
Wang Yuejin, ‗Anxiety of Portraiture: Questioning ancestral icons in post-Mao China‘, in Liu Kang;
Tang Xiaobing, eds., Politics, Ideology and Literary Discourse in Modern China, Durham, Duke
University Press, 1993.
Watson, R.C., ‗A Revolutionary Spirit comes of Age [The Stars]‘, Asian Art News, 2, no.1, Jan/Feb
1992.
Wu Hong, ‗Tian‘anmen Square: A Political History of Monuments‘, Representations, no.35, Summer
1991.
Wu Yongliu, ed., Works of the Chinese Nude Oils Exhibition, Nanning, Guangxi People‘s Publishing
House, 1988.
Xiaoping Lin, ‗Challenging the Canon. Socialist Realism in Traditional Chinese Painting Revisited‘, in
Third Text, vol. 21, Issue 1, 2007, pp. 41 – 53.
Zheng, S. ‗The Avant-Garde Movement in Chinese Art Academies‘, in I Don‘t Want to Play Cards with
Cézanne and Other Works: Selections from the Chinese New Wave and Avant-Garde Art of the Eighties,
Strassberg, R. ed., Pasadena, The Castle Press, 1991, pp. 19 – 22.
Art 1989-2000
[Post-Sense sensibility] review, Smith, Karen, Asian Art News, vol.9, no.1, 1999
Binks, Hilary ‗Stereotyping under attack‘, [5 women artists], Asian Art News, vol.9, no.1, 1999
Ai, Weiwei, ed., Chinese Artists, Text and Interviews: Chinese Contemporary Art Awards (CCAA) 1998-2002,
Hong Kong: Timezone 8 Ltd., 2002
Another Long March, Breda, Chassé-Kazerne, 1997 [Review: Smith, Karen in Art AsiaPacific, no.17, 1998]
Barmé, Geremie, ‗Exploit, Export, Expropriate: Artful marketing in China, 1989-93.‘ Third Text, no. 25
Winter 1993-94
Bernell, Robert and Shimizu Toshio, ‗Chinese contemporary photography and video‘, Chinese
Contemporary Art Bulletin, vol.2, no.5, 1999
Between the sky and the earth [Ken Lum, Frank Tam, Yan Peiming, Yang Jiechang, Zhou Tiehai], Hong
Kong, University Art Gallery, 1998.
Binks, Hilary, ‗Stereotyping Under Attack‘, Asian Art News 9:2 1999
Chang Tsong-zung and Decrop, Marc, ed., Paris-Pekin, Paris: Chinese Century, 2002

50
Chiu, Melissa, ‗Thread, Concrete and Ice. Women‘s Installation Art in China.‘ Art AsiaPacific issue
201999
Chiu, Melissa, ‗Contemporary Art In China.‘ TAASA Review, 7:3 1998
Clark, John, ‗Histories in the Modern‘, in Murray, Graeme; Syme, Meg; Knight, June; eds, Reckoning
with the past: Contemporary Chinese Painting, Edinburgh, Fruitmarket Gallery, 1996, 17-20.
Clark, John, ‗Dilemmas of (Dis-) Attachment in the Chinese Diaspora‘, Visual Arts + Culture, vol.1,
no.1, 1998.
Clark, John, ‗Official reactions to modern art since the Beijing massacre‘, Pacific Affairs, Fall, 1992.
Clark, John, ‗Pop goes the Maosell‘, [Review of Mao Goes Pop, Exhibition of contemporary art from the People‘s
Republic of China at the Museum of Contemporary Art, Sydney, July-August 1993], Art Monthly
Australia, no.61, July, 15-16; see also letters by Jose & Huangfu in no.62 and Clark in no.63].
Clark, John, ‗Postmodernism and recent expressionist Chinese oil Painting‘, Asian Studies Reviews, vol.15,
no.2, November 1991.
Clark, John, ed., Chinese Art at the end of the Millenium, Hong Kong New Art Media, 2000 [articles from
Chinese-art.com for 1998 and 1999].
Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications,
2007.
Clarke, David, ‗Foreign Bodies: Chinese art at the 1995 Venice Biennale‘, Art & Asia-Pacific, vol.3, no.1,
1996.
Clarke, David, ‗Reframing Mao: aspects of recent Chinese Art, Culture and Politics‘, in his Art and Place:
Essays on Art from a Hong Kong Perspective, Hong Kong, HongKong University Press, 1996.
Cohn, Don J., ‗Meditation on the Stars‘, ArtAsiaPacific, no. 46, 2005.Combs, Nicky, ‗The Struggle for
the New‘, Asian Art News 9:3 1999
Croizier, Ralph, ‗Nine Straws in the Wind‘, [Young women artists in Beijing], Third Text, 31, Summer
1995.
Croizier, Ralph, ‗Qu Yuan and the Artists: Ancient Symbols and Modern Politics of the Post-Mao Era‘,
inUnger, Jonathan, Using the Past to Serve the Present, Armonk, M.E. Sharpe, 1993.
Dal Lago, Francesca, ‗Inside Out: Chinese Avant-garde Art. [A Conversation with Gao Minglu] Art
AsiaPacific, issue 20 1998
Dal Lago, Francesca, ‗Personal Mao: Reshaping an Icon in Contemporary Chinese Art.‘ Art Journal
Summer 1999
Dao Zi, ‗True Lies‘, [new reportage photography], ART AsiaPacific, no.13, 1997.
Decrop, Jean Marc; Erickson, Britta; Smith, Karen; Zhang Li, ed., China: Contemporary Art, Sao Paulo:
Editions FAAP, 2002
Dewar, Susan, ‗Beijing Report‘, ART AsiaPacific, no.15, 1997.
Dewar, Susan, ‗Beijing Report‘, Art & Asia Pacific, vol.3, no.2, 1996.
Dewar, Susan.& Doar, Bruce, ‗From Tradition to Modernity‘, Asia-Pacific Sculpture News, vol.1, no.1,
Winter, 1995.
Dian Tong, China! New Art & Artists, Atglen (US), Schiffer Publisher, Ltd., 2005
Dijk, Hans van, ‗Painting in China after the Cultural Revolution: Style Developments and Theoretical
Debates. Part I: 1979-1985,‘ China Information, Vol. 6, No. 3, Winter 1991-1992
Doran, V.C., ‗The Commerce of Art‘, Art & Asia Pacific, vol.1, no.3, 1994.
Doran, V.C., ed., China‘s New Art post-1989, Hong Kong, Hanart TZ Ltd., 1993.
Erickson, Britta, ―A Second Twentieth-Century Crest of Internationalism in Chinese Contemporary
Art‖ in China: Contemporary Art, Sao Paolo, Museo de Arte Brasiliera, 2002
Feng Boyi, et.al., Mahjong: Contemporary Chinese Art from the Sigg Collection, Ostfildern (Germany), Hatje
Cantz, 2005
Findlay, Ian, ‗Kuang Jian at Palette Collections Gallery‘, Exhibition Reviews, Thailand Feature, Asian
Art News, vol. 12, no. 1, January/February 2002
Findlay, Ian, ‗The Individualist Touch‘, Asian Art News, vol.1, no.3, November/December 1991

51
Fei, D., ‗Aspects of Chinese Contemporary Art: In Between Limits‘, in In Between Limits, Seoul, Sonje
Museum of Contemporary Art, 1997, pp. 12 – 15.
Fuchs, Anneli, Cai GuoQiang: Flying Dragon in the Heaven, Louisiana 8.3-27.4 1997, Denmark, Sweden
Gao Minglu, Inside Out: New Chinese Art, Berkeley, University of California Press, 1998.
Gao, Minglu, ‗The Great Wall in Contemporary Chinese Art‘ in positions: east asian cultures critique, Vol.
12, No. 3 (winter 2004)
Gao, M. L., and Hou, H., ‗Strategies of Survival in the Third Space
Gao, M.L.,: A Conversation on the Situation of Overseas Chinese Artists in the 1990s‘, in Inside Out:
New Chinese Art, New York, Asia Society Galleries, 1998, pp. 33 – 51.
Gao, M. L., ‗The Intellectual‘s Voice: The Third Space in Contemporary Chinese Art‘, Yishu: Journal of
Contemporary Chinese Art, vol.8, no.3,May/ June 2009.
Goodman, Jonathan, ‗Zhou Brothers at Chambers Fine Art‘, Art in America, Vol. 90, Issue 7, July 2002
Harris, Clare, In the image of Tibet; Tibetan Painting after 1959, London, Reaktion Books, 1999.
Hay, Jonathan, ‗Ambivalent Icons‘, Orientations 23 July 1992: 38
Hou Hanru, ‗De ―décrire la réalitié‖ au ― théâtre du monde‖. L‘art Chinois depuis 1979‘. [traduit par
Lacoste, J.) in Harry Belleter, ed., Face à l‘Histoire , Paris, Centre Georges Pompidou,1996
Hou Hanru, ‗Towards an ―Un-Unofficial Art‖: de-ideologicalisation of China‘s Contemporary Art in
the 1990s‘, Third Text, no.34, Spring 1996.
Hou Hanru, ‗Beyond the cynical: China avant-garde in the 1990s‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Hou Hanru, ‗Departure Lounge Art‘, Art & Asia Pacific, vol.1, no.2, 1994.
Hou Hanru, ‗Entropy; Chinese Artists, Western Art Institutions: A new internationalism‘, in Fisher, J.,
ed., Global Visions: Towards a new internationalism in the Visual Arts, London, Kala Press, 1994.
Hou Hanru, On the Mid-Ground (selected texts edited by Yu Hsiao-Hwei), Hong Kong, Timezone 8,
2002.
Huang Junqing, ed., Dream of China – 97‘ Chinese Contemporary Art, Beijing, China Today Press, 1997
Huangfu Binghui, ‗Foreign compound, global market‘, Asian Art News, vol.9, no.5, 1999
Huangfu Binghui, cur. & ed., In and Out, Contemporary Chinese Art from China and Australia, Singapore, La
Salle SIA, College of the Arts, 1997.
Jaivin, L., ‗From the barrel of a gun‘, Art & Asia Pacific, no.2, June 1992.
Jin, Yuqing, ‗Contemporary Chinese Art‘, Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka:
Fukuoka Asian Art Museum, 1999
Jose, N., ‗Brokering a space: new Chinese art‘, Art Monthly Australia,53, Sept 1992.
Jose, N., ‗My search for a shaman‘, Art & Asia Pacific, vol.1, no.2, 1994.
Jose, N., ‗Next Wave Art‘, Art & Asia Pacific, no.2, 1993.
Jose, N., ed., Mao Goes Pop, China post 1989, Sydney, Museum of Contemporary Art, 1993.
Jouanno, Evelyne. ‗Out of the Centre or Without the Centre.‘ Third Text no.28/29 Autumn/Winter
1994
Köppel-Yang, Martina, Semiotic Warfare: The Chinese Avant Garde 1979-1989, a semiotic analysis, Hong
Kong, Timezone 8, 2003.
Köppel-Yang, Martina; Schneckmann, Peter; Schneider Eckard R., Gebrochene Bilder, Junge Kunst aus
China, Selbsdarstellungen, Bad Honnef, Horlemann, 1991
Kuspit, Donald, ‗China! Das Kunstmuseum Bonn Zeigt's‘, Artforum International, Vol.35, Issue 1,
September1996
Leng Lin. ‗―It‘s Me!‖--The Main Theme of China‘s Contemporary Art in the 1990s‘‘Asian Art:
Prospects for the Future.‘ International Symposium 1999
Li Xianting, ‗After Pop: Kitsch Discourse and Satritical parody‘, Visual Arts + Culture, vol.1, no.1, 1998.
Li Xianting, ‗The Imprisoned Heart‘, Art & Asia Pacific, vol.1, no.2, 1994.
Li, X., ‗Major Trends in the Development of Contemporary Chinese Art‘, in China‘s New Art, Post-1989,
Doran, V. ed., Hong Kong, Hanart TZ Gallery, 1993, pp. x – xxii.
Lin Yilin ‗Big Tail Elephant in the 1990s‘, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003.

52
Litzinger, Ralph A., ‗Screening the Political: Pedagogy and Dissent in The Gate of Heavenly Peace‘ in
positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 827-850
Louie, Regan, Toward a Truer Life: Photographs of China, 1980-1991, New York, Aperture Foundation,
1991
Lu, Sheldon Hsiao-peng, ‗Global POSTmoderniZATION: The Intellectual, the Artist,and China‘s
Condition‘, in Dirlik, Arif; Zhang Xudong, ‗Postmodernism and China‘,S pecial Issue of Boundary
2, vol.24, no.3, Fall 1997.
Lutfy, Carol, ‗Flame and fortune‘, ARTnews December 1997: 147
Maki Yôichi, Avan- Chaina, Chûgoku no Gendai aato, Tôkyô, Kodama-sha, 1998.
Mao Yiling, ‗Pushing boundaries‘, Art AsiaPacific, 24, 1999
Martin, Tim. ‗Silent Energy: New art from China: Guha, Tania, ―Transition of Riches‖.‘ Third Text,
no.25 Winter 1993-94
McKenzie, A., ‗Interviews with Six Survivors‘, in Six Contemporary Chinese Artists, Sydney, University of
Western Sydney.
Phillips, Christopher, ‗In Mao‘s Footsteps‘, Art in America, Vol. 90, Issue 9, September 2002
Pi Li, ‗My life, my decision: the political nature of Chinese contemporary art‘, Contemporary Chinese Art
Bulletin, vol.2, no.5, 1999.
Pöhlmann, W., China Avantgarde, Berlin, Haus der Kulturen der Welt & Heidelberg, Edition Braus,
1993.
Qian, Zhijian, ‗Performing Bodies: Zhang Huan, Ma Liuming, and Performance Art in China‘ in Art
Journal, Summer 1999, pp. 61-81
Quotation Marks, Singapore, Singapore Art Museum, 1997 [review: Lee Weng Choy in Art AsiaPacific,
no.17, 1998].
Reynaud, Berenice, ‗To live and die in Beijing‘, Artforum International, Vol.36, Issue 8, April 1998
Roberts, C., ‗Towards self-reliance? A selected view of contemporary Chinese art‘, in Lee M. &
Syrokomla-Stephanowska, A.D., eds, Modernization of the Chinese Past, Sydney, Wild Peony, 1992.
Roberts, C., New Art From China: Post-Mao Product, Sydney, Art Gallery of New South Wales, 1992.
Rowe, Ron, ‗Interfacing with China‘, Artlink, Vol. 16, No.2&3, Winter 1996
Sang Ye, ‗Fringe Dwellers: Down and out in the Yuan Ming Yuan artists‘ village‘, ART AsiaPacific,
no.15, 1997
Schwabsky, Barry, ‗Tao and Physics,‘ Artforum, Summer 1997: 121
Scott, Tony, ‗Re-merging after Tian‘anmen‘, Art Monthly Australia, no.73, September 1994.
Serfaty, Paul, ‗The artist as a reflection of society‘ [Ducrop collection], Asian Art News, vol.10, no.4,
2000
Sichel, Berta M., ‗Antilinear‘, Flash Art, March/April 1997: 72
Silbergeld, Jerome, ‗Art and Censorship in Socialist China: a do-it-yourself system‘, in Childs, Elizabeth
C., Suspended License: Censorship and Visual Arts, Seattle, University of Washington Press, 1997.
Smith, Karen, ‗Notes on China‘s Video Installation Art.‘ Asia-Pacific Sculpture News 2:4 Autumn 1996
Smith, Karen, ―The Cultural Considerations of Contemporary Artists From China‖ in China:
Contemporary Art, Sao Paolo, Museo de Arte Brasiliera, 2002
Smith, Karen, Nine Lives in New China, Zurich, Scalo Publishers, 2005
Smith, Karen, Representing the People, Manchester, Chinese Arts Center, 1999
Solomon, Andrew, ‗The howl that could free China‘, The New York Times Magazine, 19.12.1993, p.48
Tang, D., ‗A Frowning Smile‘, in Another Long March: Chinese Conceptual and Installation Art in the Nineties,
Driessen, C, and van Mierlo, H. eds., Breda, Fundament Foundation, 1997, pp. 94 – 131.
Tsao Tsing-yuan, ‗The Birth of the Goddess of Democracy‘ in Wasserstrom, Jeffrey N.,Perry, Elizabeth
J., eds., Popular Protest and Political Culture in China, Boulder,Westview Press, 1994.
Ullens, Baron Guy F, Binks, Hillary, ‗The Collecting Instinct‘, Asian Art News, vol. 12, no. 4,
July/August, 2002
Van Dijk, Hans, and Lindermann, Inge, China China-Aktuelles aus 15 Ateliers, Munich, Hahn, 1996

53
Wang Jing, High Culture Fever: Politics, Aesthetics, and Ideology in Deng‘s China, Berkeley, University of
California Press, 1996.
Wang Yuejin, ‗Anxiety of Portraiture: Questioning ancestral icons in psot-Mao China‘, in LiuKang;
Tang Xiaobing, eds., Politics ideology and Literary Discourse in Modern China,Durham, Duke University
Press, 1993.
Watari, Koichi, Chinese Contemporary Art, Tokyo, Watari-um, 1997
Watson. R.C., ‗Revealing the Soul of a Rural World‘, Asian Art News, 2, no.2. Mar/Apr 1992.
Wu, H, ‗Ruins, Fragmentation, and the Chinese Modern/Postmodern‘ in Inside Out: New Chinese Art,
New York, Asia Society Galleries, 1998, pp. 59 – 66.
Wu Hung, ‗Tian‘anmen Square: A Political History of Monuments‘, Representations, no.35, Summer
1991.
Wu Hung, ed., Chinese Art at the crossroads, Between Past and Future, Between East and West, Hong Kong,
New Art Media, 2001.
Wu Hung, Exhibiting experimental art in China, Chicago: The David and Alfred Smart Museum of Art,
The University of Chicago, 2000.
Wu Hung, Transience: Chinese Experimental Art at the End of the Twentieth Century, Chicago, Smart Museum
of Art, University of Chicago, 1999
Xing Danwen, Danwen Xing, Wo-men: A Personal Diary of Chinese Avant Garde in the 1990s: Photographs,
1993-1998, Zurich, Scalo Publishers, 2007 (Forthcoming)
Xu, Hong, ‗Dialogue; the awakening of women‘s consciousness‘, Art & Asia Pacific, vol.2, no.2, 1995.
Xu, Hong, ‗The Spotted Leopard‘, Art & Asia Pacific, vol.1, no.2, 1994.
Art 2000+
‗What is Left of the Hype? Panel Discussion on China‘s Art: Between New Beginnings and Commerce‘,
in Yishu. Journal of Contemporary Chinese Art, v. 7(2), March, 2008, pp. 41 – 56.
Ai Weiwei, Beijing 10, Hong Kong, Timezone 8, 2005
Baecker, Anjie and Webster, Graham, ‗Beijing before the Olympics: Business as Usual?‘, in
ArtAsiaPacific, No. 59, July/August, 2008, pp. 102 - 109.
Battiston, Eleonora, ‗The Art Marketing of China‘, Flash Art, vol. XXXIX, no. 248, May-June, 2006.
Beech, Hannah, ‗China‘s Next Cultural Revolution‘, Time Magazine, November 4 2002
Beech, Hannah, ‗The Tale of Two Cities‘, Time Magazine, May 8 2000
Berghuis, Thomas J., ‗Broadening the Scope‘, in Artlink, Vol. 23, No. 4, 2003, p.42-47.
Berghuis, Thomas J., ‗Considering ―Huanjing‖: Positioning Experimental Art in China‘ in positions: east
asian cultures critique, Vol. 12, No. 3 (winter 2004)
Berghuis, Thomas J., ‗Signs of Artistic Times in China‘, IIAS Newsletter, No. 27, March 2002
Bernell, Robert, ‗The Internet‘, Art AsiaPacific, 27, 2000
Binghui, Huangfu, ‗New museum creates cafe society in Shenzhen‘ [online] Artlink, v.25, no.3, 2005.
Binks, Hilary, ‗China‘s Broad View‘, Asian Art News, vol. 12, no. 6, November/December, 2002
Britton, Stephanie, ‗Artlink on the Road: A China Diary‘ (Report) in Artlink, Vol. 24, No. 2 (2004)
Broers, Waling and Pi Li, eds., Touching the Stones: China Art Now, Hong Kong, Timezone 8, 2006
Chan, David Ho Yeung., ‗The Fifth System as New Psychological Spaces‘, in Yishu: Journal of
Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.77-82.
Chang Tsong-zung, ‗New Realities and New Imagination‘, Asian Art News, vol. 16, no. 1, 2006.
Chang Tsong-zung, ‗Yellow Box: On Art before the Age of Museum Exhibitions‘, Asian Art News, vol.
15, no. 2, 2005.
Chang, Alexandra, ‗Fresh: 6 th Generation Chinese Video Artists‘ in Art Asia Pacific, No. 41 (Summer
2004), 58-62
Chang, Tsong-zung, ‗China Without China‘, Mercosul Biennial Review, Asian Art News, vol. 12, no. 2,
March/April 2002
Chen Tong, ‗An Express Train without Destination‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 3,
No. 1, March 2004, p.17-21.

54
Chen, Chao S., ‗The Wall: Reshaping Chinese Contemporary Art‘ (review), ArtAsiaPacific, no. 48, 2006.
Chen, Tina Mai, ‗Proletarian White and Working Bodies in Mao‘s China‘, positions east asia cultures critique,
Vol. 11, Number 2, Fall 2002
Chiu, Melissa, ‗Sleight of hand, use of text in Chinese contemporary art‘, Art AsiaPacific 29, 2001
Chua Beng Huat, ‗Globalisation, Asia Art and Market‘, Huangfu, Binghui, Site+Sight: Translating Cultures,
Singapore, LaSalle-SIA, 2002.
Chua, Ferreolus., ‗The Great Leap Forward: Interview with Ma Liuming and Yue Minjun‘, Laura Soon
and Tang Ling Nag (trans), in Vehicle: Contemporary Visual Arts, No.8, 2002, p.10-16.
Ciric, Biljana, ‗Collecting Elsewhere: An Interview with Uli Sigg‘, Yishu: Journal of Contemporary Chinese
Art, vol. 4, no. 4, Dec. 2005.
Clark, John, ‗A Narrowing of Horizons: The Shanghai and Gwangju Biennales 2006‘, Art Monthly
Australia, no. 196, December 2006-February 2007.
Clark, John, ‗System and Style in the practice of Chinese contemporary art: the disappearing exterior?‘,
Yishu, vol.1, no.2, 2002
Clarke, David, ‗The Watery Turn in Chinese Contemporary Art‘, Art Journal, vol. 65, iss. 4, 2006.
Coleman, Dnnis, ‗Scales of perception: recent Chinese painting‘, in Art Monthly Australia, Issue No.:
210, June 2008, pp. 33 – 35.
Contemporary Chinese Art Guide 2009, annual supplement to the Yishu Journal of Contemporary Chinese Art.
Cruickshank, A., ‗Made in China‘, in Contemporary Visual Art + Culture Broadsheet, Vol 37, no. 4, p. 234-5.
Dal Largo, Francesca, ‗The fiction of everyday life‘, Art AsiaPacific, 27, 2000.
Dal Largo, Francesca, ‗Turandot; Chinoiserie made in China‘, Art AsiaPacific, 23, 1999.
Decrop, Jean-Marc, ―Chinese Modernity: 1998-2002‖ in China: Contemporary Art, Sao Paolo, Museo de
Arte Brasiliera, 2002
Di Stephano, John, ‗A Match Made in Shanghai‘, ArtAsiaPacific, no. 45, 2005.
Dijk, Hans van, and Welsh, Eduardo, Portraits, Figures, Couples and Groups: From the Collection of the Modern
Chinese Art Foundation 2001, Beijing: The Modern Chinese Art Foundation, 2001
Don, Katherine, ‗Building Code Violations at Long March Space‘ (review), Asian Art News, vol. 16, no. 3,
2006.
Du, Huang, ‗A Lens on Diversity‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.50-57.
Ereums, Kris Imants, ‗Cancelled!‘, Art AsiaPacific, 31, 2001
Erickson, Britta, ‗The rise of a feminist spirit‘, Art AsiaPacific, 31, 2001; Feng Jiali, ‗Limitless
difference‘, Art AsiaPacific, 31, 2001
Erickson, Britta, ‗Backflow: Returned Chinese Artists‘, in Artlink: The China Phenomenon, Vol. 23, No. 4,
2003, p.26-37.
Erickson, Britta, On the Edge: Contemporary Chinese Artists Encounter the West, Hong Kong, Timezone 8,
2004
Fan Di‘an, ‗Synthi-scapes‘, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003
Fang Jun, ‗Spreading the Image of Chinese Art‘, Asian Art News, vol. 15, no. 5, 2005.
Flash Art, ‗Focus China – Red Hot: A Survey of Chinese Contemporary Art‘, Flash Art, vol. XXXVIII,
no. 241, Mar-Apr, 2005 [Blurbs on artists: Bai Yiluo, Cang Xin, Cao Fei, Chen Lingyang, Chen
Wengbo, Chi Peng, Cui Xiuwen, Feng Mengbo, Feng Zhengjie, Han Lei, Ji Dachun, Li Dafang,
Li Songsong, Li Wei, Liang Shuo, Liang Yue, Liu Zheng, Lu Chunsheng, Lu Hao, Ma Han, Ma
Liuming, Pan Xing Lei, Qiu Zhijie, Rong Rong & Inri, Sheng Qi, Shi Zhongying, Song Dong,
Song Tao, Wang Ningde, Wang Qingsong, Wang Wei, Wang Xingwei, Xiang Liqing, Xie
Nanxing, Xu Zhen, Xue Song, Yan Lei, Yang Mian, Yang Yong, Yang Zhenzhong, Zhang Huan,
Zhao Liang, Zheng Guogu, Zhou Tiehai and Zhu Ming].
Fujii, Lucy Birmingham, ‗China: Crossroads of Culture and Follow Me! Chinese Art at the Threshold of the New
Millenium at Mori Art Museum‘, Asian Art News, vol. 15, no. 5, 2005.
Gao Minglu et. al., eds., Visible/Invisible: Does Abstract Art Exist in China?, Hong Kong, Timezone 8,
2006
Girard-Geslan, Maud, ‗Chinese contemporary art: a new reflection‘, Artlink, Vol. 20, No. 2, July 2000

55
Gladston, Paul, ‗No matter from which side, it is still possible to see: a review of Karen Smith‘s Nine
Lives: The Birth of the Avant Garde in China‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4,
Dec 2006.
Gladston, Paul, ‗Chan-Da-da(o)- De-construction or, The Cultural (II) Logic of Contemporary Chinese
―Avant-Garde‖ Art‘, in Yishu Journal of Contemporary Chinese Art, Vol. 7, No. 4, July 2008, pp. 63-
69.
Goodbody, Bridget, ‗Beyond the Delta‘, ArtAsiaPacific, no. 46, 2005.
Goodman, David S.G., ‗Contending the popular: party-state and culture‘, positions: east asia cultures
critique, vol. 9, no.1 Spring 2001.
Grace, Helen., ‗Xiandai Shufa‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.38-41.
Grishin, Sasha, ‗After the Cultural Revolution: Contemporary Art in Shanghai‘, Art and Australia, vol.
44, no. 2, 2006.
Gu Zhenqing, and Li Yang, ‗The Decade of the Rise‘, in Artlink: The China Phenomenon, Vol. 23, No. 4,
2003, p.63-67.
Gu Zhenqing, ed., Back to the Future: Shanghai Arts, Timezone 8, Hong Kong, 2007
Gu, Zhenqing and Li Yang, ‗Emerging from Behind the Screen of Female Art‘, in Yishu: Journal of
Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.43-49.
Gustafson, Paula, ‗Unveiled reality‘, Art AsiaPacific, 25, 2000.
Hantover, Jeffrey, ‗Serial Thrillers and the Art of the Steal‘, ArtAsiaPacific, no. 50, 2006.
Hasegawa, Yuko, ‗Yang Fudong: Beyond Reality‘, Flash Art, vol. XXXVIII, no. 241, Mar-Apr, 2005.
He, Fiona., ‗Observing Contemporary Chinese Art through Writing‘, in Yishu Journal of Contemporary
Chinese Art, Vol 8, Number 4, July/August 2009, p. 6-17 and in Asia Art Archive,
http://www.aaa.org.hk/newsletter accessed 6/05/2009.
Heartney, Eleanor, ‗The body East‘, Art in America, April 2002.
Hou Hanru, ‗Barricades: The Big Tail Elephants‘, Hou Hanru and Andrey Powell (trans.), in Yishu:
Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.47-55.
Hou Hanru, ‗Canton Express‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004,
p.14-16.
Hou Hanru, ‗China Today: Negotiating the Real, Longing for Paradise‘, Flash Art, vol. XXXVIII, no.
241, Mar-Apr, 2005.
Hou Hanru, ‗Z.O.U.-Zone of Urgency‘, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003.
Hou Hanru, ‗Living With(in) the Urban Fiction (Notes on Urbanization and Art in Post-Olympic
China)‘, Yishu: Journal of Contemporary Chinese Art, vol.8, no. 3, May/June 2008
Hou, H., and Jouanno, E., ‗Material Performance‘, in Shen Yuan, Campbell, S. and Tawadros, G., eds.,
London, Institute of International Visual Arts, 2001, pp. 50 – 57.
Hou, H., and Jouanno, E., ‗They Dwell in Movement…‘, in On the Mid-Ground: Hou Hanru, Yu, H. H.,
ed., Hong Kong, Timezone 8, 2002, pp. 200 – 213.
Huang Rui, ed., Beijing 798: Reflections on Art, Architecture, and Society in China, Hong Kong, Timezone 8,
2005
Jia Fangzhou, ‗The Eternal Quest for Self‘ (review of Ink and Sex exhibition, Beijing), Asian Art News,
vol. 16, no. 5, Sep-Oct 2006.
Jia Jia, ‗Female Subject Animated: A Case Study of Digital Online Animation in Contemporary China‘,
in International Journal of Comic Art, Vol. 7, No. 1, Spring 2005, pp. 360-388.
Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003.
Jordan, Francesca, ‗Aperto Beijing‘ in Flash Art, Vol. XXXVI, No. 231 (July-September 2003), pp. 71-
73
Köppel-Yang, Martina, ‗Black-Extreme-Vigorous-Figurative‘, Yishu: Journal of Contemporary Chinese Art,
vol. 5, no. 1, 2006.

56
Köppel-Yang, Martina, ‗From Glittering ―Stars‖ to Shining El Dorado, or, the ―Adequate Attitude of
Art would be that with Closed Eyes and Clenched Teeth‖‘, Yishu: Journal of Contemporary Chinese
Art, vol. 4, no. 4, Dec. 2005.
Köppel-Yang, Martina, ‗The Ping-Pong Policy of Contemporary Chinese Art‘ in Yishu: Journal of
Contemporary Chinese Art, June 2004, pp. 60-66
Köppel-Yang, Martina., ‗From the Heart of Canton‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 3,
No. 1, March 2004, p.7-13.
Lai, Sally, ‗Through Popular Expression, International Project Space, Birmingham, United Kingdom‘
(exhibition review), Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006.
Leanza, Beatrice, ‗Fancy Dreaming‘ (review), Flash Art, vol. XXXIX, no. 250, Oct, 2006.
Li Hsiao-t‘i ‗Making a name and a culture for the masses in modern China‘, positions: east asia cultures
critique, vol. 9, no.1 Spring 2001.
Lin Xiaoping, ‗Discourse and displacement‘, Art AsiaPacific, 25, 2000
Low, Joni, ‗A Critique of Criticism: Deconstructing Reviews of Between Past and Future‘, Yishu: Journal of
Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005.
Low, Joni, ‗Symphony of Riddles: Wu Shanzhuan; Red Humour International‘ (book review), Yishu: Journal
of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.
Low, Joni, ‗The Unreality of Trade‘ (review), Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006.
Lu, Carol (Yinghua), ‗Fragmented Memory and Energy: Chinese Contemporary Art and its Multiple
Layers of Ideology‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006.
Lu, Carol, ‗China Update‘, Flash Art, vol. XXXVIII, no. 243, July-September, 2005.
Lu, Carol, ‗Fancy Dream‘ (exhibition review), ArtAsiaPacific, no. 50, 2006.
Lu, Sheldon, ‗Beautiful Violence: War, Peace, Globalization‘ in positions: east asian cultures critique, Vol. 12,
No. 3 (winter 2004)
Lu, Victoria, ‗The New Century of Neo-Aesthetics in Animamix Art‘, in TAASA Review. The Journal of
the Asian Art Society of Australia, v. 17 (1) March, 2008, pp. 12 – 13.
Lum, Ken, ‗Interview with Hou Hanru‘, Lin Yilin ‗Big Tail Elephant in the 1990s‘, Yishu: Journal of
Contemporary Chinese Art, vol.2, no., June 2003.
Ma Jun, ‗Documenta 12 Magazines Special Feature: Dispute over the ―dumped‖ graduation theses of
twelve students in the oil painting class of the art institute of Shanghai Normal University‘, Yishu:
Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.
Maerkle, Andrew, ‗The Long March Project: Backward Progress‘, in ArtAsiaPacific, No. 56, Nov/Dec,
2007, p. 150 - 155.
Maggio Meg, ‗From action to image‘, Art AsiaPacific, 31, 2001
Mars, Neville/ Dynamic City Foundation, The Chinese Dream: A Society Under Construction, Hong Kong,
Timezone 8, 2007 (Forthcoming)
Merewether, Charles., ‗The Spectre of Being Human‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2
No. 2, June 2003, p.58-81.
Merewether, Charles, ‗Everyday Life and the Imaginaries of the Modern‘, in eds. Clark, John, Peleggi,
Maurizio & Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art,
Sydney, Wild Peony, 2006.
Meyer, James, ‗The Wall: Reshaping Chinese Contemporary Art‘ (review), Artforum, vol. 44, Iss. 8, 2006.
Moon, Iris, ‗Arario Gallery: Beijing or Bust‘, ArtAsiaPacific, no. 47, 2006.
Morgan, Robert C., ‗The New Chinese landscape and the Avante-Garde‘, in AsianArtNews, Vol. 19 No.
3 May/June 2009, pp. 48-55.
Movius, Lisa, ‗AShanghai Spring‘ in Art in America (June/July 2004), pp. 146-149
Movius, Lisa, ‗Report from Shanghai II. Museum Roulette‘, in Art in America, May 2007, pp. 82 –
85.Napack, Jonathan, ‗Young Beijing‘ in Art in America (June/July 2004), pp. 142-143
Ng, Elaine W., ‗Continental Drift: The Ullens Center for the Arts‘, ArtAsiaPacific, no. 50, 2006.
Ni Tsai-chin, ‗Globalization and contemporary Chinese art‘, Yishu: Journal of Contemporary Chinese Art,
vol.2, no., June 2003.

57
Niridsany, Michel, China: Art Now, Paris, Flammarion, 2004
Ozawa, Kai, ‗Follow Me‘ (exhibition review), ArtAsiaPacific, no. 47, 2006.
Pi Li, et.al., Art Beijing 2006, Hong Kong, Timezone 8, 2006
Pollack, Barbara, ‗Origins of the Chinese Avant-Garde‘, in ArtAsiaPacific, No. 58, May/Jun, 2008, p. 99.
Quadrio, Davide, ‗The necessary instability of hybrid cultures‘ in Asia Art Archive,
http://www.aaa.org.hk/newsletter accessed 6/05/2009
Salmenkari, Taru, ‗Impelementing and avoiding control: contemporary art and the Chinese state‘, China:
an international journal, vol. 2, no. 2, September 2004.
Sassoli, Lorenzo, China: Contemporary Painting, Bologna, Damiani, 2005
Scarlett, Ken, ‗sculpture, and yet more sculpture, at Changchun, China‘ in Art Monthly Australia, No.
169 (May, 2004), pp. 34-37
Scarlett, Ken., ‗A Feast of Sculpture‘ (The World Sculpture Park and the International Sculpture
Conference at Changchun), in World Sculpture News, Vol.9, No.4, Autumn 2003, p.36-40.
Serfaty, Paul, ‗New Generations in Chinese Photography‘, Asian Art News, vol. 16, no. 3, 2006.
[Shanghai, Parachute Special Issue] Parachute 114 (2004): Wright, Stephen, ‗Shanghai/Shanghai: Spaces
without Qualities/ Spaces of Promise‘ in Parachute 114 (2004), pp. 8-35; Ken Lum, ‗«I Don‘t
Know‘ (Visual Essay) in Parachute 114 (2004), pp. 36-39; Merewether, Charles, ‗The Long
Striptease: Desiring Emancipation‘ in Parachute 114 (2004), pp. 40-57; Tang Maohong, Song Tao
and Yang Zhengzhong, ‗2004.1.1 SHANGHAI‘ in Parachute 114 (2004), pp. 58-61; Wright,
Stephen, ‗A City Without Leftovers‘ (Conversation with Ma Qingyun) in Parachute 114 (2004),
pp.62-80; Jim, Alice Ming Wai, ‗Tourism, Art and Shanghai‘s Urban Skyline‘ in Parachute 114
(2004), pp.81-101; de Vito, Natalie, ‗Pranks and Prohibitions: On the Art of Xu Zhen‘ in
Parachute 114 (2004), pp. 102-115, Zhang, Zhen, ‗Suzhou River (Urban Memory and Tacticle
Cinema) in Parachute 114 (2004), pp. 116-129; Chu, Ingrid, ‗Shanghai and Beyond (A Roundtable
with Ken Lum, Davide Quadrio, Xu Tan and Zhang Weiwei) in Parachute 114 (2004), pp. 130-136
Shen, Kuiyi., ‗Landscape as Cultural Consciousness in Contemporary Chinese Art‘, in Yishu: Journal of
Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.33-40.
Shu Yang, ed., The Roadmap to Painting, Hong Kong, Timezone 8, 2006
Shu Yang, Out of the Red: The New Emerging Generation of Chinese Photographers (Catalogue), Bologna,
Damiani, 2004
Shu Yang, Purity – A Dip Interview with 103, Hong Kong: Culture of China Publications Co., Ltd.
Silbergeld, Jerome, ―Waltzing with the Censor: Private Conventions of Protest in Contemporaery
Chinese Art‖, Seattle Art Museum, Fourth Annual Colloquium, April 2000
Smith, Karen, ‗The Future: In Whose Hands‘ in Yishu: Journal of Contemporary Chinese Art, June 2004, pp.
53-59
Smith, Karen., ‗The Cost of Creativity‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.20-25.
Sullivan, Michael, Modern Chinese Artists: A Bibliographical Dictionary, Berkeley, California, University of
California Press, 2006
Tan, Adele, ‗A Tale of Two Performance Art Festivals: Transborder Language and the Dadao Live Art
festival‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006.
Tang, Lin-yun, ‗Mao, Money and Censorship after the ―Domestic Turn‖ in Beijing‘s Art World‘, Yishu:
Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.
Tetmajer von Przerwa, Xenia ‗Mahjong: Contemporary Chinese Art from the Sigg Collection‘ (review),
ArtAsiaPacific, no. 47, 2006.
Tetmajer von Przerwa, Xenia, ‗Zooming into Focus: Chinese Contemporary Photography and Video
from the Haudenschild Collection at the National Museum of Art, China, Beijing‘ (review), Yishu:
Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006.
Tinari, Philip, ‗Beijing‘, Artforum, vol. 45, iss. 4, 2006.
Tinari, Philip, ‗The Complete Art Experience Project (Shi Qing, Wang Wei, rania Ho, Liu Ding, Qiu
Zhijie, Liu Wei, Li Zhenhua, Wu Ershan, Zhang Hui, Colin Chinnery) (review), ArtAsiaPacific,
no. 48, 2006.

58
Tinari, Philip, ‗Original Copies: on the Dafen painting village‘, ArtForum, October, 2007.Tsao
Hsingyuan, ‗A Dialogue on Contemporary Chinese Art: The One Day Workshop ―Meaning,
Image and Word‖‘, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.
Tsao, Hsingyuan, ‗Fun, Pleasure-Seeking, but Thoughtful: On Urban Popular Culture in China‘ in
Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 89-102
Ulrich Obrist,Hans, ‗The Museum of the Future: Art, Architecture, Science, and Technology‘ in Yishu:
Journal of Contemporary Chinese Art, June 2004, pp. 67-72
Vine, Richard, ‗Report fromShanghai‘, Art in America, July 2001
Vine, Richard, ‗The Academy Strikes Back‘ in Pollock, Barbara, ‗Mainland Dreams on Tape‘ in Art in
America (June/July 2004), pp. 135-141
Vine, Richard, 'Picturing China, old and new', Art in America, Vol. 91, Issue 4, April 2003
Vine, Richards, ‗Shanghai Accelerates‘, Art in America, vol. 93, iss. 2, Feb 2005.
Wang, D. D., ‗In the Name of the Real‘, in Chinese Art: Modern Expressions, Hearn, M. and Smith, J. G.,
eds., New York, The Metropolitan Museum of Art, 2001, pp. 28 – 59.
Wang, Jessica, ‗Soft Power Asian Perspectives‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 37,
no. 1, March, 2008, pp. 64 – 67.
Wei, Lilly., ‗On Chinese Artists and the Marketplace: Xu Bing and Zhang Huan in America‘, in Art
AsiaPacific, Issue 38, Fall 2003, p.28-30.
Welland, Sasha K., ‗Travelling artists, travelling art, ethnographic luggage‘, Yishu, vol.1, no.2, 2002
Winchester, Rupert, ‗Zhang Lin Hai, Wang Yidong and Cai Guo-Qiang: Light and Shadow‘ (review),
ArtAsiaPacific, no. 47, 2006.
Winchester, Simon ‗Painting Against the Grain‘, ArtAsiaPacific, no. 45, 2005.
Wong, W.W.Y., ‗Framed Authors: Photography and Conceptual Art from Dafen Village, in Yishu
Journal of Contemporary Chinese Art, Vol. 7, No. 4, July 2008, pp. 32-41
Wu Hung, ed., The First Guangzhou Triennial, Reinterpretation: A Decade of Experimental Chinese Art,
Guangdong: Guangdong Museum of Art, 2002
Wu Hung, Making History: Wu Hung on Contemporary Chinese Art and Art Exhibition, Hong Kong,
Timezone 8, 2009
Wu Hung, Remaking Beijing. Tiananmen Square and the Creation of a Political Space. Chicago: University of
Chicago Press, 2005.
Wu Hung, Chinese Art at the Crossroads: between past and present, between East and West, New Art Media,
London, c2001.
[Yan‘an Forum on Art Education, 2006] Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 3, Sep
2006, special issue on Yan‘an Forum on Art Education/ Long March Project, Yan‘an.
Yang Yingshi, ‗The Tongzhou artist‘s communtiy‘, Art AsiaPacific, 31, 2001.
Yao, Souchou, ‗Two Faces of Contemporary Art in China‘, in Artlink: The China Phenomenon, Vol. 23,
No. 4, 2003, p.16-19.
Yap Chin Chin., ‗New Art Spaces in Beijing‘, in Art AsiaPacific, Issue 38, Fall 2003, p.34-36.
Ye, Sang, ‗Dragon seeds and flea circuses: moments in new Chinese art‘, Artlink, Vol. 20, No. 2, July
2000
Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 2, Jun 2005, Special Issue on the conference
‗Displacements: Transcultural Encounters in Contemporary Chinese Art‘ in conjunction with the
exhibition ‗On the Edge: Contemporary Chinese Artists Encounter the West‘.
‗Yixiangju Art Group Long March Space B‘, (review), Flash Art, vol. XXXIX, no. 248, May-June, 2006.
Yuan Feng. and Yang Xiaoyan, ‗The Ostentatious Pearl River Delia‘, Michael Fei (tran.), in Yishu:
Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.22-31.
Zhang Qing, ‗Architectural junctions: where contemporary artists play up the imagination of
architectural space‘, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003.
Zhang Qing, ‗The Gelatin Age: Contemporary Chinese Art‘s New Power‘, in Yishu. Journal of
Contemporary Chinese Art, v. 7(3), May, 2008, pp. 56 – 69.

59
Zhang Zhaohui, ‗Globalisation, Urbanisation, and New Chinese Art‘, Huangfu, Binghui, Site+Sight:
Translating Cultures, Huangfu, Binghui, Site+Sight: Translating Cultures, Singapore, LaSalle-SIA, 2002.
Zhang Zhaohui, ‗N12 at the Central Academy of Art Gallery‘ (review), Asian Art News, vol. 15, no. 2,
2005.
Zhou Yan, ‗Chinese Brand and Chinese Method: On the Exhibition The Wall: Reshaping Contemporary
Chinese Art‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006.
Recent Ink Painting [see also by artist name]
Erickson, Britta, ‗The contemporary artistic deconstruction – and reconstruction – of brush and ink
painting‘, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003
Findlay, Ian, ‗The Power of Ink‘, AsianArtNews, Vol. 19 No. 1 January/February 2009, pp. 84-91.
Wear, Eric, ‗Square Worlds, Round Paradigms: Contemporary Calligraphy in China‘, , in ArtAsiaPacific,
No. 58, May/Jun, 2008, pp. 114 - 121.
Yao, Pauline J., ‗Contemporary Ink: In Service of the Everyday‘, in Yishu. Journal of Contemporary Chinese
Art, v. 7(1), January, 2008, pp. 70 – 79.
New Art Practices and New Media [see also under Photography, Performance]
Berghuis, Thomas J., ―‘Transcending Media‘ and the Role of Contemporary Art Practices in China‖ in
Mesh: New Media Art in Australia and Asia, No. 17, www.experiemta.org/mesh/mesh 17/berghuis
Berghuis, Thomas J., ―Video-REAL: Video Art from China‖ in Videozone: 3 – The 3 rd International Video
Art Biennial in Israel (Bilingual), Tel Aviv, Center for Contemporary Art, 2006
Berghuis, Thomas, ‗Performance Art and its Constraints‘, in eds. Clark, John, Peleggi, Maurizio and
Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University of
Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 186-214.
Huang Du, Outside the real: a new form of video art in China, Sydney, Gallery 4A, 1998 (review, Art
AsiaPacific, 25, 2000
Lu, Carol, ‗Clothes and Capsules: New Installation Art From China‘ in Flash Art, Vol. XXXVI, No. 231
(July-September 2003), pp.94-96
Maerkle, Andrew, ‗Furong Jiejie‘s 15 Minutes‘, ArtAsiaPacific, no. 48, 2006.
Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005
Ou Ning, ‗Revealing Keys to the Riddle of Reality: Moving Images of the Pearl River Delta From 1999
to 2003‘ in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 15-21
Ou Ning., ‗Shadows of Time‘, Simon Young (tran.), in Yishu: Journal of Contemporary Chinese Art, Vol. 3,
No. 1, March 2004, p.63-69.
Pi Li, ‗Chinese Contemporary Video Art‘ in Third Text, Volume 23, Issue 3 May 2009 , pp.303 – 307.
Selected Exhibitions in China - 1990s-Present
1993
Gilbert & George, Nieuwenhuizen van, Martijn, ΄Les Infos du Paradis – Gilbert & George in China‘
Parkett, No. 38, 1993
1994
Shui Tianzhong, Shao Dazhen et al, Meishu pipingjia niandu timingzhan, (1994 Youhua),Chengdu, Sichuan
Meishuchubanshe, 1994.
1995
Liao Wen, Zhongguo dangdai yishuzhong de nuxing fangshi / Women‘s approach toChinese Contemporary Art,
Beijing, Zhongguo Yishu Bowuguan, 1995, May.
1996
Huang Zhan et al, Shouceng Dangdai Yishu Xueshu Yaoqingzhan, 1996/1997,Guangzhou, Guangdong
Lingnan Meishu chubanshe, 1996. [see reports in Hualangnos 5&6, 1996].
Qiu Zhijie, Wu Meichun, ‗Xianxiang/Yingxiang‘ luxiang yishuzhan: Yishu yu lishi yizhi& Lu Xiang Yishu
Wenxian, Hangzhou, The Authors, 1996.

60
1997
Leng Lin, Feng Boyi, Qian Zhijian, Zhang Xu, Zhongguo zhi Meng, ‗97 ZhongguoDangdai Yishu, Beijing,
Sungari International Auctions, 1997.
Song Dong, Guo Shirui, Yesheng, 1997 Nian Jing zheshi, Beijing, Xiandai YishuZhongxin, 1997 [includes
a chronology for chiefly avant-garde and performance artsince 1986]
Wu Meichun, ‗97 Zhongguo Luxiang Yishu Guanmo, Beijing, Zhongyang MeishuXueyuan Hualang, 1997.
Zhu Qi, Xinyazhou, Xinchengshi, Xinyishu: ‗97 Zhonghan dangdai yishuzhan, Shanghai,Shanghai Dangdai
Meishuguan, 1997.
1998
Feng Boyi, Cai Qing, Shengcun Hengji: ‗98 Zhongguo Dangdai Yishu NeibuGuanmozhan / Trace of Existence: A
Private Showing of China Contemporary Art ‗98,Beijing, Art Now Studio, January 1998.
0431.1998 Luxiang, Dian‘nao yishuzhan, Changchun, Jilinsheng Gongyeshiji Xuexiao, see Huang Yan in
Yishujie, 11/12-1998.
Huang Du, Kongjian yu Shijue/Space and Vision: The impression of transmuting dailylives in Beijing, 1998,
Beijing, Dangdai Meishuguan, July
Leng Lin, Shi Wo/It‘s Me [unrealized], Beijing, Xiandai Yishu Zhongxin, November.
Liao Wen, Liang Xing Pingdai‘ Yishu zhan (Personal Touch) Tianjin, Taida DangdaiYishu Bowuyuan, 1998.
Fan Di‘an et al, ‗98 [Fuzhou] Yataidiqu Dangdai Yishu Yaoqingzhan Zuopinji, Fuzhou, 1998.
‗98 Shanghai Meishu Shuang Nianzhan [review by Gu Zhengfeng, ‗Tayue biangu deyichang sheng‘, Jiangsu
Huakan, no.1, 1999].
Jia Fangzhou, Lin Lin et al, Fanshi –Zishen yu Huangjing zhan, Beijing, BeijingshiJianshe Daxue,
November 1998.
Pi Daojian et al, 90 Niandai Zhongguo Shiyan Suimo / Experimental Wash Painting ofChina in the 90s, Hong
Kong, Shijie Huaren Meishu Chubanshe, 1998.
Schneider, Eckhard R., et al, Chuantong / Fansi: Zhonguo dangdai Yishuzhan; ImSpiegel der Eigenen Tradition,
Austellung Zeitgenössischer Chinesischer Kunst, Beijing, Botschaft der Bundesrepublik Deutschland,
November 1998. [report by FengHuanian in Jiangsu Huakan, 2, 1999]
Yin Shuangxi, Beijing Qingnian Diaosujia Zuopin Lianzhan, Beijing Qingnian Diaosujia Chuangzuo
Yanjiuzu, 1998.
Zhang Zhaohui, Shu Hewen, Pianzhi/The Corruptionists, Beijing, The Curators,November 1998.
1999
Chang, Tsong-zung, Fast>>Forward: New Chinese Video Art, Macao, Centro de ArteContemporãnea de
Macau & Hong Kong, TZ Hanart, 1999.
Zhang Xiaogang, ed., Shanghe Meishuguan ‗99 Xueshu Yaoqing zhan, Chengdu,Shanghe Meishuguan, [16 th
April to 15th May].
Zhang Zhaohui, Cong Zhongguochufa xin yishu zhan / Departure from China; A NewChinese Art Exhibition,
Beijing, Shiji Bowuguan, 1999 [unrealized, catalogue includesa chronology for 1995-1999]
Li Xianting, Fenbenyixi / Poly Phenolrene, Beijing, Bow Gallery [May 8 th ].
Xu Zhen, Yang Zhenzhong, Alexander Brandt, curators, Chaoshi / Art for Sale, [held inShanghai],
Beijing, Xiandai Yishu Zhongxin.
Wu Meichun, Qiu Zhijie et al, Houganxing: Yixing yu Wangxiang / Post sensibility:Alien Bodies and Delusion,
Beijing, 1999.
Wu Shixiong, Kong Ying, A Tour of Chinese Arts at the End of the the 20 th Century, Beijing Xinshikong
Club, Asian Games Village.
2000
Ai Weiwei, Feng Boyi, Buhezuo Fangshi /Fuck Off, catalogue, 2000
Gu Zhenqing, Yichang yu Richang / Unusual & Usual, Shanghai, Yuangong Xiandai Meishu Zhanlanguan,
2000
2001
Weng Lin, Towards a New Image: Twenty Years of Contemporary Chinese Painting, [bilingual] Beijing, Beijing
Visual Art Development Co., Ltd., 2001 [Cai Jin, Ding Yi, Fang Lijun, Liu Wei, Liu Xiaodong,

61
Luo Zhongli, Mao Yan, Sun Liang, Wang Guangyi, Xu Jiang, Ye Yoingqing, Yu Hong, Yue
Minjun, Yan Peiming, Yang Jiecang, Zeng Fanzhi, Zeng Hao, Zhang Xiaogang, Zheng Zaidong,
Zhou Chunya].
Navarra, Enrico, et al, Made by Chinese, Paris, Galerie Enrico Navarra & Hong Kong, Hanart TX.
Pijnapppel, Johan, ‗Wang Jianwei, Material for Thinking‘, Art Asia Pacific, No.34, 2002.
2002
[Beijing Afloat], Feng Boyi curator, BTAP, Pijnappel, Johan, ‗Beijing Afloat at Beijing Tokyo Art
Projects‘, Asian Art News, vol. 13, no. 1, January/February 2003
Huang Zhuan and Pi Li, ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002
Gao Minglu, ed., Chinese Maximalism, Beijing: Chongqing Publishing House
Lim, Michelle., ‗History from Wood‘ (The Exhibition of Half a Century of Chinese Woodblock Prints: From
the Communist Revolution to the Open Door Policy and Beyond, 1945-1998), in Asian Art News, Vol. 14,
No. 1, January/February 2004, p.60-65.
Machan, Kim, MAAP in Beijing 2002, Beijing: Hebei Education Publishing House
Stringa, Nico, Terrecotte Cinesi dalla 48 a Biennale di Venezia, Cornuda, Grafiche Antiga, 2003 [English
essays by Dal Largo, Erickson, Stringa]
2003
[Chinese Maximalism] Yap, Chin Chin, ‗Chinese Maximalism‘ in Art Asia Pacific, No. 38 (Fall 2003), p.
37
[Left Wing (Cao Fei, Fang Lijun, Gu Dexin, Song Dong, Sui Jiangguo, Zhuang Hui, Du Zhenjun,
Huang Yongping, Shen Shaomin)], Zhang, Zhaohui., ‗Left Wing at Left Bank Gallery‘, in Asian
Art News, Vol. 14, No. 1, January/February 2004, p.76-77; ‗Left Wing: An Exhibition of
Contemporary Chinese Art‘ (Review) in Art Asia Pacific, No. 40 (Spring 2004), pp. 80-81
[Twenty Year Anniversary of Hanart T.Z. Gallery] Thomson, Jonathan, ‗Themes and Variations‘, in
History‘ in Asian Art News , Vol. 14, Number 4 (July/August 2004), pp.46-53
Gao Minglu, Chinese Maximalism, Chongqing, Chongqing Publishing House, 2003
Li Xianting, Curator‘s Notes on Prayer Beads and Brush Strokes, Beijing, Beijing Tokyo Art Projects, 2003
Scarlett, Ken., ‗Changchun, China: to Confront or Confirm‘ in Artlink: The China Phenomenon, Vol. 23,
No. 4, 2003, p.72.
Shao Dazhen, et.al., eds., Symposium Papers for the First Beijing International Art Biennale, China, 2004
(Bilingual), Beijing, Renmin meishu chubanshe, 2003.
Tetmajer, Xenia., ‗The Power of the Public Realm at the 2500 Cultural Transmission Space‘ (review), in
Asian Art News, Vol. 14, No. 2, March/April 2004, p.85.
2004
Coleman, Julia, ed. Critical Mass, London, Chinese Contemporary, 2004
Zhang Zhaohui, Concrete Horizons, Wellington, Adam Art Gallery, 2004
2005
Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005
2006
Absolute Images: Chinese Contemporary Art [Fang Lijun, Zhang Xiaogang, Yue Minjun, et.al.], Beijing,
Arario Gallery, 2006
Beautiful Cynicism [Anselm Kiefer, Wang Guangyi, et.al.], Beijing, Arario Gallery, 2006
Chen Chieh-Jen, Hong Hao, et. al., Double –Kick Cracker: An Exhibition of Chinese Contemporary Art,
Beijing, Tang Contemporary Art, 2006
Fan Fang, et.al., Naughty Kids: The Chinese New Generation Born After 1970, Beijing, 2006
Gu Zhenqing, et.al., Two Asias, Two Europes: An International Exhibition of Contemporary Arts, Hong Kong,
Timezone 8 (Distributor)
Gu Zhenqing, To Each His Own, Hong Kong, Timezone 8, 2006 (Distributor)
Gu Zhenqing, Visual Production, Hong Kong, Timezone 8, 2006
Köppel-Yang, Martina, et.al, Surplus Value, Beijing, Tang Contemporary Art Gallery, 2006

62
Kung, Samuel, ed., Entry Gate: Chinese Aethetics of Hetrogeneity: 2006 MoCA Envisage, Shanghai, Museum
of Contemporary Art, 2006
Ng, Joseph, The Naked Truth: Six Chengdu-based Chinese Artists, Beijing, Tang Contemporary Art,
2006
Pi Li, Art Unforbidden: The Theme Exhibition of Art Beijing, Beijing, Tang Contemporary Art, 2006
Pi Li, et.al., In the View, Beijing, Tang Contemporary Art, 2006
Zhang Yonglin, ed., Second Shanghai Duolun Exhibition of Young Artists, Duolun Art Museum 2006
Zhu Qi, Woman in a Society of Dual Sexuality, Beijing, Tang Contemporary Art Gallery, 2006
2009
Navin Rawanchaikul, Super China!, Ullens Center for Contemporary Art, Beijing, [review in Yishu
Journal of Contemporary Chinese Art, Vol 8, Number 4, July/August 2009, pp. 100-109].
Selected Exhibitions outside China
1989
Jean-Hubert Martin¸ Les Magiciens de la Terre, Centre Pompidou, 1989 [exhibited Huang Yongping, Gu
Dexin, Yang Jiechang]
1990
Fei Dawei, ed, Art Chinois: Chine Demain pour Hier, [Cai Guoqiang, Yang Jiechang, Yan Peiming, Gu
Wenda, Huang Yongping, Chen Zhen], Aix en Provence, Les Domaines de l‘art & Editions Carte
Segrete, 1990
1992
‗Chinese Mainland Artists Exhibition‘(?), at California Institute of Art, September [report by Wang
Shouzhi in Mingbao Yuekan, September 1993.
1993
Andrews, Julia, F.; Gao Minglu, Fragmented Memory: The Chinese Avant Garde in Exile Columbus, Ohio
State University, Wexner Center for the Arts, 1993.
1995
Ballegeer, Jan Pieter, Ink and Light: Collision Dialogue Blending, Gent, Lineart, 1995.
Wang Luyan, Chen Shaoping, Gu Dexin, Arbeit der Gruppe ―Neuer Maßstab‖ (4), Berlin, New Gallery
Association
Wang Luyan, Chen Shaoping, Gu Dexin, Grup Xin Kedu (―Nova Mida‖), Obra V
1996
Zhu Zhu, Zhongguo Banhua Jiezuo / Meisterwerke Chinesischer Grafik, Aachen, Ludwigforum für
Internationale Kunst & Beijing, Zhongyang Meishuxeueyuan, n.d. [1996].
1997
Another Long March: Chinese Conceptual and Installation Art in the Nineties, Breda, Fundament Foundation.
Hou Hanru, Parisien(ne)s, London, Camden Arts Centre & INIVA, 1997.
1998
Colman, Julia; Bois, Ludovic, Chinese Contemporary, 96-98, London, Chinese Contemporary Limited,
1998.
Fibicher, Bernard, Großschwanzelefan / Big Tail Elephant, Bern, Kunsthalle, 1998
Gao Minglu, ed., Inside Out, San Francisco, Musem of Modern Art & New York, Asia Society.
Keusen, Elle; Schmidt, Inge; Weihs, Helge, Per Video, Köln, Museum Ludwig, 1998.
Solomon, Andrew, ‗China: 5,000 Years‘, Artforum International, Vol.36, Issue 9, May1998.
Werner, Chris; Qiu Ping; Pitzen, Marianne, Die Hälfte des Himmels, Bonn, Frauenmuseum, 1998.
1999
Asian Art Triennale, Fukuoka, 1999.
Biennale di Venezia, 1999.
Smith, Karen & Pi Li, Representing the People, Beijing, The Courtyard Gallery & Newcastle, Tyne and
Weir Museums, 1999.

63
Tang Xin & Urle U, 1999 Cologne-Beijing, Beijing-Cologne Exchange Exhibition, Köln, Gothaer Kunstforum,
1999.
Wu Hong, Transience: Chinese Art at the End of the 20th Century, The Smart Museum of Art, University of
Chicago, 1999.
Logan Collection, San Francisco, Limn Gallery, 1999.
China 1999, San Francisco, Limn Gallery, 1999.
Wu Meichun, Zheng Shengtian, Truths from the Open Door: Chinese Conceptual Photography, (Supported by
the Annie Wong Foundation), Bangkok, Art Gallery of Chulalongkorn University, 1999.
Fu Shen, Nouveau reflets de la terre natale – six peintres de Taiwan, Paris, Centre Culturel et d‘information de
Taïpei à Paris, 1999.
2000
Jouanno, Evelyine; Hou Hanru, Paris pour escale, [incl. Chen Zhen, Huang Yongping, Shen Yuan, Wang
Du, Yang Jiechang] Paris, ARC- Musée d‘Art Moderne de la Ville de Paris, 2000
2001
Nuridstany, Michel, Next Generation / Art Contemporain d‘Asie, Paris, [Galerie] Passage de Retz, 2001
Storer, Russell, ‗Shanghai Star‘, Art Asia Pacific, No.34, 2002.
2002
[Paris-Pekin] Chang Tsong-zung and Decrop, Marc, ed., Paris-Pekin, Paris: Chinese Century, 2002;
Ullens, Baronn Guy F and Binks, Hillary, ‗The Collecting Instinct‘, Asian Art News, vol. 12, no. 4,
July/August, 2002; Croës, Marcel, ‗An Interview with Guy Ullens‘ [Paris-Pekin exhibition focus],
Orientations, Volume 33, Number 8, October 2002
2003
[Alors la Chine?] Berghuis, Thomas J., ‗Alors la Chine? Paris‘ (Review) in Art Asia Pacific, No. 38 (Fall
2003), pp. 79-80
[Between Past and Future] Wu Hung, ‗About Between Past and Future: New Photography and Video from
China‘ in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 5-14; Vine, Richard, ‗Sixty Ways
of Looking at China‘ (Review) in Art in America (June/July 2004), pp. 124-129
[Chinese Maximalism] Yap, Chin Chin, ‗Chinese Maximalism‘ in Art Asia Pacific, No. 38 (Fall 2003), p.
37
[Public Space and Personal Eyes – A New Vision in China] Vnuk, Gordana, Public Space and Personal
Eyes – A New Vision in China (Catalogue) Hamburg: Kampnagel, 2003
[Rong Rong], Goodman, Johathan., ‗Rong Rong‘s East Village at Chambers Fine Art‘, in Yishu: Journal
of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.106-108.
[Wang Wei], Tinari, Philip., ‗If It Isn‘t Built, It Can‘t Be Torn Down: Notes on Wang Wei‘s Temporary
Space‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.72-73.
Chang, Tsongzung., ‗A Strange Heaven: Contemporary Chinese Photography‘ (A Strange Heaven:
Contemporary Chinese Photography), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4,
December 2003, p.59-67.
Chiu, Melissa., ‗China Reinvented: The Art of Overseas Chinese Artists in the United States‘, in Clark,
John., ‗Alors, la Chine?‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.68-71
Geczy, Adam., ‗Yang Jiechang‘ (review), in Art AsiaPacific, Issue 38, Fall 2003, p.77-78.
Goodman, Jonathan, ‗Chen Zhen At P.S.1‘ (review), in Yishu: Journal of Contemporary Chinese Art, Vol. 2
No. 3, September 2003, p.105-106.
Goodman, Jonahan., ‗Chopsticks: Song Dong and Yin Xiuzhen at Chambers Fine Art‘ (review), in
Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.93-94.
Goodman, Jonahan., ‗Guo Brothers at Michael Goedhuis‘, in Yishu: Journal of Contemporary Chinese Art,
Vol.2, No.1, March 2003, p.98-100.
Goodman, Jonathan., ‗Tseng Kwong Chi at Chambers Fine Art‘, in Yishu: Journal of Contemporary Chinese
Art, Vol. 2 No. 4, December 2003, p.91-93.
Heartney, Eleanor, ‗One to One: Visions – Recent Photographs From China at Chambers‘ (Review) in
Art in America (June/July 2004), pp. 172-173

64
Köppel-Yang, Martina, ‗The Ping-Pong Policy of Contemporary Chinese Art‘ in Yishu: Journal of
Contemporary Chinese Art, June 2004, pp. 60-66
Lemonnier, A., ed. Alors, la Chine?, Paris, Centre Pompidou, 2003.
Lu, Carol, ‗Chinese Pavilion Abolished‘ in Flash Art, Vol. XXXVI, No. 231 (July-September 2003), p.
51
Przerwa, Xenia Tetmajer Von., ‗Too Much Flavor at Chambers Fine Art, New York‘ (review), in Yishu:
Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.122-123.
Pollock, Barbara, ‗Mainland Dreams on Tape‘ in Art in America (June/July 2004), pp. 130-134
Ulrich Obrist, Hans, ‗Madacity‘ (Review) in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 103
2004
Fei Dawei, et.al., The Monk and the Demon, Lyon and Guangzhou, Guy & Myriam Ullens Foundation,
2004
Köppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery of Art, 2004
Wu Hung and Crisopher Phillips, Between Past and Future: New Photography and Video from China, Chicago,
Smart Museum of Art and The University of Chicago, 2004
2006
Cohen, Joan Lebold, ‗Chinese Art on Edge‘ (exhibition review), ArtAsiaPacific, no. 51, 2007.
de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual),
Rotterdam, NAI Publishers, 2006
Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art
Gallery, University at Buffalo Art Galleries, and Millennium Art Museum, 2006
van Broekhuizen, Dick, Xianfeng: Chinese Avant Garde Sculpture (Bilingual), The Hague, Waanders, 2006
2007
Goodman, Jonathon, ‗Breakout: Chinese Art Outside China‘, in Yishu. Journal of Contemporary Chinese
Art, v. 7(2), March, 2008, pp. 91 – 97.
Haq, Nav, ‗China Power Station: Part 1 – Serpentine Gallery Offsite Project at the Battersea Power
Station‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 119 – 121.
Mitchelson, Andrew, ‗VITAL: International Chinese Live Art Festival – Reflecting on Contemporary
Practices‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 111 – 118.
Tinari, Philip, ‗The Real Thing: Contemporary Art from China‘, in ArtForum, vol. 46, no. 1, September,
2007, pp. 454 – 456.
2008
Art and China‘s Revolution. [Exhibition Catalogue. Chiu, M. and Zheng Shengtian]. New York: Asia
Society and Musuem, 2008.
Silbergeld, Jerome, ‗Double Vision: Art Out Of Joint‘ [Reason‘s Clue], in Asian Art News, v. 18(5),
Sept/Oct, 2008, pp. 64-72.
Yao, Pauline J., ‘85 New Wave: The Birth of Chinese Contemporary Art‘, Exhibition, Ullens Center for
Contemporary Art, Feb. 2008, in Flash Art, Vol. XLI, No. 258, Jan-Feb 2008, p. 145
2009
Hatch, Michael, Outside In: Chinese x American x Contemporary Art, Review in Yishu. Journal of Contemporary
Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87.
Hatch, Michael, The Third Mind: American Artists Contemplate Asia, 1860-1989, Review in Yishu. Journal of
Contemporary Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87.
Lee, Sohl, Outside In: Chinese x American x Contemporary Art, in Yishu. Journal of Contemporary Chinese Art,
vol 8, no. 4, July/August 2009, pp. 74-87.
The China Project. [Exhibition Catalogue comprising three exhibitions: Three Decades, The Contemporary
Chinese Collection; Zhang Xioagang Shadows in the Soul, William Yang, Life Lines], Brisbane:
Queensland Art Gallelry, 2009.

65
Art Institutions – China (entries after 2005)
Fouraux, Alain, ‗Guangdong Museum of Art‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1,
2006.
Movius, Lisa, ‗Shanghai gets Contemporary‘ Art in America, vol. 93, iss. 10, Nov 2005.
Movius, Lisa, ‗Art Centre Opens in Shanghai‘, Art in America, vol. 93, iss. 6, Jun-Jul 2005.
Norton, Lisa, ‗Documenta 12 Magazines Feature on Education. A Response to the Yan‘an Forum on
Education in China‘ in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 57 - 61.
Wallace, Brian, et.al., eds., To the Watchtower: Red Gate Gallery and Contemporary Art in China, Hong Kong,
Timezone 8, 2007 (Forthcoming)
Zheng Shengtian, ‗Interview with Samuel Kung, Chairman and Director, Museum of Contemporary
Art, Shanghai‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.
Chinese Graphic Art since the Late 19th Century to 1949
Barbizet-Lemmonnier, Laure. La colletion de gravures sur bois chinoises du Musee de Deux Guerres Mondiales,
1937 – 1948. Paris, Université de Paris, Bibliothque de documentation internationale
contemporaine, 1981.
Bo Songian, and Johnson, David. Domesticated Deities and Auspicious Emblems: The Iconography of Everyday
Life in Village China. Berkeley: University of California at Berkely Chinese Popular Culture
Project, 1992.
Buck, P.S., China in Black and White, New York, Asia Press/John Day, 1944
Cathcart, Adam, ‗Atrocities, Insults, and ―Jeep Girls‖: Depections of the U.S. Military in China 1945 –
1949‘, in International Journal of Comic Art, vol. 10, no. 1, Spring, 2003, pp. 140 – 154.
Clark, John, ‗Progress in Prints‘ Asian Art News, vol.7, no.1, Jan/Feb 1997
Dal Lago, Francesca, Between High and Low: Modernism, Continuity, and Moral Mission in Chinese Printmaking
Practices, 1930 – 1945, Unpublished PhD Thesis, Institute of Fine Arts, New York University,
2005.
Dixon, Christine, ‗Peter Townsend in China and Canberra: The Peter Townsend Collection of Chinese
Woodcuts in the National Gallery of Australia‘, Art Monthly Australia, no. 193, September 2006.
Dixon, C., Chinese Woodcuts of the Thirties and Forties, [checklist], Canberra, Australian National Gallery,
1987
Epstein, I., I visit Yenan, Bombay, People‘s Publishing House, April 1945, [reproductions of woodblocks
and New York Times reports of 1944].
Holm, D., Art and Ideology in Revolutionary China, Oxford, Clarendon Press, 1991 [also see ‗The woodcut
movement, 1930-1943‘, Chapter Four in his Oxford University Ph.D. thesis which was not
included in this published version].
Flath, James A., Printing Culture in Rural North China, PhD diss., University of British Columbia, 2000
Flath, James, The Cult of Happiness: Nianhua, Art, and History in Rural North China. Vancouver, University
of British Columbia, 2004.
Flath, James. ‗‗It‘s a Wonderful Life‘: Nianhua and Yuefenpai at the Dawn of the People‘s Republic‘, in
Modern Chinese Literature and Culture, v. 6(2), Fall 2004, pp. 123 – 159.
Goodrich, Anne Swann, Peking Paper Gods: A Look at Home Worship. Monumenta Serica Monograph
Series no. 23. Nettetal, Steyler Verlag, 1991.
Hung, Chang-Tai, ‗Repainting China: New Year Prints (Nianhua) and Peasant Resistance in the Early
Years of the People‘s Republic‘, in Comparative Studies in Society and History 42(4), October 2000,
pp. 770 – 812.
Hung, Chang-Tai, ‗Twon Images of Socialism: Woodcuts in Chinese Communist Politics‘, in Society for
Comparative Studies of Society and History 1997, pp. 34 – 60.
Kotzenberg,H., Der Revolutionäre Holzschnitt Chinas, Köln, Museum fürOstasiatische Kunst, 1987
Laing, Ellen Johnston, Art & Aesthetics in Chinese Popular Prints: Selections from teh Muban Foudnation
Collection, Ann Arbor, Center for Chinese Studies The University of Michigan, 2002

66
Laing, Ellen Johnston,‘Reform, Revolutionary, Political and Resistance Themes in Chinese Popular
Prints, 1900-1940‘, Modern Chinese Literature and Culture, 12.2 Fall 2000.
Laing, Ellen Johnston, Art and Aesthetics in Chinese Popular Prints. Selections from the Muban Foundation
Collection. Michigan Monographs in Chinese Studies, v. 94, Ann Arbor, University of Michigan
Press, 2002.
Lent, John A. and Xu Ling, ‗Cartooning and Wartime China: Part One – 1931 – 1945‘, in International
Journal of Comic Art, vol. 10, no. 1, Spring, 2003, pp. 76 – 139.
Lent, John A. and Xu Ying, ‗Chinese Women Cartoonists: Historical and Contemporary Perspectives‘,
in International Journal of Comic Art, Vol. 5, No. 2, Fall 2003, pp. 351-366.
Lufkin, Felicity. Folk Art in Modern China, 1930 – 1945, Unpublished PhD Thesis, Berkeley,
University of California, 2001.
Lust, John, Chinese Popular Prints, Leiden, E.J.Brill, 1996.
Machida Shiritsu Kokusai Hanga Bijutsukan, Yamanshi Kenritsu Bijutsukan hen, 1930nendai, Shanghai,
Rojin, Machida, Machida Shiritsu Kokusai Hanga Bijutsukan, 1994
Tanya McIntyre, Chinese New Year Pictures: The Process of Modernization, 1842-1942, PhD thesis, University
of Melbourne, 1998.
Maison de la Culture Grenoble. 50 ans de gravures sur bois chinoises 1930 – 1980, Grenoble, Maison de la
Culture, 1981.
McIntyre, Tania, Chinese Nianhua: The Process of Modernization 1842 – 1942. Unpublished PhD
Thesis, Department of Fine Arts, University of Melbourne, 1997.
Minick, S., Jiao, P., Chinese Graphic Design in the Twentieth Century, London, Thames & Hudson, 1990
Pedersen, Bent L., ‗Popular pantheons in od, China‘, Jounral of Oriental Studies, 26.1, 1988.
Rudova, Maria, Chinese Popular Prints, Leningrad, Aurora Art Publishers, 1988.
Sun, Shirley Hsiao-ling, Lu Xun and the Woodcut Movement:1929-1936, Ph.D. diss., Stanford University,
1974
Sun , Shirely. Lu Hsun and the Chinese Woodblock Movement: 1929 – 1936. Unpublished PhD
Thesis, Stanford University, 1974.
Uchiyama Kakitsu, Nara Kazuo, Rojin to Mokkoku, Tôkyô, Kenbun Shuppan, 1981.
‗Uchiyama Shoten to Uchiyama Kanzô‘, Uchiyama, vol.3, no.9, Autumn, 1985. [A special issue of the
house journal of Uchiyama Shoten with reminiscences and a chronology of Uchiyama Kanzô].
Van Briessen, F., Shanghai-Bildzeitung, 1884-1898, Zürich, Atlantis Verlag, 1977.
Woodcuts of Wartime China, Hong Kong, Tiandi Tushu, 1978
Xiaobing Tang, ‗Echoes of Roar, China! On Vision and Voice in Modern Chinese Art‘, positions, vol. 14,
no. 2, 2006.
Chinese Graphic Art after 1949
[Ying Tianqi] Liu Xiaochun,‘Out of Xidi and regeneration‘, Asian Art News, vol.11, no.5, 2001
[Zhao Yannian] Zhang Zongren, ‗In the eye of the storm‘, Asian Art News, vol.9, no.6, 1999
Cathcart, Adam, ‗Cruel Resurrection: Chinese Comics and the Korean War‘, in International Journal of
Comic Art, Vol. 6, No. 1, Spring 2004, pp. 37-55.
Fraser, S.E., 100 Great Chinese Posters, London, Studio Vista, 1977.
Grace, Helen., ‗Xiandai Shufa‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.38-41.
Jiang, Joshua J. H., ‗The Extermination or the Prosperity of Artists?‘, in The Third Text, Vol. 18, Issue 2,
2004, p.169-182.
Jiang Weipu, intr., Chinese Comics, Beijing, China Exhibition Agency, 1986.
Lin Hong Ying and Tang Min, ‗Finance Cartoons: A Way of Reviving Chinese Press Cartoons‘, in
International Journal of Comic Art, vol. 10, no. 1, Spring, 2003, pp. 513 – 521.
Meissner,W., Holzschnitt im Neuen China, Berlin, Gesellschaft für Verständigung und Freundschaft mit
China, 1976
Minick, S., Jiao, P., Chinese Graphic Design in the Twentieth Century, London, Thames & Hudson, 1990
Mui Chong-ki, Contemporary Chinese Woodcut Prints Exhibition, Hong Kong, Hong Kong ArtsCentre, 1986

67
Pettifor, Steven, ‗Contemporary Chinese Prints at Tang Gallery‘ (review) Asian Art News, vol. 15, no. 5,
2005.
Riley, R., Modern Chinese Prints from the Central Academy of Fine Arts, Peking, Preston, Harris Museum and
Art Gallery, 1987
Soetriyono, Eddy, ‗The Evolution of China Realism at the Akili Museum of Art‘, in C Arts. Asian
Contemporary Art and Culture, vol. 00, November/December, 2007, pp. 34 – 38.
Sun, S., Modern Chinese Woodcuts, San Francisco, Chinese Culture Foundation, 1979
Wachs, Iris & Chang Tsong-zung, Half a Century of Chinese Woodblock Prints, Ein Harod, The Museum of
Art, 1999.
Selected works on Modern Chinese Intellectual and Political History before 1949
Barmé, Geremie, ‗The Garden of Perfect Brightness, a life in ruins‘ East Asian History, 11, July 1996.
Barmé, Geremie, ‗The Garden of Perfect Brightness: A Manchu Vision of China‘, Visual Arts + Culture,
vol.1, no.1, 1998.
Cahill, J., ‗Style as idea in Ming-Ch‘ing painting‘, in Meissner, M., Murphy R., eds, The Mozartian
Historian, Berkeley, University of California Press, 1976
Ch‘en, Jerome, China and the West, London, Hutchinson, 1979.
Chang, Parris. Power and Policy in China. University Park, Pennsylvania State University Press, 1978.Chen,
Jerome, Mao and the Chinese Revolution, London, Oxford University Press, 1965.
Chow, Tse-tsung, The May Fourth Movement, Cambridge, Harvard University Press, 1960.
Dai, Jinhua, ‗Behind Global Spectacle and National Image Making‘ in positions: east asia cultures critique,
volume 9, number 1 (spring 2001), pp. 161-186
Elvin, M., ‗Mandarins and Millenarians: Reflections on the Boxer Uprising 1899-1900‘, in Baker,
H.D.R.; Feuchtwang, S., eds. An Old State in New Settings, Oxford, JASO Occasional Papers, no.8,
1991.
Elvin, M., ‗The Inner World of 1830‘, Daedalus, Proceedings of the American Academy of Arts and
Sciences, 120, 2, Spring 1991
Elvin, M. ―How did the cracks open? The origins of the subversion of China‘s late-traditional culture
by the West‘, Thesis Eleven, no.57, May 1999.
Fairbank, J.K. ed., The Cambridge History of China, 12, Republican China 1912-1949, Part I, Cambridge,
Cambridge University Press, 1983, see chapters by Furth and Scwartz.
Farquhar, Judith, ‗For Your Reading Pleasure: Self-Health (Ziwo Baojian) Information in 1990s Beijing‘
in positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 105-130
Feuerwerker, A., Murphy,R., Wright, M.C., eds., Approaches to Modern Chinese History, Berkeley,
University of california Press, 1967.
Friedman, Edward, ‗A Failed Chinese Modernity‘, Daedalus, vol.122, no.2, 1993
Fitzgerald, C.P., The Birth of Communist China, Harmondsworth, Penguin, 1964.
Goldman, M., ed., Modern Chinese Literature in the May Fourth Era, Cambridge, Harvard University Press,
1977.
Goodman, David S.G., ‗Contesting the Popular: Party-State and Culture‘ in positions: east asia cultures
critique, volume 9, number 1 (spring 2001), pp. 245-266
Hamrin, Carol L., ―Conclusion‖, in China‘s Intellectuals and the State: In search of a New Relationship,
Goldman M., Cheek T., Hamrin Carol L., eds., Cambridge, Council on East Asian Studies,
Harvard University, 1987.
Han, Suyin, The Crippled Tree, London, Jonathan Cape, 1965.
Henriot, Christian, ‗From myth to reality; Chinese courtesans in Late Qing Shanghai‘, East Asian
History, no.8, December 1994.
Hevia, James L. ‗World Heritage, National Culture, and the Restoration of Chengde‘ in positions: east asia
cultures critique, volume 9, number 1 (spring 2001), pp. 219-243
Holm, David, ‗Literary Rectification in Yenan‘, in Essays in Modern Chinese Literature and Literary Criticism,
W. Kubin and R. Wagner (eds.), Bochum, 1982, pp. 272 – 308.

68
Holm, David, ‗National Form and the Popularisation of Literature in Yenan‘, in La literature Chnoise au
temps de la guerre de résistance contre le Japon (de 1937 à 1945), Fondation Singer-Polignac, Paris, 1982,
pp. 215 – 235.
Hung, Chang-Tai, Going to the People. Chinese Intellectuals and Folk Literature 1918 – 1937. Cambridge,
Harvard University Press, 1985,
Hung, Chang-Tai, War and Popular Culture in Modern China 1937 – 1945, Berkeley, University of
California Press, 1994.
Lee, Leo Ou-fan, ―Shanghai Modern: Reflectioons on Urban Culture in China in the 1930s‖ in Positions
Levenson, J.R., Revolution and Comsopolitanism: The Western Stage and the Chinese Stages; Berkeley, University
of California Press, 1971.
Levenson, Joseph, Confucian China and Its Modern Fate: A Trilogy, Berkeley, University of California Press,
[1958, 1964, 1965] combined edition 1968
Li, Hsiao-t‘I, ‗Making a Name and a Culture for the Masses in Modern China‘ positions: east asia cultures
critique, volume 9, number 1 (spring 2001), pp. 29-68
Lin, J., The Opening of the Chinese Mind: Democratic Changes in China since 1978, Westport, Praeger, 1994.
Lin, Yü-sheng, The Crisis of Chinese Consciousness: radical Anti-Traditionalism in the May Fourth Era, Madison,
University of Wisconsin Press, 1979.
Mok, Ka-ho, ―The Changing Relationship between the State and the Intellectuals in Post-Mao China‖,
Intellectuals and the State in Post-Mao China, New York, St. Martins's Press, 1998
Mote, F.W., ‗The Arts and the ‗Theorising‘ Mode of the Civilisation‘, in C. Murck, ed., Artists and
Tradition, Princeton, Princeton University Press, 1976.
Mote, F.W., Intellectual Foundations of China, New York: Knopf, 1971.
Ng Mau-sang, ‗A common people‘s literature: popular fiction and social change in Republican
Shanghai‘, East Asian History, no.9, June 1995.
Schwartz, B. I., ‗Themes in intellectual history: May Fourth and after‘ in Fairbank, J. K., ed. The
Cambridge History of China, Vol. 12,Republican China 1912-1949, Part I, Cambridge, Cambridge
University Press, 1983.
Schwartz, B.I., ed., Reflections on the May the Fourth Movement; A Symposium, Cambridge, Harvard East
Asian Monographs, no.44, 1973
Spence, J., The Gate of the Heavenly Peace, Harmondsworth, Penguin, 1982.
Wakeman, F., The Fall of Imperial China, New York, The Free Press, 1975.
Wang, Jing, ‗Culture as Leisure and Culture as Capital‘ in positions: east asia cultures critique, volume 9,
number 1 (spring 2001), pp. 69-104
Wang, Y.C., Chinese Intellectuals and the West, 1872-1949, Chapel Hill, University of North Carolina Press,
1966.
Wong Wang-chi, Politics and Literature in Shanghai: The Chinese league of Left-Wing Writers, 1930-1936,
Manchester, Manchester University Press, 1998.
Zito, A. & Barlow, T.E., Body, Subject & Power in China, Chicago, University of Chicago Press, 1994.
Selected works on Modern Chinese Intellectual and Political History after 1949
positions, vol. 13, no. 3, 2005, themed issue on the Cultural Revolution in China.
‗Intellectual Politics in Post-Tian‘anmen China‘, Special Issue, Social Text, 55, Summer 1998
Apter, David, E., and Saich, Tony, Revolutionary Discourse in Mao‘s Republic, Cambridge, Massachusetts,
Harvard University Press, 1994.
Amnesty International, China: The Massacre of June 1989 and its aftermath, London, Amnesty International
1990.
Amnesty International, China: Torture and ill-treatment of prisoners, London, Amnesty International, 1987
Barlow, Tani, ‗Colonialism‘s career in Postwar China Studies‘, Positions, vol.1, no.2, 1993.
Barmé, G. and Lee,B., The Wounded, Hong Kong, Joint Publishing Company, 1979.
Barmé, Geremie R., In the Red: On Contemporary Chinese Culture, New York, Columbia University Press,
1999.

69
Barmé, Geremie R.; Jaivin, Linda, New Ghosts, Old Dreams, New York, Random House,1992.
Barmé, Geremie R.; Minford, John, ed. and tr. Seeds of Fire, New York, Hill and Wang &Newcastle
upon Tyne, Bloodaxe, 1989.
Barmé, Geremie, ‗Traveling heavy: the intellectual baggage of the Chinese Diaspora‘, Problems of
Communism, January-April 1981.
Barmé, Geremie, Shades of Mao: the Posthumous Cult of the Great Leader, New York: M E Sharpe, 1996
[review: Davies in , ART AsiaPacific, no.15, 1997].
Birch, C., ‗Literature under Communism‘ in MacFarquar, R., Fairbank, J.K., eds, The Cambridge History of
China, vol. 15, The People‘s Republic, Part 2: Revolutions within the Chinese revolution 1966-1982,
Cambridge, Cambridge University Press, 1991.
Brugger, Bill, ed., Politics, Economy, and Society in Contemporary China, London, Macmillan, 1994.
Chang Tsong-Zung, ‗Revolutionary History and ―Spring, King, Align Month‖‘, Yishu: Journal of
Contemporary Chinese Art, vol. 5, no. 1, 2006.
Chen Pingyuan, Watanabe Hiroshi, ‗Kyûjûnendai Chûgoku no ―Chishikikai‖ ‗, [tr OzakiFumiaki], Shisô,
no.853, 7, 1995
Cheng, Nien, Life and Death in Shanghai, London, Grafton Books, 1986.
Chu, Godwin, C., Popular Media in China, shaping new patterns, Honolulu, The University Press of Hawaii,
1978.
Croizier, R., ed., China‘s Cultural Legacy and Communism, New York, Praeger, 1970
Dai Jianhua, ‗Redemption and Consumption: Depicting Culture in the 1990s‘, Positions 4, no.1, 1996.
Dirlik, Arif, ‗Confucius in the boderlands: Global Capitalism and the reinvention of Confucianism‘,
Boundary 2, vol.22, no.3, Fall 1995.
Dirlik, Arif; & Zhang Xudong, eds., ‗Postmodernism and China‘, Special Issue of Boundary2, vol.24,
no.3, Fall 1997; later expanded and published as a book: Postmodernism and China, Durham, Duke
University Press, 2000.
Dutton, Michael, Streetlife China, Cambridge, Cambridge University Press, 1998
Feuerwerker, Y.M., Ding Ling‘s Fiction, Cambridge, Harvard University Press, 1982.
Feuerwerker, Yi-tsi Mei. ‗Ideology, Power, Texts, Self-Representation and the Peasant ‗Other‘‘ in
Modern Chinese Literature. Stanford, Standford University Press, 1998.
Fokkema, D., ‗Creativity and Politics‘ in MacFarquar, R., Fairbank, J.K., eds, The Cambridge History of
China, vol. 15, The People‘s Republic, Part 2: Revolutions within the Chinese revolution 1966-1982,
Cambridge, Cambridge University Press, 1991.
Fokkema, D.W., Literary Doctrine and the Soviet Influence, 1956-60, The Hague, 1966
Friedman, Edward, ‗A Failed Chinese Modernity‘, Daedalus, vol.122, no.2, 1993
Galik, Marian, ‗Main Issue in the Discussion on ‗National Forms‘ in Modern Chinese Literature‘, in
Asian and African Studies 10, 1974, pp. 97 – 111.
Gao Xingjian, ‗The Voice of the Individual‘ (1993), The Stockholm Journal of East Asian Studies, vol.6,
1995, p.81.
Goldman M. & Lee Ou-fan eds., An Intrellectual Historyof Modern China, Cambrdieg: Cambridge University
Press, 2002.
Goldman, M., ‗The Party and the Intellectuals‘, and `The Party and the intellectuals: phase two‘, in
MacFarquar R., Fairbank, J.K., eds, The Cambridge History of China, vol 14, The People‘s Republic, part
1: The Emergence of Revolutionary China, Cambridge, Cambridge University Press, 1987.
Goldman, M., China‘s Intellectuals, Cambridge, Harvard University Press, 1981
Goldman, M., Literary Dissent in Communist China, Cambridge, Harvard University Press, 1967.
Goldman, M., ‗The fall of Chou Yang‘, The China Quarterly, no.27, 7-9, 1966.
Greider, J.B., Intellectuals and the State in Modern China: A Narrative History, New York, The Free Press,
1981.
Harding, ‗The Chinese State in Crisis‘, in MacFarquar, R., Fairbank, J.K., eds, The Cambridge History of
China, vol. 15, The People‘s Republic, Part 2: Revolutions within the Chinese revolution 1966-1982,
Cambridge, Cambridge University Press, 1991.
Hsu, C.Y., China Without Mao, London, Oxford University Press, 1982.

70
Jiang, Joshua J.H., ―The Extermination or the Prosperity of Artists? – Mass Art in Mid-Twentieth
Century China‖ in Third Text, Vol. 18, Issue 2, 2004, pp. 169-182
Lee, M; Syrokomla-Stefanowska, A.D., eds., Modernization of the Chinese Past, Sydney, Wild Peony, 1993.
Leys, S., [Pierre Ryckmans], The Chairman‘s New Clothes, London, Alison and Busby, 1977,
Leys, S., [Pierre Ryckmans], Broken Images, London, Alison & Busby, 1979.
Leys, S., [Pierre Ryckmans], Chinese Shadows, New York, Viking, 1977.
Li Tuo, ‗Mao Style and its Political Institutionalization‘, 1993, see Wang Jing, p.314.
Liberthal, K.G.; Dickson B.J., A Research Guide to Central Party and Government Meetings in China, 1949-
1986, Armonk, M.E. Sharpe, 1989.
Lifton, R.J., Revolutionary Immortality: Mao Tse-tung and the Chinese Cultural Revolution , New York, Vintage
Books, 1968.
Lifton, R.J., Thought reform and the psychology of totalism, London,Victor Gollancz, 1962.
Liu Kang, Aesthetics and Marxism, Durham, Duke University Press, 2000.
Liu Kang, ‗Aesthetics and Chinese Marxism‘, Positions, vol.3, no.2, 1995
Liu Kang, ‗Post-modernism in China‘, Public Culture, vol.4, no.1, 1991.
Liu Kang, and Xiaobing Tang,, (eds.) Politics, Ideology, and Literary Discourse in Modern China: Theoretical
Interventions and Cultural Critique, Durhan and London, Duke University Press, 1993
Lu Sheldon Hsiao-peng, ‗Art, Culture and Cultural Criticism in Post-New China‘, New LiteraryHistory,
vol.28, 1997
Lu Sheldon Hsiao-peng, ‗Postmodernity, Popular Culture, and the Intellectual: A report on Post-
Tian‘anmen China‘, Boundary 2, vol.23, no.2, 1996
Macfarquar, R., ed., China Under Mao: Politics takes Command, Cambridge, The MIT Press, 1966.
Macfarquar, R.; Fairbank, J.K., eds., The Cambridge History of China, vol. 14: The People‘s Republic, Part I: The
Emergence of revolutionary China 1949-1965, Cambridge, Cambridge University Press, 1987, see two
chapters by Goldman.
Macfarquar, R.; Fairbank, J.K., eds., The Cambridge History of China, vol. 15: The People‘s Republic, Part 2,
Revolutions within the Chinese Revolution, 1966-1982, Cambridge, Cambridge University Press, 1991,
see chapters by Fokkema, Whyte, and Birch.
Macfarquar, Roderick, ed., The Politics of China, 2 nd edition, Cambridge University Press, 1997.
McDougall, B., ed., Popular Chinese Literature and the Performing Arts, Berkeley, University of California
Press, 1984.
McDougall, B., Mao Zedong`s ―Talks at the Yanan Conference on literature and art‖ a translation of the 1943 text
with commentary, Ann Arbor, Centre of Chinese Studies, University of Michigan, 1980 .
Otani Ichirô, et al, hen, Tenkeiki ni okeru Chûgoku Chishikijin, Jiko Shoin, 1999.
Pickowicz, Paul, ‗Ch‘ü Ch‘iu-pai and the Chinese Marxist Conception of Revolutionary Literature and
Art‘, in Chinese Quarterly 70, June 1977, pp. 298 – 301.
Schram, S., Mao Tse-tung, Harmondsworth, Penguin, 1967.
Schram, S.R., The Political Thought of Mao Tse-tung, New York, Frederick A. Praeger, 1963.
Spence, J., The Gate of the Heavenly Peace: The Chinese and their revolution, 1895-1980, New York, Viking
Press, 1981, and London, Faber and Faber, 1982.
Tang Xiaobing, ‗Decorating culture: Notes on Interior Design, Interiority, and Interiorization‘, Public
Culture, vol.10, no.3, Spring 1998.
Tang Xiaobing, ‗Orientalism and the question of Universality: The language of Contemporary Chinese
Literary Theory‘, Positions, vol. 1, no.2, 1993.
Tang Xiaobing, ‗The function of new theory: what does it mean to talk about post-modernism in
China‘, Public Culture, vol.4, no.1, 1991.
Tang Xiaobing: Global space and the nationalist discourse of modernity: the historicalthinking of Liang Qichao,
Stanford, Stanford University Press, 1996
Teiwes, F., Sun, W., The Road to Disaster: Mao, Central Politicians and Provincial Leaders in the emergence of the
Great Leap Forward, 1955-1959, Armonk, N.Y., M.E.Sharpe, 1997.

71
Teiwes, F., Sun, W., The tragedy of Lin Biao, riding the tiger during the cultural revolution, London, C.Hurst &
Bathurst, Crawford Publishing, 1996.
Van Crevel, M., Language Shattered: Contemporary Chinese Poetry and Duoduo, Leiden, Research School
CNWS, 1996.
Wang Gongwu, Annual Sir Herman Black Lecture of the Research Institute for Asia and the Pacific,
University of Sydney, 1993.
Wang Hui, China‘s New Order: society, politics, and economy in transition, Cambridge, Mass.,: Harvard University
Press, 2003.
Wang Hui, ‗Zhang Taiyan, the Individual and Modern Identity in China‘, The Stockholm Journal of East
Asian Studies, vol.7, 1996
Wang Jing, High Culture Fever, Politics, Aesthetics and Ideology in Deng‘s China, Berkeley, University of
California Press, 1996.
Wang Jing ‗Culture as leisure and culture as capital‘, positions: east asia cultures critique,vol. 9, no.1 Spring
2001.
Wang Jing, introduction to ‗Special Issue: Chinese popular culture and the state‘, positions: east asia cultures
critique, vol. 9, no.1 Spring 2001.
Wei Jingsheng, The courage to stand alone, New York, Viking, 1997.
Xu Ben, ‗ ―From Modernity to Chineseness‖: The Rise of Nativist Cultural Theory in Post-1989 China‘,
Positions, vol.6, no.1, 1998.
Xu, Ben, ―The Cultural Revolution and Modernity: the contradictory political implications of
postmodernism in China‖ in Journal of Contemporary China, 8 21 (1999), pp. 241-261
Zha Jianying, China Pop, New York, New Press, 1995.
Zhang Xudong, Chinese Modernism in the Era of Reforms, Durham, Duke University Press, 1997.
Women, Gender and Art
Bryan, kate, ‗The Personal Creative process‘, [grouop show by 14 female artists in Hong Kong], in
Asian Art News, v. 18(5), Sept/Oct, 2008, pp. 80-81.
Croizier, Ralph, ‗Nine Straws in the Wind‘, [Young women artists in Beijing], Third Text, 31, Summer
1995.
Dai Jinhua, ‗Gender and Narration: Women in Contemporary Chinese Film‘, in Jing Wang and Bralow,
Tani E., eds., Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua,
London and New York, 2002, pp. 99 - 138.
Dal Lago, Francesca, ‗A Silent Revolution? Chinese Women‘s Art in Beijing‘, Art AsiaPacific, No.21,
1999.
Xu, Hong, ‗Dialogue; the awakening of women‘s consciousness‘, Art & Asia Pacific, vol.2, no.2, 1995.
Xu, Hong, ‗The Spotted Leopard‘, Art & Asia Pacific, vol.1, no.2, 1994.
Web Resources
There are a large number of web sites dealing with contemporary Chinese art. For updates links see in
particular the Asian Art Archives links page given under the Web Resources section.
Websites: [some of these sites close down after a period]
http://www.artbeatus.com
Published by Artbeatus Gallery, Vancouver and Hong Kong.
http://art.great-china.com/gallery.html
Japan site, mostly in Chinese, titled Chinese Art Gallery.
http://www2.artnet.com/ecohen.html
Ethan Cohen Fine Art -Contemporary & Emerging Asian Artists gallery.
http://www.asianartnow.de
Leading continental European gallery focusing on Chinese contemporary art.
http://www.asiasociety.org/arts/insideout/
Asia Society online section on the groundbreaking Inside Out exhibition.

http://www.CCAA-association.org
Chinese ContemporaryArt Association (Switzerland).
http://www.chinaheritagequarterly.org/
Quarterly on heritage and history issues from ANU, Canberra
http://www.chinese-art.com
Chinese Contemporary Art Bulletin
http://www.connect-arte.com/archive/china/chinac.htm
Image archive of top name artists.
http://egg.tokyoweb.or.jp/comdex/newcc/new/guide.htm
Japan since early 1997, New China Cybertown.
http://www.hanart.com
TZ Hanart Gallery (Hong Kong), contemporary art from the mainland.
http://kaladarshan.arts.ohio-state.edu/exhib/gug/intr/china.html
Ohio State University works of Guggenheim exhibition, ‗China: 5000 Years‘.
http://www.redgategallery.com
Red Gate Gallery, Beijing.
http://www.shanghart.com
Shanghart Gallery in Shanghai.
http://www.stanford.edu/dept/art/china/
Britta Erickson bibliography.
http://www.the-people.org
Chinese Arts Centre London.
CHINA-HONG KONG AND MACAO
72
General
Web site of Hong Kong Art Archive which includes bibliography: http://web.hku.hk/~hkaa/
‗Supplement: Hong Kong, Macau, China‘, Asian Art News, vol.3, no.3, May-June 1993.
Abbas, M. A., Hong Kong: culture and the politics of disappearance, Minneapolis: University of Minnesota
Press, 1997.
Acret, Susan., ‗An Archive of Visions‘, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.68-69.
Art‘78, Hong Kong, Fung Ping Shan Museum, 1978
Art‘81, Hong Kong, Fung Ping Shan Museum, 1981
Benson and Hedges, Selection of Hong Kong Art, Hong Kong, Arts Centre, 1981.
Chang, Tsong-zung, ‗A pact of separate peace‘, Art & Asia Pacific, no.1, supplement to Art &
Australia, March 1993.
Chang, Tsong-zung, ‗Art and art dealing in Hong Kong and Taipei‘, Art Monthly , 40, May 1991.
Chang, Tsong-zung, ‗Visionaries and Icon Painters: One Aspect of Hong Kong Contemporary Art‘,
Renditions, 1988.
Chang, Tsongzung., ‗Economic Downturn in Hong Kong Breathes New Life into culture‘, in Artlink:
The China Phenomenon, Vol. 23, No. 4, 2003, p.73.
Chen, M., Ten Years of Hong Kong Painting, Hong Kong, Arts Centre, 1987
Cheng, Scarlett, ‗At the cutting edge‘,[on women artists], Asian Art News, July/August 1994.
Clarke, David, ‗Aspects of Art and Public Space in Hong Kong during the Handover Period. TAASA
Review 8:1 March 1999
Clarke, David, ‗Between East and West; Negotiations with Tradition and Modernity in Hong Kong
Art‘, Third Text [to appear 1995]
Clarke, David, ‗Hong Kong Art and the transfer of sovereignty‘, Journal of the Oriental Society of Australia,
vol. 29, 1997.
Clarke, David, ‗Insular Expressions: Art in Hong Kong‘, Art Monthly Australia, no.17, December 1988.

73
Clarke, David, Art & Place: Essays on art from a Hong Kong perspective, Hong Kong, Hong Kong University
Press, 1996 [review: Clark, Art AsiaPacific, no.18, 1998.
Clarke, David, Hong Kong Art; Culture and Decolonization, London, Reaktion Books, 2001.
Contemporary Hong Kong Art Biennial Exhibition, Hong Kong, Urban Council, 1989
Contemporary Hong Kong Art Biennial Exhibition, Hong Kong, Urban Council, 1979, 1981, 1989
Fung, Anthony,‗Hong Kong as the Asian and Chinese Distributor of Pokemon‘, in International Journal of
Comic Art, Vol. 7, No. 1, Spring 2005, pp. 432-448.
Ho, H-K., Turn of a Decade: A new generation of artists in the 80s, Hong Kong, Arts Centre, 1989
Joliffee, H., ‗Macau Marvels‘, Asian Art News, vol.4, no.6, Nov-Dec 1994.
Júnior, Antonio Conceicão., ‗Contemporary Art in Macao‘, in Yishu: Journal of Contemporary Chinese Art,
Vol. 3, No. 1, March 2004, p.70-73.
Kee, Joan, ‗Art, Hong Kong, and Hybridity: A Task of Reconsideration‘, in Yishu: Journal of Contemporary
Chinese Art, Vol. 2 No. 2, June 2003, p.90-98.
Lamain, Kitty, ‗Art at the handover‘ [London exhibition reviews], Art AsiaPacific, no.17, 1998.
Lau, Jaspar K. W., ‗Documenta 12 Magazines Feature on Education. Potentially Wise ? The Boom in
Hong Kong Contemporary Arts Education‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1),
March, 2007, pp. 103 – 110.
Lau, Jaspar K. W., ‗HistoriCITY – A Roundtable on Art Historical Writing in and on Hong Kong‘, in
Yishu. Journal of Contemporary Chinese Art, v. 7(1), January, 2008, pp. 38 – 51.
Lee, Quentin, ‗Delineating ‗Hong Kong‘ Intellectuals: speculations on intellectual problematics and
Post / Coloniality‘, Third Text, 28/29, Autumn/Winter 1994.
Leung, Po Shan, ‗In Anticipation of Men‘s Art: Re-reading Women‘s Art in Hong Kong‘, Sasha S.
Welland (tran.), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.8-14.
Ma, Eric Kit-Wai, ‗Re-Advertising Hong Kong: Nostalgia Industry and Popular History‘ in positions: east
asia cultures critique, volume 9, number 1 (spring 2001), pp. 131-159
Ma Lin et al, Contemporary Chinese Painting, Hong Kong, Chinese University of Hong Kong, 1986
Man Fung-yi and Mok Yat-san, ‗Space Constraints and Re-creation: Interchangeability between
Outdoor Sculpture and Public Art in Hong Kong‘, in Hong Kong Visual Arts Yearbook, Harold
Mok ed., v. 1, 2008, pp. 167 – 179.
Mok, Patrick, ‗The Invisible City‘, in Hong Kong Visual Arts Yearbook, Harold Mok ed., v. 1, 2008, pp.
135 – 153.
Pai, Maggie, ‗ Perspectives on 20th century Chinese Painting‘, [Xubaizhui International Symposium],
Asian Art News, vol.6, no.1, Jan/Feb 1996.
Tam, L.S., Hong Kong Artists: The Early Generation, Hong Kong, Urban Council, 1978
Tam, L.S., Urban Council Art Award Winners, Hong Kong, Urban Council, 1978
Tan Zhicheng, Dangdai Xiangang Yishujia Shuangnianzhan Xiangang Shizhengju 1979
Tan Zhicheng, Xiangang Qianbei Yishujia, Xiangang Shizhengju, 1978
Turn of a Decade: A New Generation of artists of the Eighties, Hong Kong, Arts Centre, 1989.
Visual Art Society Annual Exhibition, Catalogue, Hong Kong Arts Centre, 1979.
Visual Arts Society, Annual Exhibition, Hong Kong, Arts Centre, 1979
Wong, A., Hong Kong Arts Centre Inaugural Exhibition, 1977
Wong, Wendy Siuyi, and Cuklanz, Lisa M., The Emerging Image of the Modern Woman in Hong
Kong Comics of the 1960s & 1970s‘, in International Journal of Comic Art, vol. 2, no. 2, Fall, 2000,
pp. 33 – 53.
Individual Artists
Chan Gaylord: review, Asian Art News, vol.9, no.6, 1999
Chan Kouchiang: Oliva, Achille Bonito. ‗Between East and West.‘ Asian Art News 8:6
November/December 1998
Chan, David T.W.: Findlay, Ian, ‗the breath of the dragon‘, Asian Art News, vol.10, no.1, 2000
Chan, Gaylord: Thompson, Jonathan, ‗The Romantic Raconteur‘, Asian Art News, vol. 15, no. 6, 2005.

74
Chan, Luis: Clarke, David, ‗Psychic Decolonization‘ Art Asia Pacific, vol.3, no.4, 1996.
Chan, Paul: review, Asian Art News, vol. 16, no. 5, 2006; review, Artforum, vol 46, iss. 5, Jan 2005; Bellini,
Andrea, ‗Paul Chan: Where Form Ends and Content Begins‘, Flash Art, vol. XXXVIII, no. 241,
Mar-Apr, 2005; review, Flash Art, vol. XXXVIII, no. 240, Jan-Feb, 2005.
Chen Fushan/Luis Chan: Lai, Mei-Lin, ‗A Short Review of From Reality to Fantasy: The Art of Luis Chan‘,
Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Chen Fushan de shijie, Taibei,
Xiongshi Meishu, 1973/4 Chen Fushan / Luis Chan, The World of Luis Chan, Singapore, National
Museum, 1987; Chen Fushan/ Luis Chan, Luis Chan: Fifty Years of Artistic Career, Hong Kong,
Urban Council, 1984
Chen Yusheng: Gaylord Chan Hong Kong, Han Art 2, 1989
Chen, Michael: Michael Chen, Hong Kong, Arts Centre, 1980
Chiu, Caroline: ‗Caroline Chiu: A Chinese Wunderkammer‘ (review), ArtAsiaPacific, no. 47, 2006; review,
Asian Art News, vol. 15, no. 1, 2005.
Choi Tsang Tsou: Clarke, David, ‗Suspended in Ambivalence‘, Art AsiaPacific 29, 2001; Thomson,
Jonathan, ‗A Vision From the Margins‘, Asian Art News, Vol. 13, Number 2, March/April 2003
Choi Yan-chi: Choi Yan Chi‘s Painting , 1976-1986, and works of art in dialogue with poetry and dance, Hong
Kong, Department of Fine Arts, University of Hong Kong, 1987; Senn, Rolf, Th., Turner,
Mathew, Choi Yan-Chi, Künstler der Welt Series from Haus der Kulturen der Welt, Stuttgart,
Edition Cantz, 1993.
Chris Chan: Thomson, Jonathan, ‗Sculpture Non-Sculpture at Cattle Depot Artists Village (Review), in
World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 48-49
Chu Hing-wah: Binks, Hilary, ‗Poignant Interactions‘, Asian Art News, vol.9, no.1, 1999
Chu Honsun: Chu Honsun, Hong Kong, Arts Centre, 1983
Chui Tze-hung, Kan Tai-keung, Ng Yiu-chung: Chui Tze-hung, Kan Tai-keung, Ng Yiu-chung Hong Kong,
Arts Centre, 1981
Ding Yanyong; Only a Lifework would a triumph score, Hong Kong Plum Blossoms Gallery , 1988; Wang
Runsheng, Ding Yanyong zuopin huiguzhan, Xiangang, Yishuzhongxin, 1979.
Fang Zhaoling, Hong Kong, Fang Zhaoling, 1981; Clarke, David, ‗The insufficiency of tradition;
paintings by Fang Zhaolin and Chu hing-Wah‘, Art & Asia Pacific, vol.2, no.3, 1995
Fung Ming Chip: ‗Fung Ming Chip‘ (exhibition review), ArtAsiaPacific, no. 49, 2006; Serfaty, Paul
‗Chinese tradition in the Modern World‘, ArtAsiaPacific, no. 43, 2005.
Fung Ming-Chip: Binks, Hilary, ‗Reordering tradition‘, Asian Art News, vol.11, no.6, 2001
Ha Bikchuen: Findlay, Ian., ‗A Singular Life‘, in Asian Art News, Vol.13, No.1, January/February 2003,
p.68-69.
Ha Bik-chuen: Pong, Melanie, ‗Sculptor at Work‘Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995;
Findlay, Ian, ‗Ha Bik-chuen at Grotto Fine Art, Exhibition Reviews, Asian Art News, vol. 12, no.
2, March/April 2002; Findlay, Ian, ‗A Singular Life‘, On Ha Bik-Chuen, Asian Art News, vol. 13,
no. 1, January/February 2003
Henderson, Gerald: Binks, Hilary, ‗Art and Alchemy‘ Asian Art News, vol.7, no.4, July/August 1997.
Ho, Oscar: Millichap, John, ‗The Problem with Politics: An Interview with Oscar Ho‘, Yishu: Journal of
Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.
Hon, Chi-fun: Thompson, Jonathan, ‗Cycles of Time‘ Asian Art News, vol. 16, no. 1, 2006.
Hu Yongkai: Binks, Hilary, ‗Refinine Nostalgia‘, Asian Art News 9:1 1999
Kan Taikeung, Kan Taiqiang huaji, Xinshiyushe, Xianggang, 1979
Kong Ho: Brown, Glen R., ‗Toward Complexity‘, in Asian Art News , Vol. 14, Number 4 (July/August
2004), pp. 54-57
Koo Mei: Koo Mei, Hong Kong, City Hall, 1980; Koo Mei, Hong Kong, Arts Centre, 1981
Kwong Yeu ting: Kwong Yeu Ting, Hong Kong, Arts Centre, 1983
Lai, Victor: Binks, Hilary, ‗The pursuit of emotion‘, Asian Art News, vol.10, no.2, 2000
Lam, Dominic Man-Kit: Binks, Hilary, ‗Towards simplicity and spirituality‘, Asian Art News, vol.11, no.1,
2001

75
Lam, Dominic Man-Kit: Thompson, Jonathan, ‗Opening Doors of Perception‘, Asian Art News, vol. 16,
no. 1, 2006.
Lau Pee-yee: ‗Lau Pui-Yee‘, Asian Art News, 2, no.1, Jan/Feb 1992.
Lau Tin-yum: Lau tin-yum, Hong Kong, Arts Centre, 1983.
Lee, Aries: Aries Lee, Hong Kong, The artist, 1984
Leung Chi-wo, Tsang Tak-ping, Sara Wong Chi-hang, Young Hay: Kember, Patricia, et al, Moving Violations,
Hong Kong, Asian Art Archives, 2002
Leung Chiwo: Thomson, Jonathan, ‗The Negative Horizon‘, in Asian Art News, Vol. 14, No. 1,
January/February 2004, p.54-59.
Leung Mee Ping: Huangfu, Binghui, ‗Leung Mee Ping‘ in Art Asia Pacific, Issue 37 (2003), p. 59
Liu Jian: Millichap, John, ‗Climbing the mountain‘ Asian Art News, vol. 7, no. 3,
Lü Shoukun: Findlay, Ian., ‗Lü Shoukun at the Hong Kong Museum of Art‘ (review), in Asian Art News,
Vol. 13, No. 3, May/June 2003, p.71-72.
Lü Shoukun: Lai Mei-lin, ‗The Early Life and Art of Lü Shoukun‘, in Hong Kong Visual Arts Yearbook,
Harold Mok ed., v. 1, 2008, pp. 89 - 116.
Lui Chun Kwong: Thomons, Jonathan, ‗Stripes of Contemplation‘, in Asian Art News, Vol. 13, No. 6,
November/December 2003, p.68-71.
Lui Shou-kwan, Landscape Paintings by Lui Shou-kwan, Hong Kong, Fung Ping Shan Museum, 1985. ;
Wucius Wong, Lui Shou-kwan, 1919-1975, Hong Kong, Lui Mui Sin-ping, 1979
Mak Yuhin: Hong Kong, Arts Centre, 1983
Mak, Antonio, Hin-yeung:, Asian Art News, 2, no.4, Jul/Aug 1992.
Mak, Antonio: Clarke, David, ‗An invitation to words; The sculpture of Antonio Mak‘, Art & Asia
Pacific, vol.2., no.3, October 1994; Thomson, Jonathan, ‗New Encounters‘, in in World Sculpture
News, vol 15, no 1, Winter 2009, pp.34-37
Mark Yee Fun: Recent Pottery of Mark Yee Fun, Hong Kong, Arts Centre, 1983
Nancy Chu Woo: Asian Art News, 2, no.3, May June 1992.
Ong, Jimmy: review, Art AsiaPacific 28, 2001
Pan Xing Lei: Chen, Shieh-Wen, ‗When Art Clashes in the Public Sphere – Pan Xing Lei‘s Strike of
Freedom Knocking on the Door of Democracy in Hong Kong‘.
Po Chung: review, Asian Art News, vol. 15, no. 1, 2005.
Ren Rong: Binks, Hilary, ‗Shifting the limits‘ Asian Art News, vol. 7, no. 3, May/June 1997.
Sah, Cynthia: Asian Art News, 2, no.4, Jul/Aug 1992.
Shieh, Wilson: Chiu, Caroline, ‗Where I Work – Wilson Shieh‘, ArtAsiaPacific, no. 49, 2006; Goodbody,
Bridget, ‗Wilson Shieh: Perhaps, Perhaps, Perhaps‘, ArtAsiaPacific, no. 46, 2005; review, Asian Art
News, vol. 15, no. 4, 2005.
Shieh, Wilson: Findlay, Ian, ‗The magic of fine line‘, Asian Art News, vol.11, no.6, 2001
Shircore, Pat Elliott: Hacker, Arthur, [The past in process‘ Asian Art News, vol.7, no.5, 1997.
Su Angela Sai Kee: Kember, Pamela., ‗From Science to Art‘, in Asian Art News, Vol.13, No.1,
January/February 2003, p.64-67.
Su, Angela Sai Kee: Kember, Pamela, ‗From Science To Art‘, On Angela Sai Kee Su, Asian Art News, vol.
13, no. 1, January/February 2003
The Para/Site Collective: Para/Site Art Space, ‗Navigating the dot‘, Yishu: Journal of Contemporary Chinese
Art, vol.2, no., June 2003; Thomson, Jonathan., ‗The Collective Mind‘, in Asian Art News, Vol. 13,
No. 3, May/June 2003, p.40-43.;Chan, Kaiyin., Kan Liang Yee-Woo Evelyna, Lau Kin-Wah
Jaspar, Leung Wan-Yee Janice, Leung Chin-Fung Jeff, Li Man-Wai Tim, Man Ching-Ying,
Phoebe, Tamshui, Tsang Tak-Ping, Wong Chi-Hang Sara, Yeung Yang, ‗Para/Site Collective‘,
Lin, Shumin, ‗Limbo Zone‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003,
p19-20.
Ting Yen-yung [Ding Yanyong], Hong Kong, Arts Centre, 1979
Ting, Walasse: Millichap, John, ‗Against the Tide‘, Asian Art News, 9:1 1999

76
Toh Kee-cheung: Lee, Jack, ‗Toh Kee-cheung‘s Biography in Brief‘, in Hong Kong Visual Arts Yearbook,
Harold Mok ed., v. 1, 2008, pp. 63 – 70.
Tsang Kin Wah: ‗Tsang Kin Wah‘ (review), ArtAsiaPacific, no. 46, 2005; review, Asian Art News, vol. 15,
no. 4, 2005.
Tsang Tsou Choi: Thomson, Jonathan., ‗A Vision from the Margins‘, in Asian Art News, Vol. 14, No. 1,
January/February 2004, p.48-51.
Tse Kui Ying: Hong Kong, Arts Centre, 1979
Tung Hing Yee: review, Asian Art News, vol.9, no.5, 1999
Van Lau: Sculpture of Hong Kong Space Museum, 1978?
Wong Alan: Alan L. Wong, Hong Kong, City Hall, April 1962; Alan L. Wong, Hong Kong, City Hall,
October 1963
Wong Hung-fei: Lee, Patrick: Binks, Hilary, ‗Visions dark, dreams fantastic‘, Asian Art News, vol.9, no.1,
1999
Wong Wai Yin: Thomson, Jonathan, ‗Sculpture Non-Sculpture at Cattle Depot Artists Village (Review), in
World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 48-49
Wong Yan Kwai / Yank Wong: review, Asian Art News, vol.9, no.5, 1999
Wong, Alan: Binks, Hilary, ‗A poet among painters‘, Asian Art News, vol.9, no.3, 1999
Wong, Yank: Victor Lai, ‗Yank Wong‘, Asian Art News,vol.5, no2., March/April 1995.
Woo, Nancy Chu: Watson, Robert C., ‗The dynamics of nature‘, Asian Art News, vol.11, no.2, 2001
Wu Francis: Francis Wu, Hong Kong, Arts Centre, 1980
Wu, Annie: review, Asian Art News, vol.9, no.5, 1999
Wucius Wong [Wang Wuxie]: ‗Janus of the Chinese Vision‘, Orientations, September 1976; ‗The Inscapes
of Wucius Wong‘, Orientations, May 1980 ;Wucius Wong, Hong Kong, Museum of Art, 1979;
Wucius Wong, New York, Hanart, 1989, Binks, Hilary, ‗A Voyage Between Cultures‘, Asian Art
News 9:3 1999; Chang, Arnold, Ring of Fire: The Art of Wucius Wong, New York, Kaikodo, 1998;
Findlay, Ian, ‗The Need for Change‘ (interview with Wucius Wong), AsianArtNews, Vol. 19 No. 1
January/February 2009, p. 88.
Yeung Yick-Chung, Hong Kong, Arts Centre, 1983
Young Hay: Ming Wai Jim, Alice, ‗Interview with Young Hay‘ in Yishu: Journal of Contemporary Chinese Art,
June 2004, pp. 73-82
Yu, Francis: Kember, Patricia, ‗Body language‘, Asian Art News, vol.12, no.3, 2002
Yu, Francis: review, Asian Art News, vol.12, no.2, 2002
Yuen Manhua: Eva Yuen, All In the Silence, Australia, St.Peters, S.A., Experimental Art Foundation, 1979;
Eva Yuen, Two Faces: Nanking-Hong Kong Project 1979/80, Hong Kong, the artist, 1980
Zhu Xinghua: Chu Hing-wah, Hong Kong, Institute for the Promotion of Chinese Culture, 1988
Hong Kong Ink Painting
Cheung, Lucia in Asian Art News, 2, no.5 Sept/Oct 1992.
Artists and Art - Contemporary Chinese Paintings, Hong Kong, Urban Council, 1989
Calligraphy by Contemporary Chinese Masters, Hong Kong, Arts Centre, 1981
Chou, Irene, Boccaccio‘s Decameron: Paintings on Silk by Irene Chou, Hong Kong, Faramir Ltd., 1976; Kirker,
Anne, catalogue entry in Turner, C. ed. The First Asia-Pacific Triennial of Contemporary Art, Brisbane,
Queensland Art Gallery, 1993; Collector‘s Choice: The Cosmic Vision of Zhou Lüyun, Hong Kong, Cat
Street Galleries, 1995; Kirker, Anne, ‗Poised in Equilibrium‘, Art & Asia Pacific, vol.1, no.2, 1994;
Irene Chou, [pamphlet], the artist, n.d.1970s
Ink painting of Hong Kong, Hong Kong, Urban Council, 1987
Oil Painting, Prints and Related Mixed Media
Syllabus for Art and Design, Hong Kong, Curriculum Development Committee, Forms I-III, 1975, Forms
IV-V, 1978,

77
Sculpture and Ceramics
Clarke, David, ‗Censorship in Hong Kong‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Hong Kong Pottery Today, Hong Kong, Urban Council, 1984
Findlay, Ian, ‗Patterns of Time‘ (Fiona Wong), World Sculpture News, vol. 11, no. 3, 2005.
Millichap, John, ‗Para/Site: installation finds a home in Hong Kong.‘ Asia-Pacific Sculpture News 2:2
Spring 1996
Tam, L.S., Contemporary Open Air Sculpture, Urban Council, 1984
Thompson, Jonathan, ‗The Tao of Two‘ (Man Fung Yi and Mok Yat San), World Sculpture News, vol. 11,
no. 4, 2005.
Ten Years of Hong Kong Sculpture, Hong Kong, Arts Centre, 1988
Van Lau‘s Sculptures, Hong Kong, Arts Centre, 1979
Art in Hong Kong in the 1990s
‗The shifting ground‘, [gallery survey], Asian Art News, vol.7, no.4, July/August 1997.
Binks, Hilary, ‗In the footsteps of the masters‘, Asian Art News, vol.9, no.4, 1999.
Clarke, David, Hong Kong Art; Culture and Decolonization, London, Reaktion Books, 2001.
Curnow, Wynstan, ‗Transfusion/Fusion, A Hong Kong-New Zealand Exchange‘, Art AsiaPacific,
no.16, 1997.
Findlay, Ian, ‗Fresh beginnings in a new millennium‘, Asian Art News, vol.11, no.6, 2001
Goodbody, Bridget, ‗Hong Kong: ―Mao and New China: Art from the Era of Mao and the 90s‖ ,
Artforum International, Vol.35, Issue 9, May1997
Ho, Oscar, ‗Chinese whispers‘, ART AsiaPacific, no.13, 1997.
Ho, Oscar, ‗The long road back home‘, ART AsiaPacific, no.13, 1997.
Lally, Janice, ‗Notes from Hong Kong‘, Asian Art News, vol.10, no.5, 2000
Lilly, Roxanna, ‗The absolute stage - Hong Kong‘s Revolutionary Opera‘, Social Analysis, no.38, 1995. [
Special Issue edited by Weiner, James: ‗Too many meanings: A critique of the Anthropology of
Aesthetics‘].
Lilly, Roxanna, ‗The double bind: performing arts in Hong Kong‘, The Australian Journal of Anthropology,
vol.2, no.3, 1991.
Millichap, John, ‗Beyond Barriers.‘ [Cha Guojun] Asian Art News 8:6 November/December 1998
Art 2000+
[Curators‘ Trip to China] ‗Yishu, vol.1, no.1, 2002
[Hong Kong Art Biennial 2003], Thomson, Jonathan, ‗The Ordinary and the Extraordinary‘, in Asian
Art News, Vol. 14, No. 2, March/April 2004, p.64-70.; Wah, Jaspar Lau Kin., ‗Review of the 2003
Hong Kong Biennale‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004,
p.74-76.
[Hong Kong Arts Centre] Watson, R.C. ‗Coming of Age‘, Asian Art News, vol.11, no.6, 2001.
[Trigram Gallery] Findlay, Ian, ‗A sanctuary for Hong Kong art‘, Asian Art News, vol.10, no.1, 2000
[Twenty Year Anniversary of Hanart T.Z. Gallery] Thomson, Jonathan, ‗Themes and Variations‘, in
History‘ in Asian Art News , Vol. 14, Number 4 (July/August 2004), pp.46-53
Antoinette, Michelle, ‗Inside Looking In: Impressions of Hong Kong‘s Contemporary Art Scene‘, in
Eyeline. Contemporary Visual Arts, no. 64, 2007, pp. 47 – 51.
Berger, Tobias, ‗Hong Kong SAR: Special Art Region‘, Yishu: Journal of Contemporary Chinese Art, vol. 4,
no. 4, Dec. 2005.
Fan, Anthea, ‗There is This Cattle Depot Artist Village in Hong Kong‘ in Mok, Harold and Chan, Yukkeung,
ed., Hong Kong Visual Arts Yearbook 2003, Hong Arts Development Agency, 2003, pp. 102-
125.
Ford, Norman, ‗Do ―(Hong Kong) Chinese‖ Artists Dream of Electric Sheep?‘, Yishu: Journal of
Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.

78
Gao Yuzhen [Kao Yü-chen], et al, Aesthetic Images of Ding Yanyong‘s paintings, (bilingual catalogue) Taipei,
National History Museum, 2003
Ho Hing-hay, Oscar, ‗City of make believe‘, Art AsiaPacific, 25, 2000.
Ho Hing-Kay, Oscar, ‗The export of Chinese avant-garde art‘, Artlink, Vol. 20, No. 2, July 2000
Ho Hing-kay, Oscar, ‗Quiet but not Speechless‘, in Orientations, vol. 35, no. 5, June, 2007.
Hou Hanru, ‗The city and the artists‘, Flash Art, XXXIV, 223, 2002.
Hwang Yin, ‗From Small Spaces, Great Ideas Grow: Voices From Hong Kong Art‘, in Orientations, vol.
35, no. 5, June, 2007.
Jim, Alice Ming Wai, ‗Urban Meditations in Hong Kong Contemporary Art: Notes on A Very Good
City and Local Orientation‘ in positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004).
Jim, Alice Ming Wei, ‗Notes from Hong Kong‘, Flash Art, XXXIV, 223, 2002.
Jim, Alice Ming-Wai, Screen Structures: Overview of Media Art Development in Hong Kong‘ Kong‘ in
Mok, Harold and Chan, Yuk-keung, ed., Hong Kong Visual Arts Yearbook 2003, Hong Arts
Development Agency, 2003, pp. 150-169.
Kee, Joan, ‗Art, Hong Kong, and Hybridity: a task of reconciliation, Yishu: Journal of Contemporary Chinese
Art, vol.2, no., June 2003.
Lau, Jasper K. W., ‗No Local is an Island‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun
2006.
Leung, Po-shan, ‗Reatreating From the Forefront of Officialization‘ Kong‘ in Mok, Harold and Chan,
Yuk-keung, ed., Hong Kong Visual Arts Yearbook 2003, Hong Arts Development Agency, 2003, pp.
126-149.
Maerkle, Andrew, ‗Tsang Kin-Wah. Stream of Consciousness‘, in ArtAsiaPacific, No. 58, May/Jun,
2008, pp. 150 - 157.
Millichap, John, ‗In Search of the Real Thing: Contemporary Art in Hong Kong‘, in Yishu. Journal of
Contemporary Chinese Art, v. 6(3), September, 2007, pp. 88 – 91.
Patten, Eliza, ‗Report on ―Re: Wanchai-Hong Kong International Artist‘s Workshop‘, Yishu: Journal of
Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.
Thompson, Jonathan, ‗Heaven is Space‘, Asian Art News, vol. 15, no. 1, 2005.
Thomson, Jonathan, ‗Public Face – Private Emotions‘ in World Sculpture News, Vol. 10, No. 2 (Spring
2004), pp. 40-44.
Thomson, Jonathon, ‗The Independent Spirit‘ in Asian Art News, v. 18(1), January/February, 2008, pp.
114 – 118.
Thomson, Jonathon, ‗The Triumph pf Painting‘, in Asian Art News, v. 18(1), January/February, 2008,
pp. 121 – 129.
Thomson, Jonathon, ‗The Pivotal Decade‘, Asian Art News, v. 18(6), Nov/Dec, 2008, pp. 102-105.
To, Hiram, ‗Silent Witness‘, in Art Monthly Australia, Issue No.: 206, December 2007 – January 2008,
pp. 45 – 47.
Wah, Jaspar Lau Kin., ‗The Cement of Hong Kong‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2
No. 4, December 2003, p.68-76.
Wear, Eric, ‗Hong Kong: Ten Years On‘, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, p. 53.
Wei, Lily, ‗Li Xianting: a fighter for artists‘, Art News, 100, 11, 2001.
Wo, Leung Chi., ‗Para/Site and Hong Kong Art Spaces‘, Yeung Yang (tran.), in Yishu: Journal of
Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.56-62.
Hong Kong Photography
Benge, Sophie. Private Hong Kong : where East meets West (photography byFritz von der Schulenburg),
New York : Abbeville Press Publishers, 1997.
Picturing Hong Kong : photography, 1855-1910, New York : Asia Society Galleries & George Braziller, 1997.
Warner, J., Hong Kong 100 Years Ago, Hong Kong, Museum of History, 1970, 1981

CHINA-TIBET
79
General Works
Alexander, A., ‗Tibetan Contemporary Art‘, Asian Art News, 2, no.3, May/June 1992.
‗The Art of Tibet‘, Special Issue, Orientations, Volume 32, Number 10, December 2001
Alsop, Ian, ‗Contemporary Art in Lhasa‘, in Orientations, vol. 35, no. 5, June, 2007.
Findlay, Ian, ‗Art From the Roof of the World‘, in Asian Art News, v. 18(3), May/June, 2008, pp. 86 –
95.
Harris, Clare, In The Image of Tibet: Tibetan painting after 1959, London, Reaktion Books, 1999
Gladney, D., ‗Representing nationality in China: refiguring Majority/Minority Identities‘, Journal of Asian
Studies, LIII, 1, 1994.
Gluckman, Eliza, ‗Tibetan Contemporary Art: Beyond the Cultural Mask‘, in ArtAsiaPacific, No. 57,
Mar/Apr, 2008, pp. 126 - 131.
Kvaerne, P., ‗The ideological impact on Tibetan Art‘, in Bernett R., and Akiner S. eds, Resistance and
reform in Tibet, London, 1994
Linrothe, Rob, ‗Streched on a Frame of Boundless Thought: Contemporary Religious Painting in
Rebgong‘ [Tibet], Orientations, Volume 33, Number 4, April 2002
Maggio, Meg, ‗Why go to Tibet? Qiu Zhijie in Shangri-La‘, in ArtAsiaPacific, No. 57, Mar/Apr, 2008,
pp. 120 - 125.
Rimac, Melissa, ‗Tibetan Religious Art‘, Art AsiaPacific, 22, 1999
Stoddart, H., Le mendiant de l‘Amdo, Paris, 1985.
Tenzing Rigdol, ‗Over the Tanggula Pass: Lui Xiadong‘s Paintings of Tibet‘, in ArtAsiaPacific, No. 58,
May/Jun, 2008, pp. 80 - 81.
Yeshi K., ‗Gongkar Gyatso: creation of a painter in contemporary Tibet‘, Chöyang, VII, 1996.
Individual Artists
Benba: Findlay, Ian, ‗An Accomplished Observer‘, in Asian Art News, v. 18(3), May/June, 2008, p. 94.
Gade: Findlay, Ian, ‗Traditions With A Contemporary Face‘, in Asian Art News, v. 18(3), May/June,
2008, p. 90
Gonkar Gyatso: Harris, Clare, ‗Gonkar Gyatso: From Lhasa to London‘, ArtAsiaPacific, no. 50, 2006;
Harris, Clare, ‗The Buddha Goes Global: Some Thoughts Towards a Transnational Art History‘,
Art History, 29:4, September 2006; Harris, C., ‗Struggling with Shangri-La: the works of Gongkar
Gyatso‘, in Korom, F., ed , Constructing Tibetan Culture: Contemporary Perspectives, Quebec, 1997.
Han Shuli: Findlay, Ian, ‗In The Spirit of Tibet‘, in Asian Art News, v. 18(3), May/June, 2008, p. 92.
CHINA-TAIWAN/REPUBLIC OF CHINA
Individual Artists
Chen Chieh-jen: Cheng, Amy Hueihua., ‗On Lingchi: Echoes of a Historical Photograph‘, in Yishu: Journal
of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.77-81. ; Priya Malhotra, ‗The Anxiety Of
Powerlessness‘, in Asian Art News, v. 17(6), November/December, 2007, pp. 83 – 85.Heartney,
Eleanor, ‗Taiwan Vigil‘, in Art in America, January 2008, pp. 88 – 91.
Chen Chin: Centennial Celebration of Chen Chin. A preview of the Touring Exhibition in Japan. Taipei: Taipei
Fine Arts Museum, 2006.
Chen Hsien-Tung: Findlay, Ian, ‗Nature‘s Witness‘, Asian Art News, vol. 16, no. 1, 2006.
Chen Shunchu: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The

80
5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,
1999
Chen Shun-chu: Macintyre, Sophie, ‚Duplicating memory‘, Art AsiaPacific 28, 2001
Chen Tingshi: Li Chu-tsing, Chen Tingshih, Taibei, National Taiwan Arts Center, 1967
Chen Tsing-fang: Pai, Maggie, ‗Fusing Five Continents‘ Asian Art News, vol.6, no.6,
November/December 1996.
Cheng Chengbo: Wang Feiyun, Free China Review, March 1996.
Chiang, Paul: Pai, Maggie, ‗Achieving Harmony‘, Asian Art News, vol.10, no.5, 2000
Chien-Chi Chang: Frazier, David, ‗Chien-Chi Chang: No Flahs Needed‘, in ArtAsiaPacific, No. 54,
Jul/Aug, 2007, pp. 64 – 65
Chiu Hsiente: Findlay, Ian, ‗Landscapes of the Imagination‘, Asian Art News, vol. 17, no. 1, Jan-Feb 2007;
Hsu, Fiona, ‗A Wanderer Chasing a Dream‘, Asian Art News, vol. 15, no. 5, 2005; Findlay, Ian,
‗Into the Heart of Landscape‘, in AsianArtNews, Vol. 19 No. 1 January/February 2009, pp. 59-62.
Chiu Tze-Yan: Findlay, I., ‗The magic of darkness‘, Asian Art News, vol.4, no.6, Nov-Dec 1994.
Chiu Ya-tsai: Pai, Maggie, ‗The Inner eye‘, Asian Art News, vol.7, no.1, Jan/Feb 1997
Chu Ge: Millichap, John, ‗Ancient Medium, Modern Voice‘, Asian Art News 9:2 1999; Sturman, P.C,
‗Measuring the Weight of the written word‘, Orientations, 23, no.7, July 1992; Millichap, John,
‗Ancient medium modern voice‘, Asian Art News, vol.9, no.1, 1999
Chuang Che/Zhuang Zhe: ‗A Natural Theatre‘, Asian Art News, vol. 5, no.2, March/April 1995.
Deane Mei: Chen, Elsa Hsiang-chun, ‗Interview with Deane Mei‘ in Deane Mei (Catalogue), Taipei:
Museum of Contemporary Art, 2003
Feng Mengbo: Past Virtualized- Future Cloned: Feng Mengbo Solo Exhibition, Museum of Contemporary Art,
Taipei, 2003.
Feng Zhongrui: Li Chu-tsing; Lawton, Thomas Lawton, Feng Zhongrui, Taibei, National Taiwan Arts
Center, 1967. [Liao Shiou-ping], Heartney, Eleanor, ‗Absorbing contradictions‘, Asian Art News,
vol.5, no.3, Jul/Aug 1995
He Huaishuo: Stanley-Baker, J., Inner realms of Ho Huai-shuo,., Hong Kong, Hibiya Ltd., 1981
Hou Hsiao-Hsien: Quandt, James, ‗A Certain Slant of Light‘, Artforum, vol. 44, Iss. 2, 2005.
Hsiao Chin: Findlay, Ian, ‗Traveler in Art‘, Asian Art News, vol. 16, no. 3, 2006.
Hsieh Ming-chang: Free China Review, 43, no.6 June 1993.
Hsieh Tehching: Gookin, Kerby, ‗Teching Hsieh‘, Artforum International, Vol.39, Issue 8, April 2001;
Langenback, Ray, ‗Statutory Obligations: the performances of Tehching Hsieh‘, Art AsiaPacific,
no.33, 2002.
Hsu Wen-rwei: ‗Face to face‘, Art AsiaPacific, 26, 2000
Huang Chih-Yang and Hou Chun-Ming: McIntyre, Sophie, ‗Taiwanese Storytellers: Huang Chih-Yang and
Hou Chun-Ming.‘ Art AsiaPacific issue 20 1998; Findlay, Ian, ‗Theater of the natural order‘, Asian
Art News, vol.9, no.6, 1999
Huang Ming-Che: Findlay, Ian, ‗A Minimalist Force‘, in World Sculpture News, vol 15, no 1, Winter 2009,
pp.28-33
Huang Shihchieh: EX-TT-03: Huang Shih-chieh Solo Exhibition, Museum of Contemporary Art, Taipei, 2003.
Hung Tung: Asian Art News,1,no.1, Jul/Aug 1991; Cheng, Amy Huei-Hua, 'Interview with Hung Tung-
Lu', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue
Hung Tunglu: Cheng, Amy Hueihua., ‗Interview with Hung Tung-Lu‘, in Yishu: Journal of Contemporary
Chinese Art, Vol.2, No.1, March 2003, p.90-92.
Hwang Jyi: review, Asian Art News, vol.10, no.2, 2000; Findlay, Ian, ‗Flying on Dreams‘, Asian Art News,
vol.6, no.1, Jan/Feb 1996.
Hwang, Michell: Findlay, Ian, ‗Wrestling with light‘, Asian Art News, July/August 1994; Findlay, Ian, ‗The
Heart of Landscape‘, Asian Art News, vol.7, no.6, November-December 1997.
Jiang Jiaoshen: ‗Chiang Chao-shen‘ Findlay I., Asian Art News, vol.4., no.1, Jan-Feb 1994
Kuo Chun, James: Findlay, Ian, ‗The apt surprise‘, Asian Art News, vol. 8, no.2, March/April 1998.

81
Lee Ang: Rong Cai, ‗Gender Imaginations in Crouching Tiger, Hidden Dragon and the Wuxia World‘,
positions, vol. 13, no. 2, 2005.
Lee Kuang-Yu: Findlay, Ian, ‗In Praise Of The Human Spirit‘, in World Sculpture News, v. 14(2), Spring,
2008, pp. 28 – 33.
Lee Ming-wei: Kee, Joan, ‗Resting with Mingwei: subversive cosmopolitanism in the conceptual project
of Lee Mingwei‘, Yishu, vol 1, no 1, Spring 2002.
Li Chen: Li, Chen., ‗Sculpture at Peace‘, in World Sculpture News, Vol.9, No.4, Autumn 2003, p.41-43. ;
Findlay, Ian, ‗In Search of Spiritual Space‘, World Sculpture News, vol. 12, no. 1, 2006.
Lia Zhiman: Lutchmansingh, Larry, D. ‗An Exacting Journey: Lai Chi-Man.‘ Asia-Pacific Sculpture News
1:3 Summer 1995
Lian Dezheng: Goodman, Jonathan. ‗Sign Language: Sex, Politics and Culture in the work of Te-Cheng
Lien.‘ Art AsiaPacific issue 19 1998
Liao Yu-An: Findlay, Ian ‗ The Theater Of Singular Possibilities‘, Asian Art News, v. 18(5), Sept/Oct,
2008, pp. 88-93.
Lin Liang-tsai: Findlay, Ian, ‗The Triumph of Spirit‘, World Sculpture News, vol. 11, no. 4, 2005.
Lin Minghung (Lin Michael): Mahoney, Bronwyn., ‗Patterns of Thought: The Installations of Michael Lin‘,
in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.82-85.
Lin Pei-chwen: Chen, Elsa Hsiang-chun, Back to Nature by Lin Pei-chwen, Taoyuan Country Cultural
Centre, 2000
Lin Shouyu: Clark, John, ‗The Exile‘s Return‘, Far Eastern Economic Review, 18-6-1984
Lin Wen Chiang/Lin Wenjiang: Findlay, Ian, ‗An independent spirit‘, Asian Art News, vol.3, no.6,
December 1993.
Lin Yi-chun: Who Am I: Punctum by Lin Yi-chun (Catalogue), Taipei: Bsybee Press, 2000
Lin, Michael: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The
5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,
1999; Mahoney, Bronwyn, 'Patterns of Thought: The Installations of Michael Lin, Yishu: Journal of
Chinese Contemporary Art, March 2003, Spring Issue
Liu Chi-hsiang: ‘Writing Taiwanese Art History‘/Yen Chuan-ying, Art & Asia Pacific, no.2. June 1993.
Liu Kang: Tan, Susan Megan, Journeys: Liu Kang and His Art, Singapore: Singapore Art Museum, 2000
Liu Kuo-sung: Li Chu-tsing, Liu Kuo-song: Growth of a Modern Chinese Artist /, Taibei, National Gallery of
Art and Museum of History, 1969; Findlay, Ian., ‗Between Heaven and Earth‘, in Asian Art News,
Vol. 14, No. 1, January/February 2004, p.38-43.
Lo Ch‘ing: Chattophadhay, Colette‘In the mind‘s eye‘Asian Art News, vol.6, no.1, Jan/Feb 1996.
Lu Hsien-ming: review, Asian Art News, vol.9, no.1, 1999
Lulu Shur-tzy Hou: Pai, Maggie, ‗A picture lasts longer‘ Asian Art News, vol. 8, no.1, January/February
1998
Mei Dean-E: Pai, Maggie, ‗A Singular Question: Mei Dean-E.‘ Asia-Pacific Sculpture News 2:4 Autumn
1996; Displacement: Mei Dean-E Solo Exhibition, Museum of Contemporary Art, Taipei, 2003.
Michael Lin: Mahony, Bronwyn, ‗Laughing Apparatus Provided: The Work of Michael Lin‘ in Art Asia
Pacific, No. 41 (Summer 2004), pp. 48-53; Shinyoung Chung, ‗Michael Lin‘ in Artforum, 47, Iss. 4,
Dec. 2008, p. 321.
Peng Hung-chih: review Art AsiaPaicifc, 33, 2002
Peng Kang-lang: Wang Fei-yun, ‗Rhapsody in Ink‘ Free China Review, February 1996.
Pi-Hua Hsu, Jessica: Ian Findlay,‗The Inquisitive Spirit‘, in Asian Art News, v. 18(6), Nov/Dec, 2008, pp.
112-117.
Pu Xinyu/Pu Ru: Exhibition of works by P‘u Hsin-yu, Hong Kong, Arts Centre, 1981
Shen Yaochu: Exhibition of Paintings by Shen Yao-Ch‘u, Hong Kong, Arts Centre, 1987
Su Menghung: Kai Dao Tu Mi: Su Meng-hung Solo Exhibition, Museum of Contemporary Art, Taipei, 2003.
Su Wong-shen: review, Asian Art News, vol.11, no.2, 2001

82
Tehching Hsieh: Laster, Paul, ‗Tehching Hsieh. The Art of Survival. How a radical performance artist
turned off his career in order to focus on art‘, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 116 -
121.
Tsai Ming-liang: Wang, Shujen and Fujiwara, Chris, ‗"My Films Reflect My Living Situation": An
Interview with Tsai Ming-liang on Film Spaces, Audiences, and Distribution‘, positions, vol. 14,
no.1, 2006.
Tsui Kuang-yu: review, Flash Art, vol. XXXIX, no. 250, Oct, 2006.
Tu Weicheng: The Beauty and Mystery of Bu Num Civilization Revealed: Tu Wei-cheng Solo Exhibition, Museum
of Contemporary Art, Taipei, 2003.
Wang Jiqian: ‗A Closed Cycle in Chinese Art‘ /Stanley-Baker,J., Free China Review, July 1986; Mind
Landscapes: The Painting of C.C.Wang / Silbergeld,J., Seattle, University of Washington Press, 1987;
[Asian Art News, 2, no.1, Jan/Feb 1992; Wang Jiqian, Xu Xiahu, ‗Huayulu, Diliu, Meigan yu
Tuozu‘, Gugong Wenwu Yuekan, Taibei, October 1984.
Wang Junjieh: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Wang Teyu: Adrift: Wang Te-yu Solo Exhibition, Museum of Contemporary Art, Taipei, 2003.
Wang Wen-ping: Findlay, Ian, ‗A darkness at noon‘Asian Art News, vol.5, no.6, Nov/Dec 1995.
Wu Hao: Asian Art News, 2, no.2, Mar/Apr 1992.
Wu Mali: Wu Mali, Treasure Island, Catalogue, Kaohsiung: Kaohsiung Museum of Fine Arts, 2002
Wu Shanzhuan: review Asian Art News, vol.12, no.2, 2002. ; Chen, Elsa Hsiang-chun, ‗Wu Mali: My Skin
is My Country‘ in Wu Mali (Catalogue), Kaoshiung: Kaohsiung Museum of Fine Arts, 2003
Wu Tienchang: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Xia Yan: Pai, Maggie, ‗An artist rejuvenated‘, Asian Art News, vol.7, no.1, Jan/Feb 1997
Xu Yaodong: ‗The Artist in Transition‘, /Macgregor,P., Free China Review, 1-1986
Yang Chihung: Teo, Louisa, ‗An Art of Personal Mythology‘, Asian Art News, vol. 16, no. 5,
September/October 2006.
Yang Chiyung: ‗Fusion of Opposites‘ /Tirone,G., Free China Review, 1-1990
Yang Maolin: review, Asian Art News, vol.9, no.4, 1999; Findlay, Ian, ‗Grand vision and identity‘ Asian
Art News, vol.7, no.1, Jan/Feb 1997; Li Xianting, ‗In a sea of cultures‘, Asian Art News, vol. 8,
no.1, January/February 1998. ; review Asian Art News, vol.11, no.3, 2001.; Findlay, Ian, ‗Of
Immortals And Icons‘, in World Sculpture News, v. 13(4), Autumn, 2007, pp. 26 – 31. [Yuan
Goang-ming] Farver, Jane, ‗Yuan Goang-ming‘ in Art Asia Pacific, Issue 37 (2003), p. 43
Yu Cheng-yao: ‗Talent and Vision‘ /Stanley-Baker, J., Free China Review, 5-1986; [Yu Cheng-yao], Magic
Mountains:The art of Yu Chengyao /Lai,T.C., Hong Kong, Kelly and Walsh, 1987; [Yu Cheng-yao],
The Art of Yu Chengyao /Hong Kong, Hanart Gallery, 1987; [Yu Cheng-yao] , Majestic Mountains:
Yu Chengyao at Ninety, Taipei, Hanart Gallery, 1988
Yu Peng: Mindich, J.H., ‗Primordial Technique‘, Free China Review,11-1989; review, Asian Art News, vol.9,
no.1, 1999
Yuan Goang-Ming: Mahoney, Bronwyn, 'Patterns of Thought: The Installations of Michael Lin, Yishu:
Journal of Chinese Contemporary Art, March 2003, Spring Issue; Cheng, Amy Hueihua., ‗Interview
with Yuan Goang-Ming‘, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003,
p.86-89.
Yuan Jai/zhai: review, Asian Art News, vol.11, no.2, 2001
Zheng Zaidong: Doran V. ‗Environmental Dialogues‘, Free China Review, 7-1989; [Zheng Zaidong], Asian
Art News, 1, no.3, Nov/Dec 1991.
Zhu Ming: Ju Ming: Sculptures/ Findlay,I., Taibei, Hanart, 1986; [Zhu Ming], Asian Art News, 1, no.2
Sept/Oct 1991.

83
Japanese Colonial Period
Ching, Leo, ‗Savage Construction and Civility Making: The Musha Incident and Aboriginal
Representations in Colonial Taiwan‘ in positions: east asia cultures critique, volume 8, number 3
(winter 2000), pp. 795-818.
Clark, John, ‗Taiwanese Painting under the Japanese Occupation‘, Journal of Oriental Studies, Vol.XXV,
no.1, 1987, pp.63-105.
Kikuchi, Yuko, ‗Yan Shuilong‘, Crafts, 162:24-25, 2000.
Kikuchi, Yuko, ‗Refracted Colonial Modernity: Identity in Taiwanese Crafts from the Colonial Modern
to the Contemporary National‘, The Proceedings of the Papers at the Asia-Pacific Traditional
Arts Forum organised by the Council for Cultural Affairs, the Executive Yuan, ROC and the
National Institute of the Arts in Taipei, 2002.
Kikuchi, Yuko ed. Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, Hawaii University
Press, forthcoming.
Liao, Hsin-Tien, Colonialism, Post-colonialism and Local Identity in Colonial Taiwanese Landscape Paintings
(1908-1945), PhD thesis, Birmingham Institute of Art and Design, University of Central England,
2002.
Wang Xiuxiong, ‗The development of official art exhibitions in Taiwan during the Japanese
occupation‘, in Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor, eds, War, Occupation
and Creativity: Japan and East Asia, 1920-1960, Honolulu, University of Hawai‘i Press, 2001
Yen, Chuan-Ying, ‗Colonial Taiwan and the Construction of Landscape Painting‘, English version of
‗Jindai Taiwan Fengjing guan de Jian Gou‘, Meishu Shi Yanjiu Jikan, 9 :179-206. 2000.
General Works, 1950s-1970s
Clark, John, ‗Taiwanese Painting and Europe‘, in Shaw, Y-M., ed., China and Europe in the Twentieth
Century, Taibei, Institute for International Relations, 1986, pp.43-60.
Clark, John, ‗La peinture moderne a Taiwan: le contexte politique et économique‘ [tr. Pierre Étienne-
Will et Anne Cheng], Études Chinoises, Vol VII, no.1, Printemps 1988, pp.29-63 ; English original:
‗Painting in Taiwan after 1945: A Political and Economic Background‘, Yishu: Journal of Chinese
Contemporary Art, March 2003, Spring Issue
Council for Cultural Planning and Development, Art Development in Taiwan (1661-1971), Taipei,
Executive Yuan, July 1985.
Council for Cultural Planning and Development, Symposium of ‗The Artistic Trends in the R.O.C‘, Taipei,
Executive Yuan, November, 1991.
Kuo, Jason (Guo Jisheng),‘Modern art in Taiwan after 1949‘, in Clark, J., ed., Modernity in Asian Art,
Sydney, Wild Peony Press, 1993.
Kuo, Jason,(Guo Jisheng), ‗Painting, decolonization and cultural politics in postwar Taiwan‘, Ars
Orientalis, XXV.
Kuo, Jason C., Art and Cultural Politics in Post-war Taiwan, Seattle, London: University of Washington
Press, 2000.
Kuo, Jason (Guo Jisheng), ‘Nihonga/Toyoga/Chiao-ts‘aihua in Taiwan, 1895-1983‖, from The
Symposium on the Origin, Transmission, and Influence of Glue painting [date, publisher unknown].
Kuo, Jason (Guo Jisheng), ‗Painters of the postwar generation in Taiwan‘, in Harrell, Steven; Huang
Chun-chieh eds., Culture Change in Postwar Taiwan, Boulder, Westview Press, 1996.
Li Chu-tsing, Yu Kwang-chung, and Thomas Lawton, Five Chinese Painters; Fifth Moon Exhibition, Taibei:
National Museum of History, 1970
Li Chu-tsing, ‗The Fifth Moon Group of Taiwan‘, The Register of the Spencer Museum of Art, The
University of Kansas, vol.7, no.3, 1986
Li Chu-tsing, Lawton,T., ‗The New Chinese Landscape‘, Art Journal, XXVII/2, Winter, 1967/68.
Shaocheng Taocheng, Wei Liliao, Ying Chunhsieh and Ching Yuehroan, The Prime of Taiwan
Contemporary Architecture, Garden City, Taipei, 2003.

84
1970s-1980s
Clark, John, ‗A Tale of Two Cities‖, Art Monthly [Australia], no.29, April 1990.
Clark, John, ‗Aspects of Taipei Modernism in the 1980s‘, Orientations, vol.23, no.7, July 1992. revised
version in Asia Pacific TriennaleCatalogue, Brisbane, Queensland Art Gallery & Queensland
University Press, 1993.
Clark, John, 'Painting in Taiwan after 1945: A Political and Economic Background', Yishu: Journal of
Chinese Contemporary Art, March 2003, Spring Issue
Su Reping, A Retrospective Exhibition of Contemporary Chinese Art, Taipei, Taipei Fine Arts Museum, 1986
1990s
[Contemporary Art in Taiwan, 1988-1999] review, Asian Art News, vol.10, no.2, 2000
[Taipei Biennale 1998] Hsu, Wen-rwei, ‗Subject of Desire‘, Art AsiaPacific, 22, 1999
‗Fine Arts‘, Special Issue, Free China Review, vol.43, no.3, March 1993.
‗Supplement: Taiwan‘, Asian Art News, vol.3, no.2, March-April 1993.
Art Taiwan, Biennale Venezia, Palazzo Delle Prigioni, 1995 [organized by Taipei Fine Arts Museum]
Chen Hui-chiao, ‗In search of art‘s ys‘ [IT Park], Asian Art News, vol.7, no.1, Jan/Feb 1997
Chen Hui-chiao (ed.), Magnetic Writing/Marching Ideas, Works on Paper, IT Park Gallery, Taipei,
1999.Clark, John, 'Painting in Taiwan after 1945: A Political and Economic Background', Yishu:
Journal of Chinese Contemporary Art, March 2003, Spring Issue
Finday, Ian & staff, ‗Coming out on top‘, [Taipei Art Fair], Asian Art News, vol.10, no.1, 2000
Findlay, Ian, ‗A growing sense of independence‘ [S.Taiwan galleries], Asian Art News, vol.5, no.5,
Sep/Oct 1995.
Findlay, Ian, ‗Bringing tradition up to date‘ Asian Art News, vol. 8, no.1, January/February 1998
Findlay, Ian, ‗Building Awareness‘,[Taiwan Art Galleries Association] Asian Art News, vol.3, no.6,
Nov/Dec 1993.
Hart, Deborah, ‗Expanding horizons: art from Taiwan‘, Artlink, Vol. 20, No. 2, July 2000
Hsia, Shu-wen, New Minds: Artistic Creations in Motion, Taiwan, Taipei Fine Arts Museum, 2001
Huang Hai-Ming, 'The Shaping of the Contemporary Taiwanese Art World: A Review of
Contemporary Taiwanese Art Events from the 1980s to the Present', Yishu: Journal of Chinese
Contemporary Art, March 2003, Spring Issue
Kaye, L., ‗Art for Money‘s Sake‘, Far Eastern Economic Review,12 April 1990
Kent, Rachel, ‗It‘s about time‘ [experimental art spaces], ART AsiaPacific, no.13, 1997.
Kuo Jason, ‗Taiwan Sculpture‘, Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995.
Lang, Miriam, ‗San Mao goes shopping: travel and consumption in the post-colonial world‘, East Asian
History, 10, December 1995.
Lu, V., ‗The rising new moon‘, Art & Asia Pacific, supplement to Art & Australia, September 1993.
McIntyre, Sophie & Chia Chi, Jason, ‗Taipei in Entropy‘, Flash Art ,XXIX, 187, March/April 1996.
McIntyre, Sophie, ‗ Made in Taiwan, after the political art of the 1980s, what for the 1990s?‘, Art
AsiaPacific, vol.3, no.3, 1996
McIntyre, Sophie, ‗In Full Flow.‘ World Sculpture News 3:4 Autumn 1997
McIntyre, Sophie, ‗Into the Stone Hills: Taiwan‘s first international stone sculpting symposium.‘ Asia-
Pacific Sculpture News 2:2 Spring 1996
McIntyre, Sophie, ‗River: New Asian Art in Taipei.‘ Art AsiaPacific issue 19 1998
McIntyre, Sophie, Face to Face, Gold Coast City Art Gallery/Taipei Fine Arts Museum, 1999.
Millichap, John, ‗Always a contender‘ [Taipei Art Fair], Asian Art News, vol.9, no.1, 1999
Lai, Ying-ying and Lan, Wen-yu, ‗The Gravity of the ImmaterialTaipei, Institute of Contemporary Art, 2001
Lin, Po-Shin, 'The Discursive Formation o Contemporary Art Curation in the Late 1990s with a
Discussion of the Continual Evolution of the Subject Position of Taiwan Art', Yishu: Journal of
Chinese Contemporary Art, March 2003, Spring Issue
Lu, Victoria et al ed., Visions of Pluralism: Contemporary Art in Taiwan, 1988-1999, Kaohsiung: Mountain
Art Culture and Education Foundation, 1999.

85
Pai, Maggie, ‗A Glimpse of Sculpture: sculpture at the Taipei Biennial.‘ Asia-Pacific Sculpture News 2:3
Summer 1996
Pai, Maggie, ‗A steady Program‘ [Taiwan art galleries], Asian Art News, vol.7, no.1, Jan/Feb 1997
Pai, Maggie, ‗Fifth Moon turns Forty‘, Asian Art News, vol.6, no.5, September / October, 1996.
Pai, Maggie, ‗Making the visible the invisible‘[Women‘s art including Wu Mali, Lin Chun-ji, Maggie Wei
Hsau, Lulu Shur-tzy Hou], Asian Art News, vol. 8, no.2, March/April 1998
Pai, Maggie, ‗Searching for new directions‘ [Taipei Art Fair], Asian Art News, vol. 8, no.1,
January/February 1998
Pai, Maggie, ‗Taiwan at Venice‘, Asian Art News, vol.9, no.6, 1999
Pai, Maggie, ‗Taking Taiwan Art to the World‘, Asian Art News, vol.4, no.6, Nov-Dec 1994.
Rowley, Sue, ‗Experiencing Taipei‘, ART AsiaPacific, no.15, 1997
Schwabsky, Barry, ‗Tracing Taiwan‘, Artforum International, Vol.36, Issue 2, October 1997
Shih J.J., ‗Images of Hong Kong, Made in Taiwan‘, ART AsiaPacific, no.15, 1997
Shih, J.J., ‗From anguish to irony: The Chinese identity complex in Taiwanese art‘, Art & Asia Pacific,
vol.2, no.3, 1995
Shih, Jui-jen, ‗Bright Prospects for the New Milennium: The Taiwanese Art Scene Present and Future‘,
Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999
Tsong Pu [Zhuang Pu] & Chen Hui-chiao, ‗Coming to terms with change‘, Asian Art News, vol.7, no.1,
Jan/Feb 1997
Wechsler, Jeffrey, ―Toward a New Tradition‘, Asian Art News, vol.8, no.3, May/June 1998.
Yishu: Journal of Chinese Contemporary Art, Special Issue on Contemporary Taiwan Art, March 2003,
Spring Issue
2000+
Art Taipei: ‗An Expanding Presence‘, , in Asian Art News, v. 18(4), July/August, 2008, pp. 102-107.
[1 st International Women‘s Art Festival] Chen, Elsa Hsiang-chun, ‗Cultural Transitions in the
Technological Age‘ in From My Fingers: Living in the Technological Age (Exhibition Catalogue),
Kaohsiung Museum of Fine Arts, 2004; Chen, Elsa Hsiang-chun, ‗A Brief Discussion on
Women‘s Intervention in Taiwan‘s Contemporary Art in the Light of the 1 st International
Women‘s Art Festival in Taiwan‘ in Women, Art, Technology (Essay Collection Symposium),
Kaohsiung Museum of Fine Arts, forthcoming
Chang-de Liu, ‗Negative Impact of Digital Technologies on Artists: A Case Study of Taiwanese
Cartoonists and Illustrators‘, in International Journal of Comic Art, vol. 8, no. 1, Spring/Summer,
2006, pp. 456 – 465.
Chen, Elsa Hsiang-chun, ‗Complexities of Cultural Identities – Differencing the Subjectivities of
Contemporary Women‘s Art in Taiwan‘ in Journey of the Spirit: Taiwanese Women and Contemporary
Representations (Catalogue), Kaohsiung Museum of Fine Arts, 2001
Chen, Elsa Hsiang-chun, ‗Reading Feminist Dimensions of Contemporary Art in Taiwan‘ in Text &
Subtext – Contemporary Art and Asian Women Conference, LaSalle SIA College of the Arts, Singapore,
2000
Cheng, Amy Huei-Hua, 'Invisible City', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring
Issue
Clark, John, ‗Global Intentions‘, Asian Art News, vol. 17, no. 1, Jan-Feb 2007 (Taipei biennial).
Conland, Natasha, ‗Ahoy Land! Curating on the Shoreline‘, Broadsheet, vol. 35, no. 2, 2006.
Frazier, David, ‗Hyper reality: Contemporary Images from the Museum Collection – Taipei Fine Arts
Museum‘, (exhibition review) ArtAsiaPacific, no. 50, 2006.
Huang Hai-Ming, 'The Shaping of the Contemporary Taiwanese Art World: A Review of
Contemporary Taiwanese Art Events from the 1980s to the Present', Yishu: Journal of Chinese
Contemporary Art, March 2003, Spring Issue.

86
Huang, Andrew, ‗Pseudo Hackers‘ Art at Parallel Zones at the Museum of Modern Art‘ (review), Asian Art
News, vol. 15, no. 2, 2005.
Jose, Nicholas, ‗Penumbra: Contemporary Art from Taiwan, Samstage Museum of Art, University of
South Australia‘, in Art Monthly Australia, No. 209, May 2008, pp. 9 – 11.
Kenduzak, Susan, ‗Aperto Taiwan‘, Flash Art, vol. XXXIX, no. 248, May-June, 2006.
Kendzulak, Susan, ‗Working Out the Tension: Taipei Biennial 2004 and Taiwan Pavilion at the Venice
Biennale 2005‘, ArtAsiaPacific, no. 46, 2005.
Lee, Yulin ‗Contemporary Taiwanese Art in the Era of Contention‘ (review), ArtAsiaPacific, no. 43,
2005.
Lin Ping, ‗Documenta 12 Magazines Feature on Education. Building a Contemporary Art ―Campus
Aircraft Carrier‖ – A Discourse on How to Encourage Contemporary Questions About Art
Among Tawainese Youth‘, trans. Blewett, Stan, in Yishu. Journal of Contemporary Chinese Art, v. 6(1),
March, 2007, pp. 91 – 102.
Lin Shu-min ‗Limbo Zone‘, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003
Lin, Poshin., ‗The Discursive Formation of Contemporary Art Curation in the Late 1990s with a
Discussion of the Continual Evolution of the Subject Position of Taiwan Art‘ in Yishu: Journal of
Contemporary Chinese Art, Vol.2, No.1, March 2003, p.27-46.
Lui, Charles, ‗Taiwan: From Within the Mist‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(3),
September, 2007, pp. 100 – 102.
McIntyre, Sophie, ‗A different reality‘, Art AsiaPacific, 32, 2001
McIntyre, Sophie, ‗A Space in Time: Reflections on Developments in Contemporary Art in Taiwan‘, in
Yishu. Journal of Contemporary Chinese Art, v. 7(1), January, 2008, pp. 104 – 107.
Miller, Jeffrey, ‗A Response to Kobayashi Yoshinori's On Taiwan‘, in International Journal of Comic Art,
Vol. 6, No. 1, Spring 2004, pp. 266-280.
Nickerson, Peter, ‗A Poetics and Politics of Possession: Taiwanese Spirit-Medium Cults and
Autonomous Popular Cultural Space‘ in positions: east asia cultures critique, volume 9, number 1
(spring 2001), pp. 187-217
Pai, Maggie., ‗A Fusion of Art and Science‘ (art project at the Nankang Software Park, Taipei), in World
Sculpture News, Vol.9, No.3, Summer 2003, p.44-49.
Seiz, Natalie, ‗Mapping Taiwan: Activism in the Work of Wu Mali‘, in TAASA Review. The Journal of the
Asian Art Society of Australia, v. 17 (1) March, 2008, pp. 14 – 17.
Taipei National University of the Arts ed., Waves Striking: One Hundred Years of Taiwanese Arts, Taipei:
Yishujia, 2001.
Vine, Richard, ‗Taiwan‘s New Bunker Museum‘, Art in America, vol. 93, iss. 6, Jun-Jul, 2005.
Wan-Wen Day, ‗Being Part of Digital Hollywood: Taiwan's Online Gaming & 3D Animation Industry
Under the New International Division of Cultural Labor‘, in International Journal of Comic Art, Vol.
7, No. 1, Spring 2005, pp. 449-461.
Wang, Chia Chi Jason, ‗From iconoclasm to neo-iconolatry: Taiwan‘s contemporary art in the postmartial
law era‘, Yishu, vol.1, no.2, 2002
Wu Yin-Hui and Yu Wei, ‗Documenta 12 Magazines Special Feature: Who is the Next Freshman in Art
and Culture: The New Trend in Graduate Programs in Art and Culture in Taiwan‘, Yishu: Journal
of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.
Yishu: Journal of Chinese Contemporary Art, Special Issue on Contemporary Taiwan Art, March 2003,
Spring Issue
Taiwan Photography
Cheng, Amy Huei-Hua, 'On Lingchi: Echoes of a Historical Photograph', Yishu: Journal of Chinese
Contemporary Art, March 2003, Spring Issue
Hsu, B., ‗Fifteen Decades of Photography‘, Free China Review, October, 1987
Harmon, Tim D., The land & the people-the Republic of China, Hillsboro, Beyond Words, 1992.
Kendzulak, Susan, ‗Spellbound Asia: The New Vision of Chinese Photography – Moca Tai[pei‘ (Review)
in Flash Art, Vol. XXXVII, No. 236 (May-June 2004), p. 78;

Taiwan Sheying, 1887-1945, Taibei, Xiongshi Tushu, 1979, 1981.
87
Political and Intellectual History of Taiwan
Harrell, S., Huang Chun-chieh, eds., Cultural Change in Postwar Taiwan, Taipei, SMC Publishing, 1994.
Mancall, M., ed., Formosa Today, New York, Praeger, 1964
Macfarquar, R.; Fairbank, J.K., eds., The Cambridge History of China, vol.15: The People‘s Republic, Part 2,
Revolutions within the Chinese Revolution, 1966-1982, Cambridge, Cambridge University Press, 1991,
see chapter by Clough.
Shaw, Yuming, ed., Chinese Modernization, San Francisco, China Materials Center Publications, 1985.
Shih, P.K.T., ed., Taiwan in Modern Times, New York, St. John‘s University Press, 1973.
Tu Wei-ming, ‗Cultural China: The Periphery as Center‘, Daedalus, vol.120, no2., Spring 1991.
Economy and Politics of Taiwan
Clark, John, ‗Painting in Taiwan after 1945: A Political and Economic Background‘, in Yishu: Journal of
Contemporary Chinese Art, Vol. 2, No.1, March 2003, p.62-76.
Clough, R.N., Island China, Cambridge, Harvard University Press, 1978
Ho, Samuel, P.S., Economic Development of Taiwan 1860-1970, New Haven, Yale University Press, 1978.
Huang, Mab, Intellectual Ferment for Political Reforms in Taiwan, 1971-1973, Ann Arbor, Michigan Papers in
Chinese Studies, no. 28, 1976
Kuo Shirley W.Y., The Taiwan Economy in Transition, Westview Press, 1983.
Kuznets, Modern Economic Growth, New Haven, Yale University Press, 1966.
Mancall, M. Formosa Today, New York, Praeger, 1964
Mendel, D., The Politics of Formosan Nationalism, Berkeley, University of California Press, 1970
Shaw Yuming, Ed. Chinese Modernization, San Francisco, Chinese Materials Center Publications, 1985.
Shi Ming, Taiwanren Shibainian Shi (The 400 year‘s History of the Taiwanese People), San Jose, Paradise
Culture Associates, 1980.
Shih, P.K.T. ed. Taiwan in Modern Times, New York, St John‘s University Press, 1973
Taiwan Statistical Data Book 1985, Taibei, Council for Economic Planning and Development, Republic
of China, 1985.
Williams, J.F., ed., The Taiwan Issue, Michigan State University, Asian Studies Centre, 1976
Winckler, E.A., ‗National, Regional, and Local Politics‘, in Ahern and Gates eds., The Anthropology of
Taiwanese Society, Stanford, U.P., 1981.
Wu Yuanli, Yeh Kungjia, eds., Growth Distribution and Social Change: Essays on the Economy of the Republic of
China, Reprints Series in Contemporary Asian Studies, 1978.
Film Taiwan [Entries from 2005]
Coppola, Antoine, Le cinéma asiatique : Chine, Corée, Japon, Hong Kong, Taiwan, Paris, L‘Harmattan, 2004,
487 p.
CHINA-OVERSEAS
General Works
‗USA East Coast‘, supplement, Asian Art News, vol.4, no.1, Jan-Feb 1994.
‗USA West Coast‘, supplement, Asian Art News, vol.4, no.5, Sept-Oct 1994.
Agahari, Rae, Beyond representation and difference: identity, migration, practice, A study of Eleven Asian Artists in
Australia, B.A.Honours Thesis, Power Department of Fine Arts, University of Sydney, 1994.
Barmé, G., ‗Travelling Heavy: The Intellectual Baggage of the Chinese Diaspora‘, Problems of Communism,
Volume XL, January-April 1991.
Chang, Y.C. ed., China-Paris [1918-1960], Taibei, Taibei Fine Arts Museum, 1988

88
Chiang, Yenchou, ‗Charting his Own Course‖, [Lee Kar-siu in Paris], Asian Art News, vol.4, no.1, Jan-
Feb 1994.
Chiba Shigeo in ―Chûgoku‖: Ajia no Nami, Fan Zhongming, Cai Guoqiang, Wang Xinping, Tôkyô, Tôkyô
Gallery, 11-23 March 1991.
Chiba Shigeo in Seisei 15-Nen, Chûgoku Gendai Bijutsu no Ayumi, Tôkyô, Tôkyô Gallery, 29 November to
18 December, 1993. [Huang Rui, Ma Desheng, Wang Keping, Ai Weiwei, Yang Yiping, Yan Li;
exhibition text by Li Xianting}.
China Dream – Another Flow of Chinese Modern Art (Catalogue on Chinese Trade Painting) Fukuoka Asian
Art Museum, 2004
Chiu, Melissa, ‗Asian Contemporary Art in New York: A Curator‘s Perspective‘, in Yishu: Journal of
Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.111.
Clark, J., ‗Chinese Painters drawn to the magnet of Paris‘, Far Eastern Economic Review, 18-12-1986
Clark, John, ‗Dilemmas of (Dis-) Attachment in the Chinese Diaspora‘, Visual Arts + Culture, vol.1,
no.1, 1998.
Cohen, J.L., ‗China‘s Artists Testing Wings in the West‘, Asian Wall Street Journal, 20/21-1-1984
Ducrest, Jean-Pierre, ‗La peinture chinoise contemporaine et la France‘ special issue of Bulletin
Association Française des amis de l‘Orient, no.44, Hiver 1999.
Endô Nozomi, ‗The Asian Art Show: Problems involved in the planning of Exhibitions of
Contemporary Asian Art, Tôkyô‘, in Dai 4-Kai Ajia Bijutsuten [translated by Anderson, Stanley],
Tôkyô ,Setagaya Bijutsukan, 1995.
Findlay, I., ‗In from Exile‘, [James Chan Leong], Asian Art News, vol.4, no.6, November-December
1994.
Findlay, Ian, ‗Against the grain‘ [Hoo Mojong], Asian Art News, vol.5, no.3, Jul/Aug 1995.
Fukunaga Osamu, Miyatake Hiroshi, Obigane Akio, Uchida Hideo eds., Creativity in Asian Art Now: Part
3, Asian Installation Work [ translated by McClintock, Margaret], Hiroshima, Hiroshima City
Museum of Contemporary Art & Tôkyô , Asahi Shimbun, 1984.
Garrett, Louise, ‗Living in Time, Contemporary Artists from China‘ (Germany), Art Asia Pacific, No.34,
2002.
Hacker, Arthur, ‗In search of tranquility‘, [Christopher Cheung], Asian Art News, vol.7, no.5, September
/ October 1997.
Hay, J., ‗Ambivalent Icons: works by five Chinese artists based in the United States‘, Orientations, 23,
no.7, July 1992.
Hou Hanru, Uncertain Pleasure: Chinese Artists in the 1990s, Vancouver, Art Beatus, 1997 [Review: Tsang,
Henry, Art AsiaPacific, no.17, 1998]
Huangfu Binghui, In and Out: Contemporary Art from China and Australia, Singapore, LaSalle -SIA College
of the Arts, 1997 [Review: Art AsiaPacific, no.17, 1998].
Jana, R., ‗Assimilation or Alienation?‘, Asian Art News, vol.4, no.6, Nov-Dec 1994.
Kayser, Christine, ‗In search of ultimate things‘ [Zao Wou-ki /Zhao Wuji], Asian Art News, vol.6, no.4,
July/August, 1996
Kember, Patricia, ‗Hairlooms‘ [Gu Wenda], Asian Art News, volume.7, no.5, September / October
1997.
Levin, G., ‗Changing Cultures: The recent immigration of Chinese artists to the U.S.‘, Asian Art News,
vol.4, no.5, Sept-Oct 1994.
Liu, Manni & Park, Jung E., ‗Bridging the old and new worlds‘, [Lampo Leung], Asian Art News, vol.7,
no.5, September / October 1997.
Magnan, K.F., ‗Blending Myth and Reality‘ [Tony Wong], Asian Art News, vol.4, no.6, Nov-Dec 1994.
Millichap, John, ‗Moments of Time‘ [Yang Diu in Paris], Asian Art News, vol.6, no.5, September /
October, 1996.
Pierquin-Tian, O., Peintres et Sculpteurs Chinois a Paris, 1947-1987, Paris, Centre Chine, Maison des
Sciences de l‘Homme, 1987

89
Su Ruiping,ed., Overseas Chinese Artists Exhibition / Haiwai Yishujia Zhuanji, Taibei, Taibei Fine Arts
Museum, 1984.
Thea, Carolee., ‗On the Mid-ground: Hou Hanru: Selected Texts‘ (book review), in Art AsiaPacific, Issue
38, Fall 2003, p.88.
White Julia M., et al., Images Collecting: an exhibition of Tseng Yoho‘s works, (bilingual catalogue) Taipei,
National Museum of History, 2002 [Ceng Youhe]
Yang, Alice, Why Asia? Contemporary Asian and Asian American Art, New York, New York University
Press, 1999.
Zhang Zhaohui, ‗Seeking a Spirit from history‘, Asian Art News, vol. 15, no. 1, 2005.
Individual Artists
Chan, Paul: Kent, Rachel, ‗Paul Chan. Art in Reverse‘, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 140
- 143.
Chann, George: Findlay, Ian, ‗The Sentiment of Memory‘, Asian Art News, vol. 16, no. 4, 2006.
Jia Juanli: Findlay, Ian, ‗Reflections on a Court Life‘, Asian Art News, vol. 15, no. 6, 2005.
Sanyu/Chang Yu: Wong, Rita, Sanyu [Chang Yu] Catalogue Raisonnée, Taipei, Lin & Keng Gallery 2001 ;
Wong, Rita, Sanyu: l‘écriture du corps, Paris Musée Guimet, 2004 [essays by Andrews, Hay,
Koutozis, Krebs &Wong].
Modern Chinese Art, Texts by John Clark:
Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications,
2007.
Clark, John, Modernities of Chinese Art, Singapore, Institute of Contemporary Art, 2007
Clark, John ‗Post-modernism and recent expressionist tendencies in Chinese oil painting‘, Asian Studies
Review, vol.15, no.2, November 1991.
Clark, John, ‗‗Problems of Modernity in Chinese Painting‘, Oriental Art, New Series, XXXII, no.3, 1986,
270-283, reprinted as Chapter Three here.
Clark, John, ‗A Tale of Two Cities‘ [Beijing and Taibei], Art Monthly [Australia], no.29, April 1990,
Clark, John, ‗Academicism in Chinese oil painting and a nascent avant-garde in the 1980s‘, in Duro,
Paul, ed., Perspectives on Academic Art, Occasional Papers III, The Art Association of Australia,
1991.
Clark, John, ‗The Chinese Artists‘ Association‘, Art Monthly [UK], May 1986
Clark, John, ‗Art and Modernism in China, 1900-97: A review and documentation‘, Journal of the Oriental
Society of Australia, vol.29, 1997, 50-73.
Clark, John, ‗Beyond Exile‘ in Modern Chinese Art Foundation, Provincie Bestuur van Oost-Vlaanderen,
1999;
Clark, John, ‗Chinese Artists in Paris‘, Far Eastern Economic Review, 16.12.1986. [Chinese translation:
Meishu Shichao, Nanjing, no.4, 1987, 31-33].
Clark, John, ‗Histories in the Modern‘, in Murray, Graeme; Syme, Meg; Knight, June; eds, Reckoning with
the past: Contemporary Chinese Painting, Edinburgh, Fruitmarket Gallery, 1996, 17-20
Clark, John, ‗La Peinture moderne à Taiwan‘ [traduit par Pierre-Étienne Will et Anne Cheng], Études
Chinoises, vol.VII, no.1, Printemps, 1988, 29-63,
Clark, John, ‗Liu Guosong‘s: The Road of Chinese Painting‘, Journal of the Oriental Society of Australia, vols
27 & 28, 1995-96, 33-56.
Clark, John, ‗Modernity in Chinese Art, 1850s-1990s: some chronological materials‘, Journal of the
Oriental Society of Australia, vol.29, 1997, 74-169, reprinted as Chapter Twenty Three here.
Clark, John, ‗Official Reactions to Modern Art in China since the Beijing Massacre‘, Pacific Affairs,
September, 1992, 334-352.
Clark, John, ‗Dilemmas of (Dis-) attachment in the Chinese Diaspora‘, Paroissien, Leon, ed., Visual
Arts and Culture, Volume 1, Part 1 (1998)
Clark, John, ‗Playing with the Stars: Guan Wei‘s styles‘, essay for Guan Wei Exhibition Catalogue, Dr.
Earl Lu Gallery, La Salle SIA, Singapore, 2000, 6-11.

90
Clark, John, ‗Pop goes the Maosell‘, [Review of Mao Goes Pop, see Jose ed., below 1993], Art Monthly
Australia, no.61, July [see also letters by Nicholas Jose & Huangfu Binghui in no.62 and Clark in
no.63];
Clark, John, ‗Problems of Modern Painting beyond Byzantium‘, Papers in Far Eastern History, Australian
National University, Department of Far Eastern History, no.41, March 1990, pages 109-123.
Clark, John, ‗Realism in Revolutionary Chinese Painting‘, Journal of the Oriental Society of Australia, July
1991.
Clark, John, ‗Some sketches of Modern Chinese Painting I, Beijing; II, Hong Kong, 1981; previously
unpublished.
Clark, John, ‗Swimming in the Transcultural Sea: John Young‘, Asian Art News, vol.4, no.3, May/June,
66-69, 1994..
Clark, John, ‗Taiwanese Painting and Europe‘, in Shaw, Yu-ming ed., China and Europe, Institute of
International Affairs, Taibei, 1986, 43-60.
Clark, John, ‗Taiwanese Painting under the Japanese occupation‘, Journal of Oriental Studies, XXV, no.1,
1987, 63-105.
Clark, John, ‗The Exile‘s Return‘, Far Eastern Economic Review, June 28, 1984.
Clark, John, 1998 ‗Dilemmas of [dis-]attachment in the Chinese diaspora‘, Visual Arts + Culture, vol.1,
no.1, 1998.
Clark, John, Ed., Chinese Art at the end of the Millenium, Beijing & Hong Kong, New Art Media, 2000
Clark, John, Modern Asian Art, Sydney, Craftsman House & Honolulu, University of Hawai‘i Press,
1998
Clark, John, Stylistics section from ‗Modernity in Chinese and Thai Art of the 1980s and 1990s: Artists,
Works, Institutions; A preliminary work-in-progress report on the Chinese Case‘ delivered in
1999 at the Annual Conference of the Art Association of Australia and New Zealand.
Clark, John., ‗Alors, la Chine?‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.68-71.
Clark, John., ‗Painting in Taiwan after 1945: A Political and Economic Background‘, in Yishu: Journal of
Contemporary Chinese Art, Vol. 2, No.1, March 2003, p.62-76.
JAPAN
General Works
Busson, Dominique, L'artisanat du Japon, Paris, Hermé, 2004, 123 p.
Collectif, Butô(s), textes réunis et présentés par Colette Aslan et Béatrice Picon-Vallin, Paris, CNRS
Editions, 2002, 288 p.
Collectif, Casques, masques et armures des seigneurs de l‘ancien Japon /Helmets, Masks and armor of the Lords of old
Japan, éd. bilingue, Paris, Torii links, 2003, 207 p.
Collectif, Estampes japonaises : splendeurs du monde flottant au Grand Palais, Paris, nº hors-série de " Télérama
", septembre 2004. 98 p.
Collectif, Images du monde flottant. Peintures et estampes japonaises, XVIIe-XVIIIe siècles, Galeries nationales
du Grand Palais, Paris, 27 septembre 2004-3 janvier 2005, commissaire Hélène Bayou, Paris :
Réunion des musées nationaux, 2004, 398 p.
Collectif, Isamu Noguchi Sculptural Design, Maison de la Culture du Japon à Paris, Vitra Design Museum,
2002, 320 p.
Collectif, Kuroda, Paris, Maeght, 2002, 230 p.
Collectif, Les arts du Japon à l‘époque d‘Edo, 1603-1868 : peinture, sculpture, estampe, porcelaine, textile, laque,
armure, cat. d‘expo. Musée des beaux-arts de Valenciennes, Tournai (Belgique), La Renaissance du
livre, 2003, 189 p.
Collectif, Moriyama Daidoh, cat. d‘expo. à la Fondation Cartier pour l‘art contemporain, Paris / Arles,
Fondation Cartier / Actes Sud, 2003, 160 p.

91
Collectif, Narahara Ikko : photographies 1954-2000, catalogue d‘expo. à la MEP, Paris, Maison européenne
de la photographie, 2003, 211 p.
Collectif, On Kawara. Consciousness, Meditation, Watcher on the Hills, cat. de l‘exposition au Consortium et
à l‘Ikon Gallery, Dijon / Birmingham, Presses du réel / Ikon, 2002, 334 p.
Collectif, Petites natures ?, installations de Kôichi Kurita et Yoshihiro Suda, texte de Dominique Truco,
Paris, Maison de la culture du Japon, 2004, 16 p.
Collectif, Ukiyo-e : 1730-1830 à Edo, Paris, Galerie Tanakaya, 2004, 84 p.
Collectif, Within shops, éd. trilingue franç.-angl.-néerlandais, Berlin, Feierabend, 2003.
Collectif, Yôkaï — Bestiaire du fantastique japonais, Paris, Maison de la culture du Japon, 2005, 144 p.
Collectif, Yokoo Tadanori, catalogue d‘exposition, trad. Dominique Palmé, co-édition Fondation Cartier
et Actes Sud, 2006.
Conant, Ellen P (ed.), Challenging Past and Present : the metamorphosis of nineteenth-century Japanese art,
Honolulu, University of Hawai‘i Press, 2006.
Clark, J., ‗Modernity in Japanese Painting‘, Art History, vol.9, no.2, June 1986, pp.213-231.
Clark, J., ‗Some Models in Japanese Art History‘, The Burlington Magazine, vol.CXXVIII, no.1005,
December 1986.
Genshoku Gendai Nihon no Bijutsu [Modern Japanese Art in Natural Colours, text in Japanese only but
large full colour plates have a clear English index.
Date, Toshio, Outils japonais : tradition, esprit et usages, Vial, 2004.
Delay, Nelly, Le regard audacieux : Peintres japonais de la tradition non conformiste, Paris, Phébus, 2005.
Delay, Nelly, L‘estampe japonaise, Hazan, Paris, 2001, 328 p.
Delay, Nelly, Le jeu de l'éternel et de l'éphémère, Arles, P. Picquier, 2004.
Delay, Nelly, Le monde des estampes japonaises, Paris, Gallimard, collection " Découvertes ", 2004.
Delay, Nelly, Le regard audacieux : Peintres japonais de la tradition non conformiste, Paris, Phébus, 2005.
Deneyer, Marc, Kujoyama, Cognac, Le Temps qu‘il fait, 2005, 146 p.
Elisseef, Danielle, Les arts de l‘Extrême-Orient, Paris, PUF, coll. Que-sais-je ?, n° 77, 2003, 128 p.
Fahr-Becker, Gabriele, Les estampes japonaises, Cologne, Taschen, 2003, 208 p.
Fahr-becker, Gabrielle, Hatano, Narami, and Frahm, Klauss, Ryokan, Séjour dans le Japon traditionnel,
Cologne, Könemann, 2005, 335 p.
Faure, Robert, L'esprit du geste : philosophie et pratique de la peinture à l'encre de Chine tch'an et sumi-e, Éd. du
Chêne, 2004.
Fei Ling and Pons, Philippe, Jeunes Japonais : vertige des corps, Paris, Autrement, 2002, 158 p.
Fujieda, Teruo, ‗Jokyo toshide no sakuhin, monoha‘, Nihon kingendai bijutsushi jiten, Tokyo Shoten, 2007,
p.236.
Geoffroy-Schneiter, Bérénice, Arts d‘Asie : Inde, Chine, Japon : images et symboles, Paris, Assouline, 2002,
199 p.
Gonse, Louis, L‘art japonais, Paris, You-Feng, (1ère éd., Paris, A. Quantin, 1883), 2005, 368 p.
Held, Suzanne, Michel RANDOM, Japon : vision des formes et des couleurs, Hermé, vision, Paris, 2001.
Higashiyama, Kaii, Les quatre saisons de Kyôto, Paris, Le Seuil, 2003, 200 p.
Hirasawa, caroline, ‗The Inflatable, Collapsible Kingdom of Retribution: A Primer on Japanese Hell
Imagery and Imagination ‘ in Monumenta Nipponica 63/1: 1-50, 2008
Kanno, Hachiro, Une promenade au Japon, Paris, Albin Michel, 2003, 64 p.
Kawakita, M., Modern Currents in Japanese Art, Tôkyô, Weatherhill, 1974
Kimura, Rieko, et. Al., Dance in Japanese Modern Art (Catalogue), Tochigi Prefectural Museum of Fine
Arts, 2003
Kitano, Takeshi, Rencontres du septième art, Paris, Arléa, 2003, 96 p.
Koyama-Richard, Brigitte, Kodomo-e. L'estampe japonaise et l'univers des enfants, Paris, Hermann, 2004, 115 p.
Koyama-Richard, Brigitte, La magie des estampes japonaises, Paris, Hermann, 2003, 208p.
Lucken, Michael, L‘art du Japon au vingtième siècle - pensée, formes, résistances, Paris, Hermann, 2001, 350 p.
Miyagawa, T., Modern Japanese Painting, Tôkyô, Kôdansha, 1967.

92
Mostow, Josua S.; Bryson, Norman; and Graybill, Maribeth, ed., Gender and Power in the Japanese Visual
Field, Honolulu: University of Hawai‘i Press, 2003
Munsterberg, H., The Art of Modern Japan, 1868-1968, New York, Hacker, 1978
O, Kwangsu, ‗Jeom gwa seon i hengwihanun segeseong (The globality where lines and the dots
perform)‘, Space (May, 1978), pp.38-43.
Ringgenberg, Patrick, L'union du ciel et de la terre : la peinture de paysage en Chine et au Japon, Les Deux
océans, 2004.
Sale, Giovanni S.J. (dir.), L‘art des jésuites, Paris, Mengès, 2003, 318 p.
Shimizu, Christine, L‘art japonais, Paris, Flammarion, coll. Tout l‘art, 2001, 448 p.
Shimizu, Christine, Le grès japonais, Paris, Massin, 2001, 171 p.
Stanley-Baker Joan, and Dider, Jacqueline, L'art japonais, Thames & Hudson, 2004.
Takumi, H. et al, Japanische Malerei im Westlichen Stil, Köln, Museum für Orientalische Kunst, 1985.
Wasserman, Michel, Le Sacre de l‘hiver - La Neuvième Symphonie de Beethoven, un mythe de la modernité japonaise,
Paris, Les Indes savantes, 2006, 129 p.
Winther-Tamaki, Bert, "Oriental Coefficient: The Role of China in the Japanization of Yôga" in Modern
Chinese Literature & Culture 18:1 (Summer 2006), pp.85-119
Yoshida, Kimiko, Marry me: les mariées intangibles, Arles, Actes Sud, 2003, 128 p.
Individual Artists
Ai Mitsu: Ai-Mitsu, Tokyo, The Mainichi Newspapers, 2007
Aida, Makoto: ‗Makoto Aida: Donki-hote‘ (review), ArtAsiaPacific, no. 47, 2006; Charlesworth, J.J,
‗Makoto Aida: Man in the Holocene (at IBID Projects)‘ (review), Flash Art, vol. XXXVIII, no.
244, October, 2005. ; Maerkle, Andrew, ‗Makoto Aida. No more War; Save Water; Don‘t pollute
the Sea‘, in ArtAsiaPacific, No. 59, July/August, 2008, pp. 132 - 141.
Akasegawa Genpei: review Robinson, Joel, ‗Genpei Akasegawa at SCAI The Bathhouse‘, Exhibition
Reviews, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002
Aki Kuroda: Collectif, Kuroda, Paris, Maeght, 2002
Ando Tadao: ‗Ando Tadao Special Issue‘, The Japan Architect, vol 1, no. 1991; Pare, Richard & Ando
Tadao, Tadao Ando : couleurs de lumière, Paris, Phaidon, 2001.
Aoki, Ryoko: (review) ArtAsiaPacific, no. 48, 2006.
Aoshima, Chiho: Kandell, Susan, ‗Chiho Aoshima: Oops, I Dropped My Dumplings‘, Art & Text 73,
May-July 2001. ; review, Art in America, vol. 93, iss. 9, Oct 2005.
Arai Shin-ichi: Angramy, Bérénice, Social Tensions : Arai Shin-ichi – Creativity and Abject Nationalism‘
in Art Asia Pacific, No. 40 (Spring 2004), pp. 70-73
Araki Nobuyoshi: Sawaragi Noi, ‗Desire and Decay‘, World Art, no.2, 1995; Silva, Arturo, ‗Tokyo:
Nobuyoshi Araki‘, Artforum International, Vol.30, Issue 5, January 1992; Decter, Joshua,
‗Nobuyoshi Araki‘, Artforum International, Vol.36, Issue 6, February 1998. ; Araki Nobuyoshi, Love
Hotel, trad. du japonais par Karine Chesneau, Denoël, 2004, 240 p.; Ammann, Jean-Christophe,
Araki Nobuyoshi, Araki Mythologie, Paris, Images modernes, 2001, 252 p.; ‗Nobuyoshi Araki: Self.
Life. Death‘ (review), ArtAsiaPacific, no. 48, 2006; Zhang Wubin, ‗Of Love and Flowers‘, Asian
Art News, vol. 15, no. 3, 2005; review, Artforum, vol 44, no. 1, Sep 2005; Sans, Jérôme, Araki par
Araki, Taschen, Berlin, 2001, 600 p.; Sans, Jérôme, Araki, Cologne, Taschen, 2002, 632 p. ;
Okazaki, Manamai, ‗Shashinjinsei: Nobuyoshi Araki‘s photo journey‘, in Art Monthly Australia,
Issue No.: 211, July 2008, pp. 17 – 19. ; Sans, Jérôme, Araki par Araki, Taschen, Berlin, 2001, 600
p. ; Sans, Jérôme, Araki, Cologne, Taschen, 2002, 632 p.
Ban, Chinatsu: review, Art in America, vol. 93, iss. 9, Oct 2005.
Ciezo, Taro: Spring, Justin, ‗New York: Taro Chiezo‘, Artforum International, Vol.34, Issue 10, Spring1996
Dumb Type: Hagenberg, R., ‗Heartbeat with a hiccup‘, Asian Art News, vol.5, no.2, March/April 1995;
Tripp, Laura, ‗Dumb Type, smart noise‘, World Art, no.2, 1996. ; Shikata Yukiko, ‗White out‘, Art
AsiaPacific, 27, 2000

93
Emi Kinuko: Emi Kinuko: Retrospective, Momiyama Masao (ed), Kamakura & Hayama: Museum of
Modern Art, Kanagawa, 2004.
Enoki, Chu: review, Artforum, vol. 45, Iss. 2, 2006.
Ezawa, Kota: review, Parachute, 121, 2006.
Faret Tachikawa: ‗Art into Function‘, Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995.
Fuji Hiroshi, Nakamura Masato, Nishiyama Minako: Kuroda Raiji, ‗Something strange in the cities - Three
Japanese artists living in Japan‘ in Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as
an Attitude, Fukuoka, Fukuoka Art Museum, 1994; Grout, Catherine, ‗Masato Nakamura, What
Goes on Between‘ in Parachute, 115 (2004), pp. 72-83
Fujiwara, Yasuko: ‗Yasuko Fujiwara Contemporary Art Factory‘ (review), Flash Art, vol. XXXIX, no.
248, May-June, 2006.
Fukami, Sueharu: Ebony, David, 'Sueharu Fukami at Garth Clark', Art in America, Vol. 90, Issue 12,
December 2002
Furuhashi, Teiji: Brown, Azby, ‗Tokyo: Teiji Furuhashi‘, Artforum International, Vol.34, Issue 1, September
1995. ; London, Barbara, ‗Teiji Furuhashi: Diamonds are Forever‘, ArtAsiaPacific, no. 51, 2007.
Gim Gichang: Joohyun Lee, ‗In Search of Identity: The Figurative and Abstract Works of Gim Gichang
from 1945 to 1970‘, in Orientations, vol. 35, no. 5, June, 2007.
Higashida, Zero: Borum, Jenifer P., ‘Reviews: Zero Higashida‘, Artforum International, Vol.30, Issue 6,
February 1992
Higashionna Yuichi: review, Contemporary Visual Art, 29, 2000
Hirakawa Noritoshi, Kitagawa Yuji, Bulbous Plants: Shikata, Y., ‗Breaking Tokyo‘s Taboos‘ World Art,
November 1993; Lumby, Catherine, ‗Public Image‘, World Art, no.1, 1996; Decter, Joshua,
‗Noritoshi Hirakawa‘, Artforum International, Vol.37, Issue 6, February 1999
Hiroshi, Kitao: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Hosokawa, Fumimasa: review, Art in America, vol. 93, iss. 9, Oct 2005.
Hyakuda, Tatsuzo: review, Flash Art, vol. XXXIX, no. 251, Nov-Dec 2006.
Ikeda, Ryoji: Koplos, Janet, 'Shadows and symbols' [review Ryoji Ikeda and painter Kazumi Nakamura],
Art in America, Vol. 91, Issue 4, April 2003; Lanctot, Nicole, ‗Ryoji Ikeda‘ in Artforum, Vol 47, Iss.
5, Jan. 2009, p. 138.; Ikemura, Leiko: review, Artforum, vol 44, no. 1, Sep 2005.
Imamura, Shohei: Niogret, Hubert, Shohei Imamura - entretiens et témoignages, Paris, Dreamland, 2002, 215 p.
Ishihara, Tomoaki: Shiner, Eric C., ‗Portraiture through Production‘, ArtAsiaPacific, no. 49, 2006.
Isozaki Arata: ‗Arata Isozaki‘, The Japan Architect , 1993-4;
Itô, Tôyô : Itô, Tôyô, Tôyô Itô : structures légères, détails, trad. du japonais par Kae Oki et Carine Cheval,
Paris, Moniteur, 2003, 263 p.
Kaihatsu, Yoshiaki : ‗Yoshiaki Kaihatsu: Ceiling‘ (review), ArtAsiaPacific, no. 47, 2006.
Kaneko, Jun: Yood, James, ‗Chicago: Jun Kaneko‘, Artforum International, Vol.34, Issue 5, January 1996
Kaoru Arima: Vergne, Phillipe, ‗Kaoru Arima‘ in Art Asia Pacific, Issue 37 (2003), p. 88
Kaoru, Isima: Griffin, Tim, ‗Billboard: Isima Kaoru, Traffic Accident‘, Art & Text 74, Aug.-Oct. 2001
Kasahara, Emiko: Cheung, Stephanie, ‗Seeing Self‘, Asian Art News, vol. 15, no. 5, 2005.
Kenji Yanobe: Sumitomo, Fumhiko, ‗Kenji Yanobe at the National Museum of Art‘ (Review) in Art Asia
Pacific, No. 39 (Winter 2004), p. 85
Kitagawa Atsushi: ‗Atsushi Kitagawa‘, The Japan Architect 1992-4; ‗
Kitagawara, Atsushi: Brown. Azby, ‗Tokyo: Atsushi Kitagawara‘, Artforum International, Vol.30, Issue 4,
December 1991
Kobayashi, Shinchiro: review, Art in America, vol. 93, iss. 9, Oct 2005.
Kudo, Tesumi: Holmberg, Ryan, ‗Dystopia man: Tesumi Kudo: nuclear angst and ecological breakdown
are specters haunting the first U.S. retrospective to treat this major figure of the Japanese postwar
era‘, in Art in America 97.3 (March 2009): 96(8), Kastner, Jeffrey, ‗Tetsumi Kudo‘, in Artforum, Vol
47, Iss. 3, Nov. 2008, p. 348.
Kubota Sjhigehiko: S(h)igeko Kubota: Video Sculptures, Berlin, Daadgalerie, 1981.

94
Kuniyasu, Takamasa: Koplos, Janet, 'Takamasa Kuniyasu at MACA', Art in America, Vol. 90, Issue 11,
November 2002
Kuramata, Shiro: Pascucci, Ernest, ‗San Francisco: Shiro Kuramata‘, Artforum International, Vol.35, Issue 9,
May 1997
Kurokawa Kisho: ‗Kisho Kurokawa‘, The Japan Architect 1995-2;
Kusama Yayoi: Friis-Hansen, Dana, ‗Yayoi Kusama‘s Feminism‘, Art & Text 49, September 1994; Love
Forever, Yayoi Kusama, 1958-1968, Los Angeles, Los Angeles County Museum, 1998 [rev:
Chattopadhyay, Charlotte , Asian Art News, vol.8, no.3, May/June 1998]; Munroe, Alexandra,
‗Radical Will: Yayoi Kusama in New York‘, Art AsiaPacific, no.16, 1997; Birnbaum, Daniel, ‗Yayoi
Kusama‘, Artforum International, Vol.40, Issue 4, December 2001; Matsui, Midori, ‗Beyond
Oedipus: Desiring Production of Yayoi Kusama‘, Parkett, No. 59, 2000; Panhaus-Bühler, Ursula,
‗Between Heaven and Earth: This Languid Weight of Life‘, Parkett, no.59, 2000; Pollock,
Griselda, ‗Three Thoughts of Feminity, Creativity and Elapsed Time‘, Parkett, no.59, 2000. ;
Flanagan, Sue Morrow ‗International Bonds‘, ArtAsiaPacific, no. 48, 2006; ‗Yayoi Kusama‘
(review), ArtAsiaPacific, no. 45, 2005; review, Asian Art News, vol. 15, no. 3, 2005; Kuresawa
Tkaemi, ‗An unwritten biography‘, Art AsiaPacific, 30, 2001; King, Natalie, ‗In full bloom‘, Art
AsiaPacific, 26, 2000.
Lee U-fan: Chiba, Shigeo, Gendai bijutsu ittsudatsushi 1945-1985, Shobunsha, 1986, p.122.; Lee Ufan, The
Search for Encounter, Samsung Museum of Modern Art, 2003.; Lee, Ufan, ‗Mannam ui
hyeonsanghakjeok seoseol (Introduction to encounter)‘, Space (August, 1975), pp.50-57.; Lee
Ufan, Yeobaek ui misul (Art of the empty space), trans. by Kim Chun-mi, Hyeondae Munhak, Seoul,
2002. ; Koplos, Janet, ‗Clamour and Quiet: Concurrent Museum Surveys of Work by Two
Important Figures Evoked Contrasting Impulses in Post-War Japanese Art‘, 94:3, Art in America,
March 2006. ; Yamawaki, Kazuo, ‗Aspects of Contemporary Japanese art centred on Lee U-fan‘,
in Seven Artists: Aspects of Contemporary Japanese Art, Santa Monica, Santa Monica Museum of Art,
1991; Westfall, Stephen, ‗Opposites and essences: Lee Ufan: in Lee Ufan's quietly resonant work,
iron and stone are arranged with the care of brushstrokes on canvas, and painted marks attain the
weight of sculpture‘.(FOCUS ASIA) in Art in America 96.11 (Dec 2008): 114(6).
Machida, Kumi: review, Flash Art, vol. XXXVIII, no. 242, May-Jun, 2005.
Maki Fumihiko: Maki Fumihiko‘, The Japan Architect 1994-4;
Masato Tanaka: Lim, Shing Ee., ‗Interview with Masato Tanaka‘, in Vehicle: Contemporary Visual Arts,
No.10, 2003, p.8-11.
Matsue, Taiji: review, Artforum, vol. 44, Iss. 10, 2006.
Matsui, Chie: Shiner, Eric C., ‗Portraiture through Production‘, ArtAsiaPacific, no. 49, 2006.
Matsui, Fuyuko: review, Asian Art News, vol. 16, no. 5, 2006.
Minako Kitayama: Vergne, Phillipe, ‗Minako Kitayama‘ in Art Asia Pacific, Issue 37 (2003), p. 90
Miwa Yanagi: review, Art in America, vol. 94, iss. 2, Feb 2006; Effedy, Rifky, ‗Miwa Yanagi‘ in Art Asia
Pacific, Issue 37 (2003), p. 42.
Miyagi, Futoshi: review, Artforum, vol. 45, iss. 5, 2007.
Miyajima Tatsuo: Auping, Michael, Tatsuo Miyajima: Big Time, London, Hayward Gallery & Forth Worth,
Modern Art Museum of Fort Worth, 1996-7; Fouser, Robert J. ‗Life without zero: an interview
with Miyajima Tatsuo‘, ArtAsiaPacific, no.17, 1998; Miyajima Tatsuo interview with Lynne Cooke
and Mark Francis, in Carnegie International 1991, vol. I, Pittsburgh, The Carnegie Museum of Art
& New York, Rizzoli, 1991; Odom, Michael, ‗Tatsuo Miyajima‘, Artforum International, Vol.35,
Issue 8, April 1997; Miyajima Tatsuo: Big Time, London, The South Bank Board, 1997 [review
Kent, Art AsiaPacific,no.18, 1998]; Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist‘s Book
Series, Tatsuo Miyajima, Whole Relitivity of the Cosmos 133651, Kitakyushu: Center For Contemporary
Art, 1998; Parkett, ‗Insert- Tatsuo Mijajima‘, Parkett, No. 34, 1992; Gookin, Kirby, ‗Tatsuo
Miyajima‘, Artforum International, Vol.39, Issue 7, March 2001. ; King, Natalie, ‗Tatsuo Miyajima‘,
Art and Australia, vol. 43, no. 3, 2006.
Miyake, Shintaro: review, ArtAsiaPacific, no. 49, 2006.

95
Miyako, Ishiuchi: Lew, Christopher Y., ‗All About my Mother: Miyako Ishiuchi‘, ArtAsiaPacific, no. 45,
2005; Holmberg, Ryan. 'Miyako Ishiuchi: Meguro Museum of Art’. in Art in America 97.5
(May 2009): 168 (1).
Momoko: review, Asian Art News, vol.12, no.4, 2002
Mori Mariko: Blair, Dike, ‗We‘ve got twenty years‘, Purple Prose, 9, Summer 1995; Magnan, Kathleen, F.,
‗The artist as model - Mori Mariko‘, Art & Asia Pacific, vol.3, no.2, 1996; Bryson, Norman, ‗Cute
Futures: Mariko Mori‘s Techno Enlightment‘, Parkett, no.54, 1998-1999; Goodeve, Thyrza
Nichols, ‗Mariko Mori‘s Cyborg Surrealism‘, Parkett, no.54, 1998-1999; Nakazawa, Shin‘ichi, ‗No
Angels Here, Yet She Lives‘, Parkett, no.54, 1998-1999; Celant, Germano, ‗External present‘ in
Mariko Mori: Dream Temple, Milano, Fondazione Prado, 2000; Molon, Dominic, ‗Countdown to
ecstasy‘, Chicago, Museum of Contemporary Art & London, Serpentine Gallery, 1998; Sugiura
Kunie, ‗Interview with Marioko Mori‘, Journal of Contemporary Art, 1998, http://www.jcaonnline.com/mori.html;
Ueno Toshita, ‗Techno-orientalism and media-tribalism: on Japanese
animation and rave culture‘, Third Text, 47, Summer 1999. ; Fouser, Robert, ‗Mariko Mori/
Avatar of a Feminine God‘, Art & Text 60, Feb.-Apr. 1998; review Asian Art News, vol.9, no.5,
1999; Reast, Hans Rudolf, ‗Geneva: Mariko Mori‘, Artforum International, Vol.32, Issue 2, October
1993; Panicelli, Ida, ‗Mariko Mori‘, Artforum International, Vol.38, Issue 2, October1999; Rhee,
Jieun, ―From Goddess to Cyborg: Lee Bul and Mariko Mori‖ in N. Paradoxa, Vol. 14, 2004 (July,
2004). ; review, Artforum, vol. 45, iss. 5, 2007; Johnson, Ken, ‗Mariko Mori‘s Wave UFO, IBM
Atrium‘ in Art Asia Pacific, No. 39 (Winter 2004), pp. 54-56.
Morimura Yasumasa: Bryson, Norman, ‗Morimura: 3 Readings‘, Art & Text 52, September 1995;
Tatehata, Akira, ‗On Criticism and the Lover: An Interview with Yasumasa Morimura‘, Art &
Text 36, May 1990; Annear, J., Peepshow‘ ART AsiaPacific, no.13, 1997; Annear, Judy, ‗Mirrors in
the water: the work of Morimura Yasumasa‘, in McDonald, E. & Engberg, J. eds, Binocular:
Focusing, Time, Lapses, Sydney, Mo‘t & Chandon, 1992; Bryson, Norman, ‗Yasumasa Morimura‘,
Artforum 32, no.5, January 1992; Bryson, Norman, ‗Yasumasa Morimura: Mother (Judith II),
Artforum International, Vol.32, Issue 5, January 1994; Avgikos, Jan, ‗Yasumasa Morimura‘, Artforum
International, Vol.35, Issue 8, April 1997. ; Shiner, Eric C., ‗Morimura Yasumasa: Out of the
Corner of a Small Room, Painting Develops‘, ArtAsiaPacific, no. 47, 2006; review, Art News,
100,8, 2001; review, Contemporary Visual Art, 26; Annear, Judy, ‗Yasumasa Morimura and Yukio
Mishima – Seasons of Passion in TAASA Review. The Journal of the Asian Art Society of Australia,
v.17, No. 3, September 2008, p. 22-23.
Moriyama Daido: Zdenek, Felix, ed., Daido Moriyama: Shinjuku 19XX-20XX, Hatje Cantz, Ostfildern,
2006; Collectif, Moriyama Daidoh, cat. d‘expo. à la Fondation Cartier pour l‘art contemporain,
Paris / Arles, Fondation Cartier / Actes Sud, 2003, 160 p.; Jana, Reena, ‗A blunt reality‘, Asian
Art News, vol.9, no.5, 1999; Levi Strauss, David, ‗Daido Moriyama‘, Artforum International, Vol.38,
Issue 7, March 2000; Shinyoung Chung, ‗Daido Moriyama‘ in Artforum, Vol. 47, Iss. 7, March
2009, p. 263..
Mr.: Maerkle, Andrew, ‗Mr. : Out of Body Experience‘, in ArtAsiaPacific, No. 53, May/June, 2007, pp.
74 – 75.
Munakata, Shikō: Munakata Shikô 1903-1975, Sydney, Art Gallery of New South Wales, 1987; Munakata
Shikô, Tôkyô, National Museum of Modern Art, 1985; The Woodblock and the Artist: the life and work
of Shiko Munakata, South Ban Centre London et.al (eds.), Kodansha International, 1991; Singer, R.
and Kakeya, N, Munakata Shikō: Japanese master of the modern print, Philadelphia Museum of Art/
Los Angeles County Museum of Art, 2002.
Murakami, Takashi: Rimanelli, David, ‗Takeshi Murakami‘, Artforum International, Vol.38, Issue 3,
November1999; Corkill, Edan, ‗Takashi Murakami‘, Art Asia Pacific, No.34, 2002; Richard,
Frances, ‗Takashi Murakami‘, Artforum International, Vol.40, Issue 1, September 2001. ; Kondo,
Kenichi, ‗Takashi Murakami‘s Lowbrow Launchpad‘, ArtAsiaPacific, no. 49, 2006; ‗Little Boy: The
Arts of Japan‘s Exploding Subculture‘ (review), ArtAsiaPacific, no. 46, 2005; Holmberg, Ryan,
‗Little Boy‘, Artforum, vol 44, no. 1, Sep 2005; Bellini, Andrea and Leoni, Chiara, ‗Takashi

96
Murkami: A Japanese Character‘, Flash Art, vol. XXXIX, no. 249, July-September, 2006;
Rubinstein, Raphael, ‗In the realm of the super-flat‘, Art in America, June 2001. ; Maerkle,
Andrew, ‗Belly of the Beast. Takashi Murakami‘, in ArtAsiaPacific, No. 55, September/October,
2007, pp. 134 - 139.
Murata, Yuko: review, Flash Art, vol. XXXVIII, no. 243, July-September, 2005.
Murata,Takeshi: review, Art in America, 94:10 (November 2006).
Nagai, Megumi: review, Asian Art News, vol. 15, no. 1, 2005.
Nagare, Masayuki: Koplos, Janet, ‗Masayuki Nagare at Jason McCoy‘, Art in America, Vol. 90, Issue 9,
September 2002
Nagashima Yurie, Ninagawa Mika, Hiromix: Kaihotsu, Chie, ‗Shooting from the hip‘, ART AsiaPacific,
no.13, 1997; Steinberg, Marc, ‗Charecterizing a New Seriality: Murakami Takashi‘s Dob Project‘
in Parachute, 110 (2003), pp. 90-109
Nakamaura Masato: Shikata Yukiko ‗Sign of the Times: Masato Nakamura and Command N.‘ Art Asia
Pacific 24:1999
Nakamura, Kazumi: Koplos, Janet, 'Shadows and symbols' [review Ryoji Ikeda and painter Kazumi
Nakamura], Art in America, Vol. 91, Issue 4, April 2003
Naoshima: Itoi, Kay, ‗The Art island‘, Art News, 101, 3, 2002; Reed, Arden, ‗‖Living well‖ on Naoshima‘
Art in America, Vol. 90, Issue 9, September 2002
Nara Yoshitomo: review, Parachute, 121, 2006; review, Artforum, vol. 45, iss. 4, 2006; review, Art in
America, vol. 93, iss. 10, Nov 2005; review, Art AsiaPacific 29, 2001; Meneguzzo, Marco,
‗Yoshitomo Nara‘, Artforum International, Vol.41, Issue 1, September 2002
Natesan, Shibu: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Nguyen-Hatsushiba: Devenport, Rhana., ‗In the Public Domain: Towards the Complex…‘ (review), in
The Journal of the Asian Arts Society of Australia, Vol. 12, No. 4, December 2003, p.14-15.
Nishizawa, Chiharu: review, Asian Art News, vol. 16, no. 5, 2006.
Nobuya, Hoki: review, ArtAsiaPacific, no. 48, 2006.
Noguchi, Isamu: Herrera, Hayden, ‗Noguchi‘s Odyssey‘ (book review), Art in America, vol. 93, iss. 1, Jan
2005; Lyford, Amy, ‗Noguchi‘s Multiform Modernism‘ (book review), Art Journal, vol. 65, iss. 4,
2006; Collectif, Isamu Noguchi Sculptural Design, Maison de la Culture du Japon à Paris, Vitra
Design Museum, 2002, 320 p; Winther-Tamaki, Bert & Cort, Louise, Isamu Noguchi and Modern
Japanese Ceramics: A Close Embrace of the Earth, Washington, D.C.: The Arthur M. Sackler Gallery
and Berkeley: University of California Press, 2003; Winther-Tamaki, Bert, "Stone Pied-à-Terre and
Space-Age Steel: Isamu Noguchi and the Credo of Truth to Material" in Isamu Noguchi, Sculptural
Design (Weil am Rhein, Germany: Vitra Design Museum, 2001), pp.186- 218.
Nomura, Hitoshi: review, Art in America, 94:11, December 2006; Hitoshi Nomura: perceptions – changes in time
and field, Tokyo, The National Art Center, Tokyo, 2009
Okawa Shin‘ichi: ‗Shinichi Okawa‘, The Japan Architect 1997-1;
On Kawara: Cameron, Don, ‗The On Kawara Story‘, Arts Magazine, 61, no.2, October 1986; Denizot,
René, On Kawara, Frankfurt, Museum für Moderne Kunst, 1991. ; ‗On Kawara. Consciousness.
Meditation. Watcher on the Hills.‘, ArtAsiaPacific, no. 47, 2006; review, Artforum, vol 46, iss. 5, Jan
2005; Collectif, On Kawara. Consciousness, Meditation, Watcher on the Hills, cat. de l‘exposition au
Consortium et à l‘Ikon Gallery, Dijon / Birmingham, Presses du réel / Ikon, 2002, 334 p.
Ono, Yoko: Rhee, Jieun, ‗Performing the Other: Yoko Ono‘s Cut Piece‘, Art History, 28:1, February 2005.
Orimoto, Tatsumi: review, Art in America, 94:8, September 2006; Robinson, Joel, ‗Tatsumi Orimoto at the
Kawasaki City Museum, Asian Art News, vol. 12, no. 5, September/October, 2002
Otsuka, Hiroki: Shiner, Eric C., ‗Hiroki Otsuka: From Ero-Manga to Ero-Pop‘, ArtAsiaPacific, no. 48,
2006
Ozawa, Tsuyoshi: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002

97
Ozu, Yasujiro: Ishaghpour, Youssef, Formes de l‘impermanence : le style de Yasujiro Ozu, Tours, Farrago, éd.
Léon Scheer, 2002, 101 p.
Rika, Noguchi: Schwendener, Martha, ‗Rika Noguchi‘, Artforum International, Vol.39, Issue 9, May 2001;
Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation
Asia Center, 2002
Ritsuko, Taho: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The
5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,
1999
Sakagami Chiyuki: Shiner, Eric C., ‗Sakagami Chiyuki: Set Adrift in the Precambrian Sea‘, ArtAsiaPacific,
no. 48, 2006.
Sato Tokihiro: Fouser, Robert J., ‗In Praise of Mad Shadows: The Photography of Tokihiro Sato.‘ Art
AsiaPacific issue 21 1999
Sawada Tomoko: review, Art in America, vol. 93, iss. 4, Apr 2005.
Sekiguchi Atsuhito: Shikata, Y.,‘Worlds on Film‘ World Art, vol.1, no.2, 1994.
Shigeaki, Iwai: Kuroda, Raiji, ed. The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999 Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The
5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,
1999
Shimada Yoshiko: Preece, Robert. ‗No More ―I‘m Sorry‖: Yoshiko Shimada.‘ World Sculpture News 3:1
Winter 1997; Brown, Azby, ‗The Birth of the Past‘ World Art vol.1, no.1, 1994.
Shinoda, Toko: Fujii, Lucy Birmingham, ‗Learning Dreaming‘, Asian Art News, vol. 16, no. 1, 2006.
Shinohara Ushio: Koplos, Janet, ‗Clamour and Quiet: Concurrent Museum Surveys of Work by Two
Important Figures Evoked Contrasting Impulses in Post-War Japanese Art‘, Art in America, 94:3,
March 2006.
Shiota, Chiharu: review, Artforum, vol. 44, Iss. 8, 2006.
Sone, Yutaka: Ng, Elaine W., ‗Yutaka Sone: The Blizzard of 2006‘, ArtAsiaPacific, no. 48, 2006; review,
Artforum, vol. 44, Iss. 9, 2006.
Suda, Yoshihori: Richard, Frances, ‗Yoshihiro Suda‘ Artforum International, Vol.38, Issue 10, Summer 2000
Sugaï, Kumi: Lambert, Jean-Clarence, Kumi Sugaï, Paris, Cercle d‘Art, 2002, 256 p.
Sugimoto Hiroshi: Rousmanière, Nicole C., ed., Hiroshi Sugimoto, Norwich, Sainsbury Centre for Visual
Arts, 1997; Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist‘s Book Series, Hiroshi Sugimoto:
In Praise of Shadows, Kitakyushu: Center For Contemporary Art, 1999; Bryson, Norman,
‗Sugimoto‘s Metabolic Photography‘, Parkett, No. 46, 1996; Denson, Roger, ‗Satori Amongst the
Stills Stills‘; Rugoff, Ralph, ‗Hiroshi Sugimoto‘, Parkett, No. 46, 1996; Pagel, David, ‗Hiroshi
Sugimoto‘, Artforum International, Vol.31, Issue 8, April 1993; Seward, Keith, ‗Hioshi Sugimoto‘,
Artforum International, Vol.33, Issue 8, April 1995; Richard, Frances, ‗Hiroshi Sugimoto‘, Artforum
International, Vol.36, Issue 1, September 1997; Schwabsky, Barry, ‗Hiroshi Sugimoto‘, Artforum
International, Vol.37, Issue 5, January 1999; Aletti, Vince, ‗Hiroshi Sugimoto‘, Artforum International,
Vol.40, Issue 4, December 2001; Hussey, Miciah, ‚Hiroshi Sugimoto‘, Artforum International,
Vol.41, Issue 5, January 2003. ; ‗Hiroshi Sugimoto: Conceptual Forms‘, (review) ArtAsiaPacific,
no. 46, 2005; Fujii, Lucy Birmingham, ‗In a Net of Time‘, Asian Art News, vol. 16, no. 2, 2006;
review, Artforum, vol. 44, Iss. 10, 2006; review, Artforum, vol 44, no. 1, Sep 2005; Frankel, David,
‗Hiroshi Sugimoto‘ in in Artforum, Vol. 47, Iss. 7, March 2009, p. 240.
Sugito, Hiroshi: Spring, Justin, ‗Hiroshi Sugito‘, Artforum International, Vol.37, Issue 8, April 1999; Briggs,
Patricia, ―Painting at the Edge of the World, Exhibition Review at Walker Art Center, [Artists
include Takashi Murakami and Hisroshi Sugito], Artforum International, Vol.39, Issue 10, Summer
2001; Frankel, David, ‗Hiroshi Sugito‘, Artforum International, Vol.40, Issue 1, September 2001
Sugiura Kunie: Kopls, Janet, ‗Shadow play‘, Art in America, April 2002.
Sumi Takamasa: review, Contemporary Visual Art, 29, 2000

98
Sumikawa Kiichi: Findlay, Ian. ‗Wood in Flight: Kiichi Sumikawa.‘ World Sculpture News 3:4 Autumn
1997
Sumimoto Daishin: ‗Daishin Sumimoto: Art Trace Gallery‘, Flash Art, vol. XXXVIII, no. 241, Mar-Apr,
2005.
Suzuki, Risaku: review, Artforum, vol. 44, Iss. 3, 2005.
Tabaimo:Kondo, Kenichi, ‗Tabaimo: Yoroyoron‘ (exhibition notice), ArtAsiaPacific, no. 51, 2007; review,
Asian Art News, vol. 15, no. 4, 2005; review, Art in America, vol. 93, iss. 10, Nov 2005; review, Art
News, 101, 3, 2002.
Tadamasa, Hayashi : Koyama-Richard, Brigitte (sous la dir. de), Correspondance adressée à Hayashi Tadamasa,
Tokyo, Institut de Tokyo – Kokushokankôkai, 2001.
Taguchi, Kazuna: review, Flash Art, vol. XXXVIII, no. 244, October, 2005.
Takahashi Tomoko: review, Artforum, vol 46, iss. 5, Jan 2005; Triming, Lee, ‗Tomoko Takahashi –
Serpentine Gallery‘ (review), Flash Art, vol. XXXVIII, no. 242, May-Jun, 2005; Preece, Robert,
‗Staging controlled chaos‘, Art AsiaPacific, 25, 2000; Buck, Louisa, ‗Tomoko Takahashi‘, Artforum
International, Vol.36, Issue 10, Summer 1998.
Takahashi, Ayae: Miller, Francine Koslow, ‗Ayae Takahashi‘, Artforum International, Vol.40, Issue 4,
December 2001
Takamori, Akio: review, Art in America, 94:10 (November 2006).
Tam Ochiai: review, Parachute, 121, 2006.
Tamura, Maki: Carboni, Massimo, ‗Maki Tamura‘, Artforum International, Vol.40, Issue 1, September 2001
Tanaka, Atau: Provencher, Louise, ‗Live Bodies, or, The Eloquence of the Gesture‘, Parachute, 121,
2006.
Tanaka, Atsuko: obituary, Art in America, vol. 94, iss. 2, Feb 2006.
Tanaka, Kazumi: Ziolkowski, Thad, ‗New York: Kazumi Tanaka‘, Artforum International, Vol.34, Issue 2,
October 1995
Tange Kenzo: obituary, Art in America, vol. 93, iss. 5, May 2005.
Tange: ‗Tange Exhibition in Paris‘, The Japan Architect, vol. 94, August 1987. ; ‗Tange wins Praemium
Imperiale‘, Progressive Sarchitecture, vol.74, August 1993.
Taniguchi Yoshio: ‗Yoshio Taniguchi‘, The Japan Architect ,1996-1,
Taro, Shinoda: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Tenmyouya Hisashi: review, Asian Art News, vol. 16, no. 5, 2006.
Teruya, Yuken: Lew, Christopher Y., ‗Triumph of Paper‘, ArtAsiaPacific, no. 48, 2006.
Teshigahara, Hiroshi: Ashton, Dore, The Delicate Tread Teshigahara‘s Life in Art, Tokyo: Kodansha
International, 1997
Tomiyama Taeko: Hagiwara Hiroko, ‗Silenced by ―History‖; Taeko Tomiyama‘s ―Harbin Station‖ Series‘,
Third Text, no.33, Winter 1995-1996.
Torimitsu, Momoya: Schmidt, Barbara U., ‚Steirisher Herbst 97: Graz, Austria‘, Review [Momoya
Torimitsu], Art & Text 60, Feb.-Apr. 1998
Toya Shigeo: Gargner, Colin, ‗Los Angeles: Shigeo Toya‘, Artforum International, Vol.30, Issue 4,
December 1991
Tsuda Toshinori: Shikata, Y.,‘Faith no more‘, World Art, 1, 1995.
Tsuyoshi Ozawa: Hou Hanru, ‗Tsuyoshi Ozawa‘ in Art Asia Pacific, Issue 37 (2003), p. 56. ; Kuroda,
Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin,
Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art Show]:
Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999
Ueda, Shoji: review, Artforum, vol 43, iss. 9, May 2005.
Uekawa, Aya: review, Flash Art, vol. XXXIX, no. 250, Oct, 2006.
Ujino, Muneteru: Maerkle, Andrew, ‗Where I Work – Ujino Muneteru‘, ArtAsiaPacific, no. 50, 2006.
Wakabayashi, Isamu: Avgikos, Jan, ‗New York: Isamu Wakabayashi‘, Artforum International, Vol.31, Issue
9, May 1993

99
Watanabe Katsumi: Watanabe Katsumi: Gangs of Kabukicho, PPP Editions, New York, 2006.
Watanabe Mikio : Lascault, Gilbert et al., Mikio Watanabé : Manière noire 1998-2005, Fragments, 2005, 163
p.
Watanabe, Eiji: McGee, John, 'Eiji Watanabe at Kenji Taki', Art in America, Vol. 90, Issue 11, November
2002
Yabitsu, Tokuzo: review, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006.
Yamagata Hiro: review, Art News, 100, 8, 2001
Yamaguchi Noriko: Shiner, Eric C., ‗Projects in the Making: Yamaguchi Noriko is Under Our Skin‘,
ArtAsiaPacific, no. 47, 2006.
Yamaguchi, Takako: Duncan, Micael, ‗Takako Yamaguchi at Jan Baum‘, Art in America, Vol. 90, Issue 5,
May 2002; Mallinson, Constance, ‗Takako Yamaguchi: at Cardwell Jimmerson‘, in Art in America
97.4 (April 2009): 156(1).
Yamamoto, Masao: Heartney, Eleanor, ‗Masao Yamamoto at Yancy Richardson‘, Art in America, Vol. 90,
Issue 5, May 2002
Yamamoto, Tomiaki: Kuspit, Donald, ‗New York: Tomiaki Yamamoto‘, Artforum International, Vol.32,
Issue 7, March 1994
Yanagi Yukinori: Chong, Doryun, ‗Excavating History‘, Art AsiaPacific, 32, 2001; ; Richard, Frances,
‗Yukinori Yanagi‘, Artforum International, Vol.36, Issue 5, January 1998; Koplos, Janet, ‗Yukinori
Yanagi: darkness illuminated the installation artist's monumental, multipart artwork at a derelict
industrial site raises questions about tradition and modernity in Japan‘(FOCUS ASIA) in Art in
America 96.11 (Dec 2008): 124(4).
Yoko, Tadanori: Purvis, Jeniffer, ‗Tadanori Yokoo at the Hara Museum‘, Art in America, Vol. 90, Issue 5,
May 2002; Collectif, Yokoo Tadanori, catalogue d‘exposition, trad. Dominique Palmé, co-édition
Fondation Cartier et Actes Sud, 2006.
Yokomizo Shizuka: review, Art News, 100, 7, 2001; Schwabsky, Barry, ‗Shizuka Yokomizo‘, Artforum
International, Vol.39, Issue 8, April 2001
Yonetani, Ken: Yonetani, Julia, ‗Sweet revenge: an interview with Ken Yonetani‘ [online]. Artlink, v.25,
no.4, 2005.
Yoshida Kimiko : Yoshida Kimiko, Marry me: les mariées intangibles, Arles, Actes Sud, 2003, 128 p.
Yoshihara Jiro: a centenary retrospective, Tokyo, The Asahi Shimbun, 2005
Yoshihi, Futana: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002.
Yoshihiro Suda : Acret, Susan, ‗Yoshihiro Suda‘ in Art Asia Pacific, Issue 37 (2003), p. 29; Petites natures ?,
installations de Kôichi Kurita et Yoshihiro Suda, texte de Dominique Truco, Paris, Maison de la culture
du Japon, 2004, 16 p.
Yoshinaga, Masayuki: Shiner, Eric C., ‗Yoshinaga Masayuki and the Pageantry of Speed‘, ArtAsiaPacific,
no. 50, 2006.
Yoshitomo Nara: Hunt, David, ‗Yoshitomo Nara: The Prince & The Pauper‘ 2003‘ in Art Asia Pacific, No.
39 (Winter 2004), pp. 44-47
Yoshizawa, Mika: Brown, Azby, ‗Tokyo: Mika Yoshizawa‘, Artforum International, Vol.32, Issue 6,
February 1994
Yuki Kimura: Shikata, Yukiko, ‗Yuki Kimura‘ in Art Asia Pacific, Issue 37 (2003), p. 84
Europeans in Meiji Japan
Adams, A., Travels of a Naturalist in Japan and Manchuria, 1872
Alcock, R., The Capital of the Tycoon, 1863
Anderson, W., ‗A History of Japanese Art‘, Transactions of the Asiatic Society of Japan, 7, 1879
Anderson, W., The Pictorial Arts of Japan, 1886
Antony, D.W., Healey, G.H., The Itinerary of the Iwakura Embassy to Britain, Sheffield University, Centre
of Japanese Studies, 1987
Arnold, E.A., Japonica, 1892

100
Baelz, Erwin, The Awakening of Japan, 1932
Barr, P., The Coming of the Barbarians, London, Readers Union, 1967
Berg, A. et al. Die Preussische Expedition Nach Ost-+Asien,Bd. I, mit XII Illustrationen und II Karte,
1864;Bd. II, mit XII Illustrationen, 1866;Bd. III, mit I Karte, 1873;Bd. IV, mit XXIV
Illustrationen und I Karte, 1873;
Beretta, Lia, Chiossone, Indeto: Il Testamento Orgiganle e Il Primo Museo Chiossone, Tokyo: Associazione
Insatsu Choyokai, 2004
Bird, Isabella, Unbeaten Tracks in Japan, Stone Bridge Press, Berkeley, 2006
Black, J.R., Young Japan, 1880-81
Blakeney, W., On the Coasts of Cathay and Cipango Forty Years Ago, 1902, (Ill. by Frederick le Breton
Bedwell)
Blum, R.F., ‗An Artist in Japan‘, Scribner‘s Magazine, 4-1893
von Brandt, M., Dreiunddreissig Jahre in Ost-Asien, 3 Banden, Leipzig, 1901
Clark, E.W., Life and Adventure in Japan, American Tract Society, 1878
Conder, J., Flower Art of Japan and the Art of Floral Arrangement, 1891
Conder, J., Landscape Gardening in Japan, 1893
Conder, J., Paintings and Studies by Kawanabe Kyosai, 1911
Cortazzi, H., Mitford‘s Japan, 1985
Cortazzi, H., Victorians in Japan, London, Athlone Press, 1987
Cutler, T.W., A Grammar of Japanese Ornament, 1880
Dickson, W.G., Japan, being a sketch of the History, Government and Officers of the Empire, 1869
Dickson, W.G., Gleanings from Japan, 1889
Dixon, J.H., ‗On Some Japanese Artists of Today‘, Transactions Japan Society of London, no.63 (address of
10-12-1902).
Dresser, C., Japan: Its Architecture and Art Manufactures, 1882
East, A., Landscape Painting in Oil Colour, 1906
East, A., Brush and Pencil Notes in Landscape, 1914
Esmein, Suzanne, Hugues Krafft au Japon de Meiji : photographies d‘un voyage, 1882-1883, Paris, Hermann,
110 p.
Fenollosa, E.F., Epochs of Chinese and Japanese Art, 1912
de Fonblanque, E.B., Niphon and Pe-che-li, 1862
Fortune, R., Yedo and Peking, 1863
Fox, G., Britain and Japan 1858-1883, Oxford UP, 1969
Fraser, Mrs., A Diplomatist‘s Wife in Japan, 1899
Griffis, W.E., A Maker of the New Orient: Samuel Robbins Brown, 1902
Guimet, E. (ill. Régamey), Promenades Japonaises, 1878
Hawks, F.L., Narrative of the Expedition of an American Squadron to the China Seas, 3v., 1856, 1859
Heine, P.B.W., Japan: Beiträge zur Kentniss des Landes und Seiner Bewöhner, 1873, Dresden, 1880
Hoare, J.E., The Japanese Treaty Ports 1868-1899: A Study of the Foreign Settlements, PhD Thesis, University
of London, 1971
Hoare, J.E., ‗The "Bankoku Shimbun" Affair: Foreigners, the Japanese Press and Extraterritoriality in
Early Meiji Japan‘, Modern Asian Studies, 9, 3, 1975
Hoare, J.E., ‗Extraterritoriality in Japan, 1858-1899‘, Transactions of the Asiatic Society of Japan, XVII, 1983
Humbert, A., (ill. Roussin, Wirgman, Beato), Le Japon Illustré}, 1870
Hurd, D., The Arrow War, 1967
Jephson, R.M., Elmhirst, E.P., Our Life in Japan, 1869
Lafarge, J., Considerations on Painting, New York Metropolitan Museum of Art, 1895
Lafarge, J., An Artist‘s Letter from Japan, 1897
Leach, B., Beyond East and West, 1978
Leach, Bernard, A Potter in Japan, London, Boston: Faber and Faber, 1960.
Leach, Bernard, A Potter‘s Book, London, Boston: Faber and Faber, 1976 (1940).

101
Leach, Bernard, Hamada Potter, Tokyo, New York and San Francisco: Kodansha International Ltd. 1981
(1975).
Lindau, Rudolphe, Voyage autour du Japon, 1864
Lindau, Rudolphe, Erzählungen und Novellen, 1878, [includes the story ‗Robert G. Cooper, Jnr‘]
Lindau, Rudolphe, Aus China und Japan, 1896
Meheut, Mathurin, Jude, Patrick, Voyage d'un artiste breton au Japon - Mathurin Méheut, Ouest France, 2004.
Menpes, M., Japan, A Record in Colour, 1901
Menpes, M., Whistler as I knew Him, 1904
Mitford, A.B., Memories, 1915
Mitford, A.B., The Bamboo Garden, 1896, (ill. Parsons)
Norman, C.B., Battle Honours of the British Army, 1911
Oliphant, L., Narrative of the Earl of Elgin‘s Mission to China and Japan in the Years 1857, ‗58, ‗59, 2
volumes., 1859
Oliver, S.P., On and Off Duty, 1881
Osborn, S., A Cruise in Japanese Waters, 1859
Osborn, S., Japanese Fragments, 1861
Pantzer, P., Japan und Osterreich-Ungarn, Beiträge zur Japanologie, Bd.11, Wien 1973
Parsons, A., Notes in Japan, 1896
Piggott, F., (ill. East), The Garden of Japan, 1892
Poynts, W.H., Per mare per Terram, 1892
Pumpelly, R., Across America and Asia, 1870
Régamey, F., Okoma, 1883
Régamey, F., Le Japon Pratique, 1891
Régamey, F., Le Cahier Rose de Madame Crysanthème, 1894
Régamey, F., Le Dessin et son enseignement dans les Écoles de Tokio, 1902
Régamey, F., Japon, 1903
Régamey, F., Le Japon en Images, 1904
Sale, Giovanni S.J. (dir.), L‘art des jésuites, Paris, Mengès, 2003, 318 p.
Satow, E., A Diplomat in Japan, 1921, reprint Oxford UP, 1968
Satow, E., Private Diaries, London, Public Record Office, PRO30/33
Satow, E., Letters, (chiefly to Aston and Dickins), PRO30/33
de Saumarez, R., Girard, P.J., Lord De Saumarez abroad and at Home, La Société Guernésiase, 1975
Savage Landor, A.M., Everywhere, 1924
Scidmore, E., Jinriksha Days in Japan, 1898, [Illustrations by or after Beato, ‗Kurz‘, Florian and ‗S.P.‘]
Sieffert, R., Le Japon et La France, Publications Orientalistes de France, 1974
Silver, J.M.W., Sketches of Japanese Manners and Customs, 1867
Simpson, W., Meeting the Sun, 1874
Simpson, W., Autobiography, 1903
Sladen, D.B.W., The Japs at Home, 1892
Sladen, D.B.W., Twenty Years of My Life, 1915
Sladen, D.B.W., My Long Life, 1939
S(medley), A.M., Nara Hodu, Paramatta and Sydney, 1884
Smith, G., Ten Weeks in Japan, 1861
Taylor, B., A Visit to India, China and Japan, 1859
Taylor, B., Japan in Our Day, 1881, rev. ed. 1892
De Waal, Edmund, Bernard Leach, London: Tate Gallery, 1998.
Watson, Oliver ; Kimura Rieko eds., Bernard Leach: Potter and Artist, Tokyo: Cogito/Committee for
Bernard Leach Exhibition, 1997.
Williams, H.S., Naito, H., The Kamakura Murders of 1864, private publication, 1973.
Wirgman, A.T., Storm and Sunshine in South Africa, 1922

102
Japonisme and cross-cultural dialogue
Aitken, Geneviève, Delafond Marianne, La collection d‘estampes japonaises de Claude Monet : Musée Monet à
Giverny, Lausanne, Bibliothèque des arts, 2003, 192 p.
Basset, Alain, Japon - Les délices de l'extrême Paris, Renaissance Du Livre, 2004.
Baty, T., ‗The Literary Introduction of Japan to Europe‘, Monumenta Nipponica, VII, 24-39;VIII, 15-46;
IX, 62-82; X, 65-80
Brandt, Kim, ‗Objects of Desire: Japanese Collectors and Colonial Korea‘ in positions: east asia cultures
critique, volume 8, number 3 (winter 2000), pp. 711-746
Brooks, Van Wyck, Fenollosa: the Far East and American Culture, Yale UP, 1962
Conant, E.P., ‗The French Connection: Émile Guimet‘s Mission to Japan, A Cultural Context of
Japonisme‘, in Conroy, H. et al, Japan in Transition: Thought and Action in the Meiji Era, Farleigh
Dickson University Press, 1984
Evett, Elisa, Critical Reception of Japanese Art in late 19th century Europe, UMI Research Press, 1982
Grenville, Bruce et. al., Krazy!: the delirious world of anime & comics & video games & art, Vancouver, Tronot,
Berkeley, Los Angeles, London, Vancouver Art Gallery, Douglas & McIntyre and University of
California Press, 2008
Halén, Widar et al., Christopher Dresser and Japan, Christopher Dresser and Japan Catalogue
Committee/KÔriyama City Museum of Art, 2002.
Horioka, Yasuko, The Life of Kakuzo, Hokuseido Press, 1963
Huish, Marcus B., ‗England‘s appreciation of Japanese Art‘, Transactions of the Japan Society, no.81, of
Huish, Marcus B., ‗Is Japanese Art Extinct?‘, The Nineteenth Century, 3-1888, [Huish was director
of The Fine Art Society around 1875-1906, and for a time Secretary of the Japan Society of
London]
Impey, O., Chinoiserie, Oxford UP, 1977
Impey, O., ‗Japanese Export Art of the Edo Period and its Influence on European Art‘, Modern Asian
Studies, 18, 4, 1984
Impey, O., ‗Japanese Export Lacquer in the 17th Century‘, in Watson, ed. Lacquer Work in Asia and
Beyond, School of Oriental and African Studies, 1981
Ives, Colta, F., The Great Wave, Metropolitan Museum of Art NY, 1974
Japan und Europa 1543-1929, Berlin, Berliner Festspiel/ARGON, 1993.
Kelts, Roland, Japanamerica: how Japanese pop culure has invated the U.S., Palgrave Macmillan, 2009.
Kopplin, Monika, Les Laques du Japon – Collections de Marie-Antoinette, Réunion des Musées Nationaux,
Paris, 240 p.
Koyama-Richard, Brigitte, Japon rêvé - Edmond de Goncourt et Hayashi Tadamasa, Paris, Hermann, 2001,
300 p.
Koyama-Richard, Brigitte (sous la dir. de), Correspondance adressée à Hayashi Tadamasa, Tokyo, Institut de
Tokyo – Kokushokankôkai, 2001.
Lach, D.F., Asia in the making of Europe, 3 vols., Chicago UP, 1970, 1994
Life and art: Arts & Crafts from Morris to Mingei, Tokyo, The Asahi Shimbun, 2008
Macouin, Francis, and Omoto, Keiko, Guimet et les arts d‘Asie, nouvelle édition augmentée et mise à jour,
Gallimard, réunion des musées nationaux, Paris, 2001, 192 p.
Miner, E., The Japanese Tradition in British and American Literature, Princeton UP, 1959
Mitsuda, Yuri (ed.), Kiichiro Ishida and Sydney Camera Circle: modernism/Japonism in photography 1920‘s-40‘s,
Tokyo, The Shoto Museum of Art, 2002
Moon, Milton, The Zen Master: the potter & the poet, Stempny, South Australia, Axom Publishing, 2006
Morioka, Michiko, An American artist in Tokyo: Frances Blakemore 1906-1997, Seattle, The Blakemore
Foundation, 2008
Myer, P.R., ‗Images and Influences of Oriental Art‘, Art Journal, XX, 4, 1961
Pantzer, P., Wieninger, J., Verborgene Impressionen/ Hidden Impressions, Wien, Österreiches Museum für
Angewandte Kunst, 1990.

103
Reyns-Chikuma, Chris, Images du Japon en France et ailleurs : Entre japonisme et multiculturalisme, Paris,
L‘Harmattan, 2005, 250 p.
Sand, Jordan, ‗Was Meiji Taste in Interiors ―Orientalist‖?‘ in positions: east asia cultures critique, volume 8,
number 3 (winter 2000), pp. 637-673
Shionoya, K., Cyrano et les samourai: le théâtre japonais en France et l‘effet de retour, Publications Orientalistes
de France, 1986
Takashina, S., Lacambre, G., Mabuchi, A., Mathieu, C., Le Japonisme, 1988, Éditions de la Réunion des
musées nationaux (large bibliography)
Watanabe, Toshio, ‗The Western Image of Japanese Art in the Late Edo Period‘, Modern Asian Studies,
18, no.4, 1984
Watanabe, Toshio, ‗Eishi Prints in Whistler‘s Studio‘, The Burlington Magazine, December, 1986.
Watanabe, Toshio, High Victorian Japonisme, Bern, Swiss Asian Studies vol.10,1991.
Watanabe, Toshio, Sato, T., Japan and Britain: An Aesthetic Dialogue 1850-1930, London, Barbixcan Art
Gallery, 1991.
Weisberg, G., et al, Japonisme: Japanese Influences on French Art 1854-1882, Cleveland, 1975
Wevver, L., Japanese Woodblock Prints: The Reciprocal Influence between East and West, Utah, Brigham Young
UP, 1979
Whitford, F., Japanese Prints and Western Painters, Studio Vista, 1977
Wichmann, S., Japonisme, Thames & Hudson, 1981
Wichmann, S., ed., Weltkulturen und moderne Kunst, Verlag Bruckmann, Munchen, 1972
Yamada, C., ed. Dialogue in Art, Japan and the West, Thames & Hudson, 1976
Yokoyama, Toshi, Japan in the Victorian Mind, Oxford, 1987
Photography
Annear, Judy., ‗Ishida and Kageyama- Japanese Photographers in Sydney‘, in TAASA Review, Vol. 12,
No. 4, December 2003, p.11.
Asahigraph, ed. Japan:A Pictorial Interpretation, Tôkyô, Asahi Shimbun, 1932, 1934
Bennett, Terry, Early Japanese Images, Rutland and Tokyo, Charles E. Tuttle Company, 1996.
Bennet, T.B., ‗Early photographic images of Japan‘, The PhotoHistorian, no.112, June 1996.
Bennet, T.B., Cortazzi, H., Japan: Caught in Time, Reading, Garnet Publishing, 1995.
Bennet, T.B., ‗The Eartly Photographers Photographing Japan‘, Japan Digest, Jan., Apr., July, Oct., 1991.
Benett, Terry, Photography in Japan. 1853 – 1912. Tokyo, Rutland, Singapore, Tuttle Publishing, 2006.
Bennett, Terry, Old Japanese Photographs, Collectors‘ Data Guide, London, Quaritch, 2006.
Calle, Sophie, Douleur exquise, récit photographique, Arles, Actes Sud, 2003, 281 p.
Clark, J., Osman, C., Fraser,J., ‗Chronology of Felice Beato‘ in Clark, J.,Japanese -British Exchanges in Art,
1850s-1930s, in Clark, J., Japanese Exchanges in Art, 1850s-1930s, Sydney, Power Publications, 2001.
Collectif, Japon : un autoportrait : photographies 1945-1964, Paris, Flammarion, 2004.
Collectif, Black out. Photographie japonaise contemporaine, cat. de l‘exposition à la Maison de la culture du
Japon à Paris, Paris, Fondation du Japon, 2003, 160 p.
Collectif, Japon 1945-1975 : le renouveau photographique, cat. d‘expo. au Pavillon Sully à Paris, Paris, Marval,
2003, 192 p.
Dower, J. intr., A Century of Japanese Photography, London, Hutchinson, 1981
Bürer, Catherine, ed., Kirei - Plakate aus Japan, Zürich, Edition Stemmle & Museum für Gestaltung
Zürich, 1993.
Edel, C. tr., Once upon a time: Visions of Old Japan from the photos of Beato and Stiullfried and the words of Pierre
Loti, New York, Friendly Press, 1986.
Fouser, Robert J., ‗In Praise of Mad Shadows‘: Tokihiro Sato‘s revealing photographs‘, Art AsiaPacific,
no.21, 1999.
Fuji, H., Matsumoto, T., Kondo, Y., Photography in Contemporary Art, Tôkyô, National Museum of
Modern Art,1983

104
Gartlan, Luke, ‗Types or Costumes? Reframing early Yokohama photography‘, Visual Resources, Vol. XXII,
no.3, September 2006, 239-263; ‗Chronology of Baron Raimund von Stillfried und Ratenicz‘, in
his University of Melbourne, BA Honours Thesis 1997; revised and extended in Clark, J., Japanese
Exchanges in Art, 1850s-1930s, Sydney, Power Publications, 2001; Photography in Nineteenth-Century
Japan, Guest editor, History of Photography, Vol. 33, No. 2, May 2009. Wu Hung, Zhang Dali: A
Second History.
Goto & Matsumoto, Yomigaeru Bakumatsu, Tôkyô, Asahi Shimbun, 1987
Jana, Reena., ‗The History of Japanese Photography‘ (review, Museum of Fine Arts, Houston), in Art
AsiaPacific, Issue 38, Fall 2003, p.86-87.
Japanische Photographie 1860-1929, Berlin, Berliner Festspiele, 1993.
King, E.J., ‗The Beginnings of Photography in Japan‘, The British Journal of Photography, 24-10- 1979, 2-
11-1979, 9-11-1979, 18-11-1979, 24-11-1979; ‗The Middle Years‘, ibid, 8-8-1980, 15-8- 1980.
Lufty, Janet, [recent] ‗Japanese Photography‘, Art in America, May 1997.
Merewether, C. ‗Roaming the Thresholds of Modernity: Exposure and Secrecy in Moriyama‘ in
Daido Moriyama Catalogue Raisonne, (vol.3), Edited by Kiyokazu Tanno, Tokyo: Publishing House:
pp. 572-584, 2004.
Merewether, C., ‗A language to come: Japanese photography after the Event‘ in Interarchive: Archival
Practices and Sites in the Contemporary Art Field, Edited by Hans-Peter Feldmann and Hans Ulrich
Obrist, Luneburg: Kunstraum der Universität,& Verlag der Buchhandlung Walther Konig: pp.
168-176, 2002.
Negretti, P.A., ‗Henry Negretti - gentleman and photographic pieoneer‘, The Photographic Collector, vol.1,
1984.
Osman, C., ‗New Light on the Beato Brothers‘, The British Journal of Photography, 16-10-1987.
Osman, C., ‗The Later Years of Felice Beato‘, The Photographic Journal,November, 1988
Ozawa, T., ‗The history of early photography in Japan‘, History of Photography, vol.5, no.4, 1989.
Rosenberg,G., Willhelm Burger-Ein Welt- und Forschungsreisender mit der Kamera, 1844 bis 1920,
Wien/München, Edition Brandstätter, 1984.
Saito Takio, ‗Photography in Yokohama and W. Saunders‘, The PhotoHistorian, no.86, 1989.
Seigert, P. et al, Felice Beato in Japan, Heidelberg, Edition Braus, 1991.
Tucker, Anne Wilkes et al, The History of Japanese Photography, Houston, Museum of Fine Arts & New
Haven, Yale University Press, 2003
White, Stephen, ‗Felix Beato and the First Korean War, 1971‘, The Photographic Collector, vol.3, no.1,
Spring 1983.
White, Stephen, ‗The Far East‘, Image, vol.34, nos 1-2, 1991.
Worswick, C., Japan, Photographs, 1854-1905, New York, Alfred A.Knopf, 1979
Worswick, C., ‗The disappearence of Uchida Kyuichi and the discovery of nineteenth century Asian
photography‘, Image, vol.36, nos 1-2, 1993.
Yokohama Archives of History, ed., F. Beato Bakumatsu Nihon Shashinshû,Yokohama, Yokohama Kaikô
Shiryôkan, 1987.
Zannier, I. Felici e Antonio Beato, Milano, Editophoto, 1978.
Meiji Art and Interaction with the West
Aitken, Geneviève and Delafond, Marianne, La collection d‘estampes japonaises de Claude Monet : Musée Monet
à Giverny, Lausanne, Bibliothèque des arts, 2003, 192 p.
Aoki Shigeru and the late Victorian Art, Tôkyô, Tôkyô Shimbun, 1983
Baekeland, F., Imperial Japan:The Art of the Meiji Era, Cornell, Herbert F. Johnson Museum of Art, 1980
Beretta, Lia, ‗Edoardo Chiossone‘, Transactions of the Asiatic Society of Japan, 4th series, v.10, 1995.
Bryson, Norman, ‗Westernising bodies: women, art, and power in Meiji Yôga‘, Mostow, Joshua S.;
Bryson Norman; Graybill, Marybeth, eds, Gender and Power in the Japanese Visual Field, Honolulu,
University of Hawai‘i Press, 2003.

105
Christ, Carol Nann, ‗The Sole Guardians of the Art Inheritance of Asia: Japan at the 1904 St. Louis
World‘s Fair‘ in positions: east asia cultures critique, volume 8, number 3 (winter 2000), pp. 675-709
Clark, John., Japanese Exchanges in Art, 1850s-1930s, Sydney, Power Publications, 2001
Clark, John, ‗Artist and the State: The Image of China in Japanese Painting, 1890s - 1940s‘, in Elise
Tipton, ed., Society and the State in Interwar Japan, London, Routledge, 1997.
Clark, John, ‗Modernités, Histoires; le cas Japonais‘, translated in Belleter, Harry, ed., Face à l‘Histoire,
Paris, Centre Georges Pompidou, 1996.
Conant, Ellen.P., ‗Principles and Pragmatism: The Yatoi in the Field of Art‘, in Beauchamp, E.R. &
Iriye, eds., Foreign Employees in Nineteenth Century Japan, Boulder & London, Westview Press, 1990.
Conant, Ellen P (ed.), Challenging Past and Present: the metamorphosis of nineteenth-century Japanese art,
Honolulu, University of Hawai‘i Press, 2006.
Conroy H., et al, Japan in Transition: Thought and Action in the Meiji Era, Farleigh Dickson University
Press, 1984
Development of Western Realism in Japan, I, Tôkyô, National Museum of Modern Art, 1985
Esmein, Suzanne, Hugues Krafft au Japon de Meiji : photographies d‘un voyage, 1882-1883, Paris, Hermann,
110 p.
Fontanesi, Ragusa e l‘arte giapponese nel primo periodo Meiji, Tôkyô, National Museum of Modern Art, 1977
Georges Bigot: Il y a cent ans un artiste francais au Japon, Tôkyô,Yomiuri Shimbun, 1987
Guiterrez,F., ‗Artistic trends of the Meiji Period‘, in Skrypczak, E. Japan‘s Modern Century, Tôkyô, Tuttle,
1968
Guth, Christine M. E., ‗Japan 1868-1945: art, architecture, and national identity‘, Art Journal, vol.55,
no.3, Fall 1996.
Guth, Christine M. E., ‗Takamura Kôun and Takamura Kôtarô: on being a sculptor‘ in Takeuchi,
Melinda, ed., The artist as professional in Japan, Stanford, Stanford University Press, 2004.
Guth, Christine M.E., ‗Charles Longfellow and Okakura Kakuzō: Cultural Cross-Dressing in the
Lorenzo, Diosdado Magno Colonial Context‘, in positions: east asia cultures critique, volume 8, number 3
(winter 2000), pp. 605-636
Haga, T., ‗The Formation of Realism in Meiji Painting: The Career of Takahashi Yûichi‘, in Shively, D.,
Tradition and Modernization in Japanese Culture, Princeton, Princeton University Press, 1971
Harada, M., Meiji Western Painting, Tôkyô, Weatherhill, 1974
Inaga, Shigemi, ‗Théodore Duret et Japon‘, Revue de l ‗Art, no.79, 1988.
Inaga, Shigemi, ‗La réinterpretation de la perspective linéaire au Japon (1740-1830) et son retour en
France (1860-1910)‘, Actes de la Recherche en sciences sociales, no.49, septembre 1983.
Inaga, Shigemi, ‗L‘orientalisme en peinture: representation de l‘autre et ses limites‘, in Hignonnet,
Margaret R., Jones, Sumie, eds. Visions of the Other, Tokyo, Proceedings of the International
Comparative Literature Association, 1991.
Inaga, Shigemi, ‗De l‘artisan à l‘artiste au seuil de la modernité japonaise, ou l‘implantation de la notion
des Beaux-Arts au Japan‘, Sociologie de l‘Art, no.8, 1995.
Khalili, Nasser, D. et al, Meiji no Takara: Treasures of Imperial Japan, [I: Selected Essays; II: Metalwork;
III:Enamels; IV: Lacquer; V: Ceramics] London, The Kibo Foundation, 1995.
Kawakita, M., ‗Western Influence on Japanese Painting and Sculpture‘ inYamada, C., ed. Dialogue in
Art:Japan and the West, Tôkyô, Kôdansha, 1976
Kornicki, P.F., ‗Public display and changing values: early Meiji exhibitions and their precursors‘,
Monumenta Nipponica, vol.49, no.2, 1994.
Lee, Sherman E., Hiroshige - Carnets d‘esquisses, trad. de l‘anglais par Isabelle Charrier, Paris, Phébus,
2001, 175 p.
Merritt, Helen and Yamada, Nanako, Woodblock Kuchi-e Prints, University of Hawaii Press, Honolulu,
2000
Modern Japanese Art and The West, International Symposium, Tokyo November 28-30, 1988, Meiji Bijutsu
Gakkai, 1992, [largely in Japanese but with essays on Kunisada (Timothy Clark), Kyoto Painting

106
(Ellen Conant), Japonisme (Christine Shimizu), and Art Criticism (Thomas Rimer) in English:
Fisher East Asian: 6047]
Munson, Todd, S., ‗A tempestuous tea-port: socio-political commentary in Yokohama-e, 1859-62‘, East
Asian History, no.24, December 2002.
Odin, Steven, Artistic Detachment in Japan and the West, University of Hawaii Press, Honolulu, 2001.
Realistic Representation III: Painting in Japan 1884-1907, Tôkyô, National Museum of Modern Art, 1988
Rosenfield, J., ‗Western Style Painting in the Early Meiji Period and its Critics‘, see Haga this section.
Screech, Timon, The Shogun‘s Painted Culture: Fear and Creativity in the Japanese States, 1760-1829, London:
Reaktion Books, 2000
Snodgrass, Judith, ‗Exhibiting Meiji Modernity: Japanese Art at the Columbian Exposition‘, in East
Asian History, no. 31, June 2006, pp. 75 – 100.
Tseng, Alice Y., ‗Kuroda Seiki‘s Morning Toilette on Exhibition in Kyoto‘, Art Bulletin, vol.XC, no.3,
September 2008.
Uyeno, N., Japanese Arts and Crafts in the Meiji Era, Tôkyô, Tôyô Bunko, 1958
Weisenfeld, G., ed., ‗Visual cultures of Japanese Imperialism‘, special issue of positions east asia cultures
critique, vol.8, no.3, winter 2000, including: Guth Christine M.E., ‗Charles Longfellow and
Okakura Kakuzô: cultural cross-dressing in the colonial context; Sand, Jordan, ‗Was Meiji taste in
interiors ―Orientalist‖?‘; Christ, Carol Ann, ‗ ―The sole guardians of the art inheritance of Asia‖:
Japan at the 1904 St. Louis World‘s Fair‘; Brandt, Kim, ‗Objects of desire: Japanese collectors and
colonial Korea‘; Weisenfeld, Gennifer, ‗Touring Japan-as-museum: NIPPON and other Japanese
imperialist travelogues‘; Wendelken, Cherie, ‗Pan-Asianism and the pure Japanese thing: Japanese
identity and architecture in the late 1930s‘.
Yamada Nanako 山田奈々子, Kuchi-e meisaku monogatarishū 口絵名作物語集 [Masterpieces: collection
of kuchi-e prints and their stories], Bunsei shoin, Tokyo, 2006
Nihonga: Painting in ‘Traditional’ Japanese Style since Meiji
Boudonnat, Louise and Kushizaki, Harumi, Au fil du pinceau, la calligraphie japonaise, Paris, le Seuil, 2002,
216 p.
Brooks, Van Wyck, Fenollosa and His Circle, New York, Dutton, 1962
Busson, Dominique, L'esprit du bambou au Japon, Philippe Picquier, 2004.
Chisholm, L.W., Fenollosa: the Far East and American Culture, New Haven, Yale University Press, 1962.
Christ, Carol Ann, ‗ ―The sole guardians of the art inheritance of Asia‖: Japan at the 1904 St. Louis
World‘s Fair‘, positions: east asian cultures critique, vol.8, no.3, winter 2000.
Clark, J., ‗Modernism and Traditional Japanese-Style Painting‘, Semiotica, vol.74-1/2, 1989, 43-60.
Clark, J., ‗Okakura Kakuzô [Tenshin] and Aesthetic Nationalism‘, East Asian History, forthcoming,
2005..
Cohen, Warren I., East Asian Art and American Culture, New York, Columbia University Press, 1992.
Conant, Ellen, Nihonga: Transcending the Past, Japanese Style Painting 1868-1968, St.Louis, The St. Louis Art
Museum, 1995.
Croissant, Doris, ‗Fenollosas "Wahre Theorie der Kunst" und ihre Wirkung in der Meiji-Zeit (1869-
1912)‘, Saeculum, XXXVIII, Heft 1, 1987.
Croissant, Doris, ‗Das Geheimnis des Hibo Kannon‘, Asiatische Studien, 2.1990.
Croissant, Doris, ‗Icons of femininity: National painting and the Paradox of modernity‘ in Mostow,
Joshua S.; Bryson Norman; Graybill, Marybeth, eds, Gender and Power in the Japanese Visual Field,
Honolulu, University of Hawai‘i Press, 2003.
Croissant, Doris, ‗In quest of the real: portrayal and photography in Japanese painting theory‘, in
Conant, Ellen P., Challenging Past and present: the metamorphosis of 19 th century Japanese art, Honolulu,
University of Hawai‘i Press, 2006.
Dower, J., Junkerman, J., ed., The Hiroshima Murals: Maruki Iri and Toshi, Tôkyô, Kôdansha, 1985.
Dunn, Mickaël, Formes et matières – Les arts traditionnels du Japon, Cinq Continents, 2005, 316 p.

107
Guth, Christine, M.E., ‗Charles Longfellow and Okakura Kakuzô: cultural cross-dressing in the colonial
context‘, positions: east asian cultures critique, vol.8, no.3, winter 2000.
Horioka Yasuko, The Life of Kakuzô, author of The Book of Tea, Tokyo, The Hokuseido Press, 1963.
Koizumi, Shinya, ‗Tenshin (Okakura Kakuzo)‘s View of Asia and the Position of The Ideals of the East‘,
Yasuko, Furuichi, ―Asia in Transition: Representation and Identity‖, Japan Foundation Asia Center,
2002
Nakamura, T., Contemporary Japanese Style Painting, New York, Tudor, 1969
Notehelfer, Fred, ‗On idealism and realism in the thought of Okakura Tenshin‘, Journal of Japanese
Studies, vol.16, no.2, Summer 1990.
Nute, Kevin, ‗Ernest Fenollosa and the Universal implications of Japanese art‘, Japan Forum, vol.7,
no.1, April, 1995.
Nute, Kevin, ‗Frank Lloyd Wright and Okakura Tenshin; on the Social and Aesthetic ―Ideals of the
East‖ ‗, Chanoyu Quarterly, no.79, 1995.
Ogura Yuki, Tôkyô, Kôdansha, 1987.
Okakura, Kakuzo, Okakura Kakuzo, Collected English Writings, 3 volumes, Tokyo, Heibonsha, 1984.
Okakura, Kakasu [Kakuzo, Tenshin], The Ideals of the East, London, John Murray, 1903
Okakura, Kakuzo, ‗Notes on Contemporary Japanese Art‘, International Studio, 16, April 1902, 126-30.
Parlett, Shiori, ‗Kayama Matazô‘s Nihonga‘ (MPhil Thesis, University of Hong Kong, 2004)
Rimer, J. Thomas, ‗Hegel in Tokyo: Ernest Fenollosa and his 1882 Lecture on the Truth of Art‘ in
Marra, Michael F., Japanese Hermeneutics: Current Debates on Aesthetics and Interpretation, Honolulu,
University of Hawai‘i Press, 2002.
Wattles, M., ‗The 1909 Ryûtô and the aesthetics of affectivity‘, Art Journal, vol.55, no.3, Fall 1996.
Wong, Aida-yuen, ‗A new life for literati painting in the early 20 th century:Eastern art and modernity, a
transnational narrative?‘, Artibus Asiae, vol.60, no.2, 2000, 297-236.
Wong, Aida-yuen, ‗The East, Nationalism and Taishôdemocracy; Naitô Konan‘s History of Chinese
Painting, Sino-Japanese Studies vol.11, no.2, May 1999, 2-23.
Yokoyama, Taikan, ‗The spirit of Japanese Art‘ [Address to visiting Hitler Jugend], Cultural Nippon,
vol.3, November 1938.
Prints since Meiji
Ajioka, Chiaki et al, Hanga: Japanese Creative Prints, Sydney: Art Gallery of New South Wales, 2001.
Bayou, Hélène, and Marquet, Christophe (dir.), Chefs-d‘œuvre du Musée Ôta de Tôkyô. Peintures et estampes
japonaises, catalogue d‘exposition, version française, Musée national des arts asiatiques – Guimet,
NHK Promotions Co. Ltd., 2005, 162 p.
Clark, J., Japanese Nineteenth Century Copperplate Prints, London, British Museum, 1993.
Coats, Bruce A., Chikanobu: Modernity and Nostalgia in Japanese Prints, Claremont, Scripps College &
Leiden, Hotei Publishing, 2007.
Collectif, Collection Huguette Bérès : estampes, dessins et livres illustrés, t. 1, Paris, Sotheby, 2002, 340 p.
Collectif, Collection Huguette Bérès : estampes, dessins et livres illustrés, t. 2, Paris, Sotheby, 2003, 285 p.
Goodall-Christante, H; Brown, K.H. Shin-Hanga: New Prints in Modern Japan, Los Angeles: Los Angeles
County Museum, 1996.
Kawakita, M., Contemporary Japanese Prints, Tôkyô, Kôdansha, 1967.
Keene, D., Konishi, S., Impressions of the Front, Philadelphia Museum, 1983.
Kuwabara, Setsuko, Emil Orlik und Japan, Heidelberger Schriften zur Ostasienkunde, Frankfurt am
Main, Haag + Herchen, 1987.
Kuwahara, Noriko, ‚Onchi‘s Portrait of Hagiwara Sakutarō: emblem of the creative print movement for
American collectors, Impressions: the Journal of the Japanese Art Society of America, No.29, 2007,
pp.120-39.
Kuwayama,G., Contemporary Japanese Prints, Los Angeles County Museum of Art, 1972
Merritt, H., Modern Japanese Woodblock Prints, Honolulu, University of Hawaii Press, 1990.
Merritt, H., Yamada H., Guide to Modern Japanese Prints, Honolulu, University of Hawaii Press, 1992.

108
Munakata Shikô 1903-1975, Sydney, Art Gallery of New South Wales, 1987
Munakata Shikô Tôkyô, National Museum of Modern Art, 1985
Onchi: a poet of colors and forms, Yokohama Museum of Art, The Miyagi Museum of Art, The Museum of
Modern Art, Wakayama (eds.), 1994.
Pekarkik, J.M., The World of The Meiji Print, New York, Weatherhill, 1986.
Singer, R. and Kakeya, N, Munakata Shikō: Japanese master of the modern print, Philadelphia Museum of
Art/ Los Angeles County Museum of Art, 2002.
Smith, L.H.R., The Japanese Print since 1900, London, British Museum, 1983.
Smith, L.H.R., Contemporary Japanese Prints, London, British Museum, 1985.
Smith, L.H.R., Modern Japanese Prints, London, British Museum, 1994
Smith, L.H.R., Japanese Prints during the Allied Occupation, London, British Museum, 1996.
Statler, O., Modern Japanese Prints, Tôkyô, Tuttle, 1959.
Stephens, Amy Reigle, editor, The New Wave: Twentieth-century Japanese Prints from the Robert O. Muller
Collection, London, Bamboo Publishing & Leiden, Hotei - Japanese Prints, 1993.
Tolman, Norman, ‗The Soul of the Hand-Made Print‘, Japanese Print, Asian Art News, vol. 12, no. 5,
September/October, 2002
The Woodblock and the Artist: the life and work of Shiko Munakata, South Ban Centre London et.al (eds.),
Kodansha International, 1991.
Volk, Alicia, Made in Japan: the postwar creative print movement, Milwaukee, Milwaukee Art Museum/
University of Washington Press, 2005
Art 1910s to 1930s
Barlow, Tani, (ed.) Formations of Colonial Modernity in East Asia, Durham, Duke University Press, 1997.
Bolas, G., Rimer, J., Takashina,S., McCallum, D., Paris in Japan, St.Louis, Washington University, 1987.
Bonnefoy,J., Vatte,G., Takashina,S., Japon des Avant Gardes, Paris, Éditions du Centre Pompidou, 1986.
Bowen-Struyk,Heather ‗Guest Editor's Introduction: Proletarian Arts in East Asia‘, positions, vol. 14, no.
2, 2006.
Clark, J., ‗Artistic Subjectivity in the Taisho and Early Showa Avant Garde‘ in Munro, A. Scream Against
the Sky, New York, Abrams, 1994
Clark, J., ‗Asian Modernisms‘, Humanities Research 2: 1999
Clark, J., ‗Surrealism in Japan‘, in Ades, D., Lloyd, M., ed., Surrealism: Revolution by Night, Canberra,
National Gallery of Australia, 1993.
Clark, J., Surrealism in Japan, Occasional paper no 28, of Japan Studies Centre, Monash Asia Institute,
1997.
Dachy, Marc, Dada au Japon, Paris, PUF, 2002, 225 p.
Expressionist Movements in Japan [Exhibition Catalogue]. Edited by Hitoshi Mori. Various Museums,
2009.
Foster, S. L. (ed.) Choreographing History, Bloomington, Indiana University Press, 1995.
Garon, Sheldon, Molding Japanese Minds: The State in Everyday Life, Princeton, Princeton University Press,
1997
Goodall, D.B. et al, Yasuo Kuniyoshi, University of Texas at Austin, 1975
Gossot, A., ‗Des chaises pour tous ? Production de masse et design mobilier dans les années 1930‘ , in
La société japonaise devant la montée dumilitarisme : Culture populaire et contrôle social dans les années 1930,
Arles, Philippe Picquier, 2007.
Hatcher, Erica, Murayama Kaita (1896-1919): a study of his life, artworks and poetry, BA Honours thesis,
School of Asian Studies, University of Sydney, 1995.
Hirayama, M., ‗Ishii Hakutei and the future of Japanese Painting‘, Art Journal, vol.55, no.3, Fall 1996.
Hommage à Léonard Foujita, Tôkyô, Asahi Shimbun, 1968.
Hunyor, Kathryn, ‗A modern Society‘, [review of Being Modern in Japan Symposium], Art AsiaPacific, 22,
1999

109
Hynes, Victoria. ‗Tradition Through Modernity.‘ [review of Mobo/Moga] Asian Art News 8:6
November/December 1998
Inaga, Shigemi, ‗De l‘artisan à l‘artiste au seuil de la modernite japonaise, ou l‘implanatation de la notion
de Beaux-Arts au Japon‘, Sociologie de l‘Art, no.8, 1995.
Inaga, Shigemi, ‗The Impossible Avant-Garde in Japan‘, [tr.J.Flynn], Yearbook of General and Comparative
Literature, 1994-95.
Kida, Emiko, ‗Japanese-Korean Exchange within the Proletarian Visual Arts Movement‘, positions, vol.
14, no.2, 2006.
Kimura Rieko et al, Dance in Japanese Modern Art, Utsunomiya, Tochigi Prefectural Museum of Fine
Arts, 2003
Lamme J-C et M., ‗Le futurisme russe et l‘art d‘avant-garde japonais‘, Cahiers du monde russe et soviétique,
vol.25, no.4, Oct.-Dec. 1984.
Linhartová, V., Dada et Surréalisme au Japon, Paris, Publications Orientalistes de France, 1987.
Low, Morris, ‗Japan, modernity and the Tokyo Olympics.‘ Humanities Research 2: 1999
Menzies, Jackie, ed., 1998, Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935, Sydney, Art
Gallery of New South Wales, 1998. (co-curated by Ajioka, Clark, Menzies, Mizusawa)
Okada, Shimoda and Tsutaka: 3 Pioneers of Abstract Painting in 20th Century Japan, Washington, Phillips
Collection, 1979.
Omuka, T., ‗David Burliuk and the Japanese Avant-Garde‘, Canadian-American Slavic Studies,V, vol.20,
nos 1-2 Spring-Summer 1986.
Omuka, T., ‗Vavara Bubnova‘, in Rimer J.Thomas, A Hidden Fire: Russian and Japanese Cultural Encounters,
1868-1926, Palo Alto, Stanford University Press, 1995.
Rhapsody in Paris; Yasushi Tanaka and his contemporaries, Saitama, Museum of Modern Art, 1988.
Robertson, Jennifer, Takarazuka, Berkeley, University of California Press, 1998.
Selz. J., Foujita, J., Naefels, Bonfini Press, 1981
Shigeno Kae. ‗Mobo Moga Modernity in Japanese Art 1910-1935.‘ [review article] Art AsiaPacific No.
21, 1999
Taku, H.,et al, Paris vu par les Artistes Japonais, Paris, Musée Carnavalet, 1986.
The Reorganization of the Imperial Academy of Fine Arts in 1935, Western-Style painting of the Era in Japan, Korea
and Taiwan, Tokyo Metropolitan Teien Museum, 1992 [plates list and short essays in English:
Fisher East Asian 6013].
Tipton, Elise; Clark, John, eds, Being Modern in Japan: Culture and Society from the 1910s to the 1930s,
Sydney, Australian Humanities Research Foundation and Honolulu, University of Hawaii Press,
2000, contents: Mizusawa Tsutomu, ‗Artists Start to Dance‘; Clark, John, ‗Indices of Modernity:
changes in popular graphic representation‘; Omuka Toshiharu, ‗Formation of the audiences for
Modern Art in Japan‘; Kashiwagi Hiroshi, ‗On rationalization and Modern life-style: Japanese
design in the 1920s and 1930s‘;Weisenfeld, Gennifer, ‗Japanese Modernism and consumerism;
forging the new field of shôgyô bijutsu (Commerical art)‘; Sand, Jordan, ‗The cultured life of
contested space; dwelling and discourse in the 1920s‘; Tipton, Elise, ‗The Café; contested space
of modernity in inter-war Japan‘; Satô, Barbara Hamill, ‗An alternate informant: Women in Mass
Magazines in 1920s Japan‘, Aoyama Tomoko, ‗The divided appetite: eating in the literature of the
1920s‘; Wilson, Sandra, ‗The past in the present: war in narratives of modernity in the 1920s and
1930s‘; Mackie, Vera, ‗Modern selves and modern spaces: an overview‘; Appendix: Clark, John:
Japanese printing, publishing and prints, 1860s-1930s‘
Vlasos, Stephen, (ed.) Mirror of Modernity: Invented Traditions of Modern Japan, Berkeley, University of
California Press, 1998.
Weisenfeld, G., ‗Mavo‘s conscious constructivism: art, individualism, and daily life in interwar Japan‘,
Art Journal, vol.55, no.3, Fall 1996.
Weisenfeld, G., Mavo: Japanese artists and the avant-garde 1905-1931, Berkeley, University of California
Press, 2002.
Wolf, Tom, Yasuo Kuniyoshi‘s Women, San Francisco, Pomegranate Art Books, 1993.

110
Young, Louise, ‗Marketing the Modern: Department Stores, Consumer Culture and the New Middle
Class in Interwar Japan‘, International Labour and Working-Class History, 55, 1999, pp. 52-70
War: 1930s-1940s
Calichman, Richard F.(translator and editor), Overcoming Modernity: Cultural Identity in Wartime Japan.
Columbia University Press, New York, 2008 (collected papers and the report of around-table
discussions from a 1942 symposium involving Japan‘s leading intellectuals.
Clark, John, ‗The Art of Modern Japan Three Wars‘, Bulletin of the Japanese Studies Association of Australia,
vol.11, no.2, August 1991, 38-42.
Cook, Haruko Taya ‗The Many Lives of Living Soldiers: Ishikawa Tatsuzō and Japan‘s War in Asia‘, in
Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor (eds), War, Occupation and Creativity:
Japan and East Asia, 1920-1960, Honolulu, University of Hawai‘i Press, 2001, p.149-175.
Duncan, Michael, 'Hideo Date at the Japanese American National Museum', Art in America, Vol. 91,
Issue 1, January 2003
Earhart, David C., Certain Victory: Images of World War II in the Japanese Media. M. E. Sharpe, Armonk,
NY:, 2008
Kimura Rieko et al, Dance in Japanese Modern Art, Utsunomiya, Tochigi Prefectural Museum of Fine
Arts, 2003.
Lucken, Michael, Grenades et amertume : Les peintres japonais à l'épreuve de la guerre 1935-1952, Paris, Les
Belles Lettres, coll. « Japon », 2005, 446 p.
Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor, eds, War, Occupation and Creativity: Japan and
East Asia, 1920-1960, Honolulu, University of Hawai‘i Press, 2001
Park, Sang Mi, ‗The Making of a Cultural Icon for the Japanese Empire: Choe Seung-hui's U.S. Dance
Tours and "New Asian Culture" in the 1930s and 1940s‘ positions, vol 14, no. 3, 2006.
Rimer, J. Thomas, ‗Paris in Nanjing: Kishida Kunio Follows the Troops‘, in Mayo, Marlene J., Rimer J.
Thomas, Kerkham, H. Eleanor (eds), War, Occupation and Creativity: Japan and East Asia, 1920-
1960, Honolulu, University of Hawai‘i Press, 2001, p.176-187.
Sandler, Mark H., ‗A Painter of the ―Holy War‖: Fujita Tsuguji and the Japanese Military‘, in Mayo,
Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor (eds), War, Occupation and Creativity: Japan and
East Asia, 1920-1960, Honolulu, University of Hawai‘i Press, 2001, p.188-211.
Sandler, Mark, ‗The living artist: Matsumoto Shunsuke‘s reply to the state‘, Art Journal vol.55, no.3, Fall
1996.
Sato, Barbara., The New Japanese Woman, Modernity, Media, and Women in Interwar Japan, Durham and
London: Duke University Press, 2003.
Weisenfeld, Gennifer, ‗Touring Japan-as-Museum: NIPPON and Other Japanese Imperialist
Travelogues‘ in positions: east asia cultures critique, volume 8, number 3 (winter 2000), pp. 747-793
Wendelken, Cherie, ‗Pan-Asianism and the Pure Japanese Thing: Japanese Identity and Architecture in
the Late 1930s‘ in positions: east asia cultures critique, volume 8, number 3 (winter 2000)
Winther-Tamaki, Bert, ‗Embodiment/Disembodiment: Japan painting during the fifteen-year war‘,
Monumenta Nipponica, 55: 2, Summer 1997
Yiengpruksawan, Mimi Hall, ‗Japanese War Paint: Kawabata Ryushi and the emptying of the modern‘,
Archives of Asian Art, 46, 1993
Art since 1945, In General
Abstract painting in Japan, Hokkaidôritsu Kindai Bijutsukan, 1992
Japon 1945-1975 : le renouveau photographique, cat. d‘expo. au Pavillon Sully à Paris, Paris, Marval, 2003,
192 p.
Forty Years of Japanese Contemporary Art, Tôkyô, Tôkyô Metropolitan Fine Art Museum, 1985.
Collectif, Narahara Ikko : photographies 1954-2000, catalogue d‘expo. à la MEP, Paris, Maison européenne
de la photographie, 2003, 211 p.
Havens, T.R.H., Artist and Patron in Post-War Japan, Princeton, Princeton University Press, 1982.
Jensen, K.W. et al, ‗Japan pa Louisiana‘, Louisiana Revy, 15, nr.1-2, September 1974.

111
Kastner, Jeffrey, ‗Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan,
1950-1970‘ (exhibition notice), Artforum, Vol. 45, Iss. 5, 2007.
Lloyd, Fran, Consuming Bodies: Sex and Contemporary Japanese Art, London: Reaktion Books, 2002
Merewether, C. (ed),: Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan 1950-
1970, Los Angeles: The Getty Research Institute, The Getty Center ,2007.
Munro, A., et al., Scream against the sky: Japanese Art after 1945, New York, Harry N. Abrams,
1994.[Review: Conant, E., Art & Asia Pacific, vol.2, no.2, 1995]
Munsterberg, H., The Art of Modern Japan, New York, Hacker Art Books, 1978.
Omuka Toshiharu, ‗The Emergence of a Mass Audience for Modern Art in Japan‘, in eda. Eds. Clark,
John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of
Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp.
94-110.
Terada, T., Japanese Art in World Perspective, Tôkyô, Weatherhill, 1976.
Winther-Tamaki, Bert, "Global Consciousness in Yôga Self-Portraiture" in Jaynie Anderson, ed.
Crossing Cultures: Conflict, Migration, Convergence: the Proceedings of the 32nd Congress of the
International Committee of the History of Art. (Carlton, Vic.: Miegunyah Press, Melbourne
University Publishing, 2009), pp.847-851
1945 to mid-1960s
Altshuler, B., The Avant Garde in Exhibition, New York, Harry N. Abrams, 1994.
Bertozzi, B., ‗Gutai: The Happening People‘, Flash Art, no.158, May/June 1991.
Bois, Yve-Alain, ‗ Missing in Action‘, On Gutai, Artforum International, Vol.37, Issue 7, May1999
Dachy, Marc, Dada au Japon, Paris, PUF, 2002, 225 p.
D[onald] J[udd], ‗Reviews and previews: new names this month - Yayoi Kusama‘, Art News 58, no.6,
October 1959.
The First Contemporary Japanese Graphics Exhibition, London, I.C.A., 1971.
Fry, E.F., Contemporary Japanese Art, New York, Solomon R.Guggenheim Museum, 1970.
Gossot, A., ‗Refoulement de l‘histoire et engagement des corps : naissance de l‘art de l‘action au début
des années 1960 », in M. Lucken, A. Bayard-Sakai, E. Lozerand, eds, Le Japon après la guerre, Arles,
Picquier, 2007
Havens, Thomas R.H., Radicals and realists in the Japanese non-vrebal art: the avant-garde rejection of modernism,
Honolulu, University of Hawai‘i Press, 2006
Kaido, K., Reconstructions: Avant-Garde Art in Japan 1945-1965, Oxford, Museum of Modern Art, 1985.
Kaprow, A., Assemblage, Environments and Happenings, New York, Harry N. Abrams, 1966.Kung, D., The
Contemporary Artist in Japan, Sydney, Angus and Robertson, 1966.
Lambert, Jean-Clarence, Kumi Sugaï, Paris, Cercle d‘Art, 2002, 256 p.
Lambert, Jean Clarence, Sugai, Barcelona, Ediciones Poligrafica, 1993.
Love, Joseph,‘ The 10th Tokyo Biennale of Contemporary Art‘, Art International, XIV, no.6, 1970.
Miller, D., New Japanese Painting and Sculpture, New York, Museum of Modern Art, 1966.
Ming Tiampo, ‗'Create what has never been done before!' Historicising Gutai Discourses of Originality‘,
in Third Text, Vol. 21, Issue 6, November 2007, pp. 689 – 706.
Minemura, Toshiaki, ‗A Blast of Nationalism in the Seventies‘, Art in Japan Today II, 1970-1983, Japan
Foundation, Tokyo, 1984, p.17.
Osaki, Shinichiro, ‗Body and Place: Action in Postwar Art in Japan‘ in Schimmel, Paul, ed., Out of
Actions: between performance and the object, 1949-1979, New York: Thames & Hudson, 1998
Takashina,S. et al, Art in Japan Today, Tôkyô, The Japan Foundation, 1974.
Tapié, M., Haga, T., Avant-Garde Art in Japan, New York, Abrams, 1962.
Tomii, Reiko, ‗Historicizing ―Contemporary Art‖: Some Discursive Practices in Gendai Bijutsu in
Japan‘ in positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004)
Westgeest, H., Zen in the fifties: Interaction between east and west, Zwolle, Waanders Uitgevers, 1996.

112
Winther-Tamaki, Bert, Art in the encounter of Nations: Japanese and American artists in the early postwar years,
Honolulu, University of Hawai‘in Press, 2001
Winther-Tamaki, Bert., ‗Oil Painting in Postsurrender Japan: Reconstruction Subjectivity through
Deformation of the Body‘, in Monumenta Nipponica, Vol.58, No.3, Autumn 2003.
Winther-Tamaki,Bert,"The Asian Dimensions of Postwar Abstract Art: Calligraphy and Metaphysics"
in Alexandra Munroe, ed. The Third Mind: American Artists Contemplate Asia, 1860-1989, (New York:
Guggenheim Museum, 2009), pp.145-157
Late 1960s to 1980s
Aso, Noriko, ‗Sumptuous Re-past The 1964 Tokyo Olympics Arts Festival‘, positions east asia
cultures critique, Vol. 10, Number 1, Spring 2002
‗Mieko Shiomi‘, Art and Artists, October 1978.
Akira, T. ‗Mono-ha and Japans Crisis of the Modern‘ in Third Text, Vol. 16, Issue 3 (September 2002),
pp. 223-236
Annear, J., Zones of Love, Sydney, Museum of Contemporary Art, 1991.
Clark, J., ‗The Conditions for Post-Modernity in Japanese art of the 1980s‘, in Sugimoto, Y., ed., The
Postmodernity Debate and the Japanese Experience, London, Kegan Paul International, 1994.
Fumihiko Sumitomo, ‗Fluxus: Art into Life‘ (review) ArtAsiaPacific, no. 46, 2005.
Gamble, S., ‗Tokyo Art Expo‘, Art Monthly Australia, 40, April 1991.
Gins, Madeline, ‗Interview with Arakawa...‘, Flash Art, no.133, April 1987.
Gomez, Edward, ‗Mono-ha‘, Art News, volume 88, March 1989.
Gumpertz, Lyn, ‗A Distant Mirror‘; Chapman, Christine, ‗Power and Patronage‘; Lufty, Carol, ‗Gaining
Face‘; Art News, March 1990.
Hackett, L., ‗Sculpting the elements..[Kawana Tetsunori], Asian Art News, 2, no.2, Mar/Apr 1992.
Halbreich & Kômoto & Nanjô & Sokolowski, Against Nature: Japanese Art in the 1980s, New York, New
York University Grey Art Gallery, 1989
Hara, Toshio & Fox, Howard T., A Primal Spirit, Tokyo, Hara Museum of Contemporary Art, and Los
Angeles, Los Angeles County Museum of Art, 1990.
Harris, T.G.H., ‗Nobuo Sekine: Phases of Nothingness‘, Art International, XXII, 5-6 Summer 1978.
Hughes, Robert, ‗Japanese with a French Taste‘, Time Magazine, January 25 1988
Hutchinson, J., Earth, Air, Fire, Water: Sculpture of Toshikatsu Endô, Dublin, Douglas Hyde Gallery 1992.
Inaga, Shigemi, ‗To Be a Japanese Artist in the So-Called Postmodern Era‘, Third Text, n33, Winter
1995-6, 17-24
Karia, Bhupendra, ed., Yayoi Kusama: A Retrospective, New York, Center for International Contemporary
Art, 1989.
Kobayashi, H., ed., The Eighties, Tokyo, Kobayashi Gallery, 1990.
Koplos, Janet, Contemporary Japanese Sculpture, London, The Abbeville Press, 1991.
Koplos, Janet, ‗Through the looking glass‘, Art in America, July 1989
Love, Joseph, ‗Exhibition in Tokyo - Lee Ufan‘, Art International, XIV, 5, June 1970.
Love, Joseph, ‗Tokyo Letter‘, Art International, XIV, 10, 1970.
Love, Joseph, ‗Tokyo Letter‘, Art International, XV, 5, May 1971.
Monoha, La Scuola della cose, Roma, Museo laboratorio di arte contemporanea, dell‘ Università degli studi
di Roma, 1988.
Monroe, Alexandra, with Hendricks, Jon, eds., Yes: Yoko Ono, New York, Japan Society & Harry N.
Abrams, 2000
Nakahara, Y. et al, Art In Japan Today II, Tôkyô, The Japan Foundation, 1984.
Nakahara,Y. et al, Japan ‗89, Europalia 89, Gent, Museum van Hedendaagse Kunst, [Honda N.V. and
The Japan Foundation], 1989.
Nakamura, K., Private Visions, Japanese Video Art in the 1980s, Tôkyô,The Japan Foundation, 1990.
Nanjô, F., & Weiermair, Peter, Japanische Kunst der Achtziger Jahre, Frankfurt am Main, Edition Stemmle,
1990

113
Nanjô, F., ‗Situation in Japan‘, Third Text, 6, Spring 1990.
Naumann, Klaus F., ‚Yamane Yuzo (1919-2001), Orientations, Volume 32, Number 5, September 2001
Okada, Takahiko & Namba, Hideo, Japanese Art Today, Tôkyô, Sezon Museum of Art, 1990
Osaki, Shinichiro, ‗Body and Place: Action and postwar Art in Japan‘, Ferguson, Russell, ed., Out of
Actions: between performance and the object, 1949-1979, New York, Thames & Hudson, 1998
Seven Artists: Aspects of Japanese Contemporary Art, Santa Monica, Santa Monica Museum of Art,. 1991.
Silva, Arturo, ‗Mono-ha‘, Art Forum, vol.25, January 1987.
Sourgnes, Michel & Homma, Masayoshi, Japanese Ways, Western Means, Art of the 1980s in Japan,
Brisbane, Queensland Art Gallery, 1989.
Tatehata, A., ‗Three aspects of Contemporary Japanese Art‘, Art & Asia Pacific , no.1, [supplement to
Art & Australia] March 1993.
The Space: Material, Tension, Vacancy in Japanese Contemporary Art, Saitama, Museum of Modern Art, 1989
Tomii, Reiko, ‗Tokyo, 1967-1973‘, in Blazwick, Iwona, ed., Century City: Art and Culture in the Modern
Metropolis, London, Tate Gallery Publishing, 2001.
Tomii, Reiko, ‗Concerning the Institution of Art: Conceptualism in Japan‘, in Maraiani, Philomena, ed.,
Global Conceptualism: Points of origin, 1950s-1980, New York, Queens Museum of Art, 1999.
Weisenfeld, Gennifer, ―Women and Words: Two Language Artists in Contemporary Japan‖ in Ching,
Dora, C.Y., ed., Persistence/Transformation: Text as Image in the Art of Xu Bing, Princeton Unversity
Press, 2004 (Forthcoming)
Yamagishi, N., ‗Japanese contemporary art in the 1980s‘, Art Monthly Australia, 40, 1991.
‗Zones of Love‘, a Special Supplement to Art & Text, no.40, September 1991.
1990s
‗Nippon International Contemporary Art Festival‘, Asian Art News, vol. 7, no. 3, May/June 1997.
‗Supplement Japan‘, Asian Art News, July/August 1994. [includes pieces on Kusama Yayoi, Kanai
Yoshiko, Kimura Yutaka, Oscar Satio Oiwa, Fukuda Miran, Criticism, museum culture, women
artists, environmental and public art].
Annear, J., ‗A forest of art in a Tokyo town‘ [Faret Tachikawa], Art & Asia-Pacific, vol.3, no.1,
Annear, J., ‗Neither inside nor outside‘ (interview with Hasegawa Yûko), Art & Asia Pacific, vol.1, no.1,
1993.
Clark, John, ‗The 1995 Osaka Triennale‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Dyer, Richard. ‗Yukinori Yanagi: Union Jack Ant Farm.‘ Third Text no.27 Summer 1994.
Inaga Shigemi, ‗To be a Japanese artist in the so-called Postmodern Era‘, Third Text, no.33, Winter
1995-96.
Jana, Reena ‗A Blunt Reality.‘ Asian Art News 9:5 Sept/Oct 1999 [Daido Moriyama].
Kaihotsu Chie ‗De-Genderism, Art on the edge of representation‘, Art AsiaPacific, no.16, 1997.
Kellein, Thomas, Hiroshi Sugimoto: Time Exposed, Stuuttgart, Edition Hansjorg Mayer, 1995.
Kent, Rachel, ‗Futurescape: The surreal vision of Miwa Yanagi‘, Art AsiaPacific, no.35, 2002.
King, Natalie ‗Fashion statements: Three Exhibitions in Japan‘, Art AsiaPacific, no.16, 1997.
Koplos, J., ‗The two-fold path: contemporaary art in Japan‘,
Koplos, Janet, ‗Goobye to Sagacho', Art in America, Vol. 90, Issue 11, November 2002
Koplos, Janet, ‗Japan‘s jazz-age Avant-Garde‘, Art in America, Vol. 90, Issue 11, November 2002
Mitsuda, Y., ‗Flowers for wounds‘, Art & Asia Pacific, vol.2, no.2, 1995.
Munroe, Alexandra, ‗Japanese artists in the Amercian avant garde‘, in Japanese Art in America (I) Arita,
Nakagawa, Sugimoto, New York, Japan Society, 1987.
Muroi, Hishashi, ‗Transit Zone: Modern Japanese Art‘, Art & Text 39, September 1991
Muroi, Hisashi, ‗Mediating the body in contemporary Japanese art‘, Art & Asia-Pacific, vol.3, no.1, 1996
Nagoya Satoru, ‗Rental galleries in Tokyo‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Nakamura Hideki, ‗Korean Art in Japan‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Nakamura, Hideki, Report at The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar:
―Asian Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999

114
Namba, Sachiko, ‗Facts of Life, Contemporary Japanese Art‘, Art Asia Pacific, No.34, 2002.
Pai, Maggie, ‗Festival of Delights‘,[Tokyo International Art Festival] Asian Art News, vol. 8, no.1,
Jan/Feb 1998.
Sawaragi Noi, ‗Desire and Decay‘ [Araki Nobuyoshi], World Art, no.2, 1995.
Sei, Keiko, ‗Japanese CM‘s: A Mirror for the 1990‘s‘, Art & Text 36, May 1990
Shalala, N., ‗Censorship Silences Japanese Artists‘, Asian Art News, vol.4, no.5, Sept-Oct, 1994.
Shikata, Y., ‗Tokyo through the looking glass‘, World Art, Inaugural Issue, Nov 1993.
Shikata, Yukiko, ‗Atopic Site, On Camp/Off Base, TAZ (Tokyo Art Zone)‘, Paroissien, Leon, ed.,
Visual Arts and Culture, Volume 1, Part 1 (1998)
Shimizu, Toshio ‗Territory of the Mind: Japan and Asia in the 1990s.‘ Art AsiaPacific no.19 1998.
Shioda Jun‘ichi; Fukunaga Osamu, ―Japanese contemporary art in the 1990s; a perspective‘, Sydney:
Japan Culture Centre;The Japan Foundation Papers, no.1, January 1997.
Takaishi, Yumi, ‗Shiseido, Art Gallery and cultural activities‘, Art Asia Pacific, no.34, 2002.
Tomiyama Taeko, ‗Shadows of a distant scene‘, Third Text, no.33, Winter 1995-96.
Watkins, Jonathan; Kataoka, Mami, Facts of life: contemporary Japanese art, London, Hayward Gallery, 2001.
Yomota, Inuhiko Gorky, ‗Transformation and Stagnation: Japanese Cinema in the 1990‘s‘, Art & Text
39, September 1991
Zhang Zhaohui, ‗From Tokyo to Shanghai‘, Art AsiaPacific, 22, 1999
2000+
[Echigo-Tsumari Triennial 2000] Naumann, Peter, ‗Art necklace‘, Art AsiaPacific, 30, 2001
[Echigo-Tsumari Triennial 2003] Couacaud, Sally, ‗2003 Echigo-Tsumari Triennial‘ in Art & Australia,
Vol. 41, No. 4 (Winter 2004), pp. 535-539; Tomii, Reiko, ‗Who Needs Globalism? Exploring the
Local in Contemporary Art in Japan: Echigo-Tsumari Art Triennial 2003‘ in Art Asia Pacific, No.
39 (Winter 2004).
Borggreen, Gunhild, ‗Gender in Contemporary Japanese Art‘, in Mostow, Joshua S.; Bryson Norman;
Graybill, Marybeth, eds, Gender and Power in the Japanese Visual Field, Honolulu, University of
Hawai‘i Press, 2003.
Calle, Sophie, Douleur exquise, récit photographique, Arles, Actes Sud, 2003, 281 p.
Chinnery, Colin, ‗Beijing‘ in Artforum 47, Iss. 4, December 2008, p. 240 (Beijing artworld post-
Olympics)
Collectif, Black out. Photographie japonaise contemporaine, cat. de l‘exposition à la Maison de la culture du
Japon à Paris, Paris, Fondation du Japon, 2003, 160 p.
Collectif, XXIe ciel : le retentissement de la mode japonaise, cat. d‘exposition au Musée des arts asiatiques de
Nice, Milan, Cinq continents, 2003, 160 p.
Corkill, Edan, ‗A New generation‘, Art AsiaPacific, 26, 2000; ‗Turning to the everyday‘, Art AsiaPacific
29, 2001
Facts of Life: Contemporary Japanese Art, London: Hayward Gallery/The Japan Foundation, 2001.
Fouser, Robert J., ‗ Museum city Fukuoka‘, Art AsiaPacific, 31, 2001
Furuichi, Yasuko, ed., Rapt! 20Contemporary artists from Japan, Tokyo, The Japan Foundation, 2006.
Galligan, Gregory,‘ First steps‘, Art AsiaPacific, 32, 2001
Hjorth, Larissa, ‗In-between discourses‘, Art AsiaPacific 29, 2001
Hori, Motoaki, ‗Gifts, hopes, encounters‘, Art AsiaPacific, 32, 2001
Itoi, Kay, ‗The Elegance of Silence: Contemporary Art from East Asia‘ (review), ArtAsiaPacific, no. 46,
2005.
Kataoka Mami et al, Roppongi Crossing, Tokyo, Mori Art Museum, 2004.
Katsura, Eishi, ‗Possibilitites for Dialogue‘, Art AsiaPacific, 27, 2000
Kondo, Kenichi ‗MOT Annual 2006 – No Border, Museum of Contemporary Art Tokyo‘ (exhibition
review), ArtAsiaPacific, no. 50, 2006.
Kondo, Kenichi, ‗Intelligent Design: Tokyo Institutions open gates to Art Crossovers‘, in ArtAsiaPacific,
No. 56, Nov/Dec, 2007, p. 102 - 103.
Koplos, Janet, ‗Report from Tokyo‘, Art in America, February 2002.

115
Koplos, Janet, 'Korea and Japan mend fences', Art in America, Vol. 91, Issue 4, April 2003
Kozloff, Max, ‗Tokyo Togs‘, Art in America, March 2002.
Kuroda, Raiji, ‗Adventure of Communication in the Age of Stagnation: Japanese Art in the mid-1990‘s‘,
Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Kuroda, Raiji, Report at The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar: ―Asian Art
– Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999
Lee, Pamela M., ‗Economies of scale: Takashi Murakami‘s technics‘, ArtForum, October 2007
Lee, Yvonne, ‗Renga- The Japanese Art of Collective Creation: Chained Painting Project by Hitori
Nakayama‘ (review), in Vehicle: Contemporary Visual Arts, No.10, 2003, p.16-17.
Leung, Laura Kateri, ‗Mori Art Museum‘ in Art Asia Pacific, No. 38 (Fall 2003), pp. 14-15
Lloyd, Fran ; Roberts, Melanie eds., Sex & Consumerism: Contemporary Art in Japan, (curator: Siumee
Keelan), Brighton: The University of Brighton, 2001.
Mami, Kataoka, et al, Roppongi Crossing: New Visions in Contemporary Japanese Art 2004, Tokyo, Mori Art
Museum, 2004.
Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia
Center, 2002
Matsui, Midori, ‗Tokyo‘, Artforum, vol. 44, Iss. 4, 2005.
McDonald, Roger, ‗Living in a Beautiful Japan‘, in ArtAsiaPacific, No. 53, May/June, 2007, p. 55.
Mizusawa, Tsutomu, ‗Closed-Off and Fusion‘, in TAASA Review. The Journal of the Asian Art Society of
Australia, v. 17 (1) March, 2008, pp. 7 – 8.
Nagoya, Satoru, ‗No Statement?‘ (review), Flash Art, vol. XXXIX, no. 250, Oct, 2006.
Nagoya, Satoru, ‗The Elegance of Silence – Mori Art Museum, Tokyo‘ (review), Flash Art, vol.
XXXVIII, no. 243, July-September, 2005.
Nagoya, Satoru, ‗Yokohama and Fukuoka Triennials Report‘, Flash Art, vol. XXXIX, no. 246, Jan-Feb,
2006.
Nicholls, Christine, ‗Exhibition Round-up: Japan‘, Art and Australia, vol. 43, no. 2, 2005.
Nonomura, Fumihiro, ‗The city, art and the garden‘, Art AsiaPacific, 25, 2000
Pollock, Barbara, ‗Art Above the City‘ in Art in America (May 2004), pp. 99-103
Robinson, Joel, ‗My Home is Yours/ Your Home is Mine at Tokyo Opera City Art Gallery, Exhibition
Reviews, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002
Robinson, Joel D, ‗ The Construction Sites of Asian Art‘, Asian Art News, Volume 13, Number 2,
March/April 2003
Robinson, Joel D., ‗ The Construction Sites of Asian Art‘, World Sculpture News, Volume 9, Number 1,
Winter 2003
Sirmans, Franklin, ‗Happiness: A Survival Guide for Art & Life art Mori Art Museum‘ (Review) in Art
Asia Pacific, No. 39 (Winter 2004), p. 77
Tolman, Norman, ‗Enduring Voices‘, Asian Art News, vol. 15, no. 5, 2005.
Turner, Caroline, ‗The enigma of Japanese contemporary art‘, Artlink, Vol. 20, No. 2, July 2000
New Media
[Yamaguchi Center for Arts and Media] ‗Inaugural Projects‘ (Review) in Art Asia Pacific, No. 40 (Spring
2004), pp. 82-83
Berghuis, Thomas J . and Pell, Karl, 'Domain Asia @ Art Dot Com: Asian art in technological times',
IIAS Newsletter, No.25, July 2001
Brown, Azby, ‗Inter-Communication Center Opening Exhibition‘, World Art, #15, Dec 1997.
[Includes index for issues 1-12].
Carroli, Linda, ‗MAAP‘, Art AsiaPacific, 32, 2001
Evaluation of Kansei: Report of modeling the Evaluation Structure of KANSEI 1998. Tsukuba University, 1998
Knowbotic Research, Artlab7 IO_DENCIES questioning urbanity, Tokyo, Artlab Canon Inc., October 4 - 12
1997.
Kusahara Machiko, ‗Avatars of virtual worlds‘, Art AsiaPacific, 27, 2000

116
Shikata Yukiko, ‗Atopic Site, On Camp/Off Base, TAZ‘ [Tokyo Art Zone], Visual Arts + Culture, vol.1,
no.1, 1998.
Shikata, Yukiko, ‗exonemo‘ in Art Asia Pacific, Issue 37 (2003), p. 82
Yoshimoto, Midori, ‗From Space to Environment: the origins of Kankyo and the emergence of
intermedia in Japan‘ in Art Journal, 67.3 (Fall 2008): p. 24.
Crafts and Modern Design
Ajioka, Chiaki, Early Mingei and the Development of Japanese Crafts, 1920s-1940s, Ph.D. thesis ANU, 1996.
Ben-Ari, E., Moeran, B., eds., Unwrapping Japan, New York, Manchester University Press, 1990.
Brandt, Kingdom of beauty : Mingei and the politics of fold art in imperial Japan, Durham & London, Duke
University Press, 2007.
Collectif, XXIe ciel : le retentissement de la mode japonaise, cat. d‘exposition au Musée des arts asiatiques de
Nice, Milan, Cinq continents, 2003, 160 p.
Collectif, Fleurs d‘automne, costumes et masques du théâtre No, Paris / Genève, Adam Biro, 2002, 192 p.
Collectif, Imari : porcelaines des shôgun et des souverains d‘Europe de 1610 à 1760, Maison de la culture du
Japon/Fondation du Japon, 2004.
Dietz, Matthais; Mönninger, Michael, Japanese Design, Cologne, Benedikt Taschen 1992, 1994.
Evans, S., Contemporary Japanese Design, London, Collins & Brown, 1991.
Faulkner, Rupert, Japanese Studio Crafts: tradition and the avant-garde, London, Victoria and Albert Museum,
1995.
Fieschi, Aude, Kimono d‘art et de désir, Arles, Picquier, 2002, 132 p.
Fisher, Felice, The Art of Japanese Craft: 1875 to the present, Philadelphia, Philadephia Museum of Art, 2008
Fraser James et al, Japanese Modern: Graphic Design Between the Wars, San Francisco, Chronicle Books,
1996.
Fraser, Simon, Contemporary Japanese Jewellery, London: Crafts Council, 2002.
Frolet, E., Yanagi Sôetsu, où les éléments d‘une renaissance artistique au Japon, Paris, Publications de La
Sorbonne, 1986
Fry Tony, ‗The Development of Modern Japanese Design: A Personal Account‘ in Margolin V.,
Buchanan, R., eds, The idea of design : a Design issues reader, Cambridge, Mass : MIT Press, 1995.
Fusco, Cassandra, ‗The Many Voices in Japanese Clay‘, World Sculpture News, vol. 12, no. 3, 2006.
Gonse, François, Papiers japonais - Traditions et créations, Ouest France, 2004.
Gossot, A., ‗Le design, ―art d‘aujourd‘hui, art pour tous‖ », in Ebisu — Etudes japonaises, no.37,
printemps-été 2007.
Hanley, Susan, B. Everyday Things in Premodern Japan: The Hidden Legacy of Material Culture, Berkeley,
University of California Press, 1997.
Hantover, Jeffrey, ‗All that Glitters: Japanese Ceramics in the Golden Age‘, ArtAsiaPacific, no. 48, 2006.
Harris, Victor, Japanese Imperial Craftsmen: Meiji Art from the Khalili Collection, London, British Museum,
1994.
Hendry, J., Wrapping Culture, Oxford, Clarendon Press, 1993.
Hiesinger,, Kathryn B., Fischer, Felice, Japanese Design: A Survey since 1950, Philadelphia, Philadelphia
Museum of Art, 1994.
Hokkaido Museum of Modern Art et al ed., Craft Movements in Japan 1920s-1945, Tokyo: Cogito, 1996.
Irvine, Grégory, Le sabre japonais : l‘âme du samouraï, Meolans-Revel, Désiris, 2003, 135p.
Jackson, Anna, Japanese Country Textiles, Victoria and Albert Museum, 1997.
Japan Folk Crafts Museum 1991. Mingei: The Living Tradition in Japanese Arts, Tokyo: The Japan Folk
Crafts Museum.
Japan Folk Crafts Museum 1995. Mingei: Two Centuries of Japanese Folk Art, Tokyo: The Japan Folk Crafts
Museum.
Kennedy, Alan, Costumes japonais, Paris, Adam Biro, 2002, 153 p.
Kikuchi, Yuko, ‗Hybridity and the Oriental Orientalism of Mingei Theory‘, Journal of Design History, 10-
4:343-354, 1997.

117
Kikuchi, Yuko, ‗Sources of Inspiration: Takeshi Yasuda‘, Crafts, 173: 46-49, 2001.
Kikuchi, Yuko, ‗The Harmony of Contrasts: tapestry art by Shigeo Kubota,‘ Crafts, 150: 56-57, 1998.
Kikuchi, Yuko, ‗The Myth of Yanagi‘s Originality: The Formation of Mingei Theory in its Social and
Historical Context‘, Journal of Design History, 7-4:259-262, 1994.
Kikuchi, Yuko, ‗Tomimoto Kenkichi‘, Crafts, 143:22-23, 1997.
Kikuchi, Yuko, Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism,
London, Routledge / Curzon, 2003.
Kikuchi, Yuko, Mingei Theory and Japanese Modernisation: Cultural Nationalism and ‗Oriental
Orientalism, PhD thesis, The London Institute - Chelsea College of Art & Design, 1998.
Kikuchi, Yuko; Watanabe, Toshio, Ruskin in Japan 1890-1940: Nature for Art, Art for Life, Tokyo: Cogito,
1997.
Kopplin, Monika, Les Laques du Japon – Collections de Marie-Antoinette, Réunion des Musées Nationaux,
Paris, 240 p.
Lecasseur, Marie et al., Netsukimono : Le Japon côté nature, Somogy, 2005, 102 p.
Life and art: Arts & Crafts from Morris to Mingei, Tokyo, The Asahi Shimbun, 2008
MacCarthy Cara ; McQuaid, Matilda, Structure and Surface: Contemporary Japanese Textiles, New York: The
Museum of Modern Art, 1998.
McNeil, P., ‗Myths of Modernism: Japanese Architecture, Interior Design and the West c.1920- 1940‘,
Journal of Design History, vol.5, no.4, 1992.
Miller, Lesley et al., Textural Space: Contemporary Japanese Textile Art, The Surrey Institute of Art & Design
University College, 2001.
Moeran, Brian, Folk Art Potters of Japan: beyond an anthropology of aesthetics, London: Curzon Press, 1997
Moeran, Brian, Lost Innocence: Folk Craft Potters of Onta, Japan. Berkeley, Los Angeles, London: University
of California Press, 1984.
National Museum of Modern Art [Tokyo] et al ed., New Expression in Porcelain: Development in the 1990s,
Tokyo: National Museum of Modern Art, 1996.
National Museum of Modern Art, [Tokyo], Zuan no Henbô 1868-1945 (Design in Transition, 1868-
1945), National Museum of Modern Art, Tokyo, 1988.
Ng, Elaine W. ‗Cosmic Wonder: Not Your Everyday Cosmic Wonder‘, ArtAsiaPacific, no. 49, 2006.
Oka, H. How to wrap five eggs: Japanese Design in Traditional Packaging, New York, Weatherhill, 1967.
Praudel, Andoche, Essai sur la céramique japonaise depuis les origines, Paris, You-Feng, 2001, 264 p.
Rathbun, William Jay ed., Beyond the Tanabata Bridge: Traditional Japanese Textiles, London: Thames and
Hudson, 1993.
Richie, D., Buruma, I., The Japanese Tattoo, Weatherhill, New York, 1980.
Shimizu, Christine, La porcelaine japonaise, Paris, Charles Massin, 2002, 124 p.
Sparke, Penny., Japanese Design, London, Michael Joseph, 1987.
Sparke, Penny, Modern Japanese Design, New York: E. P. Dutton, 1987.
Steele, William, ‗Nationalism and Cultural Pluralism in Modern Japan: Soetsu Yanagi and the Mingei
Movement‘, in Macdonald, Gaynor Marilyn II; Maher, John Christopher III, Diversity in Japanese
culture and language, London, Kegan Paul International, 1995.
Tamba, Akira, La Musique classique du Japon du XVe siècle à nos jours, POF, Aurillac, 2001, 173 p.
Tobin, J.J., ed., Re-Made in Japan: Everyday Life and Consumer taste in a changing society, New Haven, Yale
University press, 1992.
Weisenfeld, Gennifer, ―Designing After Disaster: Barrack Decoration and the Great Kantō
Earthquake‖ in Japanese Studies, Vol. 18, no. 3 (1998), pp. 229-246
Weisenfeld, Gennifer, ―From Baby‘s First Bath: Kaō Soap and Modern Japanese Commercial Design‖
in The Art Bulletin, September 2004
Wesienfeld, Gennifer, ―Nohon ni okeru shōgyō dezainshi to sono kenkyū‖ (Art History and the Study
of Japanese Commercial Design) in Bijutsu Forum 21 (Novermber 2001), pp. 123-130 (English
Version)

118
Wilcox, Timothy ed., Shoji Hamada, Master Potter, London: Lund Humphries / Sussex: Ditchling
Museum, 1998.
Winther-Tamaki, Bert, ‗Yagi Kazuo: The Admission of the Nonfunctional Object into the Japanese
Pottery World‘, Journal of Design History 12:2 1999.
Yagi Kazuo: a retrospective, The National Museum of Modern Art, Kyoto / Nihon Keizai Shimbun Inc.,
2004.
Yanagi, Sôetsu, [adapted by Leach, Bernard]. The Unknown Craftsman, Tokyo, New York: Kodansha
International, 1971, 1989.
Popular Culture Including Advertising and Cinema
Allen, Matthew and Rumi Sakamoto (editors), Popular Culture, Globalization and Japan. London,
Routledge, 2006.
Arase, Y., ‗Mass communication between the two world wars‘, Developing Economics, V, 1967, 748-66.
Bailey, S., Sex Drinks and fast Cars: the creation and consumption of images, London, Faber & Faber, 1986.
Boorstein, D., The Image, Harmondsworth, Penguin, 1963
Clammer, John, Contemporary Urban Japan: A Sociology of Consumption, Oxford, Blackwell Publishers,
1997.
Collectif, Within shops, éd. trilingue franç.-angl.-néerlandais, Berlin, Feierabend, 2003.
Coppola, Antoine, Le cinéma asiatique : Chine, Corée, Japon, Hong Kong, Taiwan, Paris, L‘Harmattan, 2004.
Creighton M.R., ‗Imagining the other in Japanese advertising campaigns‘, in Carrier, J. Ed.,
Occidentalism: Images of the West, Oxford, The Calrendon Press, 1995.
Downes, Briony Lee, ‗Briony Lee Downes Investigates the New Age Astro Boy 2004‘ in East West
Arts, Number 1 (September-November 2004), pp. 104-107
Dyer, G., Advertising as Communication, London, Methuen, 1982.
Evans, Tim, ‗A Break in the Regulating: UK Project and the Transformation of the Japanese Music
Industry‘ in Art Asia Pacific, No. 40 (Spring 2004), pp. 40-42
Fei Ling & Pons, Philippe, Jeunes Japonais : vertige des corps, Paris, Autrement, 2002, 158 p.
Graburn, N.H.H., ‗Tourism: The Sacred Journey‘, in Smith, V. ed., Anthropology of Tourism, Philadelphia,
Pennsylvania University Press, 1977.
Graburn, N.H.H., To Pray, Pay and Play: The Cultural Structure of Japanese Tourism, Aix-en Provence,
Centres des Hautes Études Touristiques, 1983.
Haley, Stephen, ‗Tokyo Shoppingmix: An email saga‘ in Artlink, Vol. 24, No. 2 (2004)
Hayashi, Sharon and McKnight, Anne, ‗Good-bye Kitty, Hello War: The Tactics of Spectacle and New
Youth Movements in Urban Japan‘, positions, vol. 13, no. 1, 2005.
Ishaghpour, Youssef, Formes de l‘impermanence : le style de Yasujiro Ozu, Tours, Farrago, éd. Léon Scheer,
2002, 101 p.
Kato, Hidetoshi, Communication Policies in Japan, Paris, UNESCO, 1978.
Kato, Hidetoshi, Handbook of Popular Japanese Culture, New York, Greenwoood Press, 1989.
Kato, Hidetoshi, Japanese Research on Mass Communication: Selected Abstracts, Honolulu, University Press of
Hawaii, 1974.
LaMarre, Thomas, Shadows on the Screen: Tanizaki Jun‘ichirō on Cinema and ―Oriental‖ Aesthetics. Ann Arbor,
Center for Japanese Studies, University of Michigan, 2005.
Lent, John A., ed., Asian Popular Culture, Boulder, Westview, 1995.
Marchand, R., Adverstising the American Dream, Berkeley, University of California Press, 1985.
Martinez, D. P. (ed.) The Worlds of Japanese Popular Culture: Gender, Shifting Boundaries and Global Cultures.
Cambridge, Cambridge University Press, 1998.
Moeran B. & Skov L. ‗Japanese advertising nature: ecology, fashion, women and art‘, in Bruun O. and
Kalland. A., eds., Asian Perceptions of Nature: a critical approach, London, The Curzon Press, 1995.
Moeran, B., ‗The language of Japanese Tourism‘, Annals of Tourism Research, vol.10, in Graburn, N.H.H.,
ed. The Anthropology of Tourism, 1983, also in Tourism: an explanation, ed. van Harssel, J., Elmsford
NY, National Publishers of the Black Hills inc., 1981, 1986.

119
Moeran, B., ‗Individual, Group and Seishin: Japan‘s Internal Cultural Debate‘, Man, 19, 2, June 1984.
Moeran, Brian, A Japanese Advertising Agency, London, The Curzon Press, 1996.
Moeran, Brian, Language and Popular Culture, Manchester, Manchester University Press, 1989
Niogret, Hubert, Shohei Imamura - entretiens et témoignages, Paris, Dreamland, 2002, 215 p.
Oguchi, Y., Review of ‗Play Days‘ in the Early Modern Rural Community, by Furukawa Sadao, JFN, XV, 3,
1987.
Nygren, Scott, Time Frames: Japanese Cinema and the Unfolding of History. Minneapolis, University of
Minnesota Press, , 2007.
Packard, V., The Hidden Persuaders, London, Longmans, 1957.
Richie, Donald, Le Cinéma japonais, traduit de l‘anglais par Romain Slocombe, Paris, Editions du Rocher,
2005, 402 p.
Russell, Catherine, The Cinema of Naruse Mikio: Women and Japanese Modernity. Duke University Press,
2008.
Schilling, Mark, The Encyclopedia of Japanese Pop Culture, New York, Weatherhill, Inc., 1997.
Schneider, Roland, Cinéma et spiritualités de l‘Orient extrême : Japon et Corée, Paris, L‘Harmattan, coll.
Champs visuels, 2003, 189 p.
Skov, Lise; Moeran, Brian, Women, Media and Consumption in Japan, London, The Curzon Press, 1995.
Tanaka Keiko, Advertising Language, London, Routledge, 1994.
Treat, John, ed., Contemporary Japan and Popular Culture, London, The Curzon Press, 1995.
Yoshida Kijû, Ozu ou l‘anti-cinéma (Ozu Yasujirô no han eiga), trad. du japonais par Jean Campignon et
Alain Viala, Lyon et Arles, Institut Lumière et Actes Sud, 2004, 264 p.
Popular Visual Culture - Including Comics
Bachmayer, Eva, ‗Gequälter Engel: Das Frauenbild in den erotischen Comics Japan. Versuch einer
pyschoanalytischen und feministischen Interpretation‘ and Megumi Maderdonner, ‗Kinder-
Comics als Spiegel der gesellschaftlichen Entwicklung Japans‘, both the above are in Beiträge zur
Japanologie, Band 21, Wien, 1986.
Barker, M., Comics: Ideology, Power and the Critics, New York, Manchester University Press, 1989.
Bolton, Christopher, ‗From Wooden Cyborgs to Celluloid Souls: Mechanical Bodies in Anime and
Japanese Puppet Theatre‘, positions east asia cultures critique, Vol. 10, Number 3, Winter 2002
Brophy, Phillip, ed., Tezuka: The Marvel of Manga, Melbourne, National Gallery of Victoria, 2006.
Buckley, S., ‗"Penguin in Bondage": A Graphic Tale of Japanese Comic Books‘, in Penley, C. & Ross,
A. eds., Technoculture, Minneapolis, University of Minnesota Press, 1991.
Buruma, I., A Japanese Mirror, London, Jonathan Cape, 1984.
Burton, William, ‗Fantastic Travel as Utopia or Dystopia in the Edo Period Illustrated Fiction‘, in
International Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 135 – 156.
Carter, Angela, ‗Once more into the Mangle‘, New Society, 29 April 1971.
Carter, Angela, ‗People as Pictures‘ (on Japanese tatooing), New Society, 8 Oct. 1970.
Chong, Doryun, ‗A supe-flat reality‘, Art AsiaPacific, 32, 2001.
Clark, J., ‗Obscenity Deleted‘, mimeo, 1979 (ICA Lecture).
Dollase, H.T., ‗Early Twentieth Century Japanese Girls‘ Magazine Stories: Examining Shōjo Voice in
Hanamonogatari (Flower Tales)‘, Journal of Popular Culture, 37(4), 2003, p. 724-755
Dunis, Fabrice, Krecina, Florence, Guide du manga en France : des origines à 2004, Strasbourg, éditions du
Camphrier, 2004, 250 p.
Duus, Peter, ‗The Marumaru Chinbun and the Origins of the Japanese Political Cartoon‘, in International
Journal of Comic Art, vol. 1, no. 1, Spring/Summer, 1999, pp. 42 – 56.
Figal, G., Civilization and Monsters: spirits of modernity in Meiji Japan, Durham, Duke University Press, 1999.
Fleming, William, ‗The Tao of Kibyōshi: Santō Kyōden‘s Zhang-zi: The Licensed Edition‘, in International
Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 79 – 118.
Grail, Ivan, ‗The Truly Un-Canny Samurai. Classical Literature and Parody in the Kibyōshi‘, in
International Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 61 - 78.

120
Gravett, Paul, Manga, 60 ans de bande dessinée, Monaco, Editions du Rocher, 2006.
Grenville, Bruce et. al., Krazy!: the delirious world of anime & comics & video games & art, Vancouver, Tronot,
Berkeley, Los Angeles, London, Vancouver Art Gallery, Douglas & McIntyre and University of
California Press, 2008.
Haden-Guest, Anthony, ‗Neo-Tokyo: Animation‘s Epicentre‘, World Art , no.1, 1995.
Holmberg, Ryan, ‗For Your Words I Shall Rip Out Your Tongue: Shirato Sanpei and the Talking Head
of Manga‘, in International Journal of Comic Art, vol. 8, no. 1, Spring/Summer, 2006, pp. 426 – 455.
Holmberg, Ryan, ‗Let We Go: An Interview with Hiroki Ōtsuka‘, in International Journal of Comic Art, vol.
10, no. 1, Spring, 2003, pp. 200 – 217.
Horn, M., The World Encyclopedia of Comics, New York, Chelsea House, 1976.
Hu Tze Yue,‗Japanese Independent Animation: Fuyu no hi and its Exclusivity‘, in International Journal of
Comic Art, Vol. 7, No. 1, Spring 2005, pp. 389-403.
Ito, Kinko, ‗Growing Up Japanese Reading Manga‘, in International Journal of Comic Art, Vol. 6, No. 2,
Fall 2004, pp. 392-403.
Ito, Kinko, ‗Japanese Ladies' Comics as Agents of Socialization: The Lessons They Teach‘, in
International Journal of Comic Art, Vol. 5, No. 2, Fall 2003, pp. 425-436.
Kelts, Roland, Japanamerica: how Japanese pop culure has invated the U.S., Palgrave Macmillan, 2009.
Kern, Adam L. (ed.), ‗Kibyōshi: The World‘s First Comicbook?‘, in International Journal of Comic Art, vol.
9, no. 1, Spring, 2007, pp. 1 - 2.
Kern, Adam L., ‗The Kibyōshi: Japan;s Eighteenth-Century Comicbook for Adults‘, in International
Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 3 - 32.
Kinsella, Sharon, ‗Change in social status, form and content of adult manga, 1986-1996‘, Japan Forum,
vol.8, no.1, March 1996.
Kinsella, Shron, Adult Manga, Richmond, Curzon, 2000
Kume Yoriko 久米依子, ‗Shōjo shōsetsu: sai to kihan no gensetsu sōchi‘ 少女小説:差異と規範の
言説装置 [Girls‘ fiction: narrative devices to convey gender differences and standards], in
Komori Yuichi 小森陽一 et al. (eds), Media, hyōshō, idiorogii: Meiji sanjū nendai no bunka kenkyū
メディア・表象・イデオロギー明治三十年大の文学研究, Ozawa shoten, Tokyo, 1997,
pp. 195-222
Laster, Paul, ‗Moma Wild for Anime!!‘, ArtAsiaPacific, no. 45, 2005.
Lloyd, F., ed., Consuming bodies: Sex and Contemporary Japanese Art, London, Reaktion, 2002.
Lloyd, F., ed., Consuming bodies: Sex and Contemporary Japanese Art, London, Reaktion, 2002.
Marechal, Beatrice,‘"The Singular Stories of the Terashima Neighborhood": A Japanese
Autobiographical Comic‘, in International Journal of Comic Art, Vol. 3, No. 2, Fall 2001, pp. 138-150.
Maynard, Michael L., ‗Friendly Fantasies in Japanese Advertising: Persuading japanese Teens through
Cartoonish Art‘, in International Journal of Comic Art, Vol. 4, No. 2, Fall 2002, pp. 241-260.
Munson, Todd S., ‗Dangerous! China and Xenophobic Comics in Contemporary Japan‘, in International
Journal of Comic Art, vol. 10, no. 1, Spring, 2003, pp. 155 – 173.
Miyake, Lynne K., ‗Graphically Speaking Manga Versions of The Tale of Genji‘ in Monumenta Nipponica
63/2: 359–92, 2008
Napier, Susan, Anime: from Akira to Princess Mononoke, New York, Palgrave, 2001.
Napier, Susan, From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West. New York,
Palgrave MacMillan, 2007.
Notaro, Anna, ‗‖Innocence Is Life‖ : Searching for the Post-Human Soul in Ghost in the Shell 2‘, in
International Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 610 – 624.
Ogi, Fusami, ‗Beyond Shoujo, Blending Gender: Subverting the Homogendered World in Shoujo Manga
(Japanese Comics for Girls)‘, in International Journal of Comic Art, Vol. 3, No. 2, Fall 2001, pp. 151-
161.
Ogi, Fusami, ‗Shimizu Isao: A Pioneer in Japanese Comics (Manga) Scholarship‘, in International Journal
of Comic Art, Vol. 5, No. 2, Fall 2003, pp. 216-232.

121
Onoda, Natsu, ‗Drag Prince in Spotlight: Theatrical Cross-Dressing in Osamu Texuka's Early Shojo
Manga‘, in International Journal of Comic Art, Vol. 4, No. 2, Fall 2002, pp. 124-138.
Onoda, Natsu, ‗Tezuka Osamu and the Star System‘, in International Journal of Comic Art, Vol. 5, No. 1,
Spring 2003, pp. 161-194.
Orbaugh, Sharalyn, ‗Busty battlin‘ babes: the evolution of the Shojô in 1990s visual culture‘, in Mostow,
Joshua S.; Bryson Norman; Graybill, Marybeth, eds, Gender and Power in the Japanese Visual Field,
Honolulu, University of Hawai‘i Press, 2003.
Pellitteri, Marco, ‗Pornography and Sinaesthesia in Manga: Multi-sensoral Reception of Ero in Japanese
Comics‘, trans. Supervision by Madeline Ashby, in International Journal of Comic Art, vol. 9, no. 2,
Fall, 2007, pp. 425 – 440.
Petersen, Robert S., ‗The Acoustics of Manga: Narrative Erotics and the Visual Presence of Sound‘, in
International Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 578 – 590.
Qi Wang, ‗Troubled Identities at Borderland -- Fantasy about the Past and the Future in Anime‘, in
International Journal of Comic Art, Vol. 7, No. 1, Spring 2005, pp. 404-421.
Rosenbaum, Roman, ‗Motomiya Hiroshi‘s The Country is Burning‘, in International Journal of Comic Art, vol.
9, no. 1, Spring, 2007, pp. 591 – 609.
Sato, K., ‗People who can only play at love‘, Japan Echo, vol.XX, no.4, Winter 1993.
Schodt, F.L., Manga! Manga! The World of Japanese Comics, Tokyo, Kodansha International 1983.
Schodt, F.L., Dreamland Japan : writings on modern manga, Berkeley, Stone Bridge Press, 1996
Schodt, F.L., Inside the robot kingdom : Japan, mechatronics and the coming robotopia, Tokyo : Kodansha
International, 1990
Shamoon, Deborah, ‗Focalization and Narrative Voice in the Novels and Comics of Uchida
Shungiku1‘, in International Journal of Comic Art, Vol. 5, No. 1, Spring 2003, pp. 47-160.
Shilling, M., ‗Doraemon: Making dreams come true‘, Japan Quarterly, October/December 1993.
Silberbaum, A., and Dryoff, H.D., Comics and Visual Culture, New York, Saur, 1986.
Stewart, Ron., ‗An Australian Cartoonist in 19 th Century Japan: Frank A. Nankivell and the Beginning
of Modern Japansese Comic Art‘, in International Journal of Comic Art, vol. 8, no. 2, Fall, 2006,.pp
77-97.
Tomii, Reiko, ‗Akasegawa Genpei's The Sakura Illustrated: When the Good Old man Makes a Dead
Tree Flower and the Bad Old Man Throws a Fire Bomb‘, in International Journal of Comic Art, Vol.
4, No. 2, Fall 2002, pp. 209-223.
Wai-ming Ng, ‗A Comparative Study of Japanese Comics in Southeast Asia and East Asia‘, in
International Journal of Comic Art, vol. 2, no. 1, Spring, 2000, pp. 44 – 56.
Walley, Akiko, ‗Through the Looking-Glass: Reflections on Kibyōshi Illustrations in Kishida Tohō‘s
Comicbook Chronicle, trans. by Akiko Walley and Glynne Walley, in International Journal of Comic
Art, vol. 9, no. 1, Spring, 2007.
Walley, Glynne, ‗Kyokutei Bakin‘s Buy My Candy and I‘ll Give You a Kite Story‘, in International Journal
of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 22 – 60.
Williams, Kristin H., ‗Crisscrossed Confucianism: Images of Edo as a Virtuous Dystopia‘, in
International Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 119 – 134.
Yamane, S., ‗Cartoons and Comics in Japan: Putting Laughter into everyday life‘, Asian Culture, January
1980.
Yokota, Masao, ‗A Master Animator: Yasuji Mori's Works for Children‘, in International Journal of Comic
Art, Vol. 6, No. 2, Fall 2004, pp. 376-391.
Yokota, Masao, ‗Satoshi Kon's Transition from Comics to Animation‘, in International Journal of Comic
Art, Vol. 6, No. 1, Spring 2004, pp. 250-265.
Domestic Architecture and Landscape Design
Aquascape : water in Japanese landscape architecture = Akuasukepu : mizu no zokei / editorial manager, Miwako
Ito, Tokyo, Japan : Process Architecture Co., 1990.

122
Aveline, Natacha, La ville et le rail au Japon : l‘expansion des groupes ferroviaires privés à Tôkyô et Ôsaka, Paris,
CNRS éditions, coll. Asie Orientale, 2003, VIII-238 p.
Aquascapes II : water in Japanese landscape architecture, Tokyo, Japan : Process Architecture Co., 1994.
Baltzer, F., Das Japanische Haus, Berlin, 1903.
Berque, Augustin (dir.) Mouvance II. Du jardin au territoire, soixante-dix mots pour le paysage. Paris, Editions
de la Villette, 2006, 120 p.
Berque, Augustin, Bonnin, Philippe, Ghorra-gobin, Cynthia (dir) La Ville insoutenable. Paris, Belin, 2006,
366 p.
Berque, Augustin, Sauzet, Maurice, Le sens de l'espace au Japon. Vivre, penser, bâtir, Paris, Arguments, 2004,
227 p.
Black, Alexandra, La maison japonaise, architecture et intérieur, Paris, Flammarion, 2002, 216 p.
Blanchon, Flora (sous la direction de), Aller et venir II. Faits et perspectives, Paris, Presses de l‘Université de
Paris-Sorbonne (Coll. Asie V-VI, CREOPS, Centre de Recherche sur l'Extrême-Orient de Paris-
Sorbonne), 2002. 385 p.
Blaser, Werner, Japanese Temples and Tea Houses, Dodge, 1956.
Carver, N.F., Japanese Folk House, Kalamazoo, Documan, 1984.
Clark, John, ‗Japanese houses‘, Architects Association Quarterly, vol.10, no.4, 1978.
Coaldrake,W.H., The way of the carpenter : tools and Japanese architecture , New York : Weatherhill, 1990.
Collectif, Tokyo Houses (quadrilingue anglais, allemand, français, espagnol), New York / Dusseldorf,
teNeues, 2002, 400 p.
Collectif, Haniwa, gardiens d‘éternité des Ve et VIe siècles, Paris, Maison de la culture du Japon à Paris, 2001,
152 p.
Engel, Heino, The Japanese House: A Tradition for Contemporary Architecture, Tuttle, 1964.
Engel, Heino, Measure and construction of the Japanese house / by Heino Engel. 1st ed. Rutland, Vt. : C.E.
Tuttle Co., 1985.
Engel, Heino, The Japanese house; a tradition for contemporary architecture, [1st ed.] Rutland, Vt., C. E. Tuttle
Co. [1964]
Fawcett, Chris, The new Japanese house : ritual and anti-ritual patterns of dwelling / Chris Fawcett. 1st U.S. ed.
New York : Harper & Row, 1980
Fawcett, Chris, The New Japanese House, Granada, 1980, (Review: Clark, Architects‘ Association Quarterly,
vol.14, no.2, 1982)
Fujioka, Michio, Japanese residences and gardens : a tradition of integration / Michio Fujioka ; photographs by
Kazunori Tsunenari ; translated by H. Mack Horton. 1st ed. Tokyo ; New York : Kodanska
International ; New York : Distributed in the U.S. by Kodansha International/USA through
Harper & Row, 1982.
Futagawa, Yukio, The essential Japanese house; craftmanship, function, and style in town and country, Text and
commentaries: Teiji Itoh. Tokyo, J. Weatherhill [1967]
Hayashi, Masako, House design in today's Japan, [Tokyo] Shokokusha [1969]
Hirayama, Chuji, Japanese rural dwellings, [Tokyo] Shokokusha [c1965]
International Federation of Landscape Architects, Landscape and human life. The impact of landscape
architecture upon human activities [by] C.R.V. Tandy [and others] Clifford R.V. Tandy, editor.
Amsterdam, Djambatan, 1966.
Ishihara, Tanso, Hakone Garden / by Tanso Ishihara and Gloria Wickham. Kyoto : Kawara Shoten,
1974.
Ishimoto, Tatsuo, The Japanese house, its interior and exterior, by Tatsuo and Kiyoko Ishimoto. New York,
Crown [1963]
Ito, Teiji, Novograd, P., ‗The Development of Shoin-style architecture‘ in Japan in the Muromachi Age,
ed. Hall and Toyoda, California UP, 1977.
Ito, Teiji, The Roots of Japanese Architecture, Harper and Row, 1963.
Ito, Teiji, Traditional Domestic Architecture of Japan, Tokyo, Weatherhill, 1972.
Jeremy, M., Robinson, M.E., Ceremony and Symbolism in the Japanese House, Manchester UP, 1989.

123
Jinno Yuki 神能由紀, ‗Kindai nihon ni okeru kodomo heya no tanjō‘ 近代日本における子どもの
部屋の誕生 [The birth of children‘s rooms in modern Japan], Dezaingaku kenkyū デザイン
学研究 45(1), 1998, pp. 65-74
Jinno Yuki 神能由紀, ‗Ichiba ni okeru ―kodomo no hakken‖‘ 市場における「子供の発見」[The
discovery of children in a market], Dezaingaku kenkyū tokkushūgō デザイン学研究特集号 13(2),
2005 a, p. 53
Jinno Yuki 神能由紀, ‗Kindai nihon ni okeru shōhin dezain no tenkai‘ 近代日本における商品
デザインの展開 [The development of product design in Japan], Dezain riron デザイン理論, 46,
2005 b, pp. 67-81
Katoh, Amy Sylvester, Japan : the art of living : a sourcebook of Japanese style for the Western home / Amy
Sylvester Katoh ; photographs by Shin Kimura. Rutland, Vt. : Charles E. Tuttle Co., 1990 (1991
printing)
Kawashima, C,. Minka, Kôdansha, 1986, (rev. Monumenta Nipponica, 42, 4, Winter 1987).
Masako Hayashi, ed., House design in today's Japan = Gendai Nihon no jutaku Tokyo : Shokokusha, [1969]
Masuda, Tomoya, 1914-1981, Living architecture: Japanese, Photos. by Yukio Futagawa. New York,
Grossett & Dunlap [c1970]
Morse, E.S., Japanese Homes and Their Surroundings, 1888 (Dover reprint).
Morse, Edward Sylvester, Japanese homes and their surroundings, by Edward S. Morse ... With illustrations
by the author. Boston, Ticknor and Company, 1886 [1885]
Nakamura, Katsuya, Alcove, ceiling and garden, Tokyo, Johnan Shoin, 1966.
Nishihara, Kiyoyuki, Japanese houses; patterns for living, Translated by Richard L. Gage. Tokyo, Japan
Publications; [distributed by Japan Publications Trading Co., New York, 1968, c1967]
Nitschke, Günther, Le jardin japonais : angle droit et forme naturelle, Cologne, Taschen, 2003, 239 p.
Noffsinger, James Philip, Kazuo Shinohara, Japan's leader in residential architecture / James Philip Noffsinger.
Monticello, Ill. : Vance Bibliographies, [1982]
Ota, Hirotaro, Japanese architecture and gardens, Tokyo, Kokusai Bunka Shinkokai, Society for International
Cultural Relations, 1966.
Pollock, Naomi, Modern japanese house, Paris, Phaidon, 2005, 228 p.
Rico Nose, Michiko, Jardins japonais contemporains, Paris, Flammarion, 2003, 176 p.
Saito, Katsuo, Designing Japanese gardens, Translated to English by Shinjiro Hiki. [Tokyo, Gihodo, 1961]
Sasaki, Hiroshi, The modern Japanese house inside and outside, Edited by Hiroshi Sasaki. [Tokyo] Japan
Publications [1970]
Seike, Kiyoshi, Contemporary Japanese houses / by Kiyoshi Seike and Charles S. Terry ; photographs by
Akio Kawasumi. [1st ed.] Tokyo : Kodansha International ; Rutland, Vermont : Japan
Publications Trading Co., [1964]
Seki, Masaru, ‗Early Japanese Dwellings‘, Chanoyu, 9, 1-12.
Shigemori, Kanto, Japanese gardens; islands of serenity, [Tokyo, San Francisco] Japan Publications [1971]
Shinohara, Kazuo, 16 houses & architectural theory, Tokyo, Bijuteu Shuppan-sha, 1971.
Shitsurai no sozo : Nihon no interia dezain / henshu Nihon Interia Dezaina Kyokai = Feeling the aesthetic : interior
designs in Japan / edited by The Japan Interior Designers Association. Tokyo : Rikuyosha, 1984.
Terry, C.S., Contemporary Japanese Houses, 1964.
Tsunekata Naito, Haruto Kobayashi eds., Landscape design in Japan : current issues and some ideas, Tokyo :
Process Architecture, 1984.
Ueda, Atsushi, The inner harmony of the Japanese house / Atsushi Ueda ; with an introduction by Gunter
Nitschke ; [translation ... by Stephen Suloway]. 1st ed. Tokyo ; New York : Kodansha
International, 1990.
Ueda, Makoto, Japan houses in ferroconcrete / coordinated by Uyeda Makoto ; photographed by
Shimomura Junichi. Tokyo : Graphic-sha, c1988.
Uyeda Makoto, ed., Ontology of house, Japan / [photographs, Futagawa Yukio, Takase Yoshio, Kitajima
Toshiharu]. Tokyo : A.D.A. Edita, 1978.

124
Vance Bibliography, A1188, June 1984, ‗Contemporary Japanese Domestic Architecture‘.
Viellard-Baron, Michel (texte présenté, traduit et annoté par), illustrations Sylvie Brosseau. De la création
des jardins, traduction du Sakutei-ki, 2ème édition, Tôkyô, Maison franco-japonaise, 2003, 93 p.
Yamawaki, Iwao. Japanese houses today. Editors: Iwao Yamawaki [and others] Illus. by Shingo Yamaji.
Tokyo, Asahi Shimbun [Press, 1958]
Yoshikawa, Isao, Elements of Japanese gardens : Niwa, ekusuteria ; Kiso chishiki to jissai. 1st ed. Tokyo :
Graphic-sha Pub., 1990.
Japanese Cities [All Periods]
‗Des Villes Nommées: Tokyo‘, Autrement, hors Série, no.8, September 1984.
‗Tokyo: Creative Chaos‘, Japan Echo, Special Issue XIV, 1987.
Ashihara, Y., The Hidden Order: Tokyo Through the Twentieth Century, Tokyo, Kôdansha, 1989.
Atlas Tokyo, bilingual, Heibonsha, 1986.
Aveline, Natacha, La ville et le rail au Japon : l‘expansion des groupes ferroviaires privés à Tôkyô et Ôsaka, Paris,
CNRS éditions, coll. Asie Orientale, 2003, VIII-238 p.
Bester, T., Neighbourhood Tokyo, Stanford UP, 1988.
Bognar, Botond, The Japan Guide, New York, NY : Princeton Architectural Press, 1995.
Bredon, Juliet, Peking, Shanghai, Kelly and Walsh, 1919, reprint Oxford UP, 1982.
Cole, W., Kyoto in the Momoyama Period, U Oklahoma P, 1967.
Cooper, M., Exploring Kamakura: a guide for the curious traveller, Weatherhill, 1979.
Coppa & Avery Consultants, An Architectural guide to Tokyo : a bibliography of articles, Monticello, Ill. :
Vance Bibliographies, [1983]
Dan, Ino, The reconstruction of Tokyo and aesthetic problems of architecture, Tokyo, The Japan Council of the
Institute of Pacific Relations [1931]
Dore, R.P., City of Life in Japan, Routledge and Kegan Paul, 1958 (reprints).
Fiévé, Nicolas, L‘Architecture et la ville du Japon ancien: Espace arhcitectural de la ville de Kyôto et des résidences
Shôgunales aux 14e et 15e siècles, Paris, Maisonneuve & Larose, 1996.
Friedman, M., ed, Tokyo: Spirit and Form, Walker Art Center / Harry N. Abrams, 1986
Hidenobu Jinnai, ed., Ethnic Tokyo, photos by Haruo Hirota. Tokyo : Process Architecture Publishing
Co., c1987.
Ito Nobuo, A guide to Japanese architecture Tokyo : Shinkenchiku-cha, 1971]
Japan architect., ed, A Guide to Japanese Architecture, Tokyo : Shinkenchiku-sha, 1984.
Jinnai, Hidenobu, Ethnic Tokyo, (bilingual), Process: Architecture, 1972.
Jinnai, Hidenobu, Tokyo: A spatial anthropology, Berkeley, University of California Press, 1995.
McClain, J.L., ‗Castle Towns and Daimyo Authority: Kanazawa in the years 1583-1630‘, Journal of
Japanese Studies, 6, 2, Summer 1980
McClain, J.L., Kanazawa: a 17th century Japanese castle town, Yale UP, 1982 (rev.: Monumenta Nipponica, 42,
1, Spring 1987)
Mosher, G., Kyoto: a contemplative guide, Tuttle, 1964.
Mumford, Lewis, The Culture of Cities, Secker and Warburg, 1938.
Okawa, Naomi, Edo architecture, Katsura and Nikko / by Naomi Okawa ; with photos. by Chuji Hirayama
; translated by Alan Woodhull and Akito Miyamoto. 1st English ed. New York : Weatherhill,
1975.
Pons, Phillipe, D‘ Edo à Tokyo, Paris, Gallimard.
Ponsonby-Fane, R.A.B., ‗Kioto in the Momoyama Period‘, Transactions of the Japan Society of London, 24,
1927, 75-170, reprinted in Hong Kong, 1931, Kyoto: its history and vicissitudes since its foundation,
Kyoto, The Old Capital of Japan, 794-1192, 1931, reprint Ponsonby Memorial Society, 1956.
Ponsonby-Fane, R.A.B., ‗Ancient Capitals and Palaces of Japan‘, Transactions of the Japan Society of
London, XX, 1923.
Ponsonby-Fane, R.A.B., Imperial Cities: The Capitals of Japan from the oldest times until 1229, (reprint of
TASJ originals), University Publications of America, 1979.

125
Sacchi, Livio, Tôkyô, Architecture et urbanisme, Paris, Flammarion, 2005, 249 p.
Seidensticker, E., Tokyo Rising: The city since the great earthquakeNew York, Alfred A. KNopy 1990.
Seidensticker, E., Low City, High City, Tokyo from Edo to the Earthquake, Alfred A. Knopf/Allen Lane,
1983.
Smith, H.D.II, ‗Tokyo as an idea: an exploration of Japanese Urban Thought until 1945‘, Journal of J
Japanese Studies, 4, 1, Winter 1978.
Society of Architects & Building Engineers, Tokyo, Architecture of Tokyo, 1945-57 / Tokyo Society of
Architects & Building Engineers. Tokyo : The Society, 1958.
Suzuki Shodo: Japanese landscape, Tokyo, Japan : Process Architecture, 1991.
Suzuki, H., Review of ‗Glimpses of a Hidden City‘, by Maki Fumihiko, Japan Foundation News, XV,
1987.
Tajima Noriyuki, Tokyo: a guide to recent architecture, London, Ellipsis, 1996.
Takeo, Y., Social Change and the City in Japan: from earliest times through the Industrial Revolution, Japan
Publications Trading Co., 1978.
Ueda Atsushi, The City within Architecture, Tôkyô, Process Architecture, 1993.
Vance Bibliography A1085, November 1983, ‗An Architectural Guide to Tokyo‘
Waley, Paul, Tokyo Now and Then, Weatherhill, 1984.
Ward, P., Japanese Capitals, Cambridge, The Oleander Press, 1985.
Wheatley, P., From Court to Capital: a tentative interpretation of the origins of the Japanese Urban Tradition, U
Chicago P, 1978 (review: Miller R.A., Journal of Japanese Studies, vol.5, 1, Winter 1979).
Yamasaki, Masafumi ed., Kyoto : its cityscape traditions and heritage = Kyo no toshi isho : keikan keisei no dento,
Tokyo, Japan : Process Architecture Co., c1994
General Texts on Modern Architecture
A Guide to Japanese architecture / edited by The Japan architect. [Tokyo] : Shinkenchikusha ; Bunkyo-ku,
Tokyo : Distributor, The Japan Architect, c1984.
Bognar, Botond, ed., Japanese architecture II , London : Academy Group, c1992.
Carver, Norman F, Form and space of Japanese architecture, Photos. by Norman F. Carver. [Japanese
translation by Ryuichi Hamaguchi. 1st ed.] Tokyo, Shokokusha [1955]
Drexler, Arthur, The architecture of Japan, New York Museum of modern art, New York [1955]
Japanese architecture 2 : recent developments. = Ninon no kenchiken, 2 : Saikin no ugoki, Tokyo, Japan : Process:
Architecture, 1983.
Japanese architecture, London : Academy Editions ; New York : St. Martin's Press, 1988.
Kultermann, Udo, New architecture in Japan; with 247 photographs, plans and drawings. [Revised and
enlarged ed.] London, Thames & Hudson, 1967.
Museum of Modern Art (New York, N.Y.) The architecture of Japan, Reprint ed. [New York] Published
for the Museum of Modern Art by Arno Press, 1966, c1955.
Nishi, Kazuo, What is Japanese architecture? / Kazuo Nishi and Kazuo Hozumi ; translated, adapted, and
with an introduction by H. Mack Horton. 1st English ed. Tokyo; New York : Kodansha
International, 1985.
Nussaume, Yann (ed.), Anthologie critique de la théorie architecturale japonaise : le regard du milieu, Bruxelles,
Ousia, 2004, 543 p.
Stewart, D.B., The Making of a Modern Japanese Architecture, Kôdansha, 1987.
Tempel, Egon, New Japanese architecture, New York, Praeger [1969, i.e. 1970]
Toy, Maggie, Japanese architecture. III / London : Academy Editions ; New York St. Martin's Press,
c1994.
Meiji Architecture
Abe, K., ‗Early Western Architecture in Japan‘, Journal of the Society of Architectural History, 13, 1954, 13-
18.
Brunton, R. Henry, Building Japan, 1868-1876, Sandgate, Japan Library, 1991.

126
Coaldrake, W., Architecture and Authority in Japan, London: Routledge, 1996.
Finn, Dallas, Meiji Revisited, Tokyo, Weatherhill, 1995.
Perry, J.L., ‗The architecture of modernization in Meiji Japan‘, Japan Quarterly, XXIV, 4, 1977.
Watanabe Toshio ‗ Josiah Conder‘s Rokumeikan: architecture and national representation in Meiji
Japan‘, Art Journal, vol.55, no.3, Fall 1996.
Wendelken, C., ‗The tectonics of Japanese style: architect and carpenter in the later Meiji period‘, Art
Journal, vol.55, no.3, Fall 1996.
1920s-1940s Architecture
Nute, Kevin, Frank Lloyd Wright and Japan : the role of traditional Japanese art and architecture in the work of
Frank Lloyd Wright London : Chapman & Hall, 1993.
Oshima Tadashi, ‗Den‘en chofu: building the garden city in Japan‘, Journal of the Society of Architectural
Historians, vol.55, no.2, June 1996.
Reynolds, J. M., ‗Japan‘s Imperial Diet building: debate over construction of a national identity‘, Art
Journal, vol.55, no.3, Fall 1996.
Raymond, Antonin, ‗Notes on Architecture in Japan, Cultural Nippon, IV, July, 1936.
Raymond, Antonin, Antonin Raymond: An Autobiography, Tôkyô, Tuttle, 1973.
Taut, Bruno, Fundamentals of Japanese Architecture, 1937.
Architecture since 1945 [a large field, worthy of a separate bibliography, many Japanese texts are
bilingual ]
[Kyoto&Osaka]‗Kyoto & Osaka‘, The Japan Architect ,1993-3;
[Modern House] ‗Modern House‘ The Japan Architect 1996-2;
[Neo Modern] ‗Wave of Neo Modern‘, The Japan Architect 1994-2;
[Space] ‗Space in Detail‘, The Japan Architect 1996-3;
[Tokyo]‗Tokyo‘, The Japan Architect 1991-3;
Adachi Mitsuaki, Kunio Maekawa : sources of modern Japanese architecture, Tokyo : Process Architecture
Publishing Co., 1984.
Aida, Takefumi, Takefumi Aida, buildings and projects, New York, NY : Princeton Architectural Press,
c1990.
Altherr, Alfred, Three Japanese architects: Maekawa, Tange, Sakakura, 1968.
Amusement facilities : karaoke rooms, game parks, amusement complexes, Tokyo, Japan : Shotenkenchiku-sha,
[1994]
Ando, Tadao, ‗From self-enclosed architecture to universality‘, The Japan Architect, 301, May 1982.
Ando, Tadao, Rokko housing / Tadao Ando ; a cura di Mirko Zardini ; scritti di Vittorio Gregotti, Riichi
Miyake, Tadao Ando. Milano : Electa, c1986.
Ando, Tadao, Rokko housing : I, II, III / Tadao Ando, Tokyo : Shinkenchiku-Sha, 1993.
Ando, Tadao, Tadao Ando / chief editor, Aiko Hasegawa, [Tokyo] : SD, [1984]
Ando, Tadao, Tadao Ando / edited by Yukio Futagawa ; criticism by Kenneth Frampton ; photographed
by Yoshio Takase. Tokyo, Japan : A.D.A. Edita, 1988, c1987.
Ando, Tadao, Tadao Ando : 3 mars-24 mai 1993, Musee national d'art moderne/Centre de creation
industrielle, Centre Georges Pompidou. Paris : Editions du Centre Pompidou, c1993.
Ando, Tadao, Tadao Ando : buildings, projects, New York : Rizzoli, 1984.
Ando, Tadao, Tadao Ando : details / edited by Yukio Futagawa ; criticism by Peter Eisenman. Tokyo :
A.D.A. Edita, c1991.
Ando, Tadao, Tadao Ando : dormant lines / Darell Wayne Fields, editor. New York, N.Y. : Rizzoli, c1991.
Ando, Tadao, Tadao Ando : the Yale studio & current works / introduction by Kenneth Frampton ; essays
by Tadao Ando, George T. Kunihiro, Peter Eisenman. New York : Rizzoli, 1989.
Ando, Tadao, Tadao Ando 1989/1992 / [editores, Richard C. Levene, Fernando Marquez Cecilia],
Madrid : El Croquis, 1993.
Ando, Tadao, Tadao Ando Details / edited by Yukio Futagawa ; criticism by Peter Eisenman ; Tokyo,

127
Japan : A.D.A. Edita, 1992.
Ando, Tadao, Tadao Ando, London : Academy Editions ; New York : St. Martin's Press, 1990.
Arata Isozaki & Associates Tsukuba Center Building, Ibaraki, Japan, 1979-83 / edited and photographed
by Yukio Futagawa ; text by Alessandro Mendini. Tokyo : A.D.A. Edita Tokyo, 1993.
Arata Isozaki / a coproduction of Michael Blackwood Productions, Westdeutscher Rundfunk, Sveriges
television AB/SVT, New York : Michael Blackwood Productions, c1985.
Banham, R., Suzuki, H., Contemporary Architecture of Japan, Rizzoli/Architectural Press, 1985.
Berque, Augustin, Sauzet, Maurice, Le sens de l'espace au Japon. Vivre, penser, bâtir, Paris, Arguments, 2004,
227 p.
Berque, Augustin, Bonnin, Philippe, Ghorra-Gobin, Cynthia (dir) La Ville insoutenable. Paris, Belin,
2006, 366 p.
Berque, Augustin (dir.) Mouvance II. Du jardin au territoire, soixante-dix mots pour le paysage. Paris, Editions
de la Villette, 2006, 120 p.
Blaser, Werner, Structure and form in Japan: architectural reflections, [English translation by D. Q.
Stephenson]. Scarsdale, N. Y., Wittenborn [1964]
Bognar, Botond, Contemporary Japanese Architecture: Its Development and Challenge, Van Nostrand Reinhold,
1985.
Bognar, Botond, Minoru Takeyama, London : Academy Editions, 1995.
Bognar, Botond, The new Japanese architecture / Botond Bognar ; introduction by John Morris Dixon ;
essays by Hajime Yatsuka and Lynne Breslin. New York : Rizzoli, 1990.
Bognar, Botond, Togo Murano : master architect of Japan, New York : Rizzoli International Publications,
1996.
Boyd, Robin, New Dimensions in Japanese Architecture, NY and London, Studio Vista, 1968.
Brisard, B., ‗Tange Kenzo: A half century of architectural achievements‘, Japan Quarterly, XXXI, 2, 3,
1984.
Casper, Dale E., Fumihiko Maki, master architect / Dale E. Casper. Monticello, Ill., USA : Vance
Bibliographies, [1988]
Casper, Dale E., Recent architectural projects in Tokyo : journal articles, 1982-1988 / Dale E. Casper.
Monticello, Ill., USA : Vance Bibliographies, [1989]
Chaslin, F., Kishio Kurokawa: The Architecture of Symbiosis, New York, Rizzoli, 1988.
Cram, Ralph Adams, Impressions of Japanese architecture and the allied arts / by Ralph Adams Cram. 1st
Tuttle ed. Rutland, Vt. : C.E. Tuttle Co., 1982, c1981.
Creation of tomorrow environment : Nihon Architects, Engineers & Consultants, Inc. = Gendai o tsukuru : Nihon
Sekkei Jimusho, 20- nen no kiseki to tenkai. Tokyo : Process Architecture Pub. Co., 1988.
Creative environment : Japanese landscape = Kankyo to sozo : Nihonteki naru mono, Tokyo : Process Architecture
Pub. Co., c1985.
Dal Co, Francesco, Tada Ando: Complete Works London, Phaidon, 1995.
De Olmos, Sylvia M, Tadao Ando : a bibliography of books and periodical literature / Sylvia M. de Olmos.
Monticello, Ill., USA : Vance Bibliographies, [1989]
Drew, Philip, The architecture of Arata Isozaki / Philip Drew. London ; New York : Granada, 1982.
Environment design : strategies of Man Senda = Kankyo no sekkei : Senda Man + Kankyo Dezain Kenkyujo no hoho,
Tokyo, Japan : Process Architecture Pub. Co., c1988.
Environmental design best selection, Tokyo : Graphic-sha, 1985.
Exteriors : perspectives in architectural design, 1st ed. Tokyo : Graphic-sha Pub., 1987.
Frampton, Kenneth and Kunio Kudo eds., Nikken Sekkei : building modern Japan, 1900-1990
introduction, Kenneth Frampton ; historical essay, Botond Bognar ; descriptive text, Sandy Heck.
New York, NY : Princeton Architectural Press, c1990.
Frampton, Kenneth ed., A New wave of Japanese architecture, September 25, 1978 to November 14, 1978 /
introd. by Kenneth Frampton [New York] : Institute for Architecture and Urban Studies, [1978]
Frampton, Kenneth, Tadao Ando, New York : Museum of Modern Art & H.N. Abrams, 1991.
Frampton, Kenneth, Arata Isozaki, Tokyo : A.D.A. Edita, 1991.

128
Friedman, Mildred, Tokyo, Form and Spirit / essays by Kenneth Frampton, Donald Richie, Marc Treib
et al. [edited by Mildred Friedman], Minneapolis : Walker Art Center, 1986.
Fujii, Hiromi, The architecture of Hiromi Fujii, New York : Rizzoli, 1987.
Fujioka, H., ‗The search for "Japanese Architecture" in Modern Ages‘, Japan Foundation Newsletter, XV,
3, 1987.
Futagawa, Yukio, GA Document 33: GA JAPAN '92 edited by Yukio Futagawa; featuring projects of
Tadao Ando, Hiromi Fujii, Hiroshi Hara, Itsuko Hasegawa, Kunihiko Hayakawa, Osumu
Ishiyama, Arata Isozaki, Toyo Ito, Atsushi Kitagawara, Kisho Kurokawa, Fumihiko Maki, Kiko
Mozuna, Kazuyo Sejima, Kazuo Shinohara, Shin Takamatsu, Yoshio Taniguchi, Riken
Yamamoto, Shoei Yoh. Tokyo: A.D.A. Edita.
Greenbie, Barrie B, Space and spirit in modern Japan / text and photographs by Barrie B. Greenbie. New
Haven : Yale University Press, c1988.
Hara Hiroshi, Stewart David B, Hiroshi Hara, Tokyo : A.D.A. Edita, 1993.
Hartkopf, Volker et al. Designing the office of the future : the Japanese approach to tomorrow's workplace New York
: Wiley, c1993.
Hasegawa, Itsuko, Itsuko Hasegawa : architecture as another nature / [catalog production: Stephen Perrella].
New York : Columbia University Graduate School of Architecture, c1992.
Hasegawa, Itsuko, Itsuko Hasegawa, London : Academy Editions, c1993.
Hibi, Sadao, Japanese detail : architecture / Sadao Hibi. San Francisco : Chronicle Books, 1989.
Hodge, Daniel H, Tadao Ando : a selected bibliography / Daniel H. Hodge. Monticello, Ill., USA : Vance
Bibliographies, [1989]
Hotel Il Palazzo : a city stimulated by architecture / [translator, Hisako Miyazaki ... et al.]. Tokyo, Japan :
Rikuyo-sha Pub., c1990.
Hugo-Brunt, Michael, Architecture, planning, and landscape architecture in Japan / Michael Hugo-Brunt.
Monticello, Ill. : Council of Planning Librarians, 1978.
Inoue, Mitsuo, Space in Japanese architecture / by Mitsuo Inoue ; translated by Hiroshi Watanabe. 1st ed.
New York : Weatherhill, 1985.
Interior design in cafes and restaurants / Saitoh Hideo, Joao Rodolfo Stroeter. Tokyo : Bijutsu Shuppansha,
1992.
Invisible language : a dialogue with five architects : Taro Ashihara, Hisashi Hara, Shinichi Ogawa, Tao Architects
(Takeo Kimura/Shuntaro Noda), Workshop (Koh Kitayama/Michio Kinoshita/Akio Yachida) /
curator, Masao Noguchi. 1st ed. Rutland, Ver. : Distributed by Charles E. Tuttle Co., 1991.
Ishimoto, Yasuhiro, Katsura; tradition and creation in Japanese architecture, Architecture in Japan [by] Walter
Gropius. Tradition and creation in Japanese architecture [by] Kenzo Tange. Photos. [by]
Yasuhiro Ishimoto. [Translator, Charles S. Terry. New Haven, Yale University Press, 1960.
Isozaki Arata intro, Zaha M. Hadid; [interview by Alvin Boyarsky], Tokyo:A.D.A. Edita, 1986.
Isozaki Arata, Katsura Villa : space and form, New York : Rizzoli, 1987.
Isozaki Arata, The island nation, London : Academy Editions, 1996.
Isozaki Arata, ‗Of City, Nation, Style‘ in Miyoshi, Masao ed., Postmodernism and Japan, Durham, Duke
University Press, 1989.
Isozaki Arata, ‗Theme Park‘, South Atlantic Quarterly, vol. 92, no.1, Winter 1993.
Isozaki Arata, Barcelona drawings , Barcelona : Gustavo Gili, 1988.
Isozaki, Arata, Arata Isozaki : Saturday, November 5 - Sunday, December 4, 1983, GA Gallery, Tokyo /
Notes on the Work of Arata Isozaki: Paul Goldberger. Tokyo : GA Gallery, 1983.
Isozaki, Arata, Kenchiku no shuji / Isozaki Arata, Shinso. Tokyo : Bijutsu Shuppansha, 1984.
Isozaki, Arata, Mitate no shuho : Nihon-teki kukan no dokkai / Isozaki Arata, Tokyo : Kajima Shuppankai,
1990.
Isozaki, Arata, Shuho ga / Isozaki Arata, Shinso, Tokyo : Bijutsu Shuppansha, 1984.
Isozaki, Arata, Japan-ness in Architecture. Edited by David B. Stewart;translated by Sabu Kohso. MIT
Press, Cambridge, Mass., 2006. (a series of essays that are compiled and presented together for
the first time in English)

129
Ito, Toyoo, Ito Toyoo = Toyo Ito, Tokyo : Shinkenchiku-Sha, 1993.
Itô Tôyô, Tôyô Itô : structures légères, détails, trad. du japonais par Kae Oki et Carine Cheval, Paris,
Moniteur, 2003, 263 p.
Japan : three generations of avant-garde architects / co-production of Michael Blackwood Productions,
Westdeutscher Rundfunk. New York : Michael Blackwood Productions, 1988.
Kajima design firm, [Tokyo, Japan : Kajima Corp., c1990].
Kawazoe, Noboru, Contemporary Japanese architecture / by Kawazoe Noboru ; translated by David
Griffith. Rev. ed. Tokyo : Kokusai Koryu Kikin (The Japan Foundation), 1973.
Kazumasa Yamashita : recent works and projects = [Yamashita Kazumasa : saikinsaku to keikakuan], Tokyo,
Japan : Process Architecture Pub. Co., c1989.
Kestenbaum J. ed. Emerging Japanese architects of the 1990s, New York,Columbia University Press, 1991.
Kisho Kurokawa : from metabolism to symbiosis, London : Academy Editions ; New York, NY : St Martin‘s
Press, 1992.
Kitahara, Susumu, Interior : S. Kitahara's modernism, [Tokyo], Japan : Rikuyo-sha Publishing ; [Carson,
Calif. : Nippon Shuppan Hanbai U.S.A., distributor], 1986.
Kitao, Harumichi, Shoin architecture in detailed illustrations, [Tokyo] Shokokusha [1956]
Klein, Rudolph, Tadao Ando: Architect between East and West, Budpest, Pont Publishers, 1995.
Koike, Shinji, Contemporary architecture of Japan, [2d ed. Tokyo, Shokokusha Pub. Co., 1955]
Koike, Shinji, Japan's new architecture, edited by Shinji Koike, in collaboration with architect Ryuichi
Hamaguchi. [Tokyo] Shokokusha Publishers [1956]
Kultermann, Udo, Kenzo Tange, Barcelona : Gustavo Gili, 1989.
Kultermann, Udo, Kenzo Tange: Architecture and Urban Design, Zurich and NY, 1970, 1978.
Kultermann, Udo, New Japanese Architecture, Tubingen and NY, 1960, 2nd rev. ed. 1967.
Kuramata, Shiro, The works of Shiro Kuramata, 1967-1981. [Tokyo] : PARCO, [1981]
Kurokawa Kishô, Kisho Kurokawa : recent works, Tokyo, Process Architecture, 1986.
Kurokawa Kishô, Intercultural architecture : the philosophy of symbiosis , London, Academy Editions, 1991.
Kurokawa Kishô, Kisho Kurokawa : selected and current, Mulgrave, Vic. : Images Publishing, 1995.
Kurokawa Kishô, Kisho Kurokawa : the architecture of symbiosis, New York : Rizzoli, 1988.
Kurokawa Kishô, Metabolism in Architecture, London, Studio Vista, 1977,
Kurokawa Kishô, New Wave Japanese Architecture, New York, St. Martin‘s Press, 1996.
Kurokawa Kishô, Rediscovering Japanese Space, Tokyo and New York, Weatherhill, 1988.
Kurokawa, Kisho, New wave Japanese architecture / Kisho Kurokawa. London : Academy Editions ; Berlin
: Ernst & Sohn ; New York : distibuted to the trade in the United States by St. Martin's Press,
1993.
Lambot, Ian ed., Century Tower : Foster Associates build in Japan, Chiddingfold, Surrey, England :
Watermark, 1992.
Lancaster, Clay, The Japanese influence in America, With an introd. by Alan Priest. New York, W. H. Rawls;
distributed by Twayne Publishers, 1963
L‘Architecture d‘aujourd‘hui n°328, numéro spécial Japon, janv-fév. 2002, éd. Jean-Michel Place, 2002, 128 p.
Louisiana Museum ed., Japan i dag, Humlebaek, 1995.
Lyall, Sutherland, Herron notebooks : buildings in Japan : Ron Herron, Simon Herron, Andrew Herron /
edited by Sutherland Lyall. London : Artemis, c1993.
MAKI : three projects in progress, architecture in place, Tokyo : MAKI and Associates, 1983.
Matsumura, Keizo and Michiko Sakae eds., Japanese city and architecture : Kurashiki, Tokyo : Process
Architecture, c1982.
Matsunaga, Yasumitsu, Kazuo Shinohara : essays by Yasumitsu Matsunaga and Kazuo Shinohara, New York,
N.Y. : Institute for Architecture and Urban Studies and Rizzoli International Publications, 1982.
Medical facilities : new concepts in architecture & design, [1st ed.] [Tokyo, Japan] : Meisei Publications, c1994.
Meyhöfer, Dirk, Contemporary Japanese Artchitects, Cologne, Benedikt Taschen, 1994.
Minory Takeyama's Studio, ed., Tokyo urban language, Graduate School of Architecture, Musashino Art
University. Tokyo : Process Architecture ; New York : Van Nostrand Reinhold, exclusive

130
distributor, 1984.
Mitsubishi Jisho = Mitsubishi Estate, Architectural & Engineering Office / henshu seisaku
Shinkenchikusha. Tokyo : Mitsubishi Jisho, 1992.
Morgan, Ann Lee & Naylor, Colin, eds., Contemporary Architects, Chicago, St.James Press, 1987.
Mozuna, Kiko, Kojiki of architecture / Kiko Mozuna et al. London : Architectural Association, c1991.
Muhll, H. R. von, Kenzo Tange, Zurich : Verlag fur Architektur Artemis, 1978.
Munroe, Alexandra ed., New public architecture : recent projects / by Fumihiko Maki and Arata Isozaki, New
York : Japan Society, [1985]
Murai, Osamu, The works of Takenaka : light and form / photographs by Osamu Murai. Tokyo : Kruryudo,
1989.
Nexus World, Fukuoka, Japan : Fukuoka Jisho, 1991.
Nihon Kenchiku Gakkai. Illustration of building constructions in Japan. Tokyo, 1960.
Nihon Kenchiku Gakkai. Japanese architectural techniques. [Tokyo] 1957.
Nitschke, Gunter, From Shinto to Ando : studies in architectural anthropology in Japan / Gunter Nitschke.
Great Britain : Academy Editons ; Berlin : Ernst & Sohn ; New York : Distributed to the trade in
the United States of America by St. Martin's Press, 1993.
Noffsinger, James Philip, Minoru Takeyama, Japanese architect of heterogeneity / James Philip Noffsinger.
Monticello, Ill. : Vance Bibliographies, 1982.
Noffsinger, James Philip, Motoo Take, leader in Japanese architecture / James Philip Noffsinger. Monticello,
Ill. : Vance Bibliographies, [1981]
Noffsinger, James Philip, Nikken Sekkei : design oriented construction firm in Japan / James Philip
Noffsinger. Monticello, Ill., USA : Vance Bibliographies, [1987]
Noffsinger, James Philip, Takenaka Komuten : Japan's "total design" construction firm / James Philip
Noffsinger. Monticello, Ill., USA : Vance Bibliographies, [1987]
Noffsinger, James Philip, Yoshinobu Ashihara, Japanese architect / James Philip Noffsinger. Monticello, Ill. :
Vance Bibliographies, 1981.
Noffsinger, James Philip, Yoshiro Taniguchi : artist-architect of Japan / James Philip Noffsinger. Monticello,
Ill. : Vance Bibliographies, 1981.
Ohta, Hirotaro, Tokonoma, [Tokyo, Johnan Shoin, 1958]
Ostergard, Derek E., George Nakashima : full circle / Derek E. Ostergard. 1st ed. New York : Weidenfeld
& Nicolson, c1989.
Papadakis, Andreas C. ed. Japanese Architecture, London : Architectural Design, 1992.
Polledri, Paolo, ed., Takamatsu, Shin, Shin Takamatsu, photographs by Atsushi Nakamichi. San
Francisco, Calif. : San Francisco Museum of Modern Art ; New York : Rizzoli, c1993.
Pommer, Richard, ‗The New Architectural Suprematists‘, Artforum, October, 1976.
Raymond, Antonin, Antonin Raymond, his work in Japan, 1920-1935; preface by Elie Faure and an article
by Antonin and Noemi P. Raymond. [Tokyo, Johnan shoin, 1936]
Raymond, Antonin, Architectural details by Antonin Raymond and Noemi P. Raymond. [New ed.] New
York, Architectural Book Pub. Co. [1947]
Raymond, Antonin, Architectural details, 1938 / Antonin Raymond et al. New York : Architectural
Forum, [1938]
Resort hotels : architecture & interiors : seaside, hillside, urban / [kikaku henshu Kabushiki Kaisha Suri Weibu].
1st ed. Tokyo, Japan : Sigma Union : Hatsubaimoto Kabushiki Kaisha Oku Shuppan Sabisu,
1990.
Reynolds, Jonathan, M, ‗The formation of the Japanese architectural profession‘, in Takeuchi, Melinda,
ed., The artist as professional in Japan, Stanford, Stanford University Press, 2004.
Reynolds, Jonathan, Maekawa Kunio and the emergence of Japanese modernist architecture University of
California Press.
Riani, Paolo, Kenze Tange [translated from the Italian]. London, New York, Hamlyn, 1970.
Riani, Paulo, Contemporary Japanese Architecture, Florence, 1969,
Richardson, Sara, Arata Isozaki : post-modern master / Sara S. Richardson. Monticello, Ill., USA : Vance

131
Bibliographies, [c1987]
Ross, Michael Franklin, Beyond metabolism : the new Japanese architecture / Michael Franklin Ross. New
York: Architectural record books, c1978.
Roulet, Sophie, Toyo Ito, architecture of the ephemeral / Sophie Roulet and Sophie Soulie ; [translation, Mary
Pardoe]. Paris : Editions du Moniteur, c1991.
Salat, S., with Labbé, F., Fumihiko Maki: An Aesthetic of Fragmentation, New York, Rizzoli, 1988.
Sauzuki Hiroshi, Japanese architecture 1 : recent trends, Tokyo : Process Architecture, 1982,
Shin Takamatsu + Gabriel E. Lahyani Architects Associates. Zurich : Artemis, c1993.
Shinkenchikusha ed., Shinkenchiku detail drawings collection, Tokyo, Shinkenchikusha, 1977,
Shinkenchikusha, Shinkenchiku detail drawings collection: houses. [Tokyo, Shinkenchiku-sha, 1969]
Speidel, Manfred ed., Team Zoo : buildings and projects 1971-1990 with contributions by Lucien Kroll,
Manfred Speidel, and Patrice Goulet ; [translated from the German by Michael Robinson]. New
York : Rizzoli, 1991.
Speidel, Manfred, ed., Japanese Architektur. Geschichte und Gegenwart, Stuttgart, Verlag Gerd Hatje, 1983,
DM 39.80 [includes first German-language publication of important texts by Bruno Taut] (rev.
Journal of the Society of Architectural Historians, 45:3, September 1986, 315-7).
Stark, Ulrike ed., Architects, Tadao Ando, 1st ed. Stuttgart : IRB Verlag, 1990.
Stewart David B., Yatsuka Hajime, Arata Isozaki : architecture, Los Angeles : Museum of Contemporary
Art; New York, Rizzoli, 1991.
Sudjic, Deyan, Nine projects, Japan, Richard Rogers Partnership for K-One Corporation and Mitsubishi /
text by Deylan Sudjic. London : Wordsearch Ltd., 1991.
Sugiyama, Yasuichi, The houses of Japan / Yasuichi Sugiyama. [Tokyo : s.n.].
Suzuki Hiroshi, Japanese architecture 2 : recent developments, Tokyo : Process Architecture, 1983.
Suzuki, Edward, Anarchitecture / Edward Suzuki. Tokyo : E. Suzuki, 1987.
Suzuki, H., ‗The "Blown Roof" in Modern Japanese Architecture‘, Japan Echo, XIV, 1, 1987
Suzuki, Shodo, Shodo Suzuki : Japanese landscape design = Suzuki Shodo no sekai : rando sukepu dezain, Tokyo :
Process Architecture, c1991.
Tadao Ando / a co-production, Michael Blackwood Productions, Saarlandischer Rundfunk. New York,
NY : Michael Blackwood Productions, c1989.
Takahashi, Toru, Physical planning for accessibility in Japan : several case studies / Toru Takahashi, Tamako
Hayashi. Found in: World Conference on Transport Research (5th : 1989 : Tokohama-shi,
Japan). Transport policy, management & technology towards 2001. Vol. 1. Ventura, CA :
Western Periodicals Co., c1989.
Takamatsu, Shin, Shin Takamatsu / photographs by Aki Furudate ; texts by Patrice Goulet, Doriana O.
Mandrelli, Mario Pisani. Roma : Carte Segrete, 1989.
Takamatsu, Shin, The killing moon : and other projects / Shin Takamatsu. London : Architectural
Association, c1988.
Takamatsu, Shin, Works : the architectural of Shin Takamatsu, 1st ed. Tokyo, Japan : Graphic-sha, 1984.
Takenaka Komuten, Ltd, Building for progress, [Osaka, 1950]
Tanaka Kyokichi, ‗Quest for Tokyo in the Future‘, The Japan Architect, vol.63, June 1988.
Tange Kenzo, & Kawazoe Noboru, Ise: Portotype of Japanese Architecture, Cambrdige, MIT, 1965.
Tange Kenzo, ‗A plan for Tokyo‘, The Japan Architect, vol.62, Nov/Dec 1987.
Tange Kenzo, ‗Creating a contemporary system of aesthetics‘, The Japan Architect, vol.65, Jan 1990.
Tange Kenzo, ‗Message of Acceptance‘, The Japan Architect, vol.59, Septe 1984.
Tange Kenzo, ‗Recollections‘, The Japan Architect, various issues, 1985-1986.
Tange Kenzo, ‗The New Tokyo City Hall Complex‘, Japan Architect, vol.26, June 1986 & no.5, Winter
1992.
Tange, Kenzo, Kenzo Tange : 40 ans d'urbanisme et d'architecture, Tokyo : Process Architecture Pub. Co.,
c1987.
Tange, Kenzo, Tokyo-to Shin Chosha : foto dokyumento + keikaku gijutsu sutadi =Tokyo Metropolitan
Government : photo documents + study of design & technigue (i.e. technique) / by Kenzo Tange. Tokyo :

132
Shokokusha, 1991.
Tempel, Eugen, Neue Japanische Architektur, Stuttgart, 1969.
Teramatsu, Yasuhiro [editor], Special Issue : Arata Isozaki / Construction Site, The Japan Architect, 12,
Winter 1993-4.
The Contemporary Japanese architecture / The Japan Foundation ; The Architectural Institute of Japan.
[Tokyo : The Japan Foundation, c1988]
The Japan Architect Special Issues:
Tokyo Metropolitan Teien Art Museum, Tokyo-to Teien Bijutsukan : the building and its history. English
version. Tokyo : Tokyo Metropolitan Culture Foundation, 1987.
Tokyo Metropolitan University. Higashi Laboratory. Research report: 1952-1981. Tokyo, 1981.
Ueda, Atsushi, City within architecture : the work of Atsushi Ueda / Atsushi Ueda = Kenchiku no naka no toshi :
Ueda Atsushi sakuhinshu / Ueda Atsushi. 1st ed. Tokyo : Process Architecture, 1993.
Urban enviro-media : recent works and projects, GK Sekkei Associates. Tokyo, Japan : Process Architecture
Pub. Co., c1989.
Van Wynct, R., ed., International Dictionary of Architects and Architecture, Detroit, St. James Press, 1993.
Vorreiter, Gabriele, ‗Special Issue: Japan‘, The Architectural Review, 1089, Nov. 1987.
Wilson, Peter L. Western objects Eastern fields : recent projects by the Architekturburo Bolles Wilson / Peter
Wilson. London : Architectural Association, c1989.
Winther-Tamaki, Bert, Minoru Yamasaki: Contradictions of Scale in the Career of the Nisei Architect
of the World’s Largest Building" in Amerasia Journal. vol.26, no.3 (Winter 2001), pp.162-188
Works of MHS = Matsuda, Hirata no sakuhin / [editor-in- charge, MHS Planners, Architects & Engineers
; editorial management, Nampoo-sha (I. Ogawa, Y. Miyashita), Miwako Ito ; translator, TD
Planners]. Tokyo, Japan : Process Architecture Pub. Co., c1990.
Yamamoto, Akira Y. Culture spaces in everyday life : an anthropology of common sense knowledge / by Akira Y.
Yamamoto. Lawrence : University of Kansas, 1979.
Yatsuka, H., ‗Architecture in the Urban Desert: a critical introduction to Japanese Architecture after
Modernism‘, Opposition, 1976.
Yukio, Futagawa ed., Takamatsu, Shin, Shin Takamatsu, criticism by Riichi Miyake ; photographed by
Toshiyuki Kobayashi = Takamatsu, Shin / henshu Futagawa Yukio ; ronbun Miyake Riichi ;
satsuei Kobayashi Toshiyuki. Tokyo : A.D.A. Edita, 1990.
Architecture and Design
Baron, Françoisn Les chandeliers japonais - Figures d'indécision et de continuation, Paris, Organisation Eds,
2004.
Chang, Ching-Yu, Japanese spatial conception: a critical analysis of its elements in the culture and traditions of Japan
and its post-war, Ann Arbor,: University Microfilms International, University of Pennsylvania, Phd
Thesis, 1982.
Collectif, Eléments du design chinois et japonais, éd. multilingue, Amsterdam, Pepin Press, 2003, 77p. + CD-
Rom
Graubner, Wolfram, Assemblage du bois, l‘Europe et le Japon face à face, Ed. H. Vial, 2002, 160 p.
Kato, A.S., and Kimura, S. Maisons traditionnelles du Japon, Paris, Flammarion, 2004
Kobayashi H.,Naito, T., Creative environment : Japanese landscape = Kankyo to S0z0, Tokyo, Process
Architecture, 1985.
L‘Architecture d‘aujourd‘hui n°328, numéro spécial Japon, janv-fév. 2002, éd. Jean-Michel Place, 2002, 128
p.
Miwa Masahiro, Japanese designers at home and abroad, Tokyo : Process Architecture Pub., 1983.
Nitschke, Gunther, ‗MA, The Japanese Sense of Place‘, Architectural Design, 3, 1966
Nussaume, Yann (ed.), Anthologie critique de la théorie architecturale japonaise : le regard du milieu, Bruxelles,
Ousia, 2004, 543 p.
Pollock, Naomi, Modern japanese house, Paris, Phaidon, 2005, 228 p.
Rambach, Suzanne, RAMBACH Pierre, L‘art de dresser les pierres : autour de Sakutei-ki, le Japon au prisme des
jardins, Paris, Hazan, 2005, 232 p.

133
Sacchi, Livio, Tôkyô, Architecture et urbanisme, Paris, Flammarion, 2005, 249 p.
Speidel, Manfred, ‗Anthropological Notes on Architecture, Japanese Places of Pilgrimage‘, Architecture
+ Urbanism, 12, 1975
Takamura Hideya, Japanese aesthetics in the commercial environment, Tokyo : Process Architecture, 1984.
Temin, Christine, ‗Yoshio Taniguchi: Transforming Trash and Treasure‘, ArtAsiaPacific, no. 49, 2006.
Yagi, Koji, Japan : climate, space, and concept, Tokyo : Process Architecture Publishing Co., 1981.
Architectural Bibliographies
(Architects listed with surname second)
A103 Oct. 1979, Arata Isozaki, A336 Sep. 1980 Masato Otaka,
A1070 Oct. 1983 Japanese Exposition Architecture, A703 Apr. 1982 Kazuo Shinohara, A1188 Jun.
1988 Contemporary Japanese Domestic Architecture,
A1085 Nov. 1983 An Architectural Guide to Tokyo, A753 Jun. 1982 Shinichi Okada, A1447 Jan. 1978
Architectural Planning and Landscape Architecture in Japan, A65 Aug. 1979 Kisho Noriaki
Kurokawa, A1122 Jan. 1984 Fumihiko Maki.
A125 Nov. 1979 Togo Murano, A104 Oct 1979 Shizutaro Abe,
A302 Aug. 1980 Kiyoshi Seike, A124 Nov. 1979 Kunio Maekawa,
A340 Oct. 1980 Takeo Satow (Sato), A335 Sep. 1980 Isoya Yoshida,
A835 Oct. 1982 Minoru Takeyama, A474 Apr. 1981 The Gardens of Japan,
Cable, Carole, Contemporary Japanese domestic architecture : a bibliography of articles from 1963 to 1983 / Carole
Cable. Monticello, Ill. : Vance Bibliographies, [1984]
Cable, Carole, Fumihiko Maki : a bibliography / Carole Cable. Monticello, Ill. : Vance Bibliographies,
[1984]
Harmon, Robert B. (Robert Bartlett), The dimensions of Japanese architecture : a selected bibliography / Robert
B. Harmon. Monticello, Ill. : Vance Bibliographies, 1979.
Hugo-Brunt, Michael, Bibliography on Japan; architecture, planning and landscape architecture, Monticello, Ill.,
Council of Planning Librarians, Mar. 1974.
Noffsinger, James Philip, Lesser published Japanese architects : alphabetically arranged D-G / James Philip
Noffsinger. Monticello, Ill. : Vance Bibliographies, 1981.
Noffsinger, James Philip, Lesser published Japanese architects : alphabetically arranged, H / James Philip
Noffsinger. Monticello, Ill. : Vance Bibliographies, 1981.
Noffsinger, James Philip, Lesser published Japanese architects : alphabetically arranged, I / James Philip
Noffsinger. Monticello, Ill. : Vance Bibliographies, 1981.
Noffsinger, James Philip, Lesser published Japanese architects alphabetically arranged, S-Shibaoka / James Philip
Noffsinger. Monticello, Ill. : Vance Bibliographies, 1982
Sweeney, Robert L., Frank Lloyd Wright; an annotated bibliography, Losa Angeles, Hennesy & Ingalls, 1978.
Vance Bibliographies, PO Box 229, Monticello, Illinois 61856:
Vance, Mary A., Architecture in Japan : a bibliography / Mary Vance. Monticello, Ill. : Vance Bibliographies,
[1987]
Vance, Mary A., Tokyo architecture : recent journal articles / Mary Vance. Monticello, Ill., U.S.A. (P.O. Box
229, Monticello 61856) : Vance Bibliographies, [1987]
White, Anthony G. Arata Isozaki and Fumihiko Maki : a bibliographic update / Anthony G. White.
Monticello, Ill., USA : Vance Bibliographies, [1990]
White, Anthony G. Hiromi Fujii and Atsushi Kitagawara : a selected bibliography / Anthony G. White.
Monticello, Ill. : Vance Bibliographies, [c1990]
White, Anthony G. Hiroshi Hara : a selected bibliography / Anthony G. White. Monticello, Ill., USA :
Vance Bibliographies, [1990]
White, Anthony G. Junzo Yoshimura : a selected bibliography / Anthony G. White. Monticello, Ill. : Vance
Bibliographies, [1990]
White, Anthony G. Kazuo Shinohara : a selected bibliography / Anthony G. White. Monticello, Ill., USA :
Vance Bibliographies, [1990]

134
White, Anthony G. Kenzo Tange : a selected bibliography / Anthony G. White. Monticello, Ill., USA : Vance
Bibliographies, [1990]
White, Anthony G. Kiyonori Kikutake : a selected bibliography / Anthony G. White. Monticello, Ill., USA :
Vance Bibliographies, [1990]
White, Anthony G. Kunio Mayekawa : a selected bibliography / Anthony G. White. Monticello, Ill., USA :
Vance Bibliographies, [1990]
White, Anthony G. Shin Takamatsu : a selected bibliography / Anthony G. White. Monticello, Ill., USA :
Vance Bibliographies, [1990]
White, Anthony G. Shiro Kuramata and Masayuki Kurokawa : a selected bibliography / Anthony G. White.
Monticello, Ill. : Vance Bibliographies, [c1990]
White, Anthony G. Three Japanese architects : Isoya Yoshida, Tetsuro Yoshida, Takamasa Yoshizaka : a selected
bibliography / Anthony G. White. Monticello, Ill. : Vance Bibliographies, [c1990]
White, Anthony G. Yoshiro Taniguchi : a selected bibliography / Anthony G. White. Monticello, Ill., USA :
Vance Bibliographies, [1990]
Science, Technology, & Their Representation
Lummis, C.D., ‗Introduction, Japanese critiques of technological Society", Journal of Social and Political
Theory, 8, 3, Fall 1984.
Matthew, Robert, Japanese science fiction : a view of a changing society , London ; New York : Routledge ;
[Oxford, England] : Nissan Institute of Japanese Studies, University of Oxford, 1989
McCormack, G., ‗Manchukuo: Constructing the past‘, East Asian History, 2, December 1991.
Morris-Suzuki, T., ‗Concepts of nature and technology in Pre-Industrial Japan‘, East Asian History, 1,
June 1991.
Schodt, F.L., Inside the Robot kingdom: Japan, mechatronics, and the coming robotopia, Tokyo, Kodansha
International, 1988.
‗Technology in Modern Japan‘, Special Issue, Japanese Studies, 13, 2, September 1993, includes Low, M.,
‗The birth of Godzilla: Nuclear fear and the ideology of Japan as victim‘.
Selected Texts on Modern Japanese Cultural and Intellectual History
Ammann, Jean-Christophe and Araki, Nobuyoshi, Araki Mythologie, Paris, Images modernes, 2001, 252
p.
Arai, Andrea G, ‗The "Wild Child" of 1990s Japan‘, The South Atlantic Quarterly, 99.4, Fall 2000
Bellah, R., Beyond Belief: Essays on Religion in a Post-Traditional World, Harper and Row, 1970
Blacker, C., The Japanese Enlightenment: A Study of the Writings of Fukuzawa Yukichi, Cambridge UP, 1964
Bowring, R.J., Mori Ogai and the Modernization of Japanese Culture, Cambridge UP, 1979
Braisted, W.R., tr. Meiroku Zasshi: Journal of the Japanese Enlightenment, Harvard UP, 1976
Cazdyn, Eric M., ‗Representation, Reality Culture, and Global Capitalism in Japan‘, The South Atlantic
Quarterly, 99.4, Fall 2000
Ching, Leo T. S., 1962-, ‗"Give Me Japan and Nothing Else!": Postcoloniality, Identity, and the Traces
of Colonialism‘, The South Atlantic Quarterly, 99.4, Fall 2000
Dale, P.N., The Myth of Japanese Uniqueness, Croom Helm, 1986, (rev.: Mulhern, C.L., Japan Quarterly,
XXXIV, 3, 1987), rev. ed. Routledge, 1995.
Doi, T., The Anatomy of Dependence, Tokyo, Kôdansha, 1973
Doi, T., The Psychological World of Natsume Soseki, Cambridge, Harvard University Press, 1981
Figal, Gerald, Civilization and monsters, spirits of modernity in Meiji Japan, Durham, Duke University Press,
2000
Fukuzawa, Yukichi, tr. Kiyooka, E., The Autobiography of Fukuzawa Yukuchi, Columbia UP, 1966
Gluck, C., Japan‘s Modern Myths: Ideology in the Late Meiji Period, Princeton UP, 1985 (rev.: Brown, S.D.,
Monumenta Nipponica, 41, 1, 1986)
Hamaguchi, E., ‗A Contextual Model of the Japanese...‘, Journal of Japanese Studies, 11, 2, 1 1985

135
Hamaguchi, E., ‗Towards a theoretical dialogue between Asia and the West‘, Japan Foundation Newsletter,
XIV, 4, 1987.
Harootunian, H., Overcome by Modernity, Princeton, Princeton University Press, 2000.
Harootunian, Harry D., 1929-, ‗Japan's Long Postwar: The Trick of Memory and the Ruse of History‘,
The South Atlantic Quarterly, 99.4, Fall 2000
Hsu, F.L.K., Iemoto: The Heart of Japan, New York, Halsted Press, 1975
‗The Japanese: Portrait of Change‘, Special Issue, Japan Echo, XV, 1988
Irokawa, D., tr. Jansen, M.B., The Culture of the Meiji Period, Princeton UP, 1985 (rev.:Marshall, B.K.,
Monumenta Nipponica, 41, 1, 1986. Waswo, A., Journal of Japanese Studies, 13, 1, 1987)
Ivy, Marilyn, ‗Formation of Mass Culture‘, in Gordon, Andew, ed., Postwar Japan as History¸ Berkeley,
University of California Press, 1993.
Ivy, Marilyn, ‗Revenge and Recapitation in Recessionary Japan‘, The South Atlantic Quarterly, 99.4, Fall
2000
Kamishima, J., ‗Modernization of Japan and the Problem of "IE" Conciousness‘, Acta Asiatica, 13,
1967
Kasza, Gergory J., The State and Mass Meida in Japan, 1918-1945, Berkeley, University of California
Press, 1988.
Koschmann, V., Revolution and Subjectivity in Post-War Japan, 1996.
Kuwabara Takeo, Japan and Western Civilization, Tôkyô, Uinversity of Tôkyô Press, 1983.
Minami, H., The Psychology of the Japanese People, U Toronto P, 1971
Mitchell, R.H., Thought Control in Pre-War Japan, Cornell UP, 1976
Mitchell, R.H., Censorship in Imperial Japan, Princeton UP, 1983
Miyoshi, Masao ed., Postmodernism and Japan, Durham, Duke University Press, 1989 [except for two
additions by Isozaki Arata and Oe Kenzaburô, the content is largely the same as the Special
Issue of The South Atlantic Quarterly, vol.87, no.3, Summer 1988].
Miyoshi, Masao & Harootunian, H.D., eds., Japan in the World, Durham, Duke University Press, 1993.
Miyoshi, Masao, ‗The University and the "Global" Economy: The Cases of the United States and
Japan‘, The South Atlantic Quarterly, 99.4, Fall 2000
Najita,T., Harootunian,H.D., ‗Japanese revolt against the West: political and cultural criticism in the
twentieth century‘, in The Cambridge History of Japan, vol.6, The Twentieth Century, Cambridge
University Press, 1988.
Pyle, K.B., The New Generation in Meiji Japan: problems of cultural identity 1885-1895, Stanford UP, 1969
Rimer, J. Thomas, ed., Culture and Identity: Japanese Intellectuals during the Interwar years, Princeton,
Princeton University Press, 1990.
Roden, D., Schooldays in Imperial Japan: a study in the culture of a student elite, Berkeley, University of
California Press, 1980
Rubin, J., Injurious to Public Morals: Writers and the Meiji State, U Washington P, 1984
Rubin, J., ‗From Wholesomeness to Decadence: The Censorship of Literature under the Allied
Occupation‘, Journal of Japanese Studies, 11, 1, Winter 1985.
Shillony, Ben-Ami, Politics and Culture in Wartime Japan, Oxford, The Clarendon Press, 1981.
Shively, Donald, ed., Tradition and Modernization in Japanese Culture, Princeton, Princeton University
Press, 1971.
Silverberg, M, ‗Modern Girl as Militant‘, in Berstein, Gail Lee, ed. Recreating Japanese Women, 1600-1945,
Berkeley, University of California Press, 1991.
Silverberg, M, ‗Constructing a new cultural history of pre-war Japan‘, in Miyoshi Masao &
Harootunian, H.D. eds., Japan in the World, Durham, Duke University Press, 1993
Sugimoto, Y., Arnanson, J.P., Japanese Encounters with Postmodernity, London: KPI, 1995.
Tamanoi, Mariko, ‗A Road to "A Redeemed Mankind": The Politics of Memory among the Former
Japanese Peasant Settlers in Manchuria‘, The South Atlantic Quarterly, 99.1, Winter 2000
Tanaka, T., ‗The Acceptance of Western Civilization in Japan (Meiji Period)‘, East Asian Cultural
Studies, VI, March 1967

136
Tanizaki Junichirô, In Praise of Shadows, [tr. Harper, T.J.. & Seidensticker, Edward G.], New Haven,
Leete‘s Island Books, 1977.
Toyama, S., ‗Reformers of the Meiji Restoration and the Birth of Modern Intellectuals‘, Acta Asiatica,
13, 1967
Tsurumi, S., An Intellectual History of Wartime Japan, Kegan Paul International, 1986.
Tsurumi, S., A Cultural History of Post-War Japan, 1945-1980, Kegan Paul International, 1987.
Yanagita, K., tr Morse, R.S., The Legends of Tono, Japan Foundation, 1975
Yanagita, K., About our Ancestors: The Japanese Family System, UNESCO, Japanese Ministry of Education,
1970.
Yoda, Tomiko, ‗A Roadmap to Millennial Japan‘, The South Atlantic Quarterly, 99.4, Fall 2000
Yoda, Tomiko, ‗The Rise and Fall of Maternal Society: Gender, Labor, and Capital in Contemporary
Japan‘, The South Atlantic Quarterly, 99.4, Fall 2000
Yoshimoto, Mitsuhiro, 1961-, ‗The University, Disciplines, National Identity: Why is There No Film
Studies in Japan?‘, The South Atlantic Quarterly, 99.4, Fall 2000
Modern Japanese Thought
General Texts on Aesthetics:
Marra, Michele, Modern Japanese Aresthetics: A Reader, Honolulu, University of Hawai‘i Press, 1999.
Marra, Michael F., A History of modern Japanese Aesthetics, Honolulu, University of Hawai‘i Press, 2001.
Marra, Michael F., Japanese Hermeneutics: Current Debates on Aesthetics and Interpretation, Honolulu,
University of Hawai‘i Press, 2002.
Odin, Steve, Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics, Honolulu,
University of Hawai‘i Press, 2001.
Okakura Kakuzô [Tenshin]
See under Nihonga
Kuki Shûzô:
Kuki Shûzô, Le problème de la contingence, [tr. Omodaka Hisayuki], Tôkyô, University of Tokyo Press,
1963.
Kuki Shûzô [tr. Maeno Toshiyuki], Structure de l‘Iki, Tôkyô, Maison Franco-Japonaise, 1984.
Kuki Shûzô, An essay on Japanese Taste: The Structure of ‗Iki‘ [tr. Clark, J.; ed. Matsui Sakuko & Clark, J.],
Sydney, Power Publications, 1996.
Kuki Shûzô, The structure of detachment : the aesthetic vision of Kuki Shûzô, (translated by Nara Hiroshi; with
essays by J. Thomas Rimer and Jon Mark Mikkelsen), Honolulu, University of Hawai‘i Press,
2004.
Kuki and His Times:
Clark, J., ‗The Structure of ‗Iki‘ by Kuki Shûzô‘, Asian Culture Quarterly, vol. XII, no.1, Spring 1984.
Clark, J., ‗Sovereign Domains: The Structure of Iki‘, Japan Forum, vol.10, no.2, 1998.
Dale, Peter N., The Myth of Japanese Uniqueness, London, Croom Helm, 1986 & London, Routledge,
1990.
Heidegger, Martin, ‗A Dialogue on Language‘ in his On the Way to Language, [translated by Peter D.
Hertz], New York, Harper and Row, 1971.
Hosoi Atsuko & Pigeot, Jacqueline, ‗La structure d‘iki‘, Critique, 29, no.308, January, 1973.
Kuno Akira, ‗L‘esthétique de Shûzô Kuki‘ in Tamba Akira, ed., L‘Esthétique contemporaine du Japon, Paris,
CNRS Editons, 1997.
Light, Stephen, Shûzô Kuki and Jean-Paul Sartre: Influence and Counter-Influence in the Early History of
Existential Phenomenology, Carbondale, South Illinois University Press, 1987.
Marra, Michael, Kuki Shuzo: a philospher‘s poetry and poetics, Honolulu, University of Hawai‘i Press, 2004.

137
Nakano Hajimu, ‗Kuki Shûzô and The Structure of Iki‘ in Rimer, J. Thomas, ed., Culture and Identity:
Japanese Intellectuals during the Interwar Years, Princeton, Princeton University Press, 1990.
Nomura Masaichi, ‗Sulla struttura dell‘ ―iki‖ di Kuki Shûzô e il sistema del gusto estetico giapponese‘ in
Gururajamanjarika: Studi in Onore di Giuseppe Tucci, Napoli, 1974.
Pincus, Leslie, ‗In a Labyrinth of Western Desire: Kuki Shuzo and the discovery of Japanese being‘, in
Miyoshi Masao & Harootunian, H.D. eds., Japan in the World, Durham, Duke University Press,
1993.
Pincus, Leslie, Authenticating Culture in Imperial Japan: Kuki Shûzô and the Rise of National Aesthetics,
Berkeley, University of California Press, 1996 [review by Clark, J. Australian Journal of Art, 1997].
Piovesana, G., Recent Japanese Phliosophical Thought, rev. ed., Tôkyô, Enderle, 1973.
Nishida Kitarô:
Adams, Robert, The feasibility of the philosophical in early Taishô Japan, PhD dissertation, University of
Chicago, 1991.
Feenberg, A., Arisaka Yoko, ‗Experiential ontology: The originsof the Nishida philosophy in the
doctrine of pure experience‘, International Philosophical Quarterly, vol.30, no.2, (June 1990), 173- 204.
Nishida Kitarô, An Inquiry into the good, [tr. Abe Masao, Ives, C.], New Haven, Yale University Press,
1990.
Nishida Kitarô, Über das Gute, [tr. Pörtner, Peter] Hamburg, Gesellschaft für Natur und Völkerkunde
Ostasiens, 1990.
Watsuji Tetsurô:
Befu Harumi, ‗Watsuji Tetsurô‘s Ecological Approach : its philosophical foundation‘, in Kalland, A. &
Asquith, Pamela J., Japanese Images of nature: Cultural Perspectives, London, Curzon Press, 1997.
Bellah, Robert N., ‗ Japan‘s cultural identity: some reflections on the work of Watsuji Tetsurô‘, Journal of
Asian Studies, vol.24, no.4, (August 1965), 573-94.
La Fleur, William A., ‗A turning in Taishô: Asia and Europe in the early writings of Watsuji Tetsurô‘, in
Rimer, J. Thomas, ed., Culture and Identity: Japanese Intellectuals during the Interwar Years, Princeton,
Princeton University Press, 1990.
Sakai Naoki, ‗Return to the West / Return to the West: Watsuji Tetsurô‘s anthropology and discussions
of authenticity‘, in Miyoshi Masao & Harootunian, H.D. eds., Japan in the World, Durham, Duke
University Press, 1993
Watsuji Tetsurô, A Climate, [tr.Bownas, G.], Tôkyô, Japanese Government Printing Bureau, about
1961.
Watsuji Tetsurô, ‗The significance of ethics as the study of man‘, [tr. Dilworth David, A.], Monumenta
Nipponica, vol. 24, no.4, (1971) 395-413.
Modern Japanese History
Austin, L., Japan: The Paradox of Progress, New Haven, Yale University Press, 1976
Barshay, Andrew, State and Intellectual in Imperial Japan: The public man in crisis, Berkeley, University of
California Press, 1988.
Berger, Gordon Mark, Parties Out of Power in Japan, 1931-1941, Princeton, Princeton University Press,
1977.
Burks, A.W., ed. The Modernizers, Boulder, Westview, 1985
Crowley, James B., ed., Dilemmas of growth in pre-war Japan, Princeton, Princeton University Press, 1971
Duus, Peter, Party Rivalry and Political Change in Taishô Japan, Cambridge, Harvard University Press, 1968.
Duus, Peter, Scheiner, Irwin, ‗Socialism, Liberalism, and Marxism, 1901-1931‘, in Duus, Peter, ed., The
Cambridge History of Japan, vol.6, Cambridge, Cambridge University Press, 1988.
Duus, Peter, The Rise of Modern Japan, Boston, Houghton Mifflin, 1976.
Garon, S., Molding Japanese Minds: The State of Everyday Life, Princeton: Princeton University Press, 1997.

138
Gordon, Andrew, Labor and Imperial Democracy in Prewar Japan, Berkeley, University of California Press,
1991.
Halliday, Jon, A Political History of Japanese Capitalism, New York, Pantheon, 1975.
Hane, M., Peasants, Rebels and Outcasts: The Underside of Modern Japan, Pantheon, 1982.
Hoston, G., Marxism and the crisis of development in prewar Japan, Princeton, Princeton University Press,
1986.
Jones, H.J., Live Machines, Vancouver, University of British Columbia / Croydon, Paul Norbury, 1980
Koschmann, J.V. ed. Authority and the Individual in Japan, Tôkyô, University of Tôkyô Press, 1978.
Mackie, Vera, ‗Liberation and light: the language of opposition in Imperial Japan‘, East Asian History,
no.9, June 1995.
Mitchell, R.H., Thought Control in Prewar Japan, Itahca, Cornell University Press, 1976.
Myers, R.H. & Peattie, M.R., The Japanese Colonial Empire, 1895-1945, Princeton, Princeton University
Press, 1984.
Najita Tetsuo, Hara Kei in the Politics of Compromise, 1905-1915, Cambridge, Harvard University Press,
1967.
Najita Tetsuo, ‗Japan‘s Industrial Revolution in Historical Perspective‘, in Miyoshi Masao &
Harootunian, H.D. eds., Japan in the World, Durham, Duke University Press, 1993.
Nolte, Sharon H., Liberalism in Modern Japan: Ishibashi Tanzan and His Teachers, 1905-1960, Berkeley,
University of California Press, 1987.
Notehelfer, F.G., Kotoku Shusui: Portrait of a Japanese Radical, Cambridge UP, 1971.
Silberman, Bernard S. & Harootunian, Harry D., eds, Japan in Crisis: Essays in Taishô Democracy,
Princeton, Princeton University Press, 1974.
Smethurst, Richard J., A Social Basis of Japanese Militarism: The Army and the Rural Community, Berkeley,
University of California Press, 1974.
Tanaka, Stefan, Japan‘s Orient: Rendering Pasts into History, Berkeley, University of California Press, 1993.
Umetani, N., The Role of Foreign Employees in the Meiji Era in Japan, Tokyo, Institute for the Developing
Economies, 1971.
Yoshioka Hiroshi, ‗Samurai and self-colonization in Japan‘, in Pieterse, J.N. & Parekh, B. Eds., The
decolonization of the imagination, London: Zed Books, 1995.
Society
DeVos, G.A., Socialization for Achievement, Berkeley, University of California Press, 1973
Fuse, A., ‗Japanese Family in Transition‘, Japan Foundation Newsletter, XIII, 3, 4, 1984.
Hardacre, Helen, Marketing the Menace Fetus in Japan, University of California Press, Berkeley, 1997
Hendry, J., Webber, J., eds., Interpreting Japanese Society, Anthropological Approaches, Journal of the
Anthropological Society of Oxford, Occasional Papers, no.5, 1986 (especially Part III. ‗The
Significance of Leisure‘)
Honda Masuko 本田和子, Kodomotachi no iru uchū 子ども達のいる宇宙 [The universe in which
children live], Sanseidō, Tokyo, 1980
Imada Erika 今田絵里香, Shōjo no shakaishi 少女の社会史 [A social history of girls], Keisō Shobō,
Tokyo, 2007
Ishida, T., Japanese Society, University Press of America, 1972
Kumakura, I., ‗The Iemoto System in Japanese Society‘, Japan Foundation Newsletter, IX, 4, 1981
Mackie, Vera, Creating Socialist Women in Japan: Gender, Labour and Activism, 1900-1937, Cambridge
University Press, Cambridge, 1997.
Mackie, Vera, Feminism in Modern Japan: Citizenship, Embodiment and Sexuality, Cambridge University
Press, Cambridge, 2003
Maeda Ai, 前田愛 ‗Kodomotachi no hen‘yō – kindai bungakushi no naka de‘ 子ども達の変容—
近代文学史のなかで [The transformation of childhood in the history of modern literature],
Kokubungaku kaishaku to kyōzai no kenkyū 国文学解釈の研究, 30(12), 1985, pp. 32-41

139
Morse, R., Sugimoto, S., Images of Japanese Society, Kegan Paul International, 1986 (rev.: Silverberg, M.,
Monumenta Nipponica, 42, 3, Summer 1987).
Nakane, C., Japanese Society, Berkeley, University of California Press, 1970.
Powers, R.G. ‗The Study of Japanese Society: Figments of whose imagination?‘, Japan Foundation
Newsletter, X, 5, 1983
Shimokawa Kōshi 下川耿史, Kindai kodomoshi nenpyō (KKN) 近代子ども史年表 [A chronology of
modern children‘s history] 2 vols, Kawade Shobō Shinsha, Tokyo, 2002.
Smith, R., Japanese Society: Tradition, Self and the Social Order, Cambridge UP, 1985.
‗Symposium on "IE" Society‘, Journal of Japanese Studies, 11, 1, Winter 1985.
Takahashi, Yuichiro, ‗Kabuki Goes Official: The 1878 Opening of the Shintomi-za‘, in Leiter, S.L. (ed),
The Kabuki Reader, M.E. Sharpe, New York, 2002, pp. 123-151
Tamanoi, Mariko Asano, ‗Songs as Weapons: The Culture and History of Komori (Nursemaids), in
Modern Japan‘, The Journal of Asian Studies, 50(4), 1991, pp. 793-817.
Tanaka, Stefan, ‗Childhood: Naturalization of Development into a Japanese Space‘, in Humphreys, S.C.
(ed), Cultures of Scholarship, University of Michigan Press, Ann Arbor, 1997, pp. 21-56.
Uno, Kathleen S., Passages to Modernity: Motherhood, Childhood and Social Reform in Early Twentieth Century
Japan, University of Hawaii Press, Honolulu, 1999.
Wakamatsu Shizuko 若松賤子, ‗Kodomo ni tsuite‘ 子供に付て [Regarding children, 1893] in
Wasserman, Michel, Le Sacre de l‘hiver - La Neuvième Symphonie de Beethoven, un mythe de la modernité japonaise,
Paris, Les Indes savantes, 2006, 129 p.
Waswo, A., Japanese Society, 1868-1994, New York, Oxford University Press, 1996.
Yokosuka Kaoru 横須賀薫 (ed), Jidōkan no tenkai, kindai Nihon kyōiku ronshū 児童観の展開 vol 5,
Kokudosha, Tokyo, 1969, pp 58-68.
Yokotani Teru 横谷輝, ‗Puroretaria jidōbungaku undō to wa nanika‘ プロレタリア児童文学運動
とはなにか [What is the proletarian children‘s literature movement?], in Muramatsu Sadataka
村松定孝 and Kami Shōichirō 上笙一郎, Nihon jidō bungaku kenkyū 日本児童文学, Miyai
shoten, Tokyo, 1974, pp. 301-313.
Yoshino, Kosaku, Cultural Nationalism in Contemporary Japan: a sociological enquiry, London, New York:
Routledge, 1992
Literary Representations [selected]
Two overall surveys are:
Keene Donald, Dawn to the West: Japanese Literature in the Modern Era, I Fiction, II Poetry and Drama, New
York, Henry Holt and Company, 1984.
Lewell John, Modern Japanese Novelists: A Biographical Dictionary,Tôkyô, Kôdansha International, 1993.
Araki, Nobuyoshi, Love Hotel, trad. du japonais par Karine Chesneau, Denoël, 2004, 240 p.
Copeland, Rebecca L., Lost Leaves: Women writers of Meiji Japan, University of Hawai‘i Press, Honolulu,
2000
Doak, K.M., Dreams of Difference: The Japanese Romantic School and the crisis of Modernity, Berkeley,
University of California Press, 1994.
Dodd, Stephen, ‗Fantasies, Fairies, and Electric Dreams: Satô Haruo‘s critique of Taishô‘, Monumenta
Nipponica, vol.49, no.3, 1994.
Fowler, E., The Rhetroic of Confession: Shishôsetsu in Early Twentieth century Japanese Fiction, Berkeley,
University of California Press, 1988.
Ivy, Marilyn, The Discourse of Vanishing: Modernity, Phantasm, Japan, Chicago, University of Chicago Press,
1995.
Jameson, Frederic, ‗Sôseki and Western Modernism‘, in Miyoshi Masao & Harootunian, H.D. eds.,
Japan in the World, Durham, Duke University Press, 1993.
Karatani Kôjin, Origins of Modern Japanese Literature, Durham, Duke University Press, 1993

140
Karatani, Kôjin, Architecture as Metaphor, Cambridge, MIT Press, 1995.
Lippet, Noriko Misuta, Reality and Fiction in Modern Japanese Literature, New York, M.E.Sharpe, 1980.
Maeda Ai, The Text and the City, Fujii, J.A. (ed), Duke University Press, Durham, 2004
Minear, Richard H., ‗Review Symposium: Orientalism and the Study of Japan‘, Journal of Asian Studies,
XXXIX, no.3, May 1980
Miyoshi Masao, Accomplices of Silence, Berkeley, University of California Press, 1974.
Monnet, Lisa, Gender and Performance of Culture: Reading Contempoirary Japanese Fiction, Stanford, Stanford
University Press, 1997.
Monnet, Lisa, ‗Violence, gender, and sexuality,‘ Japan Forum, vol.8., no.1, 1996.
Monnet, Lisa, ‗Montage, cinematic subjectivity and feminism in Ozaki Midori‘s Drifting in the World of
the Seventh Sense‘, Japan Forum 11:1 1999
Morris, Mark, ‗Barthes/Japan: The texture of Utopia‘, in Rix, Alan & Mouer, Ross, ed., Japan‘s Impact on
the World, Japanese Studies Association of Australia, 1984.
Murphey, Joseph ‗Economies of culture: the Taishô bundan dallies with the Movies.‘ Japan Forum 11:1
1999
Murayama Masao, Thought and Behaviour in Modern Japanese Politics, London, Oxford University Press,
1963
Napier, Susan, The Logic of Inversion: Twentieth Century Japanese Utopias, Oxford, Nissan Occasional
Papers, no.15, 1991.
Napier, Susan, The fantastic in modern Japanese literature : the subversion of modernity, London : Routledge,
1996.
Reichert, Jim, In the Company of Men: Representations of Male-Male Sexuality in Meiji Literature, Stanford
University Press, Stanford, 2006.
Reyns-Chikuma, Chris, Images du Japon en France et ailleurs : Entre japonisme et multiculturalisme, Paris,
L‘Harmattan, 2005, 250 p.
Suzuki Tomi, Narrating the Self: Fictions of Japanese Modernity, Palo Alto, Stanford University Press, 1996
Tanizaki Jun‘ichiro, Childhood Years: a Memoir, trans. by McCarthy, P., Kodansha, Tokyo, 1988
Web Resources
General sites:
http://www.aaa.org.hk
http://www.universes-in-universe.de/asia/jpn/english.htm
Specific sites:
http://www.dnp.co.jp/artscape/ mostly about contemporary art, has Japanese and English interface
and sections on "art words"
http://www.dnp.co.jp/artscape/reference/artwords/index.html
http://www.dnp.co.jp/museum/nmp/nmp_j/people/people_frame.htmlhttp://www.hiho.ne.jp/gallery/index.htm
people lists
http://www.kodomo.go.jp/gallery/KODOMO_WEB/introduction/introduction_e.html National
Diet Library, International Library of Children‘s Literature, visited 14 November 2008.
http://rarebook.ndl.go.jp/ National Diet Library, Rare books database
http://www.mfa.org/ Boston Museum of Fine Arts
http://www.musabi.co.jp/list.html Musashino Bijutsu list of contributors
http://www.momat.go.jp/search/ National Museum of Modern Art collection database
http://plaza.bunka.go.jp/index.html new media, need to register (for free)
http://www.mecenat.or.jp/doko/doko.html Association for Corporate Support of the Arts (Mecenat)
list of newspaper articles about art but no links directly to the articles.
http://www.asiasociety.org/arts/japan_guide/ The Asia Society‘s introduction to Japanese art page.
http://www.art-museum.city.yokohama.jp/bizyutu/bizy03.html gallery& museum information.

141
Modern Japanese Art: Texts by John Clark
‗Modernity in Japanese Painting‘, Art History, vol.9, no.2, June 1986, 213-231
‗Yôga in Japan: Model or Exception? Modernity in Japanese art, 1850s-1940s: an international
comparison‘, Art History, vol.18, no.2, June 1995, 253-285.
‗Modernism and Traditional Japanese-style Painting‘, Semiotica, 1, 1989, 1-18;
‗Charles Wirgman (1832-1891), recent discoveries and re-evaluations‘, Proceedings of the 1988 Japan Studies
Colloqium, London, The British Library, 1990, 261-276.
‗Charles Wirgman‘, in Daniels, G., editor, Britain and Japan: Themes and Personalities, 1859-1991, [Japan
Society of London Centennial Volume], London, Routledge and Kegan Paul, The Japan Society, 1991,
54-63
Japanese Exchanges in Art [with other contributions by Luke Gartlan, Colin Osman, and John Fraser],
Sydney, Power Publications, 2001.
‗Indices of Modernity: Changes in Popular Reprographic representation‘, in Elise K. Tipton and John
Clark eds., Being Modern in Japan: Culture and Society from the 1910s to the 1930s, Sydney, Australian
Humanities Research Foundation & Honolulu, University of Hawai‘i Press, 2000, 25-49.
‗Artist and the State: The Image of China in Japanese Painting, 1890s - 1940s‘, in Elise Tipton, ed.,
Society and the State in Interwar Japan, London, Routledge, 1997.
[translation, unpublished] Kumasaka Atsuko, ‗Sanshirô and British Painting‘, 1985, [Japanese original in
Nihon Joshidagaku Kiyô, no.34, March 1985].
‗Surrealism in Japan‘, in Surrealism: Revolution by Night, Lloyd, M., Gott, T., Chapman, C., Australian
National Gallery, Canberra, 204-215.
‗Dilemmas of Selfhood: Public and Private discourses of Japanese Surrealism in the 1930s‘, published
as ‗Artistic Subjectivity in the Taisho and early Showa avantgarde 1945‘, chapter for Monroe,
Alexandra, ed., Scream against the sky: Japanese Art after 1945, New York, Abrams & The
Guggenheim Museum, 1995, 40-53.
Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935 Sydney, Art Gallery of New South Wales,
1998. [originator of exhibition concept, writer of catalogue texts, translator of catalogue texts].
Surrealism in Japan, [a consolidation of the two earlier papers with extensive, previously unpublished
materials] Occasional paper no 28, of Japan Studies Centre, Monash Asia Institute, 1997, 80
pages.
‗The Art of Modern Japan Three Wars‘, Bulletin of the Japanese Studies Association of Australia, vol.11, no.2,
August 1991, 38-42.
‗Surface and Subterranean monuments in Modern Japanese Art‘ for The Nature of the Masterpiece in Europe
and Japan, Sainsbury Centre of the University of East Anglia, Norwich, September 1997 [to date
only published in Japanese translation].
[Translation] Akasegawa Genpei‘s ‗The art that destroyed itself‘ in Reconstructions, Oxford, Museum of
Modern Art, 1985;
[Translation] Iida Yoshikuni, ‗Sense of liberation in a black-market age‘, [unpublished paper for
Reconstructions Exhibition Symposium, as above].
‗Obscenity Deleted‘, 1979, [unpublished lecture to Institute of Contemporary Art on Japanese
pornographic comics].
‗The Conditions for Post-Modernity in Japanese Art of the 1980s‘, shortened version without tables in
Sugimoto, Y., & Arnanson, ed., The Postmodernity Debate and the Japanese Experience, London, Kegan
Paul International, 1994, 154-175;; French translation of a shortened form as ‗Modernisme et
postmodernisme au Japon (Quelques notes à propos des années 1980)‘ in Tamba Akira ed.,
L‘Esthétique contemporaine du Japon, Paris, CNRS Editions, 1997, 139-146.
Review of the ‗Ôsaka Triennale‘, Art & Asia Pacific, 1996, vol.3, no.1.
‗Modernities, Histories: the Japanese Case‘, 1995 [unpublished original of following shortened version];
‗Modernités, Histoires; le cas japonais‘, [traduit par Lacoste, J.) in Harry Belleter, ed., Face à
l‘Histoire , Paris, Centre Georges Pompidou, 1996,.

142
‗Asian Modernisms‘ [reprinted from Humanities Research, no.2, 1999] in Marg, Spring, vol. 53, no.2, 2002,
pp. 102-111.
‗Art History and Alterity: ‗Othering‘ as Process in Modern Asian Art Discourses‘ in Flores, Patrick D.
ed., Commemorative Anthology on the retirement of Professor Alice G. Guillermo, Manila, University of the
Philippines, scheduled 2003.
Modern Aesthetics:
‗The Structure of "Iki" by Kuki Shûzô‘, Asian Culture Quarterly, 1984, XII, 1, 45-51.
Review of Leslie Pincus, Authenticating Culture in Imperial Japan, Berkeley, University of California Press,
1996, in The Australian Journal of Art, vol.XVI, 1997.
Translator and annotator, Kuki Shûzô, An Essay on Japanese Taste - The Structure of Iki, [with a foreword
by Nakano Hajimu, Co-edited with notes by John Clark and by Sakuko Matsui], 168 pages,
Sydney, Power Publications, 1997.
‗Sovereign Domains: The Structure of Iki‘, Japan Forum, vol.10, no.2, 1998, 197-209
―Okakura Kakuzô [Tenshin] and Aesthetic Nationalism‘, forthcoming 2003-06-01
Japanese Architecture:
‗Japanese Architecture‘, Nuttgens, P., World‘s Great Architecture, Paul Hamlyn, London, 1980, 163-179.
Review of Chris Fawcett, The New Japanese House, London, Granada Publishing, 1980, Architects‘
Association Quarterly, vol.14, no.2, 1982, 83-84.
‗Japanese Houses‘, Architects‘ Association Quarterly, vol.10, no.4, 1978, 46-47;
Guide Notes:
‗Art Sites in Japan: I Around Ueno‘, TAASA Review, vol.3, no.3, September 1994, 5-6. (507-508))
‗Art sites around Japan II‘, TAASA Review, 1995. (509-511)
KOREA-REPUBLIC OF KOREA
General Works
Kim, Youngna, ―Modern Korean Painting and Sculpture‖ in Clark, John, ed. Modernity in Asian Art,
Sydney: Wild Peony Press, 1993, pp. 155-168;
Kim, Youngna, ―The Nude in Modern Korean Painting‖ in Hitono Katachi, Hitono Karada (Human Figure
in the Visual Arts in Asia), Tokyo: Heibonsham 1994, pp. 305-319 (in Japanese);
Kim, Youngna, Modern, after 1910‖ in Korea: Sculpture, The Dictionary of Art, vol. 18, London:
Macmillam, 1996, 300-310;
Kim, Youngna,‖Modern Development‖ in Korea: Painting, The Dictionary of Art, vol. 18, London:
Macmillam, 1996, pp. 325-327;
Kim, Youngna, ―Korean Art Today: Contemporary Art and Social Change‖ in Visual Arts and Culture,
1998;
Kim, Youngna, ―Recent Contemporary Art and Social Change in Korea‖ in Lee, Sang-oak and Park,
Duk-soo, ed., Perspectives on Korea, Sydney: Wild Peony Press, 1998, pp. 137-143;
Kim, Youngna, ―Yi In-song‘s Local Colors: Nationalism or Colonialism‖ in Oriental Arts, Vol. XLVI,
no. 4, 2000, pp. 20-30;
Kim, Youngna, ―Korean Art and Culture at the End of the Century‖ in Oh, Kyong-dan, ed., Korean
Briefing 1997-1999, The Asia Society, New York: M.E. Sharp, 2000;
Kim, Youngna, ―Artistic Trends in Korean Painting During the 1930s‖ in Mayo, Marlene and Rimer,
Thomas, ed., Japan and East Asia: War, Occupation, and Creativity, Hawaii: University of Hawaii
Press, 2001, 121-146;
Kim, Youngna, ―Millet‘s Peasant Image: The Receptive Phenomenon in Asia‖ in Seoul Journal of Korean
Studies, Vol. 14, 2001, pp. 233-262;
Kim, Youngna, ―Korean Students in Tokyo in the 1930s: Their Activities with Avant Garde Art‖
(Japanese Language) in Gendai Geijutsu Genkyu, Tsukuba University, Vol. 4, 2001, pp. 3-22;

143
Kim, Youngna, ―Let‘s Pause and Talk, Let‘s Pause and Drik‖ in IIAS Newsletter, Leiden: International
Institute for Asian Studies, August 2000, p. 40;
Kim, Youngna, Tradition, Modernity and Identity: Mod/Modern and Contemporary Korean Art, Seoul: Hollym
Publisher with Korea Foundation, 2004 (Forthcoming);
Kim, Youngna, ‗Postwar Abstract Art and Korea‘s Informel‘ in Woo, Hyesoo, Postwar Abstract Art in
Korea and the West: Passion and Expression, Seoul: Samsung Museum of Modern Art, 2000
Ahn, En_Young, Translatability and 20th century Korean art (1930s to 1990s), Unpublished PhD
thesis, Australian National University, 2003
En Young An, ‗South Korea, democracy and art‘, in Art Monthly Australia, Issu No.: 207, March 2008,
pp. 29 – 33.
‗Introduction to the Modern Oriental Painting of Korea‘, Han'guk Kundae Tongyanghwa, Seoul, Hwarang
Namkyong, 1976
Lee, Jiyoon, ‗Beyond Korea: Post 1989 Korean Contemporary Art‘, in TAASA Review. The Journal of the
Asian Art Society of Australia, v. 17 (1) March, 2008, pp. 9 – 11.
Modern Korea Art Exhibition for the Past 60 years, Seoul, Ministry of Information, 1973 [bilingual
catalogue]
National Museum of Contemporary Art, ed., 100 Masterpieces of Modern Korean paintings (1900-1960),
Seoul, National Museum of Contemporary Art, 2002.
National Museum of Contemporary Art, ed., A glimpse into Korean Modern Painting,[1920s-1960s] Seoul,
National Museum of Contemporary Art, 1998
Pak, Syeung-Gil, ed., Modern Korean Painting, Seoul, Korean National Commission for UNESCO, 1971
Roe, Jae-Ryung, The representation of national identity in Korean Art Exhibitions, 1951-1994, Ph D thesis, New
York University, 1995.
Roe, Jae-ryung, Contemporary Korean Art, Sydney, Australian Humanities Research Foundation, 2001
Selected Works of 100 Modern Korean Sculptors and Painters, Seoul, 1965, [series of one volume per artist in
Korean with some details in English]
Selz, P.ed., Contemporary Korean Painting, Berkeley, Asian Humanities Press, 1979.
So Chong-Ae, Public Funding for the Arts in the Republic of Korea, unpublished MA Thesis,
Teachers‘ College, Columbia University, 2000
Woo, Hyesoo, Postwar Abstract Art in Korea and the West: Passion and Expression, Seoul: Samsung Museum
of Modern Art, 2000
Yi Kyong-song, ‗Sixty years of Modern Korean Art‘, and accompanying chronology by Yi Ku-yol,
English texts in the Korean catalogue Han'guk Kundae Misul, Seoul, National Museum of Modern
Art, 1973.
Yi Kyong-song, Modern Korean Painting, Seoul, Korean National Commission for UNESCO, 1971.
Yoon, Jin-sup, A study on Korean modernism: with emphasis on avant-garde movement since 1956,
Unpublished PhD Thesis, University of Western Sydney, 2000
Individual Artists
Bae Bien-U: Chung, Shinyoung, ‗Where I Work – Bae Bien-U‘, ArtAsiaPacific, no. 48, 2006.
Bahc Yiso: Moon, Iris, ‗Divine Comedy: A Retrospective of Bahc Yiso‘ (exhibition review),
ArtAsiaPacific, no. 50, 2006.
Blupers (Rhie Joongjae): Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian
Art Museum, 1999
Cho Duck-hyun: Fouser, Robert J., ‗Duck-Hyun Cho and the art of ―Memories‖‗, Third Text, no.33,
Winter 1995- 1996. ; Fouser, Robert J., ‗Therapy and Psyche‘, Asian Art News, vol.6, no.2,
Mar/Apr 1996.
Cho Seihon: Fusco, Cassandra, ‗A Dialogue Of People And Place‘, in Asian Art News, v. 17(3), May/June,
2007, pp. 50 – 56.
Choi Hyunsoo: Seo Sounjpu, ‗Choi Hyunsoo, a Korean artist in Paris‘, Art AsiaPacific, vol.3, no.3, 1996.
Choi Jeong-hwa: Lee, James B., ‗ Flim-flam and fabrication: an interview with Korean artist Choi Jeonghwa‘,
Art AsiaPacific, vol.3, no.3, 1996 Asia Pacific, vol.3, no.4, 1996.

144
Choi Jian: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Choi, Sunah: review, Flash Art, vol. XXXVIII, no. 244, October, 2005.
Chung Suejin: review, Flash Art, vol. XXXIX, no. 250, Oct, 2006.
Do-Ho Shu: Kee, Joan, ‗The Singular Pluralities of Do-Ho Shu‘, Art AsiaPacific, no.34, 2002. ; Stockman,
Christine, ‗Do-ho Suh. Infinite points of Contact‘, in ArtAsiaPacific, No. 59, July/August, 2008,
pp. 118 - 125.
Gimhongsok: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002 ; Shinyoung Chung, ‗Wild Korea‘, in ArtAsiaPacific, No. 54,
Jul/Aug, 2007, pp. 78 – 85.
Ha Bik-chuen: Thomson, Jonathan, ‗Ha Bik-chuen at City Hall Exhibition Gallery‘ (Review) in World
Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 49-50
Ham Jin: Kee, Joan, ‗Ham Jin: Pretty Little Things‘ in Art Asia Pacific, No. 40 (Spring 2004), pp. 66-68. ;
Nanjo, Fumio, ‗Ham Jin‘ in Art Asia Pacific, Issue 37 (2003), p. 7
Ham Sup: review, Asian Art News, vol.11, no.4, 2001. ; Binks, Hilary, ‗Paper reborn in art‘, Asian Art
News, vol.10, no.3, 2000
Hong, Jackson: ‗Jackson Hong‘ (review), ArtAsiaPacific, no. 46, 2005.
Hoon Kwak: ‗Hoon Kwak‘, Asian Art News, 2, no.3, May June 1992
Hwang Changha: review, Art in America, vol. 93, iss. 10, Nov 2005.
Hyungkoo Lee: Moon, Iris, ‗The Man Behind the Helmets: Hyungkoo Lee‘ in Art Asia Pacific, No. 41
(Summer 2004), 28-29. ; Ng, Elaine W., ‗Hyunsook Lee: Queen of Seoul‘, in ArtAsiaPacific, No.
56, Nov/Dec, 2007, p. 104 - 105.
Jheon Soocheon: Maerkle, Andrew, ‗Jheon Soocheon: On Board the Moving Drawing‘, ArtAsiaPacific, no.
47, 2006.
Jin Yong Lee: ‗Jin Yong Lee‘ (review) ArtAsiaPacific, no. 47, 2006.
Junebum Park: Butt, Zoe, ‗Junebum Park: Master Illusionist‘, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, p.
57.
Jung Jong-Mee:, Findlay, Ian, ‗Of memory and culture‘, Asian Art News, vol.11, no.1, 2001
Jung Ye Ondoo: Yukie, Kamiya, ‗Dreamweaver: Jung Ye Ondoo‘ in Art Asia Pacific, No. 39 (Winter
2004), pp. 70-75
Kang Ik-Joong: Kee, Joan. ‗Living on the Edge. Borders and Cultures in the work of Ik-Joong Kang.‘ Art
AsiaPacific no.19 1998.
Kang Jin-mo: Findlay, Ian. ‗The Soul of Rock: Kang Jinmo.‘ Asia-Pacific Sculpture News 2:1 Winter 1996.
Kang Sun-Mee: Moon, Iris, ‗Kang Sun-Mee at Gallery Biim‘ (Review) in Art Asia Pacific, No. 39 (Winter
2004), p. 85
Kim Beom: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Kim Bongtae: Findlay, Ian., ‗A World of Color and Space‘, in Asian Art News, Vol. 14, No. 2,
March/April 2004, p.52-57.
Kim Hong Joo: review, Flash Art, vol. XXXVIII, no. 245, November-December, 2005.
Kim Ho-suk: Kim Hyun-do, ‗Disrupture: Politics and history in the art of Kim Ho-suk‘, Art AsiaPacific,
no.14, 1997.
Kim Soo-ja, Cho Kyung-sook, Yi Bul, Yun Suk-nam: Kim Sun-jung ‗Bauble, Bangles and beads‘, Art
AsiaPacific, vol.3, no.3, 1996; Fouser, Robert J., ‗Wrapping Everyday Life: Kim Soo-Ja.‘ Asia-
Pacific Sculpture News 2:2 Spring 1996; Schwabsky, Barry, ‗Kim Soo-ja‘, Art & Text 65, 1999;
Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist‘s Book Series, Kim Soo Ja: A Needle
Woman, Kitakyushu: Center For Contemporary Art, 2000; Wei, Lilly, ‗Kim Sooja at Peter Blum‘,
Art in America, Vol. 90, Issue 9, September 2002; Goodman, Jonathan, ‗Kim Sooja‘ in Art Asia
Pacific, Issue 37 (2003), p. 51
Kim Sora: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002

145
Kim Whanki: Schwabsky, Barry, ‗Kim Whanki‘ [Seoul] Review, Art & Text 67, Nov. 1999- Jan. 2000
Kim Yeong gil: Goodman, Jonathan, ‗Small marks, small spaces‘, Art AsiaPacific, 22, 1999
Kim Youngae: Fusco, Cassandra, ‗An archaeology of experience‘, Asian Art News, vol.12, no.3, 2002. ;
Fusco, Cassandra, ‗Traces of Time and Change‘, Asian Art News, vol. 17, no. 1, Jan-Feb 2007.
Kim, Soo: review, Artforum, vol. 44, Iss. 8, 2006.
Kimsooja: Pasini, Francesca, ed., Kimsooja: To Breathe: Respiare, Charta, Milan, 2006
Ko, Jae: review, Artforum, vol. 45, iss. 5, 2007.
Koo Jeong-A: ‗Koo Jeong-A Wins 2005 Hermes Korea Art Award‘, ArtAsiaPacific, no. 48, 2006. ; Macel,
Christine, ‗Invisible Things‘, Flash Art, vol. XXXVIII, no. 245, November-December, 2005.
Ku Ja-Young: Shinyoung Chung, ‗Ja-Young Ku: Illusion in the Post-Medium Condition‘, ArtAsiaPacific,
no. 51, 2007.
Kwak Hoon: ‗Hoon Kwak‘, Asian Art News, 2, no.3, May June 1992.
Lee Bul: Lee, James B., ‗Desire under siege‘, World Art, no.3, 1995; Fukuoka Asian Art Museum,
Contemporary Asian Artists-I 9Korea), Lee Bul: Monsters+Cyborg, Fukuoka: Fukuoka Asian Art
Museum, 200; Hoffmann, Frank, ‗Cyborgs and Karaoke‘¸ Art in America, May 2002; Kurzmeye,
Roman, Lee Bul: in media res., Seoul, Ssamzie Art Project, 1999; Lee Bul, ‗Beauty and Trauma‘, Art
Journal, vol.59, 3, Fall 2000; Obrist Hans-Ulrich with Lee Bul, ‗Cyborgs and Silicone‘ in Lee Bul,
Seoul, Artsonje Center, 1998; Fouser Robert J., ‗The question of body ownership‘, Art AsiaPacific
28, 2001; Hoffman, Frank, ‗Lee Bul: cyborgs and karaoke‘, Art in America, May 2002; Kantor,
Jordan, ‗Lee Bul‘, Artforum International, Vol.41, Issue 2, October 2002; Hoffman, Frank, ‗Lee Bul:
Cyborgs and karaoke‘, Art in America, Vol. 90, Issue 5, May 2002. Lee Bul, Theatrum Orbis
Terrarum, Tokyo, Japan Foundation Asia Center, 2003; Rhee, Jieun, ―From Godess to Cyborg:
Lee Bul and Mariko Mori‖ in N. Paradoxa, Vol. 14, 2004 (July, 2004) ; Lee Bul On Every New
Shadow, Paris, Foundation Cartier pour l‘art contemporain, 2007.; Masters, HG., ‗Lee Bul.
Wayward Tangents‘, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 126 - 133. ; Lee, James B., ‗Yi
Bul: the aesthetics of cultural complicity and subversion‘, Art & Asia Pacific, vol.2, no.2,
Lee Mikyung: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Lee, Il: review, Art in America, 94:9 (October 2006)
Lee, Inhyeon: review, Artforum, vol. 45, iss. 4, 2006.
Lee, Kyung-Lim: Cohen, Ronny, ‗New York: Kyung-Lim Lee‘, Artforum International, Vol.33, Issue 1,
September 1994
Lee, Yong-Baek: review, Flash Art, vol. XXXIX, no. 247, March-April, 2006.
Li Chunmok: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Noh, Sang-kyoon: review, Artforum, vol. 44, Iss. 6, 2006.
Paik Nam-jun /Nam June Paik: Tomkins, C., ‗Video Visionary‘, in The Scene: Reports on Post-Modern Art,
New York, Viking Press, 1976; Becker, Williams, ed., Pink Video, Barrytown, Station Hill
Imprints, 1998; Fouser, Robert J., ‗Looking for Chaemi : Nam June Paik and Korean Modernist
Aesthetics‘, in Lee Sang-Oak, Park, Duk-soo, eds., Perspectives on Korea, Sydney, Wild Peony, 1998;
Hanhardt, John G., The worlds of Nam June Paik, New York, Guggenheim Museum, 2000; Inamori
Foundation Newsletter, no.3, August 1998 [prize citation]; Pacer, Alessandra, Nam June Paik à Vinci,
San Gimignano, Arte Continua, 2002; Rhee Jong-soong, ‗Portapaik, Nam June Paik interviewed‘,
Art AsiaPacific, vol.3, no.3, 1996; Stooss, Toni; Kellein, Thomas, eds., Nam June Paik: Video Time,
Video Space, New York, Harry N. Abrams, 1993. Butt, Zoe, ‗The Moon is the oldest television‘,
TAASA Review, vol.12, no.2, 2003; Rhee, Jieun, ―Reconstructing the Korean Body: Nam June
Paik as Specular Border‖ in Oriental Art, Vol. XLVIII, No. 4 (2002), pp. 47-50 ; Decker-Phillips,
Edith, Paik Video, Station Hill Arts Series, Barrytown, 1998.; Eine Data Base: Nam June Paik, La
Biennale di Venezia, XLV Esposizione Internationale D‘Arte, Edition Gantz, 1993.; Kim, Alice,
‗Coyotes and Wolves: An Interview with Nam June Paik‘, New Art Examiner, vol.28, no.7 (April,
2001), p.41.; Millett, Kate, ‗Bonyari‘, Nam June Paik: Video Time, Video Space, pp.110-13.; Nam June

146
Paik, John G. Hanhardt, Whitney Museum of American Art, New York, 1982. ; Nam June Paik:
Videa ‗n‘ Videology 1958-73, Everson Museum of Art, Syracuse, New York, 1974. ; Paik, Nam
June, ‗Expanded Education for the Paper-less Society‘ (1968), Nam June Paik: Videa ‗n‘ Videology
1958-73, Everson Museum of Art, Syracuse, New York, 1974. ; Paik Nam June, Video Tte, Video
Ttang, National Museum of Contemporary Art in Korea, Edition API, 1992. ; Ng, Elaine W.,
‗Nam June Paik: 1932-2006‘, ArtAsiaPacific, no. 49, 2006; Hanhardt, John G., ‗Chance in a
Lifetime‘, Artforum, vol. 44, Iss. 8, 2006; Devenport, Rhana, ‗A Transgressive Duet: Nam June
Paik and Charlotte Moorman in Australia in 1976‘, Art and Australia, vol. 43, no. 1, 2005;
Hanhardt, John, ‗Nam June Paik 1932-2006‘, Art in America, 94:4, April 2006; Goodman,
Jonathan, ‗TV Buddha, Video Fish‘, Art AsiaPacific 29, 2001; Landi, Ann, ‗Screen Idyll‘, Art News,
99, 6, 2000
Park, Ga Hae: review, Art in America, 94.8 (Sept 2006)
Park Seo-Bo: Soon Chun Co and Bloemink, B., Empty the Mind: The Art of Park Seo-Bo. New York:
Assouline Publishing, 2009; Park Seo-Bo [Exhibition Catalogue, Beijing], Seoul and Beijing: Arario,
200; Leffingwell, Edward, ‗Park Seo-Bo: at Arario‘, in Art in America 97.3 (March 2009): 146(1)
Rhee, Jong-soong: Rhee, Jong-soong, ‗PortaPaik‘, Art Asia Pacific, vol.3, no.3 (1996), p.54. ;Rhee, Jieun,
Performing the other : Asian bodies in performance and video art, 1950s-1990s, Boston University PhD,
2002, AnnArbor University icrofilms International, 2002.
SEO: review, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006; review, Flash Art, vol. XXXVIII, no. 240,
Jan-Feb, 2005.
Seung Yul Oh: review, Eyeline, no. 61, Spring 2006.
Shin Mye.ng-eun: Shikata Yukiko, ‗Identity Complex: Shin Myeong-eun deconstructs the dog‘, Art
AsiaPacific, no.17, 1998.
Shin Sang Ok: Cushman, Andy, ‗Shin Sang Ok, 1926-2006‘, ArtAsiaPacific, no. 50, 2006.
Sook Jin Jo: review, Art in America, vol. 93, iss. 4, Apr 2005.
Soong, Path: review, Art in America, vol. 93, iss. 9, Oct 2005.
Sung Neung-Kyung: Green, Charles, ‗Sung Neung-Kyung‘, Artforum International, Vol.40, Issue 8, April
2002
Yong Soon Min: Park, Soyang, ‗Xen: Migration, Labor and Identity. Yong Soon Min with Allan de Souza‘
(review), Third Text, vol. 9, no. 4, 2005.
Yoon Jin-me: ‗Jin-me Yoon: Unbidden‘ (review) ArtAsiaPacific, no. 48, 2006.
Young Sun Lim: review, Art in America, 94:4, April 2006.
Colonial Period
Park, Hyun Ok, ‗Korean Manchuria: The Racial Politics of Territorial Osmosis‘, The South Atlantic
Quarterly, 99.1, Winter 2000
Kim Youngna, ‗Artistic trends in Korean painting during the 1930s‘, in Mayo, Marlene J., Rimer J.
Thomas, Kerkham, H. Eleanor, eds, War, Occupation and Creativity: Japan and East Asia, 1920-1960,
Honolulu, University of Hawai‘i Press, 2001, p.121-146.
1950s-1960s
National Museum of Contemporary Art, ed., An aspect of Korean Contemporary Art – in the 1950s to 1960s,
Seoul, National Museum of Contemporary Art, 2000
1970s-1980s
Oh Kwang-su & Kim Bok-young, Korean Contemporary Art from the mid-1970s to mid-1980s: Age of
Philosophy and Aesthetics, Seoul, National Museum of Contemporary Art, 2002
1980s and 1990s
Ahn, En-Young, ‗Slowness of Speed‘, Art Monthly Australia, April 1999: 118
Ahn, En-Young, Translatability, Modernism, and Postmodernism, Master of Visual Arts Thesis, Sydney
College of the Arts, 1994.

147
Ahn, Soyeon, ‗Korean art in the 1990s‘, Artlink, Vol. 20, No. 2, July 2000
Chattopadhyay, Collette. ‗A Korean WRAPsody.‘ Art AsiaPacific no. 21 1999.
Chiba Shigeo, Ichikawa Masanori, Nakabayashi Kazuo, curators; texts by Chiba Shigeo, Ôno Ikuhiko,
An aspect of Korean art in the 1990s, Tokyo, National Museum of Modern Art, 1996
Choi, Eunju, ‗Contemporary Korean Art in Pluralism and the Issue of ‗Communication‘, Kuroda, Raiji,
The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Choi, Tae-man, ‗Min Joong Art and its Testing Ground‘, Art & Asia Pacific, vol.1, no.4, 1994.
Choi, Tae-man, ‗Min Joong art in Korea: Realism as a communication‘, in Fukuoka Art Museum, 4th
Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994.
Choy, Linda, ‗Confucian Feminists‘, Art AsiaPacific, no.33, 2002.
Circulating Currents: Japanese and Korean Contemporary Art, Nagoya, Nagoya Shiritsu Bijutsukan, 1995
Focus on Korea, Art AsiaPacific, vol.3, no.3, 1996
Fouser, Robert J, ‗The Wow Projects: Putting art into circulation‘, Art AsiaPacific, no.35, 2002.
Fouser, Robert J., ‗Canned ambiguity: an exhibition of Korean art in Tokyo‘, Art AsiaPacific, no.16,
1997.
Hasegawa Yuko & Carols, Isabel, ―Last words on the Biennial‖ ‘, Flash Art, XXVIII, no.185, Nov/Dec,
1995.
Jung Hun Yee, ‗The Ssack exhibition at the Sonje Museum‘, Art & Asia Pacific, vol.3, no.2, 1996
Jung Hun Yee, ‗The Ssack exhibition at the Sonje Museum‘, Art & Asia Pacific, vol.3, no.2, 1996
Kee, Joan, ‗Confronting multiple colonization in contemporary Korean art‘, in Milford-Lutzker, Mary-
Ann, ed., Postmodernism and the Postcolonial Debate in Contemporary Asian Art, Oakland, Mills, College,
1998.
Kent, Rachel, ‗Slowness of speed‘, Art AsiaPacific, 24, 1999
Kim Hyun-do, ‗Videomatic, beauty kitsch and politics in contemporary Korean art‘, Art AsiaPacific,
vol.3, no.3, 1996.
Kim Soun-gui, ‗The Emptiness of Emptiness, Dream of the Butterfly‘, Art & Asia Pacific, vol.1, no.4,
1994.
Kim Youngna, ‗Korean Art Today: Contemporary Art and Social Change‘, Visual Arts + Culture, vol.1,
no.1, 1998.
Kim Youngna, ‗Recent Contemporary Art and Social Change in Korea‘, in Lee Sang-Oak, Park Duksoo,
eds., Perspectives on Korea, Sydney, Wild Peony, 1998.
Kim, Youngna, ‗Korean Art Today: Contemporary Art and Social Change‘, Paroissien, Leon, ed.,
Visual Arts and Culture, Volume 1, Part 1 (1998)
Kim Youngna, ‗Korean arts and culture at the end of the twentieth century‘ in Oh Kongdan, ed., Korea
briefing, 1997-1999, challenges and change at the turn of the twentieth century, Armonk, Eastgate, 2000
Lee Hwaik, ‗Painting Nothing‘ [monochome painting], Art AsiaPacific, vol.3, no.3, 1996 Gallery,1995.
Lee Yongwoo, Information and Reality: Contemporary Art, Edinburgh, Fruitmarket Gallery, 1995.
Lee, James B., ‗The year of art‘, Art & Asia Pacific, vol.2, no.3, 1995.
Lee, James B., ‗Performance Art takes a stand‘ Asian Art News, vol.4, no.6, Nov-Dec, 1994.
Lee, James B., ‗You are not here‘ [Korean art at Edinburgh], Art AsiaPacific, vol.3, no.3, 1996.
Nahas, Dominique, ‗The eye of the tiger: a survey of contemporary Korean art‘, Art AsiaPacific, no.18,
1998.
Roe Jae-ryung, ‗From Chosun Dynasty to Segehwa‘, Art AsiaPacific, vol.3, no.3, 1996.
Roe Jae-ryung, Contemporary Korean Art, Sydney, Craftsman House, 2001 [Ahn, En-Young, review of Art
AsiaPacific, 35, 2002]
Roe, Jae-ryung, ‗Korean Art at Home and Abroad: Staging a Culture‘, Art & Asia Pacific, vol.1, no.4,
1994.
Roe Jae-ryung, ‗Novel exposure‘ [Korean photography], ART AsiaPacific, no.13, 1997.
Seo Seongrok, ‗Sensibility of a New Generation.‘ ‗Asian Art: Prospects for the Future.‘ International
Symposium 1999.
‗Supplement: Korea‘, Asian Art News, vol. 5, no.1, Jan-Feb 1995.

Young Y. Chung. ‗The Traditional Korean Wedding Robe.‘ TASSA Review, 7:3 1998.
148
2000+
‗Contemporary Korean Photography‘ review, Art AsiaPacific, 34, 2002
Ahn En-Young, ‗Reclaiming colours in Korean Art‘, Art Monthly Australia, no.153, September 2002.
Chung, Shinyoung, ‗Yoon-Jean Lee, Bae Bien-U and Sang-Gil Kim: the Silent Seduction of Three
Korean Photographers‘, ArtAsiaPacific, no. 48, 2006; ‗The People in the Time 1945-2005 – Sixty
Years of Korean Photography‘ (review), ArtAsiaPacific, no. 46, 2005.
Cohn, Don J., ‗Anyang Public Art Project: Out of Thin Air‘, in ArtAsiaPacific, No. 57, Mar/Apr, 2008,
pp. 88 - 89.
Goodman, Jonathan, ‗Il Lee, Chun Kwang-Young and Lee Ufan: International Abstraction,
Generational Trajectories‘, ArtAsiaPacific, no. 51, 2007.
Heartney, Elanor, ‗Korean Crossing‘ in Art in America, September 2004), pp. 60-65
Kang Seungwan & Kelley, Jeff, leaning forward, looking back, eight contemporary artists from korea, Seoul,
National Museum of Contemporary Art, & San Francisco, Asian Art Museum, 2003
Kee, Joan, ‗Trouble in ―New Utopia‖‘ in positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004)
Koplos, Janet, 'Korea and Japan mend fences', Art in America, Vol. 91, Issue 4, April 2003
Menta, C.de, Peppermint Candy. Contemporary Art fiorm Korea [Exhibition Catalogue]. Santiago and Buenos
Aries: Museo de Arte Contemporaneo de Santiago and Museo Nacional de Bellas Artes de
Buenos Aires, 2007
Moon, Iris, ‗Double Vision at the Jam-Packed Korean Pavillion‘, ArtAsiaPacific, no. 45, 2005; ‗Kim
Chang-il: Redefining the Korean Collector Building up an Art Collection in a Crumbling Market‘
in Art Asia Pacific, No. 40 (Spring 2004), pp. 30-31
Moon, Iris, ‗Seoul: Until Now! City and Scene‘ (review) ArtAsiaPacific, no. 47, 2006.
Seung-duk Kim, ‚Focus South Korea. Changing Times‘, in Flash Art, vol. xl, no. 255, July – September,
2007, 90 – 94.
General Works
Sirmans, Franklin, ‗Busan Biennale 2004 – Chasm: Between Reality and Ideal, One on One With Manu
D. Park‘ in in Art Asia Pacific, No. 41 (Summer 2004), pp. 36-37.
Vine, Richard, ‗Busan Biennale: Sept 6-Nov 15‘.(BIENNIAL DIGEST), in Art in America 96.11 (Dec
2008): 94(3).
Vine, Richard. ‗Seoul Biennale: Sept 11-Nov 5‘, (BIENNIAL DIGEST) in Art in America 96.11 (Dec
2008): 97(2).
Video and new Media
Hong Sung-Min, ‗Korean video of art now‘, Art AsiaPacific, 27, 2000
Hyun Daiwon, ‗Promoting the Digital Content Industry in Korea, Focusing on Exporting Animation‘,
in International Journal of Comic Art, Vol. 6, No. 1, Spring 2004, pp. 329-339.
Jae-Woong Kwon, ‗New Type of Popular Culture in the Internet Age: An Analysis of the Korean
Essay Cartoon‘, in International Journal of Comic Art, Vol. 7, No. 1, Spring 2005, pp. 320-350.
Kim Hyun-do, ‗Videomatic, beauty kitsch and politics in contemporary Korean art‘, Art AsiaPacific,
vol.3, no.3, 1996.
Perlmutter, Harry, ‗Moving Time - Nam June Paik and 30 International Video Artists‘ (exhibition
review), ArtAsiaPacific, no. 49, 2006.
Song Seungmin, ‗Korean Independent Animation: Its Origin and Meaning‘, in International Journal of
Comic Art, Vol. 7, No. 1, Spring 2005, pp. 351-259.
Sueen Noh, ‗‖To Be or Not to Be, That Is the Question‖: What Is Happening with Korean Comics,
(Mauhwa), Today?‘, in International Journal of Comic Art, vol. 9, no. 2, Fall, 2007, pp. 454 – 477.
Sueen Noh, ‗The Gendered Comics Market in Korea: An Overview of Korean Girls' Comics, Soonjung
Manhwa‘, in International Journal of Comic Art, Vol. 6, No. 1, Spring 2004, pp. 281-298.

149
Minjung Misul
Choi, Tae-man, ‗Min Joong Art and its Testing Ground‘, Art & Asia Pacific, vol.1, no.4, 1994.
Choi, Tae-man, ‗Min Joong art in Korea: Realism as a communication‘, in Fukuoka Art Museum, 4th
Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994.
KOREA-DEMOCRATIC PEOPLE’S REPUBLIC OF KOREA
Jana, Reena, ‗Art Under Control in North Korea‘ (book review), Artforum (Bookforum), vol 12, iss. 2,
June-Sep 2005.
Joren, G., ‗Artists at Work‘, Asian Art News, 2, no.3, May-June 1992.
Korean Paintings of Today, Pyongyang, Foreign Languages Publishing House, 1980.
The Korean Art Gallery, Pyongyang, Foreign Languages Publishing House, 1985.
Portal, Jane, Art Under Control in North Korea, Reaktion Books, London, 2005.
Suh Sung-rok, ‗The Battlefield is just in front of us‘, Art AsiaPacific, vol.3, no.3, 1996.
SOUTHEAST ASIA
Southeast Asian Modern Art in General
[ARX5], Farnay, Rachel, ‗Minds of their own‘ Asian Art News, vol.9, no.1, 1999
[ASEAN, 1989] First ASEAN Symposium on Aesthetics, Kuala Lumpur, Balai Seni Lukis Negara, 1989.
[ASEAN, 1997 ] ‗ASEAN art awards 1996‘, Asian Art News, vol.7, no.1, Jan/Feb 1997.
[ASEAN, 1998 ] Farnay, Rachel, ‗An ASEAN success story‘, Asian Art News, vol. 8, no.1,
January/February 1998; Galligan, Gregory, ‗The ASEAN Art Awards‘, Art AsiaPacific,no.18,
1998.
[ASEAN, 1999] Jay, Sian E., ‗The Face of the new‘, [Philip Morris ASEAN Art Awards], Asian Art
News, vol.9, no.1, 1999; Sian E, Jay, ‗The Face of the New‘, [ASEAN Art Awards] Asian Art
News, 9:1 1999.
[ASEAN, 2001] Jay, Sian E., ‗An ASEAN looking-glass‘, Asian Art News, vol.11, no.1, 2001; Lenzi,
Iola, ‗Twelve ASEAN artists‘, Art AsiaPacific, 31, 2001
[ASEAN, 2002] ‗An engaging vision‘[8 th Philip Morris ASEAN Art Awards], Asian Art News, vol.12,
no.4, 2002; Jay, Sian E., ‗Sixth Sense‘ [Philip Morris ASEAN Art Awards], Asian Art News,
vol.10, no.1, 2002
Clark, J, ‗Modern Art in S.E.Asia‘, Special Null Issue of Art & Asia Pacific, 1993.
‗Contemporary Arts of the Region: South East Asia and Australia‘, ARTLINK, vol.13, nos 3 & 4,
Nov/Mar, 1993/1994. [Thailand, Indonesia, Vietnam, the Philippines, Malaysia, Singapore,
Australia].
Asian Modernism: Diverse Development in Indonesia, the Philippines and Thailand, Tokyo, Asia Center, 1995,
[reviews by Clark John, Asian Art News, vol.6, no.1, Jan/Feb 1996; Shimizu Toshio, ‗Asian
Modernism‘, Art & Asia-Pacific, vol.3, no.1, 1996].
Cooke, Anna Zeitlin, ‗The weavings of war: textiles from Vietnam, Laos, and Thailand‘, Art AsiaPacific,
no.18, 1998.
Eagle, M., ‗Shadows cast by others‘ [Adelaide Festival Installations], Art Monthly Australia, no.68, April
1994.
Ewington, Julie, ‗Between the cracks: Art and method in SE Asia‘, Art AsiaPacific, vol.3, no.4, 1996.
Findlay, Ian., ‗Understanding Contemporary Southeast Asian Art by Marjorie Chu‘ (book review), in
Asian Art News, Vol. 14, No. 2, March/April 2004, p.99-100.

150
Furuichi, Y., Ushiroshoji, M., Sakonaka, Y., New Art from South-East Asia 1992, [bilingual], Tokyo, The
Japan Foundation, 1992.
Gaweewong, Jeab Gridthiya., ‗Towards a New Paradigm: Contemporary Art from Thailand and Nan
Yang‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.104-107.
Jay, Sean E., ‗In search of the future‘, other [Nokia awards], Asian Art News, vol.10, no.2, 2000
Jay, Sian E, ‗Other Voices, Other Views‘, Asian Art News, 9:1 1999.
Jay, Sian E, ‗A Winning Way‘, Asian Art News, 9:1 1999.
Jones, Jason, ‚Could Installation Art be the New Mdium for Southeast Asia‘ in Explorations in Southeast
Asian Studies (A Journal of the Southeast Asian Studies Student Association), Vol. 4 (Fall 2000)
Little, Andrews, ‗Mekong Art & Culture Project: Bridging the regional divide‘, in ArtAsiaPacific, No. 59,
July/August, 2008, pp. 86 - 87.
Löschmann, Jörg, curaor, Identities versus Globalization?, Chiang Mai, Heinrich Böll Foundation, 2003
Paras-Perez, Rod, ‗South-East Asian Sense and Sensibility: The well-filled space, the well-cut silence‘,
Art & Asia Pacific, vol.1, no.4, 1994.
Poshyananda, Apinan, ‗―Con Art‖ seen from the edge: the meaning of conceptual art in South and
Southeast Asia‘, in Global Conceptualism: Points of origin, 1950s –1980s, New York, Queens Museum
of Art, 1999
Sabapathy, T.K., et al, Modernity and Beyond: Themes in South East Asian Art, Singapore, Singapore Art
Museum, 1995.
Sabapathy, T.K., ed., Past, Present, Beyond: Re-nascence of an Art Collection, Singapore: South and Souteast
Asian Asian Gallery/ NUS Museums, 2002
Seminar on Fine Arts of Southeast Asia, Bangkok; Association of Southeast Asian Institutions of Higher
Learning, 1964.
Tatehata Akira, ‗Crossroads of Culture: A survey of recent Southeast Asian art in Tokyo‘, Art
AsiaPacific, no.17, 1998.
Torres, Emmanuel, ‗The Coupling of Word and Image‘, Asian Art News, 9:1 1999.
Turner, Caroline, ‗Asian Modernisms: The Birth of the modern in Southeast Asia‘, Art AsiaPacific,
no.17, 1998.
Ushiroshôji Masahiro et al, The Birth of Modern Art in Southeast Asia: Artists and Movements, Fukuoka,
Fukuoka Art Museum, 1997.
Zhuang Wubin, ‗Spotlight on Another Asia‘ (review), Asian Art News, vol. 17, no. 1, Jan-Feb 2007
Zhuang Wubin and Wim Melis, ‗Between Art and Documentary‘, Asian Art News, vol. 17, no. 1, Jan-
Feb 2007
Southeast Asian History: selected
Anderson, Benedict, The Spectre of Comparisons: Nationalism, Southeast Asia and the World, London, Verso,
1998.
Hall, G.G.E., A History of South-East Asia, London, Macmillan, 1955, 1994
Heine-Geldern, R., Concepts of State and Kingship in Southeast Asia, Ithaca, Data Paper no.18, South East
Asia Program, Cornell University, 1956.
Trankell, Ing-Britt and Summers, ed., Laura, Facets of Power and Its Limitations: Political Culture in Southeast
Asia, Uppsala Press, 1998
Yao, Souchou, House of Glass: Culture, Modernity, and the State in Southeast Asia, Singapore: The Insitute of
Southeast Asian Studies, 2001
MYANMAR [BURMA]
General Works
Baily, J. T., ‗Some Burmese Paintings of the 17 th Century and Later – Part 3: Nineteenth Century
Murals at Taung Thaman Kyang tawgyi‘, in Artibus Asiae, 1979.

151
Daw Ohn Kyi, ‗Mandalay Under the British, 1886 – 1895‘, in Myanmar Historical Research Jounral, no. 4,
December, 1999.
Findlay, Ian, ‗Notes From Yangon‘, Asian Art News, vol. 12, no. 2, March/April 2002
Jay, Sian E., ‗Changing times‘, Asian Art News, vo.11, no.4, 2001
Jill Sheng Mei ‗In a World of Their Own‘, Asian Art News, July/Aug 1998 [Aung Myint, M.P.P. Yei
Myint, Myanmar]
Koh, Jay, ‗Art Activism and Cross-cultural Projects in Thailand and Myanmar: The Need to Open up
Structures for Engagement‘, Focas (Forum on Contemporary Art & Society), no.2, July 2001
Lee, Terry & Win, Min Chan, ‗Contemporary Art Scene of Myanmar‘, Kuroda, Raiji, ed., The First
Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Min Naing U, U Ba Nyan i bawa, Rangoon [?], 1974.
Pettifor, Steven, ‗Contemporary Art from Myanmar at Dhara Dhevi Gallery‘ (review), Asian Art News,
vol. 16, no. 4, 2006.
Individual Artists
Aung Myint: Ma Thanegi, ‗ A bridge to the future‘, Asian Art News, vol.12, no.4, 2002
Aye Ko: Ma, Thenegi,‘Breaking Free‘, On Aye Ko, Asian Art News, vol. 12, no. 5, September/October,
2002
M.P.P. Yei Myint: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Moe, Soe: review, Asian Art News, vol. 15, no. 4, 2005.
Muang Di: review, Ma, Thanegi, ‗Muang Di at New Treasure Gallery‘, Exhibition Reviews, Asian Art
News, vol. 12, no. 2, March/April 2002
Nay Nyo Say: Ma, Thanegi, ‗On Nay Nyo Say, Asian Art News, vol. 12, no. 5, September/October, 2002
Nyein Chan Su: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Po Po: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian
Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999
Say, Nay Myo: review, Asian Art News, vol. 15, no. 3, 2005.
Soe Moe: Ma Thanegi, ‗A narrative of light‘, Asian Art News, vol.12, no.4, 2002
U Lun Gwye: Jay, Sian E., ‗In the footsteps of the masters‘, Asian Art News, vo.11, no.4, 2001
________________________________________________________________________________
LAOS
General Works
Campbell, Bronwyn, ‗Dreams and Reality in Laos‘, TAASA Review, vol.11, no.3, 2002
Hyles, C., ‗Revolutionary street pictures of Laos‘, The Journal of the Asian Arts Society of Australia, 2, 3,
August 1993.
Phoummachanh, Nousay ‗Modern art in Laos‘, Fukuoka Art Museum, 4th Asian Art Show Fukuoka:
Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994.
Sikounnavong, Kanha, ‗Loa Art: A Continuation from Tradition to Modern Life‘, Kuroda, Raiji, ed.,
The
First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Tanabe, Shigeharu and Keyes, Charles F., ed., Cultural Crisis and Social Memory: Modernity and Identity in
Thailand and Laos, Hawai‘i: University of Hawai‘i Press, 2002
Individual Artists
Douangdy Khanthavilay: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian
Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999

152
[The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art
Museum, 1999
Kham Tanh Saliankham: Kham Tanh Saliankham: Winds of Artists in Residence 2001-, Fukuoka: Fukuoka
Asian Art Museum, 2001
Phouvanh Thammavong: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian
Art Museum, 1999
THAILAND
All personal names are given as habitually romanized by the artist or writer in question in Thai with the
sequence of first or personal name first. Romanization is frequently, but not always, a
transcription into roman letters of Thai orthography whose pronunciation rules in Thai are
unfamiliar in English. For example, ‗Kamol‘ is actually pronounced ‗Gamon‘ in Thai,
‗Poshyananda‘ is pronounced as ‗Posyanorn‘ et cetera. That is, final ‗l‘ in transcription is usually
pronounced ‗n‘, and final consonants are often unpronounced, only semi-voiced, or otherwise
varied. Thai romanizations thus vary considerably and usually transliterate Thai orthography
without directly transposing Thai sounds. For convenience, romanization here largely follows
Haas, Mary, Thai-English Students Dictionary, Stanford, Stanford University Press, 1964.
Historical Context
Before 1780s
Facts and Fantasies [written records and book illustrations from the Zoomers and Kramers collections],
Bangkok, National Library of Thailand, 2006
Skilling, P.‗For merit and Nirvana: The production of art in the Bangkok Period.‘ Arts Asiatiques 62: 76–
94.
1780s to 1910s [Rama I to Rama V]
Leonowens, Anna, The English Governess at the Siamese Court (1870) Singapore, Oxford University Press,
1989.
Smithies, M. ed., Early Accounts of Petchburi, Bangkok, The Siam Society, 1987.
Smithies, M., Descriptions of Old Siam, Kuala Lumpur, Oxford University Press, 1995.
Bowring, J., The Kingdom and People of Siam [1857], reprint with foreword by Wyatt, D., Kuala Lumpur,
Oxford University Press, 1969.
Chomchai, Prachoom, Chulalongkorn the Great, Tokyo, Centre for East Asian Cultural Studies, 1965.
Landon, K.P., Siam In Transition, London, Oxford University Press, 1939.
Low Moffat, A., Mongkut, King of Siam, Ithaca, Cornell University Press, 1961.
Lysa, Hong, Thailand in the Nineteenth Century, Singapore, Institute South East Asian Studies, 1984.
Pallegoix, Abbé, Description du Royaume Thai ou Siam, 1854, reprint, Farnborough, Gregg Interntional
Publishers, 1969.
Quaritch Wales, H.G., Ancient Siamese Government and Administration, New York, Paragon Reprint, 1965.
Rabibhadana, Akin, The Organization of Thai Society in the early Bangkok Period, 1782-1873, Ithaca, Cornell
University Southeast Asia Program, Data Paper, no.74, 1969.
Rabibhadana, Akin, ‗Citizenship and Class Structure in the Early Bangkok Period‘, in Skinner, G.W.,
Kirsch, A.T., eds., Change and Persistence in Thai Society, Ithaca, Cornell University Press, 1975.
Reynolds, ‗A challenge to royal historical writing in late nineteenth century Thailand: the case of K.S.R.
Kulab‘, Journal of the Siam Society vol.61, part 2, July 1973.
Reynolds, C., ‗Sedition in Thai History: A nineteenth century poem and its critics‘, in Manas
Chitakasem, Turton, A., eds., Thai Constructions of Knowledge, London. School of African and
Oriental Studies, 1991.

Vella, W.F., Siam Under Rama III, Locust Valley, J.J.Augustin Ltd, 1957.
Wilson., C.M., State and Society in the Reign of Mongkut, 1851-1968: Thailand on the Eve of Modernization,
Ann Arbor, University Microfilms, 1971.
153
1910s to 1940s [Rama VI to Rama VIII]
Chaiyan Rajchagool, The Rise and Fall of the Absolutist Monarchy: Foundations of the Modern Thai State from
Feudalism to peripheral Capitalism, Bangkok, White Lotus, 1994.
Mokarapong, Thawatt, History of the Thai Revolution, Bangkok, Chalermnit, 1972.
Vella, W.F., Chaiyo!: King Vajravudh and the development of Thai Nationalism, Honolulu, University of Hawaii
Press, 1978.
1950s to Present [Rama IX] (See also ‘Thai Mentalities including Religion’ later)
Anderson, B., ‗Withdrawal Symptoms: Social and Cultural Aspects of the October 6 Coup‘, Bulletin of
Concerned Asian Scholars, 9, 3, July-September 1977.
Anderson, B., ‗Studies of the Thai State: The State of Thai studies‘, in Ayal, Eliezer B., ed. The Study of
Thailand: Analyses of Knowledge, Approaches, and Prospects in Anthropology, Art History,Economics, History
and Political Science, Athens, Ohio, Center for International Studies, 1978.
Anderson, B., Imagined Communities, [rev. ed.], London, Verso, 1991.
Anderson, B., The Spectre of Comparisons, Nationalism, Southeast Asia and the World, London, Verso, 1998.
Chula Chakrabongse, Prince, Lords of Life: The Paternal Monarchy of Bangkok 1782-1932, London, Alvin
Redman, 1960.
Dhiravat na Pombejra, Court, Company, and Campong, Essays on the VOC presence in Ayutthaya. Ayutthaya
Historical Study Centre Occasional Paper 1, Phra Nakhon Sri Ayutthaya, Ayutthaya Historical
Study Centre, 1992.
Felicitation Volumes of Southeast-Asian Studies presented to His Highness Prince Dhaninivat Kromamum Bidyalabh
Bridhyakorn, 2 vols., Bangkok, The Siam Society, 1965.
Lysa, Hong, ‗Warasan Setthasat Kanmu‘uang Critical scholarship in post-1976 Thailand‘, in Manas
Chitakasem, Turton, A., eds., Thai Constructions of Knowledge, London. School of African and
Oriental Studies, 1991.
McCargo, D., Chamlong Srimuang and the new Thai Politics, London, Hurst, 1997.
Phongpaichit, Pasuk, ‗The Thai Middle Class and the Military: Social Perspectives in the Aftermath of
May 1992‘, Thailand Update, RIAP,1992
Phumisak, Jit, tr. Reynolds, C., Thai radical discourse: the real face of Thai feudalism, Ithaca, Cornell University
Press, 1987.
Phya Anuman Rajadhon, The Nature and Development of the Thai Language, Bangkok, the Promotion and
Public Relations Sub-division, the Fine Arts Department, 2532 (1989).
Prizzia, R., Thailand in Transition, The Role of Oppositional Forces, Honolulu, University of Hawaii Press,
1985.
Reynolds, C., Lysa, Hong, ‗Marxism in Thai historical studies‘, Journal of Asian Studies, vol.53, no.1, Nov
1983.
Reynolds, C. ed. National Identity and its Defenders: Thailand 1939-89, Melbourne, Monash University
Centre for SE Asian Studies, 1991; new editions with essay, ‗Thai identity in the age of
Globalization‘, Chiangmai, Silkworm Books, 2002
Riggs, F., Thailand: The Modernization of a bureaucratic polity, Honolulu, East-West Centre Press, 1966.
Sivaraksa, S., Siam in Crisis, Bangkok, Thai Inter-Religious Commissionfor Development, 1990.
Special Issue: ‗Seven Hundred Years of the development of the Thai Language‘, Crossroads, vol.3, no.1,
1986.
Streckfuss, D., ed., Modern Thai Monarchy and Cultural Politics; the acquittal of Sulak Sivaraksa on the charge of
lésé majesté in Siam 1995, and its consequences, Bangkok, Santi Prahca Dhamma Institute, 1996.
Sulak Sivaraksa, Siam in Crisis, Bangkok, Santi Pracha Dhamma Institute, 1980, 1990
Terwiel, B.J., A History of Modern Thailand, 1767-1942, St. Lucia, University of Queensland Press, 1983.

154
Wedel, Yuangrat, with Wedel, Paul, Radical Thought, Thai Mind, The development of revolutionary ideas in
Thailand, Bangkok, Assumption Business Administration College, 1987.
Wood, W.A.R., A History of Siam from the earliest times to the year A.D. 1781, with a supplement dealing with
more recent events, Bangkok, 1924 & London, T. Fisher Unwin, 1926
Wyatt, David K., Studies in Thai History, Chiangmai, Silkworm Books, 1994.
Wyatt, David K., Thailand, A Short History, New Haven, Yale University Press & Chiangmai, Trasvin,
1984.
Individual Artists
Anurak Chatanan: Anurak Chatanan & Toi Ungkavatanapong, Fact VS Fiction, Tadu Contemporary Art,
Bangkok, March 25 - April 19, 1998.
Apichatpong, Weerasethakul: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo:
The Japan Foundation Asia Center, 2002; Gaweewong, Gridthiya, ‗Apichatpong Weerasethakul‘
in Art Asia Pacific, Issue 37 (2003), p. 47
Araya Rasdjarmeearnsook: Apinan Poshyananda, ‗Arya Rasdjarmrearnsook‘, Art & Asia Pacific, vol.2, no.3,
1995; Araya Rasdjarmrearnsook, Araya Rasdjarmrearnsook, Solo Exhibition, the National Gallery,
Bangkok, December 7-30, 1995; Araya Rasdjarmrearnsook, Araya Rasdjarmrearnsook, Solo
Exhibition, the National Gallery, Bangkok, 6-30.12.1994; Poshyananda, Apinan, ‗Araya
Rasdjarmreansook‘ in Art Asia Pacific, Issue 37 (2003), p. 77. ; Curtin, Brian, ‗Araya
Rasdjarmrearnsook: Matters of Life and Death‘, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 78
– 79.
Bhusit Poodsongkram: Bhusit Poodsongkram & Boonkwang Noncharoen, Impressionist Painting
Exhibition, Voyage to London, June,1991 - April,1992.
Boonkwang Noncharoen: Boonkwang Noncharoen & Bhusit Poodsongkram, Impressionist Painting
Exhibition, Voyage to London, June, 1991 - April, 1992.
Boonyavanishkul, Rearngsak: Watson, Robert C., ‗A Sculpted Surrealism‘, World Sculpture News, vol. 12, no.
1, 2006.
Cang Saee Tang [Tang Zhang]: Cang Saee Tang, Thadsanasin Kawiiniphon Cang Saee Tang, Published in Cang
Sae Tang‘s funeral at Meeru Wadsuthaaraam, December 2, 2533 (1990); Cang Saee Tang, Visual
Art-Poems by Tang Chang, 2nd ed. Bangkok, Samnakphim Sawaeng Haa, 2533 (1990); Cang Saee
Tang, ‗Chiiwid Khwaamkhid Lae Khwaam Ngaam‘, Art World, Vol.4 No.2, February - April,
2533 (1990); Cang Saee Tang, Jaam Chaw, Baang Bod Khong Bodkawii Phoor Kab Maee Phor Sor 2503-
2514, Poets in Tang Chang‘s Institute of Modern Art, Bangkok, Saaj Song Syk Sid Borrisad Khled Thai
Camkad, .2528 (1985); review, Asian Art News, vol.11, no.5, 2001.
Chakraphan Posyakrit: Tira Intravutr, Chakrabhand Posayakrit:Thailand‘s Renaissance Man, Bangkok,
Nuang-Nuang Books, 1985.
Chalermchai Khosidphipat: ‗Anaakhod Cidtrakam Thai Naj Mum Morng, Chalermchai Khosidphipat‘, Phu
Cadkaan Raj Wan, no date.
Chalermchai Khositpipat: Hoskin, John, ‗A Question of attitude‘, Chalermchai Kositpipat, Panya
Vijinthanasarn‘, Art & Asia Pacific, vol.2, no.3, 1995.
Chalood Nimsamer: Silpakorn University, ‗Khyy Kab Aachaan Chalood, Sinlapin Haeng Chaad Saa Khaa
Thudsanasin Pracampii 2541‘ Wang Tha Phra Art Forum, n.d.; Krom Sinlapaakorn ed.
‗Rabiandphab, Ngaan Sinlapa Khong Chalood Nimsamer‘, Sinlapaakorn, Vol 29 No.4, pp.1-27
September 2528 (1985); Krom Sinlapaakorn ed. ‗Kiaw Kab Ngaan Sinlapa Khong Chalood
Nimsamer‘, Sinlapaakorn, Vol 29 No.4, pp.28-42, September 2528 (1985).
Chatchai Puipia: Chatchai Puipia, Siamese Smile, The Lotus Hasn‘t Bloomed Yet, the Japan Cultural Center,
Bangkok, December, 2-23, 1995; Chatchai Puipia, Paradise Perhaps, A Painting Exhibition, Bangkok
University Art Gallery, Bangkok, December 8-20, 1997; Chatchai Puipia, Sa-Loke Fai, Silom Art
Space, Bangkok, August 21 - September 26, 1993; Chatchai Puipia & Pinaree Sanpitak, Recent
Works, the National Gallery, Bangkok, Maech 3-20, 1991. ; Preece, Robert and Gaweewong,
Gridthiya. ‗An Interview with Chatchai Puipia.‘ Art AsiaPacific issue 22 1999; Gampell, Jennifer,
‗Desperately seeking Chatchai‘, Art & Asia Pacific, vol.2, no.3, 1995; Pettifor, Steven ‗Art‘s

155
soldier‘, Asian Art News, vol.9, no.6, 1999; Preece, Robert; Gaweewong, Gridthiya, ‗Cracking
beneath the surface‘, Art AsiaPacific, 22, 1999. ; review, Art AsiaPacific, 34, 2002; review, Asian Art
News, vol.11, no.5, 2001.
Chavalit Soemprunsuk: Chavalit Soemprunsuk, Exhibition with Rity Jansen Heijtmajer, Bangkkok, Bhirasri
Institute of Modern Art, 1986. ; Karnjariya Sukrung, ‗Chavalit‘s exhibitions display freedom and
fear‘, Bangkok Post, January 16, 1994.
Chumporn Apisuk: Apisuk, Chumpon, ‗At Concrete House..‘, Art & Asia Pacific, vol.2, no.3, 1995
Damrong Wong-Uparaj; Damrong Wong-Uparaj, Damrong Wong-Uparaj, 30 Years of
Printmaking, British Council, Bangkok, October 8-31, 1991; Damrong Wong Uparaj, exhibition of
paintings of the Japan period, Bangkok, German Cultural Institute, December 1987
Den Warnjing: Den Warnjing, Chiiwid Thai Chonnabod Naj Cidthrakam Thai, Marsi Gallery, Bangkok,
April 30 - May 31, 1999.
Fua Haribhitak: Fua Haribhitak, Exhibition of Art by Dr.Fua Haribhitak, the National Gallery, Bangkok,
March 2-31, 1981.
Hem Vejakorn: Cakkaphan Posayakrid, Nithadsakaan Phabwaadwicid, Khru Hem Vejakorn,the Art Center,
Chulalongkorn University, March 21 - April 26, 1996
His Majesty the King Rama IX: ‗Paintings fit for Royalty‘, The Nation, January 30, 1995.
Huangtanpan, Somneuk: review, Asian Art News, vol. 16, no. 5, 2006.
Ithipol Thangchalok: Ithipol Thangchalok, Recent Paintings, the National Gallery, Bangkok, December 12,
1991- January 5, 1992.
Jakapan Vilasineekul: Mountain and Sea, Bangkok, Chulaongkorn University Art Centre, 1997 Review:
Pettifor, Art AsiaPacific,no.18, 1998. ; Pettifor, Steven., ‗Jakapan Vilasineekul at Numthong
Gallery‘ (review), in Asian Art News, Vol. 14, No. 1, January/February 2004, p.82.
Jakkai Sributr: Pettifor, Steven, ‗In the realm of textiles‘, Asian Art News, vol.9, no.6, 1999. ; review,
Asian Art News, vol.11, no.4, 2001
Jianpinidnan, Kornkrit: review, Asian Art News, vol. 16, no. 5, 2006.
Jiradaj Meemalai, Pornpilai Jongsoontornturakij: As big as it‘s small, Bangkok, Tadu, 2002
Jirapat Tatsanasomboon: Pettifor, Steven, ‗Cultural Confrontation‘, in Asian Art News, v. 18(5), Sept/Oct,
2008, pp. 114-117.
Jitpratuk, Pomm: review, Asian Art News, vol. 16, no. 5, 2006.
Kachacheewa, Anupong: review, Asian Art News, vol. 15, no. 4, 2005.
Kamin Lertchaiprasert: Kamin Lertchaiprasert, Bangkok, Visual Dhamma Gallery & Dialogue Gallery,
1991; Kamin Lertchaiprasert, Normal & Nature, Tadu Contemporary Art, Bangkok, August 9 -
September 31, 1997; Kamin Lertchaiprasert, Kamin Lertchaiprasert, Problem - Wisdom,Queensland
Art Gallery 1993 – 1995\; Kamin Lertchaiprasert, Nirad Thailand in Drawing (to spirit), the Art
Gallery of Faculty of Painting, Sculpture & Graphic Arts, Silpakorn University, November, 2-21,
1992; Kamin Lertchaiprasert, Gaw Ery Gaw Gai, Visual Dhamma Gallery, Bangkok August 14, -
September 11, 1991; Pettifor, Steven, ‗The Process of Being‘, On Kamin Lertchaiprasert,
Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002. ; Ng, Josef, curator,
Kamin Lertchprasert, Bangkok, Tang Gallery 2007
Kamol Phaosavasdi: Kamol Phaosavasdi & Montien Boonma, Content Sense,the National Gallery, Bangkok,
January 14 - February 3, 1995; Khetsirin Knithichan, ‗A Sensible Approach to Nature‘, The
Nation, November 23, 1995; Kamol Phaosavasdi & Vichoke Mukdamanee, Kamol & Vichoke
Contemporary Art Exhibition, the Faculty of Painting Sculpture and Printmaking, Silpakorn
University Bangkok, November 25- December 12, 1992; Pettifor, Steven, ‗Kamol Phaosavasdi at
Bangkok University, Asian Art News, vol. 13, no. 1, January/February 2003. ; review, Asian Art
News, vol.11, no.4, 2001; Pettifor, Steven.,
Kamol Tassananchalee: Manid Sriiwanidchapuum, ‗Kamol Tassananchalee, dhek di heng wonkkaan
silbhakaam Thay‘, Syaam Rath, Sabhdaawicaan, June 3-20, 2532 (1999); Kamol Tassananchalee &
others, Kamol and His Artist Friends (An Art Exhibition, Kamol Tassananchalee and the Thai Art Council

156
Participated Artists), the National Gallery, Bangkok, February 2-25, 2538 (1995). ; Brecelic,
Thomas, ‗The Master of Connections‘, Asian Art News, vol.9, no.3, 1999
Kanya Chareonsupkul: Brown, Glen, R., ‗Practical Spirutalism‘ Asian Art News, vol.5, no.6, Nov/Dec
1995.
Khien Yimsiri: Fine Arts Department, A Retrospective Art Exhibition of Khien Yimsiri, the National Gallery,
Bangkok September 7 - November 7, 2522 (1979); Somporn Rodboon, The Life and Works of
Khien Yimsiri, Bangkok, SITCA Investment & Securities Public Company Limited, 1994
Kosit Juntaratip: Kosit Juntaratip & Navin Rawanchaikul, Substanceaboutnonsubstance, Goethe Institut,
Bangkok, January 11 - February 9, 1995.
Kritsana Chaikitiwattana: Pettifor, Steven., ‗Grim Reality‘, in Asian Art News, Vol. 13, No. 3, May/June
2003, p.44-46.
Krue-on, Sakarin: Pettifor, Steven, ‗Something Old, Something new‘, World Sculpture News, vol. 12, no. 2,
2006; review, Asian Art News, vol. 15, no. 1, 2005; review, Flash Art, vol. XXXIX, no. 249, July-
September, 2006; Salus, Carol, ‗Recent art of Sakarin Krue-On: an interview‘ in Art Journal, 67.2
(Summer 2008): p. 92.
Kunavichayanont, Sutee: ‗Sutee Kunavichayanont: Stereotyped Thailand‘ review, ArtAsiaPacific, no. 48,
2006; review, Asian Art News, vol. 15, no. 6, 2005.
Limthamrong, Peerapong: review, Asian Art News, vol. 15, no. 4, 2005.
Manit Poo-Aree: Manit Poo-Aree, Contemporary Art Exhibition by Manit Poo-Aree,The Gallery of Faculty of
Painting Sculpture and Printmaking, Silpakorn University, Bangkok, April 8-30, 1999.
Manit Sriwanichpoom: Knithichan, Khetsirin, ‗City of Hell‘ ART AsiaPacific, no.13, 1997. ; Pettifor,
Steven, ‗Looking glass reality‘, Asian Art News, vol.12, no.2, 2002. ; Manit Sriwanichpoom,
paradise@the.mall, July - August, 1998 no place of exhibition; Manit Sriwanichpoom, This Bloodless
War, Greed, Globalization, and the End of Independence, the Roadside Photo Exhibition, November,
1997. Cit no place of exhibition; Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale,
Fukuoka: Fukuoka Asian Art Museum, 1999; Pettifor, Steven, ‗Looking Glass Reality‘, On Manit
Sriwanichpoon, Asian Art News, vol. 12, no. 2, March/April 2002
Mareeya Dumrongphol: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The
Japan Foundation Asia Center, 2002
Michael Shaowanasai: Chua, Ferreolus., ‗Interview with Michael Shaowanasai‘, in Vehicle: Contemporary
Visual Arts, No.10, 2003, p.18-21.
Michael Shaowanasai: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The
Japan Foundation Asia Center, 2002
Mitree Parahom: Pettifor, Steven ‗Defender of Tradition.‘ Asian Art News 9:5 September/October 1999
Montien Boonma: Montien Boonma, Anusorn Naj Ngaan Phraradchathaan Phlerng Sob Naj Montien Boonma,
Published in Montien Boonma‘s funeral at Meru Wad Chonlaprathaan Rangsarid, Nonthaburi,
August 24, 2543 (2000); Montien Boonma, Works, 1990-1993, the National Gallery, Bangkok,
February 25, - March 22, 1993. 2 books; Montien Boonma, Arte Amazonas, Goethe Institut,
Bangkok, June 4 - 27, 1992; Montien Boonma & Kamol Phaosavasdi, Content Sense,the National
Gallery, Bangkok, January 14 - February 3, 1995; Montien Boonma, ThaiiahT, the National
Gallery, Bangkok, September 7 - October 3, 1990; Richard, Frances, ‗Montien Boonma‘, Artforum
International, Vol.36, Issue 6, February 1998; Kuroda, Raiji, ed., The First Fukuoka Asian Art
Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Montien Boonma, Report at The First
Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar: ―Asian Art – Towards the 21 st Century‖,
Fukuoka: Fukuoka Asian Art Museum, 1999; Poshyananda, Apinan, Montien Boonma: Temple of the
mind, New York & Asia Society & London, Artis, 2003; Desai, Vishakha N., ‗Montien Boonma‘
in Art Asia Pacific, Issue 37 (2003), p. 34; Heartney, Eleanor, ‗Parallel Lives‘ (Montien Boonma at
Asia Society and Chen Zhen at P.S. 1) in Art Asia Pacific, No. 38 (Fall 2003), pp. 50-52; Koplos,
Janet, ‗Mindfull Living‘ in Art in America (May 2004), pp. 90-95; Poshyananda, Apinan, Montien
Boonma: Temple of the mind, New York & Asia Society & London, Artis, 2003. ; Kunavichavanont,
Sutee and Apinan Poshyananda eds., Death Before Dying: The Return of Montien Booma, Thailand

157
Office of Contemporary Art and Culture, 2006; Pettifor, Steven, ‗An uncommon spirit‘, Asian
Art News, vol.11, no.1, 2001; Wongchirachai, Albert Paravi, ‗ Montien Boonma‘, Art & Asia
Pacific, vol.2, no.3, 1995; Poshyananda, Apinan, a tribute, Art AsiaPacific, 31, 2001; Koh, Jay, ‗Art
Activism and Cross-cultural Projects in Thailand and Myanmar: The Need to Open up Structures
for Engagement‘, Focas (Forum on Contemporary Art & Society), no.2, July 2001.
Montri Toesombat: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999Narin Ruttanachun: Narin Ruttanachun, Serenity 1987-1990, Goethe Institute,
Bangkok, December 20 - March 15, 1991; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka
Asian Art Triennale 1999 [The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka:
Fukuoka Asian Art Museum, 1999; Mami, Kataoka, ed., Under Construction: New Dimensions of
Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Pettifor, Steven., ‗Dressing Up
Nature‘, in Asian Art News, Vol. 13, No. 1, January/February 2003, p.48-51.
Natee Utarit: review, Art AsiaPacific, 27, 2000 ; Lenzie, Iola, ‗A Versatile Stylist‘, in Asian Art News, v.
17(6), November/December, 2007, pp. 73 – 77. ; review, Asian Art News, vol.9, no.4, 1999;
Pettifor, Steven, ‗Out Of His Own‘, On Natee Utarit, Asian Art News, vol. 12, no. 6,
November/December, 2002
Navin Production Co., Ltd. / Navin Rawanchaikul: Navin Rawanchaikul & Kosit Juntaratip,
Substanceaboutnonsubstance, Goethe Institut, Bangkok, January 11 - February 9, 1995; Khetsirin
Knithichan, ‗ ―Substance‖ is intended to shock‘ The Nation, January 16, 1995 ; Navin Production
Co.,Ltd., Another day in Sydney, Published for the 11th Biennale of Sydney, Navin Production
Co.,Ltd., 1998.
Nawin Rawanchaikul: Pettifor, Steven, ‗An art world in a taxi‘, Asian Art News, vol.11, no.6, 2001
Nim Kruasaeng: review, Asian Art News, vol.11, no.5, 2001; Pettifor, Steven, ‗In search harmony‘, Asian
Art News, vol.10, no.2, 2000
Nimmalaikaew, Uttaporn: Thompson, Jonathan, ‗Inevitable Cycles‘, Asian Art News, vol. 16, no. 4, 2006.
Niti Wattaya: Niti Wattaya, Return of the Goldern Era, Dialogue 1991, Bangkok, May 21 - June 11, 1992;
Pettifor, Steven., ‗Tracing Changes‘, in Asian Art News, Vol. 14, No. 1, January/February 2004,
p.44-47.
Nittaya Ueareeworakul: review, Pettifor, Steven, ‗Nittaya Ueareeworakul at Si-am Art Space‘, Exhibition
Reviews, Asian Art News, vol. 12, no. 2, March/April 2002; Pettifor, Steven, ‗A mantra of unity‘,
Asian Art News, vol.10, no.6, 2000
Paitun Muangsomboon: Fine Arts Department, Paitun Muangsomboon National Artist Retrospective,the
National Gallery, Dec. 25, 1989 – Feb. 15, 1990.
Panya Vijinthanasarn: Panya Vijinthanasarn, Subversion of Truth, Tadu Contemporary Art, January 30 -
March 8, 1998. ; review: Clark, Asian Art News, vol. 8, no.2, March/April 1998
Paretas Hutangura: Paretas Hutangura, Facing the Alien, Solo Exhibition, January 3-22, 2538 (1995); Manid
Sriiwanidchapuum, Mahadsacan Wan Samniak, Syaam Rath Sabhdaawicaan, p.58, April 11-17, 2542
(1999). (2articles); Paretas Hutangura, The Miracle Days of Awakening, Tadu Contemporary Art,
Bangkok, February 12 - March 14, 1999.
Phaiboon Suwannakuud: Anusorn Ngaanphraraadchathaan Phlerngsob Phajboon Suwannakuud, March 21, 2526
(1983): Praajta, ‗Samphad Siriwanna Suwannakuud, Raw Maj Daj Tung Caj Ca Con‘, Ploy Kaem
Phed, no date; Phajboon Suwannakuud, ‗Som Porj Dork Lyang‘, Laeng Khen Ruam Ryang San, 2nd
Bangkok, Samnakphim Duangkamon, 2518 (1975).
Phaosavasdi, Kamol: Pettifor, Steven, ‗Media Man with a Conscience‘, Asian Art News, vol. 15, no. 6, 2005.
Phaptawan Suwannakudt [daughter of Phaiboon] Carter, Michael & Gezcy, Framing Art, Sydney,
University of New South Wales Press, 2005; Pettifor, Steven, ‗Between Tradition and Modernity:
Phaptawan Suwannakudt‘, Asian Art News, September/October, 2004; Ewington, Julie, ‗Thai
Vision, Australian Painter, in Recent Painting, Numthong Gallery, Bangkok, 2004; Power, Kevin;
Flores, Patrick, in El Poder de Narrar / The Power of Narration, Espai d‘Art Contemporani de
Castello, Valenciana, Spain, 2000; Datuin, Flaudette May, ‗The Queen, the Goddess, and the

158
mural painter‘, Art Asiapacific, no.14, April 1997; Gampell, Jennifer, ‗Profile‘, Far Eastern Economic
Review, December 21, 1995.
Phunsombatlert, Bundith: Pettifor, Steven, ‗Searching Out Obsessions‘, Asian Art News, vol. 17, no. 1, Jan-
Feb 2007.
Pichit Tangcharoen, Sumet Pongchinrit, Kongsak Gulgalngdon: Different Angles, Bangkok, Tadu, 2002
Pinaree Sanpitak: Pinaree Sanpitak, Mother & Child, A Dialogue, Silom Art Space, Bangkok October 2-31,
1993; Pinaree Sanpitak & Chatchai Puipia, Recent Works, the National Gallery, Bangkok, March 3-
20, 1991: Pinaree Sanpitak, The Cross, the Egg, the Cow& the Squash, An Exhibition of Eclectic
Works,Silom Art Space, Bangkok, November 9 - December 7, 2534 (1991): Pinaree Sanpitak,
Womanly Abstract, About Studio/ About CafŽ/ A Reading Room, Bangkok, February 13, - April
17, 1999. ‗Body and Soul: Pinaree Sanpitak and the art of life‘, Art AsiaPacific, no.21, 1999;
review Art AsiaPacific, 33, 2002. ; Mertens, Brian, ‗Pinaree Sanpitak – Where I Work‘,
ArtAsiaPacific, no. 51, 2007. ; Lenzi, Iola, ‗Pinaree Sanpitak: Art through The Breast‘, in C Arts.
Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 62 – 67. ; Pettifor, Steve,
‗Making offerings‘, Asian Art News, vol.9, no.6, 1999.
Piwat Nophiran: Jay, Sian, E., ‗All in a smile‘, Asian Art News, vol.10, no.1, 2000
Plastic (& other) waste: review, Art AsiaPacific, 22, 1999
Prajad Phongdam: Silpakorn University, ‗Chiiwid Lae Phonngaan Sinlapin Haeng Chaad Saa Khaa
Thudsanasin Pracampii 2541‘ Wang Tha Phra Art Forum, n.d.
Prasong Luemuang:Prasong Luemuang, Diary of a Village, Bangkok, British Council, 1991; Prasong
Luemuang, Naam Thip - Pla Thong, Bangkok, Silom Art Space, 1991; Prasong Luemuang, Likhid
Cak Muubaan, British Council Bangkok, December 9, 1991 - January 9, 1992: Prasong Luemuang,
Water Moon,, Goethe Institut, Bangkok, November 23 - December 15, 1990.
Prasong Padmanuja: Prasong Padmanuja, PRASONG PADMANUJA Retrospective, the National Gallery,
Bangkok, July 14 - August 7, 1986.
Pratuang Emchareon: Phatarawadee Phataranwik, ‗Pratuang & Bunying‘, The Nation, February 14, 1995.
Prawat Laucharoen: review, Asian Art News, vol.11, no.5, 2001
Rasdjarmrearnsook, Araya: Pettifor, Steven, ‗Embracing Taboos‘, Asian Art News, vol. 16, no. 4, 2006.
Rawid Terdwong: Pinanong Paanchyyn, ‗Duaj Huachaj Khong Cidtrakorn‘, Krungthep Wanaathid, May 30,
2542 (1999).
Rirkrit Tiravanija: Rirkrit Tiravanija, Museum Studies 4, Rirkrit Tiravanija, Philadephia Museum of Art,
April 1 - May 31, 1998; Yang, Alice, ‗The artist as chef - Rirkit Tiravanija‘, Art & Asia Pacific,
vol.3, no.2, 1996; Rirkrit Tiravanija, Hyde-Antwi, Frank, Supermarket, Zürich, migros museum für
gegenwartskunst, 1998; Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka:
Fukuoka Asian Art Museum, 1999
Sabai, Soi: Teh, David, ‗Soi Sabai‘s Temporary Art Connections‘, ArtAsiaPacific, no. 50, 2006.
Sakarin Khrue-on: review, Asian Art News, vol.10, no.6, 2000 ; Pettifor, Steven, Harvesting Art, in Asian
Art News, v. 18(2), March/April, 2008, pp. 96 – 99.
Sansern Milindasuta: Sansern Milindasuta, The Gardener, Bangkok, National Gallery 1993.
Santi Thongsook: Yvan Cohen, ‗Artistic Witness to a Helter Skelter Urban Nightmare‘, The Nation,
January 5, 1995.
Saravudth Duangjumpa: West, Andrew. ‗Saravudth Duangjumpa: A Contemporary Thai Artist.‘ TAASA
Review, 7:3 1998
Sermsuk Thiensoonthorn: Sermsuk Thiensoonthorn, Outbound Conversation Between 1993-1998, Bangkok, the
National Gallery, 6-28 February.
Shaowanasai, Michael: Teh, David, ‗Michael Shaowanasai: Good: New Paintings 2549‘ (exhibition
review), ArtAsiaPacific, no. 50, 2006.
Silpa Phirasri [Corrado Feroci]: Silpa Bhirasri, Articles from the Catalogues of the Annual National Art Exhibition.
Published in Silpa Bhirasri‘s funeral at Meero Naa Phlabphla Idsariyaaporn, Wat
Thebsirintharaawaad, January 17, 2506 (1963): Silpa Bhirasri, Comments and Articles on Art,
Bangkok, The National Association of Plastic Arts of Thailand, 1963; Silpa Bhirasri, Contemporary

159
Art in Thailand, Bangkok, the Promotion and Public Relations Sub-division, the Fine Arts
Department, 2532 (1989); ‗Chabap phiset 100 bi sastracaan silpa phirasri‘, Warasaan
Mahawithayalaay Slipakorn, no.12, 2535 (1992); Damrong Wonguparad, Nithadsakaan Cidthrakam
Phabthaj Lae Khormuun Kiawkab Chiiwid Lae Phonngaan Khong Professor Silpa Bhirasri, Suun
Thadsanasin Damrong Wonguparad, May 14 - June 30, 2541 (1998); Leesuan, Viboon, 1996, The
Life and Works of Silpa Bhirasri, Bangkok: Sitca Group of Companies.
Siriput Pullarp: Siriput Pullarp, The Elements of Humankind, Ceramic Art Exhibition,Queen Sirikit Naitonal
Convention Center, Bangkok, November 25 - December 15, 1992
Sittichai Pratchayaratikun: Sittichai Pratchayaraticun, Art Exhibition by Sittichai Pratchayaraticun, Design Line
Gallery, Bangkok, January 6 - February 6, 1992.
Somboon Hormienthong: review, Asian Art News, vol.12, no.3, 2002; review, Asian Art News, vol.11, no.6,
2001.
Somboon Hormthienthong: Khetsirin Knithichan, ‗When is a stone not just a stone‘, The Nation, January 30,
1995: Somboon Hormthienthong Work 1968-1989, Bangkok, National Gallery, 1989; Somboon
Hormthienthong, Paper Work 1990-1992, Bangkok, Contempus Gallery 1993.
Somchai Hattakitakosol: Somchai Hattakitakosol, Paintings, Bangkok, Monthien Hotel, 1993
Sompop Budtarad: Sompop Budtarad, The Art Exhibition by Sompop Budtarad, Phonngaan 2535-2539,
October, 4-31, 1996; Sompop Budtarad, Contemporary Art 2528-2535, December 21, 1992-
January 30, 1993.
Somporn Rodboon: interview, Asian Art News, vol.9, no.5, 1999
Srithongdee, Thaweesak: review, Asian Art News, vol. 16, no. 5, 2006.
Srivilasa, Vipoo: Pettifor, Steven, ‗Ceramic Narratives‘, World Sculpture News, vol. 11, no. 3, 2005.
Sriwan Janehuttakarnkit: Sriwan Janehuttakarnkit, Sriwan Janehuttakarnkit 1993, Dialogue 1991, Bangkok,
n.d.
Supoj Sirirajanikorn Supoj Sirirajanikorn, The Lost Soul, Studio Xang, February 24 - March 31, 1996.
Surasi Kusolwon, Gaweewong, Gridthiya, ‗Surasi Kusolwong‘ in Art Asia Pacific, Issue 37 (2003), p.
48Surasit Saowakong: John Hoskin, ‗Surasit Saouakong, Recapturing the old Chiang Saen style of
Buddhist art‘, Sawsdee, n.d.; Rooseum, Malmö, ‗Surasi Kosolwon‘ (Review) in Frieze, Issue 83
(May 2004), pp. 91-92
Surojana Sethabutr: Pettfior, Steven, ‗Cracking potted traditions‘, Asian Art News, vol.12, no.1, 2002
Sutee Kunavichayanont: Sutee Kunavichayanont, Works 1995 - 1998, Tadu Contemporary Art, Bangkok,
1995 – 1998; Sutee Kunavichayanont, Flowing Tide, Silom Art Space, Bangkok, May 7 - June 18,
1994. 2 books; Sutee Kunavichayanont, Flowing Tide, Allen Street Gallery, Sydney, Australia, no
date; Sutee Kunavichayanont, Time and Mind, Drawing Installation by Sutee Kunavichayanont, Tin
Sheds Gallery, Sydney, Australia, 1993; Sutee Kunavichayanont, Flowing Tide, unpublished MVA
Research Paper, Sydney College of the Arts, 1993; Somrak Bunlung, ‗ ―Phawa Un Naaryynrom‖
Pherm Chiiwid Chiiwaa Phaan Hun Silikhon‘, **** no data; Pettifor, Steven, ‗For All Times‘, On
Sutee Kunavichayanont, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002;
Rodriguez, Hilda Maria, ‗Sutee Kunavichayanont‘ in Art Asia Pacific, Issue 37 (2003), p. 81. ;
review Art AsiaPacific, 22, 1999. ; in Kee, Joan, ‗Transience and Time‘, Art AsiaPacific 28, 2001;
Pettifor, Steven, ‗For all times‘ Asian Art News, vol.12, no.1, 2002. ; Manit Sriwanichpoom, Ing
Kaanchanawich: History & Memory, Bangkok, Tadu, 2002.
Taweesak Srithongdee: review, Asian Art News, vol.11, no.6, 2001; Lena., ‗Inflated Nostalgia: Solo
Exhibition by Sutee Kunavichayonont‘, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.6-8.
Teerawat Kanama: Findlay, Ian, ‗ Teerawat Kanama at Surapon Gallery‘, Asiaweek, Exhibition Reviews,
Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002
Thaiwijit Puangkasemsomboon: Thaiwijit Puangkasemsomboon, Recent Paintings, Bangkok, Visual Dhamma
Gallery, 1991.
Thammasak Boomcherd: Thammasak Boomcherd, Three Dimension Work, the National Gallery, Bangkok,
January 8 - 31, 1999.
Thanom Chakpadee: critic Pettifor, Steven, ‗Studios exposed‘, Asian Art News, vol.12, no.1, 2002

160
Thasnai, Sethaseree: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Thavorn Ko-Udomvit: Phatarawadee Phataranawik, ‗In search of new horizons‘, The Nation, January 9,
1995; Thavorn Ko-Udomvit, Art Exhibition by Thavorn Ko-Udomvit1989-1990, Seven Seas Gallery.
The National Gallery, Fukuda Gallery, 1990; Thavorn Ko-Udomvit, Prints 1990-1992, Gallery
APA, Japan; Silom Art Space, Bangkok, 1992; Thavorn Ko-Udomvit, Thavorn Ko-Udomvit1990-
1991, Bangkok, NOB Gallery, n.d.
Thawan Duchanee: Thawan Duchanee, Fukuoka, Fukuoka Art Museum, 1990; The Buddhist Art of Thawan
Ducahnee/ Wenk, K/ Zurich 1981 [ NLA ef741.9593 T368W]; Thawan Duchanee, Thailand -- In
Quest of the Ultimate Sacredness, Fukuoka Art Museum, the Japan Foundation ASEAN Culture
Center Gallery, Japan, 1990; Ciraaporn Carernded & Pinanong Paanchyyn, ‗Man of GM, Thawan
Duchanee‘, GM Magazine, Pak Lung, October 2535 (1992) unknown word; Joubert, Lindy,
‗Thawan Duchanee‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Thawii Nanthakhwuang: Thawii Nanthakhwuang, Retrsopective 1949-1990, Bangkok, National Gallery,
1990.
Time and Being Group: review, Asian Art News, vol.11, no.1, 2001
Tiravanija, Rikrit: Rirkrit Tiravanija, R. Stange & F. Waldvogel, Soccer Half Time Cookery Book, Verlag fur
Moderne Kunst, Nurnberg, 2006; Birnbaum, Daniel, ‗The Lay of the Land‘ Artforum, vol 43, no.
10, 2005; Cornwell-Smith, Philip, ‗Ramakien Unplugged‘, ArtAsiaPacific, no. 51, 2007; Griffin,
Tim, ‗Remote Possibilities‘, Artforum, vol 43, no. 10, 2005; Leffingwell, Edward, ‗Rikrit Tirivanija
at the Guggenheim‘ (review), Art in America, vol. 93, iss. 10, Nov 2005; Mertens, Brian, ‗Rikrit
Tiravani Launches New Bangkok Venture‘, ArtAsiaPacific, no. 51, 2007; review, Parachute, 121,
2006; review, Artforum, vol 43, iss. 6, February 2005; ‗Rikrit Tiravanija – ARC/Musee d‘Art
Moderne‘, (review), Flash Art, vol. XXXVIII, no. 242, May-Jun, 2005.
Titapol Suwankusolsong: Phatarawadee Phataranawik, ‗A Structural Approach to Space‘, The Nation,
February 20, 1995.
Toi Ungkavatanapong: Toi Ungkavatanapong & Anurak Chatanan, Fact VS Fiction, Tadu Contemporary
Art, Bangkok, March 25 - April 19, 1998.
Udomsak Krisanamis: Udomsak Krisanamis, An Exhibition of Work by Udomsak Krisanamis, Goethe-
Institut, Bangkok, January 9-31, 1990.
Vane Group: Namtaa Rungaruun, ‗Rorj Jab Tii Khorbfaa Lae Bangsuan Caak Bantyk Khong
―Kanghan‖‗, no date and publication‘s name
Vasan Sitthiket: Wasan Sitthiket, Farmers Are Farmers, Tadu Contemporary Art, Bangkok, October 22 -
November 29, 1998; Wasan Sitthiket, No Future, Sunday Gallery, December - January, 1996;
Khetsirin Knithichan, ‗Vasan falls foul of the censors‘, The Nation, pp.c7-c8, February 13, 1995; I
Love Thai Culture, the National Gallery, February 7 - March 3, 2538 (1995). The Nation January 14,
1995 ; Wasan Sitthiket, Inferno, the National Gallery, June 5-7, 2534 (1991); Lenzi, Iola, ‗Activist,
Anarchist, Artist: Vasan Sitthiket‘, ART AsiaPacific, Issue 36 (2002). ; Rooney, Sarah, ‗The agony
and the ego‘, Art & Asia Pacific, vol.2, no.3, 1995. ; Pettifor, Steven, ‗Visual insurrection‘, Asian
Art News, vol.11, no.2, 2001; review, Asian Art News, vol.12, no.3, 2002; review, Asian Art News,
vol.10, no.5, 2000; Lenzi, Iola., ‗Vasan Sitthiket at Atelier Frank & Lee‘ (Singapore, review), in
Asian Art News, Vol.13, No.1, January/February 2003, p.86-87.
Viboon Leesuwan: Viboon Leesuwan, Poetic Colours on Sa-Paper, the Art Forum Gallery, Bangkok, March
4-25, 1992; Viboon Leesuwan, Poetic Colours on Sa-Paper, Pacific Asia Museum & Department of
Art, CA, USA, March - April , 1990;
Vichoke Mukdamanee: Vichoke Mukdamanee, The Worldview of Vichoke Mukdamanee, the National Gallery,
Bangkok, October 5-31, 1998; Thomas Brecelic, ‗An Expanding Universe of Earthly Junk‘,
Bangkok Post, May 25, 1996; Vichoke Mukdamanee, Modern Existence 1992, Solo Art Exhibition by
Vichoke Mukdamanee, the National Gallery, Bangkok, February 6-28, 1992: Vichoke Mukdamanee
& Kamol Phaosavasdi, Kamol & Vichoke Contemporary Art Exhibition, the Faculty of Painting

161
Sculpture and Printmaking, Silpakorn University Bangkok, November 25- December 12. ; 1992.
review, Asian Art News, vol.11, no.3, 2001
Vijinthansarn, Panya: Pettifor, Steven, ‗A Painterly Pairing‘, Asian Art News, vol. 16, no. 3, 2006.
Wannaa Juukhong: Pinanong Paanchyyn, ‗Duaj Huachaj Khong Cidtrakorn‘, Krungthep Wanaathid, May
30, 2542 (1999).
Watchara Parayoonkum: Pettifor, Steven, ‗Imprisoned In Time‘, in World Sculpture News, v. 14(1), Winter,
2008, pp. 46 – 49.
Wipawee Boriboon: Wipawee Boriboon, Solo Exhibition of Art by Wipavee Boriboon, Dialogue Gallery,
Bangkok, December 7-26, 1991.
Wiroon Thangjaroen: Wiroon Thangjaroen, A New Essence, Bangkok, Tadu Contemporary Art, May-June.
Womanifesto: Nair, Varsha, ‗Womanifesto‘, Art AsiaPacific, 26, 2000; Pettifor, Steven, ‗A communion of
understanding‘, Asian Art News, vol.12, no.1, 2002
Yuree Kensaku Pettifor, Steven, ‗Polished Darkness‘ in Asian Art News, Vol. 14, Number 3 (May/June,
2004), pp. 50-53
Politics and Society
Basham, R., Political Authority in Thailand, University of Sydney, RIAP Occasional Paper no.20, 1992.
Brummelhuis, H. ten, Kemp, J.K., eds., Strategies and Structures in Thai Society, Amsterdam,
Antropologisch-Sociologisch Centrum, 1984
Brummelhuis, H. ten, ‗Abundance and avoidance: an interpretation of Thai individualism‘ in above.
Embree, J.F., ‗Thailand - a loosely structured social system‘, American Anthropologist, vol.52, 1950.
Hanks, L.M., ‗Merit and power in the Thai social order‘, American Anthropologist, vol.64, 1962.
Hanks, L.M.,, ‗The Thai Social Order as Entourage and Circle‘ Skinner, G.W., Kirsch, A.T., eds., Change
and Persistence in Thai Society, Ithaca, Cornell University Press, 1975.
Hewison, K. ed., Political change in Thailand, democracy and participation, London, Routledge, 1997.
Ishii, Y., ‗Church and State in Thailand‘, Asian Survey, vol. VII, no.10, October 1968.
Moore, Frank, J., Thailand, New Haven, HRAF Press, 1974.
Mulder, N., Inside Thai Society: an interpretation of everyday life,Bangkok, Duang Kamol, 1979, reprint 1990.
Mulder, N., Inside Southeat Asia: Thai, Javanese and Filipino interpretations of everyday life, Bangkok, Duang
Kamol, 1992.
Phillips, H., ‗The Culture of Siamese Intellectuals‘, in Skinner & Kirsch, below.
Reynolds, Craig J.,ed., National Identity and Its Defenders: Thailand Today, Thailand: Silkworm Books, 2000
(1991,1993)
Skinner, G.W., Kirsch, A.T., eds., Change and Persistence in Thai Society, Ithaca, Cornell University Press,
1975.
Terwiel, B.J., ‗Formal structures and informal rules: an historical perspective on hierarchy, bondage and
the patron-client relationship‘ in Brummelhuis, 1984
Ungpakorn, Giles J., A Coup for the rich: Thailand‘s politicial crisis¸Bangkok, Workers Democracy
Publishing, 2007.
Vaddhanaputi, C., ‗Cultural Dependency in Thai Society: Problems and Prospectives‘, New Asian Views,
vol.3, no.2, United Nations University.
Pre-Modern Thai Art [selected]
Boisselier, Jean, The Heritage of Thai Sculpture, New York, Weatherhill, 1975.
Bowie, T., ed. [essays by Griswold, Lyons, Subhadradis Diskul], The Arts of Thailand: A Handbook of the
Architecture, Sculpture and Painting of Thailand (Siam), Bloomington, Indiana University Press, 1960.
Brown, Robert L., ed., Art from Thailand, Mumbai, India, Marg Publications, 1999.
Cummings, Mary, The Lives of the Buddha in the Art and Literature of Asia, Michigan Papers on South and
Southeast Asia No. 20, Center for South and Southeast Asian Studies, The University of
Michigan, 1982.
Elizabeth Lyons, Thai Traditional Painting, Thai Culture, New Series No.20, Bangkok, the Fine Arts
Department, 1990.

162
Fickle, D.H., Images of the Buddha in Thailand, Singapore, Oxford University Press, 1989.
Rita Ringis, Thai Temples and Temple Murals, Singapore, Oxford University Press, 1990.
Subhadradis Diskul, M.C., Art in Thailand, A Brief History, Bangkok, Amarin Press, 1986.
Woodward, H.W.Jnr., ‗History of Art: Accomplishments and Opportunities, Hopes and Fears‘, Ayal,
Eliezer B., ed. The Study of Thailand: Analyses of Knowledge, Approaches, and Prospects in Anthropology,
Art History,Economics, History and Political Science, Athens, Ohio, Center for International Studies,
1978.
Pre-Modern Thai Painting [selected]
Boisselier, J., Thai Painting, Tôkyô, Kôdansha International, 1976.
Ginsburg, H., Thai Manuscript Painting, London, The British Library, 1989.
Lyons, E., The Tosachât in Thai Painting, Bangkok, Fine Arts Department, 2nd.ed., 1990.
Lyons, E., Thai Traditional Painting, Bangkok, Fine Arts Department, 2nd ed., 1990.
Rajadhon, Phya Anuman, Thet Mahâ Chât, Bangkok, Fine Arts Department, 1990.
Ringis, R., Thai Temples and Temple Murals, Singapore, Oxford University Press, 1990.
Wenk, K., Thailändische Miniaturmalereien, Wiesbaden, Franz Steiner Verlag, 1965.
Thonburi & Ratanakosin (Rama I-IV)
Brudiyakara, Prince Bidyalabh, Accounts of the Gilt Lacquer Screen in the Audience Hall of Dusit displayed in the
Museum of the Emerald Buddha Temple, Bangkok, Museum of Emerald Buddha Temple, n.d.
Committee for the Rattanakosin Bicentennial Celebration, Rattanakosin Painting, Bangkok, 1982.
Ishizawa Yoshiaki, Tai no Ji‘inhekiga to sekizô kenchiku, Tokyo, Mekon, 1989.
Meechai Thongthiep, comp., Ramakien: The Thai Raamayana, Bangkok, Naga Books, 1993.
No Na Pak Nam, Wat Dusidaram, Mural Paintings of Thailand Series, Bangkok, Muang Boran
Publishing House, June 2526 (1983).
No Na Pak Nam, Cidtrakam Law Ryang, Somded Phracaw Taksin Mahaaraad Phra Phuu Kuu Caad, Bangkok,
Muang Boran Publishing, 2536 (1993).
No Na Pak Nam, Khru Khongpae & Khru Thongyu, Khrong Kaarn Nangsyy Cidtrakam Faphanang Series
3, Bangkok, Muang Boran Publishing House, March 2530 (1987).
No Na Pak Nam, Phra Acharn Nak, The Foremost Muralist of the Reign of King Rama I, Khrong Kaarn
Nangsyy Cidtrakam Faphanang Series3.2, Bangkok, Muang Boran Publishing House, July 2530
(1987).
No Na Pak Nam, Buddhaisawan Chapel,[R1, after 1795] Mural Paintings of Thailand Series, Bangkok,
Muang Boran Publishing House, February 2526 (1983).
No Na Pak Nam, Farang Naj Sinlapa Thai, Bangkok, Muang Boran Publishing House 2529 (1986).
No Na Pak Nam, Sinlapa Ciin Lae Khon Ciin Naj Thai, Bangkok, Muang Boran Publishing House 2530
(1987).
No Na Pak Nam, Wat Bangkae Yai, Mural Paintings of Thailand Series, Bangkok, Muang Boran
Publishing House, June 2534 (1991).
No Na Pak Nam, Wat chong Nonsi, Mural Paintings of Thailand Series, Bangkok, Muang Boran
Publishing House, January 2525 (1982).
No Na Pak Nam, Wat Maithepnimit,, Mural Paintings of Thailand Series, Bangkok, Muang Boran
Publishing House, July 2526 (1983).
No Na Pak Nam, Wat Matchimawat, Mural Paintings of Thailand Series, Bangkok, Muang Boran
Publishing House, October 2526 (1983).
No Na Pak Nam, Wat Pathumwanaram, Mural Paintings of Thailand Series Bangkok, Muang Boran
Publishing House, February 2539 (1996).
No Na Pak Nam, Wat Phra Sing, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing
House, March 2526 (1983).
No Na Pak Nam, Wat Phrachetuphon, Mural Paintings of Thailand Series, Bangkok, Muang Boran
Publishing House, March 2537 (1994).

163
No Na Pak Nam, Wat Phumin and Wat Nong Bua, Mural Paintings of Thailand Series No. 2, Bangkok,
Muang Boran Publishing House, October 2529 (1986).
No Na Pak Nam, Wat Pradu Song Tham, Mural Paintings of Thailand Series No. 2, Bangkok, Muang
Boran Publishing House, July 2528 (1985).
No Na Pak Nam, Wat Ratchasittharam,Mural Paintings of Thailand Series No. 2, Bangkok, Muang Boran
Publishing House, June 2525 (1982).
No Na Pak Nam, Wat Somanat Wihan, Mural Paintings of Thailand Series Bangkok, Muang Boran
Publishing House, July 2538 (1996).
No Na Pak Nam, Wat Suthat Dhepwararam, Mural Paintings of Thailand Series Bangkok, Muang Boran
Publishing House, March 2539 (1996).
No Na Pak Nam, Wat Suwannaram, Mural Paintings of Thailand Series, 2nd eds., Bangkok, Muang
Boran Publishing House, February 2540 (1997).
No Na Pak Nam, Wat Thong Thammachat, [R3] Paintings of Thailand Series No. 2, Bangkok, Muang
Boran Publishing House, May 2525 (1982).
No Na Pak Nam, Wat Yai Intharam, Mural Paintings of Thailand Series, Bangkok, Muang Boran
Publishing House, October 2525 (1982).
No Na Pak Nam, Wiwadthanaakaan Laj Thaj, Bangkok, Muang Boran Publishing House, February 2534
(1991).
Paritta Chalermpow Koanantakool, Dance and Painting in 19th century Siam, Bangkok, Faculty of
Sociology and Anthropology, Thammasat University, Country Report Part 2, Traditional
Performing Art in Southeast Asia, USM, Penang, Malaysia, 10-13 August, 1999.
Phya Anuman Rajadhon, Thet Maha Chat, Thai Culture, New series No.21, Bangkok, The promotion
and Public Relations Sub-Division, the Fine Arts Department, 2533 (1990).
Poshyananda, A., Western-Style Painting and Sculpture in the Royal Thai Court, 2 vols., Bangkok, Amarin
Printing Group, 1993 [review by Clark, J., Art & Asia Pacific, vol.1, no.3, 1994].
Subhadradis Diskul, M.C., History of the Temple of the Emerald Buddha, Bangkok, the Bureau of the Royal
Household, n.d.
Subhadradis Diskul, M.C., Rice, C.S., The Ramakian [Ramayana] Mural Paintings alongthe Galleries of the
Temple of the Emerald Buddha, Bangkok, Government Lottery Office, 1981.[bilingual]
Wiyada Thongmitr, Khrua In Khong‘s Westernized School of Thai Painting, Thai Painting Series No.1,
Bangkok, Muang Boran Publishing House, 2522 (1979)
Wyatt, Donald K., Temple Murals as an Historical Source, The case of Wat Phumin, Nan, Bangkok,
Chulalongkorn University, 1993.
Ratanakosin (Rama V-VIII)
Chulathat Phayakharanon, Patterns and Evolution of Mural Paintings in Rattanakosin Period, from Technical
Seminar on the Evolution of Arts and Culture of Rattanakosin Bicentennial, Bangkok, Thailand
Information Center, Academic Resource Center, Chulalongkorn University, 17 August 2525
(1982).
Italians at the Court of Siam, The 50th Anniversary Celebration of His Majesty‘s Accession to the Throne,
Bangkok, Amarin Printing and Publishing Public Compary Limited
Kana Kammakaan Cadngaan Somphod Krung Radtanakoosin 200 Pii, Sculptures of Rattanakosin,
Bangkok, A Publication of the Committee for the Rattanakosin Bicantennial Celebration to
Commemorate the Rattanakosin Bicentennial, 2525 (1983).
National Committee for Organizing the Celebrations for the 50th Anniversary of His Majesty‘s
Accession to the Throne, Rattanakosin Art, the Reign of King Rama I-VIII, 2nd eds. Published in
Commemoration of the 50th Anniversary of His Majesty‘s Accession to the Thorne, Bangkok,
Amarin Printing and Publishing Public Company Limited, 1998.
Pairote Samosorn, E-Sarn Mural Paintings,Bangkok, E-Sarn Cultural Center, 2532 (1989).
Peleggi, Maurizio, Lords of Things, Honolulu, University of Hawai‘i Press, 2002.

164
Peleggi, Maurizio, ‗Royal antiquarianism, European Orientalism and the production of archaeological
knowledge in Modern Siam‘, in Goh Ben Lan; Ravi, Srilata; Rutten, Mario, eds., Europe in Asia,
Asia in Europe, Leiden: KITVL & Singapore: ISEAS, 2005
After 1947 (Rama IX)
The Mural Painting of Wat Buddhapadipa, Bangkok, Amarin Printing Group, 1987.
Art in the Reign of King Rama IX, Volume 1, Bangkok, Golden Jubilee Art Celebration Committee and
Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM
King Bhumibol Adulyadej‘s Accession to the Throne, 1996.
Art in the Reign of King Rama IX, Volume 2, Bangkok, Golden Jubilee Art Celebration Committee and
Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM
King Bhumibol Adulyadej‘s Accession to the Throne, 1996.
Art in the Reign of King Rama IX, Volume 3, Bangkok, Golden Jubilee Art Celebration Committee and
Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM
King Bhumibol Adulyadej‘s Accession to the Throne, 1996.
Peleggi, Maurizio, The Politics of Ruins and the Business of Nostalgia, Bangkok, White Lotus, 2002.
General Works on Neo-traditional Art [including Group Catalogues]
Art and Environment, Bangkok, Silpakorn University & Goethe Institut, 1991.
Art Exhibition by the members of the Faculty of Painting, Sculpture and Graphic Arts, Bangkok, Silpakorn
University [6th], 1989, [7th] 1990, [8th] 1991.
Change and Modernism in Thai Art, Canberra, Contemporary Art Space, 1991.
Eight Visions in Thai Contemporary Drawing, Bangkok, Dialogue Gallery, 1991.
Hoskin, J., Ten Contemporary Thai Artists, Bangkok, Graphis, 1984
Leesuwan, V., An Exhibition of Thai Art in the People‘s Republic of China Beijing, Centre of Fine Arts, 1985
[some modern works illustrated]
Pawlin, A., Dhamma Vision, Bangkok, Visual Dhamma Gallery, 1984.
Thai-Australian Cultural Space, Sydney, Art Gallery of New South Wales, 1994.
The New Path, Bangkok, Con-tempus 1992.
Third Thai Art ‗80, Bangkok, Bhirarsi Institute of Modern Art, 1980.
White Group 4th Contemporary Water Colour Exhibition/ Bangkok, National Gallery, March 1985.
General Works on Modern Thai Art
Apinan Poshyananda, ‗Thai MODERNism to (post?) modernISM, 1970s and 1980s (Seeing "Yellow"
from a Thai perspective)‘, in Clark, J., ed., Modernity in Asian Art, Sydney, Wild Peony, 1993.
Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford University Press, 1992.
Bhirasri, S. [Thai name of Ferroci, Corrado], Contemporary Art in Thailand, Bangkok, Fine Arts
Department, B.E. 2532 [1989].
Cate, Sandra, Making Merit, Making Art: A Thai Temple in Wimbledon, Honolulu, University of Hawai‘i
Press, 2003
Michaelsen, H., ‗State Building and Thai Painting and Sculpture in the 1930s and 1940s‘, in Modernity in
Asian Art, 1993.
Michaelsen, H., ‗Thailand in the 1980s‘, Art Monthly Australia, no.41, June 1991.
Michaelsen, H., Die Entwicklung und die Konsequenzen der westlichen Einflüsse auf die zeitgenössische thailändische
Malerie, Magisterarbeit, Ruhr Universität-Bochum, 1987.
Pawlin, A., ‗Reaching beyond Tradition‘, Asian Art News, 1, no.3, Nov/Dec 1991.
Pettifor, Steven, Flavours: Thai Contemporary Art, Bangkok, Thavibu Gallery, 2003
Phillips, H., The Integrative Art of Modern Thailand, Berkeley, Lowie Museum of Anthropology and
California University Press, 1992. [Review by Murray, S.E., Asian Art News, 2, no.2 Mar/ Apr
1992].
Piriya Krairiksh & Thongchua, P., Art in Thailand since 1932, Bangkok, Thamasat University, Thai Khadi
Research Institute, 1982.

165
Piriya Krairiksh, Thai Reflections on American Experiences, Bangkok, Bhirasri Institute of Modern Art, 1986
Poshyananda, Apinan, ‗Portraits of Modernity in the Royal Thai Court‘, in Asian Art & Culture V(VIII,
1), Winter, 1995.
Rodboon, Somporn, ‗Contemporary Art Scene in Thailand‘, Kuroda, Raiji, ed., The First Fukuoka Asian
Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Smithies, M., ‗The Bangkok Art Scene in the Early 1960s: A personal souvenir‘, Journal of the Siam
Society, vol.66, July 1978.
Wong-Uparaj, Damrong, Professor Silpa Bhirasri, 1978.
Architecture and Environment
Kana Kammakaan Cadngaan Somphod Krung Radtanakoosin 200 Pii, Architectures of Rattanakosin,
Bangkok, A Publication of the Committee for the Rattanakosin Bicantennial Celebration to
Commemorate the Rattanakosin Bicentennial, 2525 (1983).
Aasen, Clarence, Architecture of Siam, A Cultural History Interpretation, Kuala Lumpur, Oxford University
Press, 1996.
Askew, Marc, Interpreting Bangkok, The Urban Question in Thai Studies, Bangkok, Chulalongkorn University
Printing House, 1994.
Askew, Marc, Bangkok: Place, Practice and Representation, London, Routledge, 2002.
Dumarçay, Jacques, The House in South-East Asia, (Tr.& Ed. Smithies, M.), Singapore, Oxford University
Press, 1990.
Dumarçay, Jacques, The Palaces of Southeast Asia, Architecture and Customs [tr., ed. Michael Smythies],
Singapore, Oxford University Press, 1991.
Fox, James J., ed. Inside Austronesian Houses, Canberra, Australian National University, 1993.
Sumet Jumsai, Naga, Cultural, Origins in Siam and the West Pacific, Singapore, Oxford University Press,
1989.
Moore, Elizabeth, et.al, Ancient Capitals of Thailand, Bangkok, Asia Books Co.,Ltd., 1996.
Smithies, Michael, Old Bangkok, Singapore, Oxford University Press, 1993.
Waterson, Roxana, The Architecture of South-East Asia through Travellers‘ Eyes, Kuala Lumpur, Oxford
University Press, 1998.
Roxana Waterson, The Living House, An Anthropology of Architecture in South-East Asia, Singapore, Thames
and Hudson, 1997.
Craft
Bhirasri, Silpa, Thai Lacquer Works, Bangkok, The Promotion and Public Relations Sub-Division, the
Fine Arts Department, 2532 (1989).
Cohen, E., The Commercialized Crafts of Thailand: Hill tribes and lowland villages, Richmond, Curzon &
Honolulu, University of Hawaii Press, 2000.
Connors, Mary F., Lao Textiles and Traditions, Kuala Lumpur, Oxford University Press, 1996.
Conway, Susan, Thai Textiles, London, British Museum Press, 1992.
Fraser-Lu, Sylvia, Handwoven Textiles of South-East Asia,2nd Impression, Singapore, Oxford University
Press, 1990.
Songsak Prangwatthanakun & Patricia Naenna, Lan Na Textiles, Yuan Lue Lao, Chiang Mai, the Center
for the Promotion of Arts and Culture, Chiang Mai University, 2533 (1990).
Subhadradis Diskul, M.C. ,The Lacquer Pavilion at Suan Pakkad Palace, Bangkok Princess Chumbhot of
Nagara Svarga.
Thai Textiles, Threads of a Cultural Heritages, Chiang Mai, Center for the Promotion of Arts and Culture,
Chiang Mai University, 1996.
Wiboon Liisuwan, Directory of ThaiFolk Handicrafts, Bangkok ,The Industrial Finance Corporation of
Thailand, 2532 (1989).

Reference
Joti Kalyanamitra, Six Hundred Years of Work by Thai Artists & Architecture, Bangkok, The Fine Arts
Commission of the Association of Siamese Architects Under Royal Patronage, 1977.
166
Art Collection & Galleries
The Thai Farmers Bank Art Collection, ‗Award from Contemporary Art Competition in the Year 1979-1995
and Realistic Paintings in the Year 1994‘
Moonlanithi Thanaakaan Krongtheb, Bua Luang Paintings, A Collection of Prize Winning Paintings from the
1st to 19th Bua Luang Painting Competitions To Mark the 50th Anniversary (Golden Jubilee) Celebrations of
His Majesty the King‘s Accession to the Throne, Bangkok, Amarin Printing and Publishing Co., ltd.
(plc), 2539 (1996).
Pettifor, Steven, ‗A New Art Center For A New Era‘ [Bangkok Art and Culture Centre], in
AsianArtNews, vol. 18, no. 6, Nov/Dec 2008, p. 96-99
Pettifor, Steven, ‗A Fresh Face For Thai Art [Apinan Poshyananda on Bangkok Art and Culture
Centre], in AsianArtNews, vol. 18, no. 6, Nov/Dec 2008, p. 100-101
Sombat Permpoon Gallery, Amazingly fine, Amazingly Thai, Bangkok, Sombat Permpoon Gallery.
Subhadradis Diskul M.C. et al.,The Suan Pakkad Palace Collection, 2nd printing, Bangkok, Princess
Chombhot of Nagara Svarga, 1991.
Thavibu Gallery, Numthong Gallery, Bangkok, Art AsiaPacific, no.34, 2002.
TISCO 25 Anniversary,TISCO Contemporary Art Collection, Bangkok, Thai Investment and Securities
Public Company Limited.
Selected Major Exhibitions in Thailand (by Year) (material in some Australian public libraries)
1951
National Exhibition of Art, Bangkok, Silpakorn University, 10 November - 10 December.
1958
National Exhibition of Art, Bangkok, ‗Hor Sin Trong Khaam Anudsaawarii Thahaanaasaa‘, 15 March - 15
April.
1979
Kaan Sadaeng Sinlapakam Haeng Chaad Khrang Thii 1, Bangkok, 15-30 November. Circulated Exhibition
1982
Vane Group, 3rd Exhibition of Paintings by Vane Group, Bangkok, the Bhirasri Institute of Modern Art,
12-31 January.
1984
20 Artists, Paperwork,Bangkok, the Silpakorn University Art Gallery, 25 February - 12 March.
Dhamma Vision, Bangkok, Visual Dhamma Gallery.
1987
Thai Farmers Bank, Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion of
His Majesty the King‘s Sixtieth Birthday Anniversary, Bangkok, Thai Cultural Center, no date.
1988
5 Young Artists of the Year‘88, Bangkok, the Art Gallery Silpakorn University, 2-14 June.
1989
5 Young Artists of the Year‘89, Bangkok, the Art Gallery Silpakorn University, 1-19 June.
1990
Asian International Art Exhibition, Kuala Lumpur, National Art Gallery, 17 December,1990-6 January
1991.
1991
Bangkok Bank Ltd. Biographies of Thai Artists, Printed for IBRD/IMF Meeting, Bangkok, Thailand,
1991.
Parallel Views, An Exhibition of Contemporary Thai Art, Victoria, Australia, Luba Bilu Gallery, 4-28
September.

167
Somporn Rodboon, ‗Thai Contemporary, Works on Paper‘, no date.
Change and Modernism in Thai Art, Canberra, Australia, Galleries 1 and 2, Gorman House, 14 March - 6
April.
The 8th Exhibition of Contemporary Art by Young Artists, On the Occasion of ―Silpa Bhirasri Day‖, Bangkok,
the Silpakorn University Art Gallery, 15 September - 8 October.
8th Art Exhibition by the Members of the Faculty of Painting Sculpture and Graphic Arts Silpakorn University, The
Centennial Celebration of Professor Silpa Bhirasri, Bangkok, Faculty of Painting Sculpture and Graphic
Arts Silpakorn University, 15 September - 5 October.
3th Toshiba ―Brings Good Things to Life‖ Art Competition 1991, no date
Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion of the Thirty Sixth Birthday
Anniversary of Her Royal Highness Princess Maha Chakri Sirindhorn in the Year 1991, Bangkok, Thai
Cultural Center, sponsored by Thai Farmers Bank, no date.
Art and Environment, Bangkok, the Gallery of the Faculty of Painting Sculpture and Graphic arts,
Silpakorn University, 6-28 February.
8 Actual Visions in Thai Contemporary Drawing, Bangkok, Dialogue Gallery, 10-24 November.
Kaan Prakuad Sinlapakam Por Tor Thor Khrang Thii 6, Bangkok, the Art Gallery Silpakorn University, 2-19
December.
1992
Krom Sinlapakorn, 73 Sinlapin Thaj Sid Silp Bhirasri, Bangkok, Phiphidtaphansathaan Haeng Caad,
August - September.
White Group, A Decade of White Group , Individual Project 1992.Bangkok, Silom Art Space Gallery 15
October - 15 November, National Art Gallery 4 - 29 November
Charity Auction for Special Olympics of Thailand, Bangkok, Dialogue 1991, 14-16 November
Isan Group, The Sky Without Birds, The Earth Without Animals Bangkok, River City Department Store,
13-23 November.
The New Path, Bangkok, Queen Sirikit National Convention Center, 5-31 January.
Creative Feminity, Bagnkok, Queen Sirikit National Convention Center, 3 May - 3 June.
Modern Thai Prints & Works on Paper, An Exhibition to Mark Thailand Update 1992, Sydney, Australia,
University of Sydney Staff Club, 8-15 October.
Bangkok artists, Bangkok Matters, Bangkok, Silom Art Space, 28 March - 23 May.
The 9th Exhibition of Contemporary Art by Young Artists, In Commemoration of ―The Centennial Celebration of
Professor Silpa Bhirasri‖, Bangkok, the Silpakorn University Art Gallery, 21 August - 8 September.
4th Toshiba ―Brings Good Things to Life‖ Art Competition 1994, no date.
9th Art Exhibition by the Members of the Faculty of Painting Sculpture and Graphic Arts Silpakorn University, The
Centennial Celebration of Professor Silpa Bhirasri, Bangkok, Faculty of Painting Sculpture and Graphic
Arts Silpakorn University, 15 September - 5 October.
Melancholic Trance, Bangkok, Visual Dhamma Gallery, 23 May - 30 June.
Painting and Sculptures Exhibitions on the Occasion of the Bank of Thailand‘s 50th Anniversary, Bangkok,
Bangkhunprom Palace 2-4 December 1992, Thailand Cultural Center 15-31 January 1993. (book)
Painting and Sculptures Exhibitions on the Occasion of the Bank of Thailand‘s 50th Anniversary, Bangkok,
Bangkhunprom Palace 2-4 December 1992, Thailand Cultural Center 15-31 January 1993.
(pamphlet)
Cries from theHills, Children‘s Art Exhibition from 6 tribes(Karen, Hmong, Mien, Lisu, Lahu, Akha), 17-24
October 2535 (1992) Circulated Exhibition in Thailand.
The Decade of Printmaking, Bangkok, Queen Sirikit National Convention Center, 21 July - 10 August.
Thai Farmers Bank, Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion of
Her Majesty the Queen‘s Sixtieth Birthday Anniversary, Bangkok, Thai Cultural Center, no date.
Multiple Drawing, Bangkok, the Gallery of the Faculty of Painting Sculpture and Graphic Arts Silpakorn
University, 24 August - 9 September.
Thai Farmers Bank, Contemporary Art Exhibition 1992,Bangkok, the National Gallery, 8 June - 8 July.

168
Exhibition of Art Instructors 1992 Faculty of Fine Arts Chiangmai University,Bangkok, the National Gallery, 18
September - 10 October.
Bangkok-Nagoya, Bangkok, the Art Gallery Silpakorn University, 7-28 October.
1993
Sai-Nam-Tai Contemporary Art Exhibition, Bangkok, Tridhos Gallery, 11 November - 31 December.
Four Painters, Bangkok, the National Gallery, 9-28 December.
White Group, People, Bangkok, the Silapkorn University Art Gallery, 1-25 December.
The 38th National Exhibition of Art, the Centennial Celebration of Professor Silpa Bhirasri, Bangkok, the
Silpakorn University art Gallery, 15 September - 5 October.
The 10th Exhibition of Contemporary Art by Young Artists, Commemorating Silpakorn University‘s 50th
Anniversary, Bangkok, the Silpakorn University Art Gallery, 25 August - 10 September.
Contemporary Thai/Japanese Art Exhibition, Beyond the Border, Tokyo, P3 art and environment, 9-23
December; Bangkok, Silpakorn University Art Gallery, 14-27 February.
Thailand -- Land of Thousands Ideas, Bangkok, the National Gallery, 9-30 January.
1994
Cobalt Blue Group, The 2nd Contemporary Art Exhibition by Cobalt Blue Group, Bangkok, the Imperial
Queen‘s Park Hotel, 6-23 January.
6th Toshiba ―Brings Good Things to Life‖ Art Competition 1994, no date.
1st Art Exhibition by the Members of the College of Fine Arts, Bangkok, the National Gallery, 10-31 August.
Tadsawat Group, 1st Art Exhibition, Bangkok, Place of Art, 30 October - 20 November.
Water Group, Art Exhibition by Water Group, Bangkok, Art Forum Gallery, 4-25 February.
2537 Art Exhibition, Bangkok, the Changing Exhibition Hall, Thailand Cultural Center, 21 November -
18 December, sponsored by Bangkok University. cit
Saang Saan Tamnaan Sin, 20 Pii Naew Ruam Sinlapin Haeng Prathed Thai 2517-2537, Bangkok, Queen
Sirikit National Convention Center, October.
1995
Thai Farmers Bank, Contemporary Art Exhibition 1995, Bangkok, the National Gallery, 9-30 June.
Thai Tensions, Bangkok, the Art Center, Center of Academic Resources, Chulalongkorn University, 1-30
September.
The Members of the Department of Graphic Arts, Faculty of Painting Sculpture and Graphic Arts,
Graphic Arts Exhibition, Bangkok, Faculty of Painting Sculpture and Graphic Arts, 5-31 July.
Nithadsakaan Cidtrakam Thai, 10 Pii Klum Thaan Kuud, Bangkok, Place of Art, 19 March - 9 April. 2
books
Exhibition of Contemporary Art, Toshiba ―Bring Good Things to Life‖, Bangkok, no date, no place of
exhibition
1996
Into the Next Decade, Tadu Contemporary Art, November 28, 1996.
Into the Next Decade, Tadu Contemporary Art, 29 November 1996 - 25 January 1997.
Cobalt Blue Group, The 3rd Art Exhibition by Cobalt Blue Group, Bangkok, the National Gallery, 8-30
March.
Symbolist, 1996 Art Exhibition, Bangkok, Place of Art, 5-24 January 1997.
Liveart, Thailand First Performance Art Event, Bangkok, Concrete House, 6 July.
W O M A N?, Bangkok, the Art Center, Center of Academic Resources, Chulalongkorn University, 8-
31 August.
Third Art and Cultural Festival, Temples, Cemeteries, Private-Residences, Public Buildings, Streets, Bridges, Walls,
rivers and Canals, Open Spaces, Chiang Mai, Thailand, Chiangmai Social Installation, Faculty of Fine
Arts, Chiang Mai University, 19 November - 19 February.
1997
Absolute Abstract, Bangkok, Tadu Contemporary Art, 28 March - 25 May.
Painters‘ Pursuit, Bangkok, Tadu Contemporary Art, 7 June - 31 July.

169
14th Art Exhibition by the Members of the Faculty of Painting Sculpture and Graphic Arts, In Commemoration of
55th Aniiversary of the Faculty of Painting Sculpture and Graphic Arts, Silpakorn University, Bangkok, the
Gallery of the Faculty of Painting Sculpture and Graphic Arts, 15 September - 15 October.
Hanoi Fine Arts Institute, Silpakorn University, Hue College of Arts, and Chiang Mai University,
Contemporary Fine Arts Exhibition, no date.
Golden Jubilee Art Exhibition, 50 Years of Thai Art on the Occasion of the 50th Anniversary of HM King Bhumibol
Adulyadej‘s Accession to the Throne,Bangkok, Queen Sirikit National Convention Center. December
1996 - January 1997
1998
Hers Group, Woman Opportunity, Bangkok, Tadu Contemporary Art, 18 December-18 January. 2 posters
the pink, the bad & the ugly, the Art Center, Centers of Academic Resources, Chulalongkorn University,
13-30 October 1998.
Bangkok Art Project 1998, January Events 2542 (1999) cit
73 Thai artists & 7 Asian artists, Bangkok Art Project 1998, Bangkok, Public Art in Community Lives Across
the Ratanakosin Island, 8 December 1998 - 31 January 1999. 2 books
Master Thai Artists in Japan, Bangkok, the Art Gallery, the Faculty of Painting Sculpture and Graphic
Arts, Silpakorn University, 27 June - 15 July.
5 Decades of the National Exhibition of Art 1949-1998, Bangkok, the Art Gallery Silpakorn University, 1-30
June.
Plastic (&other) Waste, Bangkok, the Art Center, Center of Academic Resources, Chulalongkorn
University, 7 April - 1 May.
1999
New Essence, Bangkok, Tadu Contemporary Art, 13 May - 13 June.
Womanifesto-II, Second International Women‘s Art Exchange, Bangkok, Saranrom Park, 13 March - 4 April.
Vasha Nair, ‗Womanifesto II-- jogging ahead‘, n.paradoxa, Vol. 4., 1999.
No Guarantee, Sydney, Australia, SCA Gallery, 30 September - 6 November.
The members of Thai Art Department, Faculty of Painting Sculpture & Graphic Arts, Silpakorn
University, Thai Art Exhibition, Bangkok the Art Gallery Silpakorn University, 24 May -11 June.
The members of Thai Art Department, Faculty of Painting Sculpture & Graphic Arts, Silpakorn
University, Thai Art Exhibition, Bangkok the Art Gallery Silpakorn University, 24 May -11 June,
price list.
2004
Löschmann, Jörg, ed. Identities, versus Globalisation (Cat.), Chiangmai, Heinrich Böll Foundation, 2004
2007
Pettifor, Steven, ‗In Praise of the Spirit‘, in Asian Art News, v. 18(1), Jan/Feb, 2008, pp. 74 - 79.
Recent Thai Art Overall
Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford University Press, 1992.
Apisuk, Chumpon, ‗Art of Dissent‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications,
2007.
First International Conference on Modern Art in Thailand ―Modern Art in Thailand 1932-1992, Changing
Perspectives‖, organised by the Faculty of Fine and Applied Arts, Chulalongkorn University, 31 July
- 2 August, 1992
National Committee for Organizing the Celebrations for the 50th Anniversary of His Majesty‘s
Accession to the Throne, Rattanakosin Art, the Reign of King Rama IX 2nd eds. Published in
Commemoration of the 50th Anniversary of His Majesty‘s Accession to the Thorne, Bangkok,
Amarin, 1997
Pettifor, Steven, ‗The Drama of Animals‘, [Peter Woytuk in Bangkok], in World Sculpture News, vol 14,
no 4, Autumn 2008, pp.52-56
Phillips, Herbert P.The Integrative Art of Modern Thailand, Berkeley, University of California at Berkeley,
1992.

170
Piriya Krairiksh & Pishnu Supanimit, Art since 1932, Research Document No. 17 Bangkok, Thai Khadi
Research Institute, Thammasart University (1982).
Poshyananda, Apinan, ‗Introduction to Thai Modernism‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Thomson, Jonathon, ‗A Confident Vision‘, in Asian Art News, v. 17(6), November/December, 2007,
pp. 78 – 82.
Photography in Thailand
Anek Naawikkamuun, Photography in Thailand, Bangkok, Sangdad Publishing Co.,Ltd., 2530 (1987).
Cary, Caverlee, ‗In the image of the King: two photographs from nineteenth century Thailand‘, in
Taylor Nora E. ed, Studies in Southeast Asian Art: Essays in honor of Stanley J.O‘Connor, Ithaca, SEAP
Cotrnell University, 2000.
Nawigamune, Anake, Taay rup muang Thay samayreek, Bangkok, Catpim Khrangreek Thay, 1987.
Nawigamune, Anake, Prawat kaan thaay ruup yut reek khong Thay, [The Early History of Photography in
Thailand], Bangkok, Sarakadee Press, 2005
Sakda Siripant, King and Camera, Evolution of Photography in Thailand 1845-1992, Bangkok, Prof. Sakda
Siriopant, 2535 (1992).
1980s
Sandra Cate, Long-Distance Merit-Making, Art at a Thai Buddhist Temple in Wimbledon, unpublished PhD
Thesis, University of California, Berkeley, 1998.
Virginia Henderson, The Social Production of Art in Thailand, Patronage and Commoditisation, 1980-1998,
unpublished MA in Thai Studies Thesis, Chulalongkorn University, 1998.
Sodchuen Chaiprasathna, Surrealistic Trends in Painting and Literature in Thailand 1964-1984, Bangkok, The
Siam Society, 1996.
1990s
Apinan Poshyananda, ‗Behind Thai Smiles: Three Contemporary Thai Artists‘, Art & Asia Pacific,
no.1, supplement to Art & Australia, March 1993.
Apinan Poshyananda, ‗Smile-a-while campaigns for cultural correctness‘, Art & Asia Pacific, vol.2, no.3,
1995.
Chanjaraen, Chanyaporn, ‗Chiang Mai Art Festival‘, Art & Asia Pacific, vol.1, no.4, 1994.
Chanjaroen, Chanyaporn, ‗Testing the Audience‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Clark, John, ‗Fifty years of National Art Exhibitions‘, Asian Art News, vol.9, no.6, 1999
Clark, John‘, ‗Decoration and distance: The work of Damrong Wong-Upparaj‘, Art & Asia Pacific,
vol.2, no.3, 1995.
Datuin, Flaudette May V., ‗ The Goddess and the Mural Painter: Phaptawan Suwannakudt‘s murals‘,
ART AsiaPacific, no.14, 1997
Fink, Hannah. ‗Rythmic Air: The Fine Art of Savanhdary Vongpoothorn.‘ Art Asia Pacific 24:1999
Gampell, Jennifer, ‗Sale Time, Spaceless Art in Bangkok‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Grounds, John, ‗Learning About Difference‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Hoskin, John, ‗Looking Ahead‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Johnson, David. ‗Chiang Mai Changes: Thailand‘s celebrated installation Festival.‘ Asia-Pacific Sculpture
News 2:2 Spring 1996
Kirker, Anne, ‗Daring to Confront‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Kirker, Anne. ‗The Performance of Printmaking: Three Thai Artists.‘ Art Asia Pacific 24:1999
Lucas, Noelene, ‗Metaphor for a Delicate Balance‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Pettifor, Steven, ‗In search of fresh direction‘, Asian Art News, vol.9, no.6, 1999
Pongrapeeporn, Pipat, ‗The Role of a Gallery Owner in Bangkok‘, Artlink, Vol. 13, No.3&4,
November-March 1993/94

171
Poshyananda, Apinan, ‗A Guide to the Art Scene in Thailand‘, Artlink, Vol. 13, No.3&4, November-
March 1993/94
Preece, Robert, ‗Doin‘ it for themselves‘ Asian Art News, vol.7, no.6, November- December 1997.
Rasdjarmrearnsook, Araya, ‗Problems of Women Artists‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Rasjarmrearnsook, Araya, ‗The end of the Chiang Mai Social Installation‘, Artlink, Vol. 20, No. 2, July
2000
Rodboon, Somporn, ‗Thai Contemporary Installation‘, Art Monthly Australia, no.72, August 1994.
Wongchirachai, Albert, ‗Art as Pseudo Religion‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
2000+
Curtin, Brian, ‗Phuket a Year Later (Art for Andaman series), Flash Art, vol. XXXVIII, no. 245,
November-December, 2005; ‗Reading Thai Art Internationally‘ (book review), Art Journal, vol.
64, iss. 1, 2005.
Gaweewong, Gridthiya., ‗Project 304: A Secret Code of Cultural Operation from Bangkok Art World‘,
in Vehicle: Contemporary Visual Arts, No.2, 2001, p.48-51.
Mertens, Brian. ‗Death in Venice: Montien and Araya‘, ArtAsiaPacific, no. 45, 2005.
Mertens, Brian, ‗The Art of Corruption: Thai Artists take on politics‘, in ArtAsiaPacific, No. 57,
Mar/Apr, 2008, pp. 92 - 93.
Nair, Varsha, ‗All About the Future: Bangkok‘s About Café‘, ArtAsiaPacific, no. 46, 2005.
Ng, Josef., ‗History & Memory: The Hook, the Line and the Sinker of Thai History 101, Group
Exhibition by Sutee Kunavichayanont, Ing K, Manit Sriwanichpoom‘(Art Center, Chulalongkorn
University, Bangkok), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.36-43.
Ng, Josef, curator, Thai Contemporary: Charm and Chasm, Bangkok, Tang Gallery, 2007
Pettifor, Steven ‗FT3D at the Japan Foundation‘ (review), Asian Art News, vol. 17, no. 1, Jan-Feb 2007;
‗Mechanical Imagination‘, World Sculpture News, vol. 12, no. 4, 2006; ‗Neo Nationalism at
Chulalongkorn University Art Center‘ (review), Asian Art News, vol. 16, no. 1, 2006; ‗Making
Connections‘ (Temporary Art Museum Soi Sabai), Asian Art News, vol. 16, no. 2, 2006; ‗Present
Perfect at Bhirasri Institute of Modern Art‘, in Asian Art News, Vol. 14, No. 1, January/February
2004, p.83-84; ‗In Search of Global Identities‘, in Asian Art News, Vol. 14, No. 2, March/April
2004, p.48-51; ‗Manit Sriwanichpoom and Weng Fen at Tang Gallery‘ (review), in Asian Art News,
Vol. 13, No. 6, November/December 2003, p.91-92; ‗Dansoung Sungvornveshapan at
Chulalongkorn University‘, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.83-84; ‗Niti
Wattuya at Numthong Gallery‘ (review), in Asian Art News, Vol. 13, No. 6, November/December
2003, p.92; ‗Studios Exposed‘, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February
2002; ‗Struggling for a change on a global stage‘, Asian Art News, vol.12, no.1, 2002; ‗A
Communion of Understanding‘, Thailand Feature, Asian Art News, vol. 12, no. 1,
January/February 2002; ‗Northern Thailand‘s artistic home‘, Asian Art News, vol.11, no.5, 2001.
Rawanchaikul, Navin, editor, Public Art In(tervention), Chiangmai, Fly me to another world project, 2006
Teh, David, ‗Growing Pains‘, ArtAsiaPacific, no. 48, 2006; ‗Exhibition Round-up: Bangkok‘, Art and
Australia, vol. 43, no. 3, 2006.
Thompson, Jonathan, ‗A Taste of Thai Sculpture‘, World Sculpture News, vol. 12, no. 3, 2006; ‗Under the
Hammer in Bangkok‘, Asian Art News, vol. 16, no. 3, 2006.
Tutton, Sarah, ‗Parking Lots, Shopping Malls and Contemporary Art in Bangkok‘, ART AsiaPacific,
Issue 36 (2002)
Works on Modern Thai Literature in English
Anderson, B., Mendiones, Ruchira, In the mirror: Literature and Politics in Siam in the American Era, Duang
Kamol, Bangkok, 1985, (the long foreword contains an accessible review of the problems of
Americanization in culture and politics in the 1960s and 1970s).
Barmé, S., Kulap in Oz: A Thai View of Australian Life and Scoiety in the late 1940s [includes translation of
Siburapha‘s Until we meet again, Clayon, Monash Asia Insitute, 1995.

172
Botan, Letters from Thailand, tr. Fulop, Bangkok, Duang Kamol, 1991.
Kriengkraipetch, Suvann, Smith, L.E., Value Conflicts in Thai Society: Agonies of change seen in short stories,
Bangkok, Social Research Institute, Chulalongkorn University, 1992.
Manas Chitakasem, ‗Poetic Conventions and Modern Thai poetry‘, in Manas Chitakasem, & Turton A.,
Thai Constructions of Knowledge, London, School of Oriental and African Studies, 1991.
Mulder, N., ‗Individual and society in modern Thai literature‘, in Brummelhuis & Kemp,
Phillips, H., ed. and tr., Modern Thai Literature - with an ethnographic interpretation, Honolulu, University of
Hawaii Press, 1987.
Reynolds, C.J., ‗Tycoons and warlords: Modern Thai social formations and Chinese Historical
Romance‘, draft of paper for Cushman Memorial Volume 1992.
Rutnin, Mattani Mojdara, Modern Thai Literature, Bangkok, Thammasat University Press, 1976, 1988.
Rutnin, Mattani, ‗Modern Thai Literature: the process of modernization and the transformation of
values‘, East Asian Cultural Studies, 17: 1-4, 1978.
Senanan, Wibha, The Genesis of the Novel in Thailand, Bangkok, Thai Watana Panich, 1975.
Siburapha, Behind the painting and other stories, Singapore, Oxford University Press, 1990.
Smyth, D., ‗Siburapha‘, in Manas Chitakasem, & Turton A., Thai Constructions of Knowledge, London,
School of Oriental and African Studies, 1991.
Thai Music
Cornwel-Smith, Philip, ‗Ramakien Unplugged‘, ArtAsiaPacific, no. 51, 2007.
Morton, David, The Traditional Music of Thailand,Berkeley, University of California Press, 1976
Myers-Moro, Pamela, Thai Music and Musicians in Contemporary Bangkok, Centers for South and Southeast
Asia Studies, University of California at Berkeley, 1993.
Thai Mentalities including Religions
Amara Ponsapich. Ed., Traditional and changing Thai world view, Bangkok, Chulalongkorn University Press,
2541 (1998)
Anderson, Benedict R.O‘G; Ruchira Mendiones, In The Mirror: Literature and Politcs in Siam in the
American Era, Bangkok, Duang Kamol, 1985.
Barmé, Scot, Luang Wichit Wathakan and the creation of a Thai identity, Singapore, Institute of Southeast
Asian Studies, 1993.
Barmé, Scot, tr. & ed., Kulap in Oz, A Thai view of Australian life and society in the late 1940s, Clayton,
Monash Asia Institute, 1995.
Barmé, Scot, Woman, Man, Bangkok: Love, Sex & Popular Culture in Thailand, Lanham, Rowman &
Littlefield, 2002.
Chaiworaporn, Anchalee, ‗Nostalgia in Post-Crisis Thai Cinema‘, Focas (Forum on Contemporary Art &
Society), no.3, January 2002
Dhani Nivat, Prince, ‗The Old Siamese Conception of the Monarchy‘, Journal of the Siam Society, vol.
XXXVI, pt.2.
Diller, Anthony, ‗What Makes Central Thai a National Language‘, Reynolds, Craig J.,ed., National Identity
and Its Defenders: Thailand Today, Thailand: Silkworm Books, 2000
Hirsch, Philip, ‗What is the Thai Village?‘, Reynolds, Craig J.,ed., National Identity and Its Defenders:
Thailand Today, Thailand: Silkworm Books, 2000 (1991,1993)
Gerson, Ruth Traditional Festivals in Thailand, Singapore, Oxford University Press, 1996.
Griswold, A.B., Na Nagara, Prasert, Epigraphic and Historical Studies, Bangkok, The Historical Society,
1992.
Jackson, P., Buddhist Legitimacy and Conflict, Singapore, Institute forS.E.Asian Studies,
Le May, R., An Asian Arcady, Cambridge, Heffer, 1926 [see Chapters VI & VII].
Ling, T., Buddhism and the Mythology of Evil, Oxford, Oneworld, 1997
Manas Chitakasem, & Turton A., Thai Constructions of Knowledge, London, School of Oriental and
African Studies, 1991.

173
Mulder, N., Inside Thai Society, an interpretation of everyday life, Bangkok, Duang Kamol, 1979, 1992.
Mulder, N., Thai Images: The culture of the public world, Chiangmai, Silkworm Books, 1997.
Nimmanahaeminda, Kraisri, ‗An inscribed silver-plate grant of the Lawa of Boh Luang‘, in Felicitation
Volumes, 1965, see 16.a.5.
Quaritch Wales, H.G., Siamese State Ceremonies, Their History and Function, London, Bernard Quaritch,
1931.
Rajadhon, Phya Anuman, Essays on Thai Folklore, Bangkok, The Social Science Association of Thailand,
1968.
Rajadhon, Phya Anuman, Life and Ritual in Old Siam [1948, 1949], tr. and ed. Gedney, W.J., New
Haven, HRAF Press, 1961.
Rajadhon, Phya Anuman, Popular Buddhism in Siam and other Essays on Thai Studies, Bangkok, Thai Inter-
Religious Commission for Development & Sathirakoses Nagapradipa Foundation, 1986.
Reynolds, C. J., ed., National Identity and its Defenders, Thailand, 1939-1989,Clayton, Monash University
Centre of Southeast Asian Studies, 1991.
Reynolds, C. J., Thai Radical discourse, the real face of Thai feudalism today, Ithaca, South East Asia Program
Cornell University, 1987.
Reynolds, C.J., The Buddhist Monkhood in Nineteenth Century Thailand, Ph.D. thesis., Cornell University,
1972.
Reynolds, F.E. & M.B., The Three Worlds according to King Ruang: A Thai Buddhist Cosmology, Berkeley,
Berkeley Buddhist Series, no.4, 1982.
Schopen, G., ‗On monks, nuns and ‗vulgar ‗ practices: the introduction of the image cult into Indian
Buddhism‘, Artibus Asiae, 1989.
Skilling, P., ‗Paṭa (Phra Bot): Buddhist Cloth Painting of Thailand.‘ In François Lagirarde and Paritta
Chalermpow Koanantakool (ed.). Buddhist Legacies in Mainland Southeast Asia: Mentalities,
Interpretations and Practices. Paris: École française d‘Extrême-Orient (Études thématiques
19)/Bangkok: Sirindhorn Anthropology Centre (SAC Publication 61): 223–275.
Suvanna Kirengkraipetch, Smith, Larry E., Value Conflicts in Thai Society: Agonies of change seen in short
stories, Bangkok, Chulalongkorn University Social Research Institute, 1992
Swearer, Donald K., The Buddhist World of Southeast Asia, Albany, State University of New York Press,
1995
Tambiah, S.J., ‗Buddhist cosmography in Thai History, with special reference to nineteenth century
culture change‘, Journal of Asian Studies, vol.35, no.2, February 1976.
Tambiah, S.J., Buddhism and the Spirit Cults in North-east Thailand, Cambridge, Cambridge University
Press, 1970.
Tambiah, S.J., Monks and Magic, Bangkok, Scandinavian Institute of Asian Studies, Monograph no.24,
1975.
Tambiah, S.J.,, The Buddhist saints of the forest and the cult of amulets, Cambridge, Cambridge University
Press, 1984.
Tambiah, S.J.,, World Conqueror and World Renouncer: A study of Buddhism in and Polity in Thailand against a
historical background, Cambridge, Cambridge University Press, 1976.
Terwiel, B. J., Monks and Magic: an analysis of religious ceremonies in central Thailand, Bangkok, White Lotus,
1994.
Terwiel, B.J., ‗A Model for the study of Thai Buddhism‘, The Journal of Asian Studies, vol. 35, no.3, May
1976.
Thongchai Winiakul, Siam Mapped, a history of the geo-body of a nation, Honolulu, University of Hawaii Press
& Chiangmai, Silkworm Books, 1994.
Wells, K.E., Thai Buddhism: Its rites and activities, [1939], Bangkok, Suriyabun Publishers, 1975.
Wright, M., ‗Sacrifice and the underworld: death and fertility in Siamese myth and ritual‘, Journal of the
Siam Society, vol.78, part 1, 1990.

174
Thai Society
Bechstedt, Han-Dieter, ‗Identity and Authority in Thailand‘, Reynolds, Craig J.,ed., National Identity and
Its Defenders: Thailand Today, Thailand: Silkworm Books, 2000
Beyrer, C., War in the Blood, Sex, Politics and AIDS in Southeast Asia, Bankok, White Lotus & London,
Zed Books, 1998.
Kasian Tejapira, ‗The post-modernization of Thai-ness‘, in Yao Soucho, ed., House of Glass: Culture,
Modernity, and the State in Southeast Asia, Singapore, Institute of Southeast Asian Studies, 2001.
Matzner, Andrew, Not a Pretty Picture: Images of Married Life in Thai Comic Books‘, in International
Journal of Comic Art, vol. 2, no. 1, Spring, 2000, pp. 57 – 75.
Pressman, Douglas Harold, Thai Modernity: a study in the sociology of culture, [PhD, Brown University, 1993]
Ann Arbor: UMI, 1993
Reynolds, Craig J.,ed., National Identity and Its Defenders: Thailand Today, Thailand: Silkworm Books, 2000
Reynolds, Craig J.‘Thai Identity in the Age of Globalisation‘, Reynolds, Craig J.,ed., National Identity and
Its Defenders: Thailand Today, Thailand: Silkworm Books, 2000
Samudavanija, Chai-anan, ‗State-Identity Creation, State Building and Civil Society, 1939-1989, ,
Reynolds, Craig J.,ed., National Identity and Its Defenders: Thailand Today, Thailand: Silkworm Books,
2000
Sivaraksa, Sulak, ‗The Crisis of Siamese Identity‘, Reynolds, Craig J.,ed., National Identity and Its Defenders:
Thailand Today, Thailand: Silkworm Books, 2000
Tanabe, Shigeharu and Keyes, Charles F., ed., Cultural Crisis and Social Memory: Modernity and Identity in
Thailand and Laos, Hawai‘i: University of Hawai‘i Press, 2002
Thomas J. Fraser, Fishermen of South Thailand, The Malay Villagers, New York, Holt, Rinehart & Winston,
1966
Virada Somswasdi & Theobald, Sally, Women, Gender relations and development in Thai Society, 2 vols,
Women‘s Study Centre, Chiangmai University, 1997.
Thai Economy
Pasuk Phongpaichit & Baker, C., Thailand, Economy and Politics, Kuala Lumpur, Oxford University Press,
1995, 1999.
Pasuk Phongpaichit & Baker, C., Thailand‘s Boom and Bust, Chiangmai, Silkworm Books, 1998.
Pasuk Phongpaichit, Sungsidh Piriyarangsan, Nualnoi Treerat, Guns, Girls, Gambling, Ganja: Thailand‘s
Illegal Economy and Public Policy, Chiangmai Silkworm Books, 1998.
Suehiro Akira, Capital Accumulation in Thailand, 1855-1985, Tokyo, The Center for East Asian Cultural
Studies, 1989 & Chiangmai, Silkworm Books, 1996
Film, T.V., and Modern Media
Chaiworaporn, Anchalee., ‗Nostalgia in Post-Crisis Thai Cinema‘, in FOCAS: Forum on Contemporary Art
& Society, No. 4, June 2002, p.298-311.
Cusripituck, Setaphorn et al., Communication Policies in Thailand: A Study Project, Bangkok, UNESCO,
1985.
Hamilton, A., ‗The Unforgotten Kings: Icons and Modernity in Thailand‘, unpublished, 1992.
Hamilton, A., ‗Family dramas; film and modernity in Thailand‘, Screen, vol.33, no.2, Autumn 1992
___________________________________________________________________________
CAMBODIA
General Works
Chan Vitharin, Kbach. A Study of Khmer Ornament. Phnom Penh: Reyum Publishing, 2005
Collins, Darryl, ‗The gallery ‗scene‘ in Phnom Penh‘, Asian Artnotes, Art Monthly Australia, Aug 1999:
122.
Cultures of Independence: An Introduction to Cambodian Arts and Culture in the 1950s and 1960s. Phnom Penh,

175
Reyum Publishing, 2002.
Eastburn, Melanie., ‗Fragility and Strength: the Art of Marine Ky‘, in The Journal of the Asian Arts Society
of Australia, Vol. 13, No. 1, March 2004, p.17.
Edwards, Bradford. An Enduring Intimacy‘, Asian Art News, 8: 6 Nov/Dec 1998.
Edwards, Penny "Propagender: Marianne, Joan of Arc and the Export of French Gender Ideology to
Colonial Cambodia (1863-1954)", in Promoting the Colonial Idea, eds. Tony Chafer and Amanda
Sackur, Palgrave Publishers, Basingstoke, 2002, 116-30
Gleeson, Erin, ‗Svay Ken: Home and Country‘, ArtAsiaPacific, no. 46, 2005.
Kumar, Lakshmi, ‗The First Cambodian Visual Arts Open‘, ArtAsiaPacific, no. 46, 2005.
Kumar, Lex, ‗Cambodia‘s First Visual Arts Open‘, ArtAsiaPacific, no. 47, 2006.
Muan, Ingrid, ‗Selling Space: Socialism and Signage in Phnom Penh after the Khmer Rouge‘, in eds.
Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and
Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Pony, Sydney,
2006, pp. 117-128.
Muan, Ingrid and Ly, Daravuth, ‗Cambodian Contemporary Art; a difficult search for foundation‘,
Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999
Muan, Ingrid and Ly, Daravuth, ‗Cambodian Contemporary Art; a difficult search for foundation‘,
Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999
Muan, Ingrid et al, Cultures of Independence: an introduction of Cambodian Arts and Culture in the 1950s and
1960s, Phnom Penh, Reyum Institute of Arts and Culture, 2002.
Muan, Ingrid, ‗Selling Space:Socialism and Signage in Phnom Penh after the Khmer Rouge‘, from
http://www.ari.nus.edu.sg/conf2004/asianart.htm
Muan, Ingrid, Citing Angkor: The ―Cambodian Arts‖ in the Age of Restoration, 1918-2000, PhD thesis,
Columbia Unicversity, 2001
Seams of Change. Clothing and the Care of the Self in Late 19 th and 20 th Century Cambodia. Phnom Penh, Reyum
Publishing, 2003.
The Legacy of Absence, Phnom Penh: Reyum Institute of Arts and Culture, 2000. [Catalogue with essay
for group show of contemporary Cambodian art considering the legacy of the KR regime]
Vann Molyvann, Modern Khmer Cities. Phnom Penh, Reyum Publishing, 2003.
Visions of the Future, Phnom Penh: Reyum Institute of Arts and Culture, 2003. [Catalogue with essay for
group show of contemporary Cambodian art on the theme of the Future]
Individual Artists
An, Prom: Sam Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th
Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999
Chet Chan: Chet Chan, The Reamker, Phnom Penh, Reyum Publishing, 2002.
Soeung Vannara: Vannara, Soeung., Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art
Museum, 2002
Sopheap Pich: Pettifor, Steven, ‗Speaking To The Past And The Present‘, in World Sculpture News, v. 13(4),
Autumn, 2007, pp. 32 – 35.
Svay Ken: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Vannara, Soeung: Vannara Soeung in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art
Museum, 2001
________________________________________________________________________________

VIETNAM
176
Art in General
[Vietnamese diacritics unavailable]
Asian Art and Culture. [Vietnam Issue] vol. VII no.1 Oxford University Press, 1994.
A Winding River: The Journey of Contemporary Art in Vietnam. Meridian International Center, Washington
D.C. 1997.
Erickson, Dorothy, ‗Textiles Bridging Vietnam & WA‘, Schnorr, Michael & Yamagata, Susan, ‗Refugees
Confronting Memory‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Ghesquière, J. Missions archéologiques françaises au Vietnam : les monuments du Champa : Photographies et
itinéraires 1902-1904, Les Indes Savantes, 2005
Hejzlar, J., The Art of Vietnam, Hamlyn, London, 1973
Hoang Phuc Thang, ‗Hanoi – Heritage in Danger‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Leshkowich, Ann, ―The Ao Dai Goes Global: How International Entrepreneurs Have Shaped
Vietnam‘s ‗National Costume‘‖, in eds. Sandra Neissen, Ann Marie Leshkowich and Carla Jones,
Re-Orienting Fashion: The Globalisation of Asian Dress, Series Press Body Culture, Berg, New York,
2003, 79-92
Menonville, Corinne D., Vietnamese Painting from Tradition to Modernity, Les Editions d‘Art et d‘Histoire,
2003.
Mohring, H., Vietnamesische Malerei, Leipzig, VEB E.A.Seemann, Buch- und Kunsterverlag, 1963,
Nghe Thuat Tao Hinh Vietnam, Hanoi, Nha Xuat Ban Van Hoa, 1975,
Nguyen Luong Tieu Bach, ed., Truong Dai Hoc My Thuat Ha Noi, Nha Xuat Ban My Thuat, Hanoi, 1998
Nguyen Quan, ―Traditions and Acculturation‖, trans. Duong Tuong, in Uncorked Soul: Contemporary Art
from Vietnam, Plum Blossoms International, Hong Kong, 1991, 9-17
Nguyen Quan, ―Contemporary Vietnamese Art: A Background‖, Artlink, vol 13, no.3&4, November-
March 1993/4, 64-7
Nguyen Quang Phong, Các Hoa Si Truòng Cao Dang My Thuat Dong Duong Ha Noi, Nha Xuat Ban My
Thuat, Hanoi, 1993
[album] Nghe Thuat Tao Hinh Vietnam, Hanoi, Nha Xuat Ban Van Hoa, 1975,
Nha Xuat Ban My Thuat, 1994, Masters of Vietnmese Painting, Fine Arts Publishing House.
Peintures Vietnamiennes Contemporaines [ album of works shown at the Vietnamese Fine Arts Exhibition in
the People‘s Republics of China, Korea, and Mongolia], Hanoi, Nha In Quoc Gia Viet- Nam in
Va Phat Hanoi distributed by So Xuat Nhap Khau Sach Bao,1956.
[journal] Sang Tac My Thuat, Hanoi, Nha Xuat Ban van Hoa, 1978.
Phan, Cam Thuong, ‗Charming Attitudes to Ceramics‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Phan, Cam Thuong, ―Printmaking Old and New‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Seki Chisato, Emperors‘ Ceramics in Việt-nam: Overgalze Enamels & Underglaze Blue of the Tran Dynasty,
Mekong Publishing Co. 2008
Taylor, Nora Annesley, ―The Artist and the State: The Politics of Painting and National Identity in
Hanoi, Vietnam 1925-95‖, Unpublished Phd. Thesis, Cornell University, 1997
Taylor, Nora Annesley, Painters in Hanoi: An Ethnography of Vietnamese Art, University of Hawai‘i Press,
Honolulu, 2004
Thai, Ba Van, ‗Nguyen Gia Tri and Lacquer Painting; Silk Painting, Modern Art in Vietnam‘, Artlink,
Vol. 13, No.3&4, November-March 1993/94
Tingley, N. Arts of Ancient Việt-nam: From River Plain to Open Sea, Yale University Press, 2009
Tran Van Can, Huu Ngoc, Vu Huyen, Mai Van Nam, Contemporary Vietnamese Painters, Hanoi, Red River
Foreign Languages Publishing House, 1987.
L‘École Supérieure des Beaux Arts de Hanoi/ Truong Dai Hoc My Thuat Ha Noi 1925-1990, Hanoi 1990.

177
Individual Artists
Bui Huu Hung: Findlay, Ian, ‗A Narrative of Mirrors‘, Asian Art News 9:3 1999; Findlay, Ian, ‗A
narrative of mirrors‘, Asian Art News, vol.9, no.3, 1999.: Bui Huu Hung, Fine Arts Publishing
House, Vietnam, 2005
Buu Chi: Buchanan, Sherry, ‗Rebel with a cause‘ Asian Art News, vol. 6, no.3, May / June 1996.
Cafe Lam: Kupfer, Peter, ‗Strong Coffee and Sublime Art‘; Asian Art News, vol. 7, no.2, March/April
1997.
Cong Kim Hoa: Cong Kim Hoa Lacquer Painting, Thavibu Gallery, Bangkok, 2006
Cong Quoc Ha: Findlay, Ian, ‗The Lyrical Figure and Landscape‘, Asian Art News 9:3 1999.
Dang Xuan Hoa, Findlay, Ian, ‗Between Tradition and Modernity‘, in Asian Art News, v. 18(5), Sept/Oct,
2008, pp. 104-109.
Dao Hai Phong: Findlay, Ian, ‗A way with landscape‘, Asian Art News, vol.9, no.5, 1999
Dinh Q. Lê: Zhuang Wubin, ‗Interview with Dinh Q. Lê‘, in C Arts. Asian Contemporary Art and Culture,
vol. 00, November/December, 2007, pp. 98 – 102.
Dinh Quan: Findlay, Ian., ‗The Energy of Sadness‘, in Asian Art News, Vol. 14, No. 2, March/April 2004,
p.74-77; Dinh Quan Paintings, Fine Arts Publishing House, Hanoi, 2004
Dinh Thi Tham: Duong Tuong, ‗Between the real and the imaginary‘, Asian Art News, vol.10, no.3, 2000.
Do Minh Tam, Dao Hai Phong, Bui Manh Hung, Bui Hoai Mai: Findlay, Ian, ‗Changing Times.‘ Asian Art
News 9:5 1999; Findlay, Ian, ‗Out on a limb‘, Asian Art News, vol.9, no.5, 1999
Do Quang Em: Findlay, Ian, ‗Tales from a solitary life‘, Asian Art News, vol.6, no.1, Jan/Feb 1996;
Hantower, Jeffrey, ‗Out from the shadows‘ Asian Art News, vol.11, no.5, 2001
Do Son: Asian Art News, vol.11, no.1, 2001
Doan Hoang Lam: Findlay, Ian., ‗A Geometry of Silence‘, in Asian Art News, Vol.13, No.5, Sep/Oct,
2003, p.60-63.
Duong Ngoc Hung: Findlay, Ian, ‗The pastoral idyll‘, Asian Art News, vol.12, no.4, 2002
Ha Tri Hieu: Duong Tuong, ‗Uncouth Poetry‘, Asian Art News 9:2 1999; Duong Truong, ‗Uncouth
Poetry‘, Asian Art News, vol.9, no.1, 1999
Hoang Anh: Asian Art News, vol.11, no.1, 2001
Hoang Duc Loc: Quan, Nguyen, ‗Mai Anh, Hoang Duc Loc, Le Vuong, and Tran Thanh at Ngan Pho
Gallery, Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002
Hong Viet Dung: Binks, Hilary, ‗In a world of Grace‘, Asian Art News, vol.8, no.3, May/June 1998; Hong
Viet Dung – Realm of Enchantment, Plum Blossoms Ltd, Hong Kong, 1998.
Jun Nguyen-Hatsushiba: Farver, Jane, ‗Jun Nguyen-Hatsushiba‘ in Art Asia Pacific, Issue 37 (2003), p. 45;
Fyfe, Joe, ‗In deep water: in his ambitious films and installations, Jun Nguyen-Hatsushiba
addresses the complexities of modern Vietnam, and of being an international artist who
negotiates between East and West.‘ in Art in America 96.8 (Sept 2008): 136(7).
Le Cong Thanh: Findlay, Ian, ‗Dreaming in Three Dimensions: Le Cong Thanh.‘ World Sculpture News 4:2
Spring 1998; Asian Art News, vol.11, no.1, 2001; Malhorta, Priya, ‗A Space For History And
Hope‘, in Asian Art News, v. 18(5), Sept/Oct, 2008, pp. 100-103.
Le Hong Thai: Edwards, Bradford., ‗A Muscular Art‘, in Asian Art News, Vol.13, No.1, January/February
2003, p.61-63.
Le Khac Cuong: Le Khac Cuong, River, Vietnam, 2005
Le Minh Duc: Findlay, Ian, ‗The Romance Of Place‘, in Asian Art News, v. 17(4), July/August, 2007, pp.
90 – 91.
Le Quang He, Nguyen Thanh Chuong, Pham Quang Vinh, Pham Minh Tuan: Phan Cam Thuong, ‗A view
from Hanoi‘, Asian Art News, vol.7, no.4, July/Aug 1997; Kuroda, Raiji, The First Fukuoka Asian
Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999.
Le Thanh Duc: Le Thanh Duc: Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum,
2001
Le Thiet Cuong: Millichap, John ‗The Inner Eye‘, Asian Art News, vol.7, no.6, Nov/Dec 1997. ; Le Thiet
Cuong, Dragon Gallery, Vietnam, 2001

178
Le Vu: review, Art in America, vol. 93, iss. 2, Feb 2005.
Le Vuong: Quan, Nguyen, ‗Mai Anh, Hoang Duc Loc, Le Vuong, and Tran Thanh at Ngan Pho Gallery,
Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002
Lê, Dinh Q.: Duong, Quan M., ‗Vietnam Memories‘, ArtAsiaPacific, no. 46, 2005; Fyfe, Joe, ‗Dinh Q.
Lee at the Asia Society and PPOW‘, Art in America, 94:5, May, 2006; Zhuang Wubin, ‗Engaging
the Past‘, Asian Art News, vol. 16, no. 6, Nov-Dec 2006.
Lim + Lam: Una Chung, ‗What.Comes. After.: An Introduction to Lin + Lam‘s Unidentified Vietnam‘, in
Art Journal, vol. 66, issue 4, Winter, 2007, pp. 22 – 24.
Lubis, Gusbarlian: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Ly Hung Anh: review, Asian Art News, vol. 15, no. 6, 2005.
Mai Anh: Findlay, Ian, ‗The anxiety of silence‘, Asian Art News, vol.12, no.4, 2002; Quan, Nguyen, ‗Mai
Anh, Hoang Duc Loc, Le Vuong, and Tran Thanh at Ngan Pho Gallery, Exhibition Reviews,
Asian Art News, vol. 12, no. 2, March/April 2002. ; Findlay, Ian, ‗A Narrative of Moments‘, in
Asian Art News, v. 18(2), March/April, 2008, pp. 68 – 71.
Nghiem Xuan Binh: Kraevskaia, Natalia, ‗Tales from the simple life‘, Asian Art News, vol.10, no.6, 2000
Nguyen Bao Ha: Findlay, Ian, ‗The View from Above‘, Asian Art News, vol. 15, no. 4, 2005.
Nguyen Cam: Findlay, Ian, ‗Of Memories and Music‘, Asian Art News, vol. 7, no.2, Mar/April 1997.
Nguyen Hatsushiba, Jun: review, Artforum, vol 43, iss. 8, Apr 2005; ‗Lehmann Maupin: Jun Nguyen
Hatsushiba‘, review, Flash Art, vol. XXXVIII, no. 241, Mar-Apr, 2005; review, Art in America, vol.
93, iss. 6, Jun-Jul 2005.
Nguyen Manh Hung: Edwards, Bradford., ‗Less Is More‘, in Asian Art News, Vol. 13, No. 2, March/April
2003, p.44-47.
Nguyen Minh Thanh: Kraevskaia, Natalia ‗Windows on Life: The Art of Nguyen Minh Thanh.‘ Art Asia
Pacific 24:1999; Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The
5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,
1999.
Nguyen Nghia: Cuong: review, Asian Art News, vol. 15, no. 3, 2005.
Nguyen Nhu Huy: Edwards, Bradford, ‗Sue Hadju and Nguyen Nhu Huy at Moco Gallery‘, Exhibition
Reviews, Asian Art News, vol. 12, no. 2, March/April 2002
Nguyen Phan Chanh: Thai Ba Van, ‗The silk paintings of Nguyen Phan Chanh‘, Artlink, Sept 1993.
Nguyen Quan g Huy: Lenzi, Iola, ‗Hanoi Paris Hanoi‘, Art AsiaPacific, 35, 2002.
Nguyen Quan: review, Asian Art News, vol.11, no.4, 2001
Nguyen Quang Huy: Edwards, Bradford, ‗Layers of Meaning‘, Asian Art News, vol. 15, no. 2, 2005.
Nguyen Quang Minh: Duong Tuong, ‗Beyond the Visible‘, Asian Art News 9:4 1999; Duong Tuong,
‗Beyond the visible‘, Asian Art News, vol.9, no.4, 1999
Nguyen Tam Nhan: Vietnam Coal Sculpture, The Fine Arts Publishing House, Hanoi, 2006.
Nguyen Thai Tuan: Edwards, Bradford, ‗In his own image‘, Asian Art News, vol.11, no.2, 2001
Nguyen Thanh Binh: review, Asian Art News, vol.9, no.1, 1999
Nguyen The Duy: Temples within Streets, Fine Arts Publishing House, Hanoi, 2004.
Nguyen Thi Chau Giang: review, Asian Art News, vol.11, no.3, 2001
Nguyen Trung: Quynh Pham, ‗Abstract of the real‘, Asian Art News, vol.10, no.2, 2000; Hagemans,
Helen, ‗Freedom and Hardship, Asian Art News, vol.7, no.2, 1997. ; review, Asian Art News, vol.
15, no. 6, 2005.
Nguyen Van Duc: Carroll, Anja, ‗Silent Witness‘, Asian Art News, vol. 15, no. 5, 2005.
Nguyen Xuan Tiep: Findlay, Ian, ‗Of pagodas and spirits‘, Asian Art News, vol.7, no.2, 1997.
Ninh Thi Den: Findlay, Ian, ‗Worlds in Paper‘, Asian Art News, 9:2 1999; Findlay, Ian, ‗Worlds in paper‘,
Asian Art News, vol.9, no.1, 1999
Pham An Hai: interview, Asian Art News, vol.11, no.3, 2001

179
Pham Kien Giang: Findlay, Ian, ‗In the Realm of Memory‘, Asian Art News, vol. 15, no. 1, 2005; Watson,
Robert C., ‗The Idyllic Imagination‘, Asian Art News, vol. 16, no. 4, 2006.
Pham Luan: Findlay, Ian, ‗Painting the Town‘ Asian Art News, vol.8, no.1, Jan/Feb 1998; Findlay, Ian,
‗In praise of a city‘, Asian Art News, vol.12, no.2, 2002. ; Findlay, Ian, ‗Man of the Streets‘, Asian
Art News, vol. 15, no. 1, 2005.
Pham Luc: Painter Pham Luc, Culture-Information Publishing House Vietnam, 2004.
Phan Cam Thuong: Findlay, Ian, ‗The heart of the country‘, Asian Art News, vol.7, no.3, May/June 1997
Quach Dong Phuong: Asian Art News, vol.11, no.1, 2001
Than Chuong: Findlay, Ian, ‗Pursuing a national voice‘, Asian Art News, vol.8, no.3, May/June 1998.
Tran Hong Duc: Findlay, Ian, ‗Of Time And Place‘, On Tran Hong Duc, Asian Art News, vol. 12, no. 6,
November/December, 2002
Tran Nhat Thang: Findlay, Ian, ‗Coming into his own‘, Asian Art News, vol.9, no.4, 1999
Tran Quang Huan: Findlay, Ian., ‗A Haiphong Narrative‘, in Asian Art News, Vol. 14, No. 1,
January/February 2004, p.?
Tran Thanh: Quan, Nguyen, ‗Mai Anh, Hoang Duc Loc, Le Vuong, and Tran Thanh at Ngan Pho
Gallery, Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002. ; Findlay, Ian,
‗Private Moments‘, Asian Art News, vol. 15, no. 3, 2005.
Tran Tong Vu: review, Asian Art News, vol.11, no.2, 2001; Taylor, Nora A., ‗Raindrops on red flags:
Tran Trong Vu and the roots of Vietnamese painting abroad,‘ in Winston, J., Ollier, L. eds,
Vietnam Inside Out: Dialogues, New York, Macmillan, 2001.
Tran Trong Vu: Thompson, Jonathan, ‗A Game to Play‘, Asian Art News, vol. 16, no. 4, 2006.
Tran Trung Tin: review, Buchanan, Sherry, ‗The Triumph of Art‘, On Tran Trung Tin, Asian Art News,
vol. 12, no. 4, July/August, 2002; Buchanan, Sherry, ‗The triumph of art‘, Asian Art News, vol.12,
no.4, 2002; Lasschuyt, Helga, ‗The Secretary of Life‘, Asian Art News, vol.5, no.6, Nov/Dec
1995.
Tran Van Thao: review, Asian Art News, vol.11, no.4, 2001
Tran Viet Phu: Findlay, Ian, ‗A World of Mysteries‘, Asian Art News, vol. 16, no. 6, Nov-Dec 2006.
Truong Tan: Chiu M. & Genocchio B., ‗Vietnamese Artist Truong Tan‘s Dissidence‘, Art AsiaPacific,
no.14, 1997; Genocchio, Benjamin and Melissa Chiu, ‗Silencing Sexuality: The Art of Truong
Tan‘, Third Text, n37, Winter 1996-7, 85-90; Hantover, J., ‗Truong Tan‘, Asian Art News, vol.4,
no.5, Sept/Oct 1994; Carruthers, Ashley. ‗What Bugs The State About Truong Tan?‘ TASSA
Review 7:3 Sept 1998; Chiu M., and Genocchio, B., ‗Silencing Sexuality: The Art of Truong Tan.‘
Third Text no.37 Winter 1996-97; Hantover, J., ‗A Singular Voice‘ Asian Art News, vol.4, no.5,
Sept-Oct 1994; Lenzi, Iola, ‗Hanoi Paris Hanoi‘, Art AsiaPacific, 35, 2002.
Van Bao, Ho Ngoc Son, Bui Xuan Huy, Thi Tho, Dao Hoa Nu, Long Thanh, Duy Anh: Robinson, Abby,
‗Vietnamese photography comes into focus‘, Asian Art News, vol. 7, no. 2, 1997.
Van Duong Thanh: Van Duong Thanh – Journey from Folklore to Abstract, Vietnam Museum of Ethnology,
2005
Van Tho: Oil Paintings by Van Tho, Fine Arts Publishing House Vietnam, 2002
Vu Dan Tan: Howard, Ian,‘The road ahead is behind you‘, Asian Art News, vol.7, no.2, 1997; Hussfeld,
Birgit, ‗Monsters, Devils, Insects and Angels: The bowerbird art of Vu Dan Tan‘, Art AsiaPacific,
no.16, 1997; Were, I. ‗Vu Dan Tan‘s Front Window.‘ Object, no.2 1997.
Vu Ngoc Vinh: Watson, Robert, C. ‗Timeless Portraits‘, in Asian Art News, v. 17(5),
September/October, 2007, pp. 102 – 103.
Art in the Colonial Period
Anon, Trois Écoles d‘Art de l‘Indochine: Hanoi, Phnom Penh, Bien Hoa, publication for the Exposition
Coloniale Internationale, Paris, 1931, Indochine Française: Section des Services d‘Intérêt Sociale,
Imprimerie d‘Extrême-Orient, Hanoi, 1931.
Anon, Tran va Tuong Viet Nam (Vietnamese Pictures and Statues), Vietnam Fine Art and Music Publishing
House, Hanoi, 1957

180
André-Pallois, Nadine, Indochine: un Lieu d‘Échange Culturel? Les Peintres Français et Indochinois (fin XIXe-
XXe siècle), Presses de l‘École Française d‘Extrême-Orient, Paris, 1997André-Pallois, Nadine,
L‘indochine: un lieu d‘échange culturel, Paris, EFEO, 1997.
André-Pallois, Nadine et al, Paris, Hanoi, Saigon: l‘Aventure de l‘Art Moderne au Viet Nam, exh, cat.,
Pavillion des Arts, Paris, 1998
Aymé, Alix, ―L‘Art de la Lacque‖, Tropiques, Special Issue, Christmas, 1950, 53-60
Blanchard de la Brosse, ―Rapport à Monsieur le Gouvernor Général‖, Journal Officiel de l‘Indochine
Française, 29 October 1924, 2083
Boudarel, Georges, ‗An artist‘s one great love‘, [Nguyen Phan Chanh], New Orient, 1965.
C.D, ―Le Peintre Léon Félix‖, Extreme-Asie no. 64, May 1932, 551-552
Clementin-Ojha, Catherine and Manguin, Pierre-Yves, Un Siècle pour L‘Asie: L‘École Française d‘Extrême-
Orient 1898-2000, Les Editions du Pacifique, École Française d‘Extrême-Orient, Paris, 2001
Daydé, Emmanuel et al, Paris, Hanoï, Saigon: l‘aventure de l‘art moderne au Viêtnam, Paris, Paris-Musées,
1998.
Durand, Maurice, Imagerie Populaire Vietnamienne, École Française d‘Extrême-Orient, Paris, 1960
Gallois, Antoine ―Madame Alix de Fautereau: Peintre Indochinois‖, Extrême-Asie, August 1929, no 38,
639-42
Groslier, Bernard-Philippe, Indochina: Art in the Melting-Pot of Races, Methuen, London, 1962
Koch, Maurice, ―Jos-Henri Ponchin‖, Extrême-Asie, no. 43, 1920, 1-6
Lachowsky, Michèle and Benzakin, Joel, Vietnam: Plastic Arts from 1925 to Our Time, exh. cat. Espace
Meridien, Brussels, Belgium, 1998.
Le Quoc Bao (ed.), Truong Dau Hoc My Thuat Ha Noi 1925-1990, Hanoi, 1990
Lévi, Sylvain, ed., Indochine, Exposition Coloniale Internationale de Paris, Société d‘Éditions
Géographiques, Maritimes et Coloniales, Paris, 1931
Marchillac, Félix et al André Maire: Peintre Voyageur 1898-1984, Editions d‘Art, Somogy, Paris, 2000
Merlin, M. ―Arrêté‖, Journal Officiel de l‘Indochine Française, 29 October 1924, 2083-2086
Noppe, Catherine and Hubert, Jean-Francois, ―Victor Tardieu 1870-1937 et l‘École de Beaux Arts de
l‘Indochine‖, Arts du Vietnam: La Fleur du Pecher et L‘Oiseau d‘Azur, exh cat., Musée Royale de
Mariemont, 2003, 153 – 83
Norindr, Panivong, ‗Representing Indochina: the French colonial fantasmic and the Exposition
Coloniale de Paris‘, French Cultural Studies, vol.6, no.37, 1995.
Norindr, Panivong, Phantasmatic Indochina: French Colonial Identity in Architecture, Film and Literature, Duke
University Press, Durham and London, 1996
O‘Brien, Charles ―The ‗Cinema Colonial‘ of 1930s France: Film Narration as Spatial Practice‖, in
Visions of the East: Orientalism in Film, Matthew Bernstein and Gaylyn Studlar, I.B. Tauris, London
and New York, 1997, 207-231
Scott, Phoebe, ‗Colonial Moderns: Studies From the École de Beaux-Arts d‘Indochine‘ (Honours
Thesis, University of Sydney, 2004)
Sentenac, Paul, ―La Retrospective de Jules Galand, Peintre d‘Indochine‖, in Extrême-Asie, May 1928, no.
23, 589-90
Students of the Ecole de Beaux Arts de l‘Indochine and F. de Feris, ―Les Marchands Ambulants et les
Cris de la Rue Hanoi‖, [Part I in Extrême-Asie, no. 15, September/October 1927, Part II in no.
18, December 1927, Part III in no. 19, January 1928, and Part IV in no. 20, February 1928,
(separate sections, generally not paginated).]
Taylor, Nora, ‗Framing the National Spirit: viewing and reviewing painting under the revolution‘ [To
Ngoc Van], in Tai Hue-Tam Ho, The Country of memory, Berkeley, University of California Press,
2001.
Trinh Van Thao, L‘Ecole française en Indochine, Paris, Karthala, 1995.
Wright, Gwendolyn, The Politics of Design in French Colonial Urbanism, The University of Chicago Press,
Chicago and London, 1991

181
Art in War Period
Anthology of Fine Arts Works during Revolution Time, Ho Chi Minh City Fine Arts Association, 2005.
As seen by Both Sides: American and Vietnamese Artists look at the War, Boston, William Joiner Foundation,
1991.
Harrison-Hall, Jessica, [with Sherry Buchanan, Katharine Lockett, and Thu Stern], Vietnam behind the
lines: images from the war, British Museum Press, 2002.
Huynh Phuong Dong: Visions of Peace, Indochina Arts Partnersip, (forthcoming 2007).
Nguyen Doc Dung, ‗Why Vietnam won the war‘, in Martin, Susan, Decade of Protest, political posters from
the United States, Vietnam, and Cuba, 1965-1975, Santa Monica, Smart View press, 1996.
Nha Xuat Ban My Thuat and Nha Xuat Ban Quan Doi Nhan Dan, 2000, Fifty Years of Painting and
Sculpture on Armed Forces and Revolutionary Wars.
Pham Thanh Tam, Drawing Under Fire: war diary of a young Vietnamese artist, Asia Ink, London, 2005.
Thaveeporn Vasavakul, ‗Art and Politics: Nationalism in Vietnam War Posters‘, The Asia-Pacific
Magazine , no.8, 1997.
Taylor, Nora A., ‗Framing the nation: viewing and reviewing painting under the revolkution‘, in Hue
Tam Ho Tai, ed., The Country of Memory: Revisions of the past in late Socialist Vietnam, Berkeley,
University of California Press, 2001.
Việt-nam Voices: Australians and the Việt-nam War, Exhibition, Casula Powerhouse, Sydney, 2009.
Cultural Policies
Boudarel, Goerges, Cent fleurs éclosent dans la nuit du Viet Nam: communisme et dissidence 1954-1956, Paris,
Jacques Bertoin, 1991.
Cu Huy can, Culture et politique culturelle en République Socialiste du Vietnam, Paris, UNESCO, 1985.
DeFrancis, John, Colonialism and Language Policy in Vietnam, The Hague, Mouton, 1977.
Jamieson, Neil, ―Relata, Relationships and Context: A Perspective on Borrowed Elements in
Vietnamese Culture‖, in Truong Buu Lam ed., Borrowings and Adaptations in Vietnamese Culture,
Southeast Asian Paper no. 25, Centre for Asian and Pacific Studies, University of Hawai‘i, Hanoa,
1982, 124-140
Jamieson, Neil, ―Cultural Representation in Transition: the Evolving Context of Contemporary
Vietnamese Painting‖, in Cultural Representation in Transition: New Vietnamese Painting, exh. cat., the
Siam Society, Bangkok, 1996, 14-31
Kurihara Hirohide, ‗Changes in the Literary Policy of the Vietnamese Workers Party, 1956-1958‘, in
McHale, Shawn, ―Printing and Power: Vietnamese Debates over Women‘s Place in Society 1918-
1934‖, in Essays into Vietnamese Pasts, eds. K.W. Taylor and John K. Whitmore, Ithaca, 1995, 173-
94
Ninh, Kim Ngoc Bao, A World Transformed: The Politics of Culture in Revolutionary Vietnam 1945-1965, Ann
Arbor: University of Michigan Press, 2002
Shiraishi Takashi, eds., Indochina in the 1940s and 1950s, Ithaca, SEAP, 1992.
General History
Betts, Raymond, Tricouleur: The French Overseas Empire, Gordon and Cremonesi Publishers, London and
New York, 1978
Duiker, William, The Rise of Nationalism in Vietnam, 1900-1941, Ithaca, Cornell University Press, 1976.
Karnow, Stanley, Vietnam: A History, Harmondsworth, Penguin, 1983.
Lockhart, B M, Monarchy in Siam and Vietnam, 19251-1946, Ph.D Dissertation, Cornell University, 1990.
Marr, David, Vietnam 1945: The Quest for Power, Berkeley University of California Press, 1995.
Marr, David, Vietnamese Tradition of Trial, 1920-1945, Berkeley, University of California Press, 1981.
McHale, Shawn, Print and Power: Confucianism, Communism and Buddhism in the Making of Modern Vietnam,
University of Hawaii Press, Honolulu, 2004.
Nguyen Van Ky, La Société Vietnamienne façe à la modernité, Paris, L‘Harmattan, 1995.
Pelley, Patricia, Writing Revolution: The New History in Post-colonial Vietnam, PhD dissertation, Cornell
University, 1993.

182
Pelley, Patricia, ―The History of Resistance and the Resistance to History‖, in Essays into Vietnamese
Pasts, eds. K.W. Taylor and John K. Whitmore, Ithaca, 1995
Rambo, A. Terry, ―Black Flight Suits and White Ao Dais: Borrowing and Adaptations of Symbols of
Vietnamese Cultural Identity‖, in Truong Buu Lam ed., Borrowings and Adaptations in Vietnamese
Culture, Southeast Asian Paper no. 25, Centre for Asian and Pacific Studies, University of Hawai‘i,
Hanoa, 1982, 115-23
Smith, R, Viet-Nam and the West, London, Macmillan , 1968.
Turley, W.; Selden, M. eds, Re-inventing Vietnamese Socialism: Doi Moi in Comparative Perspective, Boulder,
Westview Press, 1993.
Tranh Tu Binh, The Red Earth: A Vietnamese Memoir of Life on a Colonial Rubber Plantation, trans. John
Spragens Jr., ed. David G. Marr, Southeast Asia Series no. 66, Centre for International Studies,
Ohio University, 1985
Truong Buu Lam, ―Japan and the Disruption of the Vietnamese Nationalist Movement‖, in Aspects of
Vietnamese History, Walter F. Vella, ed., The University of Hawai‘i Press, Honolulu, 237-269
Women in Vietnam
Anh, Tran Thi Van, Hung, Le Ngoc, Women and Doi Moi in Vietnam, Hsnoi, Women‘s Publishing
House, 1997.
Eisen, Arlene, Women and revolution in Vietnam, London, Zed Books, 1984.
Hao, Phan Thanh, Turner Karen G., Even the Women must fight: memories of war from North Vietnam, New
York, John Wiley and Sons, 1998.
Lowe, Viviane, Women in Arms: Gender and Nation in the Democratic Republic of Vietnam, 1965-1975,
unpublished MA thesis, Australian National University, 1996.
Vietnamese Literature
Cao Thi Nhu-Quynh and Schaefer, John C., ―From Verse Narrative to Novel: The Development of
Prose Fiction in Vietnam‖, Journal of Asian Studies, vol.47, no.4, 1988, 756-77
Cong Huyen Ton Nu Nha Trang, ―The Role of French Romanticism in the New Poetry Movement in
Vietnam‖, in Truong Buu Lam ed., Borrowings and Adaptations in Vietnamese Culture, Southeast
Asian Paper no. 25, Centre for Asian and Pacific Studies, University of Hawai‘i, Hanoa, 1982, 52-
62
Durand, M M, Nguyen T H, An Introduction to Vietnamese Literature, New York, Columbia University
Press, 1991.
Huong, Dong Thu, Novel without a name, New York, William Morrow, 1995.
Huynh Sanh Thong ed., An Anthology of Vietnamese Poems: From the Eleventh Through the Twentieth Centuries,
Yale University Press, New Haven and London, 1996
Lombard, Denys, ―Prélude à la Littérature Indochinoise‖, in Denys Lombard, ed., Rêver l‘Asie: Exotisme
et Littérature Coloniale aux Indes, en Indochine et en Insulide, Les Éditions de l‘École des Hautes Études
en Sciences Sociales, Paris, 1993, 119-39
Nam Le, The Boat, Penguin, 2008 (novel:author is an oversease Vietnamese, Australian resident in US)
Nguyen, K V, Vietnamese Literature, Red River Foreign Languages Publishing House, 1980?
Nguyen Thi Dinh, No other road to take, Ithaca, Cornell University SEAP, 1976.
Schafer, John; Uyen, Thee ‗The Novel emerges in Cochinchina‘, Journal of Asian Studies, no.4, Nov 1983.
Wilcox, Wynn, ‗Women and Mythology in Vietnamese History: Lê Ngc Hân, H`ô Xuân Hung, and the
Production of Historical Continuity in Vietnam‘, positions, vol. 13, no. 2, 2005.
Modern Art in General
50 Years of Modern Vietnamese Painting, 1925-1975, Fukuoka Art Museum, 2005
A Winding River: The Journey of Contemporary Art in Vietnam, Washington, 1997
Brown, Jay, ‗Hanoi‘s Unofficial Art Scene‘, ArtAsiaPacific, no.51, Winter 2007, p.74
Bùi Nhu Huong and Tran HauTuan, New Vietnamese Art in the 1990‘s, 2001

183
C. David Thomas, ‗Ceramic Artist Nguyen Bao Tòan‘, Vietnam Cultural Window, no. 69, 2003,
pp.20-21
Caper, Kathleen and Debra Porch, ‗9 Lives‘, TAASA Review, 1999, vol.8, no. 3, p.24
Carruthers, Ashley, ‗What bugs the State about Truong Tan‘ TAASA Review, vol.7, no.3, 1998, pp.4-5
Cultural Representation in Transition: New Vietnamese Painting, ex. cat. Siam Society, 1996
De Ménonville C. Vietnamese Painting From Tradition to Modernity, Paris, 2003
Gourdon, H.L‘Art de L‘Annam : Les Arts Coloniaux, Paris, 1932
Hantover, Jeffrey, Uncorked Soul, Plum Blossoms, Hong Kong, 1991;‗Beyond Ideology and Label‘
Asian Art News, July/August 1992, pp. 33-35;‗Contemporary Vietnamese Painting‘ Asian Art
and Culture, Oxford, Winter, 1994, pp.11-26;‗Report from Vietnam: The Road through the
village‘, Art in America, March,1995, pp.43-47
Harrison-Hall, Jessica, Vietnam Behind the Lines: Images from the War 1965-1975, British Museum
Press, 2002
Hussfeld, Birgit, ‗Cultural Collisons‘, Asian Art News, Sept/ Oct, 1995, pp. 46-47; ‗Monsters,
devils, insects and angels- The Bower bird art of Vu Dan Tan‘ Art Asia Pacific, no.16, 1997
pp.50-55
Huynh, Boi Tran, ‗Vert de Bien Hoa‘, Pottery in Australia, vol.38, no.3, 1999, pp.70-71;Vietnamese
Aesthetics from 1925 onwards, PhD Thesis, University of Sydney 2005;‗Post Doi-Moi:
International reception of Vietnamese Contemporary Art‘ in Eye of the Beholder, 2006, pp.
271-287
Kraevskaia, Natasha, ‗Windows on life: The Art of Nguyen Minh Thanh‘, ArtAsia Pacific, no.24,
1999, pp. 48-53; ‗Modern Vietnamese Art: Change.Stagnation. Potential. Strategy‘, Vietnam
Cultural Window, June ,2000, pp. 24-25; ‗Contemporary Vietnamese Art: Obstacles of
Transition‘, FOCAS n. 4, 2002, pp.362-382; ‗From Artifice Toward Honesty‘ in Vietnam Art
Actuel,Centre d‘exposition Université de Montréal 2002, pp. 8-12; ‗Vietnamese Installation
Art. New Form in an Old Place‘ unpublished Manuscript, 2004; from nostalgia towards
exploration, (two volumes) 2005
Kraevskaia, Natasha et.al. Vietnam Art Actuel, Université de Montréal, 2002
Kraevskaia, Natasha, Nguyễ n Xuân Long and Lisa Drummond, Hà Nộ i 5000 Hồ Gươm, Hanoi
5000 lakes, 2007
Lambrecht, Miriam & Christian Schicklgruber,
Vietnam: Art at cultures de la préhistoire à nos jours, Brussels, 2004
Le Van Lam,‗Introduction to Contemporary Vietnamese Art‘, Seminar on Fine Arts of Southeast Asia,
April 21-23, 1963, Association of Southeast Asian Institutions of Higher Learning, Thailand
Mai Ly‎ Quang et. al., 100 Vietnamese Painters of the 20 th Century, Hanoi, 1995
Manh Phuc & Trinh Sinh Nha, Red Soil: Vietnamese Contemporary Fine Art, Melbourne, 2002
Nam Son, ‗Outline for a Vietnamese Art School‘, Vietnam Cultural Window, no. 59, February 2003, p.6
Ngô Dõan Kinh,ed., Vietnamese Contemporary Ceramic Arts, The Fine Art Association of Vietnam,
Hanoi,2001
Nguyen Binh Minh, ‗Paintings from Students of the Fine Arts School of Indochina, (1925-1945)‘, Arts
of Asia, vol. 38, no.1, 2008 pp. 66-79
Nguyen Long, Kerry, 'Bat Trang Ceramics : A Living Vietnamese Tradition', Arts of Asia,1993, vol.
23, no. 6, pp.128-134; 'Portrait of a Master Potter', Ceramics Art and Perception, 1996, vol. 23,
pp.42-46; ‗Lacquer Artists of Vietnam‘, Arts of Asia, vol.32, no.1 2002, pp 27-39
Nguyên Luong Tieu Bach, Hanoi Fine Arts Institute, Hanoi, 1998
Nguyen Luong Tieu Bach et.al. My Thuat Viet Nam Hien Đai, Hanoi, 2005
Nguyen Tiên Canh, ‗The Vietnam Institute of Fine Arts, History and Perspectives‘, Vietnamese Studies,
(105) 3-1992, Xunhasba, Hà Nộ i
Nguyen Văn K‎, La Société Vietnamienne face à la Modernité, L‘Harmattan, 1995
Nguyên Van Chung et. al., Vietnam Fine Arts Museum, Hanoi, 1999

184
Nguyên Quan, ‗Multicoloured and Richly Idiosyncratic: The Art Scene in Vietnam in Recent Years‘, Art
Asia and Pacific, September 1993, pp27-31
Nguyên Xuân Tiêp & Nguyên Sy Bach eds, Nhung Dòng Sông Ðêù Chäy My Thuat Viêt Nam Ðuong
Ðai, Hanoi, 1997
Noppe Catherine et Jean François Hubert, Arts Du Vietnam: La Fleur du pêcher et l‘oiseau d‘azur,
Musée Royal de Mariemont, 2002; Art of Vietnam, Parkstone Press, NY, 2003
Phan Cam Thuong Điêu Khac co Viet Nam: Ancient Scuplture of Vietnam, Nhà Xuat Ban My Thuat,
Hanoi,1997; Nguyen Quân, Nhà Xuat Ban My Thuat, Hanoi, 1997
Nghe Thuat Ngày Thuong, Nhà Xuat Ban Phu Nu, 2008
Proctor, A. ‗Nguyen Khac Quan, Ceramic Artist in Hanoi‘, Ceramics Art and Perception, no. 44, 2001,
pp.86-88; ‗Love on a Swing‘ TAASA Review, vol.11, no.4, 2002, pp.16-17; ‗Nguyen Khac Quan:
A Voice is Heard‘ Ceramics Art and Perception, no.53, 2003, pp. 44-46; Out of the Mould:Contemporary
Sculptural Ceramics in Vietnam, PhD Thesis, Univ. Syd., 2006
Quang Phòng, Các Hoa Sĩ Truong Cao Đang My Thuat Đông Duong, (Painters of the Fine Arts College of
Indochina), Nhà Xuat Ban My Thuat, 1998
Quang Phong, Quang Viet and H.C. ‗Modern Painting‘, Vietnamese Cultural Window, August 2000, pp.2-
19
Quang Việ t, (ed.) Painters of the Fine Arts College of Indochina, Nhà Xuat Ban My Thuat, Hà Noi,1998
Scott, Phoebe, Colonial Moderns: Studies from the École de Beaux-Arts De L‘Indochine, honours thesis, Sydney
University, 2004
Tan, Heidi, ed., Viet Nam:From Myth to Modernity, Asian Civilizations Museum, Singapore, 2008
Taylor, Nora Annesley, ‗Invisible Painters: from the revolution to doi moi‘, in Dysart, Dinah &
Fink, Hannah (eds.) Asian Women Artists, Craftsman House, 1996
The Artist and the State: The Politics of Painting and National Identity in Ha Noi, Viet Nam, PhD thesis,
Cornell, 1997
‗Whose Art are We Studying? Writing Vietnamese Art History from Colonialism to the Present‘,
Studies in Southeast Asian Art, Cornell University, 2000, pp.143-157
Painters in Hanoi: An Ethnography of Vietnamese Art, University of Hawaii Press, 2004
‗Why Have There Been No Great Vietnamese Artists?‘ Michigan Quarterly Review, Ann Arbor, 2005,
vol. 44, ISS 1: pp.149-166
Thomas, C. David, ―Đặ ng Thị Khuê: Art on the Border between Spiritual and Real Life‖ Vietnam
Cultural Window, no.59, 2003, pp. 28-29.
Tràn Hau Tuan, Không Gian Moi Điêu Khac Đuong Đai Viet Nam ―New Space‖ Vietnamese Contemporary
Sculpture, 1999, exh.cat., TrAng An Gallery, Nhà xuat ban My Thuat, Hà Noi, (bilingual)
Tran Luu Hau, Tranh Khac Go Phùng Pham ( Woodblock Prints of Phùng Pham) Nhà Xuat Ban My Thuat,
Hanoi, 2003
Tran Nguyen Đàn, (Art Works in the Vietnam Fine Arts Museums Collections) Ministry of Culture and
Information, 2002
Tran Văn Can, North Vietnamese Sketches, Printed in the Democratic Republic of Vietnam, Hà Noi, 1966
Truong Bé & Bonita Ely (eds), Impressions of Hue, Viet-nam ‘98, The second International Sculpture
Symposium, HCMC, 2000, (bilingual)
Ushiroshoji, Masahiro ,50 Years of Modern Vietnamese Paintings 1925-75, ex cat. The Sankei
Shimbun, 2005
Ushiroshoji, Masahiro &Toshiko Rawanchaikul, The Birth of Modern Art in Southeast Asia: Artists and
Movements, Fukuoka Art Museum, 1997
Vu Giáng Huong (et.al. eds) Đieu Khc Hien Đai Viet Nam: Vietnamese Contemporary Sculpture, Fine Arts
Publishing House, Hanoi, 1997
Were, Ian, 'Hanoi's College of Design', Object, 1997 no.2, pp.30-31
1990s and after
‗Beyond ideology and label‘, Asian Art News, 2, no.4, Jul/Aug 1992.

185
‗Supplement Vietnam‘, Asian Art News, no.3, May-June 1994.
‗Vietnam Feature‘ including Findlay, I. & Hagemans, H., ‗Changing times‘; Duong Trong, ‗A tradition
of the new‘; Howard Ian, ‗Discovery and Innovation‘; Edwards Bradford, ‗A Stir in the Ranks‘;
Findlay, Ian, ‗Of Memories and Music‘ [Nguyen Cam]; Hagemans, Helen, ‗Freedom and
Hardship [Nguyen Trung]; Howard, Ian,‘The road ahead is behind you‘ [Vu Dan Tan]; Findlay,
Ian, ‗Of pagodas and spirits‘ [Nguyen Xuan Tiep]; Robinson, Abby, ‗Vietnamese photography
comes into focus‘ [Van Bao, Ho Ngoc Son, Bui Xuan Huy, Thi Tho, Dao Hoa Nu, Long Thanh,
Duy Anh]; Kupfer, Peter,‘ Strong Coffee and Sublime Art‘ [Cafe Lam]; Asian Art News, vol. 7,
no.2, March/April 1997.
An Ocean Apart: Contemporary Vietnamese Art from the United States and Vietnam, Washington, SITES, 1995.
Contemporary Art from Vietnam, Hong Kong, Gallery La Vong, 1994.
Cultural Representations in Transition, Bangkok, The Siam Society, 1997 [review: Gampell, Jennifer, Art
AsiaPacific, no.17, 1998].
Bang, Thuc Ban, ‗Women Achieving Against Great Odds‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Becker, Carol, ‗Pilgrimage to My Lai: Social Memory and the Making of Art‘ in Art Journal (Winter
2003), pp. 51-65
Ca, Le Thang, 'The Scene in Ho Chi Min City‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Curry, Shannon K., ‗A World in Portraits‘, , Asian Art News, vol.8, no.3, May/June 1998.
Duong, Thuong, ‗Trailblazers Recognised at Last‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Findlay, Ian, ‗Changing times‘, Asian Art News, vol.9, no.5, 1999
Findlay, Ian, ‗Notes from Hanoi‘, Asian Art News, vol.11, no.1, 2001
Fyfe, Joe, ‗Making it New‘ (Report From Hanoi) in Art in America (January 2003), pp. 77-81
Hantover, J., Nguyen Quan, Uncorked Soul: Contemporary Art from Vietnam, Hong Kong, Plum Blossoms
gallery, 1991.
Hantover, J., ‗Art from the bottom of the well‘, Asian Art News July/Aug 1994.
Hantover, J., ‗Contemporary Vietnamese Art‘, Asian Art News, 1, no.2, 1991.
Hantover, Jeffrey, Uncorked Soul: Contemporary Art from Vietnam, Hong Kong, Plum Blossoms, 1991.
Hussfeld, Birgit, ‗Gap Vietnam‘, Art AsiaPacific, 25, 2000
Kraeskaia, Natasha, ‗Contemporary Vietnamese Art: Obstacles of Tradition‘, Focas (Forum on
Contemporary Art & Society), no.3, January 2002
Meridian Art Centre, A Winding River: The Journey of Contemporary Art in Vietnam, Washington, Meridian
International Center, 1997.
Nguyen Gia Tri, To Nqoc Van, Bui Xuan Phai, and Nguyen Sang: Masters of Modern Vietnamese Painting,
Hanoi, Fine Arts Publishing House, 1994.
Nguyen Quan ‗A few remarks about contemporary Vietnamese art: Tradition and Acculturation‘, in
Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, 1994.
Nguyen Quan, ‗Multicolored and richly idiosyncratic‘, Art & Asia Pacific, supplement, Art & Australia,
Sept 1993
Nguyen Quan, ‗Introduction to Art in Vietnam‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Nguyen Sy Bach and Nguyen Xuan Tiep. (eds.) All The Rivers Are Running: Vietnamese Contemporary Fine
Art. Hanoi, 1997.
Norindr, Panivong, ―Filmic Memorial and the Colonial Blues: Indochina in Contemporary French
Cinema‖, in ed, Dina Sherzer, Cinema Colonialism Postcolonialism: Perspectives from the French and
Francophone Worlds, University of Texas Press, Austin, 1996, 120-46
Pham, Quynh, ‗Open Studio at Binh Quoi Village‘, Exhibition Reviews, Thailand Feature, Asian Art
News, vol. 12, no. 1, January/February 2002
Plum Blossoms Gallery. Uncorked Soul--Contemporary Art from Vietnam. Hongkong, 1991.
Proctor A., Out of the Mould: Contemporary Ceramic Sculpture in Việt-nam, VDM, 2009.
Quan, Nguyen, ‗Vietnamese Appearances‘, Asian Art News, vol. 8, no.2, March/April 1998.

186
Quynh Pham, ‗At A Crossroads‘, Asian Art News 9:4 1999.
Quynh Pham, ‗At a crossroads‘, Asian Art News, vol.9, no.4, 1999
Solomon-Godeau, Abigail, ―Going Native‖, Art in America, no. 77, July 1989, 119-28, 161
Taylor, Nora A., ‗Pho Phai and Faux Phais‘: the market for fakes and the appropriation of a national
symbol‘, Ethnos, vol.64, no.2, 1999.
Taylor Nora A., ‗Whose art are we studying? Writing Vietnamese art history from colonialism to the
present‘, in Taylor Nora A. ed, Studies in Southeast Asian Art: Essays in honor of Stanley J.O‘Connor,
Ithaca, SEAP Cotrnell University, 2000
Tran Van Can, Huu Ngoc and Vu Huyen, eds., Contemporary Vietnamese Painters, Red River Foreign
Languages Publishing House, Hanoi, 1987
Vu Huyen, ‗Notes on the 1990 National Arts Exhibition‘, Vietnamese Studies, 3, 1990.
Yen, Luu, ‗Sketches on Vietnam Modern Fine Arts‘, Kuroda, Raiji, ed., The First Fukuoka Asian Art
Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Art 2000+
‗Saigon Open City‘ (Review) Asian Art News, vol. 17, no. 1, Jan-Feb 2007.
Brown, Jay, ‗Hanoi‘s Unofficial Art Scene‘, ArtAsiaPacific, no. 51, 2007.
Fyfe, Joe, ‗Report from Ho Chi Minh City. Outside the System‘, in Art in America, October 2007, pp.
115 – 119.
Hajdu, Sue, ‗Saigon Open City‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 1, March,
2007, pp. 34 – 37.
Hanoi Fine Art, The Fine Art Publishing House, Vietnam, 2005
Huynh, Boi Tran, ‗Post Doi-Moi International Reception of Vietnamese Contemporary Art‘, in eds.
Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and
Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney,
2006, pp. 271-287.
Impressions and Expressions: Vietnamese contemporary paintings, Thavibu Gallery, Bangkok, Thailand , 2006.
Robinson, Abby, ‗New Vietnamese Photography‘, Asian Art News, vol. 16, no. 5, Sep-Oct 2006
Vietnam Contemporary Fine Arts Exhibition in Korea, Ministry of Culture and Information of Vietnam,
2002.
Vietnamese Fine Arts: 1975-2005, The Fine Arts Publishing House, Hanoi, 2005.
Vietnamese Lacquer Painting, The Fine Arts Publishing House, Hanoi, 2005.
Overseas Vietnamese Artists
Blomgren, Lawrence, ‗Charlie Don‘t Surf: 4 Vietnamese American Artists‘ (review), ArtAsiaPacific, no.
46, 2005.
Lindt, Naomi, ‗The Kings of Hell‘, Asian Art News, vol. 15, no. 4, 2005.
Moylan, Chris, ‗An-My Le: 29 Palms‘ (review), ArtAsiaPacific, no. 43, 2005.
________________________________________________________________________________
INDONESIA
General Works
Aidit, D.M., Dengan sastra dan seni jang berkepribadian nasional, Djakarta, Pembaruan 1964.
Bennet, James, ‗Textiles of Timor‘, Art AsiaPacific,no.18, 1998.
Bianpoen, Carla, ‗Cemeti Art House. From alternative to mainstream‘, in C Arts. Asian Contemporary Art
and Culture, vol. 02, March/April, 2008, pp. 82 – 86.
Bianpoen, Carla; Wardani, Farah; Dirgontoro, Wulan, Indonesian Women Artists: the curtain opens, Jakarta,
Yayasan Seni Rupa Indonesia, 2007.
Bollansee, Esmeralda & Marc, Masterpieces of Contemporary Indonesian Painters, Singapore, Times Editions,
1997.

187
Contemporary Indonesian Art, Taman Ismail Marzuki, Jakarta, 1995
Fischer, J.ed., Modern Indonesian Art, Jakarta and New York, Panita Pameran KIAS [1990-91], 1990.
Gate Foundation, ed. Indonesian Modern Art: Indonesian Painting since 1945, Amsterdam: The Gate
Foundation, 1993
Goodfellow, Rob. ‗History Imitating Art, Imitating Life: The Art of Bramantyo.‘ Art AsiaPacific, no.22,
1999.
Hadiwardoyo, Sanento Yuliman, ‗The Modern Art of Indonesia‘, Art & Asia Pacific, vol.1. no.3, 1994.
Holt, Claire, Art in Indonesia: Continuities and Change, Ithaca, Cornell University Press, 1967
Kusuma-Atmadja, M., et al, Perjalanan Seni Rupa Indonesia: Dari Zaman Prasejarah Hingga Masa Kini,
[Streams of Indonesian art from pre-historic to contemporary, Bilingual], Jakarta, Committee of
the Festival of Indonesia 1990-1991, 1991.
Loos-Haaxman, J. de, Verlaat Rapport Indië, Den Haag, 1968
Mulder, N., Inside Indonesian Society, an Interpretation of cultural Change in Java, Bankok, 1994
Pameran Se-Abad Seni Rupa Indonesia 1876-1976, Jakarta, Pemda DKI, 1976.
Poeze, H., In het land van de overheerser, I, Indonesiërs in Nederland in Nederland 1600-1950, Verhandelingen
van het Koninklijk Instituut voor Taal-Land- en Volkenkunde, 100, Leiden, 1986
Sadha, I Wayan, Sompret, : celoteh anjing Bali = The dog of Bali [trilingual], Denpasar : Pustaka Larasan
2008.
Scalliet, M., Antoine Payen, peintre des Indes Orientales, Leiden, CNWS Publications, 1995
Schefold, R., ‗The domestication of Culture, Nation Building, and ethnic diversity in Indonesia‘,
Bijdrage tot de taal- land- en volkenkunde, 154-2, Leiden, 1998
Soebadio, H. (ed.), and du Marchie Servaes, C. (eds.), Dynamaics of Indonesian History, Amsterdam, 1978
Soedarso, S.P. (ed), Seni Patung Indonesia, Yogyakarta, 1992
Soemantri, Hilda (ed)., Indonesian Heritage: Visual Art, Jakarta: Archipelago Press, 1998.
Spanjaard, Helena, Exploring Modern Indonesian Art: The Collection of Dr Oei Hong Djien, Singapore, SNP
International, 2004
Spanjaard, Helena, ‗Vrije kunst, academische schilders in Indonesië‘, in Kunst uit een andere wereld,
Museum voor Volkenkunde, Rotterdam, 1988, pp. 103-132
Spanjaard, Helena, ‗Patung Lampu Minyak‘ in Double Dutch, Tilburg, 1991, pp. 60-67
Spanjaard, Helena, ‗De gado-gado van culturele transmissie, van cubisme tot installaties‘ in Nederland-
Indonesië, een culturele vervlechting, Den Haag, 1995, pp. 138-151
Spanjaard, Helena, ‗Van palmboom tot installatie, vijftig jaar Indonesische schilderkunst (1945-1995) in
Kunstlicht, Volume 16, no. 2, 1995, pp. 8-14
Spanjaard, Helena, Moderne Indonesische schilderkunst, engagement en romatiek‘ in Aziatische kunst,
Rijksmuseum, Amsterdam, Volume 31-3 (2000), pp. 12-21
Spanjaard. Helena, Modern Indonesian Painting, London: Sotheby, 2004
Spanjaard, Helena, ‘Indische en Indonesische kunst: op zoek naar de blinde vlek‘ in Tussen twee
werelddelen in wacht het verlangen van een oceaan, Bergen op Zoom, 2003, pp. 182-193
Spanjaard, Helena, Reformasi Indonesia! Protest Art, 1995-2000, Delft: Museum Nusantara, 2000
Spanjaard, Helena,. ‗Het Ideaal van een Moderne Indonesische schilderkunst. 1900 – 1995. Wageningen
1998
Sudarmadji, Pulukis dan Pematung Indonesia, Jakarta, 1981
Supangkat, Jim, Indonesian Modern Art and Beyond, Jakarta, 1997
Supangkat, Jim, ‗Discoursing in Regional Contemporary Art in Asia.‘ [Indonesia]‘Asian Art: Prospects
for the Future.‘ International Symposium 1999.
Suryadinata, Leo, Chinese Indonesian: State, Policy, Monoculture and Multiculture, International Specialized
Book Services, 2004
Women of Indonesia: A Coutry Profile, United Nations Publication, 1998

188
Individual Artists [including Bali]
A.D.Pirous: George, Kenneth, ‗Some things that have happened to The Sun after September 1965; politics
and the interpretation of an Indonesian painting‘ Comparative Studies in Society and History, vol 39,
no.4, 1997.
Adipurnomo, Nindityo: Lenzi, Iola., ‗Nindityo Adipurnomo at Plastique Kinetic Worms‘ (Singapore,
review), in Asian Art News, Vol.13, No.1, January/February 2003, p.87; Rodriguez, Hilda Maria,
‗Nindityo Adipurnomo‘ in Art Asia Pacific, Issue 37 (2003), p. 80
Affandi, Kartika: review, Asian Art News, vol. 15, no. 1, 2005.
Affandi: Rosidi A.et al, Affandi 70 Tahun, Jakarta, Dewan Kesenian, 1978; Sumaetmadja,N., Affandi,
Penerbit Yayasan Kanisins, 1975; ‗Affandi, reluctant expressionist‘, Orientations, June 1971 ;
Iskandar, P., Affandi, Jakarta,Akademi, 1977; Wright, A., ‗Undermining the Order of the Javanese
Universe; the self-portraits of Kartika Affandi-Köberl, Art & Asia Pacific, vol.1, no.3, 1994;
Fukuoka Asian Art Museum, Modern Artists-I: Affandi, Fukuoka: Fukuoka Asian Art Museum,
1999; Sumaatmadja, N., Affandi Yoygakarta 1975; Rosidi, A., Pelukis Affandi Bandung 1979;
Tentoonstelling Affandi‘ s-Gravenhage, 1952; Kayam U., Affandi , Jakarta 1987;
Agus Suwage: Effendy, Rifky, ‗Agus Suwage: Specters of Civilization‘, in ArtAsiaPacific, No. 55,
September/October, 2007, pp. 106 - 107.
Ahmad Sadali: Narayan, Parvathi Nayar, ‗Steeped in Belief‘ Asian Art News, vol.7, no.6, Nov/Dec 1997.
Andy, Dipo: review, Asian Art News, vol. 16, no. 5, 2006.
Anuspati: Clark, C., ‗The Natural City‘ Art & Asia Pacific, vol.1, no.3, 1994.
Apin, Mochtar: review, Asian Art News, vol. 15, no. 4, 2005; review, Asian Art News, vol. 15, no. 1, 2005;
Supriyanto, Enin, Search and Change: The Works of Mochtar Apin, Jakarta, Edwin‘s Gallery, 2005
Arahmaiani: Datuin, Flaudette May V., ‗Pssing through fire‘, Art AsiaPacific, 26, 2000 ; Lenzi, Iola,
curator, Arahmaini in Bangkok: Stitching the Wound, Bangkok, Art Center at the Jim Thompson
House, 2006.; public discussion, ‗Iconoclash‘, in Contemporary Visual Arts + Culture Broadsheet, vol.
36, no. 3, September, 2007, pp. 176 – 181. ; Teh, David, ‗Alternative Islam‘, in Eyeline.
Contemporary Visual Arts, no. 64, 2007, pp. 44 – 46. ; Huangfu, Binghui, ‗Arahmaiani‘ in Art Asia
Pacific, Issue 37 (2003), p. 60
Arifien: Narayan, Parvathi Nayar, ‗Up from the street‘ [Arifien], Asian Art News, vol.7, no.5, Sept/Oct
1997. ; Couteau, Jean, ‗The Path Of An ―Outsider‖ Artist‘, in Asian Art News, v. 18(3), May/June,
2008, pp. 96 – 101.
Astari Rasjid: ‗Inside Tradition‘ Asian Art News, vol.7, no.5, Sept/Oct 1997;
Ay Tjoe Christine: Bianpoen, Carla, ‗Ay Tjoe Christine: Working in Silence‘, in C Arts. Asian Contemporary
Art and Culture, vol. 00, November/December, 2007, pp. 92 – 96.
Basuki Abdullah: Agus Dermawan,T., R.Basoeki Abdullah RA, Jakarta, Penerbit PT Gramedia, 1985.
Budi Ubrux: Bianpoen, Carla, ‗Budi Ubrux: Denoting the Loss of the Human Character‘, in C Arts.
Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 74 – 77.
Chusin Setiadikara: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Supangkat, Jim., ‗In the Name of the Realist‘, in Asian Art News, Vol.13, No.5,
Sep/Oct, 2003, p.70-77.
Christanto, Dadang, Kengerian tak Terucapkan / The Unspeakable Horror, Jakarta, Bentara Budaya, 2002
Wright, Astri, ‗Dadang Christianto on Systematic Violence‘, Art & Asia-Pacific, vol.3, no.1, 1996. Clark,
Christine, ‗Dadang Christanto: Keeper of memories‘, in Witnessing to Silence: Art and Human Rights,
edited by Caroline Turner and Nancy Sever, Canberra, ANU Humanities Resewarch Centre,
2003.
Dewa Putu Mokoh: Rai, Dipika, ‗A singular vision‘, Asian Art News, vol.10, no.6, 2000;
Diyanto: Diyanto: Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum, 2001
Djuwadi: Crosby, Alexandra, ‗Djuwadi: Folding the Relational into Art‘, in TAASA Review, The Journal of
The Asian Arts Society of Australia, vol. 17, no. 2, June, 2008, pp. 18 – 20.
Dono, Heri: review, Flash Art, vol. XXXIX, no. 251, Nov-Dec 2006; Wiyanto, Hendro, Heri Dono,
Jakarta, Nadi Gallery, 2004; Wardani, Farah, Heri Dono: Who‘s Afraid of Donosaurus, Jakarta, Nadi

189
Gallery, 2004; Wiyanto, Hendro, Heri Dono: Heri Provokes Heri, Jakarta, Nadi Gallery, 2002; review,
Art AsiaPacific, 26, 2000; Supangkat, Jim, ‗Breaking through twisted logic‘, Art AsiaPacific, 32,
2001; Poshyananda, A. curator, Heri Dono: Dancing Demons and Drunken Deities, Tokyo, Japan
Foundation Asia Centre, 2000; review, Asian Art News, vol.9, no.1, 1999; Ching Isabel.,
‗Dystopic Visions: Fortress of the Heart: Solo Exhibition by Heri Dono‘ (review), in Vehicle:
Contemporary Visual Arts, No.3, 2001, p.20-23; Wiyanto, Hendra, Heri Dono: Humor and Rumor in
Republic of Cartoon, Jakarta, Nadi Gallery, 2000; Marianto, M.Dwi, ‗The experimental artist Heri
Dono‘, Art Monthly Australia 64, Oct 1993.
Dono: Zeplin, Pamela, ‗Collaboration of the Wing‘, in Contemporary Visual Arts + Culture Broadsheet, vol.
36, no. 3, September, 2007, pp. 182 – 185.
Doyo Prasin: Doyo Prasim/ Santoso Jasin, 1981.
Dwiarso, Sugiyo: Burhan, M. Agus, Paradoks Batas: F. Sigit Santoso & Sugiyo Dwiarso, Jakarta, Edwin‘s
Gallery, 2005
Entang Wiharso: Findlay, Ian, ‗a voyage through chaos‘, Asian Art News, vol.11, no.1, 2001
Erica Hesta Wahyuni: Tuli, Priya, ‗The colors of Joy‘, Asian Art News, vol. 7, no. 2, March/April 1997.
G.Sidharta Soegiyo: Hasan, Asikin ‗G.Sidharta Soegiyo‘, Art & Asia Pacific, vol.1, no3., 1994.
Handiwirman: Hujatnikajennong, Agung, Handiwirman: Something Appears Nothing, Jakarta, Nadi Gallery
Hendra Gunawan: Hendra Gunawan: A Great Modern Indonesian Painter, Dianne Buerger and Noor Azlina
Yunus (eds), Jakarta: Ir Ciputra Foundation, 2001; Sugangkat, Jim and Yuliman, S., G. Sidharta in
the Indonesian art, Jakarta, 1982
Hong Zhu An: Tan Hwee Kwoon, ‗Points of Existence‘, Asian Art News, vol. 16, no. 5, Sep-Oct 2006.
I Gusti Ngurah Buda: review, Asian Art News, vol. 16, no. 1, 2006.
I Made Palguna: Jay, Sian, E., ‗Changing spirit‘, Asian Art News, vol.10, no.3, 2000
I Made Sumadiyasa: Kam, Garrett, ‗A spiritual source‘ Asian Art News, vol.6, no.2, Mar/Apr 1996.
I Wayan Sudarna Putra: review, Art AsiaPacific, 34, 2002
Ibrahim, Noor: Effendy, Rifky, ‗Noor Ibrahim. Restoring Totality to the Work of Sculpture‘, in C Arts.
Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 110 – 112.
Januri: review, Asian Art News, vol. 16, no. 5, 2006.
Kerton, Sudjana: Donaldson, Tony, ‗‗Memories of My Homeland‘: Sudjana Kerton Talks About His Art‘,
in Orientations, vol. 35, no. 5, June, 2007.
Krisna Murti: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The
5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,
1999
Kustarto, Budi: Zaelani, Rizki A., Budi Kustarto: Budi, Nadi Gallery, 2005
Linggar, Davy: Ingham, Sue, ‗Cultural Issues in Indonesian Biennials: Pressure Points‘, Broadsheet, vol. 35,
no. 2, 2006.
Lucia Hartini: Marianto, M.Dwi, ‗Lucia Hartini‘, Art & Asia Pacific, vol.1, no.3, 1994; Wright Astri,
Lucia Hartini, Javanese painter: against the grain, towards herself‘, in Taylor Nora E. ed, Studies in
Southeast Asian Art: Essays in honor of Stanley J.O‘Connor, Ithaca, SEAP Cotrnell University, 2000
Mandra, Nyoman: Retrospective, I Nyoman Mandra. Exhibition cataloge, exhibition in Bali & Jakarta 2009,
incl. Essay by Adrain Vickers, Griya Santrian Gallery Bali and Gallery Sangkring, Jakarta.
Mantofani, Rudi: Wang Zineng, ‗Wondrous Visions Simple Truths‘, in Asian Art News, v. 18(2),
March/April, 2008, pp 91 – 95.
Mantofani, Rudi: Wiyanto, Hendro, Rudi Mantofani: Double Horizons, Jakarta, Nadi Gallery
Masriadi, Nyoman: Wiyanto, Hendro, ‗Notions Of Sanity With Laughter‘, in Asian Art News, v. 17(4),
July/August, 2007, pp. 60 – 63.
Moelyono: Ewington,.J., ‗The exhibition that never opened‘, Art & Asia Pacific, vol.1, no.4, 1994.
Mohamed Hadi: ‗Political Motives, the Batiks of Mohamed Hadi of Solo‘, by Maxwell, Robyn & John, in
Gittinger, M., ed., To Speak with Cloth; Studies in Indonesian Textiles, Los Angeles, University of
California Museum of Cultural History, 1993.

190
Nuarta, Nyoman: Findlay, Ian, ‗The Wings of the Human Spirit‘, World Sculpture News, vol. 12, no. 2,
2006.
Nyoman Gunarsa: Dhaimeler, D., 9ed.) Nyoman Gunarsa, Jakarta, 1994; Kusnadi, Scethches of Widayat and
Nyoman Gunarsa, Ubud, 1987; A. Dermawan T,. The play of line and colour. Nyoman Gunarsa.‘
Political Art: Asmudjo Jono Irianto, ‗‘An Unsettled season‘, Art AsiaPacific 28, 2001
Putra, Mangu: Prasetyo, Arif Bagus, ‗Playing With Reality‘, in Asian Art News, v. 18(1), January/February,
2008, pp. 136 - 141.
Rahadian, Redy: Findlay, Ian, ‗A Unity Through Sculpture‘ in World Sculpture News, Vol. 10, No. 2 (Spring
2004), pp. 38-39
Rasjid, Astari: Findlay, Ian, ‗Gender Issues‘, Asian Art News, vol. 15, no. 2, 2005.
S. Teddy D.: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002; Effedy, Rifky, ‗S. Deddy D.‘ in Art Asia Pacific, Issue 37 (2003), p.
40
Sabana, Setiawan: ‗Setiawan Sabana: Legend of Paper‘ (review), ArtAsiaPacific, no. 48, 2006.
Sagita, Ivan: review, Asian Art News, vol. 15, no. 4, 2005.
Salim: Yazir Marzubi, Salim, Jakarta, Penerbit Djambatan, 1978 ;. Marzuki, Y. Salim Pelukis, painter.
Jakarta 1983.
Santoso, Sigit: Burhan, M. Agus, Paradoks Batas: F. Sigit Santoso & Sugiyo Dwiarso, Jakarta, Edwin‘s Gallery,
2005
Schoon, Theo: Skinner, Damian, ‗Theo Schoon‘, Art AsiaPacific, 23, 1999
Sinaga, Dolorosa: Findlay, Ian, ‗In Praise of the Human Spirit‘, World Sculpture News, vol. 12, no. 3, 2006;
Wiyanto, Hendro, Dolorosa Sinaga: Via Dolorosa, Jakarta, Nadi Gallery, 2003; Have you see a sculpture
from the body? A Retrospective of the sculptures of Dolorosa Sinaga, Jakarta, National Gallery, 2001.
Sofwan: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Suadi, Haryadi: Subarnas, Bambang, Haryadi Suadi and T. Sutano: Tension and Harmony, Jakarta, Nadi
Gallery, 2002
Sudjana Kerton: Zaelani, Rizki Akhmad, ed., Nastonalisme dan perubahannya, refleksi karya Sudjana Kerton /
Nationalism and its Transformations: reflections on the work of Sudjana Kerton, Jakarta, Gedung Pameran
Seni Rupa, 1996 ; Wright, Astri, Marianto, Dwi M., Soemantri, The Revolution & Evolution of
Sudjana Kerton, Bandung, Sangar Luhur Bandung, 1999; Tanah Airku/ My Country Indonesia:
Paintings by S. Kerton, Bandung, Sangar Luhur Bandung, 1990
Sunaryo, Edi: Wisetrotomo, Suwarno, On: Edi Sunaryo, Jakarta, Edwin‘s Gallery, 2006
Sutano, T: Subarnas, Bambang, Haryadi Suadi and T. Sutano: Tension and Harmony, Jakarta, Nadi Gallery,
2002
Sutawwijaya, Putu: Findlay, Ian, ‗In search of a simple life‘, Asian Art News, vol.12, no.3, 2002
Suwage, Agus: Ingham, Sue, ‗Cultural Issues in Indonesian Biennials: Pressure Points‘, Broadsheet, vol. 35,
no. 2, 2006; Zaelani, Rizki A., Agus Suwage: Fabulous Fable, Jakarta, Nadi Gallery, 2004; Dartanto,
Sudjud, Agus Suwage: Ough…Nguik!, Jakarta, Nadi Gallery, 2003; Wiyanto, Hendro, Agus Suwage:
Channels of Desire, Jakarta, Nadi Gallery, 2002; Zaelani, Rizki A., Agus Suwage: I & I & I, Jakarta,
Nadi Gallery, 2001;Dartanto, Sudjud., ‗Beautify: Solo Exhibition by Angus Suwage‘ (Cemeti Art
House), in Vehicle: Contemporary Visual Arts, No.2, 2001, p.24-25.
Tenguh Ostenrik: ‗In the dominion of anxiety‘, Asian Art News, vol.7, no.5, September/October 1997.
Wianta, Made: Morgan, Robert C., Wild Dogs in Bali: The Art of Made Wianta, Singapore, SNP
International, 2005; Wiyanto, Hendro, Gambar Alam Niskala: Made Wianta, Bali, Wianta
Foundation, 2004; Couteau, Jean, et.al., Made Wianta: Dreamland – 50 th Venice Biennale, 2003, Bali,
Wianta Foundation; Bollansee, Marc and Poshyananda, Apinan, Made Wianta: Art and Peace,
Singapore, Times Media, 2000; Wianta Art and Power, Denpasar 1996
Wianta: Couteau, J. Wianta, Denpasar, 1990
Widayat: Kusnadi, Scethches of Widayat and Nyoman Gunarsa, Ubud, 1987; Widayat Pendidik & Pelukis.
Educator & painter‘. Yogyakarta 1988

191
Wiyono, Gigih: Kidd, Eilish, ‗Gigih Wiyono: Reinventing the Fine Art of Woodcarving‘, in C Arts. Asian
Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 118 – 120.
Yunizar: Supriyanto, Enin, ‗In Search of Aesthetic Pleasure‘, in Asian Art News, v. 17(6),
November/December, 2007, pp. 106 – 109.
Zulkifli, Galam: Rosidi, Rain, Galam Zulkifli: Reconsidering the Testament, Jakarta, Nadi Gallery, 2002
Raden Saleh, life and works:
Bustaman, Soekondo, Raden Saleh pangeran di antara para pelukisromantik: suatu tinjauan hid up dan karya
seorang pelukis romantic/ Raden Saleh prince of romantic painters: an introduction to the study of the life and
work of a Romantic painters, Bandung, Abardin, 1990.
Carey, P.B.R., ‗Raden Saleh, Dipanagara and the painting of he capture of Dipanagara in Magelang‘,
Journal of the Malaysian Branch of the Royal Asiatic Society, 55, 1982.
De Graaf, H.J., ‗De leauwen van Raden Saleh‘, Stichting Culturgeschiednis van de Nederlandse Overzee(CNO)
Verslagen en aanwinsten 1978-1979, Amsterdam, Stichting CNO, 1980
Glerum, Jan Pieter, aden Saleh: Javaanse romanticus geliefder dan ooit‘, Moesson: Indisch tijdschrift 47,
no.12, Juin 2003.
Goeth Institut, 1995, Migrant Between Worlds : The Painter Raden Saleh, 1811 – 1880, Bandung.
Guillot, Claude & Labrousse, Pierre, ‗Raden Saleh, un artiste-prince à Paris‘, in Archipel, 54, 1997, pp.
123 - 152.
Guillot, Claude; Labrousse, Pierre, ‗Destins croisés entre l‘Insulinde et la France‘, Archipel, 54, 1997
Guillot, Claude; Labrousse, Pierre, ‗Raden Saleh, un artiste-prince à Paris‘, Archipel, 54, 1997
Kraus, Werner, ‗Raden Saleh (1811-1880). Ein Indonesischer maler in Deutschland‘, Orientierungen, I,
1996
Kraus, Werner, ‗Raden Saleh‘s interpretation of The arrest of Diponegoro: an example of Indonesian
―proto-nationalist‖ Modernism‘, in Archipel 69, 2005, and in Clark, John, Maurizio Pelleggi and
T.K. Sabapathy, eds, Eye of the Beholder, Sydney, Wild Peony, 2006.
Kraus, Werner, Raden Saleh: Ein Malerleben zwischen zwei Welten, Maxen, Niggermann & Simon, 2004
Loos-Haaxman, J ed, ‗Raden Saleh in Den Haag‘, Vereniging ‚Die Haghe‘, eds., Jaarboek, 1965, 1965
Marasutan, Baharudin, Raden Saleh 1807-1880: perintis seni lukis di Indonesia/ the precursor of painting in
Indonesia, Jakarta, Dewan Kesenian, 1973
Pulle, P.G., ‗Raden Saleh de eerste Javaanse vrijmetselaar‘, Thoth: tijdschrift voor vrijmetselaren, 39, no.1,
1988,
Scalliet, Marie-Odette, ‗Le retour du fils prodige : Raden Saleh à Java (1851 – 1858)‘, in Archipel, 76,
2005.
Scalliet, Marie-Odette, ‗Raden Saleh et les Hollandais: artiste protégé ou otage politique‘, in Archipel, 69,
2005, pp. 151 – 258.
Scalliet, Marie-Odette, ‗Une curiosité oubliée : le « Livre de dessins faits dans un voyage aux Indes par
un voyageur hollandais » du marquis de Paulmy‘, in Archipel, 54, 1997, pp. 35 - 62.
Painting in Indonesia in the 19th century:
Bastin John; Brommer, Bea, Nineteenth century prints and illustrated books of Indonesia, Utrecht & Antwerpen,
Het Spectrum, 1979 [annotated bibliography of prints at Tropenmuseum, Amsterdam].
Behrand, Tim, ‗Frontispeice Architecture in Ngayogyakarta: Notes on Structure and Sources‘, in
Archipel, 69, 2005, pp. 39 – 60.
Brommer, Bea, samengesteld, Reizend door Ost Indië, prenten en verhalten uit de 19e eeuw,
Utrecht/Antwerpen, Het Spectrum, 1979
Cohen, Matthew Isaac, ‘Traditional and Popular Painting in Modern Java‘, in Archipel, 69, 2005, pp. 5 –
38.
Couteau, Jean, ‗Bali et les peintres « indonésiens » ou l‘invention d‘un mythe national‘, in Archipel, 71,
2006, pp. 123 – 144.

192
Haaks, Leo & Maris, Guus, Lexicon of foreign artists who visualized Indonesia (1600-1950), ssurveying painers,
watercolourists, draughtsmen, sculptors, illustrators, graphic and industrial artists, Utrecht, Gert Jan
Bestereurtje, 1995
Kraus, Werner, ‗Chinese influence on early modern Indonesian Art/ Hou Qua: a Chinese painter in
19 th century Java‘, Archipel 69, 2005
Kraus, Werner, ‗Chinese Influence on Early Modern Indonesian Art? Hou Qua: a Chinese Painter in
19 th century Java‘, in Archipel, 69, 2005, pp. 61 – 86.
Labrousse, Pierre, ‗L‘entrée des artistes‘, in Archipel, 71, 2006, pp. 5 – 52.
Loos, Wiepke, ‘Cornelis Kruseman, predikend in d ewoestjin‘, Bulletin van het Rijksmuseum, 39, 1991.
Loos-Haaxman, J. de, Verlaat rapport Indië: drie eeuwen Westereste schilders, tekenaars, grafici, zilversmeden en
kunstnijveren in Nederlands-Indië, ‗s-Gravenhage, Mouton, 1968.
Loos-Haxman, J. de, De landsversameling schilderijn in Batavia, 1941
Naveau, Étienne, ‗Le portrait du peintre au miroir de la nation‘, in Archipel, 71, 2006, pp. 53 – 122.
Nederlanse Schilders en Tekenaars in de Oost, 17de-20ste eeuw, Amsterdam, Rijksmuseum 1972.
Ngasiran, Riadi, ‗L‘indentité de Surabaya dans la peinture moderne‘, in Archipel, 71, 2006, pp. 145 – 176.
Nieuwenhuys, Bob; Jacquet, Frits, Java‘sonuitputtelijke Natuur,Reisverhalten,tekeningenen, fotografieën van Franz
Wilhelm Junghuhn (1809-1864), Aphen den Rijjn, A.W.Sithoff,1980.
Njoto-Feillard, Hélène, ‗L‘institution des ventes publiques : les maîtres marchards de la peinture
indonésienne‘, in Archipel, 71, 2006, pp. 177 – 210.
Samuel, Jérôme, ‗Naissances et renaissance de la peinture sour verre à Java‘, in Archipel, 69, 2005, pp. 87
– 126.
Scalliet, Marie-Odette, ‗Beelden van Ost-Indië: die collectie Bik in het Rijksprentenkabinet‘, Bulletin van
het Rijksmuseum, 49, 2001.
Scalliet, Marie-Odette, Antoine Payen, peintre des Indes orientales: vie et écrits d‘un artiste due XIXe siècle(1792-
1853), Leiden, Research School CNWS, 1995
Theuns-de Boer, Gerda; Asser, Saskia, Isidore van Kinsbergen (1821-1905) Fotopionier en theatremaker in
Nederlands-Indië, Zaibommel, Uitwerij Aprilis & Leiden, KITLV Press, 2005.
Van de Wall, V.I., Indische landhuizen en hun geschiednis, Batavia, 1932
Art from Late 19th Century to 1945
Amir Siddharta, curator Dari Mooi Indië Hingga Persagi, Jakarta, Museum Universitas Pelita Harapan,
1998.
Bustaman, Soekondo, Raden Salleh: Pangeran di anatra para pelukis romantik, Bandung, Abardin, 1990.
Catalogus Tentoonstelling Regnault, Bruikleenmuseum Batavische Kunstkring, Batavia, 1935
Catalogus Tentoonstelling Tweede Collectie Regnault, Bruikleenmuseum Batavische Kunstkring,
Batavia, 1936
Catalogus Tentoonstelling Derde Collectie Regnault, Bruikleenmuseum Batavische Kunstkring, Batavia,
1937
Catalogus Tentoonstelling Vierde Collectie Regnault, Bruikleenmuseum Batavische Kunstkring,
Batavia, 1938
Catalogus Tentoonstelling Vijfde Collectie Regnault, Bruikleenmuseum Batavische Kunstkring, Batavia,
1939-1940
Di bawah pendudukan Jepang: Kenangan Empat Puluh Dua orang yang mengalaminya, [Under the Japanese
occupation: recollections of forty-two people], Jakarta, Arsip Nasional, 1989.
Fan, Flora, ‗Controversy and change: 19 th and early 20 th century landscape paintings in Indonesia and
Malaysia‘, in Mashadi, Ahmad, Vision & Enchantment: Southeast Asian paintings, Singapore,
Singapore Art Museum, 2000.
Haks, F., J. Ubbens et al., Pre-War Balinese Modernists 1928 – 1942,. Haarlem ,1999. (Published to
coincide with the exhibition of the same title shown at the Kunsthal, Rotterdam, Museum Puri
Lukisan, Ubud, Bali and Erasmus Huis, Jakarta Indonesia
Haks, L. and Maris, G., Lexicon of foreign Artists who visualized Indonesia (1600-1950), Utrecht, 1995

193
Kraus, Werner, ‗On the Reception of Raden Saleh‘s Painting ―The Arrest of Dipanagara‖? A Dilemma
of Indonesian Art History‘, from http://www.ari.nus.edu.sg/conf2004/asianart.htm
Kraus, Werner, ‗First Steps to Modernity: The Javanese Painter Raden Saleh (1811-1880)‘, in eds. Clark,
John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of
Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp.
29-55.
Roodenburg-Schadd, C., De collectie Regnault in het Stedelijk (Catalog), Amsterdam: Stedelijk Museum,
1995
Sanento Yuliman, Genèse de la peinture Indonesienne contemporaine, le rôle de S. Sudjojono, Thèse de Doctorat,
Paris 1981.
Soekondo Bustaman, Raden Salleh: Pangeran para pelukis romantik, Bandung, Abardin, 1990.
Sudjono, S., Seni Loekis, Kesenian dan Seniman, Penerbit Indonesia Sekarang, Yogyakarta, 1946
Spruit, Ruud, Indonesische Impressies Oosterse thema‘s in de Westerse Schilderkunst / Indonesian Impressions:
Oriental themes in Western painting, [Bilingual], Wijk en Aalburg, Picture Publishers, 1992.
Yuliman, S., Genèse de la peinture Indonéssiene contemporaine: Le ôle de S. Sudjojono, Paris, 1981 (unpublished
Dissertation, Ecole des hautes études en sciences sociales, Paris)
Yuliman, S., Seni Lukis Indonesia Bura, Sebuah Pengatar, Jakarta, 1976
Art from 1945-1965
Foulcher, K., Social Commitment in Literature and the Arts, The Indonesian ‗Institute of People's Culture‘, 1950-
1965, Melbourne, Centre of SE Asian Studies, Monash University, 1986.
Holt, C., Art and Indonesia, Ithaca, Cornell University Press, 1967.
Holt, C., Culture and Politics in Indonesia, Ithaca, Cornell University Press, 1972.
Kusnadi, Sejarah Seni Rupa Indonesia, Yogyakarta, Universitas Gajah Mada, 1956.
Lee, Men-fong, Lukisan2 dan Patung2 koleksi Presiden Sukarno dari Republik Indonesia, 5 vols, Various
Publishers, Beijing & Jakarta, 1964.
Liem Tjoe Ing, Lukisan-lukisan Koleksi Adam Malik, Jakarta, Intermasa, 1977.
McIntyre, A. ‗Soekarno as an Artist-Politician‘, in Mcintyre, A. ed., Indonesian Political Biography, Clayton,
Centre for SouthEast Asian Studies, Monash University, 1993.
Moderdowo, Reflections on Indonesia Arts and Culture, Surabaya, Permata, 1963.
Spanjaard, H., ‗The controversy between the Academies of Bandung and Yogyakarta‘, in Clark, J., ed.,
Modernity in Asian Art, Sydney, Wild Peony, 1993.
Spanjaard, Het Ideaal van een Moderne Indonesische Schilderkunst, 1900-19995: de creatie van een nationale culturele
identiteit, Doctoral Thesis, Rijksuniversiteit Leiden, 1998.
Sudjojono, S., Seni Lukis, Kesenian dan Seniman‚Yogyakarta, Indonesia Sekarang, 1946.
Wright Astri, Agus Dermawan T., Hendra Gunawan: P A Great Modern Indonesian Painter, Jakarta, The
Ciputra Foundation & Singapore, Editions Didier Millet, 2001.
Art since 1965
[Festival catalogue] Pesta Kesenian Bali, 1979.
Buchari, M., and Yuliman, S., A.D., Pirous, Bandung, 1985
Ewington, Julie, ‗Cultural Hothouse‘, Art AsiaPacific, 22, 1999
Hadiwardoyo, Sanento Yuliman, ‗Modern art of Indonesia‘, Art & Asia Pacific, vol.1, no.3, 1994.
Hooker, V.M., Culture and Society in new order Indonesia, Kuala Lumpur, Oxford University Press, 1993.
Kartomi,M.J., ed., Five Essays on the Indonesian Arts, Melbourne, Monash University, 1981.
Lima ribu alamat artis Indonesia cat 1. Jakarta, Pitaloka Enterprise, 1975.
Marianto, M., Dwi, Surrealist Painting in Yogyakarta, Doctor in Creative Arts Thesis, University of
Woollongong, 1995.
Miklouho-Maklai, B., Exposing society‘s wounds, some aspects of contemporary art since 1966, Adelaide, Flinder‘s
University Asian Studies Monograph no.5, 1991.
Mustika, Percakapan Dari Hati ke Hati Pelukis Indonesia, Jakarta, Sanggar Krida Jakarta, 1983.
Permadi, B., Purnomo,Ibu I, Percakapan Dari Hati Ke Hati Pelukis Indonesia Jakarta, Mustika, 1983.

194
Purnomo, Setianingsih, The Voice of Muted People in Modern Indonesian Art, MA Thesis, University of
Western Sydney, Nepean, 1995.
Spanjaard,H., ‗Free art: academic painters in Indonesia‘, in Faber,P. et al eds, Kunst uit een andere wreld/
Art From Another World, Rotterdam, Museum voor Volkenkunde, 1988.
Sudarmaji, Dari Saleh Sampai Aming, Seni Lukis Indonesia Baru Dalam Sejarah dan Apresiasi, [From Saleh to
Aming, Indonesian painting in history and its appreciation], Thesis, Yogyakarta, STSRI, ASTRI,
1974.
Sumaamidjaja, K., ‗Indonesian painting in search of recognition‘, Kartomi, M.J., ed., Five Essays on the
Indonesian Arts, Melbourne, Monash University, 1981.
Supangkat, J., ‗Indonesia‘s New Art Movement‘, Praxis M, 24, September, 1989.
Supangkat, J., ‗Two decades of contemporary Indonesian art‘, Art & Asia Pacific, vol.1, no.3, 1994.
Supangkat, J., Gerakan Seni Rupa Baru Indonesia, Jakarta, Penerbit PT Gramedia, 1979.
Supangkat, J., Sanento Yuliman Hadiwardoyo, Seni Lukis Indonesia Baru, Jakarta, Dewan Kesenian, 1976.
Supangkat, Jim, et.al., Outlet: Yogyakarta within the Contemporary Indonesian Art Scene, Yogyakarta, Cemeti
Art Foundation, 2001
Supriyanto, Enin, Sentengah Abad Seni Grafis Indonesia/ Half a Century of Indonesian Printmaking (Bilingual),
Jakarta, Bentaya Budaya, 2000
Susanto, Mikke, Ambarwati, Nunuk, and Suseno, Indro, Icon: Retrospective [Indonesian Art of the 1970s
to 2000+], Yogyakarta, Jogja Gallery, 2006
Wright, A., ‗Artist roles and meaning in Modern Indonesian Painting‘, in Clark, J., ed., Modernity in Asian
Art, Sydney, Wild Peony 1993.
Wright, A., ‗Indonesia in the 1980s‘, Art Monthly Australia, 41, June 1991.
Wright, A., ‗Undermining the Order of the Javanese Universe; the self-portraits of Kartika Affandi-
Köberl, Art & Asia Pacific, vol.1, no.3, 1994.
Wright, A., Soul, Spirit and Mountain: Preoccupations of contemporary Indonesian Painters, Kuala Lumpur,
Oxford University Press, 1994. [Review: Spanjaard,H., Art & Asia Pacific, vol.2, no.2, 1995].
Art in the 1990s
[Cemeti Art House] ‘15 Years Cemeti Art House – Exploring Vacuum‘, Yogyakatrta: Cemeti Art
House, 2000
[RuangRupa] Effedy, Rifky, ‗RuangRupa‘ in Art Asia Pacific, Issue 37 (2003), p. 41
‗Performances‘ in Indonesia, RIMA, vol. 29, double issue, 1995.
‗Supplement Indonesia‘, Asian Art News vol.4, no.2, March-April 1994.
Burhan, M. Agnus, ‗Pencil, Pen, Ink‘ in Asian Art News, Vol. 14, Number 3 (May/June, 2004), pp.66-71
Dermawan, Agus, ‗Role of Galleries in Contemporary Art‘, Artlink, Vol. 13, No.3&4, November-
March 1993/94
Ewington, J., ‗Indonesia at a glance: four cities, five galleries, Art Monthly Australia, 65, November 1993.
Findlay, Ian, ‗From Strength To Strength‘ in Asian Art News, Vol. 14, Number 3 (May/June, 2004), pp.
72-73
Harsono, FX, ‗Art of Social Concern‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Hasan, Asikin, ‗Notes on Contemporary Indonesian Sculpture‘ in in World Sculpture News, Vol. 10, No. 2
(Spring 2004), pp. 32-37
Henschkel, Marina‘ ‗Perceptions of popular culture in contemporary Indonesia: five articles from
Tempo‘, RIMA, vol.28, no.2.
Hoffie, Pat, ‗The Politics of Misinterpretation‘,[On Australia Indonesia Today], Art Monthly Australia,
no.74, Oct 1994.
Howards, Michael C., ‗Maro paintings of Irian Jaya‘, Art AsiaPacific,no.18, 1998.
Larner, Melissa, Yogyakarta within the Contemporary Indonesian Art Scene‘ , Yogyakarta: Cemeti Art House,
2001
Lingham, Susan., ‗Art and Political Activism in Indonesia‘, in Asian Art News, Vol. 14, No. 1,
January/February 2004, p.62-67.

195
Jakarta Feature: Asian Art News, vol.7, no.5, Sept/Oct 1997. ‗Altering Course‘ [Jakarta Art Market];
Supangkat, Jim ‗A critic‘s view‘; Soliamna, Joseph, ‗Maintaining Quality‘ [Galerie Santi];
Marianto, Dwi ‗Fishing with a fine art net‘, [Yogyakarta 1997 Biennale], Art Monthly Australia, no.97,
March 1997.
Marianto, M., Dwi ‗Surabaya art festival‘, ART AsiaPacific, no.13, 1997.
Marianto, Dwi, ‗Bored with polite language: dissidents and reformasi‘, Artlink, Vol. 19, No. 3
September1999
Marianto M.Dwi, ‗Knalpot‘, Art AsiaPacific, 25, 2000
Marianto, M.Dwi, [tr. Day, Tony] ‗Slot in the box: Opinions and perspectives on the subject of
PEMILU through Art‘, RIMA, vol.31, no.1, 1997.
Marianto, M.Dwi, ‗Art from the Netherlands and Indonesia‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Marianto, M.Dwi, ‗The Yoyakartan painting Biennial III, 1992 and its pun the Binal Exhibition‘, RIMA,
vol.26, no.1, 1992.
Marianto, Diwi, ‗The Power of Yogyakartan Surrealism‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Mariano, M. Dwi, ‗Shifts & traditions in Indonesian art and society‘, Artlink, Vol. 20, No. 2, July 2000
Miklouhou-Maklai, Brita, ‗New Books Streams of Indonesian Art and Perceptions of Paradise‘, Artlink, Vol. 13,
No.3&4, November-March 1993/94
Mohamad, Goenawan, ‗Indonesia‘s Asia‘, Yasuko, Furuichi, ―Asia in Transition: Representation and
Identity‖, Japan Foundation Asia Center, 2002
Moon, Damon and Effendy, Rifky, ‗Fashion for Civil Disturbance Bandung Style‘, Artlink, Vol. 19, No.
3 September1999
O‘Neill, Hugh; Lindsey, Tim, eds. Awas! Recent Art from Indonesia, Melbourne, Indonesian Arts Society,
1999.
Ostrom, Richard, ‗The changed Function of Political Cartoonists in Indonesia:
From Challenging a Repressive Regime to Promoting Democratic Reforms‘, in International Journal
of Comic Art, Vol. 5, No. 1, Spring 2003, pp. 231-243.
Rai, Dipika, ‗Yogyakarta: The Heart of Javanese Tradition‘, Art AsiaPacific, no.17, 1998.
Richardson, Vanessa, ‗An analysis of culture, gender and power in the films Niji Ronggeng and Roro
Mendut‘, RIMA, vol. 28, no.2.
Sabana, Setiawan, ‗Exploring the Potential of Printmaking‘, Artlink, Vol. 13, No.3&4, November-
March 1993/94
Spanjaard, Helena, ‗ ―Reformasi Indonesia!‖: Protest art, 1995-2000‘, IIAS Newsletter, No.23, October
2000
Supangkat, Jim, ‗Introduction to Indonesian Modern Art‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Supangkat, J., ‗When Photorealism goes Asian‘ [Yogyakarta painters], Asian Art News, vol.8, no.2,
Mar/April 1998.
Supangkat, J., ‗A Different Modern Art‘, Art & Asia Pacific, supplement Art & Australia, Sept 1993.
Supangkat, J., ‗Contemporary Art in Indonesia: Development beyond the 1970s‘, in Ishida Tetsuro,
Shioda Jun‘ichi, Kumagai Isao, ed. Art in Southeast Asia, 1997: Glimpses into the Future, Tokyo,
Museum of Contemporary Art; Hiroshima City Museum of Contemporary Art; Tokyo, The
Japan Foundation Asia Center, 1997.
Supangkat, J., ‗Seni Rupa: The 1992 Jakarta Art and Design Expo‘, Art & Asia Pacific, no.2, 1993.
Supangkat, J., ‗The emergence of Indonesian Modern Art and its background‘, in Furuichi, Y. ed., Asian
Modernism: Diverse development in Indonesia, the Philippines, and Thailand, Tokyo, The Japan Foundation
Asia Center, 1995.
Supangkat, J., curator, Contemporary Indonesian Art, Jakarta, Taman Ismail Marzuki, 1995.
Supangkat, Jim & Zaelani, Rizki A., The Mutation: Painstaking realism in Indonesian Contemporary Painting,
Tôkyô, The Japan Foundation Forum for The Indonesia-Japan Friendship Festival, 1997.

196
Supangkat, Jim, ‗In Search of a Politically Correct Work of Art‘, Kuroda, Raiji, ed., The First Fukuoka
Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Supangkat, Jim, ‗Seeing the Collaboration via Works of Indonesian Artists‘, Kazuyo, Kondo;
Tomomichi, Nakao; and Yuko, Yamaki, ed., Imagined Workshop: The 2 nd Fukuoka Asian Art
Triennale 2002, Fukuoka: Fukuoka Asian Art Museum, 2002
Supplement Indonesia‘, Asian Art News vol.4, no.2, March-April 1994.
Wright, Astri, ‗Red and whte refigures‘, Art AsiaPacific, 26, 2000
Wright, Astri, ‗Resistance in the visual field: activist art in Indonesia in the 1990s‘, in Trankell, Ing-Britt;
Summers Laura, eds., Facets of Power and Its Limitations: Political Culture in Southeast Asia, Uppsala,
1999.
Art 2000+
‗Under the Hammer‘, in Asian Art News, Vol. 13, No. 6, November/December 2003, p.78-81.
Agustinus, Ronny, and Moetidjo, Ugeng T., ed., Karbon: Video Art, Video=Alat+Art=Ideologi, Jakarta,
Ruangrupa, 2002
Barlin, Todd, ‗A continuing tradition‘, Art AsiaPacific 28, 2001
Bianpoen, Carla., ‗An Auspicious Start‘, in Asian Art News, Vol. 13, No. 6, November/December 2003,
p.44-47.
Bianpoen, Carla., ‗Exploring Vacuum I at Cemeti Gallery‘, in Asian Art News, Vol.13, No.5, Sep/Oct,
2003, p.81-82.
Bollansee, Marc and Supriyanto, Enin, Indonesian Contemporary Art Now, SNP International, 2007
Carroll, Alison, ‗Letter from Indonesia‘, Art Monthly Australia, no. 183, September 2005.
Dirgantoro, Wulan, ‗Intimate Distance. Tracing Feminism Discourse in Indonesian Art‘, in C Arts.
Asian Contemporary Art and Culture, vol. 00, November/December, 2007, pp. 26 – 32.
Effendy, Ricky, ‗Grid‘ (Review) in Art Asia Pacific, No. 38 (Fall 2003), pp. 75-76
Findlay, Ian, ‗Fashioning Modernity: Seven Indonesian Masters at Art Retreat‘ (review), Asian Art News, vol.
16, no. 1, 2006.
Heri Memprovokasi Heri / Heri provokes Heri, Jakarta, Nadi Gallery 2002.
Hujatnikajennong, Agung, ‗Cocking a Snook at Powers-That-be‘, Art India, volume X, issue I, quarter I,
2005 (special issue on video art).
Ingham, Sue, ‗Cultural Issues in Indonesian Biennials: Pressure Points‘, Broadsheet, vol. 35, no. 2, 2006.
Ingham, Sue, and Dirgantoro, Wulandani, ‗Identity, Religion, Repression, or Fashion? The Indonesian
Jilbab‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 1, March, 2007, pp. 25 – 29.
Lenzi, Iola, et al Arahmaiani in Bangkok: Stitching the Wound, Bangkok, The Art Centre of Jim Thompson
House, 2006.
Levin, Cecelia, ‗Unity in Diversity: The formation of Modern Indonesian Art‘, in ArtAsiaPacific, No. 59,
July/August, 2008, pp. 88 - 89.
Rahardjo, Edwin, Ekselusi Ego: Ay Tjoe Christine, Jakarta, Edwin‘s Gallery, 2006
Sivanesan, Haema, ‗Gang festival: An Australian-Indonesian Artists Exchange‘, Art Monthly Australia,
no. 187, March 2006.
Supangkat, Jim, Entang Wiharso: Nusa Amuk, Jakarta, Nadi Gallery, 2001
Supangkat, Jim, Katirin and Nurkholis: Body Form, Jakarta, Nadi Gallery, 2001
Wardani, Farah and Yunanto, Ardi, eds., Karbon: Pemirsa/Audience, Jakarta, Ruangrupa, 2004
Wardani, Farah, ‗A Crucial Coming of Age: ‗Exploring Vacuum‘ Marks 15 Years of Cemeti Art House‘
in Art Asia Pacific, No. 40 (Spring 2004), pp. 22-23
Wardani, Farah, ed., Karbon: Ruang Alternatif/Alternative Space, Jakarta, Ruangrupa, 2003
Wardani, Farah, Moetididjo, Ugeng, and Darmawan, Ade, Karbon: Mempertanyakan Tindakan: Antara
Raga dan Verba/Questioning the Act: Between the Body and the Verb, Jakarta, Ruangrupa, 2002
Wisetromo, Suwarno, ‗Explorations in the Spirit of Subversion‘, Asian Art News, vol. 15, no. 6, 2005.
Wisetrotomo, Suwarno, Portret: Agung Suryanto & Galam Zulkifi, Jakarta, Edwin‘s Gallery2005
Wiyanto, Hendro, Anusapati: Genesis, Jakarta, Nadi Gallery, 2001

Wiyanto, Hendro, Ugo Untoro: Goro-Goro, Jakarta, Nadi Gallery, 2002
Yunanto, Ardi, Kelana, Andang, et.al., eds., Karbon: Tigabelasan (Bilingual), Jakarta, Ruangrupa, 2006
197
Selected Exhibitions
Achmad, Laila, Jakarta 32˚C, Jakarta, Ruangrupa, 2006
Choices of the heart. Modern Indonesian paintings from Toeti Herati‘s collection. 50 th anniv. Republic of
Indonesia.‘. Museum voor Volkenkunde, Rotterdam. 1995Indarto, Kuss, et.al.,
Crossing Boundaries. A Window to Twentieth Century Indonesian Art. Melbourne 2002. Exhibition catalogue
Genta Plus, Bali, Biasa Art Space, 2006
Kurniawan, Agung, Budiman in Wonderland, Yogyakarta, Kedai Kebun, 2005
Mamanmoor, Re-Reading Landscape, Jakarta, Nadi Gallery, 2005
Marianto, Dwi M. and Susanto, Mikke, eds., Young Arrows: Rhythem & Passion, Yogyakarta, Jogja Gallery,
2006
Parta, Seriyoga, Trans-it: A Sense of Two Cities, Bali, Biasa Art Space, 2005
Perini, Susanna, It: An Approach to Indonesian Contemporary Art, Bali, Biasa Art Space, 2005
Perini, Susanna, Ugo Untoro, Bali, Biasa Art Space, 2006
van der Plas, Els, et.al., Orientation, Amsterdam, Leiden, and Yogyakarta, Gate Foundation, Stedlijk
Museum de Lakenhal, and Cemeti Art Foundation, 1995-96
Ruangrupa, Top Collection: A Photography Project, Jakarta, Ruangrupa, 2004
Ruangrupa, Ok. Video: Sub/version, Jakarta Video Festival 2005, Jakarta, Ruangrupa, 2005
Ruangrupa, For Sale! – Art Project About Consume in the City of Jakarta, Jakarta, Ruangrupa, 2006
Sugiharto, Bambang, Beyond the Familiar: Riosid and Yus Herdiawan, Jakarta, Nadi Gallery, 2006
Supangkat, Jim, Not I. Am I?, Jakarta, Nadi Gallery, 2001
Supriyanto, Enin, All You Need is Love, Jakarta, Nadi Gallery, 2003
Supriyanto, Enin, Kado, Jakarta, Nadi Gallery, 2003
Supriyanto, Olympics, Jakarta, Nadi Gallery, 2004
Supriyanto, Enin, Equatorial Heat: Indonesian Paintersb Exhibition at Sichuan Museum, Jakarta,
Edwin‘s Gallery, 2004
Supriyanto, Enin, AKU, Chairil, and aku, Jakarta, Nadi Gallery, 2005
Susanto, Mikke, How Red is Red, Jakarta, Nadi Gallery, 2004
Susanto, Mikke, Ambarwati, Nunuk, et.al., eds., Biennale Jogja VIII: Di Sini&Kini (Bilingual),
Yogyakarta, Taman Budaya Yogyakarta, 2006
Susanto, Mikke, Ambarwati, Nunuk, and Suseno, Indro, Icon: Retrospective [Indonesian Art of the 1970s
to 2000+], Yogyakarta, Jogja Gallery, 2006
Wiyanto, Hendra, Fantasy of Body, Jakarta, Nadi Gallery, 2000
Wiyanto, Hendra, Reading Frida Kahlo, Jakarta, Nadi Gallery, 2001
Wiyanto, Hendra, Pink Project, Jakarta, Nadi Gallery, 2001
Wiyanto, Hendra, Boat, Jakarta, Nadi Gallery, 2001
Wiyanto, Hendro, Eye, Jakarta, Nadi Gallery, 2002
Wiyanto, Hendro, Exodus of Objects, Jakarta, Nadi Gallery, 2005
Wiyanto, Hendro, et.al., The Broken Mirror: Portrait of the Self, Magelang, Langgeng Gallery, 2005
Wiyanto, Hendro, ‗Contemporary Coziness‘, in C Arts. Asian Contemporary Art and Culture, vol. 00,
November/December, 2007, pp. 40 – 42.
Zaelani, Rizky A. Object(ify), Jakarta, Nadi Gallery, 2004
Zaelani, Rizki A., The Orinary, Jakarta, Nadi Gallery, 2005
Indonesia – Biennales [from 2005]
[7 th Yogyakarta Biennial] Effendy, Rifky, ‗7 th Yogyakarta Biennial‘ (Review) in Art Asia Pacific, No. 40
(Spring 2004), p. 80
Review (Yogyakarta Biennale 2006), Asian Art News, vol. 16, no. 1, 2006.
Review, (CP Biennale 2006, Indonesia), Asian Art News, vol. 15, no. 6, 2005.

Wardani, Farah, ‗Indonesia‘s Biennale Bubble‘, ArtAsiaPacific, no. 50, 2006.
Wiyanto, Hendro, ‗CP Biennale‘s Story Ends‘, ArtAsiaPacific, no. 48, 2006
Wiyanto, Hendro, ‗OK Video Art Festival 2005‘ (review), ArtAsiaPacific, no. 47, 2006.
198
Bali
Covarrubias, M, Island of Bali, [1937]¸London,KPI, 1986.
Crossing Boundaries. Bali: A Window to Twentieth Century Indonesian Art, Melbourne, Asia Society of
AustralAsia, 2002
Curnow, Heather, ‗Women Artists in Bali‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Couteau, Jean, Bali Today 2. Love and Social Life. Jakarta, Kepustakaan Populer Gramedia, 2008
Djelantik, A.A. M., Balinese Painting, Singapore, Oxford University Press, 1990.
Djelantik, A.A.M., essay in Contemporary Balinese Art, Jakarta, National Museum, 1995.
Edleson,M.J. et al, Neka Museum; Guide to the Painting Collection, Ubud, Museum Neka, 1986.
Eiseman, Fred B. Jr., Bali:Sekala & Niskala, vol. I, Essays on Religion, Ritual, and Art, Singapore, Periplus
Editions, 1990.
Farney, Rachel. ‗New Sprits in Bali.‘ [Seniwati Gallery of Art by Women] Asian Art News 8:6 Nov/Dec
1998.
Forge, A., and others, Donald Friend‘s Bali, Sydney, Art Gallery New South Wales, 1990.
Forge, A., Balinese Traditional Painting, Sydney, Australian Museum, 1978.
Friend, Donald, The Donald Friend Diaries (Volume 1)Edited by Anne Gray, National Library of
Australia, 2001
Geertz, Hildred, Images of Power: Balinese Paintings made for Gregory Bateson and Margaret Mead, Honolulu,
University of Hawaii Press, 1994.
Kam, G., Perceptions of Paradise, Images of Bali in the arts, Bali, Yayasan Dharma Seni Museum Neka, 1993.
Kam, Garrett, ‗Spiral to the Sky‘, World Sculpture News, vol. 12, no. 2, 2006.
Ostrom, Richard, ‗Bali's Transition from a Traditional to a Modern Society: Some Op-Art Warnings
about the Trade-offs‘, in International Journal of Comic Art, Vol. 4, No. 2, Fall 2002, pp. 229-240.
Mateer, John, ‗Crossing Boundaries: Bali: A window to twentieth century Indonesian art‘, Art Monthly
Australia, Number 158, March 2003
Moerdowo, R.M., Reflections on the Balinese tradtional and modern arts, Jakarta, Balai Pustaka, 1983.
Murti, Krisna, ‗From tourism to globalism‘, Art & Asia Pacific, vol.1, no.3, 1994.
O‘Brien K. Sutasoma: The ancient tale of a Buddha- Prince from 14 th century Java, Singapore, 2008 (although
not modern, the story underpins much of Javanese and Balinese society today).
Pearce, B., ‗Donald Friend and bali‘ Art & Asia Pacific, vol.1, no.3, 1994.
Rhodius, H., Darling, J., Walter Spies and Balinese Art, Amsterdam, Tropical Museum, 1980.
Rhodius, H., Darling, J., Walter Spies, Den Haag, L.J.C. Boucher, 1964.
Spanjaard, Helena, Poineers of Balinese Painting: The Rudolf Bonnet Collection, Amsterdam: KIT Publishers,
2007.
Sudarta, G, M, Seni Lukis Bali Dalam Tiga Generasi, Gramedia, Jakarta, 1975.
Suteja Neka, The Development of Painting in Bali: Selections from the Neka Art Museum, Ubud: Yayasan
Dharma Seni Museum Neka, 1989
Suteja Neka. and Yayasan Dharma Seni Museum Neka, Pengantar Koleksi Lukisan Museum Neka, Ubud:
Yayasan Dharma Seni Museum Neka. 1995
Vickers, A., ‗Kitsch and Craft on Bali‘, Art & Asia Pacific, vol.1, no.3, 1994.
Vickers, A., ‗The King of Bali‘, in Terra Australis, The Furthest Shore, Sydney, Art Gallery New South
Wales, 1988.
Vickers, A., Bali: A Paradise created, Harmondsworth, Penguin, 1989.
Vickers, Adrian, ‗Bali High Art‘, Art AsiaPacific, no.14, 1997.
Wright, A., ‗Bali: Showcase of Indonesian Art‘, Asian Art News, 1, no.3, Nov/Dec 1991.
Wright, A., ‗The Senewati Gallery of Women‘s Art‘, Art & Asia Pacific, vol.2, no.2, 1995.

199
European Images of S.E. Asia and Indonesia
Bastin, J., Brommer, B., Nineteenth Century Prints and Illustrated Books of Indonesia, Utrecht/Antwerpen,
Het Spectrum, 1979.
Bastin, J., Rohatgi, P., Prints of Southeast Asia in the India Office Library, London, Her Majesty‘s Stationary
Office, 1979.
Loos-Haxman, J.de, Verlaat Rapport Indië, Den Haag, Mouton & Co., 1968.
Loos-Haxman, J.de, Dagwerk in Indië, Uitgeverij, T.Wever Framekern, 1972.
India Office Library, The Raffles Drawings in the India Office library, Kuala Lumpur, Oxford University
Press, 1978.
Nieuwenhuys, Rob, Met vreemde ogen, Baren en oudgasten Komen en blijven, Fotografische documenten uit het oude
Indië 1870-1920, Amsterdam Querido, 1988, 1998.
Scalliet, Marie-Odette et al, Pictures from the Tropics: Paintings by Western Artists during the Dutch Colonial
Period in Indonesia, Amsterdam, Koninklijk Instituut voor de Tropen, 1999.
Craft Practices
Dhamija, J., ‗The cosmology of textiles‘, Art & Asia Pacific, vol.2, no.2, 1995.
Soemantri, Hilda, ‗Modern Indonesian Ceramics‘, in Taylor Nora E. ed, Studies in Southeast Asian Art:
Essays in honor of Stanley J.O‘Connor, Ithaca, SEAP Cornell University, 2000
EAST TIMOR
Barrkman, ‗Boats, Crocodile Ancestors and Mermaid Myths in the Art and Craft of Timor-Leste‘ in
TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 4, Dec 2008: 12-15.
Bennet, James, ‗East Timor Museum‘, Art AsiaPacific, 30, 2001
Holder, Jo. ‗An East Timorese Exhibition in Australia‘, Art AsiaPacific, no.14, 1997.
BRUNEI
General Works
Individual Artists
bin Omar, Zakaria: Zakaria bin Omar in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art
Museum, 2001
Mahaddi B. Hj. Matzain: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka
Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale
1999 [The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art
Museum, 1999
Pg. Zainin B. Pg. Mansor: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka
Asian Art Museum, 1999
MALAYSIA
General Works
Asia-Pacific Sculpture News 2:3 Summer 1996 Malaysia Feature with articles by Laura Fan and Ian Findlay.
‗The Arts in Malaysia‘, Supplement, Arts & The Islamic World, vol.5, no.1, Spring-Summer, 1988.
Asian Watercolours ‗88, Petaling Jaya, Malaysian Water Colour Society, 1988.

200
Chong, Weng-ho, ‗Submission and recalcitrance: looking for art and the other thing in Kuala Lumpur‘,
Art Monthly Australia, no.68, April 1994.
Dawa, Mohammed Najib Ahmad, ed., Susurmasa, Timelines, Malaysian Art with 50 years National
Gallery, Kuala Lumpur, Balai Seni Lukis Negara / National Art Gallery, 2008.
Esa, Sulaiman, „Time to take a hard look at our artists‟, The Malay Mail, 1971.
Exhibition of Painting, Sculpture, Graphic and Handicraft from Private Collection, Kuala Lumpur, Muzium Seni
Negara Malaysia, 1982.
Fairley, Gina, ‗The Uneven Face of the Malaysian Art World‘, in AsianArtNews, Vol. 19 No. 1
January/February 2009, pp. 66-71.
Jamal, Syed Ahmad, ed., Crafts and the Visual Arts, [The Encylopedia of Malaysia, vol.14], Singapore,
Archipelago Press, 2007.
Jamal, Syed.Ahmad., ed., Malaysian Art 1965-1978, London, The Commonwealth Institute, 1978.
Jamal, Syed.Ahmad., Seni Lukis Malaysia 57-87 , Kuala Lumpur, Balai Seni Lukis Nagara, 1987.
[bilingual]
Lai Chee Kien, Building Merdeka. Independence Architecture in Kuala Lumpur, 1957-1966. Kuala Lumpur:
Petronas, 2007Langenbach, R., ‗The Third Salon Malaysia‘, Asian Art News, 2, 6, Nov/Dec 1992.
Mahamood, Muliyadi, ‗An Overview of malaysian Contemporary Cartoons‘, in International Journal of
Comic Art, Vol. 5, No. 1, Spring 2003, pp. 292-304.
Nur Hanim Mohamed Khairuddin, Contemporary Visual Arts Discourse, Yayasan Ksenian Perak, 2003.
Pameran Terbuka 1987, Kuala Lumpur, Balai Seni Lukis Nagara, Feb/March, 1987.
Pameran Terbuka 1988, Kuala Lumpur, Balai Seni Lukis Nagara, Jan/Feb, 1988.
Pameran Terbuka, 1990, Kuala Lumpur, Balai Seni Lukis Negara, 9-28 Januari, 1990.
Piyadasa,R., Pengolahan lanskap tempatan dalam Seni Moden Malaysia, 1930-1981, (The Treatment of the
Local Landscape in Modern Malaysian Art, 1930-1981) Kuala Lumpur, Muzium Seni Negara,
1981.
Piyadasa, R., ‘An assessment of the Malaysian Expressionist and Abstract Expressionist Commitment
of the Sixties‘, Catalogue, Kuala Lumpur, National Art Gallery, 1973.
Piyadasa, R., ‗The MARA School of Art and Design‘, Malaysian Panorama, vol.3, no.4.
Piyadasa, R., Esa, Sulaiman, Towards a Mystical Reality, Kual Lumpur, 1974.
Provencher, Ron, ‗Remembering "The Chief," Rejab Had: Cartoonist, Story Teller, Teacher, and
Philosopher‘, in International Journal of Comic Art, Vol. 5, No. 1, Spring 2003, pp. 290-291.
Rajah, Niranjan ‗Sacred Pictures, Secular Frames‘, Art AsiaPacific, no.17, 1998.
Rajah, Niranjan, Report at The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar: ―Asian
Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999
Raslan, Karim., ‗Looking for a New Direction‘, Asian Art News, vol.4, no. 1, Jan-Feb 1994.
Sabapathy, T.K., Piyadasa,R., Modern Artists of Malaysia, Kuala Lumpur, Dewan Bahasa dan Pustaka,
1983.
Sabapathy, T.K., ed. Vision and Idea: Relooking Modern Malaysian Art, Kuala Lumpur, National Gallery,
1994.
Saidon, Hasnul J. &Yong , Beverly, Between Generations: 50 years across modern art in Malaysia, Kuala
Lumpur & Pinang, University of Malaysia, Valentine Willie Fine Art & Universiti Sains Malaysia,
2007.
Seni Lukis Malaysia- 25 tahun, penyusunan dan teks Kuala Lumpur, 1982.
‗Supplment Singapore & Malaysia‘, Asian Art News, vol.2, no.6, Nov-Dec 1992.
Tan Chee Khuan, Pelukis-pelukis Perintis Malaysia: Pioneer Arts of Malaysia, Lembaga Muzium Negeri,
1992.
Tan Chee Khuan, Pelukis-perintis Seni Lukis Malaysia: Pioneers of Malaysian Art, Kuala Lumpur, 1994
Tan Chee Khuan, Penang Artists 1920 – 1990, Penang, The Art Gallery, 1992
Wharton, Dolores, Contemporary Artists of Malaysia, New York, Asia Society, 1971 [collection now at
Cornell University].

201
Zain, Ismail, & Piyadasa, Redza, Modern Malaysian Art 1930-1973, ASEAN Mobile Exhibition
Catalogue, Kuala Lumpur, National Art Gallery, 1974.
Yeoh Jinleng [curator], Semangat Pelopor Seni / Pioneer Art groups of the 1950s and 1960s, Kuala Lumpur,
Balai Seni Lukis Negara, 1997.
Individual Artists
Anwar, Ahmad Zakii: Findlay, Ian, ‗Waiting in the shadows‘, Asian Art News, vol.11, no.6, 2001. ; Wang
Zineng, ‗Ahmad Zakii Anwar: Seeking the Divine‘, in C Arts. Asian Contemporary Art and Culture,
vol. 02, March/April, 2008, pp. 68 – 72.
Bamadhaj, Nadia: review Art AsiaPacific, 33, 2002
Chang Fee Ming: Kam, Garrett, ‗Surp[rises of an ephemeral life‘, Asian Art News, vo.11, no.4, 2001. ;
Pettifor, Steven, ‗A River‘s Story‘, in Asian Art News, Vol. 14, Number 4 (July/August 2004), pp.
62-63
Charles Cham: Munroe, B., ‗Behind the mask [Charles Cham], Asian Art News, vol.7, no.6, November-
December 1997.
Chong Kam Kow: Asian Art News, 2, no.5, Sep/Oct 1992; Chong Kam Kow, Frederikshavn, Frederikshavn
Art Museum, 1988.
Faizal Mohd Zulkifli: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian
Art Museum, 1999
Gill, Simryn: Pastor-Roces, Marian, ‗Simryn Gill: Slow Release‘, Art & Text 56, Feb.-Apr. 1997;
Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist‘s Book Series, Simryn Gill: A Small Town at
the Turn of the Century, Kitakyushu: Center For Contemporary Art, 1998; Simryn Gill in Akiko
Miyake, ed., Let‘s Talk About Art #0002, ‗Transexperiences‘, Kitakyushu: Center For
Contemporary Art, 2002; Eastburn, Melanie, ‗Simryn Gill at the Art Gallery of New South
Wales‘, Asian Art News, vol. 12, no. 6, November/December, 2002; Bush, Kate, ‗Portfolio:
Simryn Gill‘, Artforum International, Vol.41, Issue 6, February 2003: review, Kitakyushu,
Contemporary Visual Art, 29, 2000; Selected Work, Sydney, Art Gallery of New South Wales, 2002; A
small town at the end of the century, Kitakyushu, CCA, 2000; Lee Weng Choy, ‗Local Cocunuts:
Simryn Gill and the politics of identity‘, Art AsiaPacific, no.16, 1997; Carruthers, Asley, ‗Simryn
Gill, Dalam‘, Focas (Forum on Contemporary Art & Society), no.3, January 2002. ; Tang, Jeannine,
‗Throwback and Pearls‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 3, September,
2007, pp. 157 – 159; Scrimgeour, Alexander, ‗Simryn Gill‘, in Artforum, Vol 47, Iss. 10, Summer
2009, p. 339.
Hussein, Ibrahim: Ibrahim Hussein: a retrospective, Kuala Lumpur, Balai Seni Lukis Negara, 1986; Willetts,
William, Ibrahim Hussain, Kuala Lumpur 1975.
Jamal, Syed Ahmad: Sabapathy, T.K., Syed Ahmad Jamal: a historical overview, Kuala Lumpur, Nanyang
Gallery of Art, 1994; review, Art AsiaPacific, 30, 2001;
Jamal, Syed Ahmad: review, Art AsiaPacific, 30, 2001
Khoo Sui Hoe: Lee Khai, ed., The painted world of Khoo Sui Hoe, Pinang, Lembaga Muzium Negeri Pulau
Pinang, 2007.
Lam, Ivan: Fairley, Gina, ‗Twelve Degrees of Separation‘, in Asian Art News, v. 18(2), March/April,
2008, pp 60 – 64.
Latiff Mohidin: Sabapathy, T.K., ed., Pago - Pago to Gelombang: 40 Years of Latiff Mohidin, Singapore,
Singapore Art Museum, 1994.; Raslan, K., ‗The Line from Point to Point‘, Art & Asia Pacific,
supplement to Art & Australia, Sept 1993. Piyadasa, R., entry on Latiff Mohidin in Piyadasa, R.
& Sabapathy, T. K. , Modern Artists of Malaysia, Kuala Lumpur, Dewan Bahasa dan Pustaka, 1983.,
Piyadasa, R., ‗Abdul Latiff – the artist, an appreciation‘ Pameran Retrospektif Abdul Latiff, Kuala
Lumpur, National Art Gallery, 1973. Sabapathy, T.K., Voyage: Kembara Latiff Mohidin, Kuala Lumpur,
Petronas Galeri, 2007.Sabapathy, T.K., „The Rimba Series: an introduction‟, and „In Conversation‟ in Latiff
Mohidin: Rimba Series, Kuala Lumpur, Petronas Galeri, 1998. Translations from German and
English: Mohidin, Latiff, translator: Woyzeck: Antologi Drama Jerman, Kuala Lumpur, Dewan
Bahasa dan Pustaka, Kementerian Pelajaran Malaysia, 1987. Mohidin, Latiff, translator:

202
Rabindranath Tagore, Gitanjali, Kuala Lumpur, Dewan Bahasa dan Pustaka, Kementerian
Pelajaran Malaysia, 1986, reprint Petronas, 2006.Mohidin, Latiff, translator: Mishima Yukio,
Dantal Impia [Modern Nô Plays tr Donald Keene], Kuala Lumpur, Dewan Bahasa dan Pustaka,
Kementerian Pelajaran Malaysia, 1981Mohdin, Latiff, translator, Tao Te Ching, [Daodejing], Kuala
Lumpur, Petronas, 2007Mohdin, Latiff, translator, Rumi: Puisi Puisi, Omar Khayyam: Rubaiyat,
Kuala Lumpur, Petronas, 2007.Mohidin, Latiff, translator, Goethe‘s Faust [incomplete,
unpublished]. Poetry and other writing: Mohidin, Latiff, Puisi I 1963-1972 / Gesammelte Gedichte
I [bilingual Bahasa Melayu/German, tr. Iskander Ungelehrt, Unkel, Verlag Horlemann, 200?.
Mohidin, Latiff, Sajak-Sajak Dinihari (Midnight Poems), 1996. Mohidin, Latiff, Rawa-Rawa
[Marshland], 1992. Mohidin, Latiff, Sajak-Sajak DINIHARI, Kajang, Makruf Publisher, 1983.
Mohidin, Latiff, Sajak Sajak Lengkap (1963-1994), [diperkemalkan oleh Baha Zain], Petronas,
2007. Mohidin, Latiff, Pesisir Waktu [Edge of Time], 1981. Mohidin, Latiff Serpihan dari pedalaman
[Fragments of Interior], kuala lumpur, system intermedia 1979. Mohidin, Latiff, Wayang Pak
Dalang [Puppeteer‘s Wayang], 1977. Mohidin, Latiff, Kembara Malam [Night Travel], 1974.
Mohidin, Latiff, Sungai Mekong [Mekong River], 1971. Writings on Art: Mohidin, Latiff, Garis
Latiff Mohidin Dari Titik ke Titik, [1988], tr. Adibah Amin as Line: Latiff Mohidin from point to point,
Kuala Lumpur: Dewan Bahasa dan Pustaka, Kementerian Pendidikan Malaysia, 1993.
Mahati: Fan, Laura, ‗Telling Tales: the latest exhibition by the Malaysian group Mahati‘, Art & Asia-
Pacific, vol.3, no.1, 1996.
Mahir, Umibaizurah: Fairley, Gina, ‗Camouflaged Feminism‘, in World Sculpture News, v. 14(1), Winter,
2008, pp. 40 – 45.
Mokhtar, Hayati: Fairley, Gina, ‗Near Invisible Lines‘, Eyeline, no. 60, 2006.
Multhalib, Abdul: Fairley, Gina ‗Architecture Defining Sculpture‘, World Sculpture News, vol. 11, no. 3,
2005.
Nahappan, Kumar: Jay, Sian E., ‗Sensations of ritual‘, Asian Art News, vol.11, no.1, 2001
Noor Azinan Rahman Paiman: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka:
Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art
Triennale 1999 [The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka
Asian Art Museum, 1999
Nur Hanim bte Mohamed Khairuuddin: Hanim, Nur bte Khairuuddin, Mohamed, A Working Paper on For
Whom the Bell Tolls, at the Visiting Exhibition Gallery NUS Museums, Singapore: NUS Museums,
National University of Singapore, 2002
Piyadasa, Redza: Mashadi, Ahmad, ‗Remembering Redza Piyadasa‘, in C Arts. Asian Contemporary Art and
Culture, vol. 00, November/December, 2007, pp. 108 – 110.
Rahman, Mastura Abdul: Tan, Sim, ‗Looking to Origins: Mastura Abdul Rahman‘, Artlink, Vol. 13,
No.3&4, November-March 1993/94
Said, Dain-Iskandar: Fairley, Gina, ‗Near Invisible Lines‘, Eyeline, no. 60, 2006.
Saidon, Hasnul J.: In Between the Lines. [Exhibition Catalogue. Pulau Pinang :Muzium & Galeri Tuanku
Fauziah, Universiti Sains Malaysia, 2008.
Shanmughalingam, Nirmila Dutt: Jumabhoy, Zehra, ‗The Artist as Conscience Keeper‘, Art India, volume
ix, issue iii, quarter iii, 2004.
Soh Chee Hui: Farnay, Rachel, ‗Across time and cultures‘ [Soh Chee Hui], Asian Art News, vol.7, no.5,
Sept/Oct 1997.
Syed Ahmad Jamal: Fan, Laura, ‗Banking on Art‘ [Syed Ahmad Jamal], Art & Asia Pacific, vol.2, no.3,
1995.
Tang Hon Yin: Tang Hon Yin Australian High Commission, Kuala Lumpur, 1986.
Wong Hoy Cheong: Mandal, Sumit, ‗Valuing Asia‘, Art AsiaPacific 29, 2001. ; Raslan, K. in Art & Asia
Pacific, vol.1, no.2, 1994; Fan, Laura, ‗A controversy of silence: Wong Hoy Cheong in
Exhibition‘, Art AsiaPacific, no.16, 1997; Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale,
Fukuoka: Fukuoka Asian Art Museum, 1999; Ooi, Adeline, ‗The Artists As Ethnographer‘, On

203
Wong Hoy Cheong,in Asian Art News, vol. 12, no. 5, September/October, 2002; Fairley, Gina,
‗Myth And Memory‘, in Asian Art News, v. 18(5), Set/Oct, 2008, pp. 76-79.
Yeoh Jinleng: Yeoh Jinleng, Life drawings from Chelsea Days, c.1958-1962, Kuala Lumpur, NN Gallery, 2008;
Yeoh Jinleng, ‗Some thoughts on art‘ Atelier, no.4, October 2005 [published by Art & Design
Department, New Era College, Kajang]; Yeoh Jinleng, ‗Art in an Era of Rapid Change‘, Xinjiyuan
Xuebao, [New Era College Academic Journal],April, 2004, 112-116; Yeoh Jinleng, The Moving Body:
drawings inspired by the Odissi and Bharata Natyam, [texts by Ramli Ibrahim and Yeoh Jinleng], Kuala
Lumpur, Sutra Gallery, 2004; Sabapthy, T. K., Yeoh Jin Leng: Art and Thoughts, 1952-1995, Kuala
Lumpur, National Gallery, 1995; Clark, J., ‗Into the forest‘, Art & Asia Pacific, vol.1, no.2, 1994.
Zulkifli, Faizal Mohd: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka:
Fukuoka Asian Art Museum, 1999
1990s-2000+
Cheong, Wong Hoy and Jit, Krishin, ‗The Shaping of Contemporary Art in Malaysia‘, Artlink, Vol. 13,
No.3&4, November-March 1993/94
Fairley, Gina, ‗A Good Rate of Exchange between Malaysian and Australian Artists‘, Art Monthly
Australia, no. 192, August 2006.
Fan, Laura, ‗Rupa Malaysia, A decade of Malaysian art in London‘, Art AsiaPacific, No.21, 1999.
Findlay, Ian, ‗Pictures from Penang‘, Asian Art News, vol.7, no.5, September / October 1997
Geh, Lida, ‗Support for Art in Malaysia‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Geh, Lida, ‗Women Breaking Taboos‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Jiman, Juhanita,‗Malaysian Animation Industry: The History, Development, and Collective Efforts To
Set Up a Global and Recognizable Animation Standard‘, in International Journal of Comic Art, Vol.
7, No. 1, Spring 2005, pp. 422-431.
Langerbach, Ray, ‗Culture of Silence: a reading of three artists‘, Artlink, Vol. 13, No.3&4, November-
March 1993/94
Lee Weng Choy, ‗Artis pro active‘, Art AsiaPacific, 24, 1999
Mateer, John, ‗Confess & Conceal Asia/Australia exhibition at AGWA‘, Artlink, Vol. 13, No.3&4,
November-March 1993/94
Ng, Lena, ‗You are Here‘ (review), ArtAsiaPacific, no. 48, 2006.
Nge, Carmen, ‗Out of the Mould Age of Reason‘, in Contemporary Visual Arts + Culture Broadsheet, vol.
37, no. 1, March, 2008, pp. 68 – 71.
O‘Ferrall, Michael, ‗Fauzan Omar - Layers of Meaning‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Rajah, Niranjan, ‗The End of Globalisation?: Malaysian Art at the Close of the 20 th Century‘, Kuroda,
Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Rajah, Niranjan, Bara Hati Jiwa: Expression and Expressionism in Contemporary Malaysian Arts> Kuala
Lumpur, Balia Sein Lukis Negara, 2002.
Rajah, Niranjan; Saidon, Hasnul Jamal, ‗The evolution of electronic art in Malaysia‘, Art AsiaPacific, 27,
2000.
Valentine, Willie and Raslan, Karin, Malaysian Art Now, Kuala Lumpur, National Art Gallery, 2004.
Whitley, Keri, ‗Castle‘s Journeys into Asia‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Zhang Wubin, ‗Setting New Goals‘, (interview regarding First Kuala Lumpur International
Photography Biennale), Asian Art News, vol. 15, no. 6, 2005.
Zhang Wubin, ‗The Ascent of the Image‘ (review of First Kuala Lumpur International Photography
Biennale), Asian Art News, vol. 15, no. 6, 2005.

SINGAPORE
204
General works
Brecelic, Thomas, ‗ARTSingapore 2001‘, Art AsiaPacific, No.34, 2002.
Cheng Lim Tju, ‗Chop Suey -- Cartoons about the Japanese Occupation and National Education in
Singapore‘, in International Journal of Comic Art, Vol. 6, No. 2, Fall 2004, pp. 415-430.
Chin, Edmond, 1991, Guilding the Phoenix: The Straits Chinese of their Jewellery. Singapore: National
Museum.
Chua, Kevin, ‗ In Venetian Waters: Singapore at the 49 th Venice Bienale‘, Focas (Forum on Contemporary
Art & Society), no.3, January 2002
Chai Yik Chin, Singapore Artists, Singapore Cultural Foundation, 1982
Chia, J., ‗Trouble at Hand‘, Art & AsiaPacific, vol.2, no.2, 1995
Chow Kwok Kian, Channels a & Confluences: A History of Singapore Art, Singapore, Singapore Art
Museum, 1995.
Chua, Beng Huat. ―Young artists make a break: installation at Arbour‖, Man, Aug/Sept 1987, 18-20.
Chua, Kevin, ‗Painting the Nanyang‘s ―Public‖: Notes Towards a Reassessment‘, in eds. Clark, John,
Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern
Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 72-93.
Crossroads: The making of new identities, Singapore: NUS Museums, 2004.
Dolven, Ben, ‗Artistic dilemma: Singapore hopes to establish itself as an international art center, but
local artists still find the going tough‘, Far Eastern Economic Review, April 22, 1999.
Fifth Asian Youth Painting 1987, Singapore, Ministry of Community Development and National
Museum, June 1987
Findlay, Ian, ‗Building Bridges‘, On ARTSingapore 2002, Asian Art News, vol. 12, no. 5,
September/October, 2002
Findlay, Ian., ‗An Odyssey in Art‘ in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.64-67.
[Feature Issue], Asian Art News, vol. 6, no.3, May / June 1996.
[Fukuoka Asian Art Museum], Modern Artists-II, Nanyang 1950-65: Passage to Singaporean Art, Fukuoka:
Fukuoka Asian Art Museum, 2002
Jeyaretnam, Philip, ‗Sex, Art, and Singapore‘, Commentary, vol.11, no.1, 1993.
‗Kitsch & The Singapore Modern‘, Forum Transcript , Focas (Forum on Contemporary Art & Society), no.3,
January 2002
Koay, Susie. ‗Singapore: Multi-cultural crossroads‘ in Visual Arts in ASEAN Continuity and Change,
Kuala Lumpur: ASEAN Committee on Culture and Information, 2001, 169-174.
Langenbach, William Ray. ―Performing the Singapore State: 1988-1995‖. PhD diss.[unpublished],
Centre for Cultural Research, University of Western Sydney, 2003.
Langenbach, Ray, ‗Garlands of Love: Socialist Realist Aesthetics in Singapore‘, in eds. Clark, John,
Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern
Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 129-149.
Langenbach, Ray, ‗Annotated Singapore Diary", Art & Asia Pacific, vol.1, no.4, 1994.
Lee Weng Choy, ‗All Washed up‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Lee Weng Choy, ‗Alternative spaces‘, Art AsiaPacific, 22, 1999;
Lee Weng Choy, ‗Contemporary Art Criticism in Singapore.‘ TASSA Review, 7:3 1998.;
Lee Weng Choy, ‗Department Store Art‘, Art & Asia Pacific, vol.3, no.2, 1996.
Lee Weng Choy, ‗Distinctions, Paintings by Vincent Leow and Ian Woo‘, Art Asia Pacific, No.34, 2002.
Lee Weng Choy, ‗Misunderstanding art‘, Art AsiaPacific, 23, 1999, (also see rejoinder in Art AsiaPacific,
25, 2000);
Lee Weng Choy, ‗Monumental statements‘, Art AsiaPacific, 31, 2001;
Lee Weng Choy, ‗Representation as detour‘, Art AsiaPacific, 25, 2000;
Lee, Weng Choy, ‗Authenticity, Reflexivity & Spectacle: or the Rise of New Asia is not the End of the
World‘ in positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004);

205
Lee, Weng Choy, ‗Just what is it that makes the term ‗global-local‘ so widely cited yet so annoying?‘,
Artlink, Vol. 20, No. 2, July 2000;
Lee, Weng Choy, ‗Modernism Without Modernity: New Public Art in Singapore‘ in Art Asia Pacific, No.
39 (Winter 2004), pp. 26-27;
Lee, Weng Choy, ‗Three Entries‘ (On New Media) in Broadsheet, Vol. 33, No. 3 (September- November
2004), pp. 16-17
Lee, Weng Choy., ‗Art, Writing and Politics‘, in FOCAS: Forum on Contemporary Art & Society, No. 4,
June 2002, p.102-112.
Legaspi-Ramirez, Eileen C., ‗Traversing Centre and Fringe: Problems of Engagement in Unstable
Democratic Spaces‘, in FOCAS: Forum on Contemporary Art & Society, No. 4, June 2002, p.27-37.
Lent, John A., ‗Cartooning in malaysia and Singapore: The Same, but Different‘, in International Journal of
Comic Art, Vol. 5, No. 1, Spring 2003, pp. 256-289.
Lingham, Lucy., ‗Art Interpreting Heritage (Of Effacements, Pilgrimages, Exhumantions & Effigies)‘,
in FOCAS: Forum on Contemporary Art & Society, No. 1, January 2001, p.109-122.
Lingham, Susie., ‗Navel: The Mark of a Vampire‘, in FOCAS: Forum on Contemporary Art & Society, No. 2,
July 2001, p.49-83.
Lim, Kok Boon., ‗On Art Writing‘, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.26-27.
Loh, Susan, ‗ The Fine Art of Gardening: A Decade of Nurturing the Arts‘, Focas (Forum on Contemporary
Art & Society), no.2, July 2001
Low, Yvonne. ―Singapore‘s Modern art: Modern aesthetic responses of Overseas Chinese and Chinese
Singaporeans in Singapore‖. Masters‘ Thesis, University of Sydney, 2009.
Lui, Gretchen, 1987, One Hundred Years of the National Museum, Singapore: National Museum.
Purushothaman, Venka. Making Visible the Invisible: Three decades of the Singapore Arts Festival. Singapore:
National Arts Council, 2007.
Rae, Paul, ‗Rates of Exchange: The Flying Circus Project in the Context of Globalisation‘, Focas (Forum
on Contemporary Art & Society), no.2, July 2001
Re-connecting: Selected writings on Singapore art and art criticism, trans. Cheo Chai-Hiang, eds. T.K. Sabapathy
and Cheo Chai-Hiang, Singapore: Institute of Contemporary Arts Singapore, 2005.
Sabapathy, K., ‗Trimurti: Contemporary Art In Singapore‘, Art & Asia Pacific, no.2, June 1993.
Sabapathy, K., Road to Nowher, Paper presented at the National Institute of Education, Nanyang
Technological University, Singapore, April 14, 2009.
Scarlett, K., ‗The Shock of the Unexpected: Innovation in Singapore‘, Art Monthly Australia, 55, Nov
1992.
Schoppert, Peter, ‗More Trouble than its Worth: What Can We Expect From Public Art in Singapore?‘,
in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and
Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney,
2006, pp. 150-169.
Schoppert, Peter, ‗Kitch and Singapore Public Art‘, Focas (Forum on Contemporary Art & Society), no.3,
January 2002
Seng, Yu Jin. ―The Primacy of painting: The institutional structure of the Singapore art world from
1935-1972‖. Masters‘ Thesis, National University of Singapore, 2006.
Singapore Artists Directory, Singapore, Prime Prints Pte.Ltd., 1987.
Singapore Museum, Supplement to Art & Asia Pacific, vol.3, no.2, 1996.
Wee, C. J. Wan-Ling., ‗Bland Modernity, Kitsch and Reflections on Aesthetic Production in Singapore‘,
in FOCAS: Forum on Contemporary Art & Society, No. 3, January 2002,
Yao, Soucho, Singapore: The state and the culture of excess, London, Routledge, 2007.
Yeo, Mang Thong. 新加坡战前华人美术史论集 [Essays on the History of Pre-war Chinese Painting in
Singapore]. Singapore: Singapore Society of Asian Studies, 1992.
Yeoh, Brenda, 1996, Contesting Space: Power Relations and Urban Built Environment in Colonial Singapore.
Kualar Lumpur: Oxford University Press.

Yuan, Chu Chu, and Jay Koh, ‗Encounters in Engagement: Investigating Public Engaged Art in
Singapore‘, in FOCAS: Forum on Contemporary Art & Society, No. 4, June 2002, p.38-52.
206
General works on Nanyang Art and the Malayan period [number]
―Conference transcript‖ [轻松气氛中进行的座谈会] in 大学 [Xue Da Annual Magazine]. Singapore:
Nanyang Academy of Fine Arts Committee, 1986, 12-21.
Chua, Ek Kay. ―The emergence of the Nanyang style and its role in the regionalism of ASEAN
countries‖. Masters‘ Thesis, University of Western Sydney, 1994.
Beamish, Tony. The Arts of Malaya. Singapore: Donald Moore, 1954.
Kwok, Kian Chow. ―Images of the South Seas: Bali as a Visual Source in Singapore Art‖ in From Ritual
to Romance: Paintings inspired by Bali [exhibition catalogue]. Singapore: Singapore Art Museum and
Neka Museum, 1994, 39-43.
Liu, Kang. 刘抗文集 [Essays by Liu Kang]. Singapore: Educational Publications Bureau, 1981.
Long Thien-Shih, ―Nanyang style and the French Influence‖ in Pont des Arts: Nanyang Artists in France
1925-1970 [exhibition catalogue]. Singapore: Singapore Art Museum, 24 Feb-13 March 1994.
Mashadi, Ahmad. ―De-Nationalizing Nanyang Modernity‖, CArts: Asian contemporary art and culture, no. 2
(March-April 2008): 92-95
Ma, Ge. 马来亚艺术简史 [A brief history of Malayan Art]. Singapore: Nanyang Press, 1963
[Translated and published in 1999] Marco Hsu, A brief history of Malayan art, trans. Lai Chee Kien.
Singapore: Millennium Books, 1999.
Ong, Ian Li. ―Tradition and change: The eclectic artworks of the Nanyang artists‖. Masters‘ Thesis,
University of Malaya, 2007.
Piyadasa, Redza. ―The Nanyang Academy of Fine Arts‖ in Pameran Retrospektif Pelukis-pelukis Nanyang.
Kuala Lumpur: National Museum of Art, 1979, 24-35.
Rawanchaikul, Toshiko. Nanyang 1950-65: Passage to Singaporean Art. Fukuoka: Fukuoka
Asian Art Museum, 2002.
Sabapathy, T.K. ―Traditions and Modernism: Nanyang Artists,‖ Architecture Journal (School of
Architecture, National University of Singapore), (1985): 6-11.
Sabapathy, T.K. ―The Nanyang Artists: Some General Remarks‖ in Pameran Retrospektif Pelukis-pelukis
Nanyang. Kuala Lumpur: National Museum of Art, 1979, 43-48.
Sabapathy, T.K. ―Bali, Almost Re-Visited‖ in Reminiscence of Singapore‘s Pioneer Art Masters [新加坡先驱
画家怀旧展] [exhibition catalogue]. Singapore: The Singapore Mint, 1994.
Singapore Artists. A Select Annotated Bibliography. Volume 1: The Nanyang Artists. Edited by Yeo, A., Gee,
M.M., Balagopal, R., Tay, C.B., Cheng, T.Y., Anuar, M. Singapore: National Library Board,
2009.
Tan, Tee Chie. ―画的洁癖与南洋风格的式微‖ [Pictorial fastidiousness and the decline in Nanyang
Feng ge] in Nanyang Arts: 20 years retrospective, Singapore: Nanyang Alumni, 1996.
Tan, Meng Kiat. ―The Evolution of the Nanyang Art Style: A Study in the Search for an Artistic
Identity in Singapore, 1930-1960‖. Masters‘ Thesis, Hong Kong University of Science and
Technology, 1997.
Wu, San. ―谈南洋风‖ [A discussion on Nanyang Feng] in 南洋青年美术 [The Art of Young Malayans].
Singapore: Nanyang Academy of Fine Arts, 1955, 2.
Zhong, Yu. ―马来西亚华人美术史‖ [―A history of Malaysian Chinese art‖]. PhD diss., privately
published, Kuala Lumpur, 1999.
Individual Artists
Baet Yoke Kuan: Yap, Serene., ‗An Amorphous Disguise: An Interview with Baet Yoke Kuan‘, in Vehicle:
Contemporary Visual Arts, No.2, 2001, p.40-42.
Benjamin Buah: Loke, Serena., ‗Encounters with Rats in a Lab: Travelling Project by Benjamin Puah‘
(review), in Vehicle: Contemporary Visual Arts, No.10, 2003, p.14-15.

207
Chandrasekaran, S.: Binghui Huangfu, akasa: An exhibition of drawings by Chandrasekaran, S, Catalogue, Earl
Lu Gallery, Singapore; Findlay, Ian, ‗Chandrasekaran S. at Earl Lu Gallery‘, Asian Art News, vol.
13, no. 1, January/February 2003. ; Tang, Cleo., ‗Sex and Sensibility: Akasa, Drawing Exhibition
by Chandrasekaran‘ (review), in Vehicle: Contemporary Visual Arts, No.8, 2002, p.6-7.
Chen Chai Hiang: Ho Tzu Nyen, ‗Chen Chai Hiang: The Time is Out of Joint‘, ArtAsiaPacific, no. 46,
2005.
Chen, Chong Swee : Koay, Susie. ―Chen Chong Swee: His art‖ in Chen Chong Swee: His thoughts, His art
[exhibition catalogue]. Singapore: National Museum, 1993, 18-25. Kwok, Kian Chow. ―Chen
Chong Swee: His thoughts‖ in Chen Chong Swee: His thoughts, His art [exhibition catalogue].
Singapore: National Museum, 1993, 8-17.
Chen Georgette: Georgette Chen/Sheares,C.ed, Singapore, National Museum and Art Gallery, 1985;
Georgette Chen, Singapore, Singapore Art Museum, 1997 [review: Tan Meng Kiat, Janis, Art
AsiaPacific, no.17, 1998].
Chen, Peter: Yang Choky weng, ‗Shooting the city‘, Asian Art News, vol.7, no.4, July/August 1997.
Chen, Wen Hsi: Convergences: Chen Wen Hsi centennial exhibition [汇流:陈文希百年诞辰纪念展] volume
1. Singapore: Singapore Art Museum, 2006. Master of tradition & revolution: the artist and teacher Chen
Wen Hsi [Catalogue]. Singapore: Nanyang Academy of Fine Arts, 2006. Paintings by Mr Chen Wen
Hsi [catalogue] Singapore: The China Society, 1949. Kwok, Kian Chow. ―A dialogue with
tradition Chen Wen Hsi‘s art of the ‘80s‖, in Architecture Journal , (School of Architecture, National
University of Singapore), 1992. Pitt, Kuan Wah. Transcript (Interview with Chen Wen Hsi) [1983]
in Convergences: Chen Wen Hsi, Centennial Exhibition, trans. Ng Kum Hoon. Singapore: Singapore
Art Museum, 2006.
Cheo Chai Hiang: Cheo Chai-Hiang: The Thirty-Six Strategies [exhibition catalogue]. Sydney: Casula
Powerhouse Arts Centre, 2000. Cheo Chai-Hiang Thoughts and Processes: (Rethinking the Singapore
River), eds. T.K. Sabapathy and Cecily Briggs. Singapore: Nanyang Academy of Fine Arts and
Singapore Art Museum, 2000. Cheo, Chai-Hiang. ―Written for the occasion of 8th modern art
exhibition [1973]‖ trans. Cheo Chai-Hiang in Cheo Chai-Hiang Thoughts and Processes: (Rethinking the
Singapore River), ed. T.K. Sabapathy and Cecily Briggs. Singapore: Nanyang Academy of Fine Arts
and Singapore Art Museum, 2000. [First published in Sin Chew Jit Poh,, Jan 3, 1973]Chng, Seok
Tin. “特殊的礼物” [A special present] [1992] in 艺穂小拾. Singapore: 智力出版社, 1996,
52-53 [Originally published in LianHe ZhaoBao, Jan. 2 1992] Ho, Ho Ying. “寻求新意象的蒋才
雄” [Cheo Chai-Hiang and his search for Xin Yi Xiang] in 美术论记衡 [Writings in Art].
Singapore: National Arts Council and Singapore Heritage Board and Lee Foundation, 1999. Lee,
Tong Soon. ―Interview with Cheo Chai-Hiang‖, Transcript (unpublished), Oral History Centre
Archives [Online], 1997. Extrapolis: Contemporary text-based art from Singapore [catalogue]. Singapore:
Nanyang Academy of Fine Arts, 2005. Laughing Matter [catalogue]. Singapore: Nanyang Academy
of Fine Arts, 2008
Cheong, Soo Pieng: Cheong Soo Pieng Retrospective [exhibition catalogue], Singapore: National Museum Art
Gallery, 11-27 November 1983. Loke, Wan Tho, Dato. ―Foreword‖ in Cheong Soo Pieng
[exhibition catalogue]. Singapore: Victoria Memorial Hall, 1963. Sullivan, Frank. ―The
transitions of Soo Pieng as man and artist‖, Cheong Soo Pieng [exhibition catalogue], Singapore:
Victoria Memorial Hall, 1963. Sullivan, Michael. ―Foreword‖, Cheong Soo Pieng [exhibition
catalogue], undated. (Paintings dated from 1960-1961)
Chew Kim Liong: Jay, Sian. E., ‗Balancing act‘, Asian Art News, vol.10, no.4, 2000
Chia Wai Hon: Sabapathy, T.K., ed. Cia Wai Hon, Bits and Pieces: Writings on Art, Singapore:
Contemporary Asian Arts Center, 2002. Fan, Joyce. ―Interview with Chia Wai Hon‖, Transcript
(unpublished), Singapore: Oral History Centre Archives [Online], 1994.
Christine Monceau: Ho, Tzu Nyen., ‗Recent Work: Installation by Christine Monceau‘ (review), in Vehicle:
Contemporary Visual Arts, No.5, 2002, p.32-37; Ching, Isabel., ‗Street Scenes Revisited: Solo
Exhibition by Chua Ek Kay‘ (review), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.24-26.

Chua Ek Kay: Findlay Ian, ‗Confident transformations‘, Asian Art News, vol.12, no.3, 2002. ; Lee,
Joanna, ‗Chua Ek Kay. A Contemporary Ink Painter‘, in C Arts. Asian Contemporary Art and
Culture, vol. 00, November/December, 2007, pp. 104 – 106.
Erzan Adam: Noordin, Shirlene., ‗Vivid!: Solo Exhibition by Erzan Adam‘ (review), in Vehicle:
Contemporary Visual Arts, No.6, 2002, p.54-55.
Foo Yong Song: Findlay, Ian, ‗East-West fusion‘, Asian Art News, vol.12, no.2, 2002
Francis Ng: Ye, Shufang., ‗To Locate the Transitory Nature of Public Art: An Interview with Francis
Ng‘, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.44-47.
208
Heng, Amanda: King, Natalie, ―Not just another woman; Don‘t pigeonhole artist Amanda Heng, who
strives to create artwork that lives and breathes‖, Today, June 21, 2006., Sinclair Timothy Ang,
―Being Human: An interview with Amanda Heng (March 12 2001- Telok Kurau Art Studio)‖, in
Open Ends. Singapore: The Substation and Lee Foundation, 2001-ongoing, unpaginated.
‗Singaporean artist Amanda Heng‘, Art & Asia Pacific, vol.3, no.2, 1996; Kuroda, Raiji, ed., The
First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and
Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art Show]: Document of Art
Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999.
Hong Zhu‘an: Sian, Jay E., ‗Drawing from simplicity in tradition‘, Asian Art News, vol.10, no.6, 2000
Huang Paofang: Huang Pao-fang Singapore, National Museum and Art Gallery, February, 1987.
Huang Yao: Lim, Cheng Tju., ‗Huang Yao Retrospective‘ (review), in Vehicle: Contemporary Visual Arts,
No.3, 2001, p.32-35.
Ian Woo: Goh, Tamares, ‗The Error Hope Drawings: Solo Exhibition by Ian Woo‘ (review), in Vehicle:
Contemporary Visual Arts, No.9, 2003, p.16-19.; Lim, Kok Boon., ‗Recent Paintings by Ian Woo‘
(review), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.12-13.
Iskandar Jalil: Ching, Isabel., ‗The Potter‘s Way: Potter‘s Life, Potter‘s Thoughts by Iskandar Jalil‘, in
Vehicle: Contemporary Visual Arts, No.2, 2001, p.36-39.
Jay Koh: Kester, Grant, ‗The art of listening (and of being heard): Jay Koh‘s discursive networks‘, Third
Text, no.47 Summer 1999.
Kheng-Li Wee: Ching Isabel., ‗Landscape of Loss: New Finds- AGA Galleries Festival 2002, View of a
City, Solo Exhibition Kheng-Li Wee‘, in Vehicle: Contemporary Visual Arts, No.7, 2002, p.18-23.
Khiew Huey Chian: ‗Spot Light: Khiew Huey Chian‘, in Vehicle: Contemporary Visual Arts, No.10, 2003,
p.12-13.
Kok Boon: ‗Spot Light: Lim Kok Boon‘, in Vehicle: Contemporary Visual Arts, No.5, 2002, p.16.
Lam, Dana: Ho Tzu Nyen, ‗Dana Lam: Let‘s Chat - After Amanda Heng‘, (exhibition review),
ArtAsiaPacific, no. 49, 2006.
Lam, Kai: Lam, Kai. ―Observations on artist collectives work in Singapore (1999-2007)‖, Future of
Imagination 4 [catalogue] Singapore, 2007, 20-23.
Leo Ong Hong Chuan: ‗Spot Light: Leo Ong Hong Chua‘, in Vehicle: Contemporary Visual Arts, No.8, 2002,
p.18-19.
Lim Boon Keng: Lim Boon Keng, A life to remember – a select annotated biography [1869-1957]. Singapore: National
Library Board, 2007
Lim, Cheng Hoe: Lim Cheng Hoe Retrospective 1986 [exhibition catalogue]. Singapore: Ministry of
Community Development and the National Museum Singapore, 1986
Lim Shing Ee: ‗Spot Light: Lim Shing Ee‘, in Vehicle: Contemporary Visual Arts, No.6, 2002, p.10-11. ; Lim,
Shing Ee and Titus Long., ‗Room 61: Solo Exhibition by Lim Shing Ee‘ (review), in Vehicle:
Contemporary Visual Arts, No.8, 2002, p.20-25.
Lim Tzay Chuen: Lee Weng Choy, ‗Lim Tzay Chuen‘ in Art Asia Pacific, Issue 37 (2003), p. 64. ; Ho Tzu
Nyen, ‗The Ridiculous and the Sublime: Lim Tzay Chuen‘, ArtAsiaPacific, no. 45, 2005.
Lingham, Susie: Suzann Victor and Susie Lingham, an equation of vulnerability: a certain ‗thereness,‘ being.
Exhibition Catalogue, Singapore: Contemporary Asian Arts Centre, 2002
Liu Kang: Chua, Ferreolus., ‗Ma Vie en Rose á Paris‘, in Vehicle: Contemporary Visual Arts, No.7, 2002, p.28-35.,
Chen, Min Wan. ―Interview with Liu Kang‖, Transcript (unpublished), Singapore: Oral History

209
Centre Archives [Online], 1982. [Mandarin Source] Chia, Wai Hon. ―Liu Kang at 87‖ [1997] in
Bits and Pieces Bits and Pieces. Singapore: Contemporary Asian Arts Centre, 2002, 186-200. Gu Sen.
―Reflections On the paintings of Master Liu Kang‖, Journeys: Liu Kang and His Art [exhibition
catalogue], trans. Goh Beng Choo. Singapore: National Arts Council and Singapore Art Museum,
2000, 22-35. Kwok, Kian Chow, ―Liu Kang and Singapore Art‖ in Journeys: Liu Kang and His Art
[exhibition catalogue] trans. Goh Beng Choo. Singapore: National Arts Council and Singapore
Art Museum, 2000, 12-21., Liu, Kang. Chop Suey, 1 st ed. Singapore: Global Arts & Craft Singapore,
[1946 (limited prints)], 1991., Lim, Siang Hiong. 拓碧先锋 - 刘抗 [Tuobi XianFeng – Liu Kang].
Singapore: Chuang Xin Ji Jin [创新基金], 2000., Zhai, Mo. ―A Pillar In the Southern Sky: The
Position of Liu Kang in Modern Art History‖ in Journeys: Liu Kang and His Art [exhibition
catalogue], trans. Goh Beng Choo. Singapore: National Arts Council and Singapore Art Museum,
2000, 36-46.
Marie-France Dumolié: Ching, Isabel., ‗A Garden‘s Dream: the Elementary Garden, An Installation by
Marie-France Dumolié‘, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.52-54.
Matthew Ngui: Long, Titus., ‗This One Is a Pipe Indeed: An Exhibition by Matthew Ngui‘ (review), in
Vehicle: Contemporary Visual Arts, No.8, 2002, p.30-33.
Milenko Prvacki: Ho, Tzo Nyen., ‗Construction Site: Recent Works by Milenko Prvacki‘ (review), in
Vehicle: Contemporary Visual Arts, No.7, 2002, p.50-51.
Ngui, Matthew: Fairley, Gina, ‗Point of View. Matthew Ngui‘, in ArtAsiaPacific, No. 56, Nov/Dec, 2007,
p. 124 - 125.
Oh Chai Hoo: Farnay, Rachel. ‗Moments of Clarity.‘ Asian Art News 8:6 Nov/Dec 1998. ; Watson,
Robert C., ‗From Calligraphy to Landscape‘, Asian Art News, vol. 16, no. 6, Nov-Dec 2006.
Ong, Donna: Singh, Rajinder. Transcript of Interview with Donna Ong
http://sightoracle.blogspot.com/2006/04/interview-with-artist-donna-ong.html
(accessed on June 20, 2008).
Ong, Jimmy: Findlay, Ian ‗An Intimate World‘ Asian Art News, vol.7, no.5, Sep/Oct 1997.
Pang, December;Wee Kheng-li; Nei, Meley Law Mei; Wong, Steven; Chua Koon Beng: Findlay, Ian ‗New Finds‘,
Asian Art News, vol.12, no.3, 2002
Patel, Ketna: Findlay, Ian, ‗A Decade of Transitions‘, in Asian Art News, v. 17(5), September/October,
2007, pp. 92 - 97.
Patrick Beaulieu: ‗La Patrie- Singapore, Installation by Patrick Beaulieu‘, in Vehicle: Contemporary Visual
Arts, No.3, 2001, p.52-53.
Prvacki, Delia: Monroe, Ben. ‗Starting Over: Delia Prvacki.‘ Asia-Pacific Sulpture News 2:3 Summer 1996.
Prvacki, Milenko: Fairly, Gina, ‗Constructed Vocabularies‘, Asian Art News, vol. 16, no. 4, 2006.
Quek Kiat Sing: Quek Kiat Sing, et al., Moonscape Drawings: First Solo Exhibition by Quek Kiat Sing,
Catalogue (ISBN 981-04-5863-0); Tang, Ling Nah., ‗Moodscape Drawing: First Solo by Quek
Kiat Sing‘ (review), in Vehicle: Contemporary Visual Arts, No.5, 2002, p.6-9.
Saraswati Gramich: Loke, Serena., ‗Shift, Flex, Listen, Feel: Solo Exhibition by Saraswati Gramich‘
(review), in Vehicle: Contemporary Visual Arts, No.2, 2001, p.28-29.
Simryn Gill: Carruthers, Ashley., ‗Simryn Gill‘, in FOCAS: Forum on Contemporary Art & Society, No. 4,
June 2002, p.242-255.
Suki Chan: Long, Titus., ‗GRIPEVine: A Midsummer‘s Daydream Artist in Residence- Suki Chan‘
(review), in Vehicle: Contemporary Visual Arts, No.7, 2002, p.26.
Tan Kwank Liang: Asian Art News, 2, no.5, Sep/Oct 1992.
Tan Margaret: ‗Spot Light: Margaret Tan‘, in Vehicle: Contemporary Visual Arts, No.9, 2003, p.20-21.
Tan Teng Kee: Tan Teng Kee: An Overview, 1958-2000, Singapore: Sculpture Square Limited, 2000.; Wee, C.
J. W. L., ‗Tan Teng Kee: Beyond Parisian-Inflected Modernism to Contemporary Art?‘, in Vehicle:
Contemporary Visual Arts, No.5, 2002, p.48-49.
Tan Teo Kwang: Findlay, Ian, ‗Accidental executions‘, Asian Art News, vol.9, no.5, 1999
Tan, Victor: Farnay, Rachel. ‗Beyond Sight: Victor Tan.‘ World Sculpture News 3:1 Winter 1997.

210
Tang Dawu: Davis, Lucy, ‗Of commodities and kings‘, Art AsiaPacific, 25, 2000 Kuroda, Raiji, ed., The
First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999. Cheo, Chai-
Hiang. “唐大雾的艺术手法” [Tang Da Wu‘s art and methods], Singapore: (Source lost on
copy supplied by author), 1977. Chng, Seok Tin. “木薯情节” [A Tapioca Festival] [1995] in
艺穂小拾 (Singapore: 智力出版社, 1996), 106-107 [Originally published in LianHe ZhaoBao,
Oct. 23 1995]. Lee, Wen. ―Interview with Tang Da Wu‖ (Transcript), in The Future of Imagination 3
[catalogue]. Singapore Art Museum & The Substation, 2006, 12-19. Low, John. ―Performance Art
Project,‖ (Interview with Tang Da Wu on March 24 2001) Open Ends. Singapore: The Substation
and Lee Foundation, 2001-ongoing, unpaginated. Masahiro, Ushiroshoji. ―Fast moving Asian
contemporary art ‗Tang Da Wu and his works‘‖ [Interview of Tang Da Wu] (1999).
http://www.asianmonth.com/prize/english/lecture/pdf/10_05.pdf
(accessed Jan. 15, 2009). Sabapathy, T.K. ―Tang Da Wu‖ (Transcript) in Sculpture in Singapore
[catalogue], (Singapore: National Museum Art Gallery, 1991), 53-57.
Teo, Eng Seng: :Low, John. ―(Non)Visible Bodies/Spaces‖ (Interview between John Low and Teo Eng
Seng on 1 April 2001), Open Ends. Singapore: The Substation and Lee Foundation, 2001-ongoing,
unpaginated. Sabapathy, T.K. ―Teo Eng Seng‖ (Transcript) in Sculpture in Singapore [catalogue].
Singapore: National Museum Art Gallery, 1991.
The Artists Village: The Artists Village: 20 Years on [brochure catalogue]. Singapore: Singapore Art
Museum, 2008., A Brief Chronology of the Artists Village: Documentation by Koh Nguang How
[downloadable pdf] Published on SAM website in conjunction with the The Artists Village
exhibition. (accessed on Sept 1, 2008.)Lee, Joanna. ―The Artists Village: Alterity examined‖, Long
essay Masters of Arts, University of Sydney, 1997. [2009 ARTISTS VILLAGE CATALOGUE
WITH IMPORTANT ARTICLES – TO BE UPDATED WHEN PUBLISHED]
Victor, Suzann: Suzann Victor and Susie Lingham, an equation of vulnerability: a certain ‗thereness,‘ being.
Exhibition Catalogue, Singapore: Contemporary Asian Arts Centre, 2002. ; Chiu, Melissa,
‗Disembodied Aesthetic: Suzanne Victor‘s corporeal spaces‘, Art AsiaPacific, no.17, 1998;
Huangfu, Binghui, ‗Suzann Victor‘ in Art Asia Pacific, Issue 37 (2003), p. 58
Wilkie Tan: Chen, Long Long and Ferreolus Chua, ‗Wil-kie‘s Believe It or Not Visitation, Solo
Exhibition by Wil-Kie Tan‘ (review), in Vehicle: Contemporary Visual Arts, No.8, 2002, p.46-47.
Wong Keen: Findlay, Ian, ‗A personal landscape‘, Asian Art News, vol.7, no.4, July/August 1997.
Wong, Russel: Zhang Wubin, ‗The Making of a Photographer‘, Asian Art News, vol. 15, no. 2, 2005.
Wong, Susie: ‘In search of self‘ Asian Art News, vol.9, no.5, 1999
Yang Manki: Chua, Ferreolus., ‗Misty Air: An Interview with Yang Man-Ki‘, in Vehicle: Contemporary
Visual Arts, No.9, 2003, p.22-25.
Yvonne Lam: ‗Spot Light: Yvonne Lam‘, in Vehicle: Contemporary Visual Arts, No.7, 2002, p.12-13.
Zhuang Shengtao: Findlay, Ian, ‗Songs from nature‘ Asian Art News, vol.5, no.6, Nov/Dec 1995.
1990s-2000+
‗History through prints‘ review, Art AsiaPacific 28, 2001
‗From Strength to Strength‘ (review of 2006 Singapore Art Fair), Asian Art News, vol. 16, no. 5, 2006.
‗Setting a New Pace‘ (review of 2005 ARTSingapore), Asian Art News, vol. 15, no. 5, 2005.
‗Spirit of Change‘ [2 nd Arts Singapore fair] Asian Art News, vol.11, no.5, 2001
‗Transmedia Cockroach: The Arts & the Singapore Press‘, Forum Transcription, Focas (Forum on
Contemporary Art & Society), no.1, January 2001
Binghui, Huangfu. (ed), ‗Site + Sight: Translating Cultures‘, in Translating Cultures: Site+Sight, Essays on
Globalisation and Contemporary Visual Art, Singapore: Earl Lu Gallery & LASALLE-SIA College of
the Arts, 2003, p.10-17.
Britton, Stephanie, ‗New Models for Survival‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Cheo, Chai-Hiang, ‗‖Current Issues‖ in Singapore Art‘, Artlink, Vol. 13, No.3&4, November-March
1993/94

211
Ching, Isabel, ‗A Diary of Worms Festival 3: Featuring Artists from Both Local and the Region‘
(review), in Vehicle: Contemporary Visual Arts, No.5, 2002, p.38-47.
Chou, Kwok Kian., ‗Spaces and Places: Art in Transit- North East Line MRT- Singapore‘, in Vehicle:
Contemporary Visual Arts, No.10, 2003, p.20-25.
Chua, Ferreolus, ‗Fable of the Pelican: Exhibition by Sia Joo Hiang and Willy Tay‘ (review), in Vehicle:
Contemporary Visual Arts, No.8, 2002, p.48-51.
Chua, Ferreolus, ‗Travelogue: the Winston Oh Travel Award Drawing Exhibition‘ (review), in Vehicle:
Contemporary Visual Arts, No.9, 2003, p.12-15.
Chua, Ferreolus, ‗Utterly Collectable: Meet Art Collector, Pwee Keng Hock‘, in Vehicle: Contemporary
Visual Arts, No.7, 2002, p.14-17.
Chua, Kevin, ‗In Venetian Water: Singapore at the 49th Venice Biennale‘, in FOCAS: Forum on
Contemporary Art & Society, No. 3, January 2002, p.273-287.
Cloé L and Ferreolus Chua, ‗ARTSingapore: The Contemporary Asian Art Fair‘, in Vehicle: Contemporary
Visual Arts, No.8, 2002, p.56-57.
Conland, Natasha, ‗Ahoy Land! Curating on the Shoreline‘, Broadsheet, vol. 35, no. 2, 2006.
Davis, Lucy, ‗State of Censorship: Singapore Post-CRC 3‘, in FOCAS: Forum on Contemporary Art &
Society, No. 5, January 2003, p.295-309.
Davis, Lucy, ‗Got Cyber: Nokia Singapore Art 2001‘, ART AsiaPacific, Issue 36 (2002)
Datuin, Flaudette May V., ‗text and Subtext‘, Art AsiaPacific 29, 2001
Fairley, Gina, ‗Letter from Singapore‘, Art Monthly Australia, no. 185, November 2005.
Fan, Laura, ‗Bidding for change‘, Asian Art News, vol.7, no.1, Jan/Feb 1997.
Farnay, Rachel. ‗In Search of New Messages.‘ World Sculpture News 4:4 Autumn 1998.
Fenner, Felicity, ‗Finding a place for art‘, Art AsiaPacific, 26, 2000
Findlay, Ian, ‗Accidental Executions.‘ Asian Art News, 9:5 September/October 1999 [Tan Teo Kwang].
Findlay, Ian, ‗Coming into its own‘ [Singapore art fair], Asian Art News, vol.10, no.5, 2000
Findlay, Ian, ‗New Voices‘, Singapore Art Gallery Associations Exhibitions Review, Asian Art News,
vol. 12, no. 3, May/June, 2002
Gumpert, Lynn, ‗Report from Singapore: a Global City for the Arts?‘ Art In America, Dec 1997.
Hantower, Jeffrey, ‗Towards a Center‘ [new museum], Asian Art News, vol.6, no.2, Mar/Apr 1996.
He, Ziyan, ‗I/Eye Is Another: A Review of the Nokia Arts Awards Through an Interview with Ho Tzu
Nyen; An Investigation into Abstraction, Language and Simulation‘, in Vehicle: Contemporary
Visual Arts, No.5, 2002, p.50-57.
Herbert, Rita, ‗Feast or Famine? Report on the Central St Martins College of Art and Design
Graduation Show‘, in Vehicle: Contemporary Visual Arts, No.7, 2002, p.6-7.
Ho, Ho Ying., ―Why do we need to be innovative?‖ [1971] in Re-connecting: Selected writings on Singapore art
and art criticism, trans. Cheo Chai-Hiang, eds. T.K. Sabapathy and Cheo Chai-Hiang. Singapore:
Institute of Contemporary Arts Singapore, 2005, 45-6., [Chinese source]
― ? 新创要们我么什为 ‖ in 美术论记衡 [Writings of Art]. Singapore: National Arts Council and
Singapore Heritage Board and Lee Foundation, 1999, 42-43.
Hwee, Michael Lee Hong., ‗Grouses Overheard: or the Wish for a Sculpture Garden in Singapore‘, in
Vehicle: Contemporary Visual Arts, No.10, 2003, p.22-24.
Jay, Sian, E, ‗Gallery Round Up‘, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.55-59.
Jay, Sian E., ‗In Search of Self.‘, Asian Art News, 9:5 Sept/Oct 1999 [Sisie Wong].
Jay, Sian E, ‗Fit for a feast‘ [food and art], Asian Art News, vol.10, no.3, 2000
Jay, Sian E., ‗A dynamic vision takes place‘, Asian Art News, vol.10, no.6, 2000
Jay, Sian E., ‗A print institute for Southeast Asia‘ [Tyler Studio], Asian Art News, vol.10, no.6, 2000
Jay, Sian E., ‗Schooling artists‘, Asian Art News, vol.9, no.5, 1999
Jay, Sian E., ‗Sharing visions‘ [computer art at LaSalle-SIA], Asian Art News, vol.11, no.1, 2001
Jay, Sian E., ‗Taking center stage‘, Asian Art News, vol.9, no.5, 1999
Kim Dy-Liacco., ‗Love Me Upside Down: Jeremy Ramsey Gets Tongue-in-Check for His Upcoming
Exhibition ―Uncut Edges‖‘ (review), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.54-55.

212
Koh, Jay and Yuan, Chu Chu, ‗Encounters in Engagement: Investigating Public Engaged Art in
Singapore, Focas (Forum on Contemporary Art & Society), no.3, January 2002
Kwok, Kian Chow., ―Images of the South Seas: Bali as a Visual Source in Singapore Art‖ in From Ritual
to Romance: Paintings inspired by Bali [exhibition catalogue]. Singapore: Singapore Art Museum and
Neka Museum, 1994, 39-43.
Langenbach, Ray, ‗4X4 – Episodes of Singapore Art‘ (review), ArtAsiaPacific, no. 48, 2006.
Langenbach, Ray., ‗Theatre of Peril‘, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.53-55.
Lee Weng Choy, ‗Barely Alive: Funding for Independent Art in Singapore‘, ArtAsiaPacific, no. 47, 2006
Lee Weng choy, ‗Art and Nation‘, Art AsiaPacific 28, 2001
Leng, Daniel Kok Yik., ‗A Mix-Bag of Dance Idea: Asia-Europe Dance Forum‘ (review), in Vehicle:
Contemporary Visual Arts, No.5, 2002, p.10-15.
Lenzi, Lola., ‗Site + Sight: Translating Cultures‘, in Vehicle: Contemporary Visual Arts, No.7, 2002, p.36-43.
Lenzi, Lola., ‗Suzann Victor and Susie Lingham‘s an Equation of Vulnerability, a Certain Thereness,
Being‘, in Vehicle: Contemporary Visual Arts, No.8, 2002, p.42-45.
Lim, Kok Boon., ‗Drawing Matters: Group Exhibition by Members of Plastique Kinetic Worms‘, in
Vehicle: Contemporary Visual Arts, No.3, 2001, p.44-45.
Lim, Kok Boon., ‗Simply Sculpture: Biennial Sculpture Symposium 2003‘ in Vehicle: Contemporary Visual
Arts, No.9, 2003, p.50-53.
Lim, Shing Ee, Weikie Tan, Raymond Lee and Steve Black, ‗Worms Festival IV: Multi-disciplinary
Event Featuring Local and Regional Artists‘, in Vehicle: Contemporary Visual Arts, No.8, 2002,
p.34-41.
Lingham, Susie ‗Art Interpreting Heritage (Of effacements, pilgrimages, exhumations & effigies)‘, Focas
(Forum on Contemporary Art & Society), no.1, January 2001
Long Thien-Shih., ―Nanyang style and the French Influence‖ in Pont des Arts: Nanyang Artists in France
1925-1970 [exhibition catalogue]. Singapore: Singapore Art Museum, 24 Feb-13 March 1994.
Low, John., ‗10:10 Cultural Exchange and the Voices of Silence: Group Exhibition by Buffer Kit and
Loose Tooth‘, in Vehicle: Contemporary Visual Arts, No.9, 2003, p.36-39.
Maerkle, Andrew, ‗Singapore Tyler Print Institute: Experimental Retreat‘, ArtAsiaPacific, no. 51, 2007.
Mashadi, Ahmad., ―‗Different Things‘: Trimurti and multicultural assertions‖ in Trimurti: And Ten Years
after, ed. T.K. Sabapathy. Singapore: Singapore Art Museum and National Heritage Board, 1998,
32-42.
Mashadi, Ahmad, ‗Art Abroad: InterNational Communication‘, Kuroda, Raiji, ed., The First Fukuoka
Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Mashadi, Ahmad, Report at The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar: ―Asian
Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999
Nadarajan, Gunalan., ―Not modern: Theses on Contemporary Art‖ in Contemporary Art in Singapore.
Singapore: Institute of Contemporary Arts Singapore and LaSalle-SIA College of the Arts, 2007,
19-23.
Peterson, William,. Theatre and the Politics of Culture in Contemporary Singapore. Middletown CT: Wesleyan
University Press, 2001.
Re-emplace: review, Art AsiaPacific, 26, 2000
Reaney, Colin, and Karee Dahl., ‗Dreams and Conflicts: The Dictatorship of the Viewer: La Biennale di
Venezia 50th International Art Exhibition: An Insight to Colin Reaney‘s and Karee Dahl‘s Visit
to the 50th Venice Biennale‘, in Vehicle: Contemporary Visual Arts, No.10, 2003, p.38-41.
Sabapathy , T.K., Past, Present, Beyond: Re-nascence of an Art Collection ed. Singapore: NUS Museum, 2002
Sabapathy , T.K., ed., Trimurti: And Ten Years after, Singapore: Singapore Art Museum and National
Heritage Board, 1998
Sabapathy, T.K., ―Contemporary Art in Singapore: An introduction‖ in Tradition and Change: contemporary
art of Asia and the Pacific, ed. C. Turner. Queensland: University of Queensland Press, 1993, 83-92.
Sabapathy, T.K.,Significant content and symbolic value: 7 Singapore artists for Fukuoka‖ Architecture
Journal (School of Architecture, National University of Singapore), (1989): 17-26.

213
Schoppert, Peter. ―More trouble than it is worth: What can we expect from public art in Singapore?‖ in
Eye of the Beholder: Reception, audience, and practice of modern Asian art, eds. John Clark, Maurizio
Peleggi and T.K. Sabapathy. Sydney: Wild Peony, 2006, 150-169.
Schoppert, Peter, ‗Imagining & Instructing the Public in Singapore Public Art‘, from
http://www.ari.nus.edu.sg/conf2004/asianart.htm
Schoppert, Peter., ‗Kitsch and Singapore Public Art‘, in FOCAS: Forum on Contemporary Art & Society,
No. 3, January 2002, p.90-117.
Sculpture in Singapore [catalogue], Singapore: National Museum Art Gallery, 1991
Singapore 2004 – Seni, Art & The Contemporary (Catalog), Singapore, 2004
Storer, Russell. ―Making Space: Historical contexts of Contemporary art in Singapore‖ in Contemporary
Art in Singapore, Singapore: Institute of Contemporary Arts Singapore and LaSalle-SIA College of
the Arts, 2007, 9-18.
Storer, Russel, Artists-run Initiatives and Alternative Spaces in Sydney and Singapore, unpublished Master of
Arts long essay, University of Sydney, 2004.
Tan, Eugene, ‗Aperto Singapore‘, in Flash Art, vol. xl, no. 255, July – September, 2007, 86 – 88.
Tan, Margaret., ‗No Apologies: 10th RMIT University Bachelor of Arts (Fine Art) Graduation Show‘,
in Vehicle: Contemporary Visual Arts, No.10, 2003, p.6-7.
Teo, Joyce., ‗ASEAN Art Awards 2002: Awards Presentation‘, in Vehicle: Contemporary Visual Arts, No.6,
2002, p.22-31.
The Substation. Art Vs Art Conference, 1993 (proceedings). ed. Lee Weng Choy. Singapore: The
Substation, 1995.
The Substation. Spaces, Spaces, Spacing Conference 1995 (proceedings). ed. Lee Weng Choy. Singapore: The
Substation, 1996.
Thompson, Jonathan, ‗A Willingness to Engage‘, Asian Art News, vol. 16, no. 6, Nov-Dec 2006, (review
of First Singapore Biennale).
Wahyuni, Hadi., ―Rapport‖, Art Asia Pacific, no. 13, 1997, 40-41.
Wee, Jason., ‗Three on Sexuality‘ (Michael Lee, Joel Seah and Dinesh Naidu), in Vehicle: Contemporary
Visual Arts, No.10, 2003, p.34-37.
Wee, Jason., ‗Trikho: Exhibition by Margaret Tan and Lynn Lu‘ (review), in Vehicle: Contemporary Visual
Arts, No.9, 2003, p.6-11.
Yao, Souchou, ‗Oral Sex, ‗Natural Sex‘ and Other Pleasures of the State‘ in Broadsheet, Vol. 33, No. 3
(September- November 2004), pp. 32-39
Yap, June, ‗The Substation In Contemporary Singapore. An Interview with Audrey Wong and Ho Tzu
Nyen‘, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 88 – 90.
Yap, Serene., ‗Nanyang Academy of Fine Art, 61st Diploma Show‘ (review), in Vehicle: Contemporary
Visual Arts, No.3, 2001, p.46-47.
Ye, Shufang, ‗Blindspot: Infringe the Obvious‘ (review), in Vehicle: Contemporary Visual Arts, No.8, 2002,
p.52-55.
Works on History and Culture in Malaysia and Singapore
Abdullah, Firdau Haji, Radical Malay Politics: Its origins and Early Development, Petaling Jaya, Pelanduk
Publications, 1985.
Andaya, B.W. & L.Y., A History of Malaysia, London, Macmillan, 1982.
Bedlington, Stanley S. Malaysia and Singapore: The building of new states. London: Cornell University
Press, 1978.
Beng, Tan Sooi, Bangsawan: A Social and Stylistic History of Popular Malay Opera, Kuala Lumpur, Oxford
University Press, 1993.
Chang, T. C. “Renaissance Revisited: Singapore as a „Global City for the Arts‟” in International
Journal of Urban and Regional Research 24, no. 4 (Dec 2000): 818-831.
Goh, Daniel. ―Interpreting National Language Class‖, In S/pores 1, no. 1 (July 2007): unpaginated,
http://spores.wordpress.com/2007/04/09/interpreting-national-language-class/ (accessed Nov.
10, 2008).

214
Harper, T.N. The end of empire and the making of Malaya. Cambridge: Cambridge University Press, 1999.
Kua Kia Soong, May 13, Declassified Documents on the Malaysian Riots of 1969, Petaling Jaya, Suaram
Kommunikasi, 2007
Kwa, Chong Guan. ―Relating to the world: Images, metaphors and analogies‖ in Singapore in the new
millennium: Challenges facing the city-state, ed. Derek da Cunha. Singapore: Institute of Southeast
Asian studies, 2002, 108-132.
Kwok, Kian Woon and Low, Kee Hong,.―Cultural Policy and the City-State: Singapore and the ‗New
Asian Renaissance‘‖ in Global Cultures: Media, arts, policy and globalization eds. Diana Crane, Nobuko
Kawashima, Ken‘ichi Kawasaki. London: Routledge, 2002, 149-168.
Lim, Kit Siang, Malaysia: Crisis of Identity, Petaling Jaya, Democratic Action Party, 1986.
Manton, Neil, The Arts of Independence, Frank Sullivan in Singapore and Malaysia, Canberra, Published by the
author, 2008.
Mashadi, Ahmad, ‗De-Nationalizing Nanyang Modernity‘, in C Arts. Asian Contemporary Art and Culture,
vol. 02, March/April, 2008, pp. 92 – 95.
Milne, R.S. & Mauzy, D.K., Malaysia: Tradition, Modernity, and Islam.
Yao, Souchou, House of Glass: Culture, Modernity, and the State in Southeast Asia, Singapore: The Insitute of
Southeast Asian Studies, 2001
Tan, Tai Yong, Creating ―Greater Malaysia‖: Decolonization and the Politics of merger. Singapore: Institute of
Southeast Asian Studies, 2008.
Wee, C.J.W.-L. The Asian Modern: Culture, Capitalist Development, Singapore, Singapore: NUS Press, 2007.
Yao, Souchou, Singapore: The state and the culture of excess, London, Routledge, 2007.
Selected Exhibitions
2000+
Binghui, Huangfu. (ed), Translating Cultures: Site+Sight, Exhibition Catalogue, Singapore: Earl Lu Gallery
& LASALLE-SIA College of the Arts, 2003.
Binghui, Huangfu. (ed), In ε Out: Contemporary Chinese Art from China and Australia, Singapore: Earl Lu
Gallery & LASALLE-SIA College of the Arts, 1997.
Chloé, L., ‗Worms Festival: 3, Featuring Artists from Both Local and the Region‘ (Plastique Kinetic
Worms), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.48-50.
Chua, Ferreolus., ‗Stir: BA 9th Graduation Show‘ (Earl Lu Gallery), in Vehicle: Contemporary Visual Arts,
No.5, 2002, p.12-15.
Chua, Ferreolus., ‗The President‘s Young Talents Exhibition 2003‘ (Singapore Art Museum), in Vehicle:
Contemporary Visual Arts, No.9, 2003, p.40-49.
Chua, Ferreolus., ‗Safari: Group Exhibition by Yong Taisi and Wong Huiling‘ (Utterly Art Gallery), in
Vehicle: Contemporary Visual Arts, No.9, 2003, p.54-55.
Fenner, Felicity, ‗Science Fictions, Singapore Arts Festival‘ (Review) in Art Asia Pacific, No. 39 (Winter
2004), p. 79
Goh, Sylvia., ‗Hé (Harmony)‘ (review of Yen Chua and Wang Qing), in Vehicle: Contemporary Visual Arts,
No.2, 2001, p.23.
Gunalan, Nadarajan., ‗180 KG: A Travelling Exhibition by Singapore Artists‘ (Cemeti Art House,
Yogyakarta, Indonesia), in Vehicle: Contemporary Visual Arts, No.7, 2002, p.44-49.
He, Ziyan., ‗Oi! Oi! 1,2,3…Everybody Let‘s Say En-Tro-Py!: The Young Artists Exhibition 2002‘
(Plastique Kinetic Worms), in Vehicle: Contemporary Visual Arts, No.6, 2002, p.48-53.
Ho, Tzu Nyen., ‗Plura Plura Sakura: Young Artists Exhibition 2001‘ (Plastique Kinetic Worms), in
Vehicle: Contemporary Visual Arts, No.3, 2001, p.6-11.
Kwok, Kian Chow. ―Introduction‖ in Venice Biennale 2001 – Singapore [exhibition catalogue]. Singapore:
Singapore Art Museum and the National Heritage Board, 2001.
Lee, Wen. “FOI3: ideology:irony:imagination” in The Future of Imagination 3 [catalogue].
Singapore Art Museum & The Substation, 2006.

215
Leow, Vincent., and Lim Kok Boon, ‗Deriving Spaces: Nokia Singapore Art 2001‘ (curator‘s note,
Plastique Kinetic Worms), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.56-59.
Lim, Kok Boon., ‗Less Than Picture Perfect: Naked Perfection‘ (Singapore Art Museum), in Vehicle:
Contemporary Visual Arts, No.8, 2002, p.8-9.
MAAP in Singapore 2004 –Gravity (Catalogue)
Machan, Kim, ‗Gravity – Leap Into the Void‘ (Review) in Broadsheet, Vol. 33, No. 3 (September-
November 2004), pp. 14-16
Noordin, Shirlene., ‗Forty: An Exhibition by Angkatan Pelukis Aneka Daya‘ (ARTrium MITA
Building), in Vehicle: Contemporary Visual Arts, No.8, 2002, p.28-29.
Nyen, Ho Tzu, ‗Lee Wen: ―Strange Fruit‖‘ (Review) in Art Asia Pacific, No. 40 (Spring 2004), p. 81
Rawanchaikul, Toshiko. Nanyang 1950-65: Passage to Singaporean Art. Fukuoka: Fukuoka Asian Art
Museum, 2002.
Reaney, Colin., ‗Spending Time with Raffles: Getting to Know You, Raffles‘ (Exhibition by students
from Central St. Martins, Chelsea School of Art, Goldsmiths College and Royal College of Art),
in Vehicle: Contemporary Visual Arts, No.2, 2001, p.20-22.
See, Irwin., ‗Spending Time with Raffles: Getting to Know You, Raffles‘ (Exhibition by students from
Central St. Martins, Chelsea School of Art, Goldsmiths College and Royal College of Art), in
Vehicle: Contemporary Visual Arts, No.2, 2001, p.18-19.
Stone, Julian., ‗Space Invaders: Futuristic Incursions, Print Exhibition by 10 Regional Artists‘ (Utterly
Art Gallery), in Vehicle: Contemporary Visual Arts, No.6, 2002, p.40-43.
Tan, Wilkie., ‗CyberArts: Intersections of Art and Technology‘ (Nokia Art Singapore 2001, Curated by
Gunalan Nadarajan, Singapore Art Museum), in Vehicle: Contemporary Visual Arts, No.5, 2002,
p.18-25.
The, Patricia., ‗A Decade for Change‘ (Singapore Modern: Art in the 1970s, Singapore Art Museum), in
Asian Art News, Vol. 13, No. 3, May/June 2003, p.62-69.
Wong, Chee Meng., ‗Art on a Platter, Anyone? Performance, Installation and Group Exhibition by
Aleksandar Obradovic, Benjamin Puah, Colin Reaney, Jeremy Hiah, Josef Ng, Juliana Yasin,
Karee Dahl, Lam Hoi Lit, Lina Adam and Tang Da Wu‘ (review), in Vehicle: Contemporary Visual
Arts, No.2, 2001, p.34-35.
Xu Beihong in Nanyang [徐悲鸿在南洋] [exhibition catalogue]. Singapore: Singapore Art
Museum, 2008
Yeo, Ash Y. S., ‗Art Connects: Art Elective Programme Exhibition‘ (Lower & Upper Galleries,
Singapore Art Museum), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.14-16.
Yeo, Ash Y. S., ‗aseanARToday 2001 Singapore‘ (Earl Lu Gallery), in Vehicle: Contemporary Visual Arts,
No.3, 2001, p.28-31.
Yip, May., ‗Alpha 3.0: GPS Piece- A Web, Walkabout by tsunami.net, A New Media Exhibition Held at
the Earl Lu Gallery Organised and Funded by the National Arts Council‘ (Earl Lu Gallery), in
Vehicle: Contemporary Visual Arts, No.3, 2001, p.18-19.
PHILIPPINES
General History
Anderson, Benedict, Under Three Flags: Anarchism and the Anti-Colonial Imagination, London, Verso, 2005.
Holt, Elizabeth Mary, Colonizing Filipinas: Nineteenth-century representations of the Philippines in Western
Historiography, Quezon City, Ateneo de Manila Press, 2002
Mahajani, Usha, Philippine Nationalism: External Challenge and Filipino Response, 1565-1946, St. Lucia,
University of Queensland Press, 1971.
Perdon, Renato, Brown Americans in Asia, Sydney, Manila Prints, 1998.

216
Reyes, Raquel A.S., Love, Passion, and Patriotism: Sexuality and the Philippine Propaganda Movement, Singapore,
University of Singapore Press & Seattle, University of Washington Press, 2006
RIMA, Special issue on the Philippines including several articles on culture, and nationalism, RIMA,
vol.28, no.1, 1994.
Roces, Alfredo, Adios Patria Adorada: The Filipino as Illustrado, the Ilustrado as Flipino, Manila, De La Salle
University Press, 2006
Roces, Alfredo, editor-in-chief, Filipino heritage : the making of a nation, Manila: Lahing Pilipino Pub. ;
distributed by Felta Book Sales, 10 volumes, 1977-1978
Schumacher, John N., S.J., The Propaganda Movement, 1880-1895, Quezon City, Ateneo de Manila Press,
2002 [rev.ed.]
Scott, William Henry, Barangay: Sixteenth-Century Philippine Culture and Society, Manila, Ateneo de Manila
Press, 1994.
Scott, William Henry, Looking for the Prehispanic Filipino, Quezon City, New Day Publishers, 1992.
Scott, William Henry, Cracks in the Parchment Curtain, and other essays in Philippine History¸ Quezon City,
New Day Publishers, 1982
Individual Artists
Abad, Pacita ; Findlay, Ian, ‗Assailing the sense‘, Asian Art News, March/April 1994. ; Findlay, Ian, ‗In
the spirit of color‘, Asian Art News, vol.11, no.2, 2001. ; Findlay, Ian, ‗Poetry of the Moment‘ in
Asian Art News, Vol. 14, Number 5 (September/October 2004), pp. 48-52. ; Findlay-Brown, Ian,
‗Obituary: Pacita Abad‘, Asian Art News, vol. 15, no. 2, 2005.
Abueva, Napoleon V.: Pasricha, Josephine A., ‗Abueva: sustaining courage and grace: ―a sculptor is a
boxer and a matador in one‖ ‘, Archipelago, vol.5, 1978, 18-21
Aguinaldo, Leonardo: review, Asian Art News, vol. 15, no. 6, 2005.
Alavarado, Nunelucio: Guillermo, Alice G., ‗Sugar is bitter‘, Asian Art News, vol.10, no.4, 2000
Alcuaz, Federico Aguillar: Guillermo, Alice G., ‗An Informed Vitality‘, in Asian Art News, v. 17(5),
September/October, 2007, pp. 82 – 85.
Alcarazen, Juan; Pacquing, Bernardo: review, Art AsiaPacific, 30, 2001; review, Asian Art News, vol.11, no.3,
2001
Amorsolo, Fernando: Guillermo, Alice G., ‗A harvest of paintings‘, in AsianArtNews , Vol. 18, no. 6
Nov/Dec 2008, p. 83-85.
Amorsolo: Roces, A.R., Amorsolo , Manila, Filipinas Foundation, 1975. ; Retrospective forthcoming in 2008,
various sites
Ang Kiukok: review, Asian Art News, vol. 15, no. 3, 2005. ; various authors, Ang Kiukok, Taibei,
Banhuajia Hualang, 1981. ; Guillermo, Alice G., ‗The art of human concerns‘, Asian Art News,
vol.10, no.3, 2000
Antipas Delotavo: Guillermo, Alice G., ‗On the Crest of History‘ in Asian Art News, Vol. 14, Number 4
(July/August 2004), pp. 41-43
Antonio, Marcel: Guillermo, Alice G., ‗Dream Narratives‘, in Asian Art News, v. 18(2), March/April,
2008, pp. 72 – 75.
Aquilizan, Alfredo and Isabel: Fairley, Gina, ‗Project.Memory.Migration: Alfredo and Isabel Aquilizan‘,
Eyeline, no. 62, Summer 2006-7. ; Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale,
Fukuoka: Fukuoka Asian Art Museum, 1999. ; Jin, Matsuura and Masae, Kamachi, The 1 st
Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art Show]: Document of Art Exchange Programme,
Fukuoka: Fukuoka Asian Art Museum, 1999. ; Alfredo Juan & Maria Aquilizan, Mami, Kataoka,
ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center,
2002. ; Flores, Patrick D., ‗Afredeo Juan Aquilizan at Galleria Duemila‘, Asian Art News, vol. 12,
no. 5, September/October, 2002. ; Guillermo, Alice G., ‗An Odyssey of Objects‘, in World
Sculpture News, Vol. 9, No.3, Summer 2003, p.30-35.
Aquinaldo, Leonardo: Guillermo, Alice G., ‗Symbols Of Ethnicity‘, On Leonardo Aquinaldo, Asian Art
News, vol. 13, no. 1, January/February 2003

217
Arcega, Michael: Cha, Carina ‗Michael Arcega‘ (exhibition review), ArtAsiaPacific, no. 50, 2006.
Arceo, Juan: Pilar, Santiago, ‗The Solemn World of Juan Arceo‘, The Manila Arts and Antique Exhibition,
1982.
Arellano, Agnes: Rodriguez, Hilda Maria, ‗Agnes Arellano‘ in Art Asia Pacific, Issue 37 (2003), p. 79.
Asuncion, Mariano: Pilar, Santiago, ‗Mariano Asuncion: Dean of Native Painters‘, in Archipelago,
September 1979.
Austria, Tam P.: Duldano, M. D, Tam.P.Austria, Manila, The Artist, 1976.
Asuncion, Mariano: Pilar, Santiago, ‗Mariano Asuncion: Dean of Native Painters‘, in Archipelago,
September 1979.
Barredo, Gabriel: Guillermo, Alice, G., ‗The Archangel of Assemblage: Gabriel Barredo.‘ World Sculpture
News 5:3 Summer 1999
Benesa, Leonidas: Kalaw-Ledesma, P.,Ugat suri Leonidas Benesa Manila; ASEAN Institute of Art for
Intergallery Group, 1984.
Blanco: Guillermo,Alice,G., Blanco, Manila, Vera-Reyes,Inc., 1979.
Borlongan, Elmer: Flores Patrick, D., ‗A rite of passage‘, Asian Art News, vol.11, no.3, 2001; statement,
Asian Art News, vol.10, no.4, 2000; [with Esquillo, Coquilla, Sabado] Guillermo, Alice G., ‗The
thunder of new voices‘, Asian Art News, vol.10, no.2, 2000
Bose, Santiago: Batten, John, ‗Cultural conflicts‘ Asian Art News, vol. 7, no. 3, May/June 1997. ;
Guillermo, Alice, ‗Renewing historical memory‘, Asian Art News, vol.10, no.1, 2000
Brenda Fajardo: Guillermo, Alice, G., ‗High Priestess of Tarot.‘ Asian Art News 9:5 September/October
1999
Cabrera, Ben: ‗Cabrera: Modernist of the Philippine Past‘, Orientations, November, 1972. ; De Jesus,
Angel G., ‗Bencab: art of bruising the conscience‘, Archipelago, vol.5, 1978, p.14-17. ; Guillermo,
Alice G., ‗An Artist Of Changing Times‘, in Asian Art News, v. 17(3), May/June, 2007, pp. 67 –
71.
Cajipe-Endaya, Imelda: Guillermo, Alice G., ‗An enlightened perspective‘, Asian Art News, vol.10, no.1,
2000; review, Asian Art News, vol.10, no.3, 2000
Cañete, Reuben Ramas: Sotto, Jack, ‗Into the new century‘, Asian Art News, vol.10, no.3, 2000
Castrillo, Eduardo: Javelosa, Jeannie E., ‗In Search of Form‘, World Sculpture News, vol. 12, no. 1, 2006. ;
Roces, Alfredo, Breaking out and Eduardo Castrillo, Manila, Inyan Publisher, 1995
Ciani, Lina: review, Asian Art News, vol.10, no.3, 2000
Co, Charlie: Flores, Patrick., ‗Charlie Co at Galleria Duemila‘, in Asian Art News, Vol. 13, No. 3,
May/June 2003, p.74-75. ; Guillermo, Alice G., ‗Visions of the millenium‘, Asian Art News, vol.9,
no.3, 1999
Cordelo, Louie: Guillermo, Alice, ‗Louie Cordelo‘ (review), Asian Art News, vol. 17, no. 1, Jan-Feb 2007.
Cruz, Maria: Ewington, J., ‗Splash Art‘, (Interview with Maria Cruz), Art & Asia Pacific, vol.1, no.1,
1993.
Cuizon, Noel: Findlay, Ian, ‗On identity‘s trail‘, Asian Art News, vol. 7, no. 3, May/June 1997.
de Leon, Ramon: review, Asian Art News, vol. 15, no. 5, 2005.
de Rivera, Mario: Guillermo, Alice G., ‗A Rich Confluence of Cultures‘, in Asian Art News, Vol.13, No.5,
Sep/Oct, 2003, p.54-59.
Diaz, Duddley: Guillermo, Alice G., ‗A Cosmos Bursting with Life‘, World Sculpture News, vol. 11, no. 2,
2005.
Domingo, Damian: Quirino, Carlos, ‗Damian Domingo, Painter‘, in Philippine Studies 9(1), 1961
Edades, Victorio C.: Benesa, Leo. "Victorio Edades" 2002. National Commission for Culture and the Arts.
April 13, 2004 [1]. An excerpt from What is Philippine about Philippine Art? and Other Essays.
Manila: National Commission for Culture and the Arts, 2000. Reprinted from Weekend,
September 21, 1979, 4. ; "Philippine Contemporary Art as a Post-War Phenomenon." 2002. National
Commission for Culture and the Arts. April 13, 2004 [2]. An excerpt from What is Philippine about
Philippine Art? and Other Essays. Manila: National Commission for Culture and the Arts, 2000.
Reprinted from Verlag Neves Forum, 1970. ; Deocampo, Nick. "Edades: Victorio C. Edades and

218
Modernism in Philippine Art." Manila: National Commission for Culture and the Arts Commission
on Galleries, 2004. ; Guerrero, Amadis Ma. and Purita Kalaw-Ledesma. Edades: National Artist.
Makati: Published for Security Bank & Trust Co. by Filipinas Foundation, 1979. ; Ingle, Lydia
Rivera. Edades: kites and visions. Quezon City: New Day Publishers, 1980. ; Paras-Perez, Rod.
Edades and the 13 moderns. Manila: Cultural Center of the Philippines, 1995.
Enriquez, Francesca: Flores, Patrick D., ‗The condition of home‘, Asian Art News, vol.10, no.6, 2000
El Farol, Noëll: Guillermo, Alice G., ‗Fusing Art And Archaeology In Glass‘, in World Sculpture News, v.
14(2), Spring, 2008, pp. 45 – 49.
Escora, Koko: statement, Asian Art News, vol.10, no.4, 2000
Espinoza, Clifford: Defoe, Ruben D.F. ‗Coloring Humanity: Clifford Espinosa.‘ Asia-Pacific Sculpture News
1:3 Summer 1995
Esquillo, Alfredo D. Jr: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian
Art Museum, 1999. ; Alfredo D. Esquillo Jr.: Winds of Artist in Residence 2001-, Fukuoka: Fukuoka
Asian Art Museum, 2001. ; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art,
Tokyo: The Japan Foundation Asia Center, 2002
Fajardo, Brenda: Guillermo, Alice, ‗High priestess of tarot‘, Asian Art News, vol.9, no.5, 1999
Feleo, Roberto Bulutao: Demetrio, Francisco R., S.J.; Cordero-Fernando, Gilda; Zialcita, Fernando N.;
authors; Feleo, Roberto B., illustrations, The Soul Book, Quezon City, GCF Books, 1991 [includes
full bibliography of Philippine myths]. ; Guillermo, Alice G., ‗ Connecting myth and history‘,
Asian Art News, vol.9, no.6, 1999; also in Guillermo, Alice G., Image to meaning: essays on Philippine
art, Manila, Ateneo de Manila University Press, 2001. ; Roberto Feleo: (January 26--March 13, 1988),
Fukuoka, Fukuoka Art Museum (Ajia gendai sakka shiriizu), 1988. ; Lasay, Fatima, ‗Myth, Mind
and Meaning in New Media‘, Leonardo Electronic Almanac, vol.10, no.12, December 2002.
Flores y de la Rosa, Simon: Castro, Alex R., ‗Homegrown art of Simon Flores‘, at
http://www.geocities.com/kampampanganx/s6_7html?200811. ; Esquera, Kenneth, curator,
Simon Flores (1839-1902): His Life and Works, Makati City, Ayala Museum, 2008. ; Tejero,
Constantino, ‗Simon Flores, the first Filipino international artist‘, Philippine Daily Inquirer, April
28 th , 2008.
Franciisco, Carlos V: Navarro,V.T., Zafaralla,P., Carlos V.Francisco; The Man and Genius of Philippine Art/
Manila, Ayala Museum,1985
Garcia, Nona M.: Jay, Sian E., ‗Beyond the surface‘, Asian Art News, vol.11, no.1, 2001
Garibay, Emmanuel: review, Asian Art News, vol.9, no.4, 1999. ; Guillermo, Alice G., ‗An Uncommon
Pastoral View‘, in Asian Art News, v. 18(3), May/June, 2008, pp. 70 – 74.
Gelvezon-Tequi, Ofelia: Guillermo, Alice G., ‗Games and allegories‘, Asian Art News, vol.11, no.2, 2001
Habulan, Renato: review, Asian Art News, vol.9, no.4, 1999
Hidalgo, Felix Resurreccion: Pilar, Santiago Alabano, Unang Pambansang Eksibisyon sa Panggunita kina Juan
Luna at Félix Resurrecíon Hidalgo / First National Juan Luna and Félix Resurreccíon Hidalgo
Commemorative Exhibition, Manila, Metropolitan Museum of Manila, 1988. ; Roces, Alfredo, Felix
Ressurreccíon Hidalgo: the generation of 1872¸ Manila, Eugenio Lopez Foundation, 1995.
Imply Pilapil: Guillermo, Alice G., ‗Reaching Skyward‘, in World Sculpture News, Vol. 10, No. 2 (Spring
2004), pp. 22-27
Javier, Geraldine: Achcoso, Ronald, ‗Fragmented Tales‘, in Asian Art News, v. 18(5), Sept/Oct, 2008, pp.
110-113.
Justiniani, Mark: Flores, Patrick D., ‗Hidden and Haunting Transcripts, On Mark Justiniani‘, Asian Art
News, vol. 12, no. 5, September/October, 2002. ; Guillermo, Alice G., ‗Revealing The Paradoxes
Of Art‘, in Asian Art News, v. 17(3), May/June, 2007, pp. 57 – 61.
Lebajo, Raul: Findlay, Ian, ‗The promise of self‘ Asian Art News, vol. 7, no. 3, May/June 1997.
Legaspi, César: Roces, Alfredo, Legaspi: The making of a national artist, Manila, The Crucible Workshop,
1993
Legaspi, José: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002

219
Leonardo Aguinaldo: Guillermo, Alice G., ‗Symbols of Ethnicity‘, in Asian Art News, Vol.13, No.1,
January/February 2003, p.75-79.
Lino Severino: Guillermo, Alice G., ‗Passing Through‘ in Asian Art News, Vol. 14, Number 5
(September/October 2004), pp. 53-57
Llaguna-Ciani, Lina: Guillermo Alice G., ‗A luminous vision‘, Asian Art News, vo.11, no.4, 2001
Lluch, Julie: Guillermo, Alice, G., ‗In Art and Faith: Julie Lluch.‘ World Sculpture News 4:2 Spring 1998
Lorenzo, Diosdado Magno: Guillermo, Alice, Lorenzo, Diosdado Magno: Art Rebel to Legend, Philippine-Italian
Association and Tantoco-Rustia Foundation, Manila, 2009.
Luna, Juan: Alip, Eufronio M., ‗Juan Luna: a biographical sketch‘, The Journal of History, vol. V, nos 3-4,
October 1957. ; Apostol, Jose P., ‗The Juan Luna Centennial Commission: A chronicle of its
activities‘, The Journal of History, vol. XII, nos 1 & 2, March June 1964. ; Art Association of the
Philippines, ed., Luna Centennial Catalogue, Manila, 1957. ; Balayut, Pearlie Rose, Juan Luna in Paris,
1884-1893: a representation and narrative of becoming, unpublished MA Thesis, University of
California, 1997. ; Benessa, Leonidas V., ‗Juan Luna as a miniaturist‘, The Chronicle Magazine,
October 27 th , 1962. ; Cruz, E. Aguilar, ‗The other Luna: He was a romantic, not a revolutionary‘,
date and publication tbc. ; Da Silva, Carlos E., ‗Juan Luna y Novicio: Brief Chronology of his Life
and Works‘, The Journal of History, vol. V, nos 3-4, October 1957. ; Dacanay, Julian E., ‗In Praise
of Luna, International Painter‘, Solidarity, 1973. ; Flores, Patrick D., ‗ ―A Piece of History‖: Juan
Luna‘s Parisian Life and the Production of Property‘, in eds. Clark, John; Peleggi, Maurizio;
Sabapathy, T.K; eds., Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, Sydney,
Wild Peony, Sydney, 2006. ; Flores, Patrick D., ‗Luna, Rizal, and revolution in Flores, Patrick D.,
ed., Perspectives on the Vargas Museum Collection: from Revolution to Republic: the art of Luna, Amorsolo,
Edades, Quezon City, Department of Art Studies, University of the Philippines, 1999. ; Guillermo,
Alice G., ‗ ―Social Realism‖ from Luna to Edades‘, in Flores, Patrick D., ed., Perspectives on the
Vargas Museum Collection: from Revolution to Republic: the art of Luna, Amorsolo, Edades, Quezon City,
Department of Art Studies, University of the Philippines, 1999. ; Guillermo, Alice, ‗Juan Luna
and his times‘, Journal of the College of Arts and Sciences, Mnaila, University of the East, 1977. ; Luna
Entry, Dictionary of Philippine Biography, Quezon City, Filipiniana Publications, 1970, vol.2. ; Luna
Entry, Encyclopedia of the Philippines, vol.4, 1935. ; Luna, Juan, Nota Autobiografíca de Juan Luna in
Bantung, José P., Epistolario del Pintor Juan Luna, Madrid, Publicaciones del Circulo Filipino, 1955.
; Ocampo, Ambeth R., Luna‘s Moustache, Pasig City, Anvil Publishing, 1997. ; Ocampo, Ambeth
R., Rizal without the overcoat, Pasig City, Anvil Publishing, 2008 edition. ; Pilar, Santiago Alabano,
Unang Pambansang Eksibisyon sa Panggunita kina Juan Luna at Félix Resurrecíon Hidalgo / First National
Juan Luna and Félix Resurreccíon Hidalgo Commemorative Exhibition, Manila, Metropolitan Museum of
Manila, 1988. ; Pilar, Santiago Albano, Juan Luna: The Filipino as Painter, Manila, Eugenio López
Foundation, Inc, 1980. [includes catalogue of works and bibliography to that date]. ; Pioneers of
Philippine Art: Luna, Amorsolo, Zobel, Makati City, Ayala Foundation Inc., 2004, [Essays by Pilar,
Pars-Perez, Torres]. ; Pioneers of Philippines Art: Luna, Amorsolo, Zobel, Makati City, Ayala
Foundation Inc., 2006, [Essays by Capastriano-Baker, Sullivan, Soriano]. ; Retana, W. E., Vida y
Escritos de Rizal, Madrid, Librería General de Victorino Suárez, 1907. ; Reyes, Raquel A.S., Love,
Passion, and Patriotism: Sexuality and the Philippine Propaganda Movement, Singapore, University of
Singapore Press & Seattle, University of Washington Press, 2006. ; Rizal, José, ‗Juan Luna‘, La
Illustración Revista Hispano-America, February 28 th , 1886; English translation in Philippine Magazine,
November 1929. ; Rizal, José, citations from letters on Luna and Hidalgo, Quotations from Rizal‘s
Writings, Manila, Jose Rizal National Centennial Commission, vol. X, 1962, 1995, pp.54-55, 76-77.
; Rizal, José, Rizal‘s Correspondence with fellow reformists (1882-1896), Manila, National Heroes
Commission, 1963 [many letters from and to Luna]. ; Terra, Jun, Juan Luna Drawings, the Paris
Period: from the collection of Dr Eleuterio Pascual, Manila, privately published by Dr. Pascual, 1998
Luz, Arturo: Flores, Patrick D., Mga Bakas ng Paglarawan, Luz Traces of Depiction‘,[Madrid & Barcelona
lecture of 2006] Manila, National Museum of the Philippines, 2007

220
Maestro, Mark: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Magsaysay-Ho, Anita: ‗Anita Magsaysay-Ho‘, Orientations, July 1972. ; Anita Magsaysay-Ho, Metropolitan
Museum of Manila, 1989. ; Ledesma-Kalawa,P., and Guillermo,A.G., Anita Magsaysay-Ho; a
retrospective, Manila, Anita Magsaysay Inc., 1988. ; Roces, Alfredo, Anita Magsaysay-Ho, Manila,
The Crucible Workshop, 2005
Malang: Reyes,C., Malang, Manila, Raya Books, 1981
Manansala: Perez, R.P., Manansala, Manila, PLC Publishing, 1980.
Medalla, David Cortez: Terra, Jun, ‗David Medalla in London‘, Third Text, 30, Spring 1995. ; Labrador,
Ann, ‗Locating David Medalla‘, Art & Asia-Pacific, vol.3, no.1, 1996. ; Benitez-Johnannot, P.,
‗Focus on David Cortes Medalla: Hedonist in a State of Grace‘, in Pananaw 4: Philippine Journal of
Visual Arts, 2002, p.79-89.
Montemayor, Ferdie: Guillermo, Alice G., ‗The Wide View & The Close Up‘, in Asian Art News, v. 18(1),
January/February, 2008, pp. 72 – 73.
Muñoz, Mike and Poloy Cagayat Woodcarving Workshop: Mami, Kataoka, ed., Under Construction: New
Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002
Navarro, J. Elizalde: Reyes, Cid, ‗A voice of passion‘ Asian Art News, vol. 6, no.3, May / June 1996.
Ocampo, H. R.: De Jesus, A.M., H. R. Ocampo: The Artist as Filipino, Manila, Heritage Publishing, 1979
Ocampo, Manuel: Guillermo, Alice G., ‗Cultural Clashes and Visceral Shocks‘, Asian Art News, vol. 16,
no. 4, 2006. ; ‗Master of the macabre‘ [Manuel Ocampo], Asian Art News, vol.5, no2., March-April
1995. ; Flores, Patrick, ‗Catholic Capital: Consuming Manuel Ocampo‘ in positions: east asian cultures
critique, Vol. 12, No. 3 (winter 2004); Green, Charles, ‗Manuel Ocampo‘ in Artforum, Vol. 47, Iss.
8, p. 208.
Olmedo, Onib: Arriola, Fe Maria C.,The Body Book,[illustrated by Onib Olmedo], Quezon City, GCF
Books, 1993. ; Guillermo, Alice G., ‗Journey to The Human Condition‘, in Asian Art News, v.
17(6), November/December, 2007, pp. 66 – 72.
Orlina, Ramon: Smith, Eva Laird. Into the Heart of Glass: Ramon Orlina.‘ World Sculpture News 3:1
Winter 1997
Palencia, Joaquin: Canete, Reuben Ramas, ‗Realizing Hybridity‘, World Sculpture News, vol. 11, no. 4, 2005.
; Guillermo, Alice G., ‗Journeys in Abstraction‘, Asian Art News, vol. 15, no. 4, 2005. ; Flores,
Patrick D., ‗The Stealth Of Disaster‘, in World Sculpture News, v. 13(4), Autumn, 2007, pp. 47 – 49.
Ramon Diaz: Guillermo, Alice, ‗An Art of Optical Wizardry‘ in Asian Art News, Vol. 14, Number 3
(May/June, 2004), pp. 60-62
Reamillo, Alvin: Guillermo, Alice G., ‗A sense of mobility‘, Asian Art News, vol.11, no.2, 2001. ;
Guillermo, Alice G., ‗The Great Art Piano Project‘, in World Sculpture News, v. 13(3), Summer,
2007, pp. 52 – 55.
Robles, Roberto: Guillermo, Alice, G., ‗Landscape into Sculpture: Roberto Robles.‘ World Sculpture News
4:4 Autumn 1998
Ruíz, José Tence: Guillermo, Alice G., ‗Processes of change‘, Asian Art News, vol.9, no.1, 1999.
Sanso: Perez, R.P. , Sanso: Art Quest Between Two Worlds, Manila, Eugenio Lopez Foundation Inc., 1988. ;
Roces, Alfredo, Sansó, Manila, Luis Ma Araneta, 1976
Santos, Pad Abad: Guillermo, Alice, ‗Art from Fiber‘, Asian Art News, vol.10, no.3, 2000
Nester Señora de la Paloma : Pilar, Santiago, ‗Nester Señora de la Paloma‘, A Portfolio of 60 Filipino Art
Masterpieces, Manila: Department of Education, Culture and Sports, 1986.
Sibayan, Judy Freda: review, Art AsiaPacific, 26, 2000
Ruiz, Jose Tence: Guillermo, Alice G., ‗On the Crest of History‘ in Asian Art News, Vol. 14, Number 4
(July/August 2004), pp. 41-43
Tuazon, Wire Rommel: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The
Japan Foundation Asia Center, 2002.; Beduya, Jose Perez, ‗The Structure Of The Void‘, in Asian
Art News, v. 17(4), July/August, 2007, pp. 68 – 73.

221
Ventura, Roberto: Guillermo, Alice G., ‗Discovering Male Nudes‘, Asian Art News, vol. 12, no. 4,
July/August, 2002
Villa, Carlo: Jaana, Reena, ‗Expanding multicultural‘ Asian Art News, vol. 7, no. 3, May/June 1997.
Villanseñor, Vicente: Pilar, Santiago, ‗Vicente Villanseñor: Master of Lucban‘, in Archipelago, (7) July 1979.
Vitalis, Macario: Cruz, E. Anguilar, ‗Vitalis: Octogenarian painter in Brittany‘, Archipelago, vol. 6,
October-December, 1979, 43-49.
Wilwayco, Edwin: Reyes, Cid., ‗A Divine Illumination‘, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003,
p.42-45.
Zaballero, Phyllis: Sotto, Jack, ‗The Color of Memory‘, Asian Art News, vol. 15, no. 2, 2005.
Zóbel: Zobel‘s Photographs, Manila, Kiodo printing, 1983. ; Paras-Perez, Rod, Fernando Zóbel, Manila,
Eugenio Lopez Foundation Inc., 1990
Society, Thought and Culture
Mojares, Resil B., Brains of the Nation: Pedro Paterno, T .H. Pardo de Tavera, Isabelo de los Reyes and the
production of modern knowledge, Quezon City, Ateneo de Manila University Press, 2006.
Reyes, Isabelo De Los, El Folk-lore Filipinas [Eng. tr. Dizon & Imsin], Quezon City, University of the
Philippines Press, 1994
Rosaldo, Michelle M., Knowledge and Passion: Ilongot notions of self and social life, Cambridge, Cambridge
University Press, 1980
Pre-Hispanic Philippine Myths and Society
Arriola, Fe Maria C., Olmedo, Luis [Onib] illustrations, The Body Book, Quezon City, GCF Books, 1993.
Benedict, Laura Watson, A Study of Bagobo Ceremonial, Magic and Myth, New York, Annals of the New
York Academy of Sciences, vol. XXV, 1916.
Cole, Fay Cooper, The Bukidnon of Mindanao, Fieldiana Anthropology XLVI, Chicago, Field Museum of
Natural History, 1956
Cole, Fay Cooper, The Tinguian: Social, Religious, and Economic Life of a Philippine Tribe, Chicago, Field
Museum of Natural History, 1922
Cole, Mabel Cook, Philippine Folk Tales, Chicago, A. C. McClurg and Co, 1916.
Demetrio, Francisco R., S.J.; Cordero-Fernando, Gilda; Zialcita, Fernando N.; authors; Feleo, Roberto
B., illustrations, The Soul Book, Quezon City, GCF Books, 1991 [includes full bibliography of
Philippine myths]
Raats, S.V.D., Pieter, Jan, A structural study of Bagobo myths, Cebu City, University of San Carlos, 1989.
Rizal, José (1861-1896) [short]
In general see:
Wikipedia see under José Rizal, [consult Anderson, 2005, and Ocampo, 2008 for further Rizal
Bibliography]
http://www.jose-rizal.eu [has many details of his biography, peers and friends]
Anderson, Ben, ‗The first Filipino‘ and ‗Hard to imagine‘ in his The Spectre of Comparisons: Nationalism,
Southeast Asia and the World, London, Verso, 1998
Anderson, Benedict, Under Three Flags: Anarchism and the Anti-Colonial Imagination, London, Verso, 2005.
[many parts on El Filibusterismo]
Coates, Austin, Rizal: Filipino Nationalist & Patriot. Hong Kong, Oxford University Press, 1968 &
Manila, Solaridad Publishing House, 1992.
Ocampo, Ambeth R., Rizal without the overcoat, Pasig City, Anvil Publishing, 2008 edition.
Retana, W. E., Vida y Escritos de Rizal, Madrid, Librería General de Victorino Suárez, 1907
Rizal, José, El Filibusterismo, Subversion [1891, Lacson-Locsin Ma. Soledad, tr.], Makati City, Bookmark,
1996
Rizal, José, Noli me Tangere, [1886, Lacson-Locsin Ma. Soledad, tr.], Makati City, Bookmark, 1996 &
Honolulu, University of Hawai‘i Press, 1997

222
General Art
Castaneda, D., Art in the Philippines, Quezon City, University of the Philippines, Dillman, 1964 [Spanish
to Modern Periods]
Flores, Patrick, Remarkable Collection: Art, History and the National Museum, Manila, National Art Gallery /
National Museum of the Philippines, 2007
Flores Patrick D., et al, Crossings: Philippine Works from the Singapore Art Museum, Singapore, Singapore Art
Museum, 2004.
Flores, Patrick D., Colonial Art in Southeast Asia, [Grant D00-EC-05] Tokyo,, Southeast Asian Studies
Regional Exchange Programme, 2002
Gatbonton, J.T., Javelosa, J.E., Roa, L.R.R., Art Philippines A History: 1521 to Present, Manila, The
Crucible Workshop, 1992. [reviewed by Ewington, J., in Art Monthly Australia, 60, June 1993]
Lerma, Ramon E.S., ed., Tanáw: Perspectives on the Bangko Sentral ng Pilipinas Painting Collection¸ Manila,
Bangko Sentral ng Pilipinas, 2005
Smith, W.S., ed., The Art of the Philippines, 1521-1957, Manila, Associated Publishers, 1958.
Torres, E., Kayamanan, 77 paintings from the Central Bank collection Manila, Central Bank of the Philippines,
1981
Torres, E., 100 Years of Philippine Painting, Pasadena, Pacific Asia Museum, 1984.
Art of the Spanish Period – general
Alarcon, Norma I., Philippine Architecture during the pre-Spanish and Spanish Periods, Manila, UST Publishing
House, 1981
Cariño, Jose-Maria, Ner, Sonia Pinto, Álbum Islas Filipinas 1663-1888, Manila, Ars Mundi, Philippinae,
2004.
Cariño, Jose-Maria et al, Discovering Philippines Art in Spain¸ Manila, Department of Foreign Affairs &
National Centennial Commission –Committee on International Relations, 1998.
De Alaya, F. Z., Philippine Religious Imagery, Ateneo de Manila, 1983
Gatbonton, Esperanza Bunag, Philippines Religious Carvings in Ivory, Manila, Intramuros Administration,
1983
Guardiola, Juan, Filipiniana, Madrid, Casa Asia, Ministerio de Cultura, and Conde Duque Ayuntamiento
de Madrid, 2006.
Joaquin, Nick & Santiago Luciano P.R., The world of Damian Domingo, Manila, Metropolitan Museum of
Manila, 1990
Jose, Regalado Trota et al, Santo – Holy Sculptures from the Philippines, [ASEAN-Japan Exchange Year
2003, Arts of the People III], Fukuoka: Fukuoka Asian Art Museum, 2003
Lietz, Rudolf H. The Philippines in the 19 th Century: a collection of prints, Manduluyong City, RLI Gallery
Systems, Inc., 1998.
Ongpin, Stephen, Filipino Master: Damian Domingo, Manila, Intramuros Administration, 1983
Pilar, Santiago Albano, ‗Qiapo‘s Visual Arts 1850-1930‘, in Zialcita, Fernando Nakpil ed., Quiapo: Heart
of Manila, Manila: Ateneo de Manila and Metropolitan Museum of Manila, 2006
Pilar, Santiago Albano, A Heritage of Saints, Makati City: Ayala Foundation, 2003
Pilar, Santiago Albano, ‗San Jose with the Child Jesus‘, A Portfolio of 60 Filipino Art Masterpieces, Manila:
Department of Education, Culture and Sports, 1986.
Pilar, Santiago Albano, ‗Mariano Asuncion: the ―Dean of native painters‖, Archipelago, vol. 6, September
1979
Pilar, Santiago Albano, ‗Vicente Villaseñor: the Master of Lucaban‘, Archipelago, vol.6, July 1979
Pilar, Santiago Albano, ‗The Evolution of the Filipino Still-Life‘, in Archipelago, vol.6, May 1979.
Pilar, Santiago Albano, ‗Manila‘s Early Ateliers‘, in Archipelago, vol.6, February 1979.
Pilar, Santiago Albano, ‗Miniature Portraits: Small Wonders‘, in Archipelago, February 1976.
Pilar, Santiago, ‗Philippine Painting: The Early Chinese Heritage‘, in Arts of Asia, Nov – Dec, 1994.
Quirino, Carlos, ‗Manila‘s School of Painting‘, in Philippine Studies 15(2), 1967.

223
Roll, Christian, ‗The Philippine Christian Icons‘, Archipelago,vol.6, March 1979
Santiago, Luciano, P.R., ‗At the end of the rainbow: the last will and testament of Damián Domingo‘,
Philippine Quarterly of Culture and Society, vol.28, 2000, 78-89.
Santiago, Luciano, P.R., ‗Damian Domingo and the First Philippine Art Academy (1821-1834)‘,
Philippines Quarterly of Culture and Society, vol.19, 1991, 264-280.
Santiago, Luciano P.R., ‗The beginnings of higher education in the Philippines (1601-1772), Philippines
Quarterly of Culture and Society, vol.19, 1991, 135-145.
Santiago, Luciano P.R., ‗Don Rafael Baboom: Collector of Rainbows‘, Philippines Quarterly of Culture and
Society, vol.18, 1990, 118-121.
Santiago, Luciano, P. R., ‗The Quest for Identity in Filipino Portraiture‘, Larawan, Manila: Ayala
Museum, 1989.
Santiago, Luciano, P. R., 1992, ‗1521 – 1890: The Loom of Colonial Art‘, Art Philippines, Juan T.
Gatbonton et al eds., Manila: The Crucible Workshop, 1992.
Torralba, Fr. Milan Ted D., curator, Kísame: Visions of Heaven on Earth, photographs of ceiling paintings from
Bohol colonial churches, Manila, Ayala Foundation inc, 2008
Zóbel, Fernando, Philippine Religious Imagery, Manila, Ateneo de Manila, 1963
Art of the Spanish Period – academic art and its transitions
[see also entries for individuals below under Flores and Luna]
Ayzelá Montserrat Marti, Carlos González y, Pintores Españoles en Roma (1850-1900), Barcelona, Tusquets
Editores, 1987.
Blanco, José, Flora de Filipinas, Barcelona, 1878.
Caso, Edoardo Dizy, Les Orientalistses de L‘École Espagnole, Courbevoie (Paris), 1997.
Duldulao, M.D., A Century of realism in Philippine art, Manila, Fine Arts Corp. 1982.
Flores, Patrick D., ‗ ―A Piece of History‖: Juan Luna‘s Parisian Life and the Production of Property‘, in
Clark, John; Peleggi, Maurizio; and Sabapathy, T.K.; eds., Eye of the Beholder: Reception, Audience and
Practice of Modern Asian Art, Wild Peony, Sydney, Wild Peony, Sydney, 2006.
Flores, Patrick D., ‗Painting as Colonial Reconversion‘ in Power, Kevin, ed., ‘98 Cien Años Despues,
Communitat Valenciana & Manila, Cultural Center of the Philippines, 1998.
Flores, Patrick D., ed., Perspectives on the Vargas Museum Collection: from Revolution to Republic: the art of Luna,
Amorsolo, Edades, Quezon City, Department of Art Studies, University of the Philippines, 1999
Flores. Patrick D., Painting History: revisions in Philippines Colonial Art, Manila, National Commission for
Culture and the Arts, 1998.
Pilar, Santiago Albano, Pamana: The Jorge B. Vargas Collection, Quezon City, University of the Philippines,
Jorge B. Vargas Museum, 1992
Santiago, Luciano, P. R., ‗The Painters of Flora de Filipinas (1877 – 1883)‘, in Philippine Quarterly of
Culture and Society 21, 1993.
Santiago, Luciano, P. R., ‗Philippine Academic Art: The Second Phase (1845 – 98)‘, in Philippine
Quarterly of Culture and Society , vol. 17, March 1989.
Sastres, Luis, et al, Cien Años de Pintura en España y Portugal (1830-1930), Tomo V, Madrid,1991.
Sta Maria, Felice, ed., Reales Ordenes para establacimiento de las Escuela de Pintura y Academia de Bellas Artes en
las Islas Filipinas, Madrid/Manila, 1848 [mimeo, ANU]
Art of the American Period
[see in general Edades and Francisco below]
Bautista, Donna Aelred C., Modernism in Philippine Art: a study of Polemical Texts 1928-1955, MA Thesis,
College of Arts and Letters, University of the Philippines, May 1992.
Art since 1945 in general
Carroll, Alison, ‗East and West? A different story: the impact of Mexico on 20 th century Asian art
[largely Philippines‘], Art Monthly Australia, issue 213, September 2008.

224
Coseteng, A. M. L., ed., Philippine Modern Art and Its Critics, Manila, UNESCO National Commission of
the Philippines,1972 [Anthology of Critical Reviews]
Duldulao, M. D., Contemporary Philippine Art from the 50s to the 70s, Quezon City, Vera-Reyes, 1972
Duldulao, M. D., The Philippine Art Scene, Hong Kong, Toppan Printing Co., 1987.
Flores, Patrick, ‗Post-war, Pre-Martial Law: Neo-realism, Late Abstraction (Philippine Art, 1945-1965)‘
[lecture given in Madrid & Barcelona, 2006], in Luz: Traces of Depiction, Manila, National Museum
of the Philippines, 2007
Guillermo Alice G., Sining Biswal: an essay on Philippine Visual Arts, Manila, Cultural Center of the
Philippines, 1989
Guillermo Alice G., et al, Sculpture in the Philippines: from Anito to Assemblage and other essays, Manila,
Metropolitan Museum of Manila, 1991.
Reyes, C., Conversations on Philippine Art, Manila, Cutural Center of the Philippines, 1989.
1970s-1980s, including art with political commitment
Benesa, Leonidas V., et al, Contemporary Philippine Art, Hong Kong, Hong Kong Museum of Art, 1980
Dementillo, Ricaredo, ‗Filipino Artists in the early 1970s‘, Solidarity, 1973
Guillermo, A.G. ‗A decade of fruition and renewal‘, Art Monthly Australia, 41, June 1991.
Guillermo, A.G., ‗The Eye is the Silent Witness: Political art in the post Marcos Era‘, Art & Asia
Pacific, vol.1, no.1, 1993.
Guillermo, Alice G., Protest Revolutionary Art in the Philippines, 1970-1990, Quezon City, University of the
Philippines Press, 2001.
Ledesma, Purita Kalaw, The struggle for Philippine art, Manila, Purita Kalaw Ledesma, 1974
Reyes, Cid, Conversations on Philippine Art, Manila, Cultural Center of the Philippines, 1989
Roces, M.P., Exchange Manila-Berlin, Berlin, RAAB Galerie, 1988
Torres, E., Philippine abstract painting, Manila, Cultural Center of the Philippines, 1994.
1990s
‗Philippines Feature‘, including ‗Coming into a new phase‘; Orlina, Ramon ‗Facing up to Change‘;
Diaz, Silvana, ‗Art to the People‘; Asian Art News, vol. 7, no. 3, May/June 1997.
‗Supplement: The Philippines‘, Asian Art News, vol.3, no.5, Sept-Oct 1993.
Bose, Santiago, ‗Struggle in Baguio: The Arts Guild Makes a Difference‘, Artlink, Vol. 13, No.3&4,
November-March 1993/94
Defoe, Ruben, D.F., ‗Heroism wears new hats‘, Asian Art News, vol. 6, no.3, May / June 1996.
Ewington, J., ‗Archipelago Art‘, Art & Asia Pacific, vol.1, no.1, 1993.
Ewington, J., ‗Cross-Currents- Salubungang Agos‘, Art & Asia Pacific vol.1, no.3, 1994.
Fajardo Brenda V., ‗Contemporary Visual arts in the Philippines‘, in Japan Foundation ed., Contemporary
Philippine Culture: Selected papers on Art and Education, Manila Japan Foundation, 1998.
Flores, Patrick & Bromfield, David, ‗The perils of performance: Mike Parr in the Philippines‘, Art &
Asia-Pacific, vol.3, no.1, 1996.
Flores, Patrick, ‗Sorties into the City: The Art of Elmer Borlongan and Emmanuel Garibay‘, Artlink,
Vol. 19, No. 3 September1999
Guillermo, Alice G., ‗Witnesses to unfolding history‘, Asian Art News, vol.10, no.3, 2000
Guillermo, Alice, ‗Visions of the Millennium‘, Asian Art News 9:3 1999
Guillermo, Alice, ‗The essence of form‘, [Philippines‘ Sculpture] Asia-Pacific Sculpture News, vol.1, no.2,
Spring 1995.
Guillermo, Alice G., ‗An Iconography of Political Art‘, in Asian Art News, Vol. 14, Number 4
(July/August 2004), pp. 58-61
Hildawa, Sid Gomez, ‗An Overview of the Philippine Contemporary Art Scene (1994-1998), Kuroda,
Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Hoffie, P., ‗Accounting for Fun‘, [Baguio Art Festival 1993] Art Monthly Australia, no.67, March 1994;
Hoofman, Ingrid, ‗Enjoin to the Philippines‘, Artlink, Vol. 18, No. 4 December 1996

225
Javelosa, Jeannie E., ‗Introduction to Philippines Art & Culture‘, Artlink, Vol. 13, No.3&4, November-
March 1993/94
Javelosa, Jeannie E., ‗Indigenous Statements Now‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Labarador, Anna, ‗Weaving impressions: the Bontoc people of the Philippines‘, Art AsiaPacific,no.18,
1998.
Labrador, A.P., ‗A most unfashionable frill: Restringing multicultural beads into one national strand‘,
Art & Asia Pacific, vol.1, no.1, 1993.
Labrador, A.P., ‗Beyond The fringe: making it as a Filipina contermporary artist‘, Art & Asia Pacific,
vol.2, no.2, 1995.
Labrador, Ana, P., ‗The projects of nationalism: celebrating the centenary in Philippines contemporary
art.‘ Humanities Research 2: 1999
Looby, Keith, ‗Does the Avant-Garde begin or end in Asia?‘, Art & Asia Pacific, vol.1, no.4, 1994.
Mayo, Rachel, ‗Replanting Culture: The indigenous Art Movement‘, Art & Asia Pacific, vol.1, no.1,
1993.
Mayo, Rachel, ‗Pillow Talk‘ [Dan Raralio], Art & Asia Pacific, vol.3, no.2, 1996.
Mayo, Rachel, ‗Salingpusa: Manila on Canvas‘, Art & Asia Pacific, vol.2, no.3, 1995
Radok, Stephanie and Roberts, Neil, ‗An Australian Creates Space in Manila‘, Artlink, Vol. 13, No.3&4,
November-March 1993/94
Roces, M.P, ‗Ethos Bathos Pathos: Contemporary Art Practice in the Philippines‘, Art & Asia Pacific,
no.1, supplement to Art & Australia, March 1993.
Torres, E., ‗Internationality: Towards a New Internationalism‘, Art & Asia Pacific, vol.1, no.1, 1993.
Torres, Emmanuel, ‗Drawing takes its place‘, Asian Art News, vol.10, no.4, 2000
Torres, Emmanuel, ‗Upbeat and kicking into the new millenium‘, Asian Art News, vol.10, no.3, 2000
Zaballero, Phyllis; ‗Vermont Works‘, Asian Art News, vol. 7, no. 3, May/June 1997.
Willie Valentine, Faith + The City: a survey of contemporary Filipino art, Kuala Lumpur, Valentine Willie Fine
Art, 2000
2000+
‗Surry of Exhibitions 2000-2002‘, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.90-100.
Baluyut, Pearlie S., ‗A Judge‘s Observation‘, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.75-78.
Cañete, Reuben Ramas., ‗Bridges Across Rivers: Art as Systemic Practice Among Bulakenyos‘, in
Pananaw 4: Philippine Journal of Visual Arts, 2002, p.27-31.
Canta, Marilyn R., ‗Installation Art in the Philippines: Sourcing Traditional and Contemporary
Aesthetics‘, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.49-55.
Capistrano-Baker, Florina H., ‗Mapping the New Millennium: Ethnicity, Alterity, Identity [Imag(in)ing
Self and the Other in a Postmodern World‘, in Pananaw 4: Philippine Journal of Visual Arts, 2002,
p.8-10.
Chua, Ferreolus., ‗Mula sa Puso: Filipino Art Sweeps into Town‘ (review), in Vehicle: Contemporary Visual
Arts, No.7, 2002, p.52-56.
Conde-Prieto, Ma Teodora., ‗From Punla to Sibol: The Growth of Regional Art‘, in Pananaw 4:
Philippine Journal of Visual Arts, 2002, p.32-33.
Datuin, Flaudette May V., ‗Land, Locality, and Communion: The International Baguio Arts Festival‘, in
Pananaw 4: Philippine Journal of Visual Arts, 2002, p.34-40.
Fairley, Gina, ‗Alternative X: Creating a Scene in the Philippines‘, Eyeline, no. 61, Spring 2006.
Fairley, Gina, ‗Cultural Malling in Manila: the New Ayala Museum Bridges Culture and Consumerism‘,
Art Monthly Australia, no. 179, May 2005.
Fairley, Gina, ‗Manila 2006‘, Art and Australia, vol. 44, no. 3, 2006.
Fairley, Gina, ‗An award of its time‘ [2008 Ateneo Art Award], Asian Art News, vol.18, no.4,
July/August 2008.
Fairley, Gina, ‗Photography Rising‘, in Asian Art News, v. 18(4), July/August, 2008, pp. 69-73.

226
Florentino, Eric., ‗Four Postmortems and an Ominous Carnival (or, The Freak Show Manifesto)‘, in
Pananaw 4: Philippine Journal of Visual Arts, 2002, p.71-73.
Flores, Patrick D., ed.,. Pananaw no.6, Philippine Journal of Visual Arts, 2007 [on criticism and curation]
Flores, Patrick D.; Cajipe-Endaya, Imelda; Cruz, Joselina, Koh, Jay, convenors, Locus: Interventions in Art
Practice, Manila, National Commission for Culture and the Arts, Lopez Museum & Pananaw ng
Sining Bayan, 2005.
Flores Patrick D., Crafting Economies, Tokyo, The Japan Foundation, 2001.
Flores, Patrick D., ‗At the crossroads‘, Asian Art News, vol.10, no.3, 2000
Flores, Patrick D., ‗Central Station‘, in Pananaw 4: Philippine Journal of Visual Arts, 2002, 11-16.
Flores, Patrick D., ‗Loss and leaving‘, Art AsiaPacific 28, 2001
Garcia, Nona., ‗Luck‘, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.74.
Guillermo, Alice G., ‗Bamboo in the Sea Wind‘ (The First Bagabas International Eco-Arts), in World
Sculpture News, Vol.9, No.3, Summer 2003, p.50-52.
Guillermo, Alice G., ‗From the Familiar to the Abstract‘, in Asian Art News, Vol. 14, No. 2,
March/April 2004, p.58-63.
Guillermo, Alice G., ‗Yankee Doodles‘, in Asian Art News, Vol. 13, No. 6, November/December 2003,
p.52-55.
Labrador, Ana P., ‗Eating their words‘, Art AsiaPacific 29, 2001
Labrador, Ana P., ‗Out of order‘, Art AsiaPacific, 25, 2000
Legaspi-Ramirez, Eileen C., ‗Traversing Centre and Fringe: Problems of Engagement in Unstable
Democratic Spaces‘, Focas (Forum on Contemporary Art & Society), no.3, January 2002
Pastor Roces, Marian, ‗Letter to an Artist concerning her Death‘, in Huangfu, Binghui, Site+Sight:
Translating Cultures, Singapore, La Salle-SIA, 2002.
Pereira, Sharmini, ‗To talk with a degree of serendipity‘, Artlink, Vol. 20, No. 2, July 2000
Pettifor, Steven, ‗Arkuiris at Art Centre SM Megamall‘ (review), Asian Art News, vol. 15, no. 3, 2005.
Ramirez, Eileen Lagaspi, ‗Living and Dying. Somber Memoir and Other Fictions in Contemporary
Philippine Art‘, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 114
– 116.
Ruiz, Jose Tence., ‗Atras /Avant: Lessons from a Continuing Reinvention of the Thirteen Artists
Award‘, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.56-65.
Samson, Ditas R., ‗The Beauty and the Bounty: Angono Recalled and Reinterpreted‘, in Pananaw 4:
Philippine Journal of Visual Arts, 2002, p.17-26.
Tan, Pearl., ‗The Philippine Art Awards: An Observer‘s Evaluation‘, in Pananaw 4: Philippine Journal of
Visual Arts, 2002, p.66-70.
Torres, Emmanuel., ‗One Face of Filipino Art‘, in Asian Art News, Vol.13, No.1, January/February
2003, p.56-60.
Tuazon, Wire Rommel G., ‗Artist-Run-Spaces: Art Initiatives in the Case of Surrounded by Water‘, in
Vehicle: Contemporary Visual Arts, No.6, 2002, p.44-47.
Valeriano, Lourdes Lee., ‗Identity and Invisibility: Contemporary Filipino-American Art in New York‘,
in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.41-48.
Prints
Benesa, Leonidas V., The Printmakers, Manila, Department of Public Information, 1975
Cajipe-Endaya, Imelda et al, Filipino Engraving 17th to 19th Century, Manila: Ylang Ylang Graphic Group,
1980
Cajipe-Endaya, Imelda, ‗Notes on an Unknown Artist of the 18 th century‘, Archipelago, ca.1979
Pilar, Santiago Albano & Cajipe-Endaya, Imelda, Limbag Kamay: 400 Years of Philippine Printmaking,
Manila, Cultural Center of the Philippines, 1993

227
Photography
Fairley, Gina, ‗Letter from Manila‘ [recent photography], Art Monthly Australia, issue #213, September
2008
Guardiola, Juan, El Imaginario Colonial: Fotografía en Filipinas durante el periodo español, 1860-1898, Manila,
National Museum & Barcelona, Casa Asia, 2006.
Vergara, Benito M., Displaying Filipinos: Photography and Colonialism in early 20 th century Philippines, Quezon
City, University of the Philippines Press, 1995.
New Media
Crafts (including textiles, basketwork, carving, and ceramics)
Anderson, Nola, ‗Writing about Craft‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Baradas, David B., ‗Woven Textiles the Enduring Tradition‘, Artlink, Vol. 13, No.3&4, November-
March 1993/94
Capistrano-Baker, Florina H., et al, Basketry of the Luzon Cordillera, Philippines, Los Angeles, UCLA
Fowler Museum of Cultural History, 1998.
Lane, Robert, Philippine Basketry: an appreciation, Manila, Bookmark, 1986
Women and Art, Women’s Art
Chattopadhyay, Colette, ‗At home and abroad, contemporary Filipina views‘, Art AsiaPacific, 22, 1999
Cajipe-Endaya, Imelda, ‗Images of Women by Women‘, Artlink, Vol. 13, No.3&4, November-March
1993/94
Datuin, Flaudette, ‗At the fringes in the Philippines‘, Artlink, Vol. 20, No. 2, July 2000.
Datuin, Flaudette M.V., Home, Body, Memory, Filipina artists in the visual arts, 19 th century to present, Quezon
City, University of the Philippines Press, 2002.
Herrera, Ma. Victoria T., ‗Women in the Philippine Art World‘, paper for conference Women Imagining
Women¸ Manila, Cultural Center of the Philippines, 1999.
Kintanar, Thelma B., Ventura, Sylvia M., Self-Portraits: twelve Filipina Artists Speak, Manila, Ateneo de
Mainal University Press, 1999.
PACIFIC, OCEANIA, NEW ZEALAND
[There is a flourishing art press in New Zealand which is too large to index here]
General Works
[Devotion: the religious, the domestic, the pacific] review, Art AsiaPacific, 24, 1999
[Fiji] Teaiwa, Tersia K., ‗Our Pacific: Contemporary Art in Fiji‘, Art AsiaPacific, no.17, 1998.
[New Zealand] ‗Focus on New Zealand‘, Art AsiaPacific, 23, 1999 [many articles & reviews]; Dale,
Richard, ‗Going East: post-orientalism in contemporary New Zealand Art‘, Art AsiaPacific, 23,
1999; Davis, Leigh, ‗Maori Bay Quarry: Maori prophets in the work of Colin McCahon‘, Art Asia
Pacific, no 23, 1999 Focus on New Zealand. Art AsiaPacific, no 23, 1999 Focus on New Zealand;
Fraser, Viriginia, ‗Te Papa Tongarewa‘, Art Monthly Australia, no.110, June 1998; Leonard, R. &
Vercoe, C., ‗Sisters are doing it: fashion, dance, art: New Zealand‘s Pacific Sisters‘, Art
AsiaPacific, no.14, 1997; McAloon, William, ‗Casino Art in New Zealand‘, Art Asia Pacific, vol.3,
no.4, 1996.
[Noumea] Lewis-Harris, Jacky, ‗Our identity lies ahead‘, Art AsiaPacific, 31, 2001; Giakoumi, Dionissia,
‗A New Meeting Place in the Pacific: Centre Culturel Tjiboau, Noumea‘, Art AsiaPacific, no.21,
1999; Kasarherou, Emmanuel, ‗Portraits Kanak‘, Art AsiaPacific, vol.3, no.3, 1996; Sandra,
Maillot Win-Nemou, ‗An exhibition of Torres Strait Islander Art in Noumea‘, Art AsiaPacific,
no.14, 1997; Stevenson, Karen, ‗Creating Together: The inaugural exhibition at Centre Culturel

228
Tjibaou, Noumea‘, Art AsiaPacific, no.21, 1999; Ewington, Julie, ‗Noumea-Tokyo‘, Art
AsiaPacific, 23, 1999
[Samoa] Mallon, Sean, ‗Samoan art hsitories‘, Art AsiaPacific, 32, 2001; Stevenson, Karen, ‗Picturing
Paradise‘, Art AsiaPacific, no.13, 1997; Stevenson, Karen, ‗The 7th Pacific Festival of Art in
Samoa‘, Art AsiaPacific, no.14, 1997; Vanya Taule‘alo, ‗Ua sii matalalaga: Creating New Patterns
in Pacific Art‘, Art Monthly Australia,
[Torres Straits] Thomas, Nicholas, ‗Islands of History‘, Art AsiaPacific 28, 2000
[Vanuatu] Bolton, Lissant, ‗The New Vanuatu Cultural Centre‘, Art AsiaPacific, vol.3, no.3, 1996;
Thomas, Nicolas, ‗Dance party‘, The Vanuatu Cultural Centre Mini National Arts Festival, Art
AsiaPacific, vol.3, no.3, 1996.
‗Indigenous Arts of the Pacific‘, Special Issue, Artlink, vol.16, no.4, Summer 1996
‗New colours from old worlds‘ review, Art AsiaPacific, 24, 1999
‗Pacific Arts Symposium‘, Art & Asia Pacific, vol.1, no.1, 1993.
‗Pacific arts, 8 th Festival of‘ Cochrane, Susan, ‗Undercurrents‘, Art AsiaPacific, 31, 2001
‗Tatutai sculpture symposium‘ Vercoe, Caroline, ‗Navigating pacific Art‘, Art AsiaPacific, 22, 1999
Auckland Art Gallery Toi O Tâmaki, Art Asia Pacific supplement no.23, 1999
Cochrane, Susan, ‗We are the artists of today: recent sculpture from the Solomon Islands and Vanuatu‘,
Art AsiaPacific, no.18, 1998.
Cochrane, Susan, Bérétara: Contemporary Pacific Art, Sydney, Halstead Press, 2001.
Craw, R., ‗Anthropology or the other‘, Art & Asia Pacific, supplement to Art & Australia, September
1993.
Elias, Ann, ‗Kowtowing to Commerce‘, Art & AsiaPacific, vol.3, no.1, 1996.
Hayes, Michael, ‗Burning Bridges, The contentious California conference ―Rewriting the Pacific‖‘, Art
AsiaPacific, vol.3, no.3, 1996
Jahnke, Robert, ‗Tribal Art and its Incorporation into Contemporary Art‘, in eds. Clark, John, Peleggi,
Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art,
University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 9-28.
Jose, Nicholas, ‗Asia & Oceania Influence - Sydney‘, Artlink, Vol. 16, No. 4 Summer 1996
Kaino, Lorna, The Necessity of Craft: Development and Women‘s Craft Practices in the Asia-Pacific Region, Perth,
University of Western Australia Press, 1995. [Review, Labrador, Ana P., in Art AsiaPacific, vol.3,
no.1, 1996.]
Kidd, Courtney. ‗Oceans and Others: Navigating Pacific Territory.‘ Art Monthly Australia, December
1998 to February 1999 no.116.
Lewis-Harris, J., ‗Printed, beaten, and coiled‘, Art & Asia Pacific, vol.2,no.2, 1995.
Menzies, Louise, ‗Islanded: Contemporary Art from New Zealand, Singapore and Taiwan, Adam Art
Gallery‘, (exhibition review) ArtAsiaPacific, no. 50, 2006.
Morse, Marcia, ‗Not Venice, Hawaii: The Contemporary Museum Biennial of Hawaii artists‘, Art &
Asia-Pacific, vol.3, no.1, 1996.
Mosby, Tom Byra Mixie, ‗ Playthings: Dance machines from the Torres Strait Islands‘, Art AsiaPacific,
no.14, 1997.
Naylor, Stephen, ‗Public/Private Tumatanui/Tumataiti: The 2 nd Auckland Triennial, Art Monthly
Australia, No. 170 (June, 2004), pp. 16-18
Page, Maude, ‗Contemporary Art at the Pacific Festival of Arts‘, Art AsiaPacific, no.14, 1997.
Pirating the Pacific, Sydney, Powerhouse Museum, 1993, [review by Martin Terry in Art Monthly Australia,
no.66, December-February 1993-94].
Rees, Simon, ‗1 st Auckland Triennial‘, Art AsiaPacific, no.33, 2002.
Rosi, Pamela, ‗Shigeyuki Kihara: Subverting Dusky Maidens and Exotic Tropes of Pacific Paradise‘,
ArtAsiaPacific, no. 51, 2007.
Searle, R., ‗Melanesia‘, Art Monthly Australia, no.66, December-February 1993-94.
Teaiwa, Theresa and Launiuvao, Juliette, ‗Canoe Culture‘, ArtAsiaPacific, no. 47, 2006.

Thomas, Nicholas & Losche, Diane, Double Vision: Art Histories and Colonial Histories in the Pacific,
Cambridge, Cambridge University Press, 1999.
Thomas, Nicolas, ‗Marked men‘, Art AsiaPacific, no.13, 1997.
Thomas, Nicolas, ‗Pacific Presences‘, Art Monthly Australia, no.86, Dec 1995-Feb 1996.
Thomas, Nicolas, ‗What shall we tell them ? Pacific Art, politics and culture‘, Art & Asia Pacific,
vol.1.no.4, 1994.
Vercoe, Corline, ‗Postcards as a signature of place‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Von Reiche, Steven, ―Pacific festival of Arts Workshop report‘, Art AsiaPacific, no.14, 1997.
229
Individual Artists
Baerhart, Laurence: Batten, John, ‗Laurence Aberhart: Macau and China‘ [Photography], Art AsiaPacific,
no.33, 2002.
Cotton, Shane: Tillers, Imants, ‗Locating Shane Cotton‘, Art AsiaPacific no.21 1999.
Fong, Luise: Vaigro, W., ‗Luise Fong: cosmographies; a pathologists‘s diary‘, Art & Asia Pacific, vol.2,
no.2, 1995.
Hammond, Bill: Smith, Allan, ‗Bill Hammond Paints New Zealand‘, Art AsiaPacific, no 23, 1999 Focus on
New Zealand.
Jahnke, Robert: Thomas, Nicolas, ‗Shadow and Substance: the recent work of Robert Jahnke‘, Art &
Asia Pacific, vol.1, no.1, 1993.
Kahukiwa, Robyn: Diamond, Jo, ‗Robyn Kahukiwa: Nurturing Maori Identity‘, Art AsiaPacific, no.33,
2002.
Kuage, Mathias: review, Art AsiaPacific, 25, 2000
Laita, Lily; O‘Neill, Anne: Stevenson, Karen, ‗Negotiating ‗tradition‘: the art of Lily Laita and Anne
O‘Neill‘, Art AsiaPacific,no.18, 1998.
Parekowhai, Michael: Barr, Jima and Mary, ‗ The Indefinite Article: Michael Parekowhai‘s riff on
representation‘, Art Asia Pacific, no 23, 1999 Focus on New Zealand.
Pule, John: Thomas, Nicolas, ‗Lost Gods: The paintings of John Pule‘, Art & Asia Pacific, vol.1.no.4,
1994; Thomas, Nicolas, ‗Oceans Apart‘, Asian Art News, vol.7, no.3, May/June 1997.
Reihana, Lisa: Page, Maude, ‗Interdigitatimg Reihanamations: Lisa Reihana‘s Video Weavings.‘ Art
AsiaPacific no.21, 1999.
Tan Yukking, ‗Individual Experience‘, in Asian Art News, v. 18(5Sept/Oct, 2008, pp. 82-3.
PAPUA NEW GUINEA
Mel, Michael, ‗Tradition and bilas in New Guinea‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Simons, Susan; Stevenson, Hugh, Luk Luk Gen! Look Again: Contemporary Art from Papua New Guinea,
Townsville, Perc Tucker Regional Gallery, 1990.
Smalley, S.F., Contemporary Art of Papua New Guinea, New York, Bridgewater State College, 1989.
Waiko, John, ‗Through our own eyes: Contemporary Art in Papua New Guinea", Art & Asia Pacific,
vol.1, no.4, 1994.
SOUTH ASIA
INDIA
General Works
Appasamy, J., ‗25 years of Indian Art‘, Lalit Kala Contemporary, no.15.
Appasamy, J., An Introduction to Modern Indian Sculpture, New Delhi, Indian Council for Cultural Relations
& Vikas Publications 1970.
Appasamy, J., The Critical Vision: Selected Writings, New Delhi, Lalit Kala Akademi, 1985.

230
Archer, W.G., India and Modern Art, London, George Allen & Unwin, 1959.
Award Winners: National Exhibition of Art, 1955-1990, New Delhi: Lalit Kala Akademi, n.d. (probably
1990 or soon after, given the publication is an exhibition catalogue).
Chaudhuri N.C., The Autobiography of an Unknown Indian, [London, Macmillan, 1951] Berkeley,
University of California Press, 1968.
Chaudhuri N.C., Thy Hand Great Anarch!, India 1921-1952, London, [Chatto & Windus 1987], The
Hogarth Press, 1990.
Clark, J., ‗Modern Indian Art: Some Literature and Problematics‘, Occasional Paper, no.21, Research
Institute for Asia and the Pacific, 81-page Review, ISBN 0 86758 916 7, 1994.
Clark, John, ‗Recent books on Indian and Pakistani art‘, in art & Australia, v. 45(1), Spring, 2007, p.
129.
Dalmia, Yashodhara, The Making of Modern Indian Art: The Progressives, New Delhi: Oxford, 2002.
Dalmia, Yashodhara, et.al., Contemporary Indian Art: Other Realities, Bombay: Marg, 2002.
Dehejia, Harsha V. Despair and modernity : reflections from modern Indian painting, New Delhi,: Motilal
Banarasidass Publishers, 2000.
Dhamija, R., ed., Sixty Years of Writing on Arts & Crafts in India [from Roopa-lekha 1928-1988], New Delhi,
Sterling Publishers, 1988.
Elliott, D., Musgrave, V., Alkazi, E., India: myth and reality, Aspects of Contemporary Art, Oxford, Museum
of Modern Art, 1982.
Fischer, Eberhard & Pathy Dinanath, Amorous delight: the Amarushataka Palm Leaf Manuscript, Zürich,
Artibus Asiae Publishers at Museum Rietberg, 2006 [artibusasiae@rietb.stzh.ch]
Ghose, D.C., Bibiliography of Modern Indian Art, New Delhi, Lalit Kala Akademi, 1980.
Goetz, H., ‗The great crisis from traditional to modern art‘, Lalit Kala Contemporary, no.1.
Inden, R., Imagining India, Oxford, Blackwell, 1990.
Indian Aesthetics and Art Activity, Simla, Indian Institute of Advanced Study, 1968.
Indische malerei der Gegenwart, [Bonn, Hannover, Hamburg, Bayreuth]Catalogue, 1982.
Jain, Jyotindra (ed.), India‘s Popular Culture. Iconic spaces and fluid images. Mumbai, Marg Publications, 2007.
Kapur Geeta, When was Modernism: Essays on contemporary cultural practice in India, New Delhi, Tulika, 2000.
Kapur, Geeta ―Representational Dilemnas of the Nineteenth-Century Painter: Raja Ravi Varma‖, in
When was Modernism: Essays on Contemporary Cultural Practice in India, Tuliki, New Delhi, 2000, 145-
78
Kapur, G., Bartholomew, R., Padamsee, A., Contemporary Indian Art, London, Royal Academy of Art,
1982.
Kapur, Geeta, Contemporary Indian Art, London, Royal Academy of Arts & Festival of India, 1982.
Kapur, Geeta, ―A Stake in Modernity: Brief History of Contemporary Indian Art‖ in Caroline Turner,
ed., Tradition and Change: Contemporary Art of Asia and the Pacific, Brisbane: University of
Queensland Press, 1993.
Kapur, ―Riddles of the Sphinx‖, exhibition catalogue exhibition catalogue on Gulammohammed
Sheikh, Pathvipath/ Journeys, CMC Gallery, New Delhi, 1991.
Kapur, Geeta and Sambrani, Chaitanya, crossing generations: diverge – Forty Years of Gallery Chemould
(Exhibition at the National Gallery of Modern Art, Mumbai), Mumbai: Gallery Chemould, 2003
Kaul, M., Trends in Indian Painting, New Delhi, Dhoomimal Ramchand, 1961.
Lynn, V., Singh, M.G., Bawa, M., Shah, H., India Songs: Multiple streams in Contemporary Indian Art,
Sydney, Art Gallery of New South Wales, 1993.
Mair, Victor, H., ‗Picture-storytelling in recent and modern India‘, chapter 4 of Painting and performance:
Chinese picture recitation and its Indian genesis Honolulu, University of Hawai‘i Press,1988.
Milford-Lutzker, Mary-Ann, ‗Shakti: The Power of Women‘s Art in India‘, Orientations, Volume 33,
Number 6, June 2002 [including: B. Prabha, Anjolie Ela Menon, Madhvi Parekh, Nalini Malani,
Vasundhara Tewari, Arpita Singh and Arpana Caur]
Mitter, Partha, Indian Art, New Delhi: Oxford:University Press, 2001.

231
Parimoo, R., ‗Modern Movement in Indian Sculpture‘, Special QuarterlyIssue of Kalavritt no.19,
January-March 1990.
Patel, G., Sokolowski, T., Herwitz, D.A., Contemporary Indian Art, New York, New York University
Press, 1985.
Pereira, José; Pal, Pratapaditya, eds., India and Portugal: Cultural Interactions, Mumbai, Marg Publications,
2001 [Marg, vol.53, no.2]
Prakash. Uma, ‗A New Face On The Block‘, , in Asian Art News, v. 18(4), July/August, 2008, pp. 108-
111.
Purohit, V, Arts of Transitional India, 2 vols, Bombay, Popular Prakashan, 1988.
Rohatgi, Pauline; Godrej, Pheroza; Mehrotra, Rahul; eds. Bombay to Mumbai: changing perspectives, Mumbai,
Marg Publications, 1997.
Rush, Dana, ‗The Idea of India – West African Vodun Art and Thought‘, Art Asia Pacific, No.34, 2002.
Sadwelkar, Baburao, ―Bombay Art Society: Story of a Hundred Years‖ in Story of a Hundred Years:
Bombay Art Society 1888-1988, Bombay: Bombay Art Society, 1989.
Dalmia, Yashodhara and Sambrani, Chaitanya, et. al, Indian Contemporary Art Post-Independence, New
Delhi: Vadehra Art Gallery, 1997.
Sarkar, Kamal, Bharater Bhaskar o Chitra-shilpi, Calcutta, 1984 [unseen by me, apparently the only artists‘
biographical dictionary].
Singh, B.P., India's culture: the state, the arts, and beyond, Delhi; New York: Oxford University Press, 1999.
Six Indian Painters, London, The Tate Gallery, 1982.
Ajay J., Sinha, ―Contemporary Indian Art: A Question of Method‖ Art Journal Fall 1999
Sinha, Gayatri, Indian Art: An Overview, New Delhi, Rupa & Co., 2003
Subramanyam, K.G., The Living Tradition: Perspectives on Modern Indian Art, Calcutta, Seagull Books, 1987.
Subramanyam, K.G., Moving Focus, New Delhi, Lalit Kala Akademi, 1978.
Subramanyam, K.G., The Creative Circuit, Calcutta, Seagull Books, 1992.
Individual Artists
Abdus Shakoor Shah: Jamal, Osman., ‗Imagining Ballads‘, in Asian Art News, Vol. 14, No. 2, March/April
2004, p.71-73.
Agarwal, Ravi: Menezes, Meera, ‗The Labour Behind the Images‘, interview with Ravi Agarwal in Art India,
Vol. Xiii, Iss. III & IV, 2008-9, p. 45-46.
Altaf, Navjot: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Navjot Altaf, Report at The First Fukuoka Asian Art Trienale [The 5 th Asian Art
Show], Seminar: ―Asian Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999
Anita Dube: Akira Tatehata, ‗Anita Dube‘ in Art Asia Pacific, Issue 37 (2003), p. 86
Arakkal, Yusuf: Doctor, Geeta, ‗An Artist of his time‘, Asian Art News, vol.6, no.4, July / August, 1996.
Atul Dodiya: Nanjo, Fumio, ‗Atul Dodiya‘ in Art Asia Pacific, Issue 37 (2003), p. 71
Ayisha Abraham, Rummana Hussain, Anita Dube, Sheela Gowda and Pushpamala N: Andrews, Jorella, ‗Telling
Tales: Five Contemporary Women Artists from India‘, Third Text, n43, Summer 1998, 81-9.
Baij, Ramkinkar: Ahuja, Naman J., Ramkinkar through the eyes of Devi Prasad, The School of the Arts &
Aesthetics, JNU, New Delhi. ; Appasamy, J., Ramkinker, New Delhi, Lalit Kala Akademi, 1961;
Prasad, D., ‗Ram Kinkar: A tribute‘, Art Heritage, 9, 1989-90; Subramanyam, K.G.,
‗Remembering Ram Kinkar‘, Art Heritage, 9, 1989-90; Subramanyam, K.G., text for Ramkinker,
Calcutta, Birla Academy of Art and Culture, 1972, in his Moving Focus, 1978.
Bajaj, Sugata: Prakash, Uma, ‗Between nature and Tradition‘, in Asian Art News, v. 18(5), Sept/Oct,
2008, pp. 118-121.
Bartholomew, Pablo: Zhuang Wubin, ‗History‘s Eyes‘, in Asian Art News, v. 17(6), November/December,
2007, pp. 96 – 101.
Bhatt, Jyoti: Bordewekar, Sandhya, ‗Negotiating the Traditional and the Modern‘, Art India, vol ix, issue
ii, quarter ii, 2004.

232
Bhattacharjee, Bikash: Dutta, Adip, ‗Beyond Appearances‘, Art India, Volume X, Issue IV, Quarter IV,
2005; Maitra, Romain, ‗The Desert of the Real‘, tribute to Bhattacharjee, in Art India, Vol XIII,
Iss. I, Quarter I, (2008) p. 141-143
Biswa, Sutapa: Tawadros, Gilane. ‗Sutapa Biswas: Rememberance of Things Past and Present.‘ Third Text
no.22 Spring 1993
Bose, Nandalal: ‗Nalandal [Bose] Number‘, The Visvabharati Quareterly, nos. 1,2,3,4 combined, May 1968-
April 1969; Bartholomew R., ed., Nalandal Bose: A Collection of Essays, Centenary Volume, New
Delhi, Lalit Kala Akademi, 1983; Subramanyam, K.G., ‗The Drawings of Nalandal Bose‘, Art
Heritage, no.2, 1979. ; Quintanilla, Sonya Rhie, ‗Beyond the Bengal School: Nationalism and
Cultural Regeneration in the Art of Nandalal Bose‘, in Orientations, vol. 36, no. 2, March, 2008.;
Bose, Supratik, ‗Growing Up With Nandalal Bose‘, in Orientations, vol. 36, no. 2, March, 2008.
Brahma, Dhirendranath: Ganguli, K.K., Drawings and Paintings of Dhirendranath Brahma, Calcutta, Birla
Academy of Art and Culture, 1990.
Burman, Chila Kumari: Pettifor, Steven, ‗The Layering of Self‘, Asian Art News, vol. 16, no. 6, Nov-Dec
2006.
Burman, Sakti: Kumar, Kavi, ‗A Third Continent‘, Asian Art News, vol.6, no.6, Nov/Dec 1996.
Caur, Arpana: Prakash, Uma, ‗The Spirit Ascending‘, Asian Art News, vol. 16, no. 2, 2006.
Chandra, Avinash: ‗Avinash Chandra 1931-1991.‘ Third Text no.16/17 Autumn/Winter 1991
Chhachhi, Sheba: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999. ; Prakash, Uma, ‗Marginalized Voices‘, in World Sculpture News, v. 14(1), Winter,
2008, pp. 50 – 53.
Chowdhury, Jogen: Prakash, Uma, ‗The Tension of the Eccentric‘, Asian Art News, vol. 17, no. 1, Jan-Feb
2007; review, Asian Art News, vol. 16, no. 3, 2006.
Coomaraswamy: Lipsey, R., Coomaraswamy: 3: His Life and Work, Princeton, Princeton University Press,
1977; Coomaraswamy, A.K., Fundamentals of Indian Art, Jaipur: The Historical Research
Documentation Programme, 1985.
Devi, Ganga: Jain, Jyotindra, ‗Ganga Devi: Tradition and Expression in Madhubani Painting.‘ Third Text
no.6 Spring 1989; Jain, Jyotindra, Ganga Devi: Tradition and expression in Mithila painting,
Ahmedabad, Mapin Publishing [review: Dalmia, Art AsiaPacific, no.18, 1998.]
Dodiya, Atul: review, Art AsiaPacific, 25, 2000; Hoskote, Ranjit, ‗Atul Dodiya: The possibilities of
political art‘, Art AsiaPacific, no.33, 2002. ; review, ArtAsiaPacific, no. 49, 2006; review, Asian Art
News, vol. 16, no. 3, 2006; Nagy, Peter and Gayatri Sinha, Atul Dodiya: Broken Branches, New York,
Bose Pacia, 2003; review, Asian Art News, vol.11, no.3, 2001
Dube, Anita: Kapoor Kamala, ‗Sieve-o-physis‘, Art AsiaPacific, 26, 2000. ; Miller-Lewis, Karin, ‗The
Illegitimacy of Violence‘ (review), Art India, volume X, issue iii, quarter iii, 2005.
Gaitonde, V.S.: Karunakar, P., ‗V.S.Gaitonde‘, Lalit Kala Contemporary, 19 & 20.
Galhotra, Vibha: ‗A Universal Vision‘, AsianArtNews, Vol. 19 No. 1 January/February 2009, pp. 76-79.
Gawde, Sunil: Jumabhoy, Zehra, ‗The Seductions of Form‘ Art India, volume X, issue iii, quarter iii, 2005.
Geier, Helen: review Art AsiaPacific 29, 200; Nagy, Peter and Sinha, Gayatri, Atul Dodiya: Broken Branches,
New York: Bose Pacia, 2003.
Gobhai, Mehlli: Hoskote, Ranjit, ‗Transforming traditions‘ Asian Art News, vol.6, no.6,
November/December 1996.
Gojin Fujita: Pagel, David, ‗Grafing Territory‘ 2003‘ in Art Asia Pacific, No. 39 (Winter 2004), pp. 48-52
Gowda, Sheila: Lynn, Victoria, ‗Dung heap: sensuality and violence in the art of Sheela Gowda‘, Art Asia
Pacific, vol.3, no.4, 1996. ; Adajania, Nancy, ‗Sheela Gowda: Narrating India‘, ArtAsiaPacific, no.
51, 2007.
Gujral, Satish: Sinha, Gayatri, Santo Datta and Gautam Bhatia, Satish Gujral: An Artography, Roli Books,
New Delhi, 2006; Satish Gujral: A Retrospective, exh. cat., National Gallery of Modern Arts, New
Delhi.
Gupta, Mahindra Bhusan: Roy, A., Paintings of Mahindra Bhusan Gupta, Calcutta, Birla Academy of Art and
Culture, 1987.

233
Gupta, Shilpa: Pijnappel, Johan, ‗Shilpa Gupta: Please dispose after use‘, Art AsiaPacific, no.35, 2002. ;
Sardesi, Abhay, ‗Holding on to her Conscience‘, Art India, volume X, issue I, quarter I, 2005. ;
Gopinath, Suman, ‗Shilpa Gupta. Participating by default‘, in Flash Art, vol. XLI, no. 258, Jan-
Feb, 2008, pp. 108 – 109; Sardesai, Abhay, ‗I Support Piracy‘, interview with Shilpa Gupta in Art
India, Vol. Xiii, Iss. III & IV, 2008-9, p. 37-38.
Gupta, Subodh: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The
5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,
1999; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002. ; Anath, Deepak, ‗Subodh Gupta‘, ArtAsiaPacific, no. 48, 2006;
Menezes, Meera, ‗Made in India‘, Art India, volume X, issue iii, quarter iii, 2005; Menezes, Meera,
‗The Home and the World‘, Art India, vol 9, issue 1, quarter 1, 2004. ; Prakash, Uma, ‗From
Global To Local‘, in World Sculpture News, v. 13(3), Summer, 2007, pp. 28 – 32, Likandawala,
Arshiya, ‗Empire of Steel‘, (why Subodh is considered the ne Czar of contemporary Indian art0 in
Art India, Vol XIII, Iss. I, (2008), p.52-54
Haldar, Asit Kumar: Kamboj, B.P., Asit Kumar Haldar, New Delhi, Lalit Kala Akademi, 1990;
Mukhophadhyay, A., Asit Kumar Haldar, New Delhi, Lalit Kala Akademi, 1991.
Havell, E.B.: Banerji, Debashish, ‗The Orientalism of E.B. Havell‘, Third Text, 58, vol. 16, no1, 2002;
Havell, E.B., Indian Sculpture and Painting, London, John Murray, 1908,[reprints as Chapter IV his
‗The Future of Indian Art‘]
Hebbar, K.K.: Krishnan, S.A., ‗Hebbar‘, Lalit Kala Contemporary, no.10.
Husain M.F.: Herwitz, Daniel, ‗Indian Histories: the recent work of M.F.Husain;‘, Art AsiaPacific,no.18,
1998; Chopra, Suneet, ‗A popular contemproary‘, Asian Art News, vol.6, no.2, Mar/Apr 1996;
Tagore, Sundaram, ‗A Story of a Jagged Line: The Art Of M.F. Husain.‘ Art AsiaPacific issue 19
1998. ; Herwitz, Daniel, ‗Maqbool Fida Husain: the Artist as India‘s National Hero‘, Third Text,
vol. 20, no. 1, January, 2006. ; Nath, Deeksha, ‗Indian Painter Incites Religious Controversy‘,
ArtAsiaPacific, no. 50, 2006; ‗A Life Revisited‘ (interview with M.F.Husain) Asian Art News, vol.
16, no. 1, 2006. ; Appasamy, J., ‗Husain‘, Lalit Kala Contemporary, no.10; Bartholomew, R., Kapur,
Shiv S., Husain, 2nd ed., New York, Abrams, 1979.
Hussain, Farhad: Prakash, Uma, ‗The Mundane Uncovered‘, in Asian Art News, v. 17(5),
September/October, 2007, pp. 66 – 71.
Hussain, Rumana: Kapoor, Kamala, ‗ Home Nation‘, ART AsiaPacific, no.13, 1997.
Joshi, Anant: Jumabhoy, Zehra, ‗Shadow play‘, Art India, volume X, issue iii, quarter iii, 2005.
Kahlon, Rajkamal: Miller-Lewis, Karin, ‗Haunted by History‘ Art India, volume X, issue iii, quarter iii,
2005.
Kallat, Jitish: Camper, Fred, ‗War Against Terror‘ (review), Art India, volume X, issue I, quarter I, 2005;
Sardesi, Abhay, ‗Orphans in the Storm‘, Art India, volume x, issue ii, quarter ii, 2005; Sengupta,
Paula, ‗Please let me hurt you, please‘ (review), Art India, vol 9, issue 1, quarter 1, 2004; Raja,
Minakshi, ‗New Horse for Old‘, Art India, vol 9, issue 1, quarter 1, 2004; Mami, Kataoka, ed.,
Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002:
Hoskote, Ranjit, ‗Jitish Kallat‘ in Art Asia Pacific, Issue 37 (2003), p. 54 ; Citron, Beth, ‗Jitish
Kallat: Copyright 2007‘, in ArtAsiaPacific, No. 55, September/October, 2007, pp. 108 – 109;
Gairley, Gina, ‗Navigating Contemporary India‘, in AsianArtNews, Vol. 19 No. 3 May/June 2009,
pp. 92-96; Sarkar, Shiladitya, ‗When Thoughts Come with Self-Pasting Adhesive…‘, interview
with Jitish Kallat in Art India, Vol. Xiii, Iss. III & IV, 2008-9, p. 47-48.
Kallat, Jitish, Gupta, Shilpa: Mehta, Anupa, ‗Ideas of the self and the other‘, Asian Art News, vol.10, no.6,
2000; Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999; Wong, Nicole, ‗Jitish Kallat at Bose Pacia Modern‘, Asian Art News, vol. 13, no. 1,
January/February 2003

234
Kanwar, Amar: Singh, Devika, ‗Amar Kanwar. The compasss that keeps spinning‘, in ArtAsiaPacific, No.
59, July/August, 2008, pp. 126 - 131.; Van Nieuwenhuyzen, Martijn, ‗Amar Kanwar. Collecting
Evidence‘, in Flash Art, vol. XLI, no. 258, Jan-Feb, 2008, pp. 106 - 107.
Kapoor, Anish: Raza, Sara, ‗Anish Kapoor: My Red Homeland‘ (exhibition review), ArtAsiaPacific, no. 50,
2006; Sardesi, Abhay, ‗Encounter-Anish Kapoor‘, Art India, vol 9, issue 1, quarter 1, 2004; review,
Artforum, vol. 44, Iss. 9, 2006; review Foss, Paul. ‗Anish Kapoor: Regen Projects‘..Art in America
97.5 (May 2009):p.161 (2); Jones, Caroline A., ‗Anish Kapoor‘ in Artforum, vol. 47, Iss. 2, Oct.
2008, p. 377.
Kapur, Madhoor : Khandekar, Reunka, ‗In search of secrets‘, Asian Art News, vol.6, no.2, Mar/Apr 1996.
Keyt, George: Goonetileke, H.A.I., George Keyt Drawings, Colombo, The George Keyt Foundation, 1990;
Russel, M., George Keyt, Bombay, Marg, 1950; George Keyt Exhibition, Colombo, Lionel Wendt
Gallery, 1983.
Khakhar, Bhupen: Kapur, Geeta, ‗Lightness of being: Bhupen Khakhar‘s recent watercolours‘, ART
AsiaPacific, no.14, 1997; Khopkar Arun, ‗Saint Bhupen‘, ART AsiaPacific, no.14, 1997; Bartelik,
Marek, ‗Bhupen Khakhar‘, Artforum International, Vol.41, Issue 5, January 2003
Khambatta, Arzan: Prakash, Uma, ‗A Determined Vision‘, World Sculpture News, vol. 12, no. 4, 2006.
Khandekar, Sanjeev: Magar, Nivedita, ‗Of Corporeality and Capitalism‘ (review), Art India, Volume X,
Issue IV, Quarter IV, 2005.
Kher, Bharti: Menezes, Meera, ‗Composite Creatures, Hyrbid Selves‘Art India, vol IX, issue iii, quarter iii
2004; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002 ; Majumdar, Minhazz, ‗Bharti Kher: Transformative Vision‘, in
ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 134 - 139.
Khurana, Sonia: Menezes, Meera, ‗Multiple Exposures‘, Art India, vol X, issue i, quarter i, 2005.
Koma, Riyas: Hazra, Abhishek, ‗Mediascapes of a Consumerist World‘, Art India, Volume X, Issue IV,
Quarter IV, 2005.
Kore, Somnath: Ray, P., ‗The Political in Art‘ (review of Somnath Hore‘s Tebhaga: An Artist‘s Diary and
Sketchbook), Journal of Arts & Ideas, 22, April 1992.
Krishnamachari, Bose: Gore, Madhavi, ‗Portrait of an Experimentalist‘, Art India, Volume X, Issue IV,
Quarter IV, 2005.
Kulkarni, K.S: ‗K.S. Kularni‘ (review), ArtAsiaPacific, no. 46, 2005.
Kumar, Ram: Bartholomew, R., ‗Ram Kumar: The Early Years‘(1955) (and other pieces re-printed from
1960, 1961, 1980), Art Heritage, 4, 1984-85; Bartholomew, R., ‗The abstract principle in the
paintings of Ram Kumar‘, Lalit Kala Contemporary, 19 & 20; Hoskote, Ranjit, ‗Reflections On The
Art of Ram Kumar‘, Asian Art News, vol. 12, no. 5, September/October, 2002. ; Prakash, Uma,
‗A Discerning Path‘, in Asian Art News, v. 17(3), May/June, 2007, pp. 62 – 66.
Madanahalli, Umesh: hazra, Abhishek, ‗All the World‘s A Stage‘, Art India, volume X, issue iii, quarter iii,
2005.
Mahammad, Isha: Jamal, Osman, ‗Figures from Struggle‘, Asian Art News, vol. 15, no. 3, 2005.
Maity, Parish: Prakash, Uma, ‗An Art of Passion‘, Asian Art News, vol. 16, no. 3, 2006.
Malani, Nalini: review, Art AsiaPacific, 21, 1999; Rosenbaum, Robert, ‗Bhupen Khakhar‘, Artforum
International, Vol.40, Issue 9, May 2002; Sambrani, Chaitanya and Devenport, Rhana, Nalini
Malani, exhibition catalogue New York: Bose Pacia, 2004. ; Paluay, Lyssa ‗Nalini Malani‘
(exhibition review), ArtAsiaPacific, no. 51, 2007 ; Jaradi, Priya Maholay, ‗The Will to Assimilate‘
Art India, volume X, issue I, quarter I, 2005; Nalani Malani, Cassandra. Galerie Lelong, repères
cajiers d‘art contemporain no. 143, 2009.
Menan, Dimpy: Prakash, Uma, ‗A passionate Stillness‘, in World Sculpture News, vol 14, no 3, Summer
2008, pp.40-43
Menon, Anjolie Ela: Murti, I., ‗The Independent Romantic of Indian Art, Asian Art News, 2, no.2
Mar/Apr 1992. ; Kraft, Jessica, ‗Anjolie Ela Menon: Pilgrimage; A Selection of Paintings‘
(exhibition review), ArtAsiaPacific, no. 51, 2007; review, Asian Art News, vol.12, no.4, 2002
Metha, Tyeb: Winchester, Simon, ‗Framing Tyeb Metha‘, ArtAsiaPacific, no. 47, 2006.

235
Mohamedi, Nasreen: Galligan, Gregory, ‗Nasreen Mohamedi ―What Geometry One Finds on the Beach‖‘
, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 102 – 107; Storer, Russell, ‗Nasreen Mohamedi:
The Stillness of the captured Moment‘ in TAASA Review. The Journal of the Asian Art Society of
Australia, v.17, No. 3, September 2008, p. 20
Mokhlesur Rahman: Jamal, Osman., ‗Of the Land‘, in Asain Art News, Vol. 13, No. 4, July/August 2003,
p.68-70
Momadi, Nasreen: ‗Nasreen Momadi: Life Among Lines‘, (review) ArtAsiaPacific, no. 46, 2005.
Mukherjee, Benode Bihari: Sheikh, Gulammohammed and R. Shiv Kumar, eds., Benodebehari Mukherjee
(1904-1980): A Centenary Retrospective Exhibition, Vadehra Art Gallery, New Delhi, 2007;
Mukherjee, B.B., ‗My Experiments with Murals‘, Lalit Kala Contemporary, no.14; Sheikh, G.M.,
‗Benode Bihari Mukherjee‘, Lalit Kala Contemporary, no.23; Subramanyam, K.G., ‗Benode Bihari
Mukherjee‘, Lalit Kala Contemporary, no.10; Neogy, Prithwith, Benode Bihari Mukherjee, Lalit Kala
Akademi, 1965.
Mukherjee, Mrinalini: Ananth, Deepak, ‗Mrinalini Mukherjee‘s hemp sculpture‘, Art Asia Pacific, vol.3,
no.4, 1996; Guha, Tania, ‗Mirnalini Mukherjee: labyrinths of the mind‘, Third Text, 28/29,
Autumn/Winter 1994.
Mukherjee, Sandeep: review, Artforum, vol. 44, Iss. 5, 2006.
Naik, Virag: [Goan painter], Prakash, Uma, ‗The Spirit of Goa‘, in Asian Art News, v. 18(4),
July/August, 2008, pp. 82-85.
Nair, Surendran: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Nandagopal, S.: James, Josef. ‗Sculpted Solutions: S. Nandagopal.‘ World Sculpture News Summer 1997. ;
Findlay, Ian, ‗The Flight of Form‘, World Sculpture News, vol. 12, no. 1, 2006.
Narayan, Badri: review, Asian Art News, vol. 16, no. 5, 2006.
Natesan, Shibu: Bordewekar, Sandhya, ‗Media-inspired imagery has allowed artists to have a much wider
subject range‘, Art India, Volume X, Issue IV, Quarter IV, 2005.
Padamsee, Akbar: Akbar Padamsee, Retrospective, New Delhi, Art Heritage, 1981 [?]; Datta, E., ‗Akbar
Padamsee: The Spirit of Order‘, Art Heritage, 8, 1988-9; Hoskote, R., ‗Akbar Padamsee: Between
the Hieratic and the Human‘, Art Heritage, 11, 1991-92; Karunakar, P., ‗Akbar Padamsee‘, Lalit
Kala Contemporary, no.23.
Parekh, Manu: Parekh, Manu, Banaras: Painting the Sacred City/Manu Parekh, New Delhi, 2005.
Parthan, Baiju: Mehta, Anupa, ‗An artist for hybrid narratives‘, Asian Art News, vol.10, no.6, 2000;
Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation
Asia Center, 2002; Gupta, Latika, ‗Metaphysical Puzzles‘, in Art India, Vol XIII, Iss. I, (2008) p.
137.
Patwardhan, Sudhir: Sardesai, Abhay, ‗Drawing from Life, interview with Sudhir Patwardhan in Art India,
Vol. Xiii, Iss. III & IV, 2008-9, p. 53-55
Poddar, Anupam: Nagy, Peter, ‗Anupam Poddar; Shaking up the Subcontinent‘, in Flash Art, vol. XLI,
no. 258, Jan-Feb, 2008, pp. 120 - 121.
Prabir, Purkayastha: ‗Purkayastha Prabir: Ladakh‘ (review), ArtAsiaPacific, no. 46, 2005.
Prema Murthy: Reckitt, Helena, ‗From Bindi Girls To Space Invaders: Prema Murthy‘ in Art Asia Pacific,
No. 39 (Winter 2004), pp. 34-35
Pushpamala, N: Pushpamala N: Indian Lady, New York: Bose Pacia, 2004.
Radhakrishna, K.S: Prakash, Uma, ‗A Maze of Bodies‘, World Sculpture News, vol. 11, no. 2, 2005.
Rahman, Ram: review, Art AsiaPacific, 26, 2000
Ramachandran, A.: Murti, Isna ‗Redfining tradition, Asian Art News, vol.6, no.6, November/December
1996. ; Siva Kumar, R., Ramachandran: A Retrospective, New Delhi, Vahedra Art Gallery, 2004.
Ranbir n: ‗Ranbir ; (review) ArtAsiaPacific, no. 48, 2006; Gupta, Latika, ‗Event, Metaphor, Memory‘,
interview with Ranbir Kaleka in Art India, Vol. Xiii, Iss. III & IV, 2008-9, p. 49-50; Dinkar,
Niharika, ‗Spitting Image; Splitting Image‘, interview with Ranbir Kaleka, in Art India, Vol XIII,
Iss. I1, (2008) p. 116-117.

236
Ranjini Shettar: Malhotra, Priya, ‗ Ranjini Shettar at Talwar Gallery‘ (Review) in World Sculpture News, Vol.
10, No. 2 (Spring 2004), pp. 53
Raqs Media Collective: Hoskote, Ranjit, ‗Rasq Media Collective‘ in Art Asia Pacific, Issue 37 (2003), p. 52
Raza, Sh: ‗Still Evolving‘, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 94 - 95.
Reddy, Krishna: Krishna Reddy: A Retrospective, Calcutta, Birla Academy of Art & Culture, 1984.
Reddy, Ravinder: Kapoor, Kamala, ‗Conjuring The World: Ravinder Reddy‘s sculptural emblems.‘ Art
AsiaPacific no. 21 1999
Rimzon, N.N.: Lynn, Victoria, ‗The art of N.N. Rimzon‘, Art & Asia Pacific, vol.3, no.2, 1996.
Rodwittiya, Rekha: Kapoor, Kamala, ‗Daily Rituals: Rekha Rodwittiya‘s rebellion‘, Art AsiaPacific, no.17,
1998.
Roy, Jamini: Sen, P., Kejariwal, P., Jamini Roy - The Grand Patua, New Delhi, CMC Gallery, 1991; The Art
of Jamini Roy, Calcutta, Birla Academy of Art and Culture & Jamini Roy Birth Centenary
Celebration Committee, 1987.
Roychowdhury, D.P.: Biswas, Kali, Devi Prasad Roychowdhury, Lalit Kala Akademi, 1973; The Art of D.P.Roy
Chowdhury, Calcutta, Birla Academy of Art and Culture, 1989.
Sabavala, Jenhangir: Hoskote, Ranjit, The Crucible of Painting: The Art of Jenhangir Sabavala, Eminence
Deisgns/National Gallery of Modern Art, Mumbai, 2005; Mehta, Sage, ‗I usually don‘t have the
courage to destroy my works‘, interview with Jehangir Sabavala in Art India, Vol. Xiii, Iss. III &
IV, 2008-9, p. 56-57.
Saini, Reena: Sengupta, Paula, ‗Please let me hurt you, please‘ (review), Art India, vol 9, issue 1, quarter 1,
2004; Raja, Minakshi, ‗New Horse for Old‘, Art India, vol 9, issue 1, quarter 1, 2004; Shahane,
Girish, ‗The Flower and the Sword‘ (review), Art India, volume X, issue I, quarter I, 2005.
Samant, Sharmila: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Santhosh, T.V: Jasmine Shah Varma, ‗Truth and its Shadow‘, Art India, Volume X, Issue IV, Quarter IV,
2005.
Sarai: Shikata, Yukiko, ‗Sarai‘ in Art Asia Pacific, Issue 37 (2003), p. 83
Sardesi, Abhay: Sabavala, Jehangir, ‗Interview‘, Art India, Volume X, Issue IV, Quarter IV, 2005.
Sen, Mithu: Ng, Elaine W., ‗Mithu Sen‘s Stately Manners‘ ArtAsiaPacific, no. 50, 2006. ; Prakash, Uma,
‗Uneasy Preoccupations‘, in Asian Art News, v. 18(1), January/February, 2008, pp. 93 – 95.
Shah, Himmat: Prakash, Uma, ‗The Undaunted Spirit‘, in World Sculpture News, vol 15, no 1, Winter 2009,
pp.43-47; Gupta, Latika, ‗Relational Aesthetics‘. Interview with Mithu Sen, Art India, Vol. Xiii,
Iss. III & IV, 2008-9, p. 39-40.
Shantanu Lodh: Hoskote, Ranjit, ‗Shantanu Lodh‘ in Art Asia Pacific, Issue 37 (2003), p. 53
Sharma, Nataraj: Maerkle, Andrew, ‗The Iron Man‘, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, pp. 92 –
97; Jumabhoy, Zehra, ‗Nataraj Sharma‘ in in Artforum, Vol. 47, Iss. 7, March 2009, p. 262.
Shaw, Raqib: Laster, Paul, ‗Raquib Shaw: In the Garden of Eden‘, ArtAsiaPacific, no. 47, 2006.
Sheikh, Gulammohammed: Sheikh, G.M., ‗Among Several Cultures and Times‘, in Borden, C.M., ed.,
Contemporary Indian Traditions, Washington, Smithsonian Institution Press, 1989; Sheikh, G.M.,
‗Mobile Vision: Some Synoptic Comments‘, Journal of Arts & Ideas, October-December 1983;
Sheikh, G.M., ‗Viewer‘s View: Looking at Pictures‘, Journal of Arts & Ideas April-June 1983;
Gulammohammed Sheikh: Mappings (Catalogue), Mumbai: The Guild Art Gallery, 2004; Kapur,
Geeta, ―Riddles of the Sphinx‖, exhibition catalogue exhibition catalogue, Gulammohammed
Sheikh, Pathvipath/ Journeys, CMC Gallery, New Delhi, 1991. ; Kapur, Geeta, ‗The persistence of
romance in the paintings of Gulammohammed Sheikh‘, in Jain, Jyotindra, ed., Picture Showmen:
Insights into the Narrative Tradition in India Art, Mumbai, Marg Publications 1998 [Marg, vol.49,
no.3]; The Art of Gulammohammed Sheikh, New Delhi: Roli Books, 2002. ; Maddock, Peter, ‗The
Imagini Mundi of Gulammohammed Sheik: An Exercise in the Dedifferentiation of the Global
and Local Ecumene‘, Third Text, vol. 20, no. 5, September, 2006; Priya Malhotra, ‗A Panorama of
Transience‘, in AsianArtNews, Vol. 19 No. 3 May/June 2009, pp. 56-60; Bordewekar, Sandhya,

237
‗Big Things Have Small Beginnings‘, Interview with Nataraj Sharma in Art India, Vol. Xiii, Iss. III
& IV, 2008-9, p. 43-44.
Sheikh, Nilima: Kapoor, Kamala, ‗The art of Nilima Sheikh‘, Art & Asia Pacific, vol.3, no.2, 1996.
Sher-Gil, Amrita: Amrita Sher-Gil : Eine indische Kunstlerfamilie im XX. Jahrhundert, Schirmer Mosel, 2006;
Dalmia, Yashodhara , Amrita Sher-Gil: A life, New Delhi, Penguin/Viking, 2006; Sher-gil, Amrita,
Amrita Sher-Gil: an auto-portrait in letters and writings, annotated and edited by Vivan Sundaram, New
Delhi, Tulika Books, 2007; Chawla, Rupika, ‗ Talent tragedy and the myth of Amrita Sher-Gil‘, in
Sinha, Gayatri, ed., Indian Art: an overview, New Delhi, Rupa, 2003; Sundaram, V. biography at
http://www.sikh-heritage.co.uk/arts/amritashergil/amritashergill.html;
Sundaram, Vivan, Re-take of Amrita : digital photomontages based on photographs by Umrao Singh Sher-Gil
(1870-1954) and photographs from the Sher-Gil family archive, New Delhi : Tulika, 2001; Anand, M.R.,
Amrita Sher-gil, New Delhi, National Gallery of Modern Art, 1989; Fabri, C., ‗Notes towards a
Biography of Amrita Sher-Gil‘, Lalit Kala Contemporary, no.2; Subramanyam, K.G., ‗Amrita Sher-
Gil and the East-West Dilemma‘,in Marg special publication for Amrita Sher-Gil retrospective
no.2 1972 [ as well as papers by Gulam Mohammwed Sheikh & Geeta Kapur], and in Moving
Focus, 1978.
Shettar, Ranjani: ‗Fire in the Belly‘, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 144 - 149.
Shetty, Sudarshan: Fukuoka Asian Art Museum, Contemporary Asian Artist-II (India): Sudarshan Shetty,
Fukuoka: Fukuoka Asian Art Museum, 2001. ; Vali, Murtaza, ‗Sudarshan Shetty: Toying with
Objects‘, ArtAsiaPacific, no. 50, 2006; Nath, Deeksha, ‗In Cold Blood‘ (review) Art India, vol 9,
issue 1, quarter 1, 2004; Dinkar, Niharika, ‗The Cold-Blooded World of machine‘, interview with
Sudarshan Shetty, in Art India, Vol XIII, Iss. I, (2008) p. 111-2
Singh, Dhananjay: Headley, Christopher, ‗Between Presence and Absence‘, World Sculpture News, vol. 12,
no. 4, 2006.
Sinh, Mahendra: Jakimowicz, Marta, ‗An Empathetic Witness‘, Art India, vol 9, issue 1, quarter 1, 2004.
Sonpimpare, Sanjeev: Tamhane, Abhijeet, ‗Cross-over Artist‘, Art India, Volume X, Issue IV, Quarter IV,
2005.
Sorani, Angeli: Findlay, Ian, ‗From figure to abstraction‘, Asian Art News, vol.10, no.6, 2000
Souza Francis N : Souza, Francis N., ‗Nirvana of a Maggot‘ [1955], Third Text, n19, Summer 1992, 40-
48; Kapur, Geeta, ‗Francis Newton Souza: Devil in the Flesh.‘ Third Text no.8/9 Autumn /
Winter 1989; Souza, Francis N. ‗Nirvana of a Maggot.‘ [reprint of 1955] Third Text, no.19,
Summer 1992. ; Kapur, Geeta, ‗Francis Newton Souza:Devil in the Flesh‘ Third Text, no.8/9;
Dalmia, Yashodhara, The Demonic Line: An Exhibition of drawings, 1940-1964 by Francis Newton
Souza, CatalogueDelhi Art Gallery, 2001
Sowani, Angeli: review, Asian Art News, vol.9, no.1, 1999
Subarmanyan, K.G.: K.G. Subramanyan: Retrospective, Calcutta, Birla Academy of Art & Culture, 1983;
K.G. Subramanyan, Sketches, Scribbles, Drawings, Calcutta: Seagull Books, 1999; K.G. Subramanyan,
The Living Tradition, Kolkata: Seagull, 1987; K.G. Subramanyan, The Creative Circuit, Kolkata: Seagull,
1992. ; Hebbar, A., ‗From Image to Icon: A study of the development of K.G. Subramanyan‘, Art
Heritage, 4, 1984-85; Kapur, Geeta, K.G.Subramanyan, New Delhi, Lalit Kala Akademi, 1987. ;
Siva Kumar, R., K.G. Subramanyan: A Retrospective, National Gallery of Modern Arts, New Delhi.
Subramnyan, K. B: review, Asian Art News, vol. 16, no. 3, 2006.
Sukumaran, Ashok: Kallat, Jitish, ‗Looking Out, Looking In‘, Art India, Vol IX, Issue iii (Quarter iii
2004); Paidipaty, Poorima, ‗Circuits of Communication‘ interview with Ashok Sukumaran, first
solo exhibition in USA, in Art India, Vol XIII, Iss. III & IV, 2008, p. 88-9.
Sundaram, Vivan: Singh, M.G., ‗The Orientalist: A Short Note on Vivan Sundaram‘s Work‘, Journal of
Arts & Ideas, 17-18, June 1989; Vivan Sundaram, Catalogue, New Delhi, Shrihardharani Gallery,
1984; Vivan Sundaram: Journeys, Bangalore, Kala Yatra, 1988; Brouwer, Marianne, ‗Vivan
Sundaram: Re-take of Amrita‘, ART AsiaPacific, Issue 36 (2002); Phillips, Kristy, 'Family,
Photography, and Icon: Vivan Sundaram's Re-take of 'Amrita', IIAS Newsletter, No. 29,
November 2002; Sundaram, Vivan, Re-Take of AmritaNew Delhi: Tulika Books, 2001; Sundaram,

238
Vivan, Great Indian Bazaar, Catalogue for the Second Johannesburg Biennale, 1997; Vian
Sundaram, The Sher-Gil Archive (Catalogue) 1995-1996; Sundaram, Vivan, Riverscape, 1992-1993
(Catalogue), New Delhi, 1994-1995. ; Roberts, John, ‗Indian Art, Identity and the Avant-Garde:
The Sculpture of Vivan Sundaram‘, Third Text, n27, Summer 1994, 31-36: Dewan, Deepali,
‗Vivan Sundaram‘ in Art Asia Pacific, Issue 37 (2003), p. 39; The Art of Vivan Sundaram, New
Delhi: Roli Books, 2002
Syed Jahangir: Jamal, Osman., ‗A Social Conscience‘, in Asian Art News, Vol. 13, No. 3, May/June 2003,
p.54-57.
Tagore, Abanindranath: Appasamy, J, Abandindranath Tagore and the Art of His Times, New Delhi,Lalit Kala
Akademi, 1968; Mukherjee, B., ‗A Chronology of Abanindranath‘s Paintings‘, Visva-Bharati
Quarterly, May-October, 1942; Mukherjee, B., ‗Abanindranath and his Tradition‘, Lalit Kala
Contemporary, no.1; Nandi, S.K., ‗The Aesthetics of Abanindranath Tagore‘ in Simla.., 1968.
Tagore, Gaganendranath: Parimoo, R., ‗The Chronology of the Paintings of Gaganendranath Tagore‘,in
Krishna, A., ed, Chhavi, Banaras, Bharat Kala Bhavan, 1971.
Tagore, Rabindranath: Bhowmik, S.N., Art of Rabindranath Tagore, Calcutta, Rabindra Bharati University,
1984; Coomaraswamy, A.K. ‗Drawings by Rabindranath Tagore‘, Rupam, nos 42-44, April-
October, 1930; Neogy, Prithwith, Drawings and Paintings of Rabindranath Tagore, New Delhi, Lalit
Kala Akademi, 1961; Tagore, R., ‗Foreword‘ (to European exhibitions, of 28.4.1930), Rupam, nos
42/44, April-October, 1930; Parimoo, R., Rabindranath Tagore, Collection of Essays, New Delhi, Lalit
Kala Akademi, 1989. ; Tagore, Rabindranath, Nationalism¸ London Macmillan, 1917; ‗Tagore
centenary Number‘, The Visvabharati Quarterly, vol.26, nos 3 & 4, May 1962; Lago, M. ed.,
Imperfect Encounter: Letters of William Rothenstein and Rabindranath Tagore, Harvard, 1972.; Aronson,
A., Rabindranath through Western Eyes, Allahabad, 1943.; Chandhury,P.J., Tagore on Literature and
Aesthetics, Calcutta, 1965; Hay, S.N., Asian Ideas of East and West: Tagore and his critics in Japan,
China, and India, Harvard UP, 1970; Kripalani,K., Rabindranath Tagore: A Biography, Oxford, 1962;
Mukherji, P. K., Life of Tagore, Indian Book Co., 1975; Rabindranath Tagore, 1861-1961, A Centenary
Volume, New Delhi, Sahitya Akademi, 1961, reprint 1986, [includes essays and recollections on all
aspects of his life, the most detailed chronology and bibliography]; Thompson, E. J., Rabindranath
Tagore: Poet and Dramatist, Oxford, 2nd ed., 1948; Monk, R., Robinson, A., Rabindranath Tagore: A
Celebration of His life and Work, Oxford, Museum of Modern Art & Rabindranath Tagore Festival,
1986; Neogy, P., Drawings and Paintings of Rabindranath Tagore, New Delhi, Lalit Kala Akademi,
1961; Neogy, P., ed., Rabindranath Tagore on Art and Aesthetics, New Delhi, 1961.
Tagore: Parimoo, R., The Paintings of the Three Tagores: Abanindranath, Gaganendranath, Rabanindranath,
Baroda, M.S. University of Baroda, 1973.
Tiku, Rajendar: Kabir, Ananya, ‗The Other Possibility‘, Art India, vol 9, issue 1, quarter 1, 2004.
Tun Sein, John: Prakash, Uma, ‗A World of Texture And Color‘, in Asian Art News, v. 18(3), May/June,
2008, pp. 116 – 119.
Upadhyay, Chintan: Carsley, Gary, ‗Karma Chameleons‘, Art India, vol ix, issue ii, quarter ii, 2004.
Art for the British
Appasamy, J., Indian Paintings of the British Period, New Delhi, Rasaja Foundation, 1984.
Appasamy, J., Indian Paintings on Glass, New Delhi, Indian Council for Cultural Relations, 1980 [brief
article by Appasamy & Singh also in Art Heritage, no. 5, 1985-86].
Archer, M., ‗Banaras and the British‘, in Krishna, A., ed, Chhavi, Banaras, Bharat Kala Bhavan, 1971.
Archer, M., and W.G., Indian Painting for the British, 1770-1880, Oxford, Oxford University Press, 1955.
Archer, Mildred, Company Paintings: Indian Paintings of the British Period, London, Victoria & Albert
Museum & Ahmedabad, Mapin, 1992.
Art of Bengal Past and Present 1850-2000 Calcutta: CIMA, 2001.
Bautze, Joachim K., Interaction of Cultures: Indian and Western Painting, 1780-1910, The Ehrenfield Collection,
Alexandria, Virginia, Art Services International, 1998
Carey, W.,H., The Good Old Days of Honorable John Company, reprint, Calcutta, R. Cambray & Co, 1906
[vol.II, pages 184-219].

239
Chatterjee, R., From the Karkhana to the studio: Changing social roles of patron and artist in Bengal, New Delhi,
Books & Books, 1990.
Davis, Richard H., ‗Indian images collected‘, ch.5 of his Lives of Indian Images, Princeton, Princeton
University Press,1997
Goswami, B.N., ‗Toda Gashia: painting at Scindia‘s court at Gwalior‘, Art Heritage, no.2, 1979.
Mahajan, J., ‗Oriental Scenery: The Daniells in Northern & Eastern India‘, Orientations, vol 13, no.1,
1982.
Mahajan, J., ‗Oriental Scenery:The Daniells in Western India‘, ibid, August 1982.
Mahajan, J., ‗The Daniells in South India‘, ibid, April 1982.
Mahajan, J., ‗The Ganges from a Budgerow‘, Orientations, vol.12, no.6, June 1981.
Mitter, P., Much Maligned Monsters, Oxford, 1977.
Pal, P., ‗Indian Artists and British Patrons in Calcutta, Marg, XLI, no.4, 1991.
Pal, P., Dehejia, V., From Merchants to Emperors: British Artists and India, 1757-1930, Ithaca, Cornell
University Press, 1986.
Randhawa, R.S., ‗Two Panjabi Artists of the Nineteenth Century‘,in Krishna, A., ed, Chhavi, Banaras,
Bharat Kala Bhavan, 1971.
Rohatgi, Pauline; Godrej, Pheroza, eds., India, a pageant of prints, Bombay: Marg Publications, 1989.
Rohatgi, Pauline; Godrej, Pheroza, eds., Under the Indian sun : British landscape artists, Bombay : Marg
Publications, 1995.
Rohatgi, Pauline; Portraits in the India Office Library and Records, London: British Library, 1983.
Rossi, Barbara, From the Ocean of painting: India‘s popular paintings, 1589 to the present, New York, Oxford
Unviersity Press, 1998
Roy, S., Calcutta, Society and Change 1690-1990, Calcutta, Rupa, 1991.
Welch, S.C., India:Art and Culture,1300-1900, New York, Metropolitan Museum, 1985 [see Chapter V,
The British Period].
Welch, S.C., Room for Wonder; Indian Painting during the British period 1760-1880, New York, The American
Federation of Arts, 1978.
Urban Popular Graphic Art in the 19th and 20 th Centuries
Appasamy, J., ‗Early Calcutta Lithographs‘, Lalit Kala Contemporary, no.31, April 1981.
Appasamy, J., ‗Early oil painting in Bengal‘, Lalit Kala Contemporary, no.32, April 1985.
Archer, W.G., Kalighat Paintings, London, HMSO, 1971.
Art India, Vol. 8, Issue 2 (Quarter 2, 2003), Special Issue on ‗Imaging the City‘ [Includes lead essay on
Cities as sites of modernity in relation to the production and consumption of Art]
Ashish Nandy, ed., The secret politics of our desires: innocence, culpability and Indian popular cinema, London;
New York: Zed Books, 1998.
Banerjee, S., The Parlour and the Streets: Elite and Popular Culture in 19th century Calcutta, Calcutta, Seagull
Books, 1989.
Blurton, Richard, ‗Tradition and Modernism: contemporary Indian religious prints‘, South Asia research,
vol.8, no.1, 1988
Boji, Zoja, ‗The Age of Heroes‘, Art Monthly Australia, no.102, August 1997.
Breckenridge, Carol A. ed., Consuming modernity: public culture in a South Asian world, Minneapolis:
University of Minnesota Press, 1995.
Dwyer, Rachel, Patel, Divia, Cinema India : the visual culture of Hindi film, New Brunswick, NJ : Rutgers
University Press, 2002 ‗
From Goddess to pin up‘ review, Art AsiaPacific, 34, 2002
Ghose, A., ‗Old Bengal Paintings‘, Rupam, nos 27-28, July-October, 1926.
Guha-Thakurta, T., ‗Women as "Calendar Art" icons: Emergence of pictorial stereotype in Colonial
India‘, Economic and Political Weekly, 26.10.1991.
Jain, Jotindra, Kalighat Painting: Images from a changing world, Ahmedabad, Mapin, 1999.
Jain, Jyotindra, ed., Picture Showmen: Insights into the Narrative Tradition in India Art, Mumbai, Marg
Publications 1998 [Marg, vol.49, no.3]

240
Jain, Jyotindra, Ganga Devi: Tradition and Expression in Mithila Painting, 1997.
Jain, Jyotindra, Indian Popular Culture: The Conquest of the World as Picture, National Gallery of Modern
Arts, New Delhi, 2002.
Jain, Jyotindra, Other Masters: Five Contemporary Folk and Tribal Artists of India, New Delhi: Crafts
Museum, not dated.
Jain, Kajri, Gods in the bazaar : the commercial, sacred and libidinal economies of Indian 'calendar art', unpublished
PhD, University of Sydney, 1998
Jain, Kajri, Gods in the Bazaar: The Economies of Indian Calendar Art, Durham, Duke University Press, 2007
Jain, Kajri, Of the every-day and the "National Pencil": Calendars in Post-Colonial India, M.A. Thesis, University
of Sydney, 1992.
Mishra, Vijay, Bollywood cinema: temples of desire, New York: Routledge, 2002
Mukhopadhyay, A., Das, N., ‗19th Century Printmaking in India‘, Art Heritage, no.5, 1985-86.
Nandakumar, R.,―Raja Ravi Varma in the Realm of the Public,‖ Journal of Arts and Ideas, Nos. 27-28,
March 1995.
Neumayer, Erwin & Schelberger, Christine, Popular Indian Art: Raja Ravi Varma and the printed Gods of
India, Oxford Unviersity Press, 2003
Parimoo, R., ‗Kitsch: The Vulgarization of Art‘, The Times of India, 16.11.1975.
Paul, A. ed., Woodcut Prints of 19th century Calcutta, Calcutta, Seagull Press, 1983 [review, Santo Dutta in
Journal of Arts and Ideas, no.9].
Pinney, C., ‗The iconology of Hindu oleographs: linear and mythic narrative in popular Indian art‘, Res,
no.22, Autumn 1992.
Pinney, Chritopher, ‗An authentic Indian kitsch: the aesthetics, discriminations and hybridity of popular
Hindu art‘, Social Analysis, no.39, September 1995.
Rajadhyaksha, A. and Willemen, Paul, Encyclopedia of Indian Cinema, London and New Delhi: British Film
Institute and Oxford UP, 1999.
Ray, P., ‗Early Graphic arts in Bengal‘, Lalit Kala Contemporary, no.18.
Sengupta, Paula, ‗Punjab Pictures‘, Art India, vol ix, issue ii, quarter ii, 2004.
Uberoi, Patricia, ‗ From Goddess to Pin-Up: images of women in Indian calendar art‘, ART AsiaPacific,
no.14, 1997
Uberoi, Patricia, ‗Feminine Identity and National Identity in Indian Calendar Art‘, Economic and Political
Weekly, 24.4.1990.
The British Art School System
Bagal, J.C., Centenary: Government College of Art and Craft Calcutta, 1864-1964, Calcutta, Government
College of Art and Craft, 1966.
Bäumer, B., Rupa Pratirupa: Alice Boner Commemoration Volume, New Delhi, Bibli Impex Private, 1982.
Birdwood, George C. M. Industrial Arts of India, published for the Committee of Council on Education,
London: Chapman and Hill, 1880
Buck, E.C., ‗Preface‘ & ‗Draft Scheme for the Promotion of Industrial Arts in India‘, The Journal of
Indian Art, vol.1, October 1886.
Boner, G. & Fischer, E., Alice Boner, Artist and Scholar, Varanasi, Bharat Kala Bhavan, 1982 [discusses
and abstracts Alice Boner‘s well-known work on the Sun Temple at Konarak].
Bose, P.N., Principles of Indian Silpasastra [1926] New Delhi, Bharatiya Publishing House, 1978.
Burns, C.L., ‗The Functions of Schools of Art in India‘, Journal of the Royal Society of Arts, June 18, 1909.
Cohn, Bernard S., Colonialism and Is Forms of Knowledge: The British in India, Priceton: Princeton UP, 1996.
Goswamy, B.N., Dahmen-Dallapiccola, A.L., An Early Document of Indian Art, New Delhi, Manohar,
1976.
Gladstone Solomon, W.E., The Bombay Revival of Indian Art, [on sending panels to the British Empire
Exhibition, Wembley] Bombay, Sir J.J. School of Art, 1924.
Guha-Thakurta, T., The making of a new ‗Indian‘ art: Artists, aesthetics and nationalism in Bengal, 1850-1920,
Cambridge, Cambridge University Press, 1992.
Heath, L., ‗The Mayo School of Arts, Lahore‘, Arts and Letters (Society for India), 1931

241
Kelkar, N.M., The Story of the Sir J.J. School of Art: 1857-1957, Bombay, Government of Maharashtra
and Sir J.J. School of Art, n.d. [1969?]
Maitra, A.K., ‗Aims and Methods of Painting in Ancient India‘, Rupam, nos 13-14, January-June 1923.
Mitter, P., Art and Nationalism in Colonial Indian, 1850-1922, Cambridge, Cambridge University Press,
1994.
Sastu, Pandit Natesa, ‗The Decline of South Indian Arts‘, Journal of Indian Art, no.28, 1990.
Sivaramamurti, C., Chitrasutra of Vishnudharmottara, New Delhi, Kanak Publications, 1978.
Sivaramamurti, C., The Painter in Ancient India, New Delhi, Abhinav Publications, 1978.
Art for the Establishment
Bhushan, V., commissioner, Damerla Rama Rao, New Delhi, CMC Gallery, 1991.
Catalogue of the Maharajah Fatesingh Museum Baroda, Baroda, 1981.
Group 1890 exhibition catalogue, Rabindra Bhavan, New Delhi, 1963. Manifesto by J Swaminathan.
Guha-Thakurta, T., ‗Westernization and Tradition in South Indian Painting in the 19th century: The
Case of Raja Ravi Varma‘, Studies in History vol.2, no.2, 1986.
Guha-Thakurta, Tapati, Monuments, Objects, Histories : Institutions of Art in Colonial and Post-Colonial India,
New York, Columbia University Press, 2004.
Havell, E. B. Indian Sculpture and Painting second edition, London: John Murray, 1928.
Kapur, G., ‗Ravi Varma: Representational Dilemmas of a Nineteenth Century Indian Painter, Journal of
Arts & Ideas, nos 17/18, June 1989.
Neumayer, E. and Schelberger, C., Popular Indian Art: Raja Ravi Varma and the Printed Gods of India, New
Delhi: Oxford University Press, 2003.
Parimoo, Ratan, The legacy of Raja Ravi Varnma, The Painter, Baroda: Maharaja Fatehsingh Museum Trust,
1998.
Raja Ravi Varma : the painter prince 1848-1906, Bangalore : Parsam Mangharam, 2003
Sharma, R.C. & Chala, R., Raja Ravi Varma: New perspectives, New Delhi, National Museum, 1993.
Sundaram, ―The Moment of Group 1890 (1963)‖, The India Magazine, W. E. Gladstone Solomon The
Bombay Revival of Indian Art. Bombay: Sir J. J. School of Art, 1924.
Venniyoor, E.M.J., Raja Ravi Varma, Trivuvananthapuram: Government of Kerala, 1981
Fine Art Societies
Gandy, Kekoo, informal interview with John Clark, Calcutta, 9.12.1991.
Sarkar, K., ‗Fifty years of the Academy of Fine Arts‘, in Moitra, D., ed., The Academy of Fine Arts Golden
Jubilee: A Commemoration, 1933- 1983, Calcutta, The Academy of Fine Arts, n.d. [1983]
Sadwelkar, B., Story of a Hundred Years: The Bombay Art Society, 1888-1988, Bombay, The Bombay Art
Society, 1989.
Sanyal, B.C., ‗Contemporary Indian Art: A Survey‘[1980], in Dhamija, 1988.
Neo-traditional Painting
Aurobindo, Sri, The Significance of Indian Art, [with ‗Western and Eastern Misunderstandings‘, 1918-21],
Pondicherry, Sri Aurobindo Press, 1947.
Borden, Carla, ed., Contemporary Indian Tradition, New York: Smithsonian, 1989.
Chattopadhyay, R., ‗Nationalism and form in Indian Painting: A Study of the Bengal School‘, Journal of
Arts & Ideas, 14/15, Jul-Dec 1987.
Chopra, S. ‗The Folk in Modern Art‘, India International Centre Quarterly, vol.17, no.2, Monsoon 1990.
Dey, Bishnu, ‗The pioneers of art in modern India‘, Lalit Kala Contemporary, no.1.
Elmhirst,L.K., Poet and Plowman, Calcutta [?], Visva-Bharati, 1975.
Griffith,John, The Paintings in the Buddhist Cave-Temples of Ajanta [1896], reprint, Delhi, Caxton
Publications, 1983.
Guha-Thakurta, T., The making of a new ‗Indian‘ art: Artists, aesthetics and nationalism in Bengal, c.1850-1920,
Cambridge, Cambridge University Press, 1992.
Herringham, C.J., et al, Ajanta Frescoes, London, The India Society, 1915.

242
Jamal, Osman, ‗E.B. Havell: The Art and Politics of Indianness‘, Third Text, n39, Summer 1997, 3-19;
Jamal, Osman, ‗Rashid Amin at Gallery Twenty-one, Exhibition Reviews, Asian Art News, vol. 12, no.
2, March/April 2002
Kawakita Michiaki, et al, Ajia Kindaikaiga no Yoaketen, Tôkyô, Mainichi Shinbun, 1985.
Mitra,A., Four Painters [includes, ‗The forces behind the modern movement‘], Calcutta/New Delhi, New
Age, 1965.
Mittal, J., ‗Graphic art of the Bengal School‘, Lalit Kala Contemporary, no.1.
Mookerjee,A., Modern Art In India, Calcutta, Oxford Book and Stationery Co., 1956.
Parimoo, R., ‗Revival of Indigenous Values and their Influences on Modern Indian Art‘, Journal of the
M.S.University of Baroda vol.XXXIII-XXXIV, no.1, 1984-5.
Parimoo, R., Studies in Modern Indian art, New Delhi, Kanak, 1975.
Parimoo, R., ‗Revivalism and After‘, in Simla, 1968
Sarkar, Benoy Kumar, ‗Tendencies of Modern Indian Art‘, Rupam, 1926.
Sarkar, Benoy Kumar, ‗Social Philosophy in Aesthetics‘, Rupam, 15-16, July-December 1923.
Sarkar, Benoy Kumar, ‗The Aesthetics of Young India‘, Rupam, 9, January 1922, [same issue has,
Agastya, ‗A Rejoinder‘; [see also Kramrisch, S., ‗"The Aesthetics of Young India", A Rejoinder‘,
Rupam, 10, April 1922.]
The Soul Speaks: Pictorial Representations of Spirituality, exh. Cat., National gallery of Modern Arts, New
Delhi.
Nascent Counter-establishment
Art India, Vol. 7, Issue 2 (Quarter 2, 2002), Special Issue on ‗Faith and Reason‘‘ [Spirituality and
Abstraction]
Bansal, V. ‗Painted ceilings and murals at Rashtrapati Bhavan and Parliament House‘, Lalit Kala
Contemporary, no.14.
Brown, Rebecca M., ‗P.T.Reddy, Neo-Tantrism and Modern Art in India‘, Art Journal, vol. 64, iss. 4,
2005.
Dalmia, Yashodhara, The making of modern Indian art: The Progressives, New Delhi, Oxford University
Press, 2001.
Kumar, R. Siva, Santiniketan: the making of a contextual modernism, New Delhi, National Gallery of Modern
Art, 1997.
Mitter, Partha, The Triumph of Modernism: India‘s Artists and the Acant-Garde, London: Reaktion Books,
2007.
Mukhopadhyay, A., ‗The Art Situation before 1940‘, Lalit Kala Contemporary, no.31, April, 1985.
Nath, Deeksha, ‗Baroda Authorities Jail Art Student‘, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, p. 47.
Ramachandra Rao, P.R., Modern Indian Painting, Madras, Rachana, 1953.
Tartakov, G.M., ‗Art and identity: the rise of a new Buddhist imagery‘, Art Journal, 49, 4, Winter 1990.
Identity
Art India, vol 9, issue 1, quarter 1, 2004, special issue on ‗identity‘.
Art India, Vol. 7, Issue 4 (Quarter 4, 2002), Special Issue on ‗The Nomad Aesthetic‘ [Containing lead
essays by Hou Hanru, Ranjit Hoskote, Lee Weng Choy, Aneglikla Fitz, Shuddhabrata Sengupta
and Michael Saup]
Art India, Vol. 9, Issue 1 (Quarter 1 2004), Special Issue on ‗Identity‘
Das Gupta, P., ‗The Calcutta Group: Its aims and achievements‘, Lalit Kala Contemporary, no.31, April
1981.
Gaudibert, P., Sen, G., Raza Anthology 1980-90, Bombay, Gallery Chemould, 1991; Raza, Bombay,
Gallery Chemould, 1985.
Indian Art since the early 1940s- a search for identity, Cholamandal, Artists‘ Handicraft Association, 1974.
James, J., ‗Metaphysical content in recent contemporary Indian Painting‘, Lalit Kala Contempoarary, nos
12 & 13.
James, J., ‗The Madras School‘, Lalit Kala Contemporary, no.6.

243
Kapur, Geeta, Contemporary Indian Artists, New Delhi, Vikas Publishing House, 1978 [Souza, Kumar,
Padamsee, Husain, Khakhar, Swaminathan].
Krishnan, S.A., ‗Matter and Spirit‘ [editorial], Lalit Kala Contemporary, nos 12 & 13.
Krishnan, S.A., ‗Figurative and Abstract Art‘, Lalit Kala Contemporary, nos. 7 & 8.
Kumar, Ram, ‗Observations of an artist face à face with all the aesthetic theories‘, see [Simla] above,
1968.
Lent, John A., ‗India's Amar Chitra katha: "Fictionalized" History or the Real Story?‘, in International
Journal of Comic Art, Vol. 6, No. 1, Spring 2004, pp. 56-76.
Mehta, Tyeb ‗Beyond Narrative Painting‘, Art Heritage, 9, 1989-90.
Narayan, B., ‗Artists of the third epoch‘, Lalit Kala Akademi, no.3.
Niranjana, Tejaswini; Sudhir, P.; Dhareshwar, Vivek; Interrogating Modernity: Culture and Colonialism in
India, Calcutta, Seagull Books, 1993.
Paniker, K.C.S., ‗Contemporary Painters and metaphysical elements in the art of the past‘, Lalit Kala
Contemporary, nos 12 & 13.
Parimoo, R., ‗Baroda painters and sculptors‘, Lalit Kala Contemporary, no.4.
Pradhan S., Marxist Cultural Movement in India: Chronicles and Documents [1936-47], Calcutta, National
Book Agency, 1979.
Ramachandra Rao, P.R., Contemporary Indian Art, Hyderabad, published by the author, 1969.
Ray, P., ‗There can be no international art‘(review of Gablik‘s Progress in Art, New York, Rizzoli, 1977),
Journal of Arts & Ideas, July-September, 1983.
Tapati Guha-Thakurta, ―Marking Independence: the Ritual of a National Art Exhibition‖ Journal of Arts
and Ideas, Nos. 30-31 (New Delhi, December 1997).
Tarun Mitra, ―Art and Artists in Twentieth Century Calcutta‖ in Sukanta Chaudhuri, ed., Calcutta: The
Living City, Vol II: The Present and Future, Calcutta: Oxford University Press, 1990, p. 265.
The New Establishments
Dhamija, R., Award Winners, National Exhibition of Art, 1955-1990, New Delhi, Lalit Kala Akademi,
1990.
Hebbar, K.K., Voyage in Images, Bombay, Jehangir Gallery, 1990.
Pathy, D., convenor, Veteran Artists of India, New Delhi, Lalit Kala Akademi, 1990.
Raman, A.S. et al, Nature and Environment, New Delhi, Lalit Kala Akademi, 1989.
Robertson, Carmen, and Weber, Angela, ‗Teaching Indian Art History. A Conversation about Post-
Secondary Indigenous Art Education‘ in Third Text, vol. 21, Issue 3, pp. 341 – 356.
Sarkar, S., essay for 25th Anniversary Exhibition of Calcutta Painters, Calcutta, Birla Academy of Art &
Culture, 1990.
The Folk and the Modern
‗Aminul Islam: Drawing and Art Writing 1950-2000 edited by Osman Jamal‘ (book review), in Asian
Art News, Vol. 14, No. 2, March/April 2004, p.100-101.
‗The Folk Inspiration in Modern Indian Painting", [editorial], Lalit Kala Contemporary, no.5.
Appasamy, Jaya, ‗The Folk inspiration in Modern Indian Painting‘, Lalit Kala Contemporary 34, (New
Delhi) 1987.
Appasamy, Jaya, ―The painters of the Transition,‖ Lalit Kala Contemporary 34, 1987.
Archana, The Language of Symbols, New Delhi, Crafts Council of India
Art India, Vol IX, Issue iii (Quarter iii 2004) special issue on ‗the festival aesthetic.‘
Art India, Vol. 7, Issue 4 (Quarter 4, 2002), Special Issue on ‗Vocing the Material‘ [Includes lead essays
on Decoration, Alternative Spaces, and Use of Matreials in Art]
Art India, Vol. 8,Issue 3 (Quarter 3, 2003), Special Issue on ‗Exploring the Decorative‘
Art India, Vol. ix, issue ii (Quarter ii, 2004), Special Issue on ‗Negotiating the Popular‘
Chandra, M., et al, Folk Paintings of India, New Delhi, India International Cultural Centre, 1959.
Dalmia, Y., The Painted World of the Warlis, New Delhi, Lalit Kala Akademi, 1988.
Jain, J., ‗Ganga Devi‘, Third Text, no.6, Spring 1990.

244
Jain, J., Painted Myths of Creation, New Delhi, Lalit Kala Akademi, 1984.
Jain, Kajri, ‗Sonabai at the APT; difference, indifference, formality‘, Artlink, Vol. 20, No. 2, July 2000
Kramrisch, S., Unknown India: Ritual Art in Tribe and Village, Philadelphia, 1968.
Kumar, Lakshmi, ‗Indian Culture, Remixed and Cemented‘, ArtAsiaPacific, no. 48, 2006.
Maske, J.S. & B., The Warlis: Tribal Paintings & Legends, Bombay, Chermould Publications and Arts, n.d.
Maury, C., Folk Origins of Indian Art, Calcutta, Oxford and IBH Publishing Company, 1967.
Mohan, Jag, ―The Bombay Art Scene in the Late Forties,‖ Lalit Kala Contemporary 28, 1979.
Other Masters: Five Contemporary Folk and Tribal Artists of India, New Delhi: Crafts Museum, n.d.
Pathy, D., Traditional Paintings of Orissa, Bhubaneswar, Working Artists‘ Association of Orissa, 1990.
Postel, Michael and Cooper, Zarine, Bastar Folk Art: Shrines, Figurines and Memorials, Mumbai:Project for
Indian Cultural Studies, 1999.
Saksena, J., Mandana; A Folk Art of Rajasthan, New Delhi, National Crafts Museum, 1985.
Shah, H., Fischer, B.& E., Gopal: Ein Indischer Balladen Sänger zeichnet sein Leben, Wuppertal, Peter
Hamm Verlag, 1985.
Shah, H., Fischer, E., Rural Craftsmen and Their Work, Ahmedabad, National Institute of Design, 1970.
Shah, H., Form and Many Forms of Mother Clay, New Delhi, National Crafts Museum, 1985.
Shah, H., Votive Terracottas of Gujarat, New York, Mapin International,1985.
Swaminathan, J., Jain, J., The Art of Adivasi; Tribal Art, Tokyo, Yomiuri Shinbun, 1988.
Swaminathan, J., The Perceiving Fingers, Bhopal, Bharat Bhavan, 1987.
Vazirani, Minal., ‗Worlds on Papers‘, in Asian Art News, Vol. 13, No. 3, May/June 2003, p.47-49.
Williams, J., ‗From the fifth to the twentieth century and back‘, Art Journal, 49, 4, Winter 1990.
Style, Criticism, and Identity
Note: the Lalit Kala Akademi has from time to time has published small monographs on important
individual artists, some of which are in the National Library in Canberra. In Sydney, Schaeffer
Library also has volumes 1-22 of Lalit Kala Contemporary]
Art India, Vol. 6, Issue 2 (Quarter 2, 2001), Special Issue on ‗The Art of Writing on Art [Includes
Profiles on Akbar Padamsee, Rekha Rodwittiya & Kiran Subbaiah; Focus on ‗Public Art‘]
Art India, Vol. 8, Issue 4 (Quarter 4, 2003), Special Issue on ‗The Art of Humour‘
Chandrashekhar, Indira and Seel, Peter C. (eds.), body.city: siting contemporary culture in India, Berlin: House
of World Cultures and New Delhi: Tulika Books, 2003.
Clark, J., ‗Individual creation and the Indian imaginary: conversations with Swaminathan and Arpita
Singh‘, Art & Asia-Pacific, no.2, June 1993.
Dalmia, Yashodhara, et al, Indian Contemporary Art Post Independence, New Delhi, Vadehra Art Gallery,
1997.
Desai, Vishakha N., ―Engaging Tradition in the Twentieth-Century Arts of India and Pakistan‖ in
Conversations with Traditions: Nilima Sheikh, Shahzia Sikander, New York: Asia Society, 2001.
Dube, A., catalogue essay for Seven Young Sculptors, New Delhi, KasauliArt Centre, 1985.
Dube, Anita, Questions and Dialogue, exhibition catalogue Faculty of Fine Arts, March 1987.
Ganguli, K.K., Drawings and Paintings of Dhirendranath Brahma, Calcutta, Birla Academy of Art and
Culture, 1990.
Hoskote, Ranjit, ‗Bhupen Khakhar: 1934-2003 In Memoriam‘ in Art Asia Pacific, No. 41 (Summer
2004), pp. 68-70
James, J., essay for Sculpture: The Madras metaphor, New Delhi, Art Heritage, 1991.
Kapur, Geeta, ‗When was modernism in Indian/ Third World art/‘, South Atlantic Quarterly, vol.92,
no.3, Summer 1993.
Kapur, Geeta, ‗Modern Indian Painting: A Synoptic View‘, Journal of Arts and Ideas, October-December,
1982
Kapur, Geeta, Pictorial Space: A Point of View on Contemporary Indian Art, New Delhi, Lalit Kala Akademi,
1977.
Kapur, Geeta, Place for People, [text for exhibition], Bombay, JehangirArt Gallery; New Delhi, Rabindra
Bhavan, 1981.

245
Kapur, Geeta, The Centre-Periphery Model or How are we Placed?‘, Art Monthly Australia, 1990/ Third
Text nos 16/17, Autumn Winter 1991.
Kapur, Geeta,, ‗Contemporary Cultural Practice: Some Polemical categories‘, Third Text, no.11, Summer
1990.
Kapur, Geeta,, K.G.Subramanyan, New Delhi, Lalit Kala Akademi, 1987.
Lynn, Victoria, [on the organization of the Indian Triennale] Art & Australia, vol.24, no1.
Okada, Amina ‗Kesu Das: The Impact of Western Art on Mughal Painting.‘ Marg 49:4 June 1998
Patel, G., ‗Contemporary Indian painting‘, Daedalus, vol. 118, no.4, Fall, 1989.
Ramaswamy, S. ed., Beyond Appearances? Visual Practices and Ideologies in Modern India, Sage Publications,
New Delhi, 2003.
Sheikh, Gulammohammed, ed., Contemporary Art in Baroda, New Delhi, Tulika, 1997.
1990s
‗Supplement: India‘, Asian Art News, vol.5, no. 2, March-April 1995
Andrews, Joerlla. ‗Telling Tales: Five Contemporary Women Artists from India.‘ [Ayisha Abraham,
Rummana Hussain, Anita Dube, Sheela Gowda, Pushpamala N] Third Text no. 43, Summer
1998Bean, Susan S., Timeless Visions: Contemporary Art of India, Peabody Essex Museum, 1999.
Bharucha, Rustom, ‗The Rushdie Affair: Secular Bigotry and the Ambivalence of Faith‘, Third Text, n11,
Summer 1990, 61-69
Cohen, Andrew L., Sirhandi, Marcella C., guest editors, ‗Contemporary Indian Art‘ [six papers], Art
Journal, vol. 58, no.3, Fall 1999.
Dalmia, Yashodhara, ed., Contemporary Indian Art: Other Realities, Mumbai, Marg Publications, 2002.
Deshpande, Satish, ―Imagined Economies: Styles of Nation-Building in Twentieth Century India,‖
Journal of Arts and Ideas, nos. 25 -26, December 1993
Fink, Hannah, ‗Bizarre Bazaar‘, Art & Australia, [review of Indian Triennale] vol.32, no.1, Spring 1994.
Ghose, Arun, ‗Galleries in Calcutta today‘, ‗Voices from Calcutta‘,Asian Art News, vol.6, no.2, Mar/Apr
1996.
Hoskote, Ranjit, ‗Back to the World: Anxiety and Exhilaration in Contemporary Indian Art.‘in Furuichi,
Y., ed., Asian Art: Prospects for the Future, Tokyo, Japan Foundation Asia Center, 1999.
Hoskote, Ranjit, ‗The Moderns: The National Gallery of Art Mumbai‘, Art AsiaPacific, no.16, 1997.
Hoskote, Ranjit, Atul Dodiya: Bombay Labyrinth/ Laboratory, Tokyo: Japan foundation Asia Center, 2001
Indira, Chandrasekhar and Peter C. Seel, eds., body.city: siting contemporary culture in India, Berlin and New
Delhi: House of World Cultures and Tulika Books, 2003.
Jain, Madhu, ‗Not a Pretty Picture‘, India Today, August 15, 1994.
Kapoor, Kamala, ‗Bombay Report‘, Art Asia Pacific, vol.3, no.4, 1996.
Kapur, Geeta, ‗When was modernism in Indian/Third World Art‘, South Atlantic Quarterly, vol.92, no.3,
Summer 1993.
Kapur, Geeta; Rajadhyaksha, Ashish, ‗Bombay/Mumbai, 1992-2001‘ in Blazwick, Iwona, ed., Century
City: Art and Culture in the Modern Metropolis, London, Tate Gallery Publishing, 2001;
Karode, Roobina, ‗Fresh Signs of Digression and Direction in Contemporary Indian Art‘, Kuroda,
Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Karode, Roobina, Report at the The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar:
―Asian Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999
Kidd, Courtney, ‗Fire and Life: kindling Australian-Indian cultural exchange‘, Art AsiaPacific,no.18,
1998.
Loxley, Anne, ‗Khovar dreamings: contemporary tribal art in South Bihar, India‘, Art AsiaPacific, no.18,
1998.
Lynn, Victoria et al, India Songs: Multiple Streams in Contemporary Indian Art, Sydney, Art Gallery of New
South Wales, 1993.
Malani, Nalini] Pijnappel, Johan, ‗A doomsday oracle‘, Art AsiaPacific, 30, 2001
Mathur, Saloni. ‗Revisualising the Missionary Subject: History, Modernity and Indian Women.‘ Third
Text no.37 Winter 1996-97.

246
Matt, Gerald, et. al., Kapital and Karma: recent positions in Indian art, Vienna: Kunsthalle Wien, 2002.
McEvilley, Thomas, ‗Fifty Years of Indian Art, A conference in Mumbai‘, Art AsiaPacific, no.16, 1997.
Mehta, Anupa, ‗Art in Mumbai‘, Asian Art News, vol.10, no.6, 2000; Srinivasan, Sumitra, ‗The Road
Ahead‘, Asian Art News, vol.6, no.6, 1996.
Muroi, Hisashi, ‗Cultural Mythologies‘, Art AsiaPacific, 24, 1999
Murti, Isna ‗Coming into Their Own: contemporary sculpture in India.‘ Asia-Pacific Sculpture News 2:1
Winter 1996
Murti, Isna ‗Crisis in the House of Art‘, Asian Art News, July/Aug 1994.
Niranjana, T., Sudhir, P., Dhareshwar, V., Interrogating Modernity: Culture and Colonialism in India, Seagull
Books, Calcutta, 1993.
Panikkar, Shivaji, ed., Twentieth-Century Indian Sculpture: the Last Two Decades, Bombay: Marg, 2000.
Prakash, Siddhartha, ‗Art in the capital‘, ‗Art for the Environment‘, ‗An art form ignored‘,
[photography] Asian Art News, vol.6, no.2, Mar/Apr 1996.
Rahman, Ram ‗ Sahmat: a political postcard from India‘, Art AsiaPacific, no.14, 1997
Ramaswamy, S. ed., Beyond Appearances? : Visual Practices and Ideologies in Modern India, New Delhi: Sage
Publications, 2003.
Sen, Geeti, ‗A new iconography: Indian woman artists in exhibition‘, Art AsiaPacific,no.18, 1998
Sheikh, G.M.ed., Contemporary Art in Baroda, New Delhi: Tulika, 1997.
Sinha, G., ‗India Songs‘ Art & Asia Pacific, vol.2, no.2, 1995.
Sinha, Gayatri, ed., Expressions & Evocations: Contemporary Women Artists of India, Mumbai, Marg
Publications, 1996
Sinha, Modhurima, Call of the Real: Contemporary India Artists from Bengal, Ahmedabad: Mapin, 2003.
Swanimathan, J., The Perceiving Fingers, Bhopal: Bharat Bhavan, 1987
Swanimathan, J., ―The Cygan: An Auto-bio note‖, exhibition catalogue, Vadehra Art Gallery, New
Delhi, 1993. Tagore, Sundaram, ‗A struggle for modernism‘, II, Asian Art News, vol.6, no.1,
Jan/Feb 1996.
Tagore, Sundaram, ‗Towards Identity‘, I, Asian Art News, vol.5, no.6, Nov/Dec 1995.
Tuli, Neville, The Flamed Mosaic: Indian Contemporary Painting, 1997
2000+
Adajania, Nancy, ‗India‘s New Progessives‘, ArtAsiaPacific, no. 50, 2006.
Adajania, Nancy, ‗The Mutable Aesthetic of New Mediatic Realism‘, Art India, Volume X, Issue IV,
Quarter IV, 2005.
Akira, Tatehata et al, Private Mythology: Contemporary Art from India, exhibition catalogue, Tokyo, Japan
Foundation Asia Center, 1998.
Ananth, Deepak, ‗Indian Bazaar. Notes on Six Contemporary Indian Artists‘, in Flash Art, vol. XLI, no.
258, Jan-Feb, 2008, pp. 98 - 100.
Appadurai, Arjun, ‗The Thing Itself‘, Art India, volume X, issue iii, quarter iii, 2005.
Art India, Vol ix, Issue ii, (Quarter ii, 2004) special issue on ‗negotiating the popular‘.
Art India, Vol IX, Issue iii (Quarter iii 2004) special issue on ‗the festival aesthetic‘.
Art India, Vol X, Issue i, (Quarter i, 2005) Special issue on ‗video art‘.
Art India, Vol X, Issue ii (Quarter ii, 2005), Special Issue on ‗Heritage‘.
Art India, Vol XI, Issue i (Quarter i, 2006), Special Issue on ‗Printmaking‘.
Art India, Vol. 7, Issue 1 (Quarter 1, 2002), Special Issue on ‗Net Culture‘
Art India, Vol. 8, Issue 1 (Quarter 1, 2003), Special Issue on ‗State of the Art Market‘
Art India, Vol. 8, Issue 1 (Quarter 1, 2003), Special Issue on ‗State of the Art Market‘
Art India, Vol. XIII, Issue III & IV, (2008) Special Issue –Interviews with Indian Artists
Art India, Vol XIII, Iss. II, (2008) The Gallery Issue p.
Art India, Vol XIII, Iss. I, (2008) The Art Market Issue p.
‗Artists Dictionary: A Survey of Contemporary Indian Art‘ in Flash Art, Vol XLI, No. 258, Jan-Feb
2008, pp. 110-119.

247
Bordewekar, Sandhya, ‗Reality Bites‘, Art India, Volume X, Issue IV, Quarter IV, 2005.
Bordewekar, Sandhya, The Aert of the matter. Which are the major privately sponsored art awards in
India today?‘ in Art India, Vol XIII, Iss III & IV, 2008, p. 7779
Dadi, Iftikhar, ‗Art, Archaeology and the Museum in India‘ (book review), Art Journal, vol. 63, iss. 3,
2006.
Dalmia, Yashodhara & Hashmi, Salima , Memory, Metaphor, Mutations: Contemporary Art of India and
Pakistan, New Delhi, Oxford University Press, 2007.
Findlay, Ian, ‗Indian voices, universal spirit‘, Asian Art News, vol.11. no.2, 2001
Gupta, Latika, ‗Two Hats Are Better Than One‘, interview with curator Gayatri Sinha, in Art India, Vol
XIII, Iss. III & IV, 2008, 63.
Gupta, latika, ‗Role Play (India‘s first live art festival, KHOJ LIVE 08: Perfornmance art festival), in Art
India, Vol XIII, Iss. I, (2008) p. 118-120kaleka
Hoskote, Ranjit, ‗India: A Long Time Coming‘, ArtAsiaPacific, no. 45, 2005.
Lewis, David, ‗World in Flux‘ Art India, volume X, issue ii, quarter ii, 2005.
Lokhandwala, Arshiya Mansoor, ‗Re-claiming the Body‘, Art India, volume X, issue i, quarter i, 2005
(special issue on video art);
Malhotra, Priya, ‗A Multitude of Voices‘, Asian Art News, vol. 15, no. 6, 2005.
Melwani, Lavina, ‗All in the Family: the Ahuja Collection of Indian Contemporary Art‘, ArtAsiaPacific,
no. 43, 2005.
Möntmann, Nina, ‗Mumbai‘, Artforum, vol. 45, iss. 4, 2006.
Nielsen, Henrikke, ‗The Artist Lives and Works in.. Baroda/ Bombay/ Calcutta/ Mysore/ Rotterdam/
Trivandrum‘ (review), ArtAsiaPacific, no. 47, 2006.
Pande, Alka, The Margi & the Desi: between tradition and modernity, exhibition catalogue, New Delhi: Gallery
Espace, 2004
Patel, Chitra Prasad, ‗On the Path to Prominence: Cultivating the Landscape for Contemporary Indian
Art‘, in Orientations, vol. 35, no. 5, June, 2007, pp. 83 – 86.
Pijnappel, Johan, ‗Art in Exile?‘, Art India, volume X, issue I, quarter I, 2005 (special issue on video art).
Sambrani, Chaitanya et. al., Edge of Desire: recent art in India, London: Philip Wilson Publishers, 2004.
Sambrani, Chaitanya, ‗Here, out, there ( and somewhere in between): contemporary art in India,
Australian and New Zealand Journal of Art, vol.3, no.2, 2002
Sambrani, Chaitanya, ‗Home and away: Contemporary Indian art in the international arena‘, Art Monthly
Australia, no.153, 2002.
Sambrani, Chaitanya, ‗Printing across borders: the Aar-Paar Project‘, in Art Monthly Australia, No. 171
(July, 2004), pp. 12-15
Sansone, Valentina, ‗Artist‘s Dictionary. A Survey of Contemporary Indian Art‘, in Flash Art, vol. XLI,
no. 258, Jan-Feb, 2008, pp. 110 - 119.
Sardesi, Abhay, ‗Object at the Centre‘, Art India, volume X, issue iii, quarter iii, 2005.
Sengupta, Ratnottama., ‗A City of Remarkable Narratives‘, in Asian Art News, Vol. 14, No. 1,
January/February 2004, p.68-73.
Shahane, Girish, ‗Altered Egos‘, Art India, vol 9, issue 1, quarter 1, 2004, special issue on ‗identity‘.
Sood, Pooja, ‗In the fast lane. The new buzz around contemporary Indian Art‘, in Flash Art, vol. XLI,
no. 258, Jan-Feb, 2008, pp. 102 - 104.
Snell, Ted, ‗Edge of Desire: Recent Art from India‘, Art and Australia, vol. 42, no. 3, 2005.
Tharu, Susie, ‗Common Threads, Different Weaves‘, Art India, volume X, issue ii, quarter ii, 2005.
Vali, Murtaza, ‗Indian Summer‘ (review), ArtAsiaPacific, no. 48, 2006.
Yun Chea Gab, Cho Il-sung, Gwak June K., Sambrani, Chaitanya, Hungry God: Indian Contemporary Art,
Beijing & Seoul, Arario Gallery, 2006.
Zitzewitz, Karin, ‗Mapping South Asian Art‘, Art India, vol ix, issue ii, quarter 11, 2004.
Indian Photography
Barath, Stephanie Roy, ‗John Edward Saché: Master of the Picturesque in TAASA Review. The Journal of
the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 7-9

248
De Souza, David, ‗Faith in Colour‘, Art India, vol IX, issue iii, quarter iii, 2004.
Dehejia, Vidaya (with contributions by Charles Allen) India through the lens: photography 1840-1911,
Washington, D.C.: Smithsonian Institution Ahmedabad, Mapin, 2000.
Dewan, Jane, ‗Sun pictures from the city of gold; early photography in Bombay‘ in Rohtagi, Pauline;
Godrej, Pheroza; Mehrotra, Rahul; eds. Bombay to Mumbai: changing perspectives, Mumbai, Marg
Publications, 1997.
Falconer, John, ‗India: Pioneering Photographers 1850-1900‘, Orientations, Volume 32, Number 9,
November 2001
Falconer, John, India: pioneering photographers, 1850-1900, London: The British Library and The Howard
and Jane Ricketts Collection, 2001.
Gordon, Sophie,‘The Royal Tour In India‘ TAASA Review. The Journal of the Asian Art Society of Australia,
v.17, No. 3, September 2008, p. 10-12.
Gupta, Sunil, ed., An Economy of signs: contemporary Indian photographs, Boston: Rivers Oram Press, 1990.
Gutman, Judith Mara, Through Indian eyes, New York : Oxford University Press : International Center of
Photography, 1982.
Henisch, Heinz K., The painted photograph, 1839-1914 : origins, techniques, aspirations, University Park, Pa.:
Pennsylvania State University Press, 1996
Hight, Eleanor M., and Sampson, Gary D., eds., Colonialist Photography. Imag(in)ing race and place. London
and New York, Routledge, 2002.
Jaana, Reena, ‗Contemporary tales from India‘, [photography], Asian Art News, vol.7, no.5, Sept/Oct
1997.
Museum of Sydney, Encountering India : colonial photography 1850-1911, Sydney : Historic Houses Trust of
N.S.W., 1997.
Patel, Divia, ‗The Indian Amateur‘s Photographic Album in TAASA Review. The Journal of the Asian Art
Society of Australia, v.17, No. 3, September 2008, p. 4-6.
Pelizzari, Maria Antoinella, ed., Traces fo India: Photography, Architecture, and the Politics of Representation,
1850-1900, Montréal, Canadian Centre for Architecture & New Haven, Yale University Press,
2003.
Pinney, Christopher, Camera Indica, London, Reaktion Books, 1998.
Reilly, James M., Care and Identification of 19 th century Photographic prints, Rochester, Kodak Books, 1986l,
2001
Sharma, Satish, ‗Rotigraphy: Indian street photography‘, Art AsiaPacific, no.13, 1997.
Sharma, Satish; Gray, Michael, A Shifting Focus: Photography in India 1850-1900, London: The British
Library, 1995.
Srivatsan, R, Conditions of visibility : writings on photography in contemporary India; Mumbai, Popular
Prakashan, 2000.
Worswick, Clark; Embree, Ainslee, The last empire: photography in British India, 1855-1911, London :
Gordon Fraser Gallery, 1976.
Zhuang Wubin and Wim Melis, ‗Between Art and Documentary‘, Asian Art News, vol. 17, no. 1, Jan-
Feb 2007.
Zhuang Wubin, ‗Spotlight on Another Asia‘ (review), Asian Art News, vol. 17, no. 1, Jan-Feb 2007.
Indian Artists Abroad
Carver, Antonia, ‗Century City: Art & Culture in the Modern Metropolis‘, Art AsiaPacific, no.33, 2002.
Martin, Courtney J. ‗South Asian American Art Now – Queens Museum of Art‘ (review), Flash Art, vol.
XXXVIII, no. 242, May-Jun, 2005.
Mohanti, P., ‗East-West Encounter‘, Art Monthly [UK], no.132, December-January 1989-90
Web resources:
www.artindia.com Website of the leading English Language Journal on Art in India. The Art India
Journal offers a good resource for people working in the field and this bibliography lists the
themes of special issues from 2002-2003 under their most appropriate subdivisions.

NEPAL
249
General Works
Jolliffe, H., ‗A Community at the Crossroads‘, Asian Art News, vol.4, no. 5, September/October 1994.
‗Nepalese Contemporary Art reaches out to the World‘, Asian Art News, 2, no.4, Jul/Aug 1992.
Nepali, Uttam, ‗Modern Contemporary Art: A View from Nepal‘, Kuroda, Raiji, ed., The First Fukuoka
Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
O‘Riordan, Maurice, ‗A political stand‘, [Ragini Upadhayay-Grela], Asian Art News, vol.5, no.3, Jul/Aug
995.
‗The Art of Nepal‘, Special Issue, Orientations, Volume 32, Number 5, September 2001
Individual Artists
Dongol, Sarita: Sarita Dongol in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum,
2001
Sashi Shah: Asian Art News, 2, no.5, Sep/Oct 1992.
Shobha Wagley: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Uma Shankar Shah: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The
5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,
1999
HIMALAYAN BORDERLANDS; KASHMIR, BHUTAN, SIKKHIM, MUSTANG
General Works
‗Artists on Spirituality‘, ArtAsiaPacific, no. 51, 2007.
Tulku, Mynak, R., ‗Arts of Bhutan‘, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka:
Fukuoka Asian Art Museum, 1999.
Virtue, Gerry, ‗Tashi Kabum: A Mustang Treasure revealed‘ in Annear, Judy, ‗Yasumasa Morimura and
Yukio Mishima – Seasons of Passion in TAASA Review. The Journal of the Asian Art Society of
Australia, v.17, No. 2, June 2008, p. 6-8.
Individual Artists
Karma, Leki Dorji: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Penjor, Tashi: Tashi Penjor in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum,
2001
PAKISTAN
General Works
Ali, Atteqa, ‘Impassioned Voices: Art as Social Commentary in Pakistan‘, ArtAsiaPacific, no. 46, 2005.
Art India, Volume ix, issue iv, quarter iv, 2004, special issue on ‗art in Pakistan‘.
Carroll, Alison, ‗Postcard from Pakistan‘, Art AsiaPacific, no.21, 1999.
Chen, Kuan-Hsing ed., Trajectories: Inter-Asia Cultural Studies, Routledge, 1998.
Galligan, Gregory, ‗Painting Over the Lines: Contemporary art from Pakistan‘, ART AsiaPacific, Issue
36 (2002)

250
Hashmi, Salima, ‗Looking Back, Looking Forward: Pakistani Art in the 90‘s‘, Kuroda, Raiji, The First
Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Hashmi, Salima, ‗Women artists in the Muslim World: a fresh perspective from Pakistan‘, in Fukuoka
Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum,
1994
Hashmi, Salima, ‗Radicalising tradition: painting in Pakistan‘, Artlink, Vol. 20, No. 2, July 2000
Hashmi, Salima, essays in Dalmia, Yashodhara & Hashmi, Salima , Memory, Metaphor, Mutations:
Contemporary Art of India and Pakistan, New Delhi, Oxford University Press, 2007
MacKenzie, John M., Orientalism: History, Theory and the Arts, Manchester, New York: Manchester
University Press, 1995.
Mirza, Quddus, ‗A particular language‘, Art AsiaPacific, 24, 1999
Mirza, Quddus, ‗Cross-Connecting Identities‘, Art India, volume X, issue I, quarter I, 2005 (special issue
on video art).
Mirza, Quddus, ‗Letter from Pakistan: Broadcast News‘, Art India, Volume X, Issue IV, Quarter IV,
2005.
Mirza, Quddus, ‗Letter from Pakistan: De-Fused Identities‘, Art India, vol 9, issue i, quarter i, 2004.
Mirza, Quddus, ‗Letter from Pakistan: Using Popular Imagery‘, Art India, vol ix, issue ii, quarter ii, 2004.
Mirza, Quddus ‗Show me the Money (a moral position vis-a vis the art market), in Art India, Vol XIII,
Iss. I, (2008), p. 57-59
Pettifor, Steven, ‗Contemporary Art from Pakistan: Asia House‘ (review), Asian Art News, vol. 16, no. 6,
Nov-Dec 2006.
Sambrani, Chaitanya, ‗Printing across borders: the Aar-Paar Project‘, in Art Monthly Australia, No. 171
(July, 2004), pp. 12-15
Sharma, Prageeta, ‗Playing with a Loaded Gun: Contemporary Art in Pakistan at Apex Art‘ (Review) in
Art Asia Pacific, No. 39 (Winter 2004), p. 83
Vali, Murtaza, ‗Pakistan goes global!‘ , in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 76 - 77.
Vali, Murtaza, ‗Paradise Found & Lost‘, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 88 - 89.
Whiles, Virginia, ‗In and Out of Pakistan‘, Third Text, n52 Autumn 2000, 103-111
Wright, Stephen, ‗Beyond Borders: Art of Pakistan‘ (review), Parachute,100, 2005.
Individual Artists
Araeen, Rasheed: Jamal, Osman, ‘The Soul Of A Minimalist‘, in World Sculpture News, v. 14(2), Spring,
2008, pp. 45 – 49.
Chugtai, Abdul Rahman : ‗Chugtai, Abdul Rahman‘, Orientations, June 1973
Dadi, Iftikhar: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Kazi, Durriya: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Durriya Kazi and David Alesworth, Report at The First Fukuoka Asian Art Trienale
[The 5 th Asian Art Show], Seminar: ―Asian Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian
Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999
[The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art
Museum, 1999
Khan, Naiza: Hashmi, Salima, ‗Bodying Forth‘, Art India, vol IX, issue iii, quarter iii 2004.
Qureshi, Imran: Whiles, Virginia, ‗Imran Qureshi‘, Art AsiaPacific, no.33, 2002.
Raja, Sabeen: review, Flash Art, vol. XXXVIII, no. 242, May-Jun, 2005.
Shahzia Sikander: Desai, Vishakha N., ‗Shahzia Sikander‘ in Art Asia Pacific, Issue 37 (2003), p. 36
Shakar, Ali: ‗Shakar Ali‘, Orientations, April 1973.
Sikander, Shahzia: Jaana, Reena, ‗Cultural Weaving‘, Asian Art News, vol. 7, no. 2, March/April 1997;
Goodman, Joanna, ‗Small Pleasures‘, World Art, #15, December 1997; Schwabsky, Barry, ‗Shazia
Sikander/‖Out of India‖‘, Artforum International, Vol.36, Issue 8, April 1998. ; Goodbody, Bridget

251
L., ‗From Lover to Foe and back Again‘, ArtAsiaPacific, no. 43, 2005; review, Artforum, vol 46, iss.
5, Jan 2005; review, Art in America, vol. 94, iss. 1, Jan 2006.
BANGLADESH
General Works
‗Supplement on Rickshaw Painting‘ to Fukuoka Art Museum ed., 4th Asian Art Show Fukuoka: Realism as
an Attitude, Fukuoka, Fukuoka Art Museum, 1994.
Anuar, Zanita, ‗Impressions of the 8 th Asian Art Biennale in Bangladesh‘, Artlink, Vol. 20, No. 2, July
2000
Choudhury, Subir, ‗Art of Bangladesh: Contemporary trends among the artists of the 90‘s‘, Kuroda,
Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Jamal, Osman ‗To bear witness[four women artists], Asian Art News, vol.10, no.5, 2000
Zhang Wubin, ‗Voices of Resistance‘, Asian Art News, vol. 15, no. 1, 2005.
Individual Artists
Ahmed, Kamal: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Amin, Rashid: review, Asian Art News, vol.12, no.2, 2002
Chowdhury, Swapan: Jamal, Osman, ‘A Man of His Time‘, Asian Art News, vol. 16, no. 3, 2006.
Ilsma, Aminul: Jamal, Osman, ‗The making of a Bangladeshi artist‘, Asian Art News, vol.9, no.6, 1999
Karmaker, Ashoke: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The
5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,
1999
Shahabuddin: Jamal, Osman, ‗The spirit of violence‘, Asian Art News, vol.11, no.3, 2001
SRI LANKA/CEYLON
General Works
Bandaranaike, S., ‗The Kataluva Murals‘, Orientations, vol.13, no.1, January, 1982.
Gunaratna, D.M., ‗A Living Legacy: The Contemporary Art Scene of Sri Lanka‘, Kuroda, Raiji, The First
Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Perera, Anoli, ‗ A new order‘ Art AsiaPacific, 26, 2000
Preece, Robert, ‗In time of War‘, Asian Art News, vol.7, no.3, May/June 1997
Individual Artists
Bari Kumar: Jana, Reena. ‗Other Ways of Seeing.‘ Asian Art News 8:6 November/December 1998
Coomaraswamy, Ananda: Bandaranaike, S., ‗Ananda Coomaraswamy and approaches to the study of
traditional Sri Lankan art and Society‘, in P.E.P. Deraniyagala Commemoration Volume, Columbo, Sri
Lanka, 1980.
Daraniyagala, Justin: Justin Daraniyagala, Catalogue with essay by Ellen Dissanayake, Colombo, Deutsche
Bank, 1992.
de Alwis, Tissa: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Keyt, George: see India
Muhammaed Cader, Anoli Peera, Rahju, Senaka Senanayake, Jagath weerasinghe, Laki Senanayake: Preece,
Robert, & Giddens, Sarah, ‗Artist‘s Voices‘, Asian Art News, vol.7, no.3, May/June 1997

252
Peries, Ivan: Bandaranayake, Senake, ‗Ivan Peries: (Paintings 1939-1969) - The predicament of the
bourgeois artist in the societies of the Third World‘, Third Text n2, Winter 187/88, 76-92
Senanayake, Senaka: Sardesi, Abhay, ‘Interview‘, Art India, vol 9, issue 1, quarter 1, 2004.
Thenuwara, Chandraguptha: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian
Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999
[The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art
Museum, 1999
MONGOLIA
General Works
See entries in 1994 Fukuoka Asian Triennale Catalogue
Sosor, Ochir, ‗Fine Art in Mongolia Today‘, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale,
Fukuoka: Fukuoka Asian Art Museum, 1999
Uranchimeg, Tsultem, ‗Art of Mogolian Nomads‘, Ushiroshoji, Masahiro, et.al., Modern Paintings of
Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002
Ushiroshoji, Masahiro, et.al., Modern Paintings of Mongolia: Its Origin up to Today, Japan: Sankei Shimbun,
2002
Yamaki, Yuko, ‗The Development of Modern Mongolian Art‘, Ushiroshoji, Masahiro, et.al., Modern
Paintings of Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002
Individual Artists
Munkhtsetseg Jalkhaajav: Findlay, Ian, ‗From the heart of Mongolia‘, in AsianArtNews, Vol. 19 No. 3
May/June 2009, pp. 73-77.
Sarantsatsralt, Ser-Od: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian
Art Museum, 1999
Su Xingping: Zhang Zhaohui, ‗A Human Narrative‘, Asian Art News, vol. 16, no. 6, Nov-Dec 2006.
Usehbayar, Zagdin: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The
5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,
1999
CIS AND OTHER
Asia Yesterday - Today - Tomorrow. The World of Polar Forces March 20 - 25 1998 [Kazakstan - Erbosyn
Meldibekov, Zhazira Dzhanabaeva, Kanat Ibragimov/ Indonesia - Aramaiani, Semsar Siahaan,
Hanura Hosea]
Catching, Rebecca, ‗Lida Abdul. Landscapes of Rememberance‘, in ArtAsiaPacific, No. 57, Mar/Apr,
2008, pp. 110 - 115.
Ibraeva, Valeria., ‗Kazakhstan Contemporary Art Moves Ahead‘, in Asian Art News, Vol. 13, No. 4,
July/August 2003, p.46-53.
Merewether, C., Kurdistan: In the Shadow of History.,Co-Curator with Susan Meiselas, Bellevue Art
Museum, Seattle; Festival Internacional de Fotografia, Ayuntamiento de Madrid; Nederlands
Foto Institutut, Rotterdam, 1999-2000.
ASIAN ARTIST TRANSNATIONAL ACTIVITY
‗Transnational activity‘ includes artists of Asian ancestry working in the given zones and also artists
who have moved from an Asian country of birth.
Asian Artist Transnational Activity: Australia
(There is a flourishing art press in Australia which is too large to fully index here)

253
Barnes, Carolyn; Wright, William; John Young, Fisherman‘s Bend, Craftsman House, 2005.
Barnes, Carolyn, ‗Integral Histories: John Young‘s ‗Double Ground‘ Paintings‘, Art and Australia, vol.
43, no. 3, 2006.
Bolton, Ken, ‗Guan Wei: Unfamiliar land‘ (review), Eyeline, no. 62, Summer 2006-7.
Chiu, Melissa, ‗Rough Trade: Curating Cultural Exchange in Australia‘, in Ang et al eds. Alter/Asians:
Asian-Australian identities in art, media and popular culture, Pluto Press, Sydney, 2000.
Clark, John, ‗An Australian Creative Space: where is Australian-Asian art now?‘, in Waite Dianne, ed.,
Green, Charles & Stubbs, Mike, curators, 2006/ Contemporary Commonwealth/ , Melbourne,
Australian Centre for the Moving Image & National Gallery of Victoria, 2006, 26-33.
Clark, John, ‗Art and its ‗others‘ - recent Australian-Asian visual exchanges‘, in Dever, Maryanne, ed.,
Australia and Asia: cultural transactions, Surrey, Curzon Press, 1997.
Clark, John, Australian Art and Asia -Then and Now‘, Occasional Paper No.19, Research Institute for Asia
and the Pacific, University of Sydney, 1992
Crosby, Alexandra, ‗Djuwadi: Folding the Relational into Art‘ in TAASA Review. The Journal of the Asian
Art Society of Australia, v.17, No. 2, June 2008, p. 18-20.
Cvorco, Uros, ‗What will the Neighbours Think?‘, Broadsheet, vol. 35, no. 2, 2006.
Devenport, Rhana, ‗Beauty, Shadow-Play and Silhouettes‘, Art and Australia, vol. 44, no. 3, 2006
[Sangeeta Sandrasegar, Guan Wei, Nusra Latif Qureshi, Emil Goh, Renee So, Ah Xian, Liza
Lim].
Dirgantoro, Wulan, ‗Permission to Fire‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 3,
September, 2007, pp. 190 – 191.
Dysart, Dinah; King Natalie; Hou Hanru; Guan Wei, Sydney, Craftsman House, 2006.
Koop, Stuart, ‗Asia Exchange: Rapt! Satellite‘, Art and Australia, vol. 44, no. 3, 2006.
Pennings, Mark and Danni Zuvela, ‗Korea/Australia‘ (review of exhibition at Insititute of Modern Art,
Brisbane), Art and Australia, vol. 42, no. 3, 2005.
Roberts, Claire, ‗The Slow Art of Ah Xian‘, Art and Australia, vol. 43, no. 3, 2006.
Australia and Asia [selected]
ARX [Artists‘ Regional Exchange, website list supplied by Pam Zeplin]
Australian Academy of the Humanities, Knowing Ourselves and others: The Humanities in Australia into the 21 st
century, 3 volumes, Canberra, Australian Government Publishing Service, 1998.
Birrell, Bob, Rapson, Virginia, ‗Two Australias: Migrant settlement at the end of the 21 st century‘, People
and Place, vol.10, no.1, 2002.
Broinowski, Alison , The Yellow lady: Austraian Impressions of Asia, Melbourne, Oxrford Unviersity Press,
1992.
Broinowski, Alison ,. ‗Asianization and its Discontents‘, Meanjin, vol. 57, no.3, 1998.
Butler, Roger, ed., The Europeans: Emigré artists in Australia, 1930-1960, Canberra, National Gallery of
Australia, 1997.
Chinese Heritage of Australian Federation Project: http://www.chaf.lib.latrobe.edu.au/kwong_sue_duk.htm
Curnow, Wynstan , Imants Tillers and the ‗Book of Power‘, Sydney, Craftsman House, 1998.
Dixson, Miriam ,The Imaginary Australian: Anglo-Celts and Identity -1788 to the present, Sydney, UNSW
Press, 1999.
Facey, A. B., A Fortunate Life, Ringwood, Viking, 1985.
Foss, Paul, ed., Island in the Stream: Myths of Place in Australian Culture, Sydney, Pluto Press, 1988.
Gibson, Ross, South of the West: Postcolonialism and the Narrative construction of Australia, Indiana University
Press, Bloomington and Indianapolis, 1992.
Grenville, Kate, The Secret River, Melbourne, Text Publishing, 2005.
Hage, Ghassan & Couch, Rowena, eds., The Future of Australian Multiculturalism , Sydney, The University
of Sydney, 1999.
Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, Sydney, Pluto Press,
2003.

254
Hage, Ghassan, White Nation: Fantasies of White supremacy in a multi-cultural society, Sydney, Pluto Press,
1998.
Keating, Paul , Engagement: Australia faces the Asia-Pacific‘, Sydney, Pan Macmillan 2000.
Khoo, Siew-Ean, ‗Inter-marriage in Australia: patterns by ancestry, gender, and generation‘, People and
Place, vol.12, no.2, 2004, 35-44.
May, Harvey, Australian Multicultural Policy and Television Drama in Comparative Contexts PhD thesis at
http://adt.library.qut.edu.au/adt-qut/public/adt-QUT20040715.130731/.
Manne, Robert, The Barren Years: John Howard and Australian Political Culture, Melbourne, Text Publishing,
2001.
Manne, Robert, The Way we Live Now: the controversies of the nineties, Melbourne, Text Publishing, 1998.
Manton, Neil, Cultural Relations: the other side of the diplomatic coin, ACT, Homosapien Books, 2003.
McCullough, Allan & Susan, Encyclopedia of Australian Art, St. Leonards, Allen & Unwin, 1994.
Reynolds, Henry, Frontier: reports from the edge of White settlement, Sydney Allen & Unwin, 1987.
Reynolds, Henry, The Other Side of the Frontier; Aboriginal resistance to the European Invasion of Australia,
Ringwood, Penguin Books, 1981.
Rolls, Eric , Sojourners: The epic story of China‘s centuries-old relationship with Australia, St. Lucia, University of
Queensland Press, 1992.
Special Issue: ‗Australian Perceptions of Asia‘, Australian Cultural History, no.9, 1990.
Stuart, Francis, ‗Nineteen Forty-One: Reminiscences of a Britsh/Australian Diplomat in Bangkok and
Canberra in the Prelude to War‘, Journal of the Oriental Society of Australia, vol.31, Supplment, 1999.
Stuart, Francis, Towards Coming-of-Age: a Foreign Service Odyssey, Nathan, Griffith University, Centre for
the Study of Australian-Asian Relations, 1989.
Walker, David, Anxious Nation: Australia and the Rise of Asia, 1850-1939¸ St. Lucia, University of
Queensland Press, 1999.
Individual Artists
Ah Xian: Ah Xian, ‗Self-exile of the soul‘, TAASA Review, vol.8, no.1, March 1999;Roberts, Claire,
‗Fishes and dragons‘, Art AsiaPacific, 26, 2000; Feinstein, Roni, ‗A journey to China‘, Art in
America, February 2002; Jaivin, Linda, ‗Ah Xian, recent works in porcelain‘, Art AsiaPacific, no.33,
2002; Chiu, Melissa, ‗Ah Xian‘ in Art Asia Pacific, Issue 37 (2003), p. 31
Ahn Pil Yun: Cho Lisa Mira, ‗The Swallowed Moon‘, Art Monthly Australia , no.96, December 1996.
Benyon, Kate: Koop, Stuart, ‗Warrior Girl‘, Art AsiaPacific 29, 2001; Helen McDonald, ‗Global City
Dreaming‘ in Art Asia Pacific, No. 39 (Winter 2004), pp.57-64
Boag, Yvonne: Kidd, Courtney, ‗Yvonne Boag in South Korea‘, Art Monthly Australia, no.88, April 1996
Cai Guoqiang: Franch, Blair, ‗Outside the Real‘, Gallery 4A, Sydney [Huang Du, Zhang Peili, Cai
Guoqiang], Art & Text 64, Feb.-Apr. 1999;
Camel Byrne: Bravaic, Milica., ‗Signal from ―There‖: Solo Exhibition by Carmel Byrne‘ (Plastique Kinetic
Worms, Singapore), in Vehicle: Contemporary Visual Arts, No.2, 2001, p.11.99
Chou, Irene (Zhou Luyun): Binks, Hilary. ‗The Universe Within.‘ Asian Art News 8:6,1998
Cruz, Maria: Sullivan, Eve, ‗Maria Cruz, Songlines‘, Art Asia Pacific, no.34, 2002.
Dadang Christanto: review, Art AsiaPacific, 30, 2001; Eastburn, Melanie ‗ In the Public Domain. Dadang
Christanto, Washing the Wound‘ in TAASA Review. The Journal of the Asian Art Society of Australia,
v.17, No. 4, December 2008, p. 25
Dang, Dacchi: review, Art AsiaPacific, 35, 2002.
Fairweather, Ian: Abbott-Smith, N., Ian Fairweather: Profile of a painter, Brisbane, University of Queensland
Press, 1978; Bail, M., Ian Fairweather, Sydney, Bay Books, 1981; Bail, Murray et al, Fairweather,
Sydney, Craftsman House, 1994.
Friend, D.: Friend, D., Donald Friend in Bali, Sydney, Collins, 1972. Donald Friend‘s Bali, Exhibition
catalogue. 9 Feb. – 25 March 1990, Art Gallery of NSW., Donald Friend, ‗The Cosmic Turtle‘
Bali 1976
Gill, Simryn: Lee Weng Choy, ‗Simryn Gill‘ in Art Asia Pacific, Issue 37 (2003), p. 65

255
Goh Emil: Sullivan, Eve, ‗Parallel Visions: Emil Goh‘ in Art & Australia, Vol. 41, No. 3 (Autumn 2004),
pp. 426-432; Dyson, Francis, ‗Interlace‘ (Review) in Broadsheet, Vol. 33, No. 3 (September-
November 2004), pp. 22-23
Gu Wenda: Eastburn, Melanie, ‗Wenda Gu, 2 Exhibitions in Australia‘, Art Asia Pacific, No.34, 2002;
Easturn, Melanie, ‗A Drama Of Nations‘, On Gu Wenda, Asian Art News, vol. 12, no. 5,
September/October, 2002; ‗Interview with Wenda Gu‘ in Contemporary Visual Art + Culture
Broadsheet, Vol 37, no. 4, p. 259
Guan Wei: Green, Charles, ‗Guan Wei‘ Review, Art & Text 67, Nov. 1999-Jan. 2000; Pai, Maggie,
‗Complex Cycles‘ Asian Art News, vol. 8, no.2, March/April 1998; review, Asian Art News,
vol.11, no.1, 2001; Roberts, Claire, ‗What goes around comes around: The Art of Guan Wei.‘ Art
AsiaPacific no. 21, 1999; Annear, Judy, ‗Juggler of Systems‘Asian Art News, vol.5, no.5, 1995.
review, Art AsiaPacific 28, 2001.; Eastburn, Melanie, ‗Guan Wei‘s Perilous Journeys‘,
ArtAsiaPacific, no. 50, 2006.
Guo Jian: review, Art AsiaPacific, 31, 2001; review, Asian Art News, vol.11, no.3, 2001
Hanh Ngo: Cree, Laura Murray, ‗Cross-cultural translations‘, Art AsiaPacific, 32, 2001
Howard, Ian: Forsyth, Graham, ‗Hide and Seek‘, Asian Art News, vol. 15, no. 2, 2005.
Hu Ming: The Oil Painting of Hu Ming (Catalogue), Sydney: Peony Press, 2004
Lee Hyun Mi: O‘Toole, Phil. ‗Paper Tigers: The Artwork of Hyun Mi Lee.‘ TAASA Review, 7:3 1998.
Lee, Lindy; Johnson, Tim; Tyndall, Peter: review, Art AsiaPacific, 34, 2002
Leong, Greg Kwok-keung: review, Art AsiaPacific, 27, 2000
Lindy Lee: Hutchings, Peter, ‗Once More With Feeling: Art and Disappearance‘, On Lindy Lee, Art &
Text 36, May 1990; Baume, Nicholas, ‗Profile, Lindy Lee: Black is not as black as all that‘, Art &
Text 47, January 1994; Elias, A. ‗Through a glass darkly‘, Art & Asia Pacific, vol.1, no.2, 1994;
Michael, Linda, ‗A Relationship of Moments‘, Asian Art News, Vol. 13, Number 2, March/April
2003; Ceczy, Adam, ‗The Installations of Lindy Lee‘, ART AsiaPacific, Issue 36 (2002)
Lo, Andrew: review, Art AsiaPacific, 34, 2002
Makigawa Akio: Hynes, Victoria. ‗Matter and Spirit: Akio Makigawa and Toshiaki Izumi.‘ World Sculpture
News 5:2 Spring 1999; Bromfield, David, ‗Point of Heaven‘ Asia-Pacific Sculpture News, vol.1, no.2,
Spring 1995.
Morrison, Hedda: Ennis, H., ‗Hedda Morrison‘, Art Monthly Australia, 50, June 1992; Morrison, H., A
Photographer in Old Peking, Singapore, Oxford University Press 1985; Morrison, H., Travels of a
Photographer in China, 1987.
Parr, Mike: Juers, Evelyn, ‗Mike Parr‘ at Roselyn Oxley9 Gallery, Art & Text 41, January 1992; Parr,
Mike, ‗Daybreak, Manila Performance‘, Art Monthly Australia, no.81 July, 1995; Geczy, Adam,
‗Focusing the mind through the body: an interview with Mike Parr‘, Artlink, Vol. 23, No.1;
Scheer, Edward A., ‗The Veil of the Liminal. Mike Parr‘s Brides‘, Parkett, no.62, 2001
Phaptawan Suwannakudt: Pettifor, Steven, ‗Between Tradition and Modernity‘ in Asian Art News, Vol. 14,
Number 5 (September/October 2004), pp. 81-83
Pike, Jimmy & Zhou Xiaoping: Kapetopoulos, Fotis, ‗New Lines of Communication‘, On Zhou Xiaoping
and Jimmy Pike, Artlink, Vol. 16, No. 4 Summer 1996; Lowe, Pat, ‗Jimmy Pike in China‘ Art
Monthly Australia, no.100, June 1997; McCullough, Susan ‗Parallel Perspectives‘, Asian Art News,
vol.7, no.4, July/August 1997.
Preston, Margaret: North, I., ed., The Art of Margaret Preston, Adelaide, The Art Gallery Board of South
Australia, 1980.
Sandrasegar, Sangeeta: Carsley, Gary, ‗Karma Chameleons‘, Art India, vol ix, issue ii, quarter ii, 2004.
Sansom, Gareth: Gareth Sansom, [catalogue for 7th Indian Triennale], Melbourne, Australian Exhibitions
Touring Agency, 1991; Sansom, G. [interview] ‗Responding to India‘, Art Monthly Australia,
no.41, June, 1991.
Savandhary Vongpoothorn: Fink, Hannah, ‗Rythmic Air‘, Art AsiaPacific, 24, 1999
Shen Jiawei: Zai Jian Revolution, Catalogue, 4A Gallery, 2002; Eastburn, Melanie, ‗Shen Jiawei at Gallery
4A‘, Asian Art News, vol. 12, no. 6, November/December, 2002; Hill, Peter, ‗Red Eye‘, Sydney

256
Morning Herald, 11 October 2002; James, Bruce, ‗Artist with awesome promise must escape the
mosh pit‘, Sydney Morning Herald, 2 October 2002; McDonald, John, ‗The Third World by Shen
Jiawei‘ in East West Arts, Number 1 (September-November 2004), p. 6
Shen Shaomin: McDonald, John, ‗Shen Shaomin: Bones of Contention‘ in East West Arts, Number 1
(September-November 2004), pp. 68-75; Van Proyen, M., ‗Shen Shaomin: Experimental Studio‘,
in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 6, November 2008, pp. 97-103.
Song Ling: ‗Song ling in Conversation with Paul Gladston‘, in Yishu: Journal of Contemporary Chinese Art,
Vol.7, No.6, November 2008, p.50-60.
Tan Laurens: Genocchio, Benjamin, ‗Glocalism‘, Art AsiaPacific, 22, 1999
Thomas, Rover: White, Sheona, ‗Roads Cross, Rover Thomas‘, Art & Asia Pacific, vol.1, no.4, 1994.
To, Hiram: McAlera, D., ‗Hiram To: Performing Attitudes‘, World Art, 1, 1995.
Wang Zhiyuan: Roberts, Claire, ‗The Art of Wang Zhiyuan: A state of flux‘, Art AsiaPacific, no.33, 2002.
Yang, William: Yang, W., ‗I ask myself, am I Chinese?‘, Art & Asia Pacific, vol.1, no.2, 1994.
Young, John: Jackson, Mark, ‗John Young‘ Review, Art & Text 41, January 1992; Chiu, Melissa; Clark,
John; Hutchings, Peter; Lindsay, Frances, john young; the double ground paintings, Sydney, Australian
Art Promotions, 1995; Coulter-Smith, Graham; Davidson, Christina; Forsyth, Graham, John
Young: Silhouettes and Polychromes, 1979-1992, Melbourne, Schwartz City, 1993; review, Art
AsiaPacific, 22, 1999; Young, John: Silhouettes and Polychromes, 1979-1992, Melbourne, Schwartz
City, 1993
Zhang Peili: Franch, Blair, ‚‘―Outside the Real―‘, Gallery 4A, Sydney [Huang Du, Zhang Peili, Cai
Guoqiang], Art & Text 64, Feb.-Apr. 1999;
Critical and Historical Studies
‗Travellers, Journeys, Tourists‘, issue of Australian Cultural History, no.10, 1991, edited by Horne, J. &
Walker, D.
Ang, Ien; Stratton, John, ‗The Asian Turn‘, Art & Text, no.50, January, 1995.
Australian Perceptions of Asia, issue of Australian Cultural History, no.9, 1990, edited by Walker, D.
Baume, Nicholas, ‗Guest in Venice: Australia‘s Biennale Pavilion‘, Art & Text 31, Dec.-Feb. 1989
Broinowski, Alison, The Yellow Lady; Australian impressions of Asia, Melbourne, Oxford University Press,
1992.
Carroll, A, ‗Parallels: Nationalism in Filipino, Indonesian, and Australian Art‘, Art & AsiaPacific, no.1,
supplement to Art & Australia, March 1993.
Carroll, A, ‗To a friendly nation, far away‘, Art Monthly Australia, no.88, April 1996.
Chang, Virginia Yen-ju. Impressions of Asian Art in Australians‘ Eyes: The Development of Asian Art
Exhibitions in Art Gallery of New South Wales. Research paper, Master of Arts, Museum Studies,
University of Sydney, 1999.
Chiu, Melissa, ‗The blank in the page‘, Eyeline, no.31, Spring 1996.
Clark, J., ‗Fragments of origin; Asian women artists‘ group at the Blaxland Gallery‘, Asian Art News,
July/August 1994.
Clark, J., Australian Art and Asia -Then and Now‘ Occasional Paper No.19, Research Institute for Asia
and the Pacific, University of Sydney, July 1992.
Clark, John, ‗Art and its ‗others‘ - recent Australian-Asian visual exchanges‘, Dever, Maryanne, ed.,
Australia and Asia: cultural transactions, Surrey, Curzon Press, 1996
Collins, D, ‗Asian Art in Australia‘, Art & Australia, vol.30, no.3, Autumn 1993.
Collins, D., Asian Art and Australia: 1830s-1930s, M.A. Thesis, Canberra, Australian National University,
1992.
Eagle, M., ‗The Mikado Syndrome: was there an Orient in Asia for the Australian "Impressionist"
Painters?‘, Australian Journal of Art, Vol.VI, 1987.
Galbally, A., ‗Australian Artists Abroad: 1880-1914‘, in Galbally & Plant, 1978, above.
Gallbally, A. & Plant, M., co-editors, Studies in Australian Art, Melbourne, Department of Fine Arts,
University of Melbourne, 1978.

257
Gallbally, A., ‗Aestheticism in Australia‘, in Bradley, A. and Smith, T., eds., Australian Art and
Architecture: Essays presented to Bernard Smith, Melbourne, Oxford University Press, 1980.
Geczy, Adam, ‗Buddha: Radiant Awakening‘, Art AsiaPacific, no.35, 2002.
Genocchio, Benjamin, ‗Between Mirrors: an interview with Lindy Lee‘, Eyeline, 31, Spring 1996.
Gerstle, D., Milner, A., eds. Europe and the Orient, Canberra, The Humanities Research Centre of
Australian National University, 1994.
Gerstle, D., Milner, A., Recovering the Orient: Artists Scholars, Appropriations, Chur, Harwood Academic
Publishers, 1994.
Green, Charles, ‗Unofficial World: Postcolonial and the Metropolis‘, On the Position of Australian Art,
Art & Text 43, September 1992
Hage,Ghassan, White Nation: Fantasies of White supremacy in a multi-cultural society, Sydney, Pluto Press,
1998.
Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, Sydney, Pluto
Press,2003.
Hamilton, A, ‗Fear and Desire: Aborigines, Asians and the National Imaginary‘, in Australian Perceptions
of Asia above.
Hamilton, A, ‗Trading Image; Art at the ‗Asia‘ Junction‘, Art & Australia, vol.30, no.3, Autumn 1993.
Hamilton, A., ‗Dreaming the Lotus: Aesthetic dialogue with ‗Asia‘?,in Caroll, 1990.
Hjorth, Larissa, ‗Neo-Tokyo: Japanese Art Now‘, Art AsiaPacific, no.35, 2002.
Hoffie, P., ‗The reluctant tourist; a mythical narrative on nationalism‘, Art Monthly Australia, 59, May
1993.
Howard, I., ‗Dialogues of differences‘ [Australia/Vietnam], Asian Art News, vol.5, no.2, Mar/April
1995.
Lane, T., ‗A burlesque of a burlesque: Aestheticism and the aesthetic interior of Victoria‘, Historic
Environment, vol.3, no.3, 1984.
McClean, Ian, ‗White aborigines: colonial imperatives of Australian Colonialism‘, Third Text, no.22,
Spring 1993.
McQueen, H., The Black Swan of Trespass, Sydney, Alternative Publishing Cooperative Ltd., 1979.
Ross, Helen, ‗Arx 4 Torque-the last session of the first day‘, Art Monthly Australia, no.79, May, 1995.
Scarff, Julian, ‗Australian New Media artists in Beijing‘, Art AsiaPacific, 27, 2000
Storer, Russel, ‗Artists-run Initiatives and Alternative Spaces in Sydney and Singapore‘ (Master of Arts
Dissertation, University of Sydney, 2004)
Walker, D., and Ingleson, J., ‗The Impact of Asia‘, in Meaney, N., ed., Under New Heavens: Cultural
Transmission and the Making of Australia, Melbourne, Heinemann Educational Australia, 1989.
Walker, D., Anxious Nation: Australia and the Rise of Asia, 1850-1939¸ St.Lucia,University of Queensland
Press, 1999.
White, R., ‗Sun, sand, and syphilis: Australian soldiers and the Orient, Egypt 1914‘, in Australian
Perceptions of Asia, 1990.
White, R., Inventing Australia: Images and Identity 1688-1980, Sydney, 1981.
Exhibitions and Reviews [selected]
Adelaide Biennial 1994, Broket, David, ‗East West Passage‘, [featuring works of North and South East
Asian artists at the 1994 Adelaide Biennial of Australian Art], Art & Text 48, May 1994
Argonauts of the Timor Sea (2004), Barlow, Geraldine, ‗Argonauts of the Timor Sea‘ (Review) in Broadsheet,
Vol. 33, No. 3 (September- November 2004), pp. 54-57
Art from Australia, curated Carroll, A, [catalogue of touring exhibition to Bangkok, Jakarta, Manila,
Kuala Lumpur, Singapore], Melbourne, Australian Exhibitions Touring Agency, 1990 [artists
exhibited: Micky Allan, John Davis, Richard Dunn, Anne Ferran, Fiona Hall, Imants Tillers,
Caroline Williams, John Young].
Asia Pacific Artists Initiative: Kin, Natalie, ‗USEby‘, ArtAsiaPacific, 30, 2001
Asia Traffic 2004, Sambrani, Chaitanya, ‗Home and Away: Higways and Bylanes in Asian Art‘ in
Broadsheet, Vol. 33, No. 3 (September- November 2004), pp.24-31

258
AWAS!: review, Art AsiaPacific 29, 2001
Corsini, Marco., ‗Memory and Subjectivity, Small World: Group Exhibition by Shaun Wilson and
Adam Cuthbert‘ (CAST- Contemporary Artist Service Tasmania, Hobart), in Vehicle: Contemporary
Visual Arts, No.9, 2003, p.26-29.
Dysart, Dinah and Michael, ‗Asian Galleries – Art Gallery of New South Wales‘ in Art & Australia, Vol.
41, No. 4 (Winter 2004), pp. 541-543
East and West: The Meeting of Asian and European Art, curated Carroll, A, [Exhibition and catalogue],
Adelaide, Art Gallery of South Australia, 1985.
Edge to Edge: Australian Contemporary Art to Japan, Tokyo, Japanese Museums and the Australian
Bicentennial Authority, 1998 [ artists exhibited: Julie Brown-Rrap, Richard Dunn, Bill Henson,
Lindy Lee, John Nixon, Mike Parr, Jacky Redgate, Imants Tillers, Peter Tyndall, Ken Unsworth,
Jenny Watson].
Friis-Hansen, D., ‗Locating the Australian Imaginary‘ [Review of ‗Inner-Land‘ exhibition in Tokyo], Art
& Asia Pacific, vol.1, no.3, 1994.
Guess who‘s coming to dinner: review, Art AsiaPacific 28, 2001
Heartney, Eleanor., ‗Parallel Lives: Montien Boonma at Asia Society and Chen Zhen at P.S.1‘, in Art
AsiaPacific, Issue 38, Fall 2003, p.50-52.
I Thought I Knew But I Was Wrong (Travelling Video Art Exhibition), Glass, Alexie and Tutton, Sarah, ‗I
Thought I Knew But I Was Wrong‘ (Review) in Broadsheet, Vol. 33, No. 3 (September- November
2004), pp.18-19; Palmer, Daniel, ‗Medium Without Memory: Australian Video Art‘ in Broadsheet,
Vol. 33, No. 3 (September- November 2004), pp. 20-21
Localities of Desire: Contemporary Art in an International World, curated by Ewington, Julie & Murphy,
Bernice, Sydney, Museum of Contemporary Art, 1995.
MAAP 2004, MAAP in Singapore 2004 –Gravity (Catalogue), Brisbane: MAAP, 2004; Machan, Kim,
‗Gravity – Leap Into the Void‘ (Review) in Broadsheet, Vol. 33, No. 3 (September- November
2004), pp. 14-16
Nine Lives: Vietnam/Australia: Carruthers, Ashley, ‗In search of dissidence‘, Art AsiaPacific 28, 2001
Out of Asia, curated Carroll, A., [Exhibition and Catalogue] Melbourne, Heide Gallery, 1990. [artists
exhibited: Micky Allan, Tony Clark, Matthys Gerber, Pat Hoffie, Tim Johnson, Geoff Lowe,
Fiona MacDonald, Susan Norrie, Robert Owen, Gareth Sansom]
Parossien, Leon, ‗The Biennale of Sydney – A Partisan Viewof Three Decades‘ of Three Decades‘ in
Art & Australia, Vol. 41, No. 1 (Autumn 2004), pp. 60-69
Raffel, Suhanya., ‗―Two Sites, One Vision‖ in Queensland‘, in The Journal of the Asian Arts Society of
Australia, Vol. 13, No. 1, March 2004, p.22.
Sager, Janine Fenton., ‗Connecting Audience with Art, Review of Australian Exhibition: ―Anita and
Beyond‖‘ (Penrith Regional Gallery & The Lewers Bequest, Western Sydney), in Vehicle:
Contemporary Visual Arts, No.9, 2003, p.30-35.
Seeto, Aaron, ‗Flacit Momentums and Tactical Interventions‘ (On Asian-Australian Artists) in East West
Arts, Number 1 (September-November 2004), pp.108-109
Southern Skies: Chinese Artists in Australia,O‘Dea Madeline, ed., Beijing, Australian Embassy, 2008.
Systems End: Contemporary Art in Australia, Sydney, Wright, Wiliam; Spark, Jo, eds. Sherman Galleries,
1996 [to Osaka, Hakone, Seoul, Gaoxiong; reports: The Weekend Australian, 20-21 April, 1996;
Shimizu Toshio, ‗Systems End‘, ART AsiaPacific, no.14, 1997.]
Thai-Australian Cultural Space [Joan Grounds, Noelene Lucas, Montien Boonma, Vichoke Mukdamanee,
Kamol Phaosavasdi], Sydney, Art Gallery New South Wales, 1994; Menzies, Jackie, ‗A Thai-
Australian Art Exhibition‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
The Asian Interface, Australian Artists and the Far East, curated, Menzies, J., Exhibition and check-list,
Sydney, Art Gallery of New South Wales, 1983.
Tôkyô Connection, Australian Artists‘ Studio in Tôkyô, Melbourne, Australian Exhibitions Touring Agency,
1990 [artists in residence in Tôkyô 1987-1990: Liz Coates, 1987; Diane Mantzaris, 1987; Noelene
Lucas, 1987; Janet Laurence, 1988; Geof Kleem, 1988; Mark Hindraker, 1988; Geoffrey Weary,

259
1988; Jennifer McCamley, 1989; Clinton Garofano, 1989; Andrew Petrusevics, 1989; Paul
Thirkell, 1989; Bette Mifsud, 1990].
Transcultural Painting [Tony Clark, Lindy Lee, Linda Marrinon, John Young] Melbourne, Asialink 1994.
[to Guangzhou, Hong Kong, Taiwan]; Wang, Chia Chi Jason, ‗A Veil in Between‘ [on
Transcultural painting Exhibition in Taiwan], Art & Asia Pacific, vol.1, no.4, 1994
Witnessing to Silence: Art and Human Rights, edited by Caroline Turner and Nancy Sever, Canberra, ANU
Humanities Resewarch Centre, 2003
Yin-Yang: China in Australia, Edwards, Zeny et al, Sydney, National Trust S.H.Ervin Gallery, 2008.
Modernity in Asian Art, Australia, South Asia, Southeast Asia: Texts by John Clark
General Works
Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications, 2007.
Modernities of Chinese Art, Singapore, Institute of Contemporary Art, 2007
Modern Asian Art, Sydney, Fine Arts Press, Sydney & University of Hawai‘i Press, Honolulu, 1998
Editor, Modernity in Asian Art, Wild Peony Press, Sydney [US‘ distribution University of Hawaii Press]
1993, including paper ‗Open and Closed Discourses of Modernity in Asian Art‘1992
‗Kindai Ajia no bijutsu gensetsu ni okeru ―taka‖ ‘ (tr. Morino Yutaka, Fujiwara Sadao) in Shimamoto
Kan, Kasuya Makoto, hen, Bijutsushi to Tasha, Kyôto, Kôyô Shuppan, 2000; English original to be
published as ‗Art History and Alterity: ‗Othering‘ as Process in Modern Asian Art Discourses‘ in
Flores, Patrick D. ed., Commemorative Anthology on the retirement of Professor Alice G. Guillermo, Manila,
University of the Philippines, [in editing, scheduled 2003].
‗Asian Modernisms‘ [reprinted from Humanities Research, no.2, 1999] in Marg, Spring, vol. 53, no.2, 2002.
‗Inter-Asian Criteria of Institutional Modernity in Art‘, in Kunstlerische Austausch/Artistic Exchange,
Akademie Verlag, Berlin, 1993.
‗What in the context of contemporary art, is your vision of a future art?‘, on the refereed web journal
www.anthology-of-art.net, in February, to be published later in an anthology from Jochen Gerz,
Braunschweig College of Art, 2003.
‗On Two Books by Edward W. Said‘, Bicitra Seni, Jilid 2, [from Pusat Seni, Universiti Sains Malaysia,],
1996.
‗Art Goes Non-Aligned‘ [Four Exhibitions in Jakarta including the Art of the Non-Aligned Movement,
April 1995], Art & Asia Pacific, vol.2, no.4, 1995.
‗Ajia ! Ajia!‘, Art Monthly Australia, no.39, April, 1991
‗Asian Artists at the 2001 Venice Biennale‘, IIAS Newsletter, November, no.26, 2001
"Contemporary Arts: Asia", review of Asia Society New York Roundtable, Journal of the Asian Arts
Society of Australia, vol.2, no.1, January, 1993.
‗Once Again the East‘, [The new Asian Gallery, Art Gallery of New South Wales], Art Monthly
Australia, no.30, May, 1990.
Australia
Australian Art and Asia -Then and Now‘, Occasional Paper No.19, Research Institute for Asia and the
Pacific, University of Sydney, 1992
‗Playing with the Stars: Guan Wei‘s styles‘, essay for Guan Wei Exhibition Catalogue, Dr. Earl Lu
Gallery, La Salle SIA, Singapore 2000.
‗Crossings‘, essay for the catalogue curated by William Wright, The Rose Crossing: Contemporary Art in
Australia, Sydney, Sherman Galleries, 1999.
‗Art and its ‗others‘ - recent Australian-Asian visual exchanges‘, in Dever, Maryanne, ed., Australia and
Asia: cultural transactions, Surrey, Curzon Press, 1997.
‗Systems End‘, catalog essay in Tseng Fang-ling, Huang Pei-yi, editors, Systems End, Contemporary Art in
Australia, Gaoxiong, Gaoxiong Shili Meishuguan, 1996.

260
‗The position of the transcultural: an end to hyphenation?‘, [essay on the work of John Young] in
Lumby, Kathy & Robinson, Julia eds, Antipodean Currents, Ten Contemporary Artists from
Australia, Washington, John F. Kennedy Centre for the Performing Arts, 1994.
‗Swimming in the Transcultural Sea: John Young‘, Asian Art News, vol.4, no.3, May/June, 1994.
‗Sons‘: an essay for a catalogue of works by Yvonne Boag, Mirabel Fitzgerald, and Patsy Payne
exhibited at Silpakorn University Bangkok, 1998
‗William Robinson‘, Asian Art News, vol.4 no.6, December, 1994.
Review: ‗Fragments of origin: Asian Women Artists‘ Group at Blaxland Gallery; Fresh Art: 20 Young
Artists at the S.H. Ervin Gallery: Moet & Chandon Touring Exhibition at the Art Gallery of New
South Wales‘, [Three Reviews of Sydney Exhibitions], Asian Art News, vol. 4, no.4, July/August
1994.
South Asia
Modern Indian Art: Some Literature and Problematics, Occasional Paper, no.21, Research Institute for Asia
and the Pacific, 1994.
‗Two Modern Indian Painters: Arpita Singh and Swaminathan‘, Art & Asia Pacific, supplement to Art
and Australia, 1993
Review of Bankim Chandra Chatterjee, tr. Marian Madden and S.N.Mukherjee, The Poison Tree: Three
Novellas, New Delhi, Penguin Books India, 1996, The Journal of the Oriental Society of Australia,
vol.31, 1999.
Review of Jyotindra Jain, Kalighat Painting: Images from a Changing World, Ahmedabad, Mapin Publishing,
1999; Yashodhara Dalmia, The making of Modern Indian Art: The Progressives, New Delhi, Oxford
University Press, 2001; Gulamohammed Sheikh, editor, Contemporary Art in Baroda, New Delhi,
Tulika, 1997; forthcoming in Art AsiaPacific, 2003
Review of Geeta Kapur, When was Modernism: Essays on Contemporary Cultural Practice in India, New Delhi,
Tulika, 2000, Australian and New Zealand Journal of Art, no.2, 2002
Southeast Asia
Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications,
2007.
‗The Transfer: Art in Colonial Southeast Asia‘, in Mashadi, Ahmad, ed., Visions and Enchantment:
Southeast Asian paintings, Singapore, Singapore Art Museum, 2000.
‗Mooi Indie and Persagi from the perspective of a Modern Asian Art‘ in Sidharta, Amir & Purnomo,
Ninsih, eds, Dari Mooi Indie Hingga Persagi, Tangerang, Museum Universitas Pelita Harapan, 1997
‗Into the Forest: Interview with Yeoh Jin-leng‘, Art & Asia Pacific, vol. 1, no.2, 1994.
Review:‗Panya Vijinthanasarn at Tadu Contemporary Art‘ Asian Art News, vol.8, no.2, 1998.
‗Asian Modernism: Diverse Developments in Indonesia, the Philippines, and Thailand‘, Asian Art News,
vol.6, no.1, January/February, 1996.
Review: Apinan Poshyananda, Western-Style Painting and Sculpture in the Royal Thai Court, 2 vols, Amarin
Printing Group, Bangkok,1993; in Art & Asia Pacific, vol.2.no.1, July 1994.
Review of Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford University Press, 1992, Art
Monthly Australia, April, 1993.
Review of Anne Richter, Arts and Crafts of Indonesia, London, Thames & Hudson, Australian Book Review,
December, 1993.
Asian Artists Transnational Activity – North America
General Works
‗Above & Beyond‘ review, Art AsiaPacific, 22, 1999
‗Art Directory‘, Art AsiaPacific, no.34, 2002.
Asian Traditions/Modern Expressions: Asian-American Artists and Abstraction, 1945-1970, Rutgers, Jane
Voorhees Zimmerli Art Museum, 1997. [Review: Roe Jae-ryung, Art AsiaPacific, no.17, 1998.]

261
Becker, Carol, ‗The Romance of Nomadism: A Series of Reflections.‘ Art Journal Summer 1999.
Berghuis, Thomas J . and Pell, Karl, 'Domain Asia @ Art Dot Com: Asian art in technological times',
IIAS Newsletter, No.25, July 2001
Berghuis, Thomas J., ''Translated Acts': Body, Self and Performance', IIAS Newsletter, No.24, February
2001
Borum, Jenifer P, ‗New York:‖Asia/America‖, Artforum International, Vol.33, Issue 1, September 1994
Brett, Guy, ‗Earth and Museum -- Local or Global?‘ Third Text no.6 Spring 1989.
Chang, Alexandra, ‗Locating Asian American Art: Redefinitions‘ in Art Asia Pacific, No. 41 (Summer
2004), pp. 40-41
Chang, Alexandra, ‗Taeko Baba: Reinventing the Self‘ in Art Asia Pacific, No. 39 (Winter 2004), pp. 30-
32
Chang, Alexandra, ‗Urban Improv: On the Road with the Brainstormers‘ in Art Asia Pacific, No. 40
(Spring 2004), pp. 36-39
Chattopadhyay, Colette, ‗From Zen to Pop Culture‘,
Chattopadhyay, Colette, ‗Shifting Peceptions‘, Art AsiaPacific 29, 2001;
Chattophadhyay, C., ‗An Emerging Dialogue‘ Asian Art News, vol.7, no.5, September / October 1997.
Chattophadhyay, C., ‗Korean-American Artists in California‘, Asian Art News, vol. 6, no.3, May / June
1996.
Chattophadhyay, C., ‗Out of Hong Kong‘, Asian Art News, vol.6, no.5, September / October, 1996.
Chattophadhyay, C., ‗The pacific and beyond‘], Asian Art News, vol.6, no.2, Mar/Apr 1996;
Chattophadhyay, Collette, ‗Public Offerings‘, Art AsiaPacific, 33, 2002;
Chattophadyay, ‗ Flight pattersn: landscapes of te pacific Rim‘, Art AsiaPacific, 31, 2001;
Chong, Doryun, ‗Korean American Views‘, Art AsiaPacific 29, 2001;
Doran, Valerie C., ‗Interview with Vishakha N. Desai, Senior Vice President, Asia Society and Director,
Asia Society Museum, Orientations, Volume 32, Number 8, October 2001
Erickson, Britta, ‗San Francisco Asian Art Museum opening‘ in Art Asia Pacific, No. 38 (Fall 2003), p.
17
Evans, Tim, ‗Asian Roots‘ (Review) in Art Asia Pacific, No. 38 (Fall 2003), p. 18
Fu-Chia-Wen Lien ‗The Body as Metaphor for Feminist Expression‘, Asian Art News, 8:4, August 1998.
Gaur, Umesh, ‗American Collectors of Contemporary Indian Art in the Northeast‘, Orientations, Volume
33, Number 6, June 2002
Goodman, Joanthan, ‗The first steps‘, Art AsiaPacific, 25,
Goodman, Jonathan, ‗Form inside the body, Art AsiaPacific, 32, 2001;
Goodman, Jonathan., ‗Conditions of Anonymity: the Performance Art of Kim Sooja‘, in Art AsiaPacific,
Issue 38, Fall 2003, p.58-59.
Goodman, Jonathan., ‗Miguel Trelles at Taller Boricua‘ (review), in Yishu: Journal of Contemporary Chinese
Art, Vol. 2 No. 2, June 2003, p.124-125.
Greenstein, M.A., ‗Virtual Daydreams: Three exhibitions of Asian Art in Los Angeles‘, Art AsiaPacific,
no.21, 1999.;
Gustafson, Paula, ‗‘Twisting the box‘, [Mattress factory] Art AsiaPacific 28, 2001
Gustafson, Paula, ‗Faces from the Past: First Nations Masks of Canada‘, Art AsiaPacific, no.21, 1999.
Jaana, Reena, ‗Building Bridges, Asian Art News, vol.6, no.6, November/December 1996.
Jaana, Reena, ‗Dialogue Face to Face‘, Asian Art News 9:1 1999.
Jaana, Reena, ‗Fashioning Trends‘, Asian Art News 9:4 1999.
Jaana, Reena, ‗The intuitive Eye‘, Asian Art News 9:4 1999.
Jaana, Reena,‘The freshest of visions‘, Asian Art News, vol.5, no.6, Nov/Dec 1995.
Jana, Reena, ‗Fashioning Trends‘, Asian Art News, vol.9, no.4, 1999
Jana, Reena, ‗Fresh Visions‘, Art AsiaPacific, 26, 2000
Jana, Reena, ‗Unfolding identities‘, Asian Art News, vol.9, no.1, 1999
Kee, Joan, ‗Transience and Time‘, Art AsiaPacific 28, 2001

262
Kenney, Aaron., ‗My Painted Dreams by Mahvash Mossaed‘ (book review), in Asian Art News, Vol. 14,
No. 2, March/April 2004, p.101.
Kerr, Merrily, ‗Translated Acts: Asian Performance Art‘ Art AsiaPacific, no.35, 2002.
Kim Yu-yeon, ‗In the eye of the tiger, Korean artists in America‘, Art AsiaPacific, vol.3, no.3, 1996
Kim, Kunmja Paik, ‗New Acquisitions of Korean Painting‘, Orientations, Volume 34, Number 1, January
2003 [including Yi Eung-nok, 1860s]
Kosasa, Karen K. ‗Crossings 2003: Korea/Hawai‘i‘ (Review) in Art Asia Pacific, No. 39 (Winter 2004),
p. 81
Laster, Paul, ‗Down the Rapid Hole With Terence Koh‘ in Art Asia Pacific, No. 39 (Winter 2004), pp.
66-69
Leung, Laura Kateri, ‗Dream So Much‘ (Review) in Art Asia Pacific, No. 38 (Fall 2003), p. 18
Lin, Xiaoping, ‗Globalism or Nationalism? – Cai Guoqiang, Zhang Huan, and Xu Bing in New York‘ in
Third Text, Vol. 18, Issue 4 (July 2004), pp. 279-296
Machida, Margo, Asia/America: Identities in Contemporary Asian American Art, New York, The Asia
Society, 1993.
Machida, Margo, Shifting Identities of Asian Women in America, Henry Street Settlement Abrons Arts
Center, June 24-July 28, 1995.
Magnan, Kathleen Finlay, ‗A View from within‘ Asian Art News, vol.6, no.1, Jan/Feb 1996.
Millichap, John, ‗An Infinite Variety: Chui Faising.‘ World Sculpture News 3:2 Summer 1997.
Nakamura, Eric, ‗Report: The Year Otaku Broke‘ [Superflat] Review, Art & Text 73, May-July 2001;
Phillips, Kristy, 'Asia and the White Cube: A Project for Revitalizing Asian Art in Museums', IIAS
Newsletter, No. 29, November 2002
Rosenblum, Robert, ‗Takashi Murakami‘, Artforum International, Vol.40, Issue 9, May 2002
Silberman, Seth Clark, ‗Red Beans and Rice: Asian Artists in the New South‘ (review), ArtAsiaPacific,
no. 48, 2006.
Sirmans, Franklin, ‗The 2004 Whitney Biennial: One on One with Shamin Momin‘ in Art Asia Pacific,
No. 40 (Spring 2004), pp. 16-18
Spalding, David., ‗Weaving History: An Interview with Dinh Q. Lê‘, in Art AsiaPacific, Issue 38, Fall
2003, p.68-70.
Wallace, Keith, ‗The beauty of rupture‘, Art AsiaPacific, 24, 1999
Wang, Dan.S., ‗Medium(s) Asian-American Artists‘, Art AsiaPacific, no.33, 2002.
Wang, Shipu., ‗Swinging on Hyphenation: An Inquiry into the Construct of an Asian American Art‘, in
Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.41-51.
Wei, Lilly, ‗Conversations: Nilima Sheikh & Shahzia Sikander‘, Art AsiaPacific, no.35, 2002.
Wei, Lilly., ‗On Chinese Artists and the Marketplace: Xu Bing and Zhang Huan in America‘, in Art
AsiaPacific, Issue 38, Fall 2003, p.28-30
Winther-Tamaki, Bert, Art in the encounter of Nations: Japanese and American artists in the early postwar years,
Honolulu, University of HWoodson, Yoko, ‗Acquisitions of Japanese Art: 1988-2002‘,
Orientations, Volume 34, Number 1, January 2003
Yang, Alice, ‗Shifting identities of Asian Women in America‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Individual Artists
Bai Bien-U: review, Art AsiaPacific, 32, 2001
Bose Santiago; Villa, Carlos: review, Art AsiaPacific, 30, 2001
Cai Guoqiang: Heartney, Elanor, ‗Cai Guoqiang: illuminating the new China‘, Art in America, May 2002;
Schwabsky, Barry, ‗Tao and physics: The art of Cai Guo Qiang‘, Artforum International, Vol.35,
Issue 10, Summer 1997; Cultural Meeting Bath: Projects for the 20th century, New York, Queens
Museum of Art, 1997 [review: Goodman, Art AsiaPacific,no.18, 1998; Heartney, Elanor, ‗Cai
Guo-Qiang: Illuminating the new China‘, Art in America, Vol. 90, Issue 5, May 2002; Goodman,
Jonathan, ‗Cai Guo-Qiang an Explosion Event: Light Cycle over Central Park at the Asia Society‘
(Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 84; Poshyananda, Apinan, ‗Cai Guo-Qiang‘

263
in Art Asia Pacific, Issue 37 (2003), p. 76; Lin, Xiaoping, ‗Globalism or Nationalism? – Cai
Guoqiang, Zhang Huan, and Xu Bing in New York‘ in Third Text, Vol. 18, Issue 4 (July 2004),
pp. 279-296
Cheang, Shu Lea: Chua, Lawrence, ‗An odd circuit‘, Art AsiaPacific, 27, 2000
Chen Longbin:Karetzky, Patricia. ‗Between Two Cultures: Chen Longbin.‘ World Sculpture News 4:3
Summer 1998.
Cheng Emily: Wei, Lilly, ‗Time reading‘, Asian Art News, vol.6, no.2, Mar/Apr 1996. ; Goodman,
Jonathan., ‗Ornament as Knowledge, Ornament as Desire: the Art of Emily Cheng‘, in Yishu:
Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.52-58; ‗Parsing Form and
Spirit‘, Emily Cheng in Conversation with Suzanne de Vegh, in Yishu: Journal of Contemporary
Chinese Art, Vol.7, No.6, November 2009, p.33-37.
Chin, Mel: Kent, Rachel, ‚New York Scene‘, Art AsiaPacific, 32, 2001
Chong, Teresa: review, Art AsiaPacific, 34, 2002
Chu Hung: Findlay, Ian, ‗Kuang Jian at Palette Collections Gallery‘, Exhibition Reviews, Thailand
Feature, Asian Art News, vol. 12, no. 1, January/February 2002
Chu, Josie: review, Asian Art News, vol.10, no.5, 2000
Chuang Che: Findlay, Ian, ‗Searching For A Balance of Forces‘, in Asian Art News, v. 17(3), May/June,
2007, pp. 78 – 83.
Chun Seong: Kee, Joan, ―suspended in ambivalence‘, Art AsiaPacific 29, 2001
Cody Choi: Park, Kyung Mee, ‗Cody Choi‘ in Art Asia Pacific, Issue 37 (2003), p. 7
Dakoji, Pratibha: Cohen, Joan Lebold,‘The traveler Rests‘ Asian Art News, vol.5, no.5, Sep/Oct 1995.
Dave, Vinod: review, Art AsiaPacific, 25, 2000
Diao, David: Anderson, Paul A, ‗David Diao: Critical painting and the Racial Sublime‘, Third Text, no.33,
Winter 1995-6, 41-50.
Do-Ho Suh: Momin, Shamin, ‗Do-Ho Suh‘ in Art Asia Pacific, Issue 37 (2003), p. 69; Chung, Shinyoung,
‗Do-Ho Suh‘ in Art Asia Pacific, No. 38 (Fall 2003), p. 75
Emily Cheng: Malhotra, Priya, ‗Wholeness in a Fragmented World‘ in Asian Art News , Vol. 14, Number
4 (July/August 2004), pp. 36-40
Fang Lijun: review, Art AsiaPacific, 25, 2000; Wang, A.J., ‗Beauty in Despair: New Works by Fang Lijun,
in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 2, March/April 2009, pp. 43-49.
Gang Zhao: review, Art AsiaPacific, 27, 2000
Glen Kaino: Joo, Eumgie, ‗Revolutions per Minute‘ in Art Asia Pacific, No. 38 (Fall 2003), pp. 38-39
Gu Wenda: Erickson, Britta, ‗Gu Wenda‘s silent selves and pseudo characters‘, Art AsiaPacific, 26, 2000
Hak Kyung Cha: deSouza, Allan. ‗The Spoken Word: Theresa Hak Kyung Cha‘s ―Dictee‖.‘ Third Text
no.24 Autumn 1993; Richard, Frances, ‗Theresa Hak Kyung Cha‘, Artforum International, Vol.40,
Issue 1, September 2001; Chiu, Melissa, ‗The Crisis of Calligraphy and the New Way of Tea: An
Interview with Wenda Gu‘, , Orientations, Volume 33, Number 3, March 2002
Hashmi, Zarina: Patel, Samir S., ‗Zarina: Edges of Her World‘, in ArtAsiaPacific, No. 54, Jul/Aug, 2007,
pp. 72 – 77.
Higuchi Ikuyo: Cohen, Joan Lebold, ‗Notes from a studio‘ Asia-Pacific Sculpture News, vol.1, no.2, Spring
1995.
Hiroshi Senju: Radlauer, Steve, ‗Universal Waterfalls‘, in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p.
76-82
Hu Yongkai: Binks, Hilary, ‗Looking Homeward‘ Asian Art News, vol.7, no.3, May/June 1997.
Huang Chi-yang (Zhiyang): review, Art AsiaPacific, 31, 2001; Pollack, B., review, ‗Huang Zhiyang:
Peripheral Vision‘, Yishu: Journal of Contemporary Chinese Art, Vol 8, No. 3, May/June 2009.
Hung Liu: Brown, Glen ‗Ambiguous Narratives‘, Asian Art News 9:5 September/October 1999.
Jim Soo Kim: Heartney, Eleanor, ‗An Art of Tender Recuperation‘ in Art in America (July 2003), pp. 80-
85
Jinchi, Pouran: review, Art AsiaPacific, 32, 2001
Kai Hoang, That Bui, Vi Ly: Jana, Reena, ‗The intuitive eye‘, Asian Art News, vol.9, no.4, 1999

264
Kaur, Permindar: Chambers, Eddie. ‗―Cold Comfort‖: Permindar Kaur.‘ Third Text no.36 Autumn 1996.
Ken Lum: Between the sky and the earth [Ken Lum, Frank Tam, Yan Peiming, Yang Jiechang, Zhou Tiehai],
Hong Kong, University Art Gallery, 1998; Monshouwer, Saskia, 'Ken Lum, Photo-mirrors:
Presenting new reflections', IIAS Newsletter, No.22, June 2000; Ken Lum, In Search of Wabi Sabi,
Kitakyushu: CCA, 2001
Kim Soonj Oh: Chattophadhyay, C., ‗Of parts and process‘, Asian Art News, vol.6, no.6,
November/December 1996; review, Art AsiaPacific, 25, 2000
Kim Young: Jana, Reena, ‗The Displaced Self‘, Asian Art News, vol.10, no.1, 2000
Koh, Terence: Laster, Paul, ‗Reading Terence Koh‘, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 76 –
77.
Komagata Katsuya: review, Art AsiaPacific, 25, 2000
Kosuge, Michihiro: Taylor, Sue, 'Michihiro Kosuge at Laura Russo', Art in America, Vol. 91, Issue 2,
February 2003
Kunishima Seiji: Chattophadhyay, C., ‗Poetry in Stone: Seiji Kunishima.‘ World Sculpture News 2:4 Autumn
1996.
Kusama Yayoi: Lumpkin, Libby, ‗Yayoi Kusama‘, Artforum International, Vol.37, Issue 1, September 1998;
review, Art AsiaPacific, 24, 1999
Kuwahara Masahiko: review, Art AsiaPacific, 32, 2001
Kwon Sowon: review, Art AsiaPacific, 31, 2001
Lampo Leung: Leung, Lampo, ‗Recoding the Roots: Genetic Reformation and Culture Synthesis in the
Era of Globalization‘ in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 83-88
Lee Mingwei: review, Art AsiaPacific, 22, 1999; Tsai, Eugenie, ‗Talk: Lee Mingwei – The Tourist‖ in Art
Asia Pacific, No. 40 (Spring 2004), pp. 44-47
Lee Sang Nam: review, Art AsiaPacific, 21, 1999; Goodman, Jonathon, ‗Concerning the Spiritual in Art:
The Resolute Path of Sangnam Lee‘, Art AsiaPacific, no.35, 2002.
Lin Lin: Croizer, Ralph, ‗ "Going to the World": the life and death of Billy Harlem (Lin Lin), Journal of
the Oriental Society of Australia, vol. 29, 1997.
Lin Maya: review, Art AsiaPacific, 24, 1999
Liu Hong: Brown, Glenn R., ‗Ambiguous narratives‘, Asian Art News, vol.9, no.5, 1999
Michael Joo: Park, Kyung Mee, ‗Michael Joo‘ in Art Asia Pacific, Issue 37 (2003), p. 75
Mori Mariko: review, Art AsiaPacific, 24, 1999
Murakami Takashi: Kent, Rachel, New York Scene‘, Art AsiaPacific, 32, 2001; Briggs, Patricia, ―Painting
at the Edge of the World, Exhibition Review at Walker Art Center, [Artists include Takashi
Murakami and Hisroshi Sugito], Artforum International, Vol.39, Issue 10, Summer 2001
Nasreen Mohamedi: Malhotra, Priya., ‗Nasreen Mohamedi at Talwar Gallery‘ (review), in Asian Art News,
Vol. 13, No. 6, November/December 2003, p.92-93.
Nguyen Minh: review, Art AsiaPacific, 32, 2001
Nguyen Quang Huy: Lenzi, Iola, ‗Hanoi Paris Hanoi: The evolving art of Truong Tan and Nguyen Quang
Huy‘, ART AsiaPacific, Issue 35 (2002)
Nikki S. Lee: Momin, Shamin, ‗Nikki S. Lee‘ in Art Asia Pacific, Issue 37 (2003), p. 68
Noguchi Isamu: Chattophadhyay, C., ‗A Noguchi Legacy: Isamu Noguchi‘s site-specific sculpture.‘ Asia-
Pacific Sculpture News 1:4 Autumn 1995; Winther-Tamaki, Bert, ―The Rejection of Isamu
Noguchi's Hiroshima Cenotaph: A Japanese American Artist in Occupied Japan,‖ Art Journal
vol.53, no.4 (Winter 1994), pp.23-27.
Ono Yoko: Dimitrakaki, Angela. ‗Yoko Ono: Have You Seen The Horizon Lately?‘ Third Text no.42
Spring 1998; Monroe, Alexandra, with Hendricks, Jon, eds., Yes: Yoko Ono, New York, Japan
Society & Harry N. Abrams, 2000; Schwendener, Martha, Yoko Ono‘, Artforum International,
Vol.39, Issue 5, January 2001; Lopez, Sebastian, 'YES YOKO ONO', IIAS Newsletter, No.24,
February 2. ; Goodman, Jonathan, ‗The answer is yes‘, Art AsiaPacific, 30, 2001; Tiravanija, R ―In
Another Country‘ (interview with Yoko Ono) in Artforum, Vol. 47, Iss. 10, Summer 2009, p. 281
Pien, Ed: review, Art AsiaPacific 29, 2001

265
Ping Chong: Yang, Alice, ‗Chinoiserie‘ Art & Asia Pacific, vol.3, no.2, 1996. ; Kee, Joan. ‗Balancing Act:
Tention and tenacity in Asian American art‘ Art AsiaPacific no. 20 1998
Prema Murthy: Reckitt, Helena, ‗From Bindi Girls To Space Invaders: Prema Murthy‘ in Art Asia Pacific,
No. 39 (Winter 2004), pp. 34-35
Qin Feng: Malhotra, Priya., ‗Power from Turmoil‘, in Asian Art News, Vol. 13, No. 6,
November/December 2003, p.64-67.
Qiu Zhijie: review, Art AsiaPacific, 32, 2001; Vine, Richard."Customs delay prompts Chinese artist's
freewheeling improv‘. In Art in America 97.5 (May 2009): 32(1).
Revri, Anil: interview, Asian Art News, vol.11, no.2, 2001
Rina Banerjee: Momin, Shamin, ‗Rina Banerjee‘ in Art Asia Pacific, Issue 37 (2003), p. 67
Rirkit Tiravanija: Yang, Alice, ‗The artist as chef - Rirkit Tiravanija‘, Art & Asia Pacific, vol.3, no.2, 1996;
Gaweewong, Gridthiya, ‗Rikrit Tiravanija‘ in Art AsiaPacific, Issue 37 (2003), p. 46; Tiravanija,
Rirkit, ‗In Another Country‘ (interview with Yoko Ono) in Artforum, Vol. 47, Iss. 10, Summer
2009, p. 281
Sangnam Lee: Park, Kyung Mee, ‗Sangnam Lee‘ in Art Asia Pacific, Issue 37 (2003), p. 73
Sarah Sze: Chiu, Melissa, ‗Sarah Sze‘ in Art Asia Pacific, Issue 37 (2003), p. 32
Shang Xuhong: Grown, Glen R., ‗Minimal Magic‘, Asian Art News, vol.10, no.2, 2000
Shelly Bahl: Dewan, Deepali, ‗Shelly Bahl‘ in Art Asia Pacific, Issue 37 (2003), p. 37
Shimomura, Roger: Brown, Glenn R., ‗Identity and experience‘ Asian Art News, vol.12, no.2, 2002
Sikander, Shahzia: review Art AsiaPacific 29, 2001; Friis-Hansen, Dana, ‗Full Blown: the expansive vision
of miniaturist Shazia Sikander‘, Art AsiaPacific, no.16, 1997; review, Asian Art News, vol.9, no.1,
1999.
Soong, Path: Gordon, Jeff, ‗Chaos Defined‘, , Asian Art News, vol.5, no.5, Sep/Oct 1995.
Sowon Kwon: Akira Tatehata, ‗Sowon Kwon‘ in Art Asia Pacific, Issue 37 (2003), p. 85
Szeto Keung: Millichap, John, ‗Wanderer between cultures‘, Asian Art News, vol.6, no.2, Mar/Apr 1996.
Tachibana Seiko: Brown, Glenn R., ‗Seeking the universal‘, Asian Art News, vol.11, no.1, 2001
Tam, Frank: Findlay, Ian, ‗An explorer of cultures‘, Asian Art News, vol.6, no.6, November/December
1996; Gustafson, Paula, ‗The meeting of spirituality and materialism‘, Asian Art News, vol.10,
no.5, 2000
Taneike, Chiyomi: Brown, Glenn R., ‗Metaphorical journeys‘, Asian Art News, vol.12, no.1, 2002
Teching Hsieh: Lee Weng Choy, ‗Teching Hsieh‘ in Art Asia Pacific, Issue 37 (2003), p. 66
Teraoka Masami: Hess Lydia, ‗Masami Teraoka‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Thep Thavonsouk: Findlay, Ian, ‗Timeless Moments‘ in Asian Art News, v. 18(1), January/February, 2008,
pp. 130 – 135.
Theresa Chong: Goodman, Jonathan, ‗Theresa Chong‘ in Art Asia Pacific, Issue 37 (2003), p. 49
Ting, Walasse: Millichap, John, ‗Against the tide‘, Asian Art News, vol.9, no.1, 1999
Tran T. Kim-Trang: Small, Irene V., ‚Blind Spot‘, Art AsiaPacific, 30, 2001
Truong Tan: Bradford Edwards: Hussfeld, Barbara, ‗Cultural Collisions‘ Asian Art News, vol.5, no.5,
Sep/Oct 1995; Lenzi, Iola, ‗Hanoi Paris Hanoi: The evolving art of Truong Tan and Nguyen
Quang Huy‘, ART AsiaPacific, Issue 35 (2002)
Tseng Kwong Chi & Lee, Nikki S.: Samm, Irene V., ‚Spectacles of invisibility‘, Art AsiaPacific 28, 2001
Tseng Yuho/ Zeng Yuhe: review , Art News, 99, 6, 2000
Wang Du: Kent, Rachel, ‚New York Scene‘, Art AsiaPacific, 32, 2001
Way, John: Johnson, Robert Flynn, ‗The art of John Way‘, Asian Art News, vol.11, no.5, 2001
Wong [Dian Shui-lu]:Chattophadhyay, C. ‗Dancing with the Tao‘, Asian Art News, vol.6, no.4,
July/August, 1996.
Xie Dejing/ Hsieh Tehching: Johnston Jill, ‗Tehching Hsieh: Art‘s willing captive‘, Art in America,
September 2001
Xin Fei: Millichap, John, ‗Life Lines‘, Asian Art News, vol.5, no.5, Sep/Oct 1995.
Xu Bing: Xu Bing & Cai Guoqiang at Bard review, Art AsiaPacific, 22, 1999; Goodman, Jonathon, ‗Xu
Bing: Cultural Translator‘, Art AsiaPacific, no.35, 2002; Doran, Valerie C., ‗Xu Bing: A Logos for

266
the Genuine Experience‘, Orientations, Volume 32, Number 8, October 2001; Nanjo, Fumio, ‗Xu
Bing‘ in Art Asia Pacific, Issue 37 (2003), p. 70; Chattopadhyay, Collette, ‗Beyond Iconography:
The Power of Graffiti – Xu Bing and Public Art‘ in Art Asia Pacific, No. 40 (Spring 2004), pp. 32-
35; Wei, Lily, ‗On Chinese Artists and the Market Place‘ (Xu Bing and Zhang Huan) in Art Asia
Pacific, No. 38 (Fall 2003), pp. 28-30; Xu Bing, Tobacco Project: Shanghai (Catalogue), Shanghai
Gallery of Art, 2004; Lin, Xiaoping, ‗Globalism or Nationalism? – Cai Guoqiang, Zhang Huan,
and Xu Bing in New York‘ in Third Text, Vol. 18, Issue 4 (July 2004), pp. 279-296;
Yamamoto, Lynne: review, Art AsiaPacific, 22, 1999; review, Contemporary Visual Art, 23
Yamashita, Kumi: Koplos, Janet, 'Kumi Yamashita at Kent', Art in America, Vol. 91, Issue 1, January 2003
Yang Ying Feng, Gary Lichtenstein: Jaana, Reena,‘Crossing Divides‘, Asian Art News, vol.5, no.5, Sep/Oct
1995.
Yoong Soon Min: review, Art AsiaPacific, 22, 1999; Poshyananda, Apinan, ‗Yong Soon Min‘ in Art Asia
Pacific, Issue 37 (2003), p. 7
Yung, Larry: Lawrence, Patrick, ‗Towards Closure‘, in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p.
71-75.
Zhang Huan: Wei, Lily, ‗On Chinese Artists and the Market Place‘ (Xu Bing and Zhang Huan) in Art
Asia Pacific, No. 38 (Fall 2003), pp. 28-30; Lin, Xiaoping, ‗Globalism or Nationalism? – Cai
Guoqiang, Zhang Huan, and Xu Bing in New York‘ in Third Text, Vol. 18, Issue 4 (July 2004),
pp. 279-296
Zhang Jian-jun: Wong, Aida-Yuen, 'Vestiges of Time/ Elemental Spring: Zhang Jian-Jun and Barbara
Edelstein in Guangdong', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue
Zhang Peili: Cohen, Joan Lebold,‘A Studio Visit with Zhang Peili.‘. Asia-Pacific Sculpture News 1:4 Autumn
1995; review, Art AsiaPacific, 25, 2000; Isreal, Nico, ‗New York: Zhang Peili‘, Exhibition Review,
Artforum International, Vol.38, Issue 3, November1999; Gladston, P. ‗RecurringIntimations of
Disorder: A Conversation with Zhang Peili‘, in Yishu Journal of Contemporary Chinese Art, Vol 8,
Number 2, March/April 2009, pp. 50-58.
Asian Artists Transnational Activity – Britain
General Works
Abbott, Guy Mannes, ‗Drawing space‘, Art AsiaPacific, 30, 2001.
Braddock, Kevin, ‗A sense of self‘, Art AsiaPacific, 26, 2000.
Guha, Tania, ‗Transition of Riches‘, Third Text, n25, Winter 1993-94, 81-86.
Lew, Christopher Y., ‗Amy Cham Inside Out‘, ArtAsiaPacific, no. 46, 2005.
Periz, Ingrid, ‗One Way or Another: Asian American Art Now‘ (review), Eyeline, no. 62, Summer 2006-
7.
Individual Artists
Alvi, Tariq: Preece, Robert, ‗The aesthetic obsessions of Tariq Alvi‘, Art AsiaPacific, 32, 2001.
Arnish Kapoor: Jana, Reena, ‗Arnish Kapoor: Between Poetry and Prose‘ in Art Asia Pacific, No. 40
(Spring 2004), pp. 24-25; Bryson, Norman, ‗Kapoor‘s Vertigo‘ in Parkett, No. 69 (2003), pp.104-
115; Forster, Kurt W., ‗A Word in the Giant‘s Ear‘ in Parkett, No. 69 (2003), pp. 116-125;
Warner, Marina, ‗The Perforate Self or Nought is Naught‘ in Parkett, No. 69 (2003), pp. 126-141.
Biswas, Sutapa; Lubaina Himid; Boyce, Sonia: Tawadros, Gilane, ‗Beyond the Boundary: The Work of
Three Black Women Artists in Britain‘, Third Text, n8/9, Autumn/Winter 1989, 121-150.
El Sahali, Ibrahim: Beier, Ulli, ‗The Right to Claim the World: Conversation with Ibrahim El Salahi‘,
Third Text n23, Summer 1993, 23-30: Sudanese artist working in Quatar, England and Germany.
Fu, Julie, Yin Xuizhan: Preece, Robert. ‗Chinese Art, Manchester Style.‘ Asian Art News 8:6,1998.
Hatoum, Mona: Guha, Tania, ‗Andrea Fisher/Mona Hatoum.‘ Third Text no.28/9 Autumn/Winter 1994.
Li Yuan-chia: Brett, Guy, ‗Li Yuan-chia 1929-1994‘, Third Text, 28/9, Autumn/Winter 1994, 3-4:
obituary; Overy, Paul, ‗After a long silence: the works of Li Yuan-chia‘, Third Text, 55, 2001, 51-
62; Hill, Katie, ‗Li Yuan jia‘, Art AsiaPacific, 32, 2001.

267
Liao, Jeff Chien-Hsing: review, Art in America, 94.9, October 2006.
Lubaina Himid; Boyce, Sonia; Hatoum, Mona: Tawadros, Gilane, ‗Black Women in Britain: A Personal and
Intellectual Journey‘, Third Text, n15, Summer 1991, 71-76.
Medalla, David: Brett, Guy, ‗David Medalla: From Biokineticism to Synpotic Realism‘, Third Text, n8/9,
Autumn/Winter 1989, 79-106; Brett, Guy, ‗David Medalla: From Biokineticism to Synoptic
Realism.‘ Third Text no.8/9, Autumn/Winter, 1989; Terra, Jun, ‗David Medalla in London‘, Third
Text, n30, Spring 1995.
Ocampo, Manuel: review, Art AsiaPacific, 22, 1999.
Qu Leilei: Bright, Susan, ‗A Journey into Memory‘ Asian Art News, vol. 8, no.1, January/February 1998.
Runa Islam: Farver, Jane, ‗Runa Islam‘ in Art Asia Pacific, Issue 37 (2003), p. 44.
Shen Yuan: Carver, Antonia, ‗Shen Yuan: Just like a fish in water‘, Art AsiaPacific, no.35, 2002;
Tawadros, Gilane et al, Shen Yuan, London & Bristol, Institute of International Visual Arts and
Arnolfini Centre & Chisenhale Gallery, 2001.
Singh, Amrit & Rabindra: review, Asian Art News, vol.11, no.4, 2001; Nakamura, Nobuo and Miyake,
Akiko, ed., CCA Artist‘s Book Series, Shen Yuan: The Tongue, Kitakyushu: Center For
Contemporary Art, 1999.
Tsao, Richard: review, Art in America, vol. 93, iss. 9, Oct 2005.
Vong Phaophanit: Hylton, Richard. ‗Phaiphanit and Piper.‘ Third Text no31 Summer 1995; Dyer,
Richard, ‗Vong Phaophanit: Ash and Silk Wall‘, Third Text, n26, Spring 1994, 91-93; Obussier,
Claire, ‗Vong Phaophanit‘, Art AsiaPacific 29, 2001; Desai, Vishakha N., ‗Vong Phaophanit‘ in Art
Asia Pacific, Issue 37 (2003), p. 35.
Wong, Sue-en: review, Art in America, 94.9, October 2006.
Yanagi Yukinori: Dyer, Richard, ‗Yukinori Yanagi: Union Jack Ant Farm‘, Third Text, n27, Summer 1994,
91-93; Winther-Tamaki, Bert, Yukinori Yanagi; Image, Nation & Transnation. Co-Editor, primary
author, with essays by graduate students of the Visual Studies Ph.D program. CD Rom.
University of California, Irvine. 1998.
Bhimji: Dewan, Deepali, ‗Zarina Bhimji‘ in Art Asia Pacific, Issue 37 (2003), p. 38; Jumabhoy, Zehra,
‗Vanishing Acts‘, interview with Zarina Bhimji in Art India, Vol XIII, Iss. III & IV, 2008, p. 84-85
Asian Artists Transnational Activity – France
General Works
Clark, John, ‗Chinese Artists in Paris‘, Far Eastern Economic Review, 16.12.1986. [Chinese translation:
Meishu Shichao, Nanjing, no.4, 1987, 31-33].
Clark J., ‗Chinese Artists in France‘, in Fisher, Jean & Mosquera, Gerardo, eds., Over Here, Cambridge,
MIT Press, 2004
Fei Dawei, ed., Art Chinois: Chine Demain pour Hier, [Cai Guoqiang, Yang Jiechang, Yan Peiming, Gu
Wenda, Huang Yongping, Chen Zhen], Aix en Provence, Les Domaines de l‘art & Editions Carte
Segrete, 1990
Hou Hanru, Parisien(ne)s, London, Camden Arts Centre & INiVA, 1997
Jouanno, Evelyne; Hou Hanru, Paris pour escale, [escale= ‗port of call‘]; Paris, ARC- Musée d‘Art Moderne
de la Ville de Paris, 2000 (Foreword by Suzanne Pagé, Preface by Laurence Bossé, other texts by
Gilane Tawadros, Michel Wieviorka, 27 artists, 6 Chinese: Chen Zhen, Huang Yongping, Shen
Yuan, Wang Du, Yang Jiechang).
Köppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery of Art, 2004
Teil, D. ‗Indian Painters in Paris", Lalit Kala Contemporary, no.4.
Individual Artists
Chang Yu/Sang Yu: Wong, Rita, Sanyu [Chang Yu] Catalogue Raisonnée, Taipei, Lin & Keng Gallery 2001 ;
Wong, Rita, Sanyu: l‘écriture du corps, Paris Musée Guimet, 2004 [essays by Andrews, Hay,

268
Koutozis, Krebs &Wong]; Pai, Maggie, ‗Escaping from the exile of memory‘, Asian Art News,
vol.11, no.1, 2001; Wang, Eugene Y., ‗Sanyu Catalogue Raisonne: Oil Paintings‘, Review on Chang
Yu, Orientations, Volume 33, Number 2, February 2002.
Chen Jianzhong: Liang,K.C., Chan Kin-chung, Guangzhou, Lingnan Publishing House, 1981; Jouffroy, A.,
Chan Kin-chung, Paris, Galerie Art Yomiuri, 1981; Asian Art News, 2, no.1, Jan/Feb 1992.
Chen Zhen: Corrin, Lisa, G., et al, Chen Zhen, London, Serpentine Gallery, 2001; Chiu, Melissa,
‗Chen Zhen in Art Asia Pacific, Issue 37 (2003), p. 33; Heartney, Eleanor, ‗Parallel Lives‘ (Montien
Boonma at Asia Society and Chen Zhen at P.S. 1) in Art Asia Pacific, No. 38 (Fall 2003), pp. 50-
52
Cui Guotai: Karetzky, P. E., ‗Cui Guotai: Rust Never Sleeps, in Yishu Journal of Contemporary Chinese Art, Vol
8, Number 4, July/August 2009, pp.32-40.
Du Zhenjun: Du Zhenjun: Être humain trop lourd (Catalogue), Paris : stream-tease.tv (art involvement), 2003
Huang Yongping: Hou Hanru, Huang Yongping, [La Biennale de Venise 48 e Exposition Internationale
d‘Art, Pavillon Français], Paris, Association Française d‘Action Artistique-Ministère des Affaires
Etrangères, 1999 ; La Collection: Fondation Cartier pour l‘art contemporain, Paris, Fondation Cartier
pour l‘art contemporain, 1998; Hou Hanru, ‗Huang Yong Ping‘ in Art Asia Pacific, Issue 37
(2003), p. 55
Ju Ming: Nuridsany, Michel. ‗Shadow Boxing at the Place Vendome: Ju Ming.‘ World Sculpture News 4:1
Winter 1998.
Kawamata Tadashi: Rosen, Miriam, ‗Tadashi Kawamata‘, Artforum International, Vol.36, Issue 8, April
1998; review Art AsiaPacific 29, 2001; Gould, Claudia, ‗Balkon- Kwamata‘s Miracle‘ Parkett, No.
35, 1993; Pontegnie, Anne, ‗Tadashi Kawamata‘, Artforum International, Vol.39, Issue 6, February
2001
Shen Yuan: Tawadros, Gilane et al, Shen Yuan, London & Bristol, Institute of International Visual Arts
and Arnolfini Centre & Chisenhale Gallery, 2001; Tawadros, Gilane., ‗The Leftovers of
Translation: The Works of Shen Yuan‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4,
December 2003, p.78-87.
Szeto Lap: Binks, Hilary, ‗Of light and silence‘, Asian Art News, vol.10, no.4, 2000
Wang Du: Wang Du Magazine: je veux être un média, no.1, été, 2001, Paris, Design Mental
Yan Peiming: Besson, Christian, Yan Peiming, Paris, Éditions Hazan, 1999; Marcadé, Bernard, Yan Pei-
Ming, les assuats de la peinture‘, Artpress, Juillet/ Août, 1989 ; Botz-Bornstein, T., ‗The
Transcendental Blandness of Yan Pei-Ming‘sw International landscapes, in Yishu Journal of
Contemporary Chinese Art, Vol 8, Number 4, July/August 2009, p. 18-31.
Yang Jiechang: ‗Domino, Christophe, ‗Enlightened writings‘, Asian Art News, vo.11, no.4, 2001; review,
Asian Art News, vol.9, no.1, 1999; Geczy, Adam, ‗Yang Jiechang‘ (Review Gallery 4A, Sydney) in
Art Asia Pacific, No. 38 (Fall 2003), pp. 77-78
Zhao Wuji / Zao Wou-ki: Cheng, F., Zao Wou-ki, Paris, Grand-Palais, 1981; Zhao Wuji, Hong Kong Arts
Centre, 1982; Leymarie, J., Zao Wou-ki, Paris, Editions Cercle d‘Art, 1986;
Zhu Dechun / Chu Te-chun: Juin, H.L., Chu Teh-Chun, Paris, Musée de Poche, Gamma, 1979; Chu Tehchun,
Hong Kong, Institute for the Promotion of Chinese Culture, 1986; Binks, Hilary, ‗Passion
for Life‘, Asian Art News, vol.7, no.6, 1997.
Asian Artists Transnational Activity – Elsewhere in Europe
General Works
Acret, Susan, ‗49 th Venice Biennale: Northern Hemisphere Blues‘, Art AsiaPacific, no.33, 2002.
Kapoor, Kamala ‗Art across oceans: The ‗Containers 96‘ exhibition in Copenhagen‘, Art AsiaPacific,
no.14, 1997.
Komissar, Mariann, ‗Crosscurrents: Indian, Norwegian & British Artists in Oslo‘, Art AsiaPacific, no.21,
1999.
Malik, Dr. Sarita, ‗DNA Asia: Mapping the Future of South Asian Arts in the UK‘ in Art Asia Pacific,
No. 38 (Fall 2003), p. 20

Vos, Ken, ‗Sharing Collections and Presenting Cultural Heritage in Asian-European Exchange:
AEMUS conference ‗Marketplace of Museum‘s‘, IIAS Newsletter, No. 28, July 2002
Wear, Eric Otto, ‗ Uncertainties at the Sao Paolo Bienal‘, Asian Art News, vol. 7, no. 2, 1997.
269
Individual Artists
Arif, Saleem: Hubbard, Sue. ‗The Art of Saleem Arif.‘ Third Text no.27 Summer 1994.
Berlin, East-West: Garrett, Louise, ‗East-West in Berlin‘, Art AsiaPacific, 30, 2001
Cai Guoqiang: Stringa, Nico, Terrecotte Cinesi dalla 48 a Biennale di Venezia (Chinese Terracota at the 48 th Venice
Biennial), Cornuda: Antiga Edizoni, 2003
Chu, Julia Nee: Asian Art News, 2, no.4, Jul/Aug 1992.
Dai Pedro: Tseng Yung-lu, ‗Pedro Dai‘, Free China Review,Aug-Sep,1986
Gupta, Snil: Carver, Antonia, ‗Getting them between the eyes: an interview with Sunil Gupta‘, Art
AsiaPacific, no.16, 1997.
Hanayo: review, Art AsiaPacific, 30, 2001
Kabir, Shahid: Karim, Ziaul, ‗Process and memory‘, Asian Art News, vol. 8, no.2, 1998.
Lopez, Sebastian: Preece, Robert, ‗On gatekeeping‘, Art AsiaPacific, 30, 2001
Ming Fay: Magnan, Kathleen, F., ‗The Alchemist of Spirits‘, Asian Art News, July/August 1994.
Ngan Wayne: Asian Art News, 2, no.2, Mar/Apr 1992.
Qadri, Soham: Kwint, Marius, ‗Modernism Beyond Modernity‘, in Asian Art News, v. 18(2), March/April,
2008, pp. 80 – 85.
Sah, Cynthia: Millichap, John. ‗‗A Feeling for Stone: Cynthia Sah.‘ Asia-Pacific Sculpture News 2:1
Shiota, Chiharu: Koplos, Janet, 'Chiharu Shiota at Kenji Taki', Art in America, Vol. 91, Issue 4, April 2003
Wilfredo Lam: Tancock, John, ‗Wilfredo Lam‘ in Art Asia Pacific, No. 40 (Spring 2004), pp. 60-64
Xiao Qin / Hsiao Ch‘in: Asian Art News, 2, no.1 Jan/Feb 1992.
PRE-HISTORIES OF EURAMERICAN MODERN ART
Crow, T. E., Painters and Public Life in 18th century Paris, New Haven, Yale University Press, 1985
Duro, Paul, ed., Perspectives on Academic Art, Occasional Papers III, The Art Association of Australia,
1991.
Duro, Paul, The academy and the limits of painting in seventeenth-century France, New York, Cambridge
University Press, 1997.
EURAMERICAN THEORIES OF MODERNITY (selected)
Theories, Logics & Ideologies
Baudrillard, Jean, ‗Modernity‘ (1985), Canadian Journal of Political and Social Theory, Vol. XI, no.3, 1987.
Baudrillard, Jean, Simulacra and Simulation, [tr. Glaser, S. F.], Ann Arbor, University of Michigan Press,
1994.
Bauman, Zygmunt, Postmodern Ethics, Oxford, Blackwell, 1993.
Bernstein, Richard J., ed., Habermas and Modernity, Cambridge, MIT Press, 1985.
Deuleuze, G., Guattari, F. A Thousand Plateaus [tr Massumi, Brian], Minneapolis, University of
Minnesota Press, 1987.
Habermas, Jürgen The Theory of Communicative Action, vol: 1, Reason and the Rationalization of Society, vol.2
Lifeworld and System: A Critique of Functionalist Reason, [tr. Thomas McCarthy], London, Heinemann,
1984.
Habermas, Jürgen, The Philosophical Discourse of Modernity, Cambridge, MIT Press, 1987.
Hookway, Christopher, ‗Pragmatism: commonsense and the limits of science‘, in Stone M.W.F. and
Wolff, Jonathan, eds., The Proper Ambition of Science, London, Routledge, 2000.
Marlais, Michael ―Maurice Denis‘ Conservative Modernism‖, in Conservative Echoes in Fin de Siècle Parisian
Art Criticism, Pennsylvania State University Press, University Park, Penn., 1992, 185-217

270
Pollock, Griselda, Avant-Garde Gambits 1883-1893: Gender and the Colour of Art History, Walter Neurath
Memorial Lecture 1992, Thames and Hudson, London, 1992
Taxonomy and Evolutionary Speciation
Crombie, A.C., Styles of Scientific Thinking in the European Tradition: The history of argument and explanation
especially in the mathematical and biomedical sciences and arts, 3 volumes, London, Duckworth, 1994.
Darwin, Charles, The Illustrated Origin of Species, [abridged and introduced by Richard Leakey from sixth
edition of 1872], London, Faber & Faber, 1979 [updates Darwin‘s theories or his evidence].
Fletcher, Roland, ‗Organized Dissonance: multiple code structures in the replication of human culture‘,
in Maschner, Herbert D.G., Darwinian Archaeologies, New York, Plenum Press, 1998.
Gee, Henry, Deep Time: Cladistics, The Revolution in Evolution, London, Fourth Estate, 2001
Gould, Stephen Jay, Wonderful Life: The Burgess Shale and the Nature of History, London, Penguin Books,
1989.
Hull, David, Science as a Process, Chicago, University of Chicago Press, 1988
Mayden et al, Species: the units of evolution, 1997
Mayr, Ernst, Principles of Systematic Zoology¸ New York, McGraw-Hill, 1969
Mayr, Ernst, ‗Darwin‘s influence on modern thought‘, Scientific American, vol 283, no.1, July 2000.
Monod, Jacques, Chance and Necessity, [tr. Wainhouse, A.], New York, Alfred A. Knopf, 1971 & London
Collins/Fontana, 1974.
Sterelny, Kim & Griffiths Paul E., Sex and Death: an introduction to the Philosophy of Biology, Chicago,
University of Chicago Press, 1999.
Literary and Linguistic Theories
Bakhtin, M. M., The Dialogic Imagination, [tr. by Emerson, C. & Holquist, M.], Austin, University of
Texas Press, 1981.
Benveniste, Emile Problems in General Linguistics, [1966] (tr Meek Mary E.), Coral Gables, University of
Miami Press, 1971
Fletcher, Angus, Allegory: The Theory of a Symbolic Mode, Ithaca, Cornell University Press, 1964, 1970.
Todorov, Tzvetan, Theories of the Symbol [1977] (tr. Porter, C.), Ithaca, Cornell University Press, 1984.
Watt, Ian, Myths of Modern Individualism: Faust, Don Quixote, Don Juan, Robinson Crusoe, Cambridge,
Cambridge University Press, 1996; Canto Edition, 1997.
Cultural Hybridity and Cultural Comparison
Amselle, Jean-Loup, Mestizo Logics: Anthropology of Identity in Africa and Elsewhere, (tr. Royal, Claudia),
Stanford, Stanford University Press, 1998.
Appiah, K. Anthony, ‗Identity, authenticity, survival‘ in Gutmann, Amy, ed., Multiculturalism, Princeton,
Princeton University Press, 1992, 1994.
Bennet, Tony, ‗The exhibitionary complex‘, New Formations, no. 4.
Berghuis, Thomas J., ‗Parallel Conversions: Reflections on the Asian presence at The 32 nd CIHA
Conference in Melbourne‘, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April,
2008, pp. 50 – 52.
Bhabha, Homi K., The Location of Culture¸ London, Routledge, 1994.
Brah, Avtar, Coombes, Annie E., Hybridity and its discontents: Politics, Science, Culture, London, Routledge,
2000
Canclini,Néstor Garcìa, ‗Too much determinism or too much hybridization?‘, Travésia: Journal of Latin
American Cultural Studies, 1, 2, 1992.
Chan, D., ‗The Dim Sum vs. the Meat Pie: On the Rhetoric of Becoming an In-Between Asian-
Australian Artist‘, in Alter/Asians: Asian-Australian Identities in Art, Media and Popular Culture, Ang,
I., Chalmers, S., Law, L., and Thomas, M., eds., Sydney, Pluto Press, 2000, pp: 141 – 151.
Chiu, M. ‗Asian-Australian Artists: Cultural Shifts in Australia‘, in Art in Australia, v. 37(2), 1999, pp.
252 – 261.

271
Coombes, Annie E., ‗The recalcitrant object: culture contact and the question of hybridity‘, in Barker,
F., Hulme,P., Iversen M., Colonial Discourse/Postcolonial Theory, Manchester, Manchester University
Press, 1994.
Coombes, Annie E., ‗Inventing the ―Post-Colonial‖: hybridity and constituency in contemporary
curating‘, New Formations, 18, Winter 1992.
Derrida, Jacques, Monolingualism OR The Prosthesis of Origin [1996] (tr.Mensah, Patrick), Stanford,
Stanford University Press, 1998.
Canclini, Néstor García, Hybrid Cultures: Strategies for Entering and Leaving Modernity, (tr. Chiappari
Christopher L. & López, Silvia L.) Minneapolis, University of Minnesota Press, 1995
Gilroy, P., ‗Cruciality and the Frog‘s Perspective‘, Art+Text, 32,Autumn 1989.
Gilroy, P., ―It ain‘t where you‘re from, it‘s where you‘re at‖ the dialectics of diasporic identification‘,
Third Text, 13, Winter 1991.
Gilroy, Paul, The Black Atlantic: Modernity and Double Consciousness, Cambridge MA, Harvard University
Press, 1994.
Glissant, Edouard, Poetics of relation (1990), Ann Arbor, University of Michigan Press, 1997.
Gaudibert, Pierre, ‗Métissages artistiques‘ in Métissage: Nouvelle Revue d‘ethnopsychiatrie, no.17, ‗La Pensée
Sauvage‘, 1991.
Hall, Stuart, ‗Cultural Identity and Diaspora‘, in Rutherford, Jonathan, ed., Identity, Community, Culture,
London, 1990.
Hardt, Michael; Negri, Antonio, Empire, Cambridge, Mass., Harvard University Press, 2000.
Joppke, Christian; Lukes, Steven, eds., Multicultural Questions, Oxford, Oxford University Press, 1999.
Lee Weng Choy, ‗now and them. Another asia, Rabindranath Tagoe & Okakura Tenshin, by Rustom
Bharucha, Oxford University Press, 2006‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 37,
no. 2, June, 2008, pp. 110 – 113.
Lee, G. B., Troubadours, Trumpeters, Troubled Makers: Lyricism, Nationalism and Hybridity in China and its
Others, Durham, Duke University Press, 1996.
Mahamood, Muliyadi, ‗Japanese Style in Malaysian Comics and Cartoons‘, in International Journal of Comic
Art, Vol. 5, No. 2, Fall 2003, pp. 194-204.
Maharaj, Sarat, ‗ ―Perfidious Fidelity‖, the untranslatability of the other‘¸ Fisher, Jean ed., Global Visions:
Towards a new internationalism in the visual arts, London 1994.
Mankekar, Purnima, ‗Brides Who Travel: Gender, Transnationalism, and Nationalism in Hindi Film‘ in
positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 731-761
Papastergeriadis, Nikos, ‗Restless Hybrids‘, Third Text, XXXII, Autumn 1995.
Park, Kyeyoung, ‗‖I am Floating in the Air‖: Creation of a Korean Transnational Space among Korean-
Latino American Remigrants‘ in positions: east asia cultures critique, volume 7, number 3 (winter
1999), pp. 667-695
Pinney, Christopher; Thomas, Nicholas, eds., Beyond Aesthetics: Art and the technologies of Enchantment,
Oxford, Berg, 2001.
Purdom, Judy, ‗Mapping Difference‘, Third Text, XXXII, Autumn 1995.
Taylor, Charles, ‗The Politics of Recognition‘, in Gutmann, Amy, ed., Multiculturalism, Princeton,
Princeton University Press, 1992, 1994.
Thomson, Jonathon, ‗Contemporary Buddhist Sculpture‘, in World Sculpture News, v. 13(3), Summer,
2007, pp. 36 – 39.
Verwoert, Jan, ‗World in Motion: Jan Verwoert on New Modernism‘ in Frieze, Issue 84
(June/July?August 2004), pp. 90-95
Wai-ming Ng, ‗Japanese Elements in Hong Kong Comics: History, Art, and Industry‘, in International
Journal of Comic Art, Vol. 5, No. 2, Fall 2003, pp. 184-193.
Werbner, P., Modood, T., eds, Debating Cultural Hybridity, London Zed Books, 1997.
Wood-hung Lee and Shaw, Yomei, ‗A Textual Comparison of Japanese and Chinese Editions of Manga:
Translation as Cultural Hybridization‘, in International Journal of Comic Art, vol. 8, no. 2, Fall, 2006,
pp. 34 – 55.

272
Yao Soucho, ed., House of Glass: Culture, Modernity, and the State in Southeast Asia, Singapore, Institute of
Southeast Asian Studies, 2001.
Cultural Globalization
Appadurai, Arjun, Modernity at Large: Cultural Dimensions of Globalization; Minneapolis, University of
Minnesota Press, 1996.
Appadurai, A. Globalization, Durham, Duke University Press,
Balfe, Judith Huggins, ‗Art works as symbols in international politics;‘ The International Journal of Politics,
Culture, and Society, 1, 2 Winter 1987.
Bydler, Charlotte, The Global Art World Inc.; on the globalization of contemporary art, Uppsala, Acta
Universitatis Upsaliensis, 2004
Dirlik, Arif, The Postcolonial aura: Third World criticism in the age of global capitalism, Boulder, Westview, 1997.
Dirlik, Arif. ―Global in the Local‖ in Global/Local: Cultural production and the Transnational Imaginary.
Durham and London: Duke University Press, 1996, 21-45.
Fisher, Jean, ed., Global Visions: Towards a New Internationalism in the Visual Arts, London, Kala Press in
association with in IVA, 1994.
Gikandi, Simon, ‗Globalization and the Claims of Postcoloniality‘, The South Atlantic Quarterly, 100.3,
Summer 2001
Grewal, Inderpal, ‗Travelling Barbie: Indian Transnationality and New Consumer Subjects‘ in positions:
east asia cultures critique, volume 7, number 3 (winter 1999), pp. 799-826
Griffin, Tim, ‗Global Tendencies – Globalism and the Large Scale Exhibition‘ in Artforum (November
2003), pp. 154-162
Hirst, P.; Thompson, G., Globalization in Question, Cambridge, Polity, 1996.
Holton, Robert J., Globalization and the Nation-state, Basingstoke, Macmillan, 1998.
Hopkins, A.G., ed., Globalization in World History, London, Pimlico, 2002.
Huang, D, ‗A few questions on the relationship between the development of Chinese contemporary art
and the development of contemporary international art‘, in The First Academic Exhibition of Chinese
Contemporary Art, Hong Kong, China Oil Painting Gallery, Ltd., 1996, pp. 39 – 43.
Jameson, Fredric; Miyoshi Masao, eds. The Cultures of Globalization, Durham N.C., Duke University
Press, 1998.
Jantjes, G., ed., A Fruitful Incoherence: Dialogues with Artists on Internationalism, London, Institute of
International Visual Arts, 1998.
King, Anthony. ―The Times and Spaces of Modernity‖ in Global Modernities, ed. Featherstone et al.
London: Sage, 1995, 108-123.
King, Anthony D., 1991, ed., Culture, Globalization and the World-System, Basingstoke, Macmillan, 1991.
Kristeva, Julia, Nations without Nationalism, New York, Columbia University Press, 1993.
Lee, Pamela M., ‗Boundary Issues: The Art World Under the Sign of Globalism‘ in Artforum
(November 2003), pp. 164-167
Liu, Lydia H., ‗Beijing Sojourners in New York: Postsocialism and the Question of Ideology in Global
Media Culture‘ in positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 763-797
Merewether, C., ‗Translation and Transnationalism: Reading the Local Otherwise.‘ In ARS 01:
Unfolding Perspectives, pp. 57-66. Helsinki: Museum of Contemporary Art, Kiasma, 2002.
Meyer, James, ‗The Global Exhibition‘ in Artforum (November 2003), pp. 154-162
Nagahara, Yutaka, 1952-, ‗Monsieur le Capital and Madame la Terre Do Their Ghost-Dance:
Globalization and the Nation-State‘, The South Atlantic Quarterly, 99.4, Fall 2000
Ong Aihwa, Flexible Citzizenship: the cultural logics of transnationality, Durham, Duke University Press, 1999.
Papastergiadis, Nikos & Araeen, Rasheed, ‗a monument against monuments‘ in Best, Susan & Green,
Charles, eds. in the every day, critical and theoretical speculations on the 11th biennale of sydney, Sydney,
Artspace, 1998.
Rifas, Leonard, ‗Globalizing Comic Books from Below: How Manga Came to America‘, in International
Journal of Comic Art, Vol. 6, No. 2, Fall 2004, pp. 138-171.
Robertson, R., Globalization: Social Theory and global culture, London, Sage, 1992.

273
Sakai, Naoki, 1946- ‗"You Asians:" On the Historical Role of the West and Asia Binary‘, South Atlantic
Quartely, 99.4, Fall 2000
Schein, Louisa, ‗Diaspora Politics, Homeland Erotics, and the Materializing of Memory‘ in positions: east
asia cultures critique, volume 7, number 3 (winter 1999), pp. 698-729
Tai, Mikala, ‗Defining and Curating the Global‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36,
no. 3, September, 2007, pp. 171 – 173.
Tomlinson, John, The Globalization of Culture, Cambridge, Polity Press, 1999.
Theories of Art [selected]
Ben-Amos, Dan, ‗The seven strands of tradition‘, Journal of Folklore Research, no.21, 1984.
Bourdieu, Pierre, The Rules of Art: Genesis and Structure of the Literary Field, [1992, tr. Emanuel, S.],
Cambridge, Polity Press, 1996.
Couteau, Jean, ‗Toward a Consensual Definition of Contemporary Art?‘, in C Arts. Asian Contemporary
Art and Culture, vol. 02, March/April, 2008, pp. 38 – 49.
Gell, Alfred, Art and Agency: an Anthropological Theory, Oxford, Clarendon Press, 1998.
Adorno, T., Aesthetic Theory, [1970] London, Routledge and Kegan Paul, 1984,
Adorno, T., Horkheimer, M., The Dialectic of Enlightenment [1944, 1969], London, Verso, 1979
Adorno,T., Minima Moralia [1951], London, Verso, 1978
Anderson, P., ‗Modernity and revolution‘, New Left Review, no.152, July/August 1985
Baumann, Z., Legislators and Interpreters, Ithaca, Cornell University Press, 1987
Berman, Marshall, All that is Solid Melts into Air: The Experience of Modernity, Simon and Shuster, New
York, 1982
Bürger, P., Theory of the Avant-garde, [1974], Minneapolis,University of Minnesota Press, 1984
Crary J., Suspensions of perception: attention, spectacle and modern culture, Cambridge Mass., MIT Press, 2001.
Eagleton, T., ‗Capitalism, Modernism, and Postmodernism‘, New Left Review, no.152, July/August 1985
Eliot, T.S, Tradition and the Individual Talent, 1919, various editions.
Foster, H., ed., Postmodern Culture [originally The Anti-Aesthetic], Port Townsend, The Bay Press, 1983,
and London, Pluto Press,1987;
Foster, H., Recodings, Seattle, Bay Press,1985
Graburn, Nelson, Ethnic and Tourist Arts, Berkeley, University of California Press, 1976.
Greenberg, C., Modernist Painting, 1965, reprinted in Frascina, ed., Modern Art and Modernism, Harper and
Row, New York, 1982.
Guilbaut, Serge, How New York Stole the Idea of Modern Art, Chicago: University of Chicago Press, 1983.
Harvey, D., The Condition of Postmodernity, Oxford, Basil Blackwell, 1989.
Haskell, F., Past and Present in Art and Taste, New Haven, Yale University Press, 1987 [review by Duro,
P., Art History, vol.11, no.4, December 1988].
Hess, W., Dokumente zum Verständnis der modernen Malerei, Hamburg, Rowolts Taschenbuch Verlag, 1956;
Hofmann, W., Grundlagen der Modernen Kunst, Stuttgart, Alfred Kröner Verlag, 1978;
Huyssen, A., ‗Mapping the Postmodern‘, New German Critique, 33, Fall 1984, 5-52;
Huyssen, A., ‗The Search for Tradition: Avant-Garde and Postmodernism in the 1970s‘, New German
Critique, 22, Winter 1981, 23-40;
Iversen, M., ‗The Positions of Postmodernism‘, Oxford Art Journal, 12:1, 1989, pages 31-34;
Jameson, F., ‗Marxism and Postmodernism‘, New Left Review, 176, November / December 1989, 31-45;
Jameson, F., ‗Postmodernism: the cultural logic of late capitalism‘ New Left Review, 146, July/August
1984, 53-92;
Jameson, F., ‗The Politics of Theory: Ideological Positions in the Post modernism debate‘, New German
Critique, 33, Fall 1984;
Jameson, F., Postmodernism, Durham, Duke University Press, 1992.
Jencks, C., What is Post-Modernism?, New York, Academy Editions, 1986.
Lyotard, J-F,, The Postmodern Condition, Minneapolis, University of Minnesota Press, 1984;
Matisse, H., Écrits et propos sur l‘art, Paris, Hermann, 1972;
Mercer, Kobena, ‗Black Hair/Style Politics‘, New Formations, no.3, Winter 1987.

274
Nietzsche, ‗Notes‘ (1873). In W. Kaufmann, editor and translator, The Portable Nietzsche, Viking Press,
1954
Nochlin, L., Realism, Harmondsworth, Penguin, 1971.
Pollock, G., ‗Artists‘ mythologies and media genius, madness and art history‘, Screen, 21, no.3, 1980
Pollock, G., and Orton, F., Vincent Van Gogh, Artist of his time, Oxford, Phaidon, 1978.
Ray, W., The Logic of Culture: authority and identity in the modern era, Oxford, Blackwell Publishers, 2001.
Rubin, William, ed.. & curator, ―Primitivism‖ in Twentieth Century Art, New York, The Museum of
Modern Art, 1984.
Schmidt, B., Postmoderne - Strategie des Vergessens, Darmstadt und Neuwied, Hermann Luchterhand
Verlag, 1986.
Sontag, Susan, ‗On Style‘ &‘Notes on ―Camp‖‘, in Against Interpretation, New York, Farrar, Straus,
Giroux, 1961, 1966.
Spooner, Brian, ‗Weavers and dealers: The Authenticity of an Oriental Carpet‘, in Appadurai, Arjun,
ed., The Social Life of Things, Cambridge, Cambridge University Press, 1986.
Walker, J.A., Art in the age of mass media, London, Pluto Press, 1983
Wollheim, R., On Art and the Mind, Cambridge, Harvard University Press,, 1974
Zaya, Octavio; Michelson, Anders, Interzones: A work in progress, Tabapress, 1996.
Art Movements
Ackerman, J., ‗The Demise of the Avant-Garde‘, Comparative Studies in Society and History 11, no. 4,
October, 1969
Bürger, Peter, Theory of the Avant-Garde,[1974,1980] (tr. Shaw, M.; foreword by Schulte-Sasse, Jochen),
Minneapolis, University of Minnesota Press, 1984.
Calinescu, M., Five Faces of Modernity, Durham : Duke University Press, 1987.
Calinescu, M., ― ‗Avant-Garde‘: Some Terminological Considerations‖, Yearbook of Comparative and
General Literature, 23/4, 1974, at pg. 69.
Danto, Artur C., After the end of art: contemporary art and the pale of history, Princeton, Princeton University
Press, 1997.
Lehman, David, ―Politics, Protest and the Avant-Garde‖, Dissent, Fall 1998.
Hess, T.B. & Ashberry, J., Avant-Garde Art, London, Collier-Macmillan, 1967, 1968.
Jones, Caroline, Machine in the Studio, Chicago, University of Chicago Press, 2000.
Krauss, Rosalind .E., The 0riginality of the Avant-Garde and Other Modernist Myths, Cambridge, The MIT
Press, 1986, 1993.
Poggioli, Renato, The Theory of the Avant-Garde, [1962, tr. Fitzgerald, G.], Cambridge, The Belknap Press,
1968.
Szabolsci, M., ―Avant-Garde, Neo-Avant-Garde, Modernism: Questions and Suggestions‖, New Literary
History: Modernism and Postmodernism, III/1, Autumn, 1971.
Wood, P., ed., The Challenge of the Avant-Garde, New Haven, CT : Yale University Press ; London : Open
University, 1999.
Corporeal Theories (selected)
Ames, Roger T. and Kasulis Thomas P., with Dissanayake, Wimal, Self as body in Asian theory and practice,
Albany : State University of New York Press, c1993.
Butler, Judith, Bodies that matter: on the limits of discursive sex, New York, Routledge, 1993.
Elkins, James, Pictures of the body : pain and metamorphosis, Stanford, Calif. : Stanford University Press, 1999
Haraway, Donna, Simians, Cyborgs and Women: the reinvention of Nature, New York, Routledge, 1991
Kemp, Martin and Wallace, Marina, Spectacular Bodies: The Art and Science of the Human Body from Leonardo
to Now, Berkeley: University of California Press, 2000
Kristeva, Julia [tr. Roudiez, Leon S.], Powers of Horror: An essay on abjection, New York, Columbia
University Press, 1982.
Merleau-Ponty, Maurice, Phenommenology of Perception, London: Routledge & Kegan Paul, 1962
Leder, Drew, The Absent Body, Chicago: University of Chicago Press, 1990

275
Zito, Angela and Barlow, Tani E., Body, subject & power in China, Chicago : University of Chicago Press,
1994.
ASIA, AFRICA AND ISLAM IN PRE-MODERN EURAMERICAN ART
Bugner, L. ed., The Image of the Black in Western Art, in progress 1989, Menil Foundation distributed by
Harvard University Press.
1. Vercoutter, J., From the Pharoahs to the Fall of the Roman Empire
2. From the Early Christian Era to the ―Age of Discovery‖
2.1. Devisse, J., Courtes, J.M., From the demonic threat to the incarnation of Sainthood
2.2. Devisse, J., Mollat, M., Africans in the Christian ordinance of the world, 14th to 16th centuries
3. Africa and Europe 16th to 18th centuries [in progress]
4 From the American Revolution to World War I, Dalton, Karen C.C., associate editor
4.1. Honour, H., Slaves and Liberators
4.2 Honour, H., Black Models and White Myths
Coombs, A.E.S., ‗―For God and For England‖:contributions to an image of Africa in the first decade
of the twentieth century‘, Art History, Vol.8, No.4 ,December 1985
Coombs, A.E.S., Edwards, S., ‗Site Unseen: Photography in the Colonial Encounter. Images of
Subconscious Eroticism‘, Art History, vol.12, no.4, December 1989
Coombs, A.E.S., Lloyd,J., ‗―Lost and Found‖ at the Museum of Mankind‘, Art History, vol.9, no.4,
December 1986
Daniel, N., Islam and the West, the Making of an Image, 1962
Daniel, N., The Arabs and Mediaeval Europe, London and Beirut, Longman, 1975
Daniel, N., The Cultural Barrier, Edinburgh UP, 1975
Farago, Claire, Reframing the Renaissance: visual culture in Europe and Latin America, 1450-1650, New Haven,
Yale University Press, 1995 [see essays by Farrago, Klein, Mitchell].
Gerstle, D., Milner, A., eds., Europe and the Orient, Canberra, The Humanities Research Centre of
Australian National University, 1994.
Gruzinski, Serge, Painting the conquest : the Mexican Indians and the European Renaissance (translated by Deke
Dusinberre), Paris: Unesco : Flammarion, 1992
Islam and the Medieval West, [catalog], Binghampton, State University of New York, 1975.
Lach, D.F., Asia in the Making of Europe, 3 vols., Chicago, University of Chicago Press, 1965, 1994.
Lévine, David, dir., Americas Lost, Paris, Bordas SA, 1992
Mackerras, C., Western Images of China, Hong Kong, Oxford University Press, 1989
The Meeting of Two Worlds. Cultural Exchange between East and West during the Period of the Crusades, Ann
Arbor, University of Michigan Museum, 1981
Wichmann, Siegfried, (Entwicklung and Leitung), Weltkulturen und moderne Kunst München, Verlag
Bruckmann, 1972
NON-EURAMERICAN THEORIES AND POSITIONS ON MODERNITY
General
Archer-Straw, Petrine, New World Imagery‖ Contemporary Jamaican Art, London, South Bank Centre, 1995.
Ahmad, A., ‗Orientalism and After: Ambivalence and Cosmopolitanism in the work of Edward Said‘,
Economic and Political Weekly, 25.7.1992.
Ahmad, A., In Theory, London, Verso, 1992.
Ahmad, A., ‗ ―Third World Literature‖ and the Nationalist Ideology‘, Journal of Arts & Ideas, nos. 17/18,
June 1989.
Ahmad, Aijaz, On Communalism and Globalization: Offensives of the Far Right, New Delhi: Three Essays
Press, 2002.
Biggs, Bryan et al, Trophies of Empire, Liverpool, Bluecoats Gallery, 1994.

276
Fanon, F., The Wretched of the Earth, Harmondsworth, Penguin, 1965
Kapoor, Geeta, ‗Globalisation and Culture.‘ Third Text no.39 Summer 1997
Kapoor, Geeta. ‗Contemporary Cultural Practice: Some Polemical Categories.‘ Third Text no.11
Summer 1990
Okakura Kakuzô [Tenshin], The Ideals of the East, London, John Murray, 1903,
Okakura Kakuzo [Tenshin], ‗Notes on Contemporary Japanese Art‘, International Studio, 16, April 1902,
126-30.
Okakura, Kakuzô [Tenshin], Collected English Writings, 3 volumes, Tokyo, Heibonsha, 1984
O‘Hanlon, R., ‗Recovering the subject Subaltern Studies and Histories of Resistance in Colonial South
Asia‘, Modern Asian Studies, 22, 1, 1988.
Rofel, Lisa, ‗Modernity and its Discontents‘, positions east asia cultures critique, Vol. 9, Number 3, Winter
2001
Africa
Abiodun, Rowland et al, Yoruba: Art and Aesthetics, Zurich, Center for African Art & Rietberg Museum,
1991.
Appiah, Kwame Anthony, review, Critical Inquiry, no.17, Winter 1991.
Appiah, Kwame Anthony, In my father‘s house: Africa in the philosophy of culture, New York, Oxford
University Press, 1992.
Ekpo, Denis, ‗How Africa Misunderstood the West: The Failure of Anti-West Radicalism and
Postmodernity‘, Third Text, n35, Summer 1996, 3-13.
Enwezor, Owiu; Zaya, Octsavio, ―Moving In: eight contemporary African artists‘, Flash Art, XXIX,
186, Jan/Feb 1996.
Gabriel, T.H., Third Cinema in the Third World, Ann Arbor, UMI Research Press, 1982
Hassan, Salah M.; Oguibe, Olu, Authentic Ex-Centric, Ithaca, Forum for African Arts, 2001
Hassan, Salah M., ‗The modernist experience in African art: towards a critical understanding ‗ in
Hassan, Salah M., Altbach, Phillip G., The muse of modernity: essays on culture and development in Africa,
Trenton & Asmara, Africa World Press, 1990
Hassan Salah M.; Enwezor, Okwui, New Visions: recent works by Six Contemporary African Artists,
Eatonville: Zora Neal Hurston National Museum of Fine Arts, 1995.
Hassan, Salah M., Oguibe, Olu, Authentic / Ex-Centric: Conceptualism in Contemporary African Art, Ithaca,
Forum for African Arts, 2001.
Hylton, Richard, ‗Re-Framing Africa: Reading the Contemporary: African Art from Theory to the
Marketplace edited by Olu Oguibe and Okwui Enwezor‘, Third Text, n50, Spring 2000, 122-4:
McEvilley, T., Fusion: West African Artists at the Venice Biennale, New York, Museum for African Art,
1993.
Mudimbe, Y.Y., The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge, Bloomington, Indiana
University Press, 1988.
Ngugi wa Thiong‘o, Decolonising the Mind, London, James Carrey, 1986
Ngugi, wa Thiongo, Moving the Centre: The Struggle for Cultural Freedom, London, Heinemann, 1993.
Oguibe, Olu, The painting and prints of Uzo Egonu: 20 th century Nigerian artist, PhD Thesis SOAS, 1992
Oguibe, Olu, ‗In ―The Heart of Darkness‖‘, Third Text, no.23, 1993.
Oguibe, Olu, Uzo Egonu: An African artist in the West, London, Kala Press, 1995.
Oguibe, Olu; Enwezor, Okwui, Reading the contemporary: African Art from Theory to Marketplace, London, in
IVA, 1999.
Oguibe, Olu; Enwezor, Okwui, Reading the Contemporary, African Art from Theory to Marketplace, London,
inIVA,1999.
Pollack, Barbara, ‗Okui Enwezor: recharting borders‘, Art News, 100, 11, 2001
Pietz, William, ‗The Problem of Fetish‘, part 1, Res, no.9, Spring 1985; part 2, Res, no.13, Spring 1987,
part 3a Res, no.16. Autumn 1988
Senghor,Léopold Sédar, Liberté III: Négritude et Civilisation de l‘Universel, Paris, Seuil,

277
Australia
Cramer, Sue, C., ed., Postmodernism: A consideration of the appropriation of aboriginal imagery , Brisbane,
Institue of Modern Art, 1989.
Dallas, C., ‗Conjuring Tricks‘, Artscribe, September/October,1989
Fry, T., ‗Art as Ethnocide: The Case of Australia‘, Third Text, no.5.
Fry, T., Willis, A-M., ‗Aboriginal Art:Symptom or Success?‘, Art in America, July 1989.
Gascoigne, John, The enlightenment and the origins of European Australia, Cambridge, Cambridge University
Press, 2002.
Gibson, Ross, Postcolonialism and the narrative construction of Australia, Bloomington, Indiana University
Press, 1992
Gunew, Sneja & Rizvi, Fazal, Culture, Difference, and the Arts, Sydney, Allen and Unwin, 1994.
Gunew, Sneja, Framing Marginality, Multicultural Literary Studies, Melbourne, Melbourne University Press,
1994.
Murphy, B., ‗‗Provincialism Refigured‘ or Culture Disfigured?‘, Art Monthly [Australia], no.15, October
1988 [reply to Smith,T., below]
Smith, T., ‗Provincialism Refigured‘, Art Monthly [Australia], no.13, August 1988 [and the reply to
Murphy, no.15, in no.16, 1988].
Smith, T., ‗Second person/first peoples: writing about post-colonial art‘, Art Monthly Australia, 64,
October 1993
Smith, T., ‗The Provincialism Problem‘, Art Forum, 1974, reprinted in Taylor, P. ed., Anything Goes:
Smith, Terry, What is Contemporary Art?, Sydney, Artspace, 2001.
Smith, Terry, Transformations in Australian Art, Volume One: The Nineteenth Century – Landscape, Colony and
Nation; Volume Two, The Twentieth Century, Modernism and Aboriginality, Sydney, Craftsman House,
2002 [review by Ian Maclean, Art Monthly Australia, no.164, October, 2003]
The Islamic World
Ali, W., Modern Islamic Art: Development and Continuity, Gainesville, University Press of Florida, 1997
Ali, W., ed., Contemporary Art from the Islamic World, London, Scorpion Publishing, 1989
A History of Turkish Painting, Seattle, University of Washington Press, 1988.
Khatbi, Abdelkébir, L‘art contemporain arabe, Paris, Institut du Monde Arabe, 2001
Renda G., Kortepeter, Carl M., eds, The Transformation of Turkish Culture, Princeton, Kingston Press,
1986
Meso- and South America
Baddeley, Oriana, ‗Nostalgia for a New World‘, Third Text, n21, Winter 1992/93, 29-34.
Berelowitz, Jo-Anne, ‗Conflict over ―Border Art‖: Whose subject, whose border, whose show?‘, n40,
Autumn 1997, 69-83
Berg, Stephen, ‗An Introduction to Oswald de Andrade‘s Cannibalist Manifesto‘, n46, Spring 1999, 89-
91
Camnitzer, Luis, ‗Spanglish Art‘, Third Text, n13, Winter 1990/91, 43-47.
Canclini, Nestor Garcia, ‗Remaking Passports: Visual Thought in the Debate on Multiculturalism‘, Third
Text, n28/9, Autumn/Winter 1994, 139-146.
Canclini, Néstor García, Hybrid Cultures: Strategies for entering and leaving modernity, Minneapolis, University
of Minnesota Press, 1995
Craven, David, ‗The Latin American Origins of ―Alternative Modernity‖‗, Third Text, n36, Autumn
1996, 29-44
Goldman, Shifra M., ―Metropolitan Splendors: The buying and selling of Mexico‘ Third Text, 14, Spring
1991.
Goldman, Shifra M., ‗How Latin American Artists in the US View Art, Politics and Ethnicity in a
Supposedly Multicultural World‘, Third Text, n16/17, Autumn/Winter 1991, 188-192.
Goldman, Shifra M., ‗Metropolitan Splendors: The Buying and Selling of Mexico‘, n14, Spring 1991,

278
Goldman, Shifra M., Dimensions of the Americas: Art and social change in Latin America and the United States,
Chicago, Chicago University Press, 1994.
Gray, Nicola, ‗Excellente: Hybridity and Travel in Art from Mexico City and Beyond; El Super Show
de Puro Pop: Television from Greater Mexico‘, Third Text, n45, Winter 1998-99, 90-4
Linsley, R., ‗Wilfredo Lam:painter of negritude‘, Art History, vol.11, no.4., December 1988
Livingston, Jane; Beardsley, John, ‗The poetics and politics of Hispanic Art: a new perspective‘ in Karp,
Ivan; Lavine, Steven D., Exhibiting Cultures: The Poetics and Politics of Museum Display, Washington,
Smithsonian Institution Press, 1991.
Merewether, Charles, ‗The phantasm of origins: New York and the Art of Latin America‘, Art & Text
30, 1989.
Merewether, Charles, Mito y Magia en América: Los Ochenta (Myth and Magic in America: the 1980s)
Monterey, Museum of Contemporary Art, 1991
Mosquera, Gerardo, ‗Goodbye ideology, welcome difference: from Latin American Art to Art of Latin
America‘, Third Text, 56, 2001, 25-32
Mosquera, Gerardo, editor, Beyond the Fantastic: contemporary art criticism from Latin America, London,
inIVA, 1995
Paz, Octavio, ‗The Power of Mexican Art‘, New York Review of Books, 6 December 1990
Paz, Octavio, Essays on Mexican Art [1987, tr. Lane H.], New York, Harcourt Brace, 1993
Ramìrez, Mari Carmen, ‗Brokering identities. Art curators and the politics of cultural representation‘,
Bard College Seminar, 1994
Ramìrez, Mari Carmen, ‗Brokering Identities‘ in Greenberg, Rebecca; Ferguson, Bruce W.; Nairne,
Sandy, eds., Thinking about Exhibitions, London, Routledge, 1996
Ramìrez, Mari Carmen, ‗Constellations: Toward a Radical Questioning of Dominant Curatorial
Models‘, Art Journal, Spring, 2000.
Richard, Nelly, ‗Postmodernism and Periphery‘, Third Text, no.2 Winter, 1987/88
Richard, Nelly, ‗Latin America: Cultures of Repetition or Cultures of Difference‘, in Private Symbol: Social
Metaphor, Sydney, Fifth Biennale, 1984.
Richard, Nelly, ‗Postmodern decentredness and cultural periphery: The disalignments and realignments
of cultural power‘ in Richard, Nelly & Murphy, Berenice, eds. Art from Latin America, La Cita
Transcultural, Sydney: Museum of Contemporary Art, 1993
Richard, Nelly, ‗Postmodernism and Periphery‘, Third Text, n2, Winter 1987/88, 5-12.
POSTCOLONIALISM AND ‘THIRD’ CRITIQUES AT THE CENTRE
‗Periphery and Center: Survey – Recentred?‘, Flash Art, vol. XXXIX, no. 251, Nov-Dec 2006.
Akbar, Ali Nobil, ‗Whose underground: Asian cool and the poverty of hybridity‘, Third Text, 54, 2001.
Albertazzi, L., ‗The Magicians convene in Paris‘, Contemporanea, July/August 1989
Anderson, Perry, ‗Modernity and Revolution‘, New Left Review, 144, 1984.
Appadurai, Arjun, Modernity at large: cultural dimensions of globalization, Minneapolis, University of
Minnesota Press, 1996.
Appiah, K. ‗Is the post in post-modern the post in post-colonial?‘ Critical Inquiry, vol. 17, Winter 1991.
Araeen, R., ‗From Primitivism to Ethnic Arts‘, Third Text, no.1, Autumn 1987
Araeen, R., ed., The Other Story, London, South Bank Centre, 1989; see also Special Issue of Third Text,
8/9.reviews: Archer-Straw,P., ‗The Other Story‘, Art Monthly[UK] 133, February 1990; Solanke,
A., ‗From another world‘, Art Monthly[UK] 132, December January, 1989-90
Araeen, Rasheed, ‗A New Beginning: Beyond Postcolonial Cultural Theory and Identity Politics‘, Third
Text, n50, Spring 2000, 3-20
Araeen, Rasheed, ‗How I iscovered my Oriental Soul in the Wilderness of the West‘, Third Text, n18,
Spring 1992, 85-102.

279
Araeen, Rasheed, ‗Sleeping with the enemy and revisiting postcolonial theory‘, Third Text, 56, 2001, 75-
79.
Benjamin, Walter, ―Paris, the Capital of the Nineteenth-Century, 1935‖, in The Arcades Project, trans.
Howard Eiland and Kevin McLaughlin, The Belknap Press of Harvard University Press,
Cambridge and London, 1999
Bhabha, Homi K., ed., Nation and Narration, New York, Routledge, 1990.
Bhabha, Homi K., The Location of Culture, New York, Routledge, 1994.
Bharucha, Rustom, ‗Beyond the Box: Problematising the ―New Asian Museum‖‘, Third Text n52,
Autumn 2000, 11-19
Bharucha, Rustom, ‗Interculturalism and its Discriminations: Shifting the Agendas of the National the
Multicultural and the Global‘, Third Text, n46, Spring 1999, 3-24.
Boehmer, Elleke, Colonial & Postcolonial Literature: Migrant Metaphors, New York, Oxford University
Press, 1995.
Bréon, Emmanuel et al, Coloniales 1920-1940, exh. cat. Musée Municipal de Boulogne-Billancourt, 1990
Buchloh, B.H.D., ‗The Whole Earth Show‘, [interview with Jean-Hubert Martin], Art in America, May
1989
Buchloh, Benjamin H.D. and Jean-Hubert Martin, ‗Interview‘ Third Text, n6, Spring 1989, 19-27
Buell, Frederick, National Culture and the new Global System, Baltimore, The John Hopkins University
Press, 1994.
Çelik, Zeynep, "Speaking Back to Orientalist Discourse", in Orientalism‘s Interlocutors, eds. Jill Beaulieu
and Mary Roberts, Durham and London, 2002, 19-41
Chakrabarty, D., ‗Postcoloniality and the Artifice of History: Who speaks for ―Indian‖ pasts?‘
Representations, 37, Winter 1992.
Chambers, E., The Artpack a history of black artists in Britain, London, Minorities‘ Arts Advisory Service,
1988
Chambers, Iain, ‗Exposure, Abeyance and Dislocation: Some Comments on Benita Parry‘s Discussion
of Homi Bhabha‘s ―The Location of Culture‖ ‘, Third Text, n31, Summer 1995, 108-110
Chen, Kuan-Hsing ed., Trajectories: Inter-Asia Cultural Studies, Routledge, 1998.
Chow, Rey, Writing Diasporas, Bloomington, Indiana University Press, 1992.
Clark, John, ‗What Contemporary Asian Art Is [or Is Not]: The View from MoMA and the View from
Asia‘, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception,
Audience and Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild
Peony, Sydney, 2006, pp. 295-317.
Clark, John, ‗A Short Review of a Very, Very Long Book‘, Yishu: Journal of Contemporary Chinese Art, vol.
4, no. 4, Dec. 2005.
Clark, John, ―On Two Books by Edward W. Said‖, Jurnal Bicara Seni, 1996, 20-47
Clarke, David, The Influence of Oriental Thought on Postwar American Painting and Sculpture, New York,
Garland Publishing, 1988.
Clifford, J., The Predicament of Culture: 20th century ethnography, literature and art, Cambridge, Mass., Harvard
UP, 1988
Clifford, James, ―On Orientalism‖, in The Predicament of Culture: Twentieth Century Ethnography, Literature
and Art, Harvard University Press, Cambridge, 1988, 255-276
Crary, Jonathan, ‗Critical Comment‘, Art Forum, February 1994
Craven, David, ‗Some Reflections on the Achievements of Third Text‘, Third Text, n52, Autumn 2000,
88-90
Dirlik, Arif, The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism, Boulder, Westview
Press, 1997.
Featherstone, Mike, ed., Global Culture, Nationalism, Globalization and Modernity, London, Sage, 1990
Fisher, Jean, ‗Magiciens de la Terre + Bildung‘, Artforum, 28, no.1, September 1989.
Fisher, Jean, ed., Global Visions: Towards a New Internationalism in the Visual Arts, London, Kala Press,
1994.

280
Fisher, Jean. ‗Editorial: Some Thought on Contaminations‘, Third Text no.32 Autumn 1995
Garcìa Canclini, Néstor, ‗Contradictory modernities and globalization in Latin America‘, in Vivian
Schelling ed., Through the kaleidoscope: the experience of modernity in Latin America, London, Verso,
2000, 37-52.
Garcìa Canclini, Néstor, ‗The state of war and the state of hybridization‘, in Paul Gilroy, Lawrence
Gray, Nicola, ‗Reverberations: Tactics of Resistance; Forms of Agency in Trans/Cultural Practices‘,
Third Text, n46, Spring 1999, 108-110
Greenberg, Reesa, ‗Identity Exhibitions: From Magiciens de la Terre to Documenta II‘, Art Journal, vol.
64, iss. 1, 2005.
Grewal, Inderpal; Gupta, Akhil; Ong, Aihwa, guest editors, ‗Special Issue: Asian Transnationalities‘,
positions: east asia cultures critique, vol.7, no.3, winter 1999.
Grossberg, and Angela McRobbie, eds., Without Guarantees: In Honour of Stuart Hall, London, Verso,
2000, 38-51.
Hall, Stuart. ―Cultural identity and Cinematic Representation‖ Framework, no. 36 (1989): 69.
Hannerz, Ulf, Cultural Complexity, New York, Columbia University Press, 1993.
Hassan, Ihab, ‗Queries for Postcolonial Studies.‘ Third Text no.43 Summer 1998
Hassan, Ihab. ‗Counterpoints: Nationalism, Colonialism, Multiculturalism etc., in Personal Perspective.‘
Third Text no.41 Winter 1997/98
Hitchcock, Peter, ‗The Othering of Cultural Studies‘, Third Text, n25, Winter 1993-94, 11-20:
Hoogvelt, Ankie. Globalisation and the Postcolonial World: The new political economy of development. Hong Kong:
MacMillan Press, 1997.
Lamoureux, Johanne, ‗From Form to Platform: The Politics of Representation and the Representation
of Politics‘, Art Journal, vol. 64, iss. 1, 2005.
Lawrence, Tim. ‗Edward Said, Late Style and the Aesthetic of Exile.‘ Third Text no.38 Spring 1997
Lewis, Reina, Gendering Orientalism: Race, Femininity and Representation, Routledge, London and
New York, 1996
Loomba, Ania, Colonialism-postcolonialism, London ; New York : Routledge, 1998.
MacKenzie, John M., Orientalism: History, Theory and the Arts, Manchester, New York: Manchester
University Press1995.
Maclean, Ian, ‗Back to the future: nations, borders, and culture‘ Third Text, 57, 2001.
Madan Sarup, Identity, Culture and the Postmodern world, Edinburgh University Press 1996
Martin, Jean-Hubert, ed..& curator, Les magiciens de la terre, Paris, Centre Georges Pompidou, 1989.
McEvilley, T., ‗Doctor Lawyer Indian Chief‘, Artforum, November 1984
McEvilley, T., Art & Otherness: Crisis in Cultural Identity, Kingston, Documentext, 1992.
McNeill, D., ‗Tillers of the Soil‘, Praxis, [ARX‘87 issue]
Memmi, A., The Colonizer and The Colonized, Orion Press, New York, 1965.
Michaud, Yves ‗Doctor Explorer Chief Curator.‘ Third Text no.6 Spring 1989
Michaud, Yves ‗Editorial.‘ [introduction to translated essays from Les Magiciens de la Terre] Third Text
no.6 Spring 1989
Miller, Daniel, ed. Worlds Apart: modernity through the Prism of the local, London, Routledge, 1995
Mosquera, Gerardo, ‗The Marco Polo Syndrome: a few problems surrounding art and Eurocentrism‘,
The South Atlantic Quarterly, vol.92, no3, Summer 1993.
Navarro, Desiderio, Guest editor, ‗Postmodernism: Center and Periphery‘, South Atlantic Quarterly,
vol.92, no.3, Summer 1993.
Papastergiadis, Nikos, ‗Editorial.‘ [art and immigration] Third Text no.15 Summer 1991
Papastergiadis, Nikos. ‗Disputes at the Boundaries of ―New Internationalism‖.‘ Third Text no.25 Winter
1993-94
Parry, Benita, ‗Problems in Current theories of Colonial Discourse‘, Oxford Literary Review, vol.9, pt.1+2,
1987.
Parry, Benita, ‗Signs of our times: a discussion of Homi Bhaba‘s The location of culture‘, Third Text 28/29,
August Winter 1994.

281
Parry, J.H., Trade and Dominion, New York, Praeger, 1971.
Pines, J., Willemen, P., Questions of Third Cinema, London, BFI Publishing, 1989.
Poppi, Cesare, ‗From the Suburbs to the Global Village; afterthoughts on Magiciens de la terre‘, Third Text,
14, Spring 1991.
Purdon, Judy, ‗Mapping Difference‘, Third Text, 32, Autumn, 1995.
Ricoeur, P., ‗Universal Civilizations and National Cultures‘, in History and Truth, Evanston,
Northwestern University Press, 1984
Robertson, Roland, Globalization: Social Theory and Global Culture, London, Sage 1992.
Rudinow, Joel. ―Race, Ethnicity, Expressive Authenticity: Can White People Sing the Blues?‘, Journal of
Aesthetics and Art Criticism 52, no. 1 (1994): 127-39.
Said, E., Culture and Imperialism, New York, Alfred A. Knopf & London, Chatto & Windus, 1993
Said, E., Orientalism, [1978], Harmondsworth, Penguin, 1985.
Sarup, Madan, ‗Home and Identity‘, in Robertson, George; Tickner, Lisa et al ed., Traveller‘s Tales:
Narratives of Home and Displacement, New York, Routledge, 1994
Shamsul, A.B. ―A question of identity: Knowledge and the formation of post-colonial nation-states in
Asia‖ in Local and Global: Social Transformation in Southeast Asia: Essays in Honour of Professor Syed
Hussein Alatas, ed. Riaz Hassan. The Netherlands: Brill, 2005, 31-44.
Thomas, Nicholas, ‗Cold Fusion‘, American Anthropologist, vol. 98, no.1, 1996.
Thomas, Nicholas, Colonialism‘s Culture: Anthropology, Travel and Government, Polity Press, Cambridge,
1994
West, C., ‗Black culture and Postmodernism‘, in Kruger, B., Marianai, P. eds, Remaking History, Seattle,
Bay Press, Dia Art Foundation, 1989.
Willemen, Paul, Looks and Frictions, London, BFI Publishing & Bloomington, India University Press,
1994
Wollen, Peter, ‗The Cosmopolitan Ideal in the Arts‘, in Robertson, George; Tickner, Lisa et al ed.,
Traveller‘s Tales: Narratives of Home and Displacement, New York, Routledge, 1994.
Young, Robert, White Mythologies: Writing History and the West, New York, Routledge, 1990
BIENNALES AND CONTEMPORARY ASIAN ART
By John Clark, with inclusions from Thomas Berghuis, Emma Duffy, Helen Grace, Francis Maravillas,
and Martin Polkinghorne.
N.B. This bibliography is not comprehensive and mostly contains just the works the author has
consulted, with the addition of some he otherwise considers relevant.
Museum & Exhibition Practice
Allwood, John The Great Exhibitions, London, Studio Vista, 1977.
Aoki Shigeru & Kitazawa Noriaki, ‗Bankoku Hakurankai no Jidai‘, in Nihon Yôga Shôshi, Tokyo, Bijutsu
Shuansha, 1994 [rev.ed.].
Barker, Emma, ed., Contemporary Cultures of Display. London, Yale University Press, 1999.
de Cauter, Lieven ‗The Panoramic Ecstasy: On World Exhibitions and the Disintegration of
Experience‘, Theory, Culture and Society, Vol. 10, 1993, 1-23.
Bennett, Tony, Pasts Beyond Memory : Evolution, Museums, Colonialism, London, Routledge, 2004.
Cerver, Francisco Asensio, The architecture of museums ; New York : Hearst Books International, 1997
Findling, John E. ed Historical Dictionary of World‘s Fairs and Expositions 1851 – 1988, Greenwood Press,
New York, 1990
Frick Fine Arts Library bibliography, International Exhibitions [Library Guide Series no.42], available
online from www.library.pitt.edu/subject-guides/arthistory/
Greenberg, Renee, Ferguson Bruce and Nairne, Sandy , ‗Introduction‘ in R. Greenberg, B.W. Ferguson,
S. Nairne eds. Thinking about Exhibitions, Routledge, London and New York, 1996.

282
Greenhalgh, Paul ‗Education, Entertainment and Politics: Lessons from the Great International
Exhibitions‘ in Vergo, Peter ed The New Museology. Reaktion Books, London, 1991, 74-98
Greenhalgh, Paul, Ephemeral Vistas: The Expositions Universelles, Great Exhibitions and World‘s Fairs, 1851-
1939, Manchester, Manchester University Press, 1988.
Grynstejn, Madeleine, ‗The Pittsburgh biennial – The Carnegie International: a history in brief‘, in
Heinrich, B., ed., Das Lied von der Erde / The Song of the Earth, catalogue, Kassel, Museum
Fridericianum, 2000.
Hotta-Lister, Ayako, ‗Japan‘s Participation in Exhibitions‘, Appendices A and B to her The Japan British
Exhibition of 1910, Richmond, Curzon Press, 1999.
Karp, Ivan, ‗Culture and Representation‘ in Karp, Ivan & Lavine, S., eds Exhibiting Cultures: The Poetics
and Politics of Museum Display, Smithsonian Institution Press, Washington DC, 1991.
Kreps, Christine K (2003) Liberating culture : cross-cultural perspectives on museums, curation, and heritage
preservation (London ; New York : Routledge).
Mitchell, Timothy, ‗The World as Exhibition‘, Comparative Studies in Society and History, vol 31, no.2, 1989.
Mitchell, Timothy, ‗Orientalism and the Exhibitionary Order‘ in N. Mirzoeff ed. The Visual Culture
Reader 2 nd edition, Routledge, London and New York, 2002.
Pastor Roces, Marion ‗Crystal Palace Exhibitions‘ in Mosquera Gerard & Fisher, Jean (eds) Over Here:
International Perspectives on Art and Culture , Boston, MIT Press, 2005.
Preziosi, Donald, Brain of the earth's body : art, museums, and the phantasms of modernity, Minneapolis,
University of Minnesota Press, 2003.
Preziosi, Donald & Farago, Claire (eds), Grasping the world : the idea of the museum, Burlington, Ashgate
Publishers, 2004
Šola, Tomislav, Essays on museums and their theory : towards the cybernetic museum, Helsinki : Finnish
Museums Association, 1997
Sherman Daniel & Rogoff, Irit (eds) Museum culture : histories, discourses, spectacles, Minneapolis, University
of Minnesota Press, 1994
Asian Art, Modern and Contemporary [duplicates some sections above]
Akbar, Shireen, curator, Rickshaw Painting: Traffic Art in Bangladesh, Fukuoka, Fukuoka Asian Art
Museum, Fukuoka, 1994
Clark, John, ‗Modernities in Art: how are they ―other‖?‘ in World Art Studies: exploring Concepts and
Approaches, eds. Wilfried van Damme and Kitty Zijlmans, Amsterdam: Amsterdam University
Press, 2006.
Clark, John ‗A spectacle of questions‘, Asian Art News, vol.16, no.1, January/February, 2006, 68-72.
Clark, John, ‗Between the worlds: Chinese art at Biennales since 1993‘ in Yishu, A journal of Chinese
Contemporary Art, 2005 [Extended version reprinted as Chapter Three here]
Clark, John, Entry on ‗Modern and Contemporary Asian Art‘ in Grove Art Online / The Dictionary of Art,
New York, Oxford University Press, September 2005
Clark, John, on ‗Japanese Contemporary Art and Globalization‘ presented at conference
‗Globalization, Localization, and Japanese Culture in the Asia Pacific Region‘ organized by the
International Center for Japanese Studies, Kyoto, and the Department of Japanese Studies of the
National University of Singapore from October 28 th to 30 th , 2004. [reprinted as Chapter Two
here]
Clark John, essay for www.anthology-of-art.net ‗What in the context of contemporary art, is your vision
of a future art?‘, February, 2002.
Clark, John, ‗Asian Modernisms‘, Humanities Research, 2, 1999 & Marg, March 2002.
Clark, John editor and contributor, Chinese art at the end of the millennium, Hong Kong, New Art Media,
2000
Clark, John, ‗Modern Asian Art: its construction and reception‘, in Asian Contemporary Art Reconsidered,
Tokyo, Japan Foundation Asia Center, 1998.

283
Clark, John, Modern Asian Art, Sydney, Craftsman House & Honolulu, University of Hawai‘i Press,
1998.
Clark, J., ‗The Conditions for Post-Modernity in Japanese art of the 1980s‘, in Sugimoto, Y., ed., The
Postmodernity Debate and the Japanese Experience, London, Kegan Paul International, 1994
Clark, John, Editor and Contributor, Modernity in Asian Art, Sydney, Wild Peony Press, 1993.
Clarke, David, ‗Contemporary Asian Art and its Western Reception‘, Third Text, vol. 16, no. 3, 2002,
237-242.
Flores, Patrick, ‗Place and Presence: Conditions of Possibilities in Contemporary Asia Art‘,
unpublished Power Lecture, Museum of Contemporary Art, Sydney, unpaginated, 2002.
Friede, Claus, Seyfarth, Ludwig, eds, Kunst aus Megastädten Asiens – Art from Asia Pacific Megacities,
Hamburg, Kunsthaus Hamburg ,2000.
Kishi, Sayaka, ‗Bijutsukan ―Ajia‖ to deau toki – Fukuoka Ajia Bijutsukan no setsuritsu to tenkai‘, in
Hirano Kenichirô, kanshû, Sengô nihon no kokusai bunka kôryû, Tokyo, Chikusô Shobô, 2005
Lee Weng-Choy, ‗Just What Is It that Makes the Term Global-Local So Widely Cited, Yet So
Annoying?‘ in Flight Patterns, exhibition catalogue, The Museum of Contemporary Art, Los
Angeles, 2000
Mertens, Brian, ‗Womanifesto 2001‘, Art AsiaPacific, no.36, 2002.
McEvilley, Thomas: ‗Towards a World-class City‘, Art in America, Sept 1995 Vol 83 No 9 p45
Napack, Jonathan: ‗Alternative visions‘: (Art in America Nov 2002 Vol 90 Issue 11) p94-9
Nuridsany. Michel, China Art Now, [tr. Pickford, Susan] Paris, Flammarion, 2004
Poshyananda, Apinan, cur. & ed., Traditions/Tensions, New York, Asia Society, 1995.
Sekai Bijutsu Zenshû, Tokyo, Heibonsha, 1928-30
Tipton, Elise; Clark, John, eds, Being Modern in Japan: Culture and Society from the 1910s to the 1930s,
Sydney, Australian Humanities Research Foundation and Honolulu, University of Hawaii Press,
2000.
Turner, Caroline. Ed., Art and Social Change: Contemporary Art in Asia and the Pacific,, Canberra, Pandanus
Books,2005
Vine, Richard: ‗Asian Futures‘ Art in America July 1998 Vol 86 No 7 p34-43
Vine, Richard: ‗The Wild, Wild East‘, Art in America Sept 2003 Vol 91 Issue 9 p40-9
Wee, C.J. W-L: (2003) ‗Creating High Culture in the Globalized ‗Cultural Desert‘ of Singapore‘ in The
Drama Review, Vol 47, No 4, Winter 2003)
Weisenfeld, G., Mavo: Japanese artists and the avant-garde 1905-1931, Berkeley, University of California
Press, 2002
Australia, Art and Asia [duplicates some sections above]
Australian Academy of the Humanities, Knowing Ourselves and others: The Humanities in Australia into the 21 st
century, 3 volumes, Canberra, Australian Government Publishing Service, 1998
Barnes, Carolyn; Wright, William; John Young, Fisherman‘s Bend, Craftsman House, 2005.
Birrell, Bob, Rapson, Virginia, ‗Two Australias: Migrant settlement at the end of the 21 st century‘, People
and Place, vol.10, no.1, 2002
Broinowski, Alison , The Yellow lady: Austraian Impressions of Asia, Melbourne, Oxrford Unviersity Press,
1992;
Broinowski, Alison ,. ‗Asianization and its Discontents‘, Meanjin, vol. 57, no.3, 1998
Butler, Roger, ed., The Europeans: Emigré artists in Australia, 1930-1960, Canberra, National Gallery of
Australia, 1997.
Chinese Heritage of Australian Federation Project: http://www.chaf.lib.latrobe.edu.au/kwong_sue_duk.htm
Chiu, Melissa, ‗Rough Trade: Curating Cultural Exchange in Australia‘, in Ang et al eds. Alter/Asians:
Asian-Australian identities in art, media and popular culture, Pluto Press, Sydney, 2000.
Clark, John, ‗An Australian Creative Space: where is Australian-Asian art now?‘, in Waite Dianne, ed.,
Green, Charles & Stubbs, Mike, curators, 2006/ Contemporary Commonwealth/ , Melbourne,
Australian Centre for the Moving Image & National Gallery of Victoria, 2006, 26-33.

284
Clark, John, ‗Art and its ‗others‘ - recent Australian-Asian visual exchanges‘, in Dever, Maryanne, ed.,
Australia and Asia: cultural transactions, Surrey, Curzon Press, 1997.
Clark, John, Australian Art and Asia -Then and Now‘, Occasional Paper No.19, Research Institute for Asia
and the Pacific, University of Sydney, 1992
Cruickshank, Alan, ‗elvis has left the building. But has Adelaide left the tent?‘, in Contemporary Visual
Arts + Culture Broadsheet, vol. 37, no. 2, June, 2008, pp. 106 – 109.
Curnow, Wynstan , Imants Tillers and the ‗Book of Power‘, Sydney, Craftsman House, 1998
Dixson, Miriam ,The Imaginary Australian: Anglo-Celts and Identity -1788 to the present, Sydney, UNSW
Press, 1999
Dysart, Dinah; King Natalie; Hou Hanru; Guan Wei, Sydney, Craftsman House, 2006.
Facey, A. B., A Fortunate Life, Ringwood, Viking, 1985
Foss, Paul, ed., Island in the Stream: Myths of Place in Australian Culture, Sydney, Pluto Press, 1988
Gibson, Ross, South of the West: Postcolonialism and the Narrative construction of Australia, Indiana University
Press, Bloomington and Indianapolis, 1992.
Grenville, Kate, The Secret River, Melbourne, Text Publishing, 2005
Hage, Ghassan & Couch, Rowena, eds., The Future of Australian Multiculturalism , Sydney, The University
of Sydney, 1999.
Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, Sydney, Pluto Press,
2003;
Hage, Ghassan, White Nation: Fantasies of White supremacy in a multi-cultural society, Sydney, Pluto Press,
1998
Keating, Paul , Engagement: Australia faces the Asia-Pacific‘, Sydney, Pan Macmillan 2000,
Khoo, Siew-Ean, ‗Inter-marriage in Australia: patterns by ancestry, gender, and generation‘, People and
Place, vol.12, no.2, 2004, 35-44
May, Harvey, Australian Multicultural Policy and Television Drama in Comparative Contexts PhD thesis at
http://adt.library.qut.edu.au/adt-qut/public/adt-QUT20040715.130731/
Manne, Robert, The Barren Years: John Howard and Australian Political Culture, Melbourne, Text Publishing,
2001.
Manne, Robert, The Way we Live Now: the controversies of the nineties, Melbourne, Text Publishing, 1998
Manton, Neil, Cultural Relations: the other side of the diplomatic coin, Phillip ACT, Homosapien Books, 2003
McCullough, Allan & Susan, Encyclopedia of Australian Art, St. Leonards, Allen & Unwin, 1994
Reynolds, Henry, Frontier: reports from the edge of White settlement, Sydney Allen & Unwin, 1987.
Reynolds, Henry, The Other Side of the Frontier; Aboriginal resistance to the European Invasion of Australia,
Ringwood, Penguin Books, 1981;
Rolls, Eric, Sojourners: The epic story of China‘s centuries-old relationship with Australia, St. Lucia, University of
Queensland Press, 1992
Smith, Bernard with Terry Smith, Australian Painting, 1788-1990, Melbourne, Oxford University Press,
1991, p.312.
Smith, Bernard, Place, Taste and Tradition: a study of Australian Art since 1788, Melbourne, Oxford
University Press, 1979 [originally published by Ure Smith in 1945]
Special Issue: ‗Australian Perceptions of Asia‘, Australian Cultural History, no.9, 1990
Stuart, Francis, ‗Nineteen Forty-One: Reminiscences of a Britsh/Australian Diplomat in Bangkok and
Canberra in the Prelude to War‘, Journal of the Oriental Society of Australia, vol.31, Supplment, 1999.
Stuart, Francis, Towards Coming-of-Age: a Foreign Service Odyssey, Nathan, Griffith University, Centre for
the Study of Australian-Asian Relations, 1989.
Walker, David, Anxious Nation: Australia and the Rise of Asia, 1850-1939¸ St. Lucia, University of
Queensland Press, 1999
Modern & Contemporary Exhibition Systems
‗A New Cure for Asian Art Curators‘, Asian Art News 9:4 1999

285
‗Asia and Modernity‘, Special Issue of Humanities Research, 2, 1999 with articles by Clark, Lilley, Low,
Labrador, Sang.
‗Asian Art: Prospects for the Future.‘ International Symposium 1999 with articles by Elliott, Davenport,
Mashadi, Nakamura, Poshyananda, Rajah, Tatehata, Tokyo, Japan Foundation, 1999.
‗Avant-garde: a parallax view‘, [with articles by Bris Groys, Kuroda Raiji, Hasegawa Yûko, and
Sumitomo Fumihiko], A journal of contemporary art and culture / Kanazawa 21 seiki Bijutsukan
Kensetsujimukyoku, Kenkyû Kiyô, Issue 02/2003.
Baudrillard, Jean, ‗The Beaubourg Effect: Implosion and Deterrence‘ in October 20 1982 3-13
Crimp, Douglas On the Museum‘s Ruins. MIT Press, Cambridge and London, 1993.
Davis, A.R., ed., Search for identity: Modern Literature and the Creative Arts in Asia, Sydney, Angus and
Robertson, 1974.
Enwezor, Okwui, ‗Between worlds: postmodernism and African artists in the Western metropolis‘, in
Oguibe& Enwezor, 1999.
Evans, Graeme: ‗Hard-branding the cultural city--from Prado to Prada‘. (International Journal of Urban and
Regional Research June 2003 v27 i2 p229-255
Ferguson, Bruce et al 1997 ‗Maing International Exhibitions‘ in A. Harding ed Curating: The Contemporary
Art Museum and Beyond, Art and Design, no.52.
Hall, Stuart 2001 ‗Museums of Modern Art and the End of History‘ in Annotations 6: Stuart Hall and
Sarat Maharaj, Modernity and Difference, Institute of International Visual Arts, London.
Hansen, David & Martin, Jean-Hubert, 1992, ‗A view from the Centre‘, Art Monthly Australia, no.48
April & no.51 July 1992.
Hassan and Oguibe, eds., Hassan, Salah M.; Oguibe, Olu, Authentic Ex-Centric, Ithaca, Forum for
African Arts, 2001.
Holubizky, Ihor , ‗Here and Now‘, International Contemporary Art, November 1999 - January 2000, 11-14
‗Global Tendencies: Globalism and the large-scale exhibition‘, Art Forum, vol. XLII, no.3, November
2003
Hong Kong Art Archive, http://web.hku.hk:8400/~hkaa/hkaa/
Hou Hanru; Obrist, Hans-Ulrich, Cities on the Move, Ostfildren-Ruit, Verlag Gerg Hatje, 1997.
Manton, Neil, ‗The Arts of Diplomacy‘, Artlink, Vol. 20, No. 2, July 2000Art Asia Pacific, vol.3, no.4,
1996.
McEvilley, Thomas, ‗Arrivederci Venice‘, On the ‗Third World‘ Biennials, Artforum International, Vol.32,
Issue 3, November 1993
Möntmann. Nina., ed., Art & Intit6tutions: current conflicts, critique and collaborations¸ London, Black Dog
Publishing.2006.
Mosquera, Gerardo, 1995, ed., Beyond the Fantastic: Contemporary Art Criticism from Latin America, Lonon,
inIVA, 1995.
Mosquera, Gerardo, ‗On art, politics and the millennium in Latin America‘, in Chambert, C., ed.,
Strategies for Survival – now!, Paris, AICA Press, 1995
Mosquera, Gerardo, ‗Alien-Own / Own Alien: note son globalization and cultural difference‘, in
Papastergiadis, Nikos, Complex Entanglements: Art Globalization and Cultural Difference, London,
Rivers Oram Press, 2003
Oguibe, Olu; Enwezor, Okwui, Reading the Contemporary, African Art from Theory to Marketplace, London,
inIVA, 1999.
Osborne, Peter, ‗The power of assembly –art, world, industry‘, in Macdonald, Ewan & Parker, Luke
editors, 2006 Biennale of Sydney: Zones of Contact, Sydney, Biennale of Sydney, 2006
Poshyananda, Apinan et al, Traditions / Tensions: Contemporary Art In Asia, New York, Asia Society
Galleries & Sydney, The Fine Arts Press, 1996 [reports: Art Asia Pacific, vol.3, no.4, 1996; Mehta
in Eyeline: contemporary visual arts, no.32, summer 1996; Art in America, Februrary 1997;
Ewington, Yang, Munroe in ART AsiaPacific, no.15, 1997; Owen, Michael. ‗Contemporary Art in
Asia: Traditions/Tensions.‘ Third Text no.41 Winter 1997-98
Poshyananda, Apinan, ‗A new cure for Asian art curators‘, Asian Art News, vol.9, no.4, 1999

286
Seminar on Fine Arts of Southeast Asia, Bangkok; Association of Southeast Asian Institutions of Higher
Learning, 1964.
Sirefman, Susanna: Formed and Forming: Contemporary Museum Architecture. Daedalus Summer 1999
v128 i3)
Skinner, Sarah J., ‗Estimating the real growth effects of blockbuster art exhibits: a time series approach‘,
Journal of Cultural Economics, 30, 2006.
Smith, Dina: ‗The Narrative Limits of the Global Guggenheim. Mosaic (Winnipeg) Dec 2002 Vol 35
Issue 4 p85-103
Stanton, Richard, The forgotten Olympic art competitions: the story of Olympic art competitions of the 20 th century,
Victoria [British Columbia], Trafford, 2000.
Turner, C., ‗Getting the Message‘ [Review of Adelaide Festival Sculpture Installations], Art &
Australia, vol.32, no.1, Spring 1994.
Ward, Martha ‗What‘s Important about the History of Modern Art Exhibitions?‘ in Greenberg,
Ferguson & Nairne 1996, 451 -464.
Walker, John, Art and Celebrity, London, Pluto Press, 2003.
Weiss, Rachel ‗Some Notes on the Agency of Exhibitions‘, Visual Arts and Culture, volume 2, 2000,
117-127
Williams, Gilda, ed., Fresh Cream, London, Phaidon, 2000
Wu Hung, editor and contributor, Chinese Art at the Crossroads: between past and future, between East and
West, Hong Kong, New Art Media 2001.
Wu Hung, Di dian yu mo shi: dang dai yi shu zhan lan de fan si yu chuang xin = Place and model: rethinking and
reinventing contemporary art exhibitions, Guangdong, 2002.
Yao, Pauline, ‗The Second Triennial of Chinese Art: History in the Making‘, Yishu: Journal of
Contemporary Chinese Art, vol.4, no.5, September 2005
Museums, Art Centers and other Art Institutions 2000+
‗Colonialism or Collaboration?: Intercultural Arts Practice and International Arts Organisations‘,
Forum Transcript, Focas (Forum on Contemporary Art & Society), no.2, July 2001
Akira, Tatehatata, ‗A Trojan Horse?: Multiculturalism in International Art Exhibitions‘, Yasuko,
Furuichi, ―Asia in Transition: Representation and Identity‖, Japan Foundation Asia Center, 2002
ART AsiaPacific, Issue 37 (2003), Special Issue Asian Art Now: 21 Curators and Critics Profile 63
Contemporary Asian Artists
Asai, Toshihiro et al ed, Promenade in Asia: Cute, Tokyo: Shiseidô/Mito: Art Tower Mito, 2001.
Asia Art Society, http://www.aaa.org.hk/links.html, Links to Online: Resources; Art Organisations;
Atsuo, Yamamoto, ‗From Dualism to Oneness‘, Mami, Kataoka, Under Construction: New Dimensions of
Asian Art, Tokyo: The Japan Foundation Asia Center, 2002
Barucha, Rustom, ‗ Beyond the Box: Problematising the New Asian Museum‘, Focas (Forum on
Contemporary Art & Society), no.2, July 2001
Bharucha, Rustom., ‗The New Asian Museum Beyond the Box: Problematising the New Asian
Museum‘, in FOCAS: Forum on Contemporary Art & Society, No. 2, July 2001, p.223-237.
Benett, Tony, ‗The Rules of Culture: Exhibition and the Politics of Knowledge‘, Yasuko, Furuichi,
―Asia in Transition: Representation and Identity‖, Japan Foundation Asia Center, 2002
Carroll, Alison, ‗A floating world‘, Art AsiaPacific 28, 2001
Chang, Alexandra, ‗The Control of Fear: Art and the Epidemic as Excess‘ in Art Asia Pacific, No. 38
(Fall 2003), pp. 54-57
Clarke, David, ‗Contemporary Asian Art and Its Western Reception‘, Huangfu, Binghui, ed., Site+Sight:
Translating Cultures, Singapore, Lasalle-SIA, 2002.
Cruickshank, Alan, and Sehn Quibin, ‗Cultural Revolution‘[Gill, Simryn] Tang, Jeannine, ‗Throwback
and Pearls‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 3, September, 2007, pp.
157 – 159.

287
Eley, Geoff, ‗Politics, Culture and the Public Sphere‘, positions east asia cultures critique, Vol. 10, Number 1,
Spring 2002
Enwezor, Okwui. and Apinan Poshyananda, ‗Looking Ahead: Dialogues in Asian Contemporary Art,
November 8-9, 2002‘ (Asia Society and Museum, New York), in Yishu: Journal of Contemporary
Chinese Art, Vol. 2 No. 2, June 2003, p.112-121
Findlay, Ian, ‗Looking For A New Vision‘, Asian Art News, vol. 13, no. 1, January/February 2003
Furuichi Yasuko, ed., Asia in Transition: representation and identity, Tokyo, The Japan Foundation Asia
Center, 2002.
Gao, Shiming., ‗Symposium: Edges of the Earth, Hangzhou; The Syndrome of Asia: Experience and
Representation‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.83-88.
Gaweewong, Gridthiya, ‗On Under Construction and Localization‘, Mami, Kataoka, Under Construction:
New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002
Guillermo, Alice, G. ‗A Bold New Face‘, in Asian Art News, v. 18(2), March/April, 2008, pp. 100 – 102.
Hoskote, Ranjit, ‗India Ink, Manila Evelope: Three Meditations on Art and the Global Media‘, Mami,
Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia
Center, 2002
Hou Hanru; Obrist, Hans-Ulrich, ‗Cities on the move‘, Art AsiaPacific, 25, 2000
Hui, Wang, ‗The Geneology of Asian Imaginaries‘, Yasuko, Furuichi, ―Asia in Transition: Representation
and Identity‖, Japan Foundation Asia Center, 2002
Kember, Pamela., ‗A Report on the Asian Art Archive‘, in FOCAS: Forum on Contemporary Art & Society,
No. 5, January 2003, p.372-377.
Lacayo, Richard, ‗The Rise and Rise of Asian Art‘, Time Magazine, March 31 2003
Lee Weng Choy, ‗Tomorrow‘s Local Library: The Asia Art Archive in Context‘, Yishu: Journal of
Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.
Mami, Kataoka, ‗Beyond a Progressive Asia: Under Construction Collective Exhibition‘, Mami,
Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia
Center, 2002
Mania, Astrid, ‗Curation on the Move‘, ArtAsiaPacific, no. 47, 2006.
McNeill, David, ‗Planet Art: Aesthetics and Labour in the Era of Globalisation‘, Huangfu, Binghui, ed.,
Site+Sight: Translating Cultures, Singapore, Lasalle-SIA, 2002.
Munroe, Alaxandra, ‚Contemporary Art in Asia‘, Artforum International, Vol.35, Issue 8, April 1997
Pettifor, Steven, ‗Blurred Boundaries‘, in Asian Art News, v. 17(4), July/August, 2007, pp. 81 – 85.
Pi Li, ‗Fantasia: an imagination towards the daily life‘ Mami, Kataoka, Under Construction: New Dimensions
of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002
Robinson, Joel D., ‗The Construction Sites of Asian Art‘ (The Exhibition of Under Construction: New
Dimensions of Asian Art, the Japan Foundation Forum and the Opera City Art Gallery, Tokyo,
2003), in Asian Art News, Vol. 14, No. 1, January/February 2004, p.52-57.
Shinkawa, Takashi, ‗Promenade in Asia, A collaborative exhibition‘, Art Asia Pacific, No.34, 2002.
Tavassoli, Babak A., ‗A Fresh Figure of Paradise‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No.
1, March 2004, p.95-103.
Thompson, Jonathan, ‗Without Borders‘ (Sovereign Art Prize for Asia), Asian Art News, vol. 16, no. 4,
2006.
Thomson, Jonathon, ‗An Engine For 21 st Century Chinese Art‘, in Asian Art News, v. 18(2),
March/April, 2008, pp. 76 – 79.
Woo, Lee Yong, ‗Globalism and the Vanity of Its System‘, Yasuko, Furuichi, ―Asia in Transition:
Representation and Identity‖, Japan Foundation Asia Center, 2002
Yasuko, Furuichi, ed., International Symposium 2002, ‗Asia in Transition: Representation and Identity‘,
Report, Japan: Japan Foundation Asia Center, 2002
Xu Jiang., ‗Earth Link and Cosmic Time‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1,
March 2004, p.89-94

288
Curatorial Practice
Aiha, Catherine, ed., Unfolding Perspectives: Three days of Lectures and Discussions at the ARS 01 Exhibition,
Helsinki, KIASMA [Museum of Contemporary Art] & NIFCA [Nordic Institute for
Contemporary Art], 2002.
Biggs, Lewis, ‗ ―Art, Money, Parties‖ and Liverpool Biennial‘, in Harris, Art Money, Parties, 2004
Ciric, Biljana, ‗Curatorship Crises‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 37, no. 1, March,
2008, pp. 41 - 43.
‗Curators‘ Trip to China‘, Yishu, May 2002, Spring; [the curators who went in 2000 were Okwui
Enwezor, Suzanne Ghez, Lynne Cooke, Sebastian Lopez, Chris Dercon, Jessica Bradley, Sarat
Maharaj. Accompanied by Annie Wong, Ken Lum, Zheng Shengtian, Richard Yiu, interpreter,
Chaos Chen]
Driscoll, Ian, ‗Arne Glimcher: A Titan in the Middle Kingdom‘, in ArtAsiaPacific, No. 59, July/August,
2008, pp. 78 - 81.
Farqhuarson, Alex, ‗I Curate…You Curate…We Curate…‘, Art Monthly (UK) no.269, September 2003.
Harris, Jonathan, ed., Art, money, parties¸ new institutions in the political economy of contemporary art, (Tate
Liverpool Critical Forum, Volume 7] Liverpool, Liverpool University Press, 2004.
Heinich Nathalie; Pollak, Michael, ‗From museum curator to exhibition auteur; inventing a singular
position‘, in Greenberg, Rebecca; Ferguson, Bruce W.: Nairne, Sandy, eds., Thinking about
Exhibitions, London, Routledge, 1996.
Hiller, Susan; Martin, Sarah, The Producers: Contemporary Curators in Conversation, Newcastle, BALTIC,
2000.
Hou Hanru in Zhu Qi, ‗ ―We‘ve become true individuals‖ ‘ [November, 2000, tr. Bernell, R.] in Wu
Hung, ed., Chinese Art at the Crossroads: between past and future, between East and West, Hong Kong,
New Art Media 2001
Hou Hanru, ‗Beyond the Chinese‘ in Clark, John ed., Chinese art at the end of the millennium, Hong Kong,
New Art Media, 2000
Hou Hanru, Lecture in Symposium to accompany Asian Traffic at University of New South Wales, June
2004,
Hou Hanru, On the Mid-Ground [edited by Yu Hsiao-Hwei], Hong Kong, Timezone 8, 2002.
Jim Alice Ming Wai, ‗Interview with Hou Hanru‘, [of January 8 th , 2006], Yishu: Journal of Contemporary
Chinese Art, vol. 5, no.1, March 2006, p.71.
Kamiya Yuki, ‗A potential role of Asian art in the International Art scene: a study of Asian art
exhibitions in the United States and Japan‘, in Duksung Women‘s University, Alternative Space
Loop, Yellow Sea Publications, The 2 nd ‗In-Between‘ International Alternative Space Conference –
Globalism and Alternative Spaces, Seoul, Yellow Sea Publications, 2004
Kantor, Sybil Gordon, Alfred H. Barr Jr. and the intellectual origins of the Museum of Modern Art, Cambridge,
Mass., The MIT Press, 2002
Kuoni, Carin, ed., Words of Wisdom, a curator‘s vade mecum on Contemporary Art, New York, Independent
Curators International, 2001
Linde, Rohr-Bongrad, et al, Kunst=Kapital, Der Capital Kunstkompass von 1970 bis heute, Köln, Salon
Verlag, 2001
Marquis, Alice Goldfarb, Alfred H. Barr, Jr., Missionary for the Modern, Chicago, Contemporary Books,
1989
Misiano, Viktor, ‗ ―Zones of Contact‖: from ―confidential zones‖ to ―operational zones‖ ‘ in
Macdonald, Ewan & Parker, Luke editors, 2006 Biennale of Sydney: Zones of Contact, Sydney,
Biennale of Sydney, 2006.
Mosquera, Gerardo, ‗On art, politics and the millennium in Latin America‘, in Chambert, C., ed.,
Strategies for Survival – now!, Paris, AICA Press, 1995
Müller, Hans Joachim, Harald Szeemann: Exhibiton-Maker {Translated by Kais, Leila}, Ostfildern-Ruit,
Hatje Cantz Verlag, 2006

289
Munroe, Alexandra, moderator, ‗Museum‘s Asian Art Council Symposium. Part 1: What is the Mission
of Asian Art Curatores in the Age of Globalization?‘, in Yishu. Journal of Contemporary Chinese Art,
v. 7(3), May, 2008, pp. 41 – 55.
Munroe, A. Moderator, ‗Guggenheim Museum‘s Asian Art Council Symposium. Part 2: Asian Art in
Context: A Nation-based, Inter-Asia, or International Paradigm?‘ in Yishu Journal of Contemporary
Chinese Art, Vol. 7, No. 4, July 2008, pp. 44-52
Munroe, Alexandra, moderator, ‗Guggenheim Museum‘s Asian Art Council Symposium. Part 3:
‗Exhibiting Asian Art – Alternative Models and Non-Western Paradigms‘, in Yishu. Journal of
Contemporary Chinese Art, v. 7(5), September, 2008, pp. 76-98.
O‘ Doherty, Brian, Inside the White Cube: the ideology of the Gallery Space, Berkeley, University of California
Press, expanded edition 1986.
Ramìrez, Mari Carmen, ‗Constellations: Toward a Radical Questioning of Dominant Curatorial
Models‘, Art Journal, Spring, 2000. See also her ‗Brokering Identities‘ in R. Greenberg, B.W.
Ferguson, S. Nairne eds. Thinking about Exhibitions, Routledge, London and New York, 1996.
Rojek, Chris, Celebrity, London: Reaktion Books, 2001.
Schöllhammer, Georg, ‗documenta 12 magazines‘ in Ctrl+Pdf; Journal of Contemporary Art issue no., 3,
November 2006.
Sibaya, Judy Freya, ‗A note from the editor‘, Ctrl+Pdf; Journal of Contemporary Art issue no., 3, November
2006.p.19-20
Thea, Carolee, foci; interviews with ten international curators, New York, apexart curatorial program, 2001
Tucker, Marcia, ‗Become a great curator in six simple steps!‘, in Kuoni, Carin, ed., Words of Wisdom, a
curator‘s vade mecum on Contemporary Art, New York, Independent Curators International, 2001.
Walker, John, Art and celebrity, London, Pluto Press, 2003.
Biennales in Art Exhibition Systems
Blok, René; Glaser, Martin, et al, Das Lied von der Erde / The Song of the Earth, Kassel, Museum
Fridericianum, 2000 [a survey with texts on these Biennales: Havana, Istanbul, Johannesburg,
Kwangju/Gwangju, Lyon, Pittsburgh, São Paulo, Sydney]
Brenson, Michael, ‗The curator‘s moment – trends in the field of contemporary art exhibitions‘, Art
Journal, Winter 1998.
Britton, Stephanie, ‗Biennials of the world –myths, facts, and questions‘, Artlink, vol.25, no.3,
September 2005
Bydler, Charlotte, The Global Art Word Inc.: on the globalization of contemporary art, Upsala, Acta
Universitatis Upsaliensis, 2004
Clark, John, ‗Contemporary Asian Art and Biennales: the perpetual modern?‘, contribution to a Clark
Art Institute conference on new approaches to Asian Art history, April 2007.
Clark, John, ‗Biennials and the Circulation of Contemporary Asian Art‘, in Yishu Journal of Contemporary
Chinese Art, Vol 8, Number 1, January/February/April 2009, pp 32-40.
Cruikshank, Alan, ‗City and Biennial of the In-Between‘, in Contemporary Visual Arts + Culture Broadsheet,
vol. 37, no. 1, March, 2008, pp. 22 – 27.
Cruikshank, Alan, ‗Remapping the Asia-Pacific Region‘, in art & Australia, vol. 45, no. 4, Winter 2008,
June/July/August, pp. 534 – 535.
Erickson, B, ‗Periodicaal Exhibitions in China: Diversity of Motivation and Format‘, Biennale‘, in Yishu
Journal of Contemporary Chinese Art, Vol 8, Number 1, January/February/April 2009, pp. 54-60.
Grasskamp, Martin, ‗For example, Documenta, or, how is art history produced?‘ in Greenberg, Rebecca;
Ferguson, Bruce W.: Nairne, Sandy, eds., Thinking about Exhibitions, London, Routledge, 1996.
Kao Chien-hui, ‗Who‘s Speaking? Who‘s Listening? The Post-Colonial and the Transnational in
Contestation and the Strategies of the Taipei Biennial and the Beijing International Art Biennale,
in Yishu Journal of Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 47-53.
Lee Weng Choy, ‗Biennale Demand‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 37, no. 1,
March, 2008, pp. 38 – 40.

290
McEvilley, Thomas, ‗Arrividerci Vencie: the Third World Biennials –reviews of Third World
international survey exhibitions‘, ArtForum, November 1993.
Meyric Hughes, Henry, ‗The History and Significance of the Biennale as an instrument of
Globalization‘ in Art Criticism and Globalisation, Assoçiao Brasiliera de Criticos de Arte, São Paolo,
2006.
Okabe, Oomi, ‗Gendaibijutsu no hen‘yô to Bijutsuten‘, in Omuka Toshiharu, kenkyû daihyôsha,
Kansha, Tenji, Kanshô, sono juyô no bijutsushi, [Heisei 14 nendo -16 nendo kagaku kenkyûhi hojokin,
Kenkyûhôkokusho no. 1430029] Tsukuba, Tsukuba Daigaku Geijutsugakkei, 2001
Osborne, Peter, ‗The power of assembly –art, world, industry‘, in Macdonald, Ewan & Parker, Luke
editors, 2006 Biennale of Sydney: Zones of Contact, Sydney, Biennale of Sydney, 2006
Poinsot, Jean-Marc ‗Large Exhibitions: A sketch of typology‘ in R. Greenberg, B.W. Ferguson, S.
Nairne eds. Thinking about Exhibitions, Routledge, London and New York, 1996
Rugoff, Ralph, & Rinder, Larry, ‗In Conversation‘, at www.stretcher.org/archives;
Rugoff, Ralph, ‗Rules of the Game‘, frieze, 44, January-February, 1999Smith Terry, ‗Biennales in the
conditions of contemporaneity‘, Art and Australia, vol.42, no.4, Autumn 2005.
Smith, Terry, What is contemporary art? Contemporary Art, Contemporaneity and art to come, Sydney, Artspace
Visual Art Centre, 2001
Stallabrass, Julian, art Incorporated: the story of contemporary art, Oxford, Oxford University Press, 2004
Tama Bijutsudaigaku Geijutsugakuka Tatehatazemi Shimpojiumu kikaku, Isozaki Akira, Okabe Aomi,
Kitagawa Furamu, Nanjô Fumio, Hasegawa Yûko, Yokohama Kaigi 2004: Naze Kokusaiten ka?,
Yokohama, BankART1929, 2005
Zabel, Igor, ‗What our village needs now….Biennial localisation factors, Biennials in Dialogue conference,
Kassel, Documenta Halle, August, 2000
Art, Markets, and the Economy
Abbing, Hans, Why are artists poor? The exceptional economy of the arts, Amsterdam, Amsterdam University
Press, 2002, 2004.
Baudrillard, Jean, For a critique of the political economy of the sign¸ [tr. Levin, Charles], New York, Telos
Press, 1981. [see the chapter: ‗The Art Auction: sign exchange and sumptuary value].
Burn, Ian, ‗The art market: affluence and degradation‘, Artforum, April 1975; Harrison, Charles &
Wood, Paul, ed., Art in Theory, 1900-1990: an anthology of changing ideas, Oxford, Blackwell, 1992.
Castets, Simon, ‗Everyday Miracles: National Pride and Chinese Collectors of Contemporary Art‘, in
Yishu. Journal of Contemporary Chinese Art, v. 6(4), December, 2007, pp. 51 – 57.
Caves, Richard E., Creative Industries: contracts between art and commerce, Cambridge, Harvard University
Press, 2000.
‗China is the world‘s second largest exporter of art‘, The Art Newspaper, XX, 66, February 2006.
‗Christie‘s going going to China to hold auctions‘, New York Times, 20 October 2005
De Monthoux, Pierre Guillet, The Art Firm: aesthetic management and metaphysical marketing, Stanford,
Stanford Business Books, 2004.
Erickson, Britta, ‗Contemporary Chinese Art: To Get Rich is Glorious‘, in Yishu. Journal of Contemporary
Chinese Art, v. 6(4), December, 2007, pp. 8 – 16.
Findlay, Ian., ―Hong Kong A Decade On‘, in Asian Art News, v. 18(1), January/February, 2008, pp. 96
– 113.
Galenson, David W., Artistic Capital, New York & London, Routledge, 2006.
Ginsburg, Victor; Weyers, Sheila, ‗Creativity and the life cycles of artists‘, Journal of Cultural Economics,
30, 2006
Greffe, Xavier, Arts and Artists from an Economic perspective, Paris, Economica/UNESCO, 2002. [review
Snatagata, Walter, Journal of Cultural economics, Aug 2004. Vol. 28, Iss. 3]
Guillet De Monthoux, P., The Art Firm: Aesthetic Management and Metaphysical Marketing, Palo Alto,
Stanford University Press, 2004.

291
Hill, Joe Martin, ‗Taking Stock‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(4), December, 2007, pp.
44 – 50.
Köppel-Yang, Martina, ‗The Surplus Value of Accumulation‘, Erickson, Britta, ‗Contemporary Chinese
Art: To Get Rich is Glorious‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(4), December,
2007, pp. 17 – 18.
Linde, Rohr-Bongrad, et al, Kunst=Kapital, Der Capital Kunstkompass von 1970 bis heute, Köln, Salon
Verlag, 2001
Ling-Yun Tang, ‗Beyond Selling Art: Galleries and the Constructino of Art Market Norms‘, in Yishu.
Journal of Contemporary Chinese Art, v. 6(4), December, 2007, pp. 34 – 43.
McCain, Roger, A., ‗Markets for works of art and ―Markets for lemons‖ ‘,in Hendon William S.,
Shanahan, James L, McDonald, Alice J., Economic Policy for the Arts¸ Cambridge, Mass., Abt Books,
1980.
McCoy, Michelle M., ‗After the Market‘s Boom: A Case Study of the Haudenschild Collection‘, in
Yishu. Journal of Contemporary Chinese Art, v. 6(4), December, 2007, pp. 62 – 71.
Moulin, Raymonde, Le Marché de l‘art: mondialisation et nouvelles technologies, Paris, Flammarion, 2000.
Moulin, Raymonde, L‘artiste, l‘institution et le marché, Paris, Flammarion, 1997.
Moulin, Raymond; Quemin, Alain, ‗La certification de la valeur de l‘art, Experts et expertises‘, Annales,
vol. 48, no. 6, Novembre-Décembre, 1993.
Napack, Joanathan, ‗An Art Market with Chinese characteristics‘, Asian Art Archive newsletter, May 2006.
Quemin, Alain, ‗Globalization and mixing in the visual arts‘, International Sociology, vol.21 (4), July 2006.
Quemin, Alain, L‘art contemporain international: entre les institutions et le marché (Le rapport disparu) Nîmes,
Éditions Jacqueline Chambon/Artprice, 2002
Quemin, Alain, ‗L‘art contemporain international à l‘heure de la «globalisation». La place de la France
dans le concert des nations‘, Pratiques: Réflexions sur l‘art, no.12, Printemps 2002.
Quemin, Alain, Le rôle des pays prescripteurs sur le marché et dans le monde de l‘art contemporain, Paris, Ministère
des Affaires Étrangères, 2001.
Rifkin, Jeremy, The Age of Access: The new culture of hypercapitalism where all of life is a paid-for experience, New
York, Jeremy P. Tarcher/Putnam, 2000.
Ruccio, D, Graham, J. Amariglio, J., ‗ ― The Good, the Bad and the Different‖: Reflections on
Economic and Aesthetic Value‘, in: Klamer, Arjo, (ed) The Value of Culture: On the Relationship
between Economics and Arts, Amsterdam, Amsterdam University Press, 1997.
Schuster, J. Mark, review of Wu Chin-tao, Privatising Culture: corporate art intervention since the 1980s,
London, Verso, 2002, in Journal of Cultural Economics, 7, 2003.
Shell, Marc, Art & Money, Chicago, University of Chicago Press, 1995.
Simmel, Georg, on ‗Money and Commodity Culture‘, in Frisby, David; Featherstone, Mike, Simmel on
Culture¸ London, Sage Publications, 1997
Singer, Leslie P., ‗Phenomenology and economics of art markets: an art historical perspective‘, Journal of
Cultural Economics, vol. XII, no.1, June 1988.
Singer, Leslie P., ‗Rivalry and externalities in secondary art markets‘, Journal of Cultural Economics, vol. V,
no.2, June 1981
Singer, Leslie P., ‗Microeconomics of the art market‘, Journal of Cultural Economics, vol. II, no.2, 1978
Skinner, Sarah J., ‗Estimating the real growth effects of blockbuster art exhibits: a time series approach‘,
Journal of Cultural economics, no.30, 2006, p.109-125.
Swedburg, Richard, ‗The cultural entrepreneur and the creative industries‘, Journal of Cultural Economics,
13 October 2006 online [sociological additions to Caves 2000, above]
Throsby, ‗An artistic production function: theory and an application to Australian visual artists‘, Journal
of Cultural Economics, 30, 2006.
Throsby, David, ‗Determining the value of cultural goods: how much (or how little) does contingent
value tell us?‘, Journal of Cultural Economics, 27, 2003
Throsby, David, Economics and Culture¸ Cambridge, Cambridge University Press, 2001 [review by
Dimaggio Paul, in Journal of Cultural Economics, vol.27, 2003]

292
Throsby, David, ‗Economic and Cultural Value in the work of creative artists‘, in Avrami, Erica, ;
Mason, Randall, de la Torre, Marta, Values and Heritage Conservation, Los Angeles, The Getty
Conservation Instuitute, 2000.
Van den Bosch, Annette, The Australian Art World: Aesthetics in a global market, Sydney, Allen & Unwin,
2005
Velthuis, Olav: Talking Prices : Symbolic Meanings of Prices on the Market for Contemporary Art, Princeton,
Princeton University Press, 2005. [review by Valsan, Calin, The Journal of Cultural Economics, vol.30,
2006]
Velthuis, Olav, Imaginary Economics: contemporary artists and the world of big money, Rotterdam, NAi
Publishers, 2005.
Wijnberg, Nachoem M., in Journal of Cultural Economics vol.30, 2006, review of English, James F., The
Econnomy of prestige: Prizes, Awards, and the circulation of cultural value, Cambridge, Mass., Harvard
University Press, 2005.
Wu, Chin-tao, Privatising Culture: corporate art intervention since the 1980s, London, Verso, 2002.
Yao, Pauline J., ‗Superfluous Things: The Search for ―Real‖ Art Collectors in China‘, in Yishu. Journal of
Contemporary Chinese Art, v. 6(4), December, 2007, pp. 58 – 61.
Yü Christina Yü, ‗Exhibition Culture and the Art Market‘, in Yishu. Journal of Contemporary Chinese Art, v.
6(4), December, 2007, pp. 23 – 28.
Zhoa Li, ‗Seeing Through the Macro Perspective: The Chinese Art Market from 2006 to 2007‘,
Erickson, Britta, ‗Contemporary Chinese Art: To Get Rich is Glorious‘, in Yishu. Journal of
Contemporary Chinese Art, v. 6(4), December, 2007, pp. 19 – 22.
Art Dealers
Beckmann, Michael, ‗Art auctions and bidding rings: empirical evidence from German auction data‘,
Journal of Cultural Economics, no 28, 2004, 125-141.
De Coppet, Laura; Jones, Alan, The Art Dealers: the powers behind the scene talk about the business of art, New
York, Clarkson N. Potter, 1984.
Goldstein, Malcom, Landscape with Figures: a history of art dealing in the United States, Oxford, Oxford
University Press, 2000.
Jensen, Robert, Marketing Modernism in Fin-de-Siècle Europe, Princeton, Princeton University Press, 1994
Marquis, Alice Goldfarb, The art biz : the covert world of collectors, dealers, auction houses, museums, and critics,
Chicago, Contemporary Books, 1991
Moulin, Raymonde; Quemin, Alain, ‗La Certification de la valeur de l‘art: experts et expertises‘, Annales
ESC, novembre-décembre¸1993, no.6.
Secrest, Meryle, Duveen: A life in Art, Chicago, University of Chicago Press, 2004
Simpson, Colin, Artful partners, The partnership: the secret association of Bernard Berenson and Joseph Duveen,
London, Bodley Head, 1987.
Paas, Martha White, review of Goldstein Malcom, Landscape with figures, a history of art dealing in the United
States, Oxford, Oxford, University Press, 2000 in Journal of Cultural Economics, Aug 2002. Vol. 26,
Iss. 3.
‗The Top Ten‘ [Collectors] as of 02/12/2002] at www.telegraph.co.uk
White, Harrison C. & Cynthia A., Canvases and Careers: institutional change in the French painting world, New
York, John Wiley & Sons, 1965.
Yishu. Journal of Contemporary Chinese Art, ‗Supplement‘, June, 2007.
Yishu. Journal of Contemporary Chinese Art, ‗Supplement‘, December, 2007.
Yishu. Journal of Contemporary Chinese Art, ‗Supplement‘, December, 2006.
Cultures and Commodities
Clunas, Craig, ‗Modernity Global and local: Consumption and the Rise of the West‘, American Historical
Reivew, December 1999

293
De Marchi, Neil, Review of Phillips & Steiner, eds, Unpacking Culture: Art and Commodity in Colonial and
Post-Colonial worlds, Berkeley, University of California Press, 1999 in The Journal of Cultural
Economics, Aug 2002, Vol. 26, no. 3
Mitchell, W.J.T., ‗Gombrich and the Rise of Landscape‘, in Bermingham, Ann; Brewer, John, eds., The
Consumption of culture 1600-1800: Image, Object, Text, London, Routledge, 1995.
Hybridity, Post-coloniality and Globalization [duplicates some sections above]
Appadurai, Arjun ‗Introduction: Commodities and the Politics of Value‘ in A. Appadurai ed. The Social
Life of Things: Commodities in Cultural Perspective, Cambridge University Press, Cambridge, 1986.
Appadurai, Arjun, Modernity at large: cultural dimensions of globalization, Minneapolis, University of
Minnesota Press, 1996.
Bhabha, Homi K., The Location of Culture, London, Routledge, 1994.
Canclini, Néstor García, Hybrid Cultures: Strategies for entering and leaving modernity, Minneapolis, University
of Minnesota Press, 1995.
Canclini, Néstor Garcìa, ‗Contradictory modernities and globalization in Latin America‘, in Vivian
Schelling ed., Through the kaleidoscope: the experience of modernity in Latin America, London, Verso,
2000, 37-52.
Canclini, Néstor Garcìa, ‗The state of war and the state of hybridization‘, in Paul Gilroy, Lawrence
Grossberg, and Angela McRobbie, eds., Without Guarantees: In Honour of Stuart Hall, London,
Verso, 2000, 38-51.
Canclini, Néstor Garcìa, ‗Remaking Passports: Visual Thought in the Debate on Multiculturalism‘, in
Prezioso Donald & Farago Claire (eds) (2004) Grasping the world : the idea of the museum (Ashgate
Publishers)
Chakravarty, Dipesh, Provincialising Europe: Postcolonial thought and historical difference, Princeton, Princeton
University Press, 2000
Clark, John, ‗What does Hybridity Mean for Asian Art Today?‘, in TAASA Review. The Journal of the
Asian Art Society of Australia, v. 17 (1) March, 2008, pp. 4 – 6.
Dirlik, Arif, The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism, Boulder, Westview
Press, 1997.
Erjavec, Aleš, Aesthetics and/as Globalization: International Yearbook of Aesthetics, volume 8, 2004.
Enwezor, Okwui et al, Créolité and creolization: Documenta 11_Platform 3, Kassel, documenta und Museum
Fridericianum-Veranstaltungs Gmbh, 2003
Enwezor, Okwui, ‗Between worlds: postmodernism and African artists in the Western metropolis‘, in
Oguibe, Olu; Enwezor, Okwui, Reading the contemporary: African Art from Theory to Marketplace,
London, in IVA, 1999
Gawronski, Alex, ‗New Worlds Inc.‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 37, no. 1,
March, 2007, pp. 31 – 33.
Glissant, Édouard, Le Discours Antillais, Paris, Éditions du Seuil, 1981
Grewal, Inderpal; Gupta, Akhil; Ong, Aihwa, guest editors, ‗Special Issue: Asian Transnationalities‘,
positions: east asia cultures critique, vol.7, no.3, winter 1999.
Hall, Stuart, ‗The West and the Rest: discourse and power‘ in S. Hall and B. Gieben eds. Formations of
Modernity, Polity Press, Cambridge, 1992.
Hannerz, Ulf, Cultural complexity: studies in the social organization of meaning, 1992, New York, Columbia
University Press, 1992
Hoffmann, Frank: ‗Monoculture and Its Discontents‘ Art in America Nov 2000 Vol 88 Issue 11
King, Anthony D., 1991, ed., Culture, Globalization and the World-System, Basingstoke, Macmillan, 1991.
Lavrijsen, Ria, Global encounters in the world of art: collisions of tradition and modernity, Amsterdam, Royal
Tropical Insititute, 1998.
Miyoshi, Masao: A Borderless World? From Colonialism to Transnationalism Over the Decline of the
Nation-State (Critical Inquiry, 19, Summer 1993. Reprinted in David, Catherine, Chevrier, Jean-
François (eds) Documenta X – The Book (Cantz Verlag, 1997)

294
Ong, Aihwa, Flexible Citizenship: the cultural logics of transnationality, Durham, Duke University Press, 1999.
Parry, Benita , ‗Overlapping Territories and Intertwined Histories: Edward Said‘s Postcolonial
Cosmopolitanism‘ in M. Sprinkler ed. Edward Said: A Critical Reader, Blackwell Press, Oxford,
1992
Poi, Cesare, ‗From the suburbs to the global village, afterthoughts on Magiciens de la Terre‘, Third Text,
no.14, Spring 1991.
Rogoff, Irit, Terra Infirma: Geography‘s Visual Culture, Routledge, London and New York, 2000
Said, Edward, Culture and Imperialism, Chatto and Windus, London, 1994.
Said, Edward, ‗Secular Interpretation, the Geographical Element, and the Methodology of Imperialism‘
in G. Prakash ed. After Colonialism: Imperial Histories and Postcolonial Displacements, Princeton
University Press, Princeton, 1995.
Sassen Saskia: ‗The Topoi of E-Space: Global Cities and Global Value Chains‘ in: David, Catherine,
Chevrier, Jean-François (eds) Documenta X – The Book (Cantz Verlag, 1997)
Tinari, Philip, ‗Hangzhou is All Right‘, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 112 – 115.
Thomas, Nicholas, Possessions: Indigenous Art/Colonial Culture, Thames and Hudson, London, 1999.
Walcott, Derek, ‗The Muse of History‘ in his What the Twilight Says: Essays, London, Faber & Faber,
1998.
Walcott, Derek, Omeros, London, Faber & Faber, 1990.
Walcott, Derek, Tiepolo‘s Hound, New York, Farrar, Straus and Giroux, 2000.
Walcott, Derek, ‗Exasperating Theory‘, ‗More than criticism‘, ‗The Length of the Breath‘, in
Enwezor et al, 2003.
Weibel, Peter, Inklusion/Exklusion: Kunst im Zeitalter von Postkolonialismus und Globaler Migration, Graz,
Neue Galerie 1996
Wilson, Rob, Reimagining the American Pacific: From South Pacific to Bamboo Ridge and Beyond, Duke
University Press, Durham, 2000.
Other Theories and Histories [duplicates some sections above]
Augé, Marc, Non-places: introduction to an anthropology of supermodernity [1992, translated by John Howe]
(London: Verso, 1994)
Bal, Mieke, Double Exposures: The Subject of Cultural Analysis, Routledge, New York, 1996.
Bateson, Gregory, Steps to an Ecology of Mind, New York, Ballantine Books, 1972
Baudrillard, Jean 1983 ‗The Precession of Simulacra‘, Simulations, Semiotexte, Columbia University
Press, New York.
Baudrillard, Jean, The Conspiracy of Art (tr, Hodges, Anne), New York, Semiotext(e), 2005.
Belting Hans, The End of the History of Art, (tr. Wood, Christopher S.), Chicago, University of Chicago
Press, 1987
Bourdieu Pierre, La distinction:critique sociale du jugement, Paris. Les Éditions de Minuit, 1979.
Bourdieu, Pierre, Outline of a Theory of Practice, [tr.Richard Nice], Cambridge, Cambridge University Press,
1977
Bourdieu, Pierre, The Field of Cultural Production, [ed.and tr. Johnson, Randal], Cambridge, Polity Press,
1993, 2000
Bourriaud, Nicolas, Postproduction, New York, Lukas & Sternberg, 2002, 2 nd edition 2005
Bourriaud, Nicolas, Relational Aesthetics, (1998) [tr. Pleasance Simon; Woods, Fronza; with Copeland,
Mathieu], Dijon, les presses du réel, 2002
Burkhardt, Jacob, The Civilization of the Renaissance in Italy,(1860) [tr. Middlemore, S.G.C.] London,
Phaidon, 1951
Castells, Manuel, ‗Informationalism, networks, and the network society: a theoretical blueprint‘, in
Castell,s M., ed., The Network Society: a cross-cultural perspective¸ Cheltenham, Edward Elgar, 2004.
Eagleton, Terry, The Ideology of the Aesthetic, Oxford, Blackwell, 1990, 2000

295
Foster, Hal ; Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, Art since 1900: modernism,
antimodernism, postmodernism, London, Thames & Hudson, 2004 [See reviews by Clark in Yishu:
Journal of Contemporary Chinese Art , no.15, December 2005, and McNeil David, ]
Guillory, John, ‗Canon‘ in Lentricchia, Frank; McLaughlin, Thomas, Critical Terms for Literary Study,
Chicago, University of Chicago Press, 1990.
Habermas, Jürgen The Theory of Communicative Action, 2 vols, [tr. Thomas McCarthy], London,
Heinemann, 1984
Heidegger, Martin , ‗The Age of the World Picture‘, The Question Concerning Technology and Other Essays,
trans. W. Lovitt, Harper, New York, 1977.
Heinich, Nathalie, Le triple jeu de l‘art contemporain, Paris, Les Éditions de Minuit, 1998; [summary in
Schaeffer, Jean-Marie: Think Art, Rotterdam, Witte de With, 1998]
Holmes, Brian, ‗Maps, Global Solidarities‘, Paris, Piet Zwart Institute, 2003 [from pzwart.wdka.hro.nl]
Homes, Brian, ‗Flowmaps, the imaginaries of global integration‘, Paris, Piet Zwart Institute, 2003
Sakai, Naoki ‗‗You Asians‘: On the Historical Role of the West and Asia Binary‘, The South Atlantic
Quarterly, vol. 99, no.4, 2001, 789-817.
Sakai, Naoki ‗Modernity and Its Critique: The Problem of Universalism and Particularism‘ in M.
Miyoshi and H.D. Harootunian eds. Postmodernism and Japan, Duke University Press, Durham and
London, 1989.
Biennales and Triennales by Site [only lists material available to John Clark]
Beijing:
2003
The First Beijing International Art Biennale, China 2003, Promotional Brochure, Beijing International Art
Biennale Office
The Conference of the First Beijing International Art Biennale, China 2003 – Originality: Contemporaneity and
Locality, Handbook, Beijing International Art Biennale Office, 2003
Zhang Zhaohui, ‗A Mixed Bag‘, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.48-53.;
Smith, Karen., ‗Review of the Inaugural Beijing Biennale‘, in Yishu: Journal of Contemporary Chinese Art,
Vol. 2 No. 4, December 2003, p.88-90.
Smith, Karen, ‗1 st Beijing Biennale‘ (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 78
Wang Meiqin, ‗The Beijing Biennale: The Politics of Chinese Characteristics‘, in Yishu Journal of
Contemporary Chinese Art, Vol. 7, No. 4, July 2008, pp. 20-31
2005
The Second Beijing International Art Biennale, China 2005, Promotional Booklet, Beijing International Art
Biennale Office, 2005
2008
Don, Katherine, ‗Beijing Biennale: July 8-Aug 12‘.(BIENNIAL DIGEST) in Art in America 96.11 (Dec
2008): 110(2)
Brisbane: Asia-Pacific Triennial of Contemporary Art [APT]
Overall
Marravillas, Francis, ‘Cartographies of the Future: The Asia-Pacific Triennials and the Curatorial
Imaginary‘, Cartographies of the Future: The Asia-Pacific Triennials and the Curatorial
Imaginary‘ paper presented at the Our Modernities: Positioning Asian Art Now Conference, Asia
Research Institute, National University of Singapore, Singapore, 19-22 February 2004, revised
version in John Clark, Maurizio Peleggi and T.K. Sabapathy, eds., Eye of the beholder, Sydney, Wild
Peony, 2006
Turner, Caroline, ‗Cross-Cultural Engagements in Asian Art: The Fukuoka Triennale and the Asia-
Pacific Triennial‘ paper presented at the Our Modernities: Positioning Asian Art Now Conference, Asia
Research Institute, National University of Singapore, Singapore, 19-22 February 2004, revised

296
version in John Clark, Maurizio Peleggi and T.K. Sabapathy, eds., Eye of the beholder, Sydney, Wild
Peony, 2006
APT I 1993
[reviews and articles] Artlink, 13, 3 & 4, November-March 1993/95; Art Monthly Australia 65,
November 1993; Asian Art News, vol.3, no.6, November-December 1993;
Britton, Stephanie, ‗Review of the Conference Identity Tradition and Change: Contemporary Art of the Asia
Pacific Region‘, Artlink, Vol. 13, No.3&4, November-March 1993/94,
correspondence: Art Monthly Australia, no.67, March 1994; no.68, April 1994,
Ewington, J., ‗Identity, Tradition & Change: Photography at the Asia-Pacific Triennale, Photofile, 40,
1994;
Ewington, J., Nguyen Quan, Torres, E. in Art & Asia Pacific, vol.1, no.2, 1994;
Gallagher, Jane, , An analysis of critical categories operant in the Asia-Pacific Triennale, B.A. Unpublished
Honours Thesis, Power Department of Fine Art, University of Sydney1994;
Hall, Doug, Queensland Asia Pacific Triennial Bulletin, vol. 1 no.2, 1992 .
Hoffie, P., ‗1993 Asia Pacific Triennial‘, Art & Asia Pacific, supplement to Art & Australia, September
1993;
Hogan, J., ed., The First Asia-Pacific Triennal of Contemporary Art, Brisbane, Queensland Art Gallery, 1993.
Mendelssohn, Joanna, ‗Review: First Asia-Pacific Triennial of Contemporary Art, Queeensland Art
Gallery‘, Artlink, Vol. 13, No.3&4, November-March 1993/94;
Roces, Marion Pastor, ‗A certain critical mass‘, Art Monthly Australia, , no. 63, Nov 1993;
Turner, C., ed., Tradition and Change, Contemporary Art of Asia and the Pacific, Brisbane, University of
Queensland Press, 1993.
Turner, Caroline, ‗Introduction – From Extraregionalism to Intraregionalism‘, in The First Asia Pacific
Triennial of Contemporary Art, exhibition catalogue, Queensland Art Gallery, Brisbane, 1993.
Wallace, Linda, ‗The Asia-Pacific Triennial of Contemporary Art‘, Review, Art & Text 47, January
1994;
Williamson, Claire, ‗Remapping the Asia-Pacific‘, Art Monthly Australia, no.65, Nov 1993;
APT II 1996
Clark, J. & Gutman, P., ‗The Second Asia-Pacific Triennial of Cotemporary Art: A Conversation‘,
Eyeline, no.32, 21-23
Ewington, Lee, Ushiroshoji, Losche in ART AsiaPacific, no.15, 1997
Flores, Mehta, Kent, in Eyeline: contemporary visual arts, no.32, summer 1996;
Gibson in Flash Art, Jan- Feb 1997;
McDonald, J. Sydney Morning Herald, 5th October 1996;
Mendelsohn, Hall & McCulloch, Thomas, Turner, Howard, McCulloch, in Asian Art News, vol.7, no.1,
Jan/Feb 1997;
Stein in Art in America, June 1997;
Turner, C. & Devenport, Rhana, [catalog] The Second Asia-Pacific Triennale of Contemporary Art, Brisbane,
Queensland Art Gallery, 1996
Turner, C. & Devenport, Rhana, [Explanatory pull-out] in ART AsiaPacific, no.13, 1997;
Clark, John 1996 ‗The Second Asia-Pacific Triennial of Cotemporary Art: A Conversation‘, Eyeline,
no.32, 21-23.Turner, C., Devenport, R. eds., Present Encounters: papers from the conference of the Second
Asia-Pacific Triennale of Contemporary Art, Brisbane, Queensland Art Gallery & Griffith University,
1996;
APT III 1999
Artlink, Vol. 20, No. 2, July 2000, Special Issue, ‗the long stare: seeing contemporary asian art now‘;
Carroli, Linda, ‗A virtual region‘, Art AsiaPacific, 27, 2000;
Chiu, Melissa, ‗Duplicitous Dialogue‘, Art AsiaPacific, 27, 2000;
Clark, John ‗Panel Report on Commodification/Patronage/Censorship‘ in C. Turner and M. Low eds.
Beyond the Future, Conference Proceedings, The Third Asia-Pacific Triennial of Contemporary Art,
Brisbane, Queensland, 2000.

297
Dale, Robert 1999/2000 ‗Reviews: The Third Asia-Pacific Triennial of Contemporary Art‘, Eyeline,
no.41.
Fink, Hannah, ‗Fizzle‘, Art AsiaPacific, 27, 2000; Jackson, Beth, ‗Improbable Architectures‘, Art
AsiaPacific, 27, 2000;
Foley, Matt 1999 Ministerial Statement, Queensland Parliamentary Hansard, 26 August 1999.
Gibson, Jeff, ‗Third Asia-Pacific Triennial of Contemporary Art‘, Artforum International, Vol.38, Issue 5,
January 2000;
Green, Charles, ‗Beyond the Future: The Third Asia-Pacific Triennial‘, Art Journal, vol. 58, no. 4, 1999,
81-87.
Hall, Doug The Courier-Mail, 23 April 1999.
Hall, Doug, ‗Foreword‘, in Beyond the Future: The Third Asia-Pacific Triennial of Contemporary Art,
exhibition catalogue, Queensland Art Gallery, Brisbane, 1999.
Hall, Doug, The Age, 10 September 1999.
Holder, Jo & Moore, Catriona ‗Going Glocal – APT3: Beyond the Future‘, Realtime, 34, p.24.
Low, Morris, ‗Hybrid transplants at the Queensland Art Gallery‘, Artlink, Vol. 20, No. 2, July 2000;
McNamara, Andrew, ‗The Third Asia-Pacific Triennial of Contemporary Art: To the point of
distraction! Entertaining Diversity‘, Eyeline, no. 42, Autumn/Winter, 1999/2000, 31-33.
Miki, Akiko, ―Evaluating the Asia-Pacific Triennial‘, Artlink, Vol. 20, No. 2, July 2000;
Taylor, Roger, ‗A dynamic of cultures‘, Asian Art News, vol.9, no.6, 1999;
Turner C., Low, M. eds, Beyond the Future: papers from the conference of the Third Asia-Pacific Triennale of
Contemporary Art, Brisbane, Queensland Art Gallery & Griffith University, 1999; ;
Turner, Caroline, ‗Introduction‘ in C. Turner and M. Low eds. Beyond the Future, Conference
Proceedings, The Third Asia-Pacific Triennial of Contemporary Art, Brisbane, Queensland, 2000.
Turner, Caroline, ‗Journey Without Maps: The Asia Pacific Triennial‘ in Beyond the Future: The Third
Asia-Pacific Triennial of Contemporary Art, exhibition catalogue, Queensland Art Gallery, Brisbane,
1999.
Turner, Caroline; Hoffie, Pat; Carroll, Alison; and Raffel, Suhanya, ‗on understanding the Asia-Pacific
Triennial‘, Artlink, Vol. 20, No. 2, July 2000;
Ushiroshoji, Masahiro, ‗The APT and Fukuoka: a comparison‘, Artlink, Vol. 20, No. 2, July 2000
APT IV 2002
Eastburn, Melanie, ‗A Decade Of Challenges‘, APT4 Review, Asian Art News, vol. 12, no. 6,
November/December, 2002
Gibson, Jeff, ‚Asia-Pacific Triennial of Contemporary Art‘, Artforum International, Vol.41, Issue 1,
September 2002
Grace, Helen, ‗Asia-Pacific Triennial of Contemporary Art 2002: islands of promise in the dark waters
of a new world order‘, Eyeline, no. 50, 2002/2003, 24-27.
Ng., Elaine W. ‗Queensland Looks East‘, ArtAsiaPacific, no. 45, 2005 (APT 4 and new Qld art gallery)
Sambrani, Chaitanya, ‗Austerity – Excesss – Invention: the Asia-Pacific Triennial 2002‘, Art Monthly
Australia November 2002, no.155;
Seear, Lynne, Ed., Asia-Pacific Triennale of Contemporary Art, Brisbane, Queensland Art Gallery, 2002.
Thomas, Morgan, ‗Asia-Pacific Triennial 2002: we are not the world‘, Eyeline, no. 50, 2002-03, 32-33.
Wu Hung, ‗Mapping Contemporaneity‘ in APT 2002: Asia Pacific Triennial of Contemporary Art, exhibition
catalogue, Queensland Art Gallery, Brisbane, 2002
APT V 2006
APT5 In Review. The 5 th Asia-Pacific Triennial of Contemporary Art.. Queensland Government. 2007.
Birnie Danzker, Jo-Anne, ‗The Asia-Pacific Triennial‘, in Yishu: Journal of Contemporary Chinese Art, v.
6(2), June, 2007, pp. 22 – 41.
Fairley, Gina, ‗Connections and the Future‘, Asian Art News, vol. 17, no. 1, Jan-Feb 2007 (review of
Fifth Asia Pacific Triennal, Brisbane)
Geczy, Adam, ‗Revelation of the Brand‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 1,
March, 2007, pp. 44 – 45.

298
Keehan, Reuben, ‗Brisbane so much to answer for…‘, in Contemporary Visual Arts + Culture Broadsheet,
vol. 36, no. 1, March, 2007, pp. 38 – 41.
Martin-Chew, Louise, ‗The 5 th Asia-Pacific Triennial of Contemporary Art‘, in art & Australia, vol. 44,
no. 3, Autumn 2007, March/April/May, pp. 332 – 335.
Ming Wai Jum, Alice, ‗Aesthetic politics and built form loosely speaking‘, in Contemporary Visual Arts +
Culture Broadsheet, vol. 36, no. 1, March, 2007, pp. 42 - 43.
Seear, Lynne; Raffel, Suhanya, The 5 th Asia Pacific Triennial of Contemproary Art, Brisbane, Queensland Art
Gallery Publishing, 2006.
Chengdu
2007
Erickson, Britta, ‗Do We Have Time for the Subtleties of Guohua‘, in Yishu. Journal of Contemporary
Chinese Art, v. 7(1), January, 2008, pp. 56 - 58.
Hatch, Michael, ‗Reboot – The Third Chengdu Biennale: A Review‘, in Yishu. Journal of Contemporary
Chinese Art, v. 7(1), January, 2008, pp. 59 – 69.
Lu Hong, ‗Only When Things Belong to the World, Can They Belong to a Nation‘, in Yishu. Journal of
Contemporary Chinese Art, v. 7(1), January, 2008, pp. 54 – 55.
Shen Kuiyi, ‗Construction and Expansion of Contemporary Art‘, in Yishu. Journal of Contemporary Chinese
Art, v. 7(1), January, 2008, pp. 52 – 53.
Vine, Richard, ‗Report from Chengdu. Committed to Ink‘, in Art in America, January 2008, pp. 66 – 69.
Fukuoka:
Overall
Chen, E.H., ‗The Imagined Trans-Asian Community and the Fukuoka Asian Art Triennale‘, in Yishu
Journal of Contemporary Chinese Art, Vol 8, Number 1, January/February/April 2009, pp 61-66.
[Fukuoka Ia] Asian Artists Exhibition Part I: Contemporary Asian Art Show, Fukuoka, Fukuoka Fine Arts
Museum, 1980.
[Fukuoka Ib] Asian Artists Exhibition Part I: India, China & Japan, Fukuoka, Fukuoka Fine Arts
Museum, 1979.
[Fukuoka II] 2nd Asian Art Show, Fukuoka; Special Section: Art of Bali, Fukuoka, Fukuoka Fine Arts
Museum, 1985
[Fukuoka III] 3rd Asian Art Show, Fukuoka, Fukuoka, Fukuoka Fine Arts Museum, 1989.
Fouser, Robert, ‗Asia as a state of mind‘, Art AsiaPacific, 24, 1999;
Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 00-01, Fukuoka: Fukuoka Asian Art
Museum, 2001;
Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 01-02, Fukuoka: Fukuoka Asian Art
Museum, 2002
Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 99-00, Fukuoka Asian Art Museum,
2000;
Fukuoka Asian Art Museum, Asian Collection 50: Fukuoka: Fukuoka Asian Art Museum, 2000;
Matsuura, Jin, ‗Notes on Artist in Residence Program‘, Winds of Artists in Residence 2001-, Fukuoka:
Fukuoka Asian Art Museum, 2001;
Murata, Makoto, ‗Asia as an Art Museum‘, Art AsiaPacific, 24, 1999;
1994 4 th Asian Art Show
4 th Asian Art Show Fukoka, ed and pub Fukuoka Art Museum
4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994.
1999 1 st Fukuoka Asian Art Triennale
1 st Fukuoka Asian Art Triennale 1999 [5 th Asian Art Show]
Jin, Matsuura and Masae, Kamachi, The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show],
Seminar: ―Asian Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin,
Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art Show]:

299
Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999; Kuroda, Raiji,
The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Ushiroshoji,
Masahiro, ‗The APT and Fukuoka: a comparison‘, Artlink, Vol. 20, No. 2, July 2000
2002 2 nd Fukuoka Asian Art Triennale
Kuroda Raiji ‗Ajibi no 5-nen – kôryûjigyô wo chûshin ni‘, in Fukuoka Asian Art Museum Collection Now:
Soul of Asia, Sapporo, Hokkaidôritsu Kindaibijutsukan, 2004
Matsuura Jin, ‗Notes on the artist-in-residence programme‘, in Artisto in rejidensu seikaten, Fukuoka,
Asian Art Museum, 2002.
Ushiroshôji Masahiro, ‗ ―Ajia Bijutsukan‖ to iu arikata – sono imi, hôhô, shisutemu‘, Ritsumeikan Gengo
Bunka Kenkyû, vol.13, no.4, 28 February 2002
Fouser, Robert J., ‗2 nd Fukuoka Asian Art Triennale‘, ART AsiaPacific, Issue 36 (2002) Kazuyo, Kondo;
Tomomichi, Nakao; and Yuko, Yamaki, ed., Imagined Workshop: The 2 nd Fukuoka Asian Art
Triennale 2002, Fukuoka: Fukuoka Asian Art Museum, 2002; Turner, Caroline, 'Imagined
Workshop', 2 nd Fukuoka Asian Ar Triennial Review, IIAS Newsletter, No. 29, November 2002;
Nakao Tomomichi hoka hen, Dai 2 kai Fukuoka ajia bijutsu toriennare 2002 : the 2nd Fukuoka Asian
art triennale 2002, Fukuoka-shi : Fukuoka Ajia Bijutsukan, 2002.
2005 3rd Fukuoka Asian Art Triennale
The 3rd Fukuoka Asian Art Triennale 2005, Igarashi, Rina, ed., Fukuoka, Fukuoka Asian Art Museum,
2005
Nagoya, Satoru, ‗Yokohama and Fukuoka Triennials Report‘, Flash Art, vol. XXXIX, no. 246, Jan-Feb,
2006
Rawanchaikul, Toshiko, ‗How were the artists selected?‘, in The 3rd Fukuoka Asian Art Triennale 2005,
Igarashi, Rina, ed., Fukuoka, Fukuoka Asian Art Museum, 2005.
Guangzhou: Guangzhou Triennale
2002
Wu, H., ‗Global and Local‘, in The First Guangzhou Triennial, Reinterpretation: A Decade of Experimental
Chinese Art, Wu, H., Wang, H., and Feng, B., eds., Guangzhou, Guangdong Museum of Art,
2002. pp. 396 – 399.
Wu Hung with Wang Huangshang & FengBoyi, 1 st Guangzhou Triennial: Re-interpretation: a decade of
Experimental Chinese Art (1990-2000), Guangzhou, Guangdong Museum of Art, 2002
Li, Zhe., ‗Stepping Out in Guangzhou‘, in Asian Art News, Vol.13, No.1, January/February 2003, p.52-
55.
Wu Hung, ed., The First Guangzhou Triennial, Reinterpretation: A Decade of Experimental Chinese Art,
Guangdong: Guangdong Museum of Art, 2002.
Wu Hung, ‗Contesting Global/Local: Chinese Experimental Art in the 1990s‘, Orientations, Volume 33,
Number 9, November 2002.
Spalding, David, ‗The First Guangzhou Triennial,‘ Flash Art, Vol. XXXVI, No. 229, March-April 2003.
Li, Zhe, ‗Stepping Out In Guangzhou‘, 2002 Guangzhou Triennial Review, Asian Art News, vol. 13, no.
1, January/February 2003.
Wong, Aida-Yuen, 'Vestiges of Time/ Elemental Spring: Zhang Jian-Jun and Barbara Edelstein in
Guangdong', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue.
Köppel-Yang, Martina, 'A Bat's Life, or Big Brother is Watching You', Yishu: Journal of Chinese
Contemporary Art, March 2003, Spring Issue
2005
Clark, John, ‗A Spectacle of Questions‘, Asian Art News, vol. 16, no. 1, 2006.
Koegel, Eduard, ‗How to Urbanise a Special Economic Zone? The 2005 Biennale of Urbanism and
Architecture in Shenzhen‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006.
Goodbody, Bridget, ‗Beyond the Delta‘, ArtAsiaPacific, no. 46, 2005. (Guangzhou triennial)
Pi Li, ‗The Second Guangzhou Triennial‘, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006
Spalding, David, ‗Second Guangzhou Triennale‘, Artforum, vol. 44, Iss. 8, 2006

300
Vine, Richard, ‗Cities on the make: reflecting China's runaway building boom, the second Guangzhou
Triennial examined the forces driving today's urban development and globalized art‘, Art in
America, 94.8 (Sept 2006)
Vine, Richard, ‗Through a Chinese Lens‘, review, Art in America, vol. 93, iss. 6, Jun-Jul, 2005
(Guangzhou photo biennial)
2006
D-Lab/The Second Guangzhou Triennial BEYOND: an extraordinary space of experimentation for modernization,
Guangzhou, Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru; Curators: Hou Hanru,
Hans Ulrich, Guo Xiaoyan).
The Second Guangzhou Triennial BEYOND: an extraordinary space of experimentation for modernization
(Exhibition Catalogue), Guangzhou, Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru;
Curators: Hou Hanru, Hans Ulrich, Guo Xiaoyan).
The Second Guangzhou Triennial BEYOND: an extraordinary space of experimentation for modernization
(Exhibition Guide), Guangzhou, Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru;
Curators: Hou Hanru, Hans Ulrich, Guo Xiaoyan).
2008
Borysevicz, Mathieu, ‗Guangzhou Triennial: Sept 6-Nov 16‘.(BIENNIAL DIGEST) in Art in America
96.11 (Dec 2008): 112(2).
Thomson, Jonathan, ‗The Main Rvent‘, Asian Art News, v. 18(5), Sept/Oct, 2008, pp. 94-99.
Tsiu, H., ‗Premature Farewell and Recycled Urbanism: Guangzhou and Shanghai Biennale in 2008‘, in
Yishu Journal of Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 54-60.
Gwangju/Kwangju:
Lee, S. ‗Contradictions, Violence, and Multiplicity in the Globalization of Culture: The Gwangju
Biennale‘, in YishuJournal of Contemporary Chinese Art, Vol 8, Number 1, January/February/April
2009, pp. 54-60.
1995
Kwangju Biennale 1995: Beyond the Borders (Catalogue), Kwangju Biennale Press, 1995;
Heartney, Eleanor B., ‗More on the Kwangju Biennale‘, Art & Asia-Pacific, vol.3, no.1, 1996;
Bonami, Francesco, ‗Kwangju (Korea): ―By the Borders, our Borders‖, Flash Art, XXVIII, no.185,
Nov/Dec, 1995;
Lee, James B., ‗The inaugural Kwangju Biennale‘, Art & Asia Pacific, vol.3, no.2, 1996;
Hasegawa Yuko & Carlos, Isabel, ‗Last words on the Biennial‖‘, Flash Art, XXVIII, no.185, Nov/Dec,
1995;
1996
Kim Hwan et al. ‘95 Kwang-ju International Contemporary Art Festival Catalogue. Kwang-ju, Kwnag-ju City
Gallery 1995.
Jin Young-sun & Chung Joon-mo (Editors), The First Kwangju International Biennale. Volume 1. International
Exhibition of Contemporary Art: Beyond the Borders. Seoul, Life & Dream Publishing Co. 1995.
(Director General of Visual Arts: Lee Yongwoo).
Lee, James B., ‗Pursuing global stature‘, (Asia: Korea) ARTnews Nov 1995 v94 n9 p224(2)
Lee, James B, The call to globalization: a booming economy has meant a proliferation of artists,
galleries, and museums. But when will the West catch on? (Korea '95) (includes related articles on
artists Lee Bul and Lee Sang-Hyun) ARTnews April 1995 v94 n4 p126(4) Heartney, Eleanor: Into
the international arena. (contemporary art, Kwangju Biennale, South Korea) Art in America April
1996 v84 n4 p50(5)
1997
Kim, Su-ki (Editor), 97 Kwangju Biennale: Unmapping the Earth, Kwangju, Kwangju Biennale Press.
(Artistic Director: Lee Young-chul)

301
97 Kwangju Biennale: Unmapping the Earth (Catalogue), Kwangju: Kwangju Biennale Press, 1997; Fouser,
Robert J., ‗The Kwangju Biennale‘, Art AsiaPacific, no.18, 1998; Roe, Jae-Ryung, ‗ ‘97 Kwangju
Biennale‘, Artforum International, Vol.36, Issue 8, April 19981998
Jay, Martin: ‗Kwangju: From Massacre to Biennale. Salmagundi Fall 1998 I Issue 20 p15-26)
Vine, Richard: Asian futures: status of South Korea in art world. Art in America July 1998 v86 n7 p34-
43))
2000
Cho, Sung-kwan (Editor), Kwangju Biennale 2000 Man + Space, Kwangju, Kwangju Biennale Press 2000.
(Artistic Director: Oh Kwang-su)
Cho, Sung-kwan (Editor), Kwangju Biennale 2000 Man + Space: The Special Exhibition, Kwangju, Kwangju
Biennale Press 2000. (Artistic Director: Oh Kwang-su)
KwangjuBiennale 2000 Man + Space. Exhibition Guide
Kwangju Biennale 2000: Man + Space, Kwangju: Kwangju Biennale Press, 2000;
Art News, 99, 6, 2000;
Fouser, Robert J., ‗Picnic in an art garden‘, Art AsiaPacific 29, 2001
2002
Chung, Guyon (Editor), Gwangju Biennale 2002 Project4 Connection, Gwangju, Gwangju Biennale Press
2002. (Curator: Chung Guyon).
Gwangju Biennale 2002 Project 1 PAUSE, Project2:THERE , Project3 Stay of Execution. Exhibition Guide.
Gwangju, Gwangju Biennale Press 2002
Hou Hanru, ‗Event city and pandora‘s box: curatorial notes on the 2002 Gwangju Biennale‘, Yishu,
vol.1, no.2, 2002;
Kee, Joan, ‗2002 Gwangju Biennale‘, ART AsiaPacific, Issue 36 (2002);;
Kim, Youngna, ‗Let‘s Pause & Talk, Let‘s Pause & Drink‘, IIAS Newsletter, No. 28, July 2002
Lee Weng Choy, ‗Biennale time and the specters of exhibition‘, FOCAS, vol. 4, 2002
Min, Yong Soon (Editor), Gwangju Biennale 2002 Project2:THERE: Sites of Korean Diaspora, Gwangju,
Gwangju Biennale Foundation 2002. (Artistic Director: Sung Wan-kyun).
Napack, Jonathan, 'Alternative Visions', Gwangju Biennial Review, Art in America, Vol. 90, Issue 11,
November 2002
Park, Manu (Editor), Gwangju Biennale 2002 Project 1 PAUSE: Conception, Gwangju, Gwangju Biennale
Press 2002. (Curators : Sung Wan-kyung, Charles Esche, Hou Hanru).
Park, Manu (Editor), Gwangju Biennale 2002 Project 1 PAUSE: Realization, Gwangju, Gwangju Biennale
Press 2002. (Curators : Sung Wan-kyung, Charles Esche, Hou Hanru).
Sung, Wan-kyung (Editor), Gwangju Biennale 2002 Project3 Stay of Execution, Gwangju, Gwangju
Biennale Press 2002. (Curator: Sung Wan-kyun).
Sung Wan-kyung; Esche, Charles; Hou Hanru [idea and conception] Project 1 Pause: Conception & Project 1
Pause: Realization, Gwangju, Gwangju Biennale Press, 2002
Korean Biennnale Foundation, 2002; Kwangju Biennale 2002 – Project 4: Connection (Catalogue) Kwangju
Biennale 2002, Korean Biennnale Foundation, 2002;
‗Photo: Gwangju Biennial 2002‘, in Vehicle: Contemporary Visual Arts, No.6, 2002, p.16-19
2004
Gwangju Biennale 2004 Viewer-Participants Discission Papers: The Audience, Who Are They?, Gwangju
Biennale Foundation, 2004
Gwangju Biennale 2004. Press Open, (Press briefing for Biennale Opening, In Korean), Gwangju
Biennale Foundation, 2004
Gwangju, A Grain of Dust, A Drop of Water
Gwangju, Biennale Ecometro,
Busan Contemporary Art Exhibition, Busan Sea Art Festival
Busan Sculpture Project São Paolo 26 th Biennial
Breuvart, Valerie, ‗Gwangju Biennale 2004‘ review, Artforum, vol 46, iss. 5, Jan 2005.

302
Clark, John, ‗Three Recent Biennales in Asia: Gwangju, Busan and Shanghai‘, Art and Australia, vol. 42,
no. 3, 2005
Heartney, Eleanor, ‗Report from Korea I: Biennial Anxiety‘, Art in America, vol. 93, iss. 5, May 2005
(Gwangju, Busan biennials)
Jheon Soocheon, Social landscape, 2004 Gwangju Biennale, Seoul, Jheon Soocheon, 2004
Judd, Craig, ‗Gwangju Biennale 2004: A Viewer-Participant Memoir‘, Eyeline, no. 56, Summer 2004-5
Kim, Hyun-do (Editor), Gwangju Biennale 2004 A Grain of Dust. A Drop of Water. Gwangju, Gwangju
Biennale Foundation 2004. (Artistic Director: Lee Wong-yu).
Kim, Hyun-do (Editor), Gwangju Biennale 2004 A Grain of Dust. A Drop of Water .:Korea Express Site 2
Gwangju, Gwangju Biennale Foundation 2004. (Curators: Shim Jae-wook & Jung Gun-ho).
Moon, Iris, ‗Rethinking Art Along the East-West Axis: The 2004 Gwangju Biennale‖ in Art Asia Pacific,
No. 40 (Spring 2004), p. 27;
Clark, John, ‗Three Biennales‘, Art and Australia, March 2005.
2006
Gwangju Biennale 2006, ‗Fever variations: Press Release‘, Gwangju Biennale Foundation, 2006
Gwangju Biennale 2006, Open Forum: World Contemporary Art and International Biennales, Gwangju
Biennale Foundation, 2006
Clark, John, ‗A Narrowing of Horizons: The Shanghai and Gwangju Biennales 2006‘, Art Monthly
Australia, no. 196, December 2006-February 2007.
Fenner, Felicity, ‗Gwangju Biennale‘, Art and Australia, vol. 44, no. 3, 2006.
Han Kyung ah (Editor), Gwangju Biennale 2006: Fever Variations, Seoul, Designhouse Co. Ltd, 2006.
(Artistic Director: Kim Hong-hee. Curators: Wu Hung, Binghui Huangfu, Shaheen Merali,
Jacquelynn Baas, Cristina Ricupero, Beck Jee-sook, Chris Gilbert, Cira Pascual Marquina).
Lee, Pamela M., ‗2006 Singapore Biennale/6th Gwangju Biennale‘ Artforum, vol. 45, Iss. 3, 2006
Lee, Weng-Choy, ‗Eastern Front‘ (Singapore, Shanghai and Gwangju Biennales), Artforum, vol. 45, Iss.
1, 2006
2008
Heartney, Eleanor., ‗Gwangju Biennale: Sept 5-Nov 9‘.(BIENNIAL DIGEST)., in Art in America 96.11
(Dec 2008): 92(3).
Tinari, Philip, ‗2008 Gwangju Biennale, Singapore Biennale 2008, 3rd Yokohama Triennale‘ in in
Artforum, Vol. 47, Iss. 5, January 2009, p. 199.
Istanbul: International İstanbul Biennial
1987 1 st Biennial
1989 2 nd Biennial
1992 3 rd Biennial
1995 4 th Biennial
Block, René, ‗What is a Biennale, and what will it mean for the art scene in Istanbul‘, [speech of 13 th
September 1995] from http://www.iksv.org/bienal/english/arsiv.asp?ms=3
1997 5 th Biennial
Martinez, Rosa, ‗On life beauty, translations and other difficulties‘, from
http://www.iksv.org/bienal/english/arsiv.asp?ms=3
1999 6 th Biennial
Colombo, Paolo, ‗Concept‘ from
http://www.iksv.org/bienal/english/arsiv.asp?Page=Ifca&Sub=Archive&biennial=6&content=
kavcer
2001 7 th Biennial
Atagök, Tomar; Plate, Susan, ‗The Istanbul Biennial: the digestible other‘, Third Text, 55, 2001, page
103;
Schwabsky, Barry, ‗Istanbul Biennial‘, Artforum International, Vol.40, Issue 1, September 2001;

303
Hori, Motoaki, ‗Between East and West: The 7 th International Istanbul Biennial‘, ART AsiaPacific, Issue
35 (2002);
Shawa, Wendy, ‗Art among the myths of globalism: the Istanbul Biennial‘, Third text, 58, vol.16 1, 2002;
[Istanbul Biennale] review, Art in America, March 2002;
Hori, Motoaki, ‗Between East and West: The 7 th International Istanbul Biennial‘, Art AsiaPacific, no.35,
2002.
2003 8 th Biennial
Cameron, Dan, ‗Concept‘, from http://www.iksv.org/bienal/english/arsiv.asp?ms=3
Nahas, Dominique, ‗Preview: The 8 th International Istanbul Biennial‘ in Art Asia Pacific, No. 38 (Fall
2003), pp.25-26;
Heartney, Eleanor, ‗Mending the Breach‘ in Art in America (January 2003), pp. 74-79;
Kent, Rachel, ‗2003 Istanbul Biennial: Poetic Justice‘ in Art & Australia, Vol. 41, No. 3 (Autumn 2004),
pp. 278-279
2005 9 th Biennial
Esche, Charles & Kortun, Vasif, ‗Concept‘ from
http://www.iksv.org/bienal/bienal9/english/?Page=Concept
Esche, Charles & Kortun, Vasif, ‗Interview‘ in MetropolisM, Amsterdam, September 2005, from
Esche, Charles, Interview with Jelena Vesic, Prelom Magazine, Beograd, from
Gregos, Katarina, ‗Email interview with Vasif Kortun and Charles Esche‘, Flash Art, May 2005,
Henrikkson, Minna, ‗Email interview with Vasif Kortun and Charles Esche‘, Framework , Issue 3, June
2005 [Finnish art review] [four items above are from:
http://www.iksv.org/bienal/bienal9/english/?Page=Curators&Sub=Interview]
2007 10 th Biennial
Fairly, Gina, ‗On The Edge of Optimism‘, in Asian Art News, v. 17(6), November/December, 2007, pp.
86 – 91.
Storr, Robert, and Hou Hanru, ‗Not only possible but also necessary: Art in the Present Tense‘, in
ArtAsiaPacific, No. 53, May/June, 2007, pp. 84 – 89.
Tsui, Hilary, ‗10 th Istanbul Biennial: Staging a Communitarian Utopia‘, in Yishu. Journal of Contemporary
Chinese Art, v. 7(1), January, 2008, pp. 86 – 95.
2009
Thomson, Jonathan, ‗Notes from Istanbul, in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p. 86-89
Thomson, Jonathan, ‗The Challenges Of An Emerging Art Market‘, [interview with Emin Mahir
Balcioglu re: Contemporary Istanbul] in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p. 90-91
Kassel: Documenta
General Texts:
Blok, René; Glaser, Martin, et al, Das Lied von der Erde / The Song of the Earth, Kassel, Museum
Fridericianum, 2000
Glasmeier, Michael; Stengel, Karin, eds., 50Jahre/Years documenta, Archive in Motion, [bilingual
retrospective catalogue & texts], Göttingen, Steidi Verlag, 2005
1992 Documenta IX
Galloway, David: ‗Documenta 9 The Bottom Line‘ Art in America Sept 1993 v81 n9 p55
1997 Documenta X artistic director Catharine David
2002 Documenta XI artistic director artistic director Okwui Enwezor]
Downey, Anthony: (2003) . ‗The Spectacular Difference of Documenta XI‘ Third Text, Volume 17,
Number 1 (March 2003), pp. 85-92
Enwezor, Okwui, et al, Documenta IX: Platform Five, Exhibition catalogue, Hatje Cantz Verlag, 2002
Enwezor, Okwui et al, Créolité and creolization: Documenta 11_Platform 3, Kassel, documenta und Museum
Fridericianum-Veranstaltungs Gmbh, 2003
Lopez, Sebastian, 'Starting Points: 'Documenta'', IIAS Newsletter, No.25, July 2001

304
Nochlin, L, Holert T., Higgs, M. Meyer, J., ‗Platform Muse: Documenta 11‘ Artforum International Sept
2002 v41, 1, p160 (10).
Heartney, Eleanor: ‗A 600-hour Documenta‘ Art in America Sept 2002 v90 i9 p86(10)
Lee Weng Choy, ‗Biennale time and the specters of exhibition‘, FOCAS, vol. 4, 2002
2006
Birnie Danzker, Jo-Anne, ‗documenta 12‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(3),
September, 2007, pp. 33 – 47.
Clark, John, ‗Uncertain Identity‘, in Asian Art News, v. 17(5), September/October, 2007, pp. 86 – 91
Kremer, Boris, ‗The Show They Love to Hate‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36,
no. 3, September, 2007, pp. 160 – 161.
Legaspi-Ramirez, Eileen, ‗Fragile Insinuations‘, in C Arts. Asian Contemporary Art and Culture, vol. 00,
November/December, 2007, pp. 14 – 16.
Scotini, Marco, ‗Documenta 12‘, in Flash Art, vol. xl, no. 255, July – September, 2007, pp. 66 – 67.
Yang Jiechang and Köppel-Yang, Martina, ‗Réne Block‘s Waterloo: Some Impressions of documenta
12, Kassel‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(4), December, 2007, pp. 93 – 100.
Jogjakarata
2007
Bianpoen, Carla, ‗The State of A Nation And A Biennale‘, in Asian Art News, v. 18(2), March/April,
2008, pp. 103 – 105.
Wang Zineng, ‗Jogja Biennale IX: Whereto?‘, in C Arts. Asian Contemporary Art and Culture, vol. 02,
March/April, 2008, pp. 122 – 126.
Johannesburg
1995 Johannesburg 1 st Biennale
1997 Johannesburg, 2 nd Biennale
Hong Kong, etc., (curated by Hou Hanru, organized by Johannesburg Biennale)
Becker, Carol ‗Interview with Okwui Enwezor‘. (artistic director of the Second Johannesburg Biennale
art exhibition) Art Journal, Summer 1998 1998 Vol 57 No 2 p101-8
Becker, Carol, ‗The second Johannesburg Biennale‘, Art Journal, Summer 1998 v57 n2 p86(15)
Diawara, Manthia, ‗Moving company, the Second Johannesburg Biennale‘ Artforum International, March
1998 Vol 36 No 7 p86
Heartney, Eleanor, ‗Mapping the postcolonial‘ Art in America, June 1998 v86 n6 p51(4)
Kitakyushu Biennale
2003
Inaga, Shigemi et al. 7 th Kitakyushu Biennale : Art for Sale: Intimacy between Aesthetics and Economy..
Kitakyushu, Kitakyushu Municipal Museum of Art 2003. (Curator: Makiko Matake).
Liverpool Biennial:
2000
Bond, Antony, curator, Trace: The International Exhibition, Liverpool, Liverpool Biennial of
Contemporary Art, 2000.
2002
Biggs, Lewis, ed., International 2002, Liverpool, Liverpool Biennial of Contemporary Art, 2002.
2004
Domela, Paul, ed., international 04, Liverpool, Liverpool Biennial of Contemporary Art, 2004.
2006
Domela, Paul, ed., international 06, Liverpool, Liverpool Biennial of Contemporary Art, 2006
Lyon Biennial

305
2001
Budge, Andrew, ‗Partage d‘exotismes‘; do ‗magicians‘ grow wise or just old‘, Third Text 58, vol.16, 1, 2002
Prat, Thierry & Raspail, Thierry (Artistic Directors), Partage D‘Exotismes, Volume, 5 th Biennale d‘Art
Contemporrin de Lyon, 2000
Manifesta: [site varies]
Domela, Paul, ed., Manifesta: Coffee Break, Liverpool, Liverpool Biennial, 2005
Moscow:
Nanjing Triennial
2008
Pepper, France, ‗Nanjing Triennial: Sept 10-Nov 10‘.(BIENNIAL DIGEST) in Art in America 96.11
(Dec 2008): 111(2).
New Delhi: India Triennale
1991
Hideki Nakamura, JAPAN, Triennale India 1991- Yoshio Kitayama, Mio Shirai, Miran Fukuda, The Japan
Foundation, 1991
Osaka Triennale
1995
Osaka Prefectural Government (Editor & Publisher). Osaka Triennale 1995. Sculpture. 6th International
Contemporary Art Competition. Osaka 1995. (Curator: Hiroyuki Nakatsuka, Planning Office,
Contemporary Art & Culture Centre, Osaka Prefectural Government.)
São Paulo: São Paulo Bienal
1991
1994
Leffingwell, Edward: ‗The Extraterritorial Zone: the 26th Sao Paulo Bienal (Art in America, Feb 2005)
1996
1998
Leffingwell, Edward, ‗Cannibals All - 24th Sao Paulo Bienal‘, Art in America, May 1999.
2002
2004
2006
Singapore:
2006
Artstrings: National Arts Council Annual Report 2005/06. Singapore, National Arts Council, 2006.
Cruikshank, Alan, ‗Interview: Fumio Nanjo Artistic Director Singapore Biennale 2006‘, Broadsheet, vol.
35, no. 3, 2006.
Fenner, Felicity, ‗Report From Singapore I. Religion, Law, Commerce, Art‘, in Art in America, April
2007, pp. 62 – 67.
Heartney, Eleanor, ‗Report From Singapore II. Temples of Art‘, in Art in America, April 2007, pp. 69 –
75.
Gill, Simryn, Guide to the Murals at Tanjong Pagar Railway Station, Singapore, Singapore, Simryn Gill &
Singapore Biennale 2006
Kirker, Anne, ‗Decentralisation Works: Singapore Biennale 2006‘, Eyeline, no. 62, Summer 2006-7.
Lee, Pamela M., ‗2006 Singapore Biennale/6th Gwangju Biennale‘ Artforum, vol. 45, Iss. 3, 2006

306
Lee Weng Choy, ‗Calibrated Expectations: A Roundtable on the Inaugural Singapore Biennale 2006‘,
Broadsheet, vol. 35, no. 3, 2006.
Lee, Weng-Choy, ‗Eastern Front‘ (Singapore, Shanghai and Gwangju Biennales), Artforum, vol. 45, Iss.
1, 2006
Lee Weng Choy, ‗The public remainder: Singapore goes to Venice, the Biennale comes to Singapore‘,
Broadsheet, 32/2, June –August 2005
Thompson, Jonathan, ‗A Willingness to Engage‘, Asian Art News, vol. 16, no. 6, Nov-Dec 2006, (review
of First Singapore Biennale)
Kendzulak, Susan, ‗Interview with Fumio Nanjo, Artistic Director of the Singapore Biennale‘, Yishu:
Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.
Hill, Jo Martin, ‗A Tale of Two Biennales: Singapore and Shanghai‘, Yishu: Journal of Contemporary Chinese
Art, vol. 5, no. 4, Dec 2006
Slater, Ben, editor, belief: Exhibition Short Guide, Singapore, National Arts Council, 2006
Slater Ben, ed. Singapore Biennale 2006: Belief, [catalogue/guide], Singapore, 4 Sept-12 Nov 2006, National
Arts Council, 2006 [artistic director: Fumio Nanjo]
Yap, June, ‗Hope: [Regarding Belief]‘, Eyeline, no. 62, Summer 2006-7 (Singapore Biennale).
2008
Birnie Danzker, J., ‗Post-West: Guangzhou Triennial, Taipei Biennial, and Singapore Biennale‘ in Yishu
Yishu Journal of Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 6-15.
Cruz, Joselina. ‗Projecting Southeast Asia‘, C Arts. Asian Contemporary Art and Culture, vol. 05, Sept/Oct,
2008, pp. 18-28.
Fairly, Gina, ‗Curating the 2008 Singapore Biennale‘ in Asian Art News, v 18(2), Mar/Apr 2008, p. 106 7
Fenner, Felicity, ‗Singapore Biennale: Sept 11-Nov 16‘.(BIENNIAL DIGEST) in Art in America 96.11
(Dec 2008): 101(3).
Lee Weng Choy, ‗Process of Selection: 2008 Singapore Biennale Interviewed‘, in Contemporary Visual
Art + Culture Broadsheet, Vol 37, no. 3, p. 162-165.
Lenzi, Lola. ‗ Wonder: Is it Art of Commerce?‘, C Arts. Asian Contemporary Art and Culture, vol. 05,
Sept/Oct, 2008, pp. 14-16
Seah, Stella. ‗Is there fair play between art fairs and biennales?‘, C Arts. Asian Contemporary Art and
Culture, vol. 05, Sept/Oct, 2008, pp. 6-12
Slater Ben, ed. Singapore Biennale 2008: Wonder, [catalogue/guide], Singapore, 11 Sept-16 Nov 2008,
National Arts Council, 2008 [curators: Fumio Nanjo, Joselina Cruz, Matthew Ngui]
Tinari, Philip, ‗2008 Gwangju Biennale, Singapore Biennale 2008, 3rd Yokohama Triennale‘ in in
Artforum, Vol. 47, Iss. 5, January 2009, p. 199.
Wang, Zineng. ‗Crosscurrents art Osage Singapore: up the ante for new media art‘ in C Arts. Asian
Contemporary Art and Culture, vol. 05, Sept/Oct, 2008, pp. 114-116.
Shanghai:
1996
1998
‘98 Shanghai Art Biennale Exhibition Catalogue (in Chinese), Shanghai Art Museum, 1998
2000
Shanghai Biennale 2000 Exhibition Guide, Shanghai Art Museum, 2000
Chen Long (Editor), Shanghai Biennale 2000: Shanghai Spirit., Shanghai, Shanghai Shuhua Chubanshe,
2000. Curator‘s Group: Fang Zengxian, Hou Hanru, Shimizu Toshio, Zhang Qing, Li Xu
Hou Hanru, ‗A naked city, Art AsiaPacific, 31, 2001;
Hou Hanru, Shimizu Toshio, Zhang Qing, Li Xu, 2000 Shanghai Biennale, Shanghai, Shanghai Shuhua
Chubanshe, 2000.
Wu Hung, ‗The 2000 Shanghai Biennale‘, Art AsiaPacific, 31, 2001
Ken Lum, ‗Shanghai Biennale‘, Review, Art & Text 65, 1999
2002 4 th Biennial

307
Withers, Rachel, ‗Shanghai Biennale‘, Artforum International, Vol.41, Issue 1, September 2002;
Genocchio, Benjamin, ‗Letter from Shanghai‘, Art Monthly Australia, Number 157, March 2003
Xu Jiang & Li Xiangyang (Chief Editors), 2002 Shanghai Biennale: Urban Creation.. Shanghai, Shanghai
Art Museum 2002. Curator‘s Group: Fan Di-an, Alanna Heiss, Wu Jiang, Li Xu, Klaus
Biesenbach, Yuko Hasegawa.
Wu changfu & Lu Yongyi (Editors), Urban Creation: Selected Works of International Students‘ Exhibition,
Shanghai Biennale 2002.
Xu Jiang and Li Xiangyang, ed., 2002 Shanghai Biennale, The Shanghai Biennial,‘ Flash Art, Vol. XXXVI,
No. 229, March-April 2003Shanghai: Shanghai Art Museum, 2002
2003 5 th Biennial
Urban Creation curated by Alanna Heiss, Fan Di‘an, Xu Jiang, Li Xu, Klaus Biesebach, Hasegawa Yûko,
organized by Shanghai Art Museum and Shanghai Gt Courtyard Cultural Investments Ltd.
Vine, Richard: ‗Shanghai Accelerates‘: Art in America Feb 2005 Vol 93 Issue 2 p104-113)
Clark, John, ‗Three Recent Biennales in Asia: Gwangju, Busan and Shanghai‘, Art and Australia, vol. 42,
no. 3, 2005
Lu, Carol, ‗A Flawed Biennale‘ (Shanghai Biennale 2004), Flash Art, vol. XXXVIII, no. 240, Jan-Feb,
2005
2004
Fang Zengxian & Xu Jiang (Chief Editors), 2004 Shanghai Biennale. Techniques of the Visible. Shanghai,
Shanghai Fine Art Publishers, 2004. (Chief Curator: Xu Jiang. Curators: Sebastian Lopez, Zheng
Shengtian, Zhang Qing.
2006
Clark, John, ‗A Narrowing of Horizons: The Shanghai and Gwangju Biennales 2006‘, Art Monthly
Australia, no. 196, December 2006-February 2007.
Fang Zengxian & Xu Jiang (Chief Editors), 2006 6 th Shanghai Biennale: HyperDesign.. Shanghai, Shanghai
Fine Art Publishers, 2006. (Artistic Director: Zhang Qing. Curators: Zhang Qing, Huang Du,
Lin Shumin, Wonil Rhee, Jonathan Watkins, Gianfranco Maraniello).
Hill, Jo Martin, ‗A Tale of Two Biennales: Singapore and Shanghai‘, Yishu: Journal of Contemporary Chinese
Art, vol. 5, no. 4, Dec 2006
Koop, Stuart, ‗A Busy Week in a Frantic Century: Shanghai Biennale‘, Eyeline, no. 62, Summer 2006-7.
Lee, Weng-Choy, ‗Eastern Front‘ (Singapore, Shanghai and Gwangju Biennales), Artforum, vol. 45, Iss.
1, 2006
Slater, Ben (Editor), Belief: Exhibition Short Guide, Singapore Biennale 2006. Singapore, National Arts
council Singapore, 2006. (Artistic Director: Fumio Hanjo)
Tinari, Philip, ‗6th Shanghai Biennale‘, Artforum, vol. 45, Iss. 3, 2006
Vine, Richard, ‗Report from Shanghai I. Relfections in a Chinese Mirror‘, in Art in America, May 2007,
pp. 74 – 79.
Zhang Qing, ‗The Undesignable‘ (Shanghai biennale 06), Yishu: Journal of Contemporary Chinese Art, vol. 5,
no. 4, Dec 2006.
2008
Birnie Danzker, J., ‗Post-West: Guangzhou Triennial, Taipei Biennial, and Singapore Biennale‘ in Yishu
Yishu Journal of Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 6-15.
Catching, Rebecca, ‗Translocal motion sickness. Shangha biennale gone off the rials?‘, in Contemporary
Visual Art + Culture Broadsheet, Vol 37, no. 4, p. 246-249
Movius, Lisa, ‗Shanghai Biennale: Sept 8-Nov 16‘.(BIENNIAL DIGEST) in Art in America 96.11 (Dec
2008): 107(4).
The 7 th Shanghai Biennale 2008, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 5, September 2008,
pp. 49-61.
Tsiu, H., ‗Premature Farewll and Recycled Urbanism: Guangzhou and Shanghai Biennale in 2008‘, in
Yishu Journal of Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 54-60.

308
Sharjah:
2003
Peter Lewis (Editor), Sharjah International Biennial 6 Guide. United Arab Emirates, Sharjah International
Biennial, 2003. (Director: Hoor Al-Qasimi).
Turner, Grady, ‗Fast Forward in the Persian Gulf (Report From the U.A.E.‘ in Art in America
(November 2003), pp. 86-91.
2009
Lee, Pamela M., ‗Sharjah Biennal 9‘ in Artforum, Vol. 47, Iss. 9, Summer 2009, p. 326.
Thomson, J., ‗New Strategies for Exciting Art‘, in AsianArtNews, Vol. 19 No. 3 May/June 2009, pp. 84-
88.
Sydney: Biennale of Sydney:
1998
Fink, Hannah, ‗Speechless‘ Art AsiaPacific, 23, 1999
2002
Chen Hsiang-chun, Elsa, ‗ Identity Politics? Allegorical Existence? On the way to the fantastic‘, Yishu,
vol.1, no.2, 2002;
Duncan, Michael, 'Self-created worlds', Sydney Biennale Review, Art in America, Vol. 90, Issue 10,
October 2002
2004
Felicia Fenner, ‗On Reason and Emotion‘ (Interview with Isabel Carlos), in in Art & Australia, Vol. 41,
No. 4 (Winter 2004), pp. 557-559;
‗No Big Picture [2004 Biennale of Sydney]‘ (Commentaries by Alex Gawronski, Jacqueline Millner and
Adam Geczy) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 48-53
2006
Macdonald, Ewan & Parker, Luke editors, 2006 Biennale of Sydney: Zones of Contact, Sydney, Biennale of
Sydney, 2006
Merewether, Charles, ‗Zones of Contact‘, Art & Australia, vol.43, no.4, Winter 2006.
Merewether, Charles, ‗Interview‘, Broadsheet, Contemporary Visual Arts + Culture, June-August, 2006
Merewether Charles, ‗Taking Place: acts of survival for a time to come‘, Macdonald, Ewan & Parker,
Luke editors, 2006 Biennale of Sydney: Zones of Contact, Sydney, Biennale of Sydney, 2006
Mordue, Mark, ‗Cultural Chamelon‘ [interview with Charles Merewether], The Weekend Australian, May
20-21, 2006, R6.
2008
‗Revolutions. Forms that turn: Carolyn Christov-Bakargiev in conversation with Russell Storer‘, in art
& Australia, vol. 45, no. 4, Winter 2008, June/July/August, pp. 602 – 608.
Begg, Zanny, ‗confusion, a trip to the dentist and the biennale of Sydney: in conversation with Carolyn
christov-bakargiev and michael rakowitz‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 37,
no. 2, June, 2008, pp. 90 – 97.
Bianpoen, Carla, ‗Revolutions – Forms that Turn. An Electronic Interview with Carolyn Christove-
Bakargiev on the 2008 Biennale of Sydney‘, in C Arts. Asian Contemporary Art and Culture, vol. 02,
March/April, 2008, pp. 78 – 80.
‗Carolyn Christov-Bakargiew on Turning Upside Down‘, in Flash Art, Vol. XLI, No. 260,May-June
2008, p. 87.
Clark John, The 1968 ―Euronale‖ of Sydney and other matters‘, in Contemporary Visual Art + Culture
Broadsheet, Vol 37, no. 3, p. 176-7.
Gardner, Anthony, ‗Biennale of Sydney 2008‘, in Artforum, Vol 47, Iss. 2, p. 405
King, Natalie, ‗Carolyn Christov-Bakargiev on the Biennale of Sydney‘, in Flash Art, vol. XLI, no. 260,
May/June, 2008, p. 87.

309
McNeill, David, ‗Cultural Dialogue – And Exchange‘, in Contemporary Visual Arts + Culture Broadsheet,
vol. 37, no. 1, March, 2008, pp. 28 – 30.
Volk, Gregory, ‗The wheel is turning: a high-spirited, nuanced selection stirred up venues old and new
at the latest Sydney Biennale‘.(REPORT FROM SYDNEY) in Art in America 96.10 (Nov 2008):
63(7).
Taipei: Taipei Biennial
1996
Lee Yulin (Chief Editor), 1996 Taipei Biennial: The Quest for Identity (Essays), Taipei, Taipei Fine Arts
Museum, 1996. (Executive Curator: Alice B.H. Lin).
Lin, Alice B.H., 1996 Taipei Biennial: The Quest for Identity 11 Exhibition Catalogue, Taipei, Taipei Fine Arts
Museum, 1996. (Curator in Chief: Yulin Lee).
1998
Chang, Fangwei & Miki, Akikio (Editors), Site of Desire 1998 Taipei Biennial Exhibition Catalogue, Taipei,
Taipei fine arts museum, 1998. (Associate Curators:Chang Fangwei & Miki Akikio).
2000
The Sky is the Limit 2000 Taipei Biennial exhibition Catalogue, Taipei, Taipei Fine Art Museum, 2000.
(Curators: Jérôme Sans & Manray Hsu).
Devenport, Rhana, ‗The sky is the limit‘, Art AsiaPacific, 30, 2001
2002
Taipei Biennial Great Theatre of the World Exhibition Guide, Taipei, Taipei Fine Art Museum 2002.
(Curators: Bartomeu Mari & Chia Chi Jason Wang).
Yu, Sharleen (Editor), 2002 Taipei Biennial Great Theatre of the World Exhibition Catalogue, Taipei, Taipei
Fine Art Museum 2002. (Curators: Bartomeu Mari & Chia Chi Jason Wang).
Wang, Jason Chia Chi, 'From Shadow Magic to the Spectacle', Yishu: Journal of Chinese Contemporary Art,
March 2003, Spring Issue.
Quintero, Craig, Art as Theatre: Staging the Taiwanese Biennial', Yishu: Journal of Chinese Contemporary
Art, March 2003, Spring Issue.
Kim, Yu Yeon, '2002 Taipei Biennial: Great Theatre of the World', Yishu: Journal of Chinese Contemporary
Art, March 2003, Spring Issue.
2004
Huang, Andrew, ‗Art into Life‘ (Taipei Biennale 2004), Asian Art News, vol. 15, no. 1, 2005.
Vanderlinden, B. (Editor), Do You Believe in Reality Taipei 2004 Exhibition Catalogue, Taipei, Taipei Fine
Art Museum, 2004. (Curators: Barbara Vanderlinden & Amy Huei-hua Cheng).
2006
Clark, John, ‗Global Intentions‘, Asian Art News, vol. 17, no. 1, Jan-Feb 2007 (Taipei biennial)
Kendzulak, Susan, ‗Do You Believe in Reality‘ (Taipei Biennial 2004), Flash Art, vol. XXXVIII, no. 240,
Jan-Feb, 2005.
Kendzulak, Susan, ‗Taipei Biennial 2006‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March,
2007, pp. 19 – 25.
Vine, Richard, ‗Report from Taipei II. The Blurennial‘, in Art in America, June/July 2007, pp. 108 – 111.
Yu, Sharleen & Chou, Freya (Editors), Dirty Yoga 2006 Taipei Biennial Exhibition Catalogue, , Taipei, Taipei
Fine Art Museum, 2006. (Curators: Dan Cameron & Jun-jeh Wang).
2008
Birnie Danzker, J., ‗Post-West: Guangzhou Triennial, Taipei Biennial, and Singapore Biennale‘ in Yishu
Yishu Journal of Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 6-15.
Pollack, Barbara, ‗Taipei Biennial: Sept 13-Jan 4‘.(BIENNIAL DIGEST) in Art in America 96.11 (Dec
2008): 104(3).
Venice: La Biennale di Venezia
Overall:

310
Alloway, Lawrence, Venice Biennale, 1895-1968: from Salon to Goldfish Bowl, London, Faber & Faber, 1969.
Di Martino , Enzo: (2005) The History of the Venice Biennale 1895- 2005 (Venezia, Italy Papiro Arte).
Moravia, Alberto in dialogue, Capellini, Lorenzo, photographs, 1974-78 Cronache della nuova Biennale,
Milano, Electa, 1978.
Rizzi, Paolo & Di Martino, Enzo Storia della Biennale 1895-1982. Electa, Milano, 1982.
Main Catalogues and general texts by year:
1990 44 th Biennale
1993 45 th Biennale
New Chinese Painting, advised by Francesca dal Largo for overall curator Achille Bonita Oliva, also with
catalogue text on Chinese avant-garde by Li Xianting in Aperto, Difference/Indifference: curated by
Kong Chang‘an / Lau-k‘ung Chan
Blackall, Judith, ‗The Transit of Venice‘, Art & Text 46, September 1993;
Verzotti, Giorgio, ‗‖Aperto 93‖: The better biennale‘, Artforum International, Vol.32, Issue 2, October
1993;
McEvilley, Thomas, ‗1993 Venice Biennale: Venice the Menace‘, Artforum International, Vol.32, Issue 2,
October 1993
1995 46 th Biennale
Lasschuyt, Helga, ‗The Venice Biennale Game‘, Asian Art News, vol.5, no.5, Sep/Oct 1995.
Nanjô Fumio, Dana Frijs-Hansen et al (Editors), La Biennale di Venezia 1995:TransCulture, [Bilingual],
The Japan Foundation & Fukutake Science and Culture Foundation, Tokyo, 1995. (Curators:
Nanjô Fumio, Dana Frijs-Hansen)
1997 47 th Biennale
Bryson, Norman and Gilbert Rolfe, ‗XLVII Venice Biennale‘, Art & Text 59, Nov. 1997-Jan. 1998;
Kent, Rachel, ‗The Venice Biennale: Japan, Korea and Taiwan‘, Art AsiaPacific,no.18, 1998
Cai Guoqiang [overall curator Germano Celant]; As People‘s Republic of China: Chao Ge, Chen Yifei,
Hong Ling, Hu Jiancheng, Liu Gang, Liu Xiaodong, Shen Ling, Sun Weimin, Wan Jiyuan, Weng
Yuping, Yu Hong, Yuan Yunsheng, Xie Dongmin [commissioners Sun Weimin & Giovanni
Iovane, organiser unclear from Biennale catalogue]
1999 48 th Biennale
Dal Largo, Francesca, ‗Open And everywhere‘, Art AsiaPacific, 25, 2000
Huang Yong Ping & Jean-Pierre Bertrand, French Pavilion Catalogue,48 th Biennale di Venezia, Association
Francaise d‘Action Artistique, 1999. (Commissioners: Hou Hanru & Denys Zacharopoulos
Schwabsky, Barry, ‗48 th Venice Biennale‘, Art & Text 67, Nov. 1999-Jan. 2000
Szeeman, Harald, d‘APERtutto / APERTO over ALL, 1999
Stringa, N., Terrecotte Cinesi dalla 48 th Biennale di Venezia ( Cai Guoqiang), Cornuda, Garfiche Edizioni
2003.
Withers, Rachel, ‗Allied Forces‘, Venice Biennial Review (CHECK), Artforum International, Vol.37, Issue
9, May 1999.
2001 49 th Biennale
Szeeman, Harald, Plateau of Humanity, 49 th Biennale di Venezia, 2001.
Clark, John, ‗Review of Asian Art at the Venice Biennale‘, IIAS Newsletter International Institute for Asian
Studies, Holland, November 2001.
Clark, John, ‗Asian Artists at the 2001 Venice Biennale‘, IIAS Newsletter November, no.26, 2001
Siegel, Katy, ‗Human, all too human, Venice Biennial Review, Artforum International, Vol.40, Issue 1,
September 2001
Birnbaum, Daniel, ‗More is less‘, Venice Biennial Review, Artforum International, Vol.40, Issue 1,
September 2001;
Pijnappel, Johan, ‗Asia at Venice‘, Asian Art News, vol.12, no.1, 2002; Chua, Kevin, ‗ In Venetian
Waters: Singapore at the 49 th Venice Bienale‘, Focas (Forum on Contemporary Art & Society), no.3,
January 2002;

311
Choy, Lee Weng, ‗Biennale Time and the Specters of Exhibition‘, Focas (Forum on Contemporary Art &
Society), no.3, January 2002
2003 50 th Biennale
Clandestine: Liu Zheng, Curator: Francesco Bonami
Clark, John., ‗Venice in Full Flow‘, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.46-50.;
Dreams and Conflicts: the Dictatorship of the Viewer: La Biennale di Venezia: 50 th International Art Exhibition, La
Biennale di Venezia 50 th :2003, Venezia, Marsilio, 2003. (Director: Francesco Bonami).
Fan, Di‘an., ‗Synthi-scapes‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.10-16.
Genocchio, Benjamin, ‗The Big One Venice – Conflicting Agendas: No Buzz at Venice 2004‘ in Art
Asia Pacific, No. 38 (Fall 2003), pp.42-47;
Hou, Hanru., ‗Z.O.U.- Zone of Urgency‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June
2003, p.21.
Lenzi, Iola., ‗The Pioneering Sprit‘, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.51-53;
Lin, Shumin, ‗Limbo Zone‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.4-9.
Lum, Ken, ‗Interview with Hou Hanru‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June
2003, p.52-57
Ou, Ning., ‗The U-thèque Organization: An End or a Beginning?‘, in Yishu: Journal of Contemporary
Chinese Art, Vol. 2 No. 2, June 2003, p.33-51.
Utopia Station Obrist Hans-Ulrich & Nesbit Molly & Rirkrit Tiravanija, at 50th Biennale di Venezia,
2003.
Vetrocq, Marcia E., ‗Venice Biennale‘: ―Every Idea But One‖ in Art in America (September 2003), pp.
76-87
Vetrocq, Marica E., ‗New curator for the Venice Biennale‘, Art in America, Vol. 90, Issue 5, May 2002;
Vetrocq, Marica E., 'Venice Biennale takes shape', Art in America, Vol. 91, Issue 2, February 2003;
Zones of Urgency: curated by Hou Hanru, see also Li Luming, ed., Guangdong Kuaiche / Canton Express,
Changsha, Hunan Meishu Chubanshe, 2003. ]
A Panel Discussion: Looking Forward from Venice: The Prospects of Contemporary Chinese Art‘, in
Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.50-61.
2005 51 st Biennale
Always a Little Further: La Biennale di Venezia, 51st International Art Exhibition: La Biennale di Venezia
50 th :2003, Venezia, Marsilio, 2003. (Director: Rosa Martinez).
Participating Countries/Collateral Events: La Biennale di Venezia, 51st International Art Exhibition: La
Biennale di Venezia 50 th :2003, Venezia, Marsilio, 2003.
The Exoperience of Art: La Biennale di Venezia, 51st International Art Exhibition: La Biennale di Venezia
50 th :2003, Venezia, Marsilio, 2003. (Director: Maria de Corral).
Raza, Sara, ‗West and Center: An Asian presence at 51 st Venice Biennale‘, ArtAsiaPacific, no. 45, 2005
Nagy, Peter, ‗The Home and the World‘ Art India, volume X, issue iii, quarter iii, 2005. (unofficial
Indian pavilion – Venice)
2007 52 nd Biennale
‗Contemporary Art in Greater China: Under Pressure A Discussion at the 52 nd Venice Biennale‘, in
Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 8 – 24.
Eds. ‗Venice Biennale 52 nd International Art Exhibition: Around the World‘, in ArtAsiaPacific, No. 53,
May/June, 2007, pp. 90 – 97.
Gregos, Katerina, ‗52 nd Venice Biennial‘, in Flash Art, vol. xl, no. 255, July – September, 2007, pp. 63 –
65.
Maerkle, Andrew, ‗The Cook, The Curator, The Bike and The Festivals; Venice, Kassal, Munster‘, in
ArtAsiaPacific, No. 53, May/June, 2007, pp. 98 – 101.
Storr, Robert, and Hou Hanru, ‗Not only possible but also necessary: Art in the Present Tense‘, in
ArtAsiaPacific, No. 53, May/June, 2007, pp. 84 – 89.
Teo, Wendy, ‗52 nd Venice Biennale‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September,
2007, pp. 25 – 32.

312
Yokohama: Yokohama Triennale:
2001
aica Japan Newsletter no.2, in November 2001 ‗Yokohama Toriennaare 2001 kôki – sono tenmatsu no
kojinteki memorandamu‘.
Kent, Rachel, ‗2001 Yokohama Triennale‘, Art Asia Pacific, No.34, 2002.
Makabe Kaori, Mikami Yutaka, Yokohama Triennale office, eds., [curators: Nakamura Nobuo, Nanjô
Fumio, Tatehata Akira, Kohmoto Shinji], Yokohama 2001, Yokohama, The Organizing
Committee of the Yokohama Triennale, 2001.
Phillips, Christopjher, ‗‘Crosse currents in Yokohama‘, Art in America, January 2002
Robinson, Joel David, ‗Toward a new synthesis‘, Asian Art News, vol.12, no.1, 2002;
Robinson, Joel David, ‗ Toward A New Synthesis‘ Yokohama 2001 Review, Asian Art News, vol. 12,
no. 1, January/February 2002
Takshima Naoyuk ‗Yokohama triennale‘, Art AsiaPacific, 32, 2001
Yokohama, 2001, statements from the Triennale‘s curators are at
http://www.jpf.go.jp/yt2001/2/info.html
2005
Cash, Stephanie, ‗Yokohama Triennale Trouble‘, Art in America, vol. 93, iss. 2, Feb 2005.
Isozaki Arata, statement on the Yokohama Triennale, www.jpf.go.jop/yt2005/e/inquiry.htm accessed on
13 th October 2004
Kondo, Ken‘ichi , ‗Yokohama 2005: International Triennale of Contemporary Art‘ (review),
ArtAsiaPacific, no. 48, 2006
Koplos, Janet, ‗On the Waterfront: the second Yokohama Triennale, set in warehouses in an active port
zone, had a subtext of international movement‘, Art in America, 94.4 (April 2006)
Nagoya, Satoru, ‗Yokohama and Fukuoka Triennials Report‘, Flash Art, vol. XXXIX, no. 246, Jan-Feb,
2006
Shinoda Takatoshi, Koyama Naomi, Tabata Mikiko, Yokohama Triennale, The Second Yokohama
Triennale, Yokohama, Yokohama, The Organizing Committee for Yokohama Triennale, 2005.
Tama Bijutsudaigaku Geijutsugakuka Tatehatazemi Shimpojiumu kikaku, Isozaki Akira, Okabe Aomi,
Kitagawa Furamu, Nanjô Fumio, Hasegawa Yûko, Yokohama Kaigi 2004: Naze Kokusaiten ka?,
Yokohama, BankART1929, 2005.
2008
Koplos, Janet, ‗Yokohama Triennale: Sept 13-Nov 30‘.(BIENNIAL DIGEST) in Art in America 96.11
(Dec 2008): 99(3).
Tinari, Philip, ‗2008 Gwangju Biennale, Singapore Biennale 2008, 3rd Yokohama Triennale‘ in in
Artforum, Vol. 47, Iss. 5, January 2009, p. 199.
National Exhibitions at Biennales
China:
São Paolo:
Chang Tzong-zung, Chinese Contemporary Art at São Paulo: 1 – The remaking of Mass Culture; 11 –
Wakefulness and the Weightless Present, at 22 nd Biennial of São Paolo, Hong Kong, Hanart TZ
Gallery, 1994
Chang Tzong-zung, Catalogue of Five Chinese artists in 22 nd Biennial of São Paolo, 1994
Chang Tzong-zung, Ho Siu-kee, Hong Kong Arts Development Council, at 23 rd São Paolo Biennial,
1996
Chang Tsong-zung, Special Exhibition: Qiu Shi-hua, Fundação de São Paolo, at 23 rd São Paolo Biennial,
Hong Kong, Hanart TZ Gallery, 1996. (Curator: Chang Tsong-zung)
Fan Di‘an & Pi Li (Editors), The 25th São Paulo Biennial: Here and now: Chinese art in the process of
urbanization, [curated by Fan Di‘an, assistant Pi Li], Beijing, China International Exhibition
Agency, 2002

313
Huang Du, The 26 th São Paolo Biennial: Chinese Pavilion: Landscape of Deterritoralization [artist: Qu Yan]¸
Beijing, China International Exhibition Agency, 2004
Pong, Melanie , Josette Balsa, Stephen T.N Cheung, Una Shannon & Louisa Teo (Editors), The Other
Face: Three Chinese Artists ar the Centenary Exhibition. Milan, Zanzibar 1995. (Curator : Chang
Tsong-zung).
Venice:
Dal Largo, Francesca, ‗New Chinese Painting‘ in Catalogue 45 th Biennale di Venezia, 1993
Dal Largo, Francesca, ‗Chinese art at the Venice Biennale‘ in Clark, John ed., Chinese art at the end of the
millennium, Hong Kong, New Art Media, 2000, 158-166.
Chang Tsong-zung, The other face, in Catalogue 46 th Biennale di Venezia, 1995
Goodbody, Bridget, ‗No Introductions Necessary‘, ArtAsiaPacific, no. 45, 2005 (China pavilion at
Venice Biennale 05)
Hou Hanru, ‗Everyday Miracles: Four Women Artists. The Chinese Pavilion at the 52 nd Venice
Biennale‘, in Yishu: Journal of Contemporary Chinese Art, v. 6(2), June, 2007, pp. 8 – 13.
Huang Du (Editor), Synthi-Scapes, 50 th Venice Biennale 2003, Chinese Pavilion, Exhibition Guide, Beijing,
China International Exhibition Agency, 2003. (Curators : Fan Di‘an & Wang Yong).
Huang Du & Van Dong (Editors), Synthi-Scapes, 50 th Venice Biennale 2003, Chinese Pavilion, Beijing, China
International Exhibition Agency, 2003.
Szeeman, Harald, d‘APERtutto / APERTO over ALL, 1999, including Venice‘s Collection Courtyard:
organized by Cai Guoqiang, [later published as Stinga, Nico, Terrecotte Cinesi dalla 48 A Biennale di
Venezia, Nove, Antiga Edizioni, 2003]
Szeeman, Harald, ‗Harald Szeeman talks to Chinese artists about Venice, CCAA and curatorial
strategies‘ in Wu Hung, ed., Chinese Art at the Crossroads: between past and future, between East and
West, Hong Kong, New Art Media, 2001
Hou Hanru, Canton Express, project for ―Z.O.U – Zone of Urgency‖, 50th Biennale di Venezia,
Changsha, Hunan Arts Publishing House, 2003.
Hou Hanru, One Man, Nine Animals: Huang Yong Ping‘s project for the French pavilion in Venice Biennale, Paris,
Association Française d‘Action Artistique, 1999
Fan Di‘an, Wang Yong, assistant Huang Du, China National Pavilion, 50th Biennale di Venezia, Beijing,
China International Exhibitions Agency & Guangzhou, China Guangdong Museum of Art, 2003
Lu Jie, ‗About the Chinese Presentation at the 2005 Yokohama Triennale‘, Yishu: Journal of Contemporary
Chinese Art, vol. 4, no. 4, Dec. 2005.
Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005, issue focusing on artists from PRC,
Hong Kong, Taiwan and Singapore at the Venice Biennale/ Chinese presence at other
biennale/triennial event.
Regular Fragile – Liu Jianhua. Project for the 50 th Biennale Di Venezia – China Pavilion, Shanghai,
ShangHART, 2003.
China-HongKong:
Binks, Hilary, ‗A larger identity‘, Asian Art News, vol.11, no.5, 2001.
Chang Tsong-zung, Hong Kong pavilion, at 49 th Biennale di Venezia, Hong Kong, Hong Kong Arts
Development Council, 2001
Chang Tsong-zung, Venice Hong Kong, Magic at Street Level, Hong Kong pavilion, at 49 th Biennale di
Venezia, Hong Kong, Hong Kong Arts Development Council, 2001.
Ford, Norman, ‗‗STAR FAIRY‘ as Collateral Damage: Hong Kong at the 52 nd Venice Biennale‘, in
Orientations, vol. 35, no. 5, June, 2007.
Ford, Norman, ‗One the Road to Venice, or, A Parrot Speaks for Me. The Hong Kong Pavilion at the
52 nd Venice Biennale‘, in Yishu: Journal of Contemporary Chinese Art, v. 6(2), June, 2007, pp. 18 – 21.
Ford, Norman, ‗You are not in China anymore or, handing over and over and over‘, in Contemporary
Visual Arts + Culture Broadsheet, vol. 36, no. 4, December, 2007, pp. 232 – 234.
Para Site Collective,[curated by Para Site], Navigating the Dot, artists from Hong Kong, China Hong Kong,
Arts Development Board, 2003

314
Thompson, Jonathan, ‗Challenges and Questions‘ (Hong Kong Art Biennial) Asian Art News, vol. 16,
no. 2, 2006.
Investigation of a journey to the west by micro+polo: artists from hohg kong china, at 51st Biennale di Venezia
Hong Kong, Hong Kong Arts Development Council, 2005.
Navigating the Dot, Artists from Hong Kong, China, at 50 th Biennale di Venezia, Hong Kong, Hong Kong
Arts Development Council, 2003. (Commissioner: Darwin Chen; Curator: Para/Site Collective).
China-Tawain
Hongjohn Lin, ‗Acting Out from Atopia. The Taiwan Pavilion at the 52 nd Venice Biennale‘, in Yishu:
Journal of Contemporary Chinese Art, v. 6(2), June, 2007, pp. 14 – 17.
Lin, Shumin, ‗Limbo Zone‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.4-9.
Indonesia:
review, (CP Biennale 2006, Indonesia), Asian Art News, vol. 15, no. 6, 2005.
Review (Yogyakarta Biennale), Asian Art News, vol. 16, no. 1, 2006.
Pruss, Jaana & Ochs, Alexander (Editors), Arahmaiani I 11June 2002 (catalogue for 50 th Biennale di
Venezia with essay About Arahmaiani by Kraus, Werner) , Berlin, Pruss & Ochs Gallery, 2003.
Iran:
Aghdashiou, A., H. Khosrojerdi, Dreams & Conflicts, Venice Biennale 2002, pamphlet.
Ahmad Nadalian: Dreams and Conflicts, 50 th Biennale di Venezia, 2003, brochure.
Behrooz Daresh, brochure for 50 th Biennale di Venezia, 2003.
Japan:
Bangladesh:
Kuroda, Raiji (Commissioner), Document: Japanese Artists in the 7 th Asian Art Biennial Bangladesh
1995,Exhibition Catalogue, the Japan Foundation, 1995
Makoto Nakamura & Masayuki Kuriyama (Editors) Japan, Asian Art Biennale Bangladesh 1999, Exhibition
Catalogue, The Japan Foundation, 1999
Makoto Nakamura (Commissioner) Report on Japan‘s participation in the 9 th Asian Art Biennale Bangladesh
1999, The Japan Foundation, 1999
Yuri Mitsuda (Commissioner & Editor), Embracing Life, Japan at the 10 th Asian Art Biennale Bangladesh,
Exhibition Catalogue, The Japan Foundation, 2002
Yuri Mitsuda (Commissioner & Editor), Embracing Life, Japan at the 10 th Asian Art Biennale Bangladesh,
Report, The Japan Foundation, 2002
Mori Tsukasa, Tsubaki Noboru, Kitayama Yoshio & Domoto Yuum:, Report on Japan‘s Participation, 11 th Asian
Art Biennale, Bangladesh 2003, The Japan Foundation, 2003
Tsubaki Noboru, Kitayama Yoshio & Domoto Yuum: Japan at the 11 th Asian Art Biennale, Bangladesh, 2003,
Exhibition BrochureThe Japan Foundation, 2003
São Paolo:
Tadayasu Sakai, Japan at the 10th Sao Paulo Bienal: Akira Kamiyama, Katsura Funakoshi, Kanji Wakae,
The Japan Foundation, 1989
Kunio Motoe, Masato Kobayashi : The Art of Luminosity, Tokyo, The Japan Foundation, 1996
Kazuo Yamawaki, Kimio Tsuchiya : After the Deluge, 25th Sao Paulo Bienal, Tokyo, The Japan
Foundation, 2002.
Shuji Takatori, Toshihiro Kuno, 24th Sao Paulo Bienal, Tokyo, The Japan Foundation, 1998.
Venice:
City of Girls – Japanese pavilion, Venice Biennalwe : 7th International Architecture Exhibition, 2000
Giappone, La Biennale di Venezia 1996: VI Mostra Internazionale di Architettura, Exhibition Brochure, The
Japan Foundation, 1996
Giappone – XLVIII Biennale di Venezia 1999, Dove Va L‘Arte? Whither the Arts, Exhibition Catalogue, The
Japan Foundation, 1999
Eriko Osaka (Editor), Giappone – XLVIIII Biennale di Venezia 2001: fast and Slow, The Japan Foundation,
2001

315
Hasegawa, Yuko & The Japan Foundation (Editors), Heterotopias, Japanese Pavilion, the 50 th Venice
Biennale 2003, The Japan Foundation, 2003. (Organiser: The Japan Foundation; Commissioner:
Yuko Hasegawa.
Shimizu, Toshio, ‗Japan and Korea at the 48 th Venice Biennale‘, Art AsiaPacific, 25, 2000
The Japan Foundation, ed., Venezia Biennale - Nihonsanka 40nen / The Venice Biennale, 40 years of Japanese
participation, [Bilingual], Tokyo, The Japan Foundation & Mainichi Newspapers, 1995
Korea:
Kim Yoon-Soo & Li Guang-Jun (Organisers), Korean Painting at the Beijing International Art Biennale, China
2003, The Korean Culture & Arts Foundation, 2003
La Biennale di Venezia, The 49 th International Art Exhibition, Korean Pavilion: Do-Ho Suh, Seoul, The Korean
Culture and Arts Foundation, 2001. (Commissioner Kyung-Mee Park)
La Biennale di Venezia, The 49 th International Art Exhibition, Korean Pavilion: Michael Joo, Seoul, The Korean
Culture and Arts Foundation, 2001. (Commissioner Kyung-Mee Park)
Kee, Joan (Editor), Landscape of Differences, The Korean Pavilion, the 50 th Venice Biennale 2003, Seoul,
Korean Culture & Arts Foundation, 2003. (Commissioner: Kim Hong-hee).
Kim Sunjung, Kim Heejin, & Kim Jang Un (Editors), Secret beyond the door, The Korean Pavilion, the 51 st
Venice Biennale, Seoul, Korean Culture & Arts Foundation, 2005. (Commissioner: Kim
Sunjung).
Rhee Jong Soong, ‗Clay Idols: The new Korean pavilion at the Venice Biennale‘, Art & Asia-Pacific,
vol.3, no.1, 1996;
Rhee Jong Soong, ‗Clay Idols: The new Korean pavilion at the Venice Biennale‘, Art & Asia-Pacific,
vol.3, no.1, 1996
Shimizu, Toshio, ‗Japan and Korea at the 48 th Venice Biennale‘, Art AsiaPacific, 25, 2000 ‗Supplement:
Korea‘, Asian Art News, vol. 5, no.1, Jan-Feb 1995.
Malaysia
Zhang Wubin, ‗The Ascent of the Image‘ (review of First Kuala Lumpur International Photography
Biennale), Asian Art News, vol. 15, no. 6, 2005.
Zhang Wubin, ‗Setting New Goals‘, (interview regarding First Kuala Lumpur International
Photography Biennale), Asian Art News, vol. 15, no. 6, 2005
Philippines:
Flores, Patrick D., M201: In God We Trust, 5oth Biennale di Venezia, 2003, Exhibition Catalogue.
Going for a Ride. M201: In God We Trust, 5oth Biennale di Venezia, 2003, Exhibition Pamphlet
Singapore:
Chua, Kevin, ‗Singapore in the 49 th Venice Biennale‘, FOCAS, no.3, January 2002, p.274.
Clark, John, ‗Venice Biennale‘, Asian Art News, vol.13 no.5, September 2003
Khor Koh Wah, commissioner, Mike (Lim Tzay Chuen), Singapore: National Arts Council & Singapore
Art Museum, 2005
Langenbach, Ray, ‗Garlands of Love: Socialist Realist aesthetics in Singapore‘, in Clark, John; Pelegggi,
Maurizio; Sabapathy, T.K. eds, Eye of the beholder, Sydney, Wild Peony Press, 2006.
Langenbach, Ray, Hidden Things, (on the occasion of the exhibition ‗A work by Lim Tzay Chuen‘),
Singapore: LaSalle-SIA, 2005.
Lee Weng Choy & Langenbach, Ray, ‗Athens, Singapore‘ [a dialogue] in Friede, Claus, Seyfarth, Ludwig,
eds, Kunst aus Megastädten Asiens – Art from Asia Pacific Megacities, Hamburg, Kunsthaus
Hamburg ,2000.
Singapore, Singapore: Singapore Art Museum, National Heritage Board, 2001
Singapore, Tan Swie Hian, Francis Ng, Heman Chong, Singapore: National Arts Council, National Heritage
Board, 2003,
Yap, June, ‗Performing. The Singapore Pavillion‘, in C Arts. Asian Contemporary Art and Culture, vol. 00,
November/December, 2007, pp. 10 – 13.
China-Taiwan:

316
Arttaiwan, 46th Biennale di Venezia, Taipei, Taipei Fine Arts Museum, 1995. (Commissioners: Tsai Chinfen
& Paolo De Grandis.
Yang Wen-i & Enrico Pedrini, VOC: Handle with care [Huang Yongping & Yang Maolin], 1997 Taiwan
pavilion: curated by Shih Ju-jen, 1999.
Yang We-I & Chen, Odile (editors), VOC: Handle With Care, Huang Yong-ping & Yang Mao-lin, 48 th
Biennale di Venezia, Taiwan, Lin & Keng Gallery, 1999.
Kao Chien-hui, Taiwan pavilion at 49 th Biennale di Venezia, Taipei, Taipei Fine Arts Museum, 2001
Lei Yi-ting (Editor), Limbo Zone: organized by Taipei Fine Arts Museum, 50 th Biennale di Venezia, Taipei,
Taipei Fine Arts Museum, 2003. (Guest Curator: Lin Shu-min).
Limbo Zone: organized by Taipei Fine Arts Museum, 50 th Biennale di Venezia, Exhibition Guide, Taipei, Taipei
Fine Arts Museum, 2003. (Guest Curator: Lin Shu-min).
Thailand:
Poshyananda, Apinan (Commissioner), Dreams and Conflicts: The Dictatorship of the Viewer,, Thai Pavilion,
5oth Biennale di Venezia,, Office of Contemporary Art & Culture, Ministry of Culture, Thailand,
2003. (Co-ordinators: Somsak Chowtadapong & Samart Chansoon).
Poshyananda, Apinan (Commissioner), Those Dying Wishing to Stay, Those Living Preparing to Leave, Montien
Boonma & Araya Rasdjarmrearnsook, Thai Pavilion, 51 st Biennale di Venezia, Office of Contemporary
Art & Culture, Ministry of Culture, Thailand, 2005. (Curators: Panya Vijinthanasarn, Luckana &
Sutee Kunavichayanont).
United Kingdom:
Bowness, Sophie; Phillpot, Clive, eds., Britain at the Venice Biennale, London, The British Council, 1995
Britain and the São Paulo Bienal 1951-1991 / A Grã-Bretanha e a Bienal de São Paulo 1951-1991, with essays
by Margaret Garlake and Guy Brett, The British Council Brazil, 1991.
Furlong, William et al, Venice Biennale 1999, Wimbledon, Wimbledon School of Art Research Centre in
association with Audio Arts Magazine, 1999
Furlong, William et al, Venice Biennale 2001: Research Symposium March 2000, Wimbledon, Wimbledon
School of Art Research Centre in association with Audio Arts Magazine, 2000
Furlong William, et al, International; Venice Agendas 2003, a series of three breakfast meetings, Wimbledon,
Wimbledon School of Art Research Centre in association with Audio Arts Magazine, 1999
Biennales from an Asian perspective
Burke, Gregory, ‗Distance Up Close: The Asian Biennials‘, ArtAsiaPacific, no. 50, 2006.
Maerkle, Andrew, ‗Curating by Committee: Behind Asia‘s Biennials‘, ArtAsiaPacific, no. 50, 2006.
Sinha, Gayatri, ‗Locating Biennales, Revising Frameworks‘, Art India, volume X, issue ii, quarter ii,
2005.
Other Catalogues consulted by Year of Publication [duplicates some sections above]
1968
When attitudes became form Bern, Szeeman, Harald, curator, Bern, Kunsthalle, 1968.
1985
Art in the 20 th Century, Painting and Sculpture 1905-1985, Joachimides, Christos M.; Rosenthal Norman;
Schmied, Wieland, German , London, Royal Academy of Arts & Munich, Prestel Verlag, 1985.
Reconstructions: Avant-Garde Art in Japan 1945-1965, Kaido, K., and Elliott, D., Oxford, Museum of
Modern Art, 1985
1987
Beyond the open door, contemporary paintings from the People‘s Republic of China, mostly chosen Nielsen,
Waldemar A., essay by Strassberg, Richard L., organized by Pacific Asia Museum, Pasadena,
1987.
Peintres et Sculpteurs Chinois à Paris, Pierquin-Tian, Odile, typescript catalogue of exhibition, Paris, Centre
de Recherches et de Documentation sur la Chine contemporaine, EHSS, 18 May to 3rd June
1987

317
1989
Magiciens de la terre, Martin, Jean-Hubert, overall curator, Paris, Centre Georges Pompidou, 1989
Europalia 89: Japan in Belgium, Nakahara Yûsuke et al, Gent, Museum van Hedenndaagse Kunst, 1989.
[Belgium, 28.10.1989- 7.1.1990]
Against Nature: Japanese Art in the 1980s, Halbreich, Kathy; Kômoto Shinji, Nanjô Fumio; Sokolowski,
Thomas; New York, New York University Grey Art Gallery, 1989. [Toured USA, 15.6.1989-
12..2.1991]
1990
Art Chinois 1990 Demain pour Hier curated by Fei Dawei, organized by Association Française d‘Action
Artistique & Les Domaines de l‘Art, Pourrières & Editions Carte Segrete
Tezuka Osamu ten = Osamu Tezuka , Osamu Tezuka, et al, Tokyo, Tokyo Kokuritsu Kindai Bijutsukan,
1990
Japan Art Today, Namba Hideo, Okada Takahiko, Tokyo, Sezon Museum of Art, 1990. [sent to
Scandinavia, 24.1.1990-25.8.1991]
Japansicher Kunst der Achtziger Jahre, Kondô Yukio; Nanjô Fumio; Weiermaier, Peter; Frankfurt, for the
Frankfurter Kunstverein, Edition Stemmle, 1990. , [Frankfurter Kunstverein then 15.2.1991-
7.4.1991, Museum der moderner Kunst, Wien]
A Primal Spirit, Hara Toshio; Fox, Howard T., Tokyo, Hara Museum of Contemporary Art & Los
Angeles, Los Angeles County Museum of Art, 1990. [USA, toured 10.3.1990-22.9.1991]
1991
Exceptional Passage curated by Fei Dawei, Fukuoka Art Museum
―I don‘t want to play cards with Cézanne‖ and other works¸ selections from the Chinese ―New Wave‖ and ―Avant-
Garde‖ art of the eighties, curated by Strassberg, Richard L., essays by Zheng Shengtian,Tang
Qingnian, Lee Ou-fan, organized by Pacific Asia Museum.
Gebrochene Bilder, Junge Kunst aus China: Selbstdarstellungen, Köppel-Yang, Martina; Schneckman Peter;
Schneider, Ernst R.; Heidelberg, Gesellschaft für Kulturaustausch mit Asien, 1991
Annear, Judy, Tatehata Akira; Zones of Love, Sydney, Museum of Contemporary Art, 1991. [Australia,
5.1991-9.1992
1992
New Art From China curated by Claire Roberts, Art Gallery of New South Wales, 1992.
Artists Regional Exchange, Perth, April 1992: Four Views‘: Binns, Vivienne, ‗Culture as Transformation‘ ;
Howard, Ian, ‗Towards a Legitimate Interest‘; Kirker, Anne, ‗A Dialogue with Thailand‘; and
Jones, Adrian, ‗Managing ARX‘, Artlink, Vol. 12, No.3, Spring 1992
1993
China Avant-Garde, Pöhlmann, Wolfger et al, Berlin, Haus der Kulturen der Welt& Editions Braus
[Berlkin 20 January -16 May, Oxford 4 September-24 October], 1993
Fragmented Memory: The Chinese Avant Garde in Exile curated by Andrews, Julia, F.; Gao Minglu, organized
by Wexner Center for the Arts
Silent Energy: curated by David Elliott and Lydie Mepham, organized by Museum of Modern Art,
Oxford.
China‘s New Art, Post 1989, with a retrospective from 1979-1989curated by Chang Tsong-zung & Li
Xianting, organized by Hanart TZ Gallery, Hong Kong.
1994
Out of the Centre: Chinese Contemporary Art curated by Ho Hanru, Pori Art Museum, Pori [Finland]
Scream against the sky: Japanese Art after 1945, Munro, A., et al., New York, Harry N. Abrams, 1994
1995
Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Programme Book, 1995
Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Catalogue, 1995
Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Contemporary Balinese Art: Continuity in
Change, 1995

318
Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Inity in Diversity in International Art,
Seminar Proceedings, 1995
Quotation Marks‖: Chinese Contemporary Paintings, Ronte, Dieter; Smerling, Walter et al, , Singapore,
Singapore Art Museum, 1995; also published as Dieter Ronte, Walter Smerling, Evelyn Weiss ;
mit Beiträgen von Chang Tsong-zung, et al. China : zeitgenössische Malerei, Köln : DuMont, 1996.
New Asian Art Show, Huang Zhuan, et al Tokyo, Japan Foundation Forum & Osaka, Kirin Plaza, 1995.
Art Taiwan, Yang Wen-i, Jose Nicholas eds., Taipei, Taipei Fine Arts Museum & Sydney, Museum of
Contemporary Art, Sydney, 1995.
Sengo bunka no kiseki / Japanese culture of the Postwar Years, 1945-1995, Meguro-ku Bijutsukan henshû,
Tokyo Asahi Shinbum, 1995
1996
Reckoning with the past, curated by Chang Tsong-zung, essays by John Clark, Yan Shanchun, organized
by The Fruitmarket Gallery, Edinburgh
Inklusion/Exklusion: Kunst im Zeitalter von Postkolonialismus und Globaler Migration, Weibel, Peter, curated ,
Graz, Neue Galerie 1996
1997
Parisien(ne)s, included Chen Zhen, Huang Yongping, Shen Yuan (curated by Hou Hanru, organized by
Camden Arts Centre)
Another Long March: Chinese Conceptual and Installation Art in the Nineties, curated by Marianne Brouwer &
Chris Driessen, texts by Fei Dawei, Hou Hanru, Tang Di, organized by Fundament Foundation
Breda].
Secession: Cities on the Move curated by Hou Hanru and Hans-Ulrich Obrist, organized by Wiener
Secession & capc Musée d‘art contemporain de Bordeaux
The Birth of Modern Art in Southeast Asia: Artists and Movements, Ushiroshôji Masahiro, supervising curator:
Fukuoka Art Museum, 1997
1998
Cream: Contemporary Art and Culture, London and New York, Phaidon, 1998
Die Hälfte des Himmels curated by Werner, Chris; Qiu Ping; Pitzen, Marianne, organized by
Frauenmuseum Bonn
Groβschwanzelefant / Big Tail Elephant,curated by Fibicher, Bernard, Bern, Kunsthalle 1998.
Chinese Contemporary, 96-98 curated by Colman, Julia; Bois, Ludovic, organized by Chinese
Contemporary Limited.
Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935, Menzies, Jackie, ed., (co-curated by Ajioka,
Clark, Menzies, Mizusawa); Sydney, Art Gallery of New South Wales, 1998.
Per Video, Keusen, Elle; Schmidt, Inge; Weihs, Helge; Köln, Museum Ludwig, 1998
Inside Out, New Chinese Art, curated and written by Gao Minglu, New York, Asia Society & Berkeley,
University of California Press, 1998
1999
Art at the Turn of the Millennium, Burkhard Riemschneider and Uta Grosenick, ed., Köln, Taschen, 1999
ARX 5, Lee Weng Choy, ‗Misunderstanding art‘, Art AsiaPacific, 23, 1999;
ARX 5, Lenzi, Iola, ‗Process and Politics‘, Art AsiaPacific, 23, 1999
China 1999 organized by Limn Gallery, San Francisco
Cologne-Beijing, Beijing-Cologne Exchange Exhibitioncurated by Tang Xin & Urle U., organized by Gothaer
Kunstforum, Köln]
Logan Collection, organized by Limn Gallery, San Francisco
Melbourne Biennale [China curated by Huang Du]
Modern Chinese Art curated by Hans van Dijk, essay by John Clark, organized by Modern Chinese Art
Foundation
Representing the People Curated by Smith, Karen & Pi Li, organized by The Courtyard Gallery
&Newcastle, Tyne and Weir Museums

319
Transience: Chinese Art at the End of the 20th Century [curated by Wu Hung, Smart Museum University of
Chicago
Truths from the Open Door: Chinese Conceptual Photography, curated by Wu Meichun, Zheng Shengtian, Art
Gallery of Chulalongkorn University
Toi Toi Toi, Kassel 1999, Garrett, Louise ‗Toi Toi Toi‘, Art AsiaPacific, 23, 1999
Transience: Chinese Art at the End of the 20th Century, Wu Hung curated, Chicago, Smart Museum
University of Chicago, 1999.
Vielfaches echo (manifold echoes),Stuttgart, 1998, Hynes, Victoria, ‗Manifold Echoes‘, Art AsiaPacific, 22, 1999
2000
Fresh Cream: Contemporary Art and Culture, London and New York, Phaidon, 2000Paris pour escale, curated
by Hou Hanru & Evelyne Jouanno, organized by Musée d‘Art Moderne de la Ville de Paris]
Exhibiting Experimental Art in China, curated by Wu Hung, organized by Smart Museum, University of
Chicago
Fresh Cream Williams, Gilda, ed., London, Phaidon, 2000
Shanghe Meishuguan / Upriver Gallery, Tianjin, Tianjin Shehui Kexueyuan Chubanshe, 2000
Papunya Tula: Genesis and Genius¸ Perkins, Hetti; Fink, Hannah, Sydney, Art Gallery of New South Wales
in association with Papunya Tula Artists, 2000.
2001
Living in Time 29 zeitgenössische Künstler aus China curated by Hou Hanru, Fan Di‘an, Gabriele Knapstein,
organized by Nationalgalerie im Hamburger Bahnhof Museum für Gegenwart, in cooperation
with the Ministry of Culture of PRC and China International Exhibition Agency
Makabe Kaori, Mikami Yutaka, Yokohama Triennale Office, eds, Yokohama Triennale 2001, Yokohama,
2001
Huang Zhuan, Pi Li, Tuxiang jiushi liliang / Image is Power, [at He Xiangning Art Museum] Changsha,
Hunan Meishu Chuban she, 2001
Jay, Sian E., ‗Emerging visions‘, Asian Art News, vol.11, no2, 2001 (Nokia Art Awards)
2002
Chen Tong, Look, Exhibition Catalogue, Guangzhou, The gallery of Guangzhou Fine Art Academe,
2002
Hu Fang (Curator), Landscape of Sur-consuming, Exhibition Catalogue, Guangzhou, Vitamin Creative
Space, 2002
Jewyo Rhii, Warming and Humidifying,Korea 2002
Paris-Pékin Curated by Chang Tsong-zung, organized by Gallery Enrico Navarra, published by Chinese
Century
Report of the International Symposium 2002, ‗Asia in Transition: Representation and Identity‘, Japan,
The Japan Foundation Asia Center, 2002;
Stay in Shanghai 2002, Exhibition Catalogue, Shanghai, EastLink Gallery, 2002
The Shine of the City Contemporary Art Exhibition 2002, Exhibition Catalogue
Yasuko, Furuichi, ―Asia in Transition: Representation and Identity‖, Japan Foundation Asia Center, 2002
2003
Art/34/Basel/18-23/6/03, Media Documents, Basel, 2003
Basel 2003, Clark, John., ‗Art 34 Basel‘, in Art AsiaPacific, Issue 38, Fall 2003, p.48-49.Cream 3:
Contemporary Art and Culture, London and New York, Phaidon, 2003
How latitudes become forms curated by Philippe Vergne, Chinese Advisor, Hou Hanru, organized by
Walker Art Center
Alors, la Chine? curated by Chantal Béret, Alain Sayag, Pi Li et al, organized by Centre Pompidou Paris.
A Strange Heaven: Contemporary Chinese Photography curated by Petr Nedoma & Chang Tsong-zung,
organized by Hong Kong, Asian Art Archive & Paris, Galerie Enrico Navarra
Chinese Maximalism/ Zongguo jiduo zhuyi, Gao Minglu, Beijing, Millenium Art Museum & Buffalo, State
University of New York at Buffalo Art Gallery; catalogue Chongqing, Chongqing Chubanshe,
2003

320
Shanghart 2003, Catalogue of artists represented by ShangART, Shanghai, 2003
Zhang Baoquan & Gu Zhenqing (Editors), Second hand Reality: Pre-Reality – an exhibition of contemporary art
at the Today Art Gallery, Hong Kong, China Today Gallery Publishing House Ltd, 1993 (Curator:
Gu Zhenqing)
Zhang Baoquan & Gu Zhenqing (Editors), Second hand Reality: Post-Reality – an exhibition of contemporary
art at the Today Art Gallery, Hong Kong, China Today Gallery Publishing House Ltd, 1993
(Curator: Gu Zhenqing)
2004
Contemporary Taiwanese Art in the Era of Contention ,curated by Pan An-yi, [with catalogue essays by Yan
Chuan-ying, Hsiao Chong-ray], Taipei, Tapiei Fine Arts Museum & Ithaca, Herbert F. Johnson
Museum of Art, 2004
Between Past and Future: new photography and video from China, Wu Hung & Phillips, Christopher, Göttingen,
Steidl Publishers, 2004.
The Monk and the Demon: Contemporary Chinese Art, Fei Dawei et al, [Exhibition in Lyon & Guangdong]
Milan, 5 Continents Editions, 2004
China Dream: Another Flow in Chinese Modern Art, Rawanchaikul Toshiko & Horikawa Lisa, eds. ,
Fukuoka, Fukuoka Asian Art Museum, 2004
Ham Jin, Catalogue in conjunction with the exhibition Aewan, Seoul, pkm Gallery, 2004 (Essay by Iris
Moon).
2005
Cubism in Asia, unbounded dialogues, Tatehata Akira et al, Tokyo, The Japan Foundation, 2005
Jung Yeondoo, Dreams come true, almost, Seoul, Kukje Gallery, 2005.
Little boy : the arts of Japan's exploding subculture, Murakami Takashi, ed., New York: Japan Society & New
Haven : Yale University Press, 2005
Mahjong: Contemporary Chinese Art from the Sigg Collection, Fibicher, Bernard; Frehner, Matthias, ed.,
Ostfildern-Ruit, Hatje Cantz, 2005
2006
Gong Mingguang, ed., Entry Gate: Chinese Aesthetics of heterogeneity, 2006 MoCA Envisage, [Bilingual
Catalogue] Shanghai, Shanghai Shuhua Chubanshe, 2006,
Second Shanghai Duolun Exhibition of Yong Artists, [Bilingual catalogue], Shanghai, Duolun Museum, 2006,
[curators: Biljiana Ciric, Huang Yuelin, Tang Dixin].