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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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38<br />

Bing, ‗Dangdai Yishu xitong de kunjing‘, Meishu Yanjiu, 1, 1997; Lee, Benjamin, ‗Going public‘,<br />

Public Culture, no.5, 1993; Smith, Karen, ‗Xu Bing de xinzuo, ―Wenhua Dongwu‖ ‗, Xiongshi<br />

Meishu no.285, 1994 [and interview]; Stone, Charles, ‗Xu Bing and the printed Word‘, Public<br />

Culture, vol.13, no.6, 1994; Yao Soucho, ‗Books from Heaven: Literaryu Pleasure, Chinese<br />

Cultural text and the ―Struggle Against Forgetting‖ ‗, Australian Journal <strong>of</strong> Anthropology, vol.8, no.2,<br />

1997; Zhang Zhaohui, Cultural Metamorphosis: The Art <strong>of</strong> Xu Bing and Cai Guoqiang, unpublished<br />

MA in Curatorial Studies Thesis, Bard College, 1998; Zhang Zhaohui, ‗Tiandi zhi ji: Cai<br />

Guoqiang yu Xu Bing Suoshi biye zhanlan jihua shuomingshu‘, Jiangsu Huakan, 2, 1999;<br />

Davidson, Christina., ‗Words from Heaven‘, Art & Asia Pacific, vol.1, no.2, 1994; Xu Bing,<br />

‗―Yangzhu‖ wenda‘, Hongqi. no.1, 1994, p.87, text dated 1994.5; Chen Yide, ‗My opinion to the<br />

―Book from Heaven‖ ‗, Meishu 12-1990; Zhongguo meishubao, no.173, 14.11.1986; Xu Bing, Zhongguo<br />

Meishubao, no.201, <strong>of</strong> 29.5.1989; Xu Bing, ‗Gu Yuan de yiyi‘, Tianya, 1, 1997; Yao Souchou, ‗Xu<br />

Bing and Cultural Nationalism.‘ TAASA Review, 7:3 1998; Erickson, Britta, The art <strong>of</strong> Xu Bing :<br />

words without meaning, meaning without words Washington, D.C. : Arthur M. Sackler Gallery,<br />

Smithsonian Institution ; Seattle: <strong>University</strong> <strong>of</strong> Washington Press, 2001; Babel : contemporary art and<br />

the journeys <strong>of</strong> communication, Birmingham: Ikon Gallery, 1999; Wu Hong, Transience : Chinese<br />

experimental art at the end <strong>of</strong> the twentieth century, Chicago : The David and Alfred Smart Museum <strong>of</strong><br />

Art The <strong>University</strong> <strong>of</strong> Chicago, 1999; Yang, Alice, (edited by Jonathan Hay and Mimi Young )<br />

Why Asia? : contemporary Asian and Asian American art, New York <strong>University</strong> Press, 1998; review,<br />

Art AsiaPacific, 22, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale<br />

1999 [The 5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art<br />

Museum, 1999; Goodman, Jonathan, ‗Xu Bing: Cultural Translator‘, Art AsiaPacific, no.35, 2002;<br />

‗Views on Contemporary Chinese Art‘, Yishu, vol.1, no.1, 2002; Borysevicz, Mathieu, ‗Xu Bing at<br />

the Sackler‘, Art in America, Vol. 90, Issue 9, September 2002; Zhang Zhaohui, et.al., Xu Bing &<br />

Cai Guoqiang: Where Heaven and Earth Meet, Beijing, Hong Kong Timezone 8, 2006; Liu, April, ‗An<br />

Interview with Xu Bing: Nonsensical Spaces and Cultural Tattoos‘, Yishu: Journal <strong>of</strong> Contemporary<br />

Chinese Art, vol. 4, no. 4, Dec. 2005; Monks, Christina, ‗A Visual Koan: Xu Bing‘s Dynamic<br />

Desktop‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005; Goodman, Jonathan,<br />

‗The cage <strong>of</strong> words‘, Art AsiaPacific, 26, 2000; review, Asian Art News, vol.11, no.5, 2001; Chiu,<br />

Melissa, ‗Xu Bing: Artist Notes‘ in Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution,<br />

Asia Society, New York in association with Yale <strong>University</strong> Press, New Haven and London,<br />

2008: 107-118; Erickson, Britta, The Art <strong>of</strong> Xu Bing: Words Without Meaning, Meaning Without Words,<br />

Washington D.C., Freer Gallery <strong>of</strong> Art and Arthur M. Sackler Gallery, 2001.; Erickson, B.,<br />

‗Process and Meaning in the Art <strong>of</strong> Xu Bing‘, in Three Installations by Xu Bing, Madison, Elvehjem<br />

Museum <strong>of</strong> Art, <strong>University</strong> <strong>of</strong> Wisconsin, 1991, pp. 2 – 32.; Erickson, B., ‗A Case Study <strong>of</strong><br />

Transference: Xu Bing and the Process <strong>of</strong> Interpreting Art‘, in Communications with/in Asia,<br />

Melbourne, Asian Studies Association <strong>of</strong> Australia, 2000; Sherman, M., ‗Xu Bing and a Prayer‘, in<br />

<strong>ART</strong>news, vol. 94(10), December, 1995, pp: 55 – 56; Silbergeld, Jerome, Ching, Dora C.Y., eds.,<br />

Persistence-Transformation: text as image in the art <strong>of</strong> Xu Bing, Princeton, Princeton <strong>University</strong> Press,<br />

2006.<br />

Xu Jiang: ‗Views on Contemporary Chinese Art‘, Yishu, vol.1, no.1, 2002.; Gao Xindan and Gao<br />

Shiming, ‗From Historical Landscape to Historicized Landscape‘, Asian Art News, vol. 16, no. 6,<br />

Nov-Dec 2006; Lucie-Smith, Edward, ‗Crossing the East West Divide: On the Art <strong>of</strong> Xu Jiang‘,<br />

Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.<br />

Xu Shaoyan, Hebei, oil painter; Ma Qinzhong, ‗Zhongmozhe tudide jinmai‘, Yishujie, 11/12-1998<br />

Xu Tan: ‗Regarding the Dictionary <strong>of</strong> Keywords‘, Xu Tan in Conversation with Hu Fang, in Yishu:<br />

Journal <strong>of</strong> Contemporary Chinese Art, Vol.7, No.6, November 2009, p.27-32<br />

Xu Wentao: Jordan, Francesca and Marella, Primo, China Art Now: Out <strong>of</strong> the Red, Milano: Marella Arte<br />

Contemporanea, 2003<br />

Xu Yong: Daozi and Shu Yang, eds., Xu Yong: Backdrops and Backdrops, Hong Kong, Timezone 8, 2006<br />

(Distributor); Karetzky, P. E., ‗Xu Yong: Photographer 0f the Vanishing Past and the Emerging

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