MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

SINGAPORE
204
General works
Brecelic, Thomas, ‗ARTSingapore 2001‘, Art AsiaPacific, No.34, 2002.
Cheng Lim Tju, ‗Chop Suey -- Cartoons about the Japanese Occupation and National Education in
Singapore‘, in International Journal of Comic Art, Vol. 6, No. 2, Fall 2004, pp. 415-430.
Chin, Edmond, 1991, Guilding the Phoenix: The Straits Chinese of their Jewellery. Singapore: National
Museum.
Chua, Kevin, ‗ In Venetian Waters: Singapore at the 49 th Venice Bienale‘, Focas (Forum on Contemporary
Art & Society), no.3, January 2002
Chai Yik Chin, Singapore Artists, Singapore Cultural Foundation, 1982
Chia, J., ‗Trouble at Hand‘, Art & AsiaPacific, vol.2, no.2, 1995
Chow Kwok Kian, Channels a & Confluences: A History of Singapore Art, Singapore, Singapore Art
Museum, 1995.
Chua, Beng Huat. ―Young artists make a break: installation at Arbour‖, Man, Aug/Sept 1987, 18-20.
Chua, Kevin, ‗Painting the Nanyang‘s ―Public‖: Notes Towards a Reassessment‘, in eds. Clark, John,
Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern
Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 72-93.
Crossroads: The making of new identities, Singapore: NUS Museums, 2004.
Dolven, Ben, ‗Artistic dilemma: Singapore hopes to establish itself as an international art center, but
local artists still find the going tough‘, Far Eastern Economic Review, April 22, 1999.
Fifth Asian Youth Painting 1987, Singapore, Ministry of Community Development and National
Museum, June 1987
Findlay, Ian, ‗Building Bridges‘, On ARTSingapore 2002, Asian Art News, vol. 12, no. 5,
September/October, 2002
Findlay, Ian., ‗An Odyssey in Art‘ in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.64-67.
[Feature Issue], Asian Art News, vol. 6, no.3, May / June 1996.
[Fukuoka Asian Art Museum], Modern Artists-II, Nanyang 1950-65: Passage to Singaporean Art, Fukuoka:
Fukuoka Asian Art Museum, 2002
Jeyaretnam, Philip, ‗Sex, Art, and Singapore‘, Commentary, vol.11, no.1, 1993.
‗Kitsch & The Singapore Modern‘, Forum Transcript , Focas (Forum on Contemporary Art & Society), no.3,
January 2002
Koay, Susie. ‗Singapore: Multi-cultural crossroads‘ in Visual Arts in ASEAN Continuity and Change,
Kuala Lumpur: ASEAN Committee on Culture and Information, 2001, 169-174.
Langenbach, William Ray. ―Performing the Singapore State: 1988-1995‖. PhD diss.[unpublished],
Centre for Cultural Research, University of Western Sydney, 2003.
Langenbach, Ray, ‗Garlands of Love: Socialist Realist Aesthetics in Singapore‘, in eds. Clark, John,
Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern
Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 129-149.
Langenbach, Ray, ‗Annotated Singapore Diary", Art & Asia Pacific, vol.1, no.4, 1994.
Lee Weng Choy, ‗All Washed up‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Lee Weng Choy, ‗Alternative spaces‘, Art AsiaPacific, 22, 1999;
Lee Weng Choy, ‗Contemporary Art Criticism in Singapore.‘ TASSA Review, 7:3 1998.;
Lee Weng Choy, ‗Department Store Art‘, Art & Asia Pacific, vol.3, no.2, 1996.
Lee Weng Choy, ‗Distinctions, Paintings by Vincent Leow and Ian Woo‘, Art Asia Pacific, No.34, 2002.
Lee Weng Choy, ‗Misunderstanding art‘, Art AsiaPacific, 23, 1999, (also see rejoinder in Art AsiaPacific,
25, 2000);
Lee Weng Choy, ‗Monumental statements‘, Art AsiaPacific, 31, 2001;
Lee Weng Choy, ‗Representation as detour‘, Art AsiaPacific, 25, 2000;
Lee, Weng Choy, ‗Authenticity, Reflexivity & Spectacle: or the Rise of New Asia is not the End of the
World‘ in positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004);