242 Jamal, Osman, ‗E.B. Havell: The Art and Politics <strong>of</strong> Indianness‘, Third Text, n39, Summer 1997, 3-19; Jamal, Osman, ‗Rashid Amin at Gallery Twenty-one, Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002 Kawakita Michiaki, et al, Ajia Kindaikaiga no Yoaketen, Tôkyô, Mainichi Shinbun, 1985. Mitra,A., Four Painters [includes, ‗The forces behind the modern movement‘], Calcutta/New Delhi, New Age, 1965. Mittal, J., ‗Graphic art <strong>of</strong> the Bengal School‘, Lalit Kala Contemporary, no.1. Mookerjee,A., Modern Art In India, Calcutta, Oxford Book and Stationery Co., 1956. Parimoo, R., ‗Revival <strong>of</strong> Indigenous Values and their Influences on Modern Indian Art‘, Journal <strong>of</strong> the M.S.<strong>University</strong> <strong>of</strong> Baroda vol.XXXIII-XXXIV, no.1, 1984-5. Parimoo, R., Studies in Modern Indian art, New Delhi, Kanak, 1975. Parimoo, R., ‗Revivalism and After‘, in Simla, 1968 Sarkar, Benoy Kumar, ‗Tendencies <strong>of</strong> Modern Indian Art‘, Rupam, 1926. Sarkar, Benoy Kumar, ‗Social Philosophy in Aesthetics‘, Rupam, 15-16, July-December 1923. Sarkar, Benoy Kumar, ‗The Aesthetics <strong>of</strong> Young India‘, Rupam, 9, January 1922, [same issue has, Agastya, ‗A Rejoinder‘; [see also Kramrisch, S., ‗"The Aesthetics <strong>of</strong> Young India", A Rejoinder‘, Rupam, 10, April 1922.] The Soul Speaks: Pictorial Representations <strong>of</strong> Spirituality, exh. Cat., National gallery <strong>of</strong> Modern Arts, New Delhi. Nascent Counter-establishment Art India, Vol. 7, Issue 2 (Quarter 2, 2002), Special Issue on ‗Faith and Reason‘‘ [Spirituality and Abstraction] Bansal, V. ‗Painted ceilings and murals at Rashtrapati Bhavan and Parliament House‘, Lalit Kala Contemporary, no.14. Brown, Rebecca M., ‗P.T.Reddy, Neo-Tantrism and Modern Art in India‘, Art Journal, vol. 64, iss. 4, 2005. Dalmia, Yashodhara, The making <strong>of</strong> modern Indian art: The Progressives, New Delhi, Oxford <strong>University</strong> Press, 2001. Kumar, R. Siva, Santiniketan: the making <strong>of</strong> a contextual modernism, New Delhi, National Gallery <strong>of</strong> Modern Art, 1997. Mitter, Partha, The Triumph <strong>of</strong> Modernism: India‘s Artists and the Acant-Garde, London: Reaktion Books, 2007. Mukhopadhyay, A., ‗The Art Situation before 1940‘, Lalit Kala Contemporary, no.31, April, 1985. Nath, Deeksha, ‗Baroda Authorities Jail Art Student‘, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, p. 47. Ramachandra Rao, P.R., Modern Indian Painting, Madras, Rachana, 1953. Tartakov, G.M., ‗Art and identity: the rise <strong>of</strong> a new Buddhist imagery‘, Art Journal, 49, 4, Winter 1990. Identity Art India, vol 9, issue 1, quarter 1, 2004, special issue on ‗identity‘. Art India, Vol. 7, Issue 4 (Quarter 4, 2002), Special Issue on ‗The Nomad Aesthetic‘ [Containing lead essays by Hou Hanru, Ranjit Hoskote, Lee Weng Choy, Aneglikla Fitz, Shuddhabrata Sengupta and Michael Saup] Art India, Vol. 9, Issue 1 (Quarter 1 2004), Special Issue on ‗Identity‘ Das Gupta, P., ‗The Calcutta Group: Its aims and achievements‘, Lalit Kala Contemporary, no.31, April 1981. Gaudibert, P., Sen, G., Raza Anthology 1980-90, Bombay, Gallery Chemould, 1991; Raza, Bombay, Gallery Chemould, 1985. Indian Art since the early 1940s- a search for identity, Cholamandal, Artists‘ Handicraft Association, 1974. James, J., ‗Metaphysical content in recent contemporary Indian Painting‘, Lalit Kala Contempoarary, nos 12 & 13. James, J., ‗The Madras School‘, Lalit Kala Contemporary, no.6.
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61 Luo Zhongli, Mao Yan, Sun Liang,
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63 Tang Xin & Urle U, 1999 Cologne-
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67 Pettifor, Steven, ‗Contemporar
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73 Clarke, David, Art & Place: Essa
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77 Sculpture and Ceramics Clarke, D
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93 Emi Kinuko: Emi Kinuko: Retrospe
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95 Miyako, Ishiuchi: Lew, Christoph
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99 Watanabe Katsumi: Watanabe Katsu
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101 Leach, Bernard, Hamada Potter,
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145 Kim Whanki: Schwabsky, Barry,
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167 Somporn Rodboon, ‗Thai Contem
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319 Transience: Chinese Art at the