MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Chen, Chao S., ‗The Wall: Reshaping Chinese Contemporary Art‘ (review), ArtAsiaPacific, no. 48, 2006.
Chen, Tina Mai, ‗Proletarian White and Working Bodies in Mao‘s China‘, positions east asia cultures critique,
Vol. 11, Number 2, Fall 2002
Chiu, Melissa, ‗Sleight of hand, use of text in Chinese contemporary art‘, Art AsiaPacific 29, 2001
Chua Beng Huat, ‗Globalisation, Asia Art and Market‘, Huangfu, Binghui, Site+Sight: Translating Cultures,
Singapore, LaSalle-SIA, 2002.
Chua, Ferreolus., ‗The Great Leap Forward: Interview with Ma Liuming and Yue Minjun‘, Laura Soon
and Tang Ling Nag (trans), in Vehicle: Contemporary Visual Arts, No.8, 2002, p.10-16.
Ciric, Biljana, ‗Collecting Elsewhere: An Interview with Uli Sigg‘, Yishu: Journal of Contemporary Chinese
Art, vol. 4, no. 4, Dec. 2005.
Clark, John, ‗A Narrowing of Horizons: The Shanghai and Gwangju Biennales 2006‘, Art Monthly
Australia, no. 196, December 2006-February 2007.
Clark, John, ‗System and Style in the practice of Chinese contemporary art: the disappearing exterior?‘,
Yishu, vol.1, no.2, 2002
Clarke, David, ‗The Watery Turn in Chinese Contemporary Art‘, Art Journal, vol. 65, iss. 4, 2006.
Coleman, Dnnis, ‗Scales of perception: recent Chinese painting‘, in Art Monthly Australia, Issue No.:
210, June 2008, pp. 33 – 35.
Contemporary Chinese Art Guide 2009, annual supplement to the Yishu Journal of Contemporary Chinese Art.
Cruickshank, A., ‗Made in China‘, in Contemporary Visual Art + Culture Broadsheet, Vol 37, no. 4, p. 234-5.
Dal Largo, Francesca, ‗The fiction of everyday life‘, Art AsiaPacific, 27, 2000.
Dal Largo, Francesca, ‗Turandot; Chinoiserie made in China‘, Art AsiaPacific, 23, 1999.
Decrop, Jean-Marc, ―Chinese Modernity: 1998-2002‖ in China: Contemporary Art, Sao Paolo, Museo de
Arte Brasiliera, 2002
Di Stephano, John, ‗A Match Made in Shanghai‘, ArtAsiaPacific, no. 45, 2005.
Dijk, Hans van, and Welsh, Eduardo, Portraits, Figures, Couples and Groups: From the Collection of the Modern
Chinese Art Foundation 2001, Beijing: The Modern Chinese Art Foundation, 2001
Don, Katherine, ‗Building Code Violations at Long March Space‘ (review), Asian Art News, vol. 16, no. 3,
2006.
Du, Huang, ‗A Lens on Diversity‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.50-57.
Ereums, Kris Imants, ‗Cancelled!‘, Art AsiaPacific, 31, 2001
Erickson, Britta, ‗The rise of a feminist spirit‘, Art AsiaPacific, 31, 2001; Feng Jiali, ‗Limitless
difference‘, Art AsiaPacific, 31, 2001
Erickson, Britta, ‗Backflow: Returned Chinese Artists‘, in Artlink: The China Phenomenon, Vol. 23, No. 4,
2003, p.26-37.
Erickson, Britta, On the Edge: Contemporary Chinese Artists Encounter the West, Hong Kong, Timezone 8,
2004
Fan Di‘an, ‗Synthi-scapes‘, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003
Fang Jun, ‗Spreading the Image of Chinese Art‘, Asian Art News, vol. 15, no. 5, 2005.
Flash Art, ‗Focus China – Red Hot: A Survey of Chinese Contemporary Art‘, Flash Art, vol. XXXVIII,
no. 241, Mar-Apr, 2005 [Blurbs on artists: Bai Yiluo, Cang Xin, Cao Fei, Chen Lingyang, Chen
Wengbo, Chi Peng, Cui Xiuwen, Feng Mengbo, Feng Zhengjie, Han Lei, Ji Dachun, Li Dafang,
Li Songsong, Li Wei, Liang Shuo, Liang Yue, Liu Zheng, Lu Chunsheng, Lu Hao, Ma Han, Ma
Liuming, Pan Xing Lei, Qiu Zhijie, Rong Rong & Inri, Sheng Qi, Shi Zhongying, Song Dong,
Song Tao, Wang Ningde, Wang Qingsong, Wang Wei, Wang Xingwei, Xiang Liqing, Xie
Nanxing, Xu Zhen, Xue Song, Yan Lei, Yang Mian, Yang Yong, Yang Zhenzhong, Zhang Huan,
Zhao Liang, Zheng Guogu, Zhou Tiehai and Zhu Ming].
Fujii, Lucy Birmingham, ‗China: Crossroads of Culture and Follow Me! Chinese Art at the Threshold of the New
Millenium at Mori Art Museum‘, Asian Art News, vol. 15, no. 5, 2005.
Gao Minglu et. al., eds., Visible/Invisible: Does Abstract Art Exist in China?, Hong Kong, Timezone 8,
2006
Girard-Geslan, Maud, ‗Chinese contemporary art: a new reflection‘, Artlink, Vol. 20, No. 2, July 2000