MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Fang Cheng: Fang Cheng, ‗Fang Cheng‘s Theories on Humor and Cartooning‘, trans. Xu Pingsheng and
John Wetherhold, in International Journal of Comic Art, vol. 9, no. 2, Fall, 2007.
Fang Junbi: Fan Tchun-pi, A Retrospective Exhibition of the Works of Fan Tchun-pi, Hong Kong, Arts
Centre,1978; Fan Tchun-pi, Bobot,M-T., Fan Tchun-pi, Paris, Musée Cernuschi, 1984
Fang Lijun: Furuichi, Y., Nakamoto, K. eds. Fang Lijun: Human images in an uncertain age, Tokyo: Japan
Foundation Asia Center, 1996; Jose, N. in ART AsiaPacific, no.15, 1997; Chou, Yuting, ‗The
Floating Body in the Art of Fang Lijun: An Artist's Comment on the Human Condition in Post-
Cultural Revolution China‘, China Information, Vol. XII, No.‘s 1&2, Semmer/Autumn, 1997;
Hovdenakk, Per, 'Fang Lijun and His Art (1997); Li Xianting, 'Fang Lijun and Cynical Realism
(2000); Li Luming, Fang Lijun, Hunan: Hunan Fine Arts Publications, 2001; Pi Li, 'A Dialogue
with Fang Lijun', Hunan Fine Art Press , ed., Fang Lijun, Hunan, 2001; Huang Zhuan and Pi Li
ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002. ; Li Xianting, et.al., Chinese
Artists of Today: Fang Lijun, Beijing, Today art museum, 2006.; Yasuko, Furuichi, and Kazumi
Nakamoto, Fang Lijun: Human Images in an Uncertain Age. Tokyo, The Japan Foundation Asia
Centre, 1996.; Yuting Chou, ‗The Floating Body in the Art of Fang Lijun: An Artist‘s Commnet
on the Human Condition in Post-Cultural Revolution China‘, in China Information, vol. xiii, nos.
2/3, Autumn/Winter, 1998 – 1999, pp. 85 – 114; Galligan, Gregory, ‗Fang Lijun: Arario. in Art
in America 97.4 (April 2009): 146(2)
Fang Zhaolin, neo-traditionalist painter, Wong,Wucius,‘Fang Zhaolin‘, Orientations, November 1982
Feng Zhengjie: Damiani, Bologna, 2006.; Bianpoen, Carla, ‗Feng Zengjie‘s Chinese Portraits: Kitsch or
Art?‘, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 106 – 108.
Feng Mengbo, Kent, Rachel, ‗Open Market – the art of Feng Mengbo‘, Artlink, Vol. 16, No.2&3, Winter
1996; Barmé, Geremie, ‗A Beijing screensaver‘ ART AsiaPacific, no.15, 1997; Kuroda, Raiji, The
First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999.; Eisman, April A.,
‗Playing with the Political: Feng Mengbo‘s Street Fighter IV‘, Yishu: Journal of Contemporary Chinese
Art, vol. 5, no. 1, 2006; Chang, Tsong-zung., ‗A Theater of Happiness‘, in Asain Art News, Vol. 13,
No. 4, July/August 2003, p.40-45
Feng Zikai: Hung Changtu, ‗The Wartime Political cartoons of Feng Zikai‘, Modern China, 16:1, January
1990; Barmé, G., Feng Zikai: A Biographical and Critical Study, 1898-1975, Ph.D. thesis, Australian
National University, 1989.
Fu Baoshi 1904-1965, Clarke, David, ‗Raining, Drowning and Swimming : Fu Baoshi and Water‘, Art
History, 29:1, February, 2006.
Gao Brothers, The: Karetzky, Patricia Eichenbaum, ‗The Gao Brothers: All The Wolrd‘s a Stage‘, in Yishu.
Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 61 – 66.; Kóvskaya, Maya, ‗High
Places, Simulated Speces, Brave New Worlds, and the Power of Love: Thoughts on the Gao
Brother‘s Recent Works‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp.
67 – 74.
Gao Jianfu: Wong Shiu Hon, Kao Chien-fu‘s Theory of Painting, Hong Kong, Centre of Asian Studies,
University of Hong Kong, 1972; Wang Jiaohan, Gao Jianfu hualun shuping, Xianggang daxue, 1972.
Gao Minglu: Yu, Christina, ‗Curating Chinese Art in the Twenty-First Century: An Interview with Gao
Minglu‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006.
Gao Xingjian: Dagen, Phillippe, ‗Within the Gaze‘, Asian Art News, vol. 15, no. 3, 2005.
Geng Jianyi, Hangzhou, various media: Karen Smith, Baifen zhi wushi, Shanghai, ShanghART, 1999.
Gu Dexin: Ho Yeung Chan, David, ‗Curatorial Notes: Gu Dexin‘s 2005.03.05 at the Shanghai Gallery of
Art‘, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005.
Gu Wenda, calligraphy and installations, New York: Gu Wenda, ‗Yishu Biji‘, Xinmeishu, no.20, 6.1985.
Zhongguo Meishubao, no.129, 11.1.1988; Gu Wenda, ‗Women shidai de shenqu‘,[tr.Jia Chunxian],
Xinmeishu, no.4, 1996; Jaivin, Linda, ‗Gu Wenda‘, Art & Asia Pacific, vol.1, no.2, 1994; Erickson,
Britta, ‗Gu Wenda‘s silent selves and pseudo characters‘, Art AsiaPacific, 26, 2000; Xu Gan, ‗Why
Hair?‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.10-12.; Yang,
Xianeng., ‗New and Old: Gu Wenda‘s Art and Chinese Traditions‘, in Yishu: Journal of