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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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57<br />

Niridsany, Michel, China: Art Now, Paris, Flammarion, 2004<br />

Ozawa, Kai, ‗Follow Me‘ (exhibition review), ArtAsiaPacific, no. 47, 2006.<br />

Pi Li, et.al., Art Beijing 2006, Hong Kong, Timezone 8, 2006<br />

Pollack, Barbara, ‗Origins <strong>of</strong> the Chinese Avant-Garde‘, in ArtAsiaPacific, No. 58, May/Jun, 2008, p. 99.<br />

Quadrio, Davide, ‗The necessary instability <strong>of</strong> hybrid cultures‘ in Asia Art Archive,<br />

http://www.aaa.org.hk/newsletter accessed 6/05/2009<br />

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an international journal, vol. 2, no. 2, September 2004.<br />

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Scarlett, Ken, ‗sculpture, and yet more sculpture, at Changchun, China‘ in Art Monthly Australia, No.<br />

169 (May, 2004), pp. 34-37<br />

Scarlett, Ken., ‗A Feast <strong>of</strong> Sculpture‘ (The World Sculpture Park and the International Sculpture<br />

Conference at Changchun), in World Sculpture News, Vol.9, No.4, Autumn 2003, p.36-40.<br />

Serfaty, Paul, ‗New Generations in Chinese Photography‘, Asian Art News, vol. 16, no. 3, 2006.<br />

[Shanghai, Parachute Special Issue] Parachute 114 (2004): Wright, Stephen, ‗Shanghai/Shanghai: Spaces<br />

without Qualities/ Spaces <strong>of</strong> Promise‘ in Parachute 114 (2004), pp. 8-35; Ken Lum, ‗«I Don‘t<br />

Know‘ (Visual Essay) in Parachute 114 (2004), pp. 36-39; Merewether, Charles, ‗The Long<br />

Striptease: Desiring Emancipation‘ in Parachute 114 (2004), pp. 40-57; Tang Maohong, Song Tao<br />

and Yang Zhengzhong, ‗2004.1.1 SHANGHAI‘ in Parachute 114 (2004), pp. 58-61; Wright,<br />

Stephen, ‗A City Without Leftovers‘ (Conversation with Ma Qingyun) in Parachute 114 (2004),<br />

pp.62-80; Jim, Alice Ming Wai, ‗Tourism, Art and Shanghai‘s Urban Skyline‘ in Parachute 114<br />

(2004), pp.81-101; de Vito, Natalie, ‗Pranks and Prohibitions: On the Art <strong>of</strong> Xu Zhen‘ in<br />

Parachute 114 (2004), pp. 102-115, Zhang, Zhen, ‗Suzhou River (Urban Memory and Tacticle<br />

Cinema) in Parachute 114 (2004), pp. 116-129; Chu, Ingrid, ‗Shanghai and Beyond (A Roundtable<br />

with Ken Lum, Davide Quadrio, Xu Tan and Zhang Weiwei) in Parachute 114 (2004), pp. 130-136<br />

Shen, Kuiyi., ‗Landscape as Cultural Consciousness in Contemporary Chinese Art‘, in Yishu: Journal <strong>of</strong><br />

Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.33-40.<br />

Shu Yang, ed., The Roadmap to Painting, Hong Kong, Timezone 8, 2006<br />

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Damiani, 2004<br />

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53-59<br />

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Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.<br />

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ArtAsiaPacific, no. 47, 2006.<br />

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from the Haudenschild Collection at the National Museum <strong>of</strong> Art, China, Beijing‘ (review), Yishu:<br />

Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 1, 2006.<br />

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Tinari, Philip, ‗The Complete Art Experience Project (Shi Qing, Wang Wei, rania Ho, Liu Ding, Qiu<br />

Zhijie, Liu Wei, Li Zhenhua, Wu Ershan, Zhang Hui, Colin Chinnery) (review), ArtAsiaPacific,<br />

no. 48, 2006.

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