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1988; Jennifer McCamley, 1989; Clinton Garofano, 1989; Andrew Petrusevics, 1989; Paul
Thirkell, 1989; Bette Mifsud, 1990].
Transcultural Painting [Tony Clark, Lindy Lee, Linda Marrinon, John Young] Melbourne, Asialink 1994.
[to Guangzhou, Hong Kong, Taiwan]; Wang, Chia Chi Jason, ‗A Veil in Between‘ [on
Transcultural painting Exhibition in Taiwan], Art & Asia Pacific, vol.1, no.4, 1994
Witnessing to Silence: Art and Human Rights, edited by Caroline Turner and Nancy Sever, Canberra, ANU
Humanities Resewarch Centre, 2003
Yin-Yang: China in Australia, Edwards, Zeny et al, Sydney, National Trust S.H.Ervin Gallery, 2008.
Modernity in Asian Art, Australia, South Asia, Southeast Asia: Texts by John Clark
General Works
Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications, 2007.
Modernities of Chinese Art, Singapore, Institute of Contemporary Art, 2007
Modern Asian Art, Sydney, Fine Arts Press, Sydney & University of Hawai‘i Press, Honolulu, 1998
Editor, Modernity in Asian Art, Wild Peony Press, Sydney [US‘ distribution University of Hawaii Press]
1993, including paper ‗Open and Closed Discourses of Modernity in Asian Art‘1992
‗Kindai Ajia no bijutsu gensetsu ni okeru ―taka‖ ‘ (tr. Morino Yutaka, Fujiwara Sadao) in Shimamoto
Kan, Kasuya Makoto, hen, Bijutsushi to Tasha, Kyôto, Kôyô Shuppan, 2000; English original to be
published as ‗Art History and Alterity: ‗Othering‘ as Process in Modern Asian Art Discourses‘ in
Flores, Patrick D. ed., Commemorative Anthology on the retirement of Professor Alice G. Guillermo, Manila,
University of the Philippines, [in editing, scheduled 2003].
‗Asian Modernisms‘ [reprinted from Humanities Research, no.2, 1999] in Marg, Spring, vol. 53, no.2, 2002.
‗Inter-Asian Criteria of Institutional Modernity in Art‘, in Kunstlerische Austausch/Artistic Exchange,
Akademie Verlag, Berlin, 1993.
‗What in the context of contemporary art, is your vision of a future art?‘, on the refereed web journal
www.anthology-of-art.net, in February, to be published later in an anthology from Jochen Gerz,
Braunschweig College of Art, 2003.
‗On Two Books by Edward W. Said‘, Bicitra Seni, Jilid 2, [from Pusat Seni, Universiti Sains Malaysia,],
1996.
‗Art Goes Non-Aligned‘ [Four Exhibitions in Jakarta including the Art of the Non-Aligned Movement,
April 1995], Art & Asia Pacific, vol.2, no.4, 1995.
‗Ajia ! Ajia!‘, Art Monthly Australia, no.39, April, 1991
‗Asian Artists at the 2001 Venice Biennale‘, IIAS Newsletter, November, no.26, 2001
"Contemporary Arts: Asia", review of Asia Society New York Roundtable, Journal of the Asian Arts
Society of Australia, vol.2, no.1, January, 1993.
‗Once Again the East‘, [The new Asian Gallery, Art Gallery of New South Wales], Art Monthly
Australia, no.30, May, 1990.
Australia
Australian Art and Asia -Then and Now‘, Occasional Paper No.19, Research Institute for Asia and the
Pacific, University of Sydney, 1992
‗Playing with the Stars: Guan Wei‘s styles‘, essay for Guan Wei Exhibition Catalogue, Dr. Earl Lu
Gallery, La Salle SIA, Singapore 2000.
‗Crossings‘, essay for the catalogue curated by William Wright, The Rose Crossing: Contemporary Art in
Australia, Sydney, Sherman Galleries, 1999.
‗Art and its ‗others‘ - recent Australian-Asian visual exchanges‘, in Dever, Maryanne, ed., Australia and
Asia: cultural transactions, Surrey, Curzon Press, 1997.
‗Systems End‘, catalog essay in Tseng Fang-ling, Huang Pei-yi, editors, Systems End, Contemporary Art in
Australia, Gaoxiong, Gaoxiong Shili Meishuguan, 1996.