MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Zhang Zhaohui, ‗Globalisation, Urbanisation, and New Chinese Art‘, Huangfu, Binghui, Site+Sight:
Translating Cultures, Huangfu, Binghui, Site+Sight: Translating Cultures, Singapore, LaSalle-SIA, 2002.
Zhang Zhaohui, ‗N12 at the Central Academy of Art Gallery‘ (review), Asian Art News, vol. 15, no. 2,
2005.
Zhou Yan, ‗Chinese Brand and Chinese Method: On the Exhibition The Wall: Reshaping Contemporary
Chinese Art‘, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006.
Recent Ink Painting [see also by artist name]
Erickson, Britta, ‗The contemporary artistic deconstruction – and reconstruction – of brush and ink
painting‘, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003
Findlay, Ian, ‗The Power of Ink‘, AsianArtNews, Vol. 19 No. 1 January/February 2009, pp. 84-91.
Wear, Eric, ‗Square Worlds, Round Paradigms: Contemporary Calligraphy in China‘, , in ArtAsiaPacific,
No. 58, May/Jun, 2008, pp. 114 - 121.
Yao, Pauline J., ‗Contemporary Ink: In Service of the Everyday‘, in Yishu. Journal of Contemporary Chinese
Art, v. 7(1), January, 2008, pp. 70 – 79.
New Art Practices and New Media [see also under Photography, Performance]
Berghuis, Thomas J., ―‘Transcending Media‘ and the Role of Contemporary Art Practices in China‖ in
Mesh: New Media Art in Australia and Asia, No. 17, www.experiemta.org/mesh/mesh 17/berghuis
Berghuis, Thomas J., ―Video-REAL: Video Art from China‖ in Videozone: 3 – The 3 rd International Video
Art Biennial in Israel (Bilingual), Tel Aviv, Center for Contemporary Art, 2006
Berghuis, Thomas, ‗Performance Art and its Constraints‘, in eds. Clark, John, Peleggi, Maurizio and
Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University of
Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 186-214.
Huang Du, Outside the real: a new form of video art in China, Sydney, Gallery 4A, 1998 (review, Art
AsiaPacific, 25, 2000
Lu, Carol, ‗Clothes and Capsules: New Installation Art From China‘ in Flash Art, Vol. XXXVI, No. 231
(July-September 2003), pp.94-96
Maerkle, Andrew, ‗Furong Jiejie‘s 15 Minutes‘, ArtAsiaPacific, no. 48, 2006.
Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005
Ou Ning, ‗Revealing Keys to the Riddle of Reality: Moving Images of the Pearl River Delta From 1999
to 2003‘ in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 15-21
Ou Ning., ‗Shadows of Time‘, Simon Young (tran.), in Yishu: Journal of Contemporary Chinese Art, Vol. 3,
No. 1, March 2004, p.63-69.
Pi Li, ‗Chinese Contemporary Video Art‘ in Third Text, Volume 23, Issue 3 May 2009 , pp.303 – 307.
Selected Exhibitions in China - 1990s-Present
1993
Gilbert & George, Nieuwenhuizen van, Martijn, ΄Les Infos du Paradis – Gilbert & George in China‘
Parkett, No. 38, 1993
1994
Shui Tianzhong, Shao Dazhen et al, Meishu pipingjia niandu timingzhan, (1994 Youhua),Chengdu, Sichuan
Meishuchubanshe, 1994.
1995
Liao Wen, Zhongguo dangdai yishuzhong de nuxing fangshi / Women‘s approach toChinese Contemporary Art,
Beijing, Zhongguo Yishu Bowuguan, 1995, May.
1996
Huang Zhan et al, Shouceng Dangdai Yishu Xueshu Yaoqingzhan, 1996/1997,Guangzhou, Guangdong
Lingnan Meishu chubanshe, 1996. [see reports in Hualangnos 5&6, 1996].
Qiu Zhijie, Wu Meichun, ‗Xianxiang/Yingxiang‘ luxiang yishuzhan: Yishu yu lishi yizhi& Lu Xiang Yishu
Wenxian, Hangzhou, The Authors, 1996.