MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

83
Japanese Colonial Period
Ching, Leo, ‗Savage Construction and Civility Making: The Musha Incident and Aboriginal
Representations in Colonial Taiwan‘ in positions: east asia cultures critique, volume 8, number 3
(winter 2000), pp. 795-818.
Clark, John, ‗Taiwanese Painting under the Japanese Occupation‘, Journal of Oriental Studies, Vol.XXV,
no.1, 1987, pp.63-105.
Kikuchi, Yuko, ‗Yan Shuilong‘, Crafts, 162:24-25, 2000.
Kikuchi, Yuko, ‗Refracted Colonial Modernity: Identity in Taiwanese Crafts from the Colonial Modern
to the Contemporary National‘, The Proceedings of the Papers at the Asia-Pacific Traditional
Arts Forum organised by the Council for Cultural Affairs, the Executive Yuan, ROC and the
National Institute of the Arts in Taipei, 2002.
Kikuchi, Yuko ed. Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, Hawaii University
Press, forthcoming.
Liao, Hsin-Tien, Colonialism, Post-colonialism and Local Identity in Colonial Taiwanese Landscape Paintings
(1908-1945), PhD thesis, Birmingham Institute of Art and Design, University of Central England,
2002.
Wang Xiuxiong, ‗The development of official art exhibitions in Taiwan during the Japanese
occupation‘, in Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor, eds, War, Occupation
and Creativity: Japan and East Asia, 1920-1960, Honolulu, University of Hawai‘i Press, 2001
Yen, Chuan-Ying, ‗Colonial Taiwan and the Construction of Landscape Painting‘, English version of
‗Jindai Taiwan Fengjing guan de Jian Gou‘, Meishu Shi Yanjiu Jikan, 9 :179-206. 2000.
General Works, 1950s-1970s
Clark, John, ‗Taiwanese Painting and Europe‘, in Shaw, Y-M., ed., China and Europe in the Twentieth
Century, Taibei, Institute for International Relations, 1986, pp.43-60.
Clark, John, ‗La peinture moderne a Taiwan: le contexte politique et économique‘ [tr. Pierre Étienne-
Will et Anne Cheng], Études Chinoises, Vol VII, no.1, Printemps 1988, pp.29-63 ; English original:
‗Painting in Taiwan after 1945: A Political and Economic Background‘, Yishu: Journal of Chinese
Contemporary Art, March 2003, Spring Issue
Council for Cultural Planning and Development, Art Development in Taiwan (1661-1971), Taipei,
Executive Yuan, July 1985.
Council for Cultural Planning and Development, Symposium of ‗The Artistic Trends in the R.O.C‘, Taipei,
Executive Yuan, November, 1991.
Kuo, Jason (Guo Jisheng),‘Modern art in Taiwan after 1949‘, in Clark, J., ed., Modernity in Asian Art,
Sydney, Wild Peony Press, 1993.
Kuo, Jason,(Guo Jisheng), ‗Painting, decolonization and cultural politics in postwar Taiwan‘, Ars
Orientalis, XXV.
Kuo, Jason C., Art and Cultural Politics in Post-war Taiwan, Seattle, London: University of Washington
Press, 2000.
Kuo, Jason (Guo Jisheng), ‘Nihonga/Toyoga/Chiao-ts‘aihua in Taiwan, 1895-1983‖, from The
Symposium on the Origin, Transmission, and Influence of Glue painting [date, publisher unknown].
Kuo, Jason (Guo Jisheng), ‗Painters of the postwar generation in Taiwan‘, in Harrell, Steven; Huang
Chun-chieh eds., Culture Change in Postwar Taiwan, Boulder, Westview Press, 1996.
Li Chu-tsing, Yu Kwang-chung, and Thomas Lawton, Five Chinese Painters; Fifth Moon Exhibition, Taibei:
National Museum of History, 1970
Li Chu-tsing, ‗The Fifth Moon Group of Taiwan‘, The Register of the Spencer Museum of Art, The
University of Kansas, vol.7, no.3, 1986
Li Chu-tsing, Lawton,T., ‗The New Chinese Landscape‘, Art Journal, XXVII/2, Winter, 1967/68.
Shaocheng Taocheng, Wei Liliao, Ying Chunhsieh and Ching Yuehroan, The Prime of Taiwan
Contemporary Architecture, Garden City, Taipei, 2003.