MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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ART iT, No. 21, Fall/Winter 2008, Birnie Danzker, J., ‗A Conversation with Ai Weiwei‘, in Yishu
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Weiwei, Catalogue, curated by Mark Wilson and Sue-An Van Der Zijpp, with texts by Karen
Smith and Sue-An Van Der Zijpp, Groninger Museum-Nai Pblishers, 2008; Ai Weiwei, by Karen
Smith, Hans Ulrich Obrist and Bernard Fibicher, Phaidon, London, 2009; Vine, Richard, ‗The
way we were, the way we are: China's most outspoken artist reflects on the ongoing struggle for
expressive freedom in the People's Republic.‘ (CHINA WATCH)(Ai Weiwei)(Interview) in Art in
America 96.6 (June-July 2008): 99(3).
Bai Yi Luo: Ling Ling Braude, ‗Bai Yi Luo. Contemporary Photographer Artist of China‘, in C Arts.
Asian Contemporary Art and Culture, vol. 00, November/December, 2007, pp. 88 – 91.
Big Tail Elephant Chiu, Melissa, ‗Static Interference: The Big Tail Elephant Group of Guangzhou.‘ Art
Asia Pacific 24:1999; Lin, Yilin., Chen Shaoxiong, Xu Tan and Liang Juhui, ‗Big Tail Elephants in
the 1990s‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.22-32.
Bingyi Huang: Ikegami, Hiroko, ‗Emotions Are Beautiful: Bingyi‘s Unfashionable Faith in Painting‘, in
Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 92 – 96.
Cai Guoqiang, painter and installation art, New York: Cai Guoqiang, Day Dreaming, Taipei, Cherng Pin
Gallery 1998; Zaya Octavio et al, Venice‘s Rent Collection Courtyard, Hong Kong & Vancouver,
Annie Wong Art Foundation, 1999; Zhang Zhaohui, Cultural Metamorphosis: The Art of Xu Bing and
Cai Guoqiang, unpublished MA in Curatorial Studies Thesis, Bard College, 1998; Zhang Qing,
‗History challenges reality: the life and art of Cai Guoqiang‘, Yishu, vol.1, no.1, 2002; Zhang
Zhaohui, ‗Tiandi zhi ji: Cai Guoqiang yu Xu Bing Suoshi biye zhanlan jihua shuomingshu‘, Jiangsu
Huakan, 2, 1999; ‗Naoshima no commishon waaku: Cai Guoqiang Bunkadaikonyoku, Naoshima
no tame no projekuto‘, Naoshima Tsûshin, vol.1, no.2, 1988; Hirano Akihiko & Takeuchi Hiroko
eds., Cai Guoqiang ―From the Pan-Pacific‖ [translated by Dutz, Margaret E.], Iwaki, Iwaki City Art
Museum, 1994; Cai Guoqiang in ―Ajia Shichô no Potensharu‖, Hôkokusho, Tôkyô, Kokusai
Kôryûkikin ASEAN Bunka Sentaa, 1994, p.84-89; Heartney, Elanor, ‗Cai Guoqiang: illuminating
the new China‘, Art in America, May 2002; Cultural Meeting Bath: Projects for the 20th century, New
York, Queens Museum of Art, 1997 [review: Goodman, Art AsiaPacific,no.18, 1998.]; Huang Du.
‗Cai Guoqiang: From mystery and philosophy to reality.‘ Art AsiaPacific issue 20 1998; Naylor,
Stephen, ‗A Gondola In Suburbia‘, Art Monthly Australia August 1999: 122; Bartelik, Marek, ‗Cai
Guo-Qiang‘, Artforum International, Vol.40, Issue 10, Summer 2002; Stringa, Nico (ed), Terrecotte
Cinesi dalla 48 a Biennale di Venezia (Chinese Terracota at the 48 th Venice Biennial), Cornuda: Antiga
Edizoni, 2003.; Cai, Guo-Qiang, Bunker Museum of Contemporary Art, Kinmen Island: A Permanent
Sanctuary for Art in a De-Militarised Zone, Charta, Milan, 2006; Ng, Elaine W., ‗Where I Work : Cai
Guo-Qiang‘, ArtAsiaPacific, no. 47, 2006; Winchester, Rupert, ‗Zhang Lin Hai, Wang Yidong and
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‗No Introductions Necessary‘, ArtAsiaPacific, no. 45, 2005; ‗Cai Guo-Qiang: Traveller‘ (review),
ArtAsiaPacific, no. 45, 2005;‗Cai Guo-Qiang at Deutsche Guggenheim‘ (review) World Sculpture
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review, Artforum, vol 43, iss. 6, February 2005; ‗Cao Guo-Qiang Galleria Continua‘, (review) Flash
Art, vol. XXXIX, no. 249, July-September, 2006; Xu Bing, ed., Where Heaven and Earth Meet: The
Art of Xu Bing and Cai Guo-qiang, Hong Kong, Timezone 8, 2006; Cai Guo-Qiang: Head On, Hatje
Cantz, Ostfildern, 2005; Cai, Guoqiang. Cai Guo-Qiang : life beneath the shadow. Edinburgh; London:
The Fruitmarket Gallery; Distributed by Art Data, 2005; Raspali, Thierry, Cai Guo-Qiang: Une
histoire arbitraire/ An Arbitrary History, Paris, 5 Continents Editions, 2003.; Fei, D. ‗To Dare to
Accomplish Nothing: Fei Dawei Interview Cai Guo-Qiang‘, in Cai Guo-Qaing, 2000, pp. 117 –
135; Cai Guo Qiang, ‗Painting with Gunpowder‘, in Leonardo, v. 21 (3), 1988, pp. 251 – 254; Cai
Guo Qiang, ‗Cai Guo Qiang + P3‘, in Cai Guo Qiang: The Project for Projects, Tokyo, P3 Art and
Environment, 1991; Goodman, Jonathon, ‗Cai Guo-Qiang: I Want to Believe‘, in Yishu. Journal of
Contemporary Chinese Art, v. 7(3), May, 2008, pp. 99 – 105; Grande, John K., ‗Shock and Awe: An