MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Wu Hung, Transience: Chinese Experimental Art at the End of the Twentieth Century, Chicago: University of
Chicago Press, 1999
Wu Hung, Remaking Beijing: Tiananmen Square and the Creation of Political Space, Reaktion Books, 2005
Wu Hung and Kartherine R. Tsiang, Body and Face in Chinese Visual Culture, Cambridge, Mass., London,
Harvard University Press, 2005
Yü Christina Yü, ‗Documenta 12 Magazines Feature on Education. Some Thoughts on Art Game: An
Experience of Agency in Contempoary Art‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1),
March, 2007, pp. 85 - 90.
Zheng Shengtian, ‗Documenta 12 Magazines Feature on Education. Interview with Zhu Naizheng‘,
trans. Chunyee Li, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 62 – 72.
Texts and Some Terms in Chinese:
MS: Meishu, Art, the only national art monthly, published by the Artists‘ Association. Generally the
issue number equals the month, thus 1979-3, means the issue puiblished for March 1979. But for
a brief period from 1960 until about 1964 it was published bi-monthly. Publication was
suspended during the Cultural Revolution and restarted in 1977.
MSJTX: Meishujia Tongxun, Information Bulletin of the Artists‘ Association, this is not usually available
to non-members and foreigners and has only occasionally been available to this author. MSJY:
Meishu Yanjiu, Art Research, quarterly, published by CAFA.
MY: Meishuyanjiu, Art Research, published by the Central Academy of Fine Arts, Beijing.
RMRB: Renmin Ribao, People‘s Daily, the official CCP newspaper.
Shijie Meishu, World Art.
Xinmeishu: New Art, irregular journal of Zhejiang Academy of Fine Art.
youhua: oil painting.
zhongguohua: Chinese painting, sometimes used as a full form for guohua.
ZMB: Zhongguo Meishubao, Fine Arts in China, published 1985-1989.
ZYC: Zhongguo Yishujia Cidian, 5 Volumes, Dictionary of Chinese Artists, Changsha, Hunan Renmin
Chubanshe, 1981-1985
Chinese Art before the Twentieth Century (selected texts)
Clunas, Craig, Superfluous Things: Material Culture and Social Status in Early Modern China, Urbana &
Chicago, University of Illinois Press, 1991.
Clunas, Craig, Pictures and Visuality in Early Modern China, London, Reaktion Books, & Princteon,
Princeton University Press, 1997.
Clunas, Craig, Fruitful Sites: Garden Culture in Ming Dynasty China, London: Reaktion Books, 1996
Hay, John, ed., Boundaries in China, London: Reaktion Books, 1994
Hay, Jonathan, Shitao: painting and modernity in early Qing China, Cambridge ; New York : Cambridge
University Press, 2001.
Shen and Marilyn Fu, Studies in Chinese Connoisseurship, Princeton, Princeton University Press, 1973.
Siren, O., Chinese Painting, Ronald Press, New York, 1958
Sullivan, M. The Birth of Landscape Painting in China, University of California Press, 1962.
Wen C. Fong, Between Two Cultures: Late Nineteenth and Twentieth-Century Chinese Paintings from the Robert H.
Ellsworth Collection in the Metropolitan Museum of Art, New Haven and London, 2001.
Whitfield, R., ‗Landscape Painting in the Late Ch‘ing Period‘ in W. Watson, editor, Landscape Style in
Asia, Percival David Foundation of Chinese Art, London, 1979.
Wu Hung, The Double Screen: Medium and Representation in Chinese Painting, London, 1996.
Wu Hung, Monumentality in Early Chinese Art, Stanford University Press, 1995.
Wu Hung, Han Tang zhi jian de shi jue wen hua yu zhi wen hua, Beijing, 2003.
Wu Hung, Han Tang zhi jian wen hua yi shu de hu dong yu jiao rong, Beijing, 2001.
Wu Hung, Art in itr ritual context: essays on ancient Chinese art, Beijing shi, 2005