MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Pollock, Griselda, Avant-Garde Gambits 1883-1893: Gender and the Colour of Art History, Walter Neurath
Memorial Lecture 1992, Thames and Hudson, London, 1992
Taxonomy and Evolutionary Speciation
Crombie, A.C., Styles of Scientific Thinking in the European Tradition: The history of argument and explanation
especially in the mathematical and biomedical sciences and arts, 3 volumes, London, Duckworth, 1994.
Darwin, Charles, The Illustrated Origin of Species, [abridged and introduced by Richard Leakey from sixth
edition of 1872], London, Faber & Faber, 1979 [updates Darwin‘s theories or his evidence].
Fletcher, Roland, ‗Organized Dissonance: multiple code structures in the replication of human culture‘,
in Maschner, Herbert D.G., Darwinian Archaeologies, New York, Plenum Press, 1998.
Gee, Henry, Deep Time: Cladistics, The Revolution in Evolution, London, Fourth Estate, 2001
Gould, Stephen Jay, Wonderful Life: The Burgess Shale and the Nature of History, London, Penguin Books,
1989.
Hull, David, Science as a Process, Chicago, University of Chicago Press, 1988
Mayden et al, Species: the units of evolution, 1997
Mayr, Ernst, Principles of Systematic Zoology¸ New York, McGraw-Hill, 1969
Mayr, Ernst, ‗Darwin‘s influence on modern thought‘, Scientific American, vol 283, no.1, July 2000.
Monod, Jacques, Chance and Necessity, [tr. Wainhouse, A.], New York, Alfred A. Knopf, 1971 & London
Collins/Fontana, 1974.
Sterelny, Kim & Griffiths Paul E., Sex and Death: an introduction to the Philosophy of Biology, Chicago,
University of Chicago Press, 1999.
Literary and Linguistic Theories
Bakhtin, M. M., The Dialogic Imagination, [tr. by Emerson, C. & Holquist, M.], Austin, University of
Texas Press, 1981.
Benveniste, Emile Problems in General Linguistics, [1966] (tr Meek Mary E.), Coral Gables, University of
Miami Press, 1971
Fletcher, Angus, Allegory: The Theory of a Symbolic Mode, Ithaca, Cornell University Press, 1964, 1970.
Todorov, Tzvetan, Theories of the Symbol [1977] (tr. Porter, C.), Ithaca, Cornell University Press, 1984.
Watt, Ian, Myths of Modern Individualism: Faust, Don Quixote, Don Juan, Robinson Crusoe, Cambridge,
Cambridge University Press, 1996; Canto Edition, 1997.
Cultural Hybridity and Cultural Comparison
Amselle, Jean-Loup, Mestizo Logics: Anthropology of Identity in Africa and Elsewhere, (tr. Royal, Claudia),
Stanford, Stanford University Press, 1998.
Appiah, K. Anthony, ‗Identity, authenticity, survival‘ in Gutmann, Amy, ed., Multiculturalism, Princeton,
Princeton University Press, 1992, 1994.
Bennet, Tony, ‗The exhibitionary complex‘, New Formations, no. 4.
Berghuis, Thomas J., ‗Parallel Conversions: Reflections on the Asian presence at The 32 nd CIHA
Conference in Melbourne‘, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April,
2008, pp. 50 – 52.
Bhabha, Homi K., The Location of Culture¸ London, Routledge, 1994.
Brah, Avtar, Coombes, Annie E., Hybridity and its discontents: Politics, Science, Culture, London, Routledge,
2000
Canclini,Néstor Garcìa, ‗Too much determinism or too much hybridization?‘, Travésia: Journal of Latin
American Cultural Studies, 1, 2, 1992.
Chan, D., ‗The Dim Sum vs. the Meat Pie: On the Rhetoric of Becoming an In-Between Asian-
Australian Artist‘, in Alter/Asians: Asian-Australian Identities in Art, Media and Popular Culture, Ang,
I., Chalmers, S., Law, L., and Thomas, M., eds., Sydney, Pluto Press, 2000, pp: 141 – 151.
Chiu, M. ‗Asian-Australian Artists: Cultural Shifts in Australia‘, in Art in Australia, v. 37(2), 1999, pp.
252 – 261.