MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Clark, John, ‗Pop goes the Maosell‘, [Review of Mao Goes Pop, see Jose ed., below 1993], Art Monthly
Australia, no.61, July [see also letters by Nicholas Jose & Huangfu Binghui in no.62 and Clark in
no.63];
Clark, John, ‗Problems of Modern Painting beyond Byzantium‘, Papers in Far Eastern History, Australian
National University, Department of Far Eastern History, no.41, March 1990, pages 109-123.
Clark, John, ‗Realism in Revolutionary Chinese Painting‘, Journal of the Oriental Society of Australia, July
1991.
Clark, John, ‗Some sketches of Modern Chinese Painting I, Beijing; II, Hong Kong, 1981; previously
unpublished.
Clark, John, ‗Swimming in the Transcultural Sea: John Young‘, Asian Art News, vol.4, no.3, May/June,
66-69, 1994..
Clark, John, ‗Taiwanese Painting and Europe‘, in Shaw, Yu-ming ed., China and Europe, Institute of
International Affairs, Taibei, 1986, 43-60.
Clark, John, ‗Taiwanese Painting under the Japanese occupation‘, Journal of Oriental Studies, XXV, no.1,
1987, 63-105.
Clark, John, ‗The Exile‘s Return‘, Far Eastern Economic Review, June 28, 1984.
Clark, John, 1998 ‗Dilemmas of [dis-]attachment in the Chinese diaspora‘, Visual Arts + Culture, vol.1,
no.1, 1998.
Clark, John, Ed., Chinese Art at the end of the Millenium, Beijing & Hong Kong, New Art Media, 2000
Clark, John, Modern Asian Art, Sydney, Craftsman House & Honolulu, University of Hawai‘i Press,
1998
Clark, John, Stylistics section from ‗Modernity in Chinese and Thai Art of the 1980s and 1990s: Artists,
Works, Institutions; A preliminary work-in-progress report on the Chinese Case‘ delivered in
1999 at the Annual Conference of the Art Association of Australia and New Zealand.
Clark, John., ‗Alors, la Chine?‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.68-71.
Clark, John., ‗Painting in Taiwan after 1945: A Political and Economic Background‘, in Yishu: Journal of
Contemporary Chinese Art, Vol. 2, No.1, March 2003, p.62-76.
JAPAN
General Works
Busson, Dominique, L'artisanat du Japon, Paris, Hermé, 2004, 123 p.
Collectif, Butô(s), textes réunis et présentés par Colette Aslan et Béatrice Picon-Vallin, Paris, CNRS
Editions, 2002, 288 p.
Collectif, Casques, masques et armures des seigneurs de l‘ancien Japon /Helmets, Masks and armor of the Lords of old
Japan, éd. bilingue, Paris, Torii links, 2003, 207 p.
Collectif, Estampes japonaises : splendeurs du monde flottant au Grand Palais, Paris, nº hors-série de " Télérama
", septembre 2004. 98 p.
Collectif, Images du monde flottant. Peintures et estampes japonaises, XVIIe-XVIIIe siècles, Galeries nationales
du Grand Palais, Paris, 27 septembre 2004-3 janvier 2005, commissaire Hélène Bayou, Paris :
Réunion des musées nationaux, 2004, 398 p.
Collectif, Isamu Noguchi Sculptural Design, Maison de la Culture du Japon à Paris, Vitra Design Museum,
2002, 320 p.
Collectif, Kuroda, Paris, Maeght, 2002, 230 p.
Collectif, Les arts du Japon à l‘époque d‘Edo, 1603-1868 : peinture, sculpture, estampe, porcelaine, textile, laque,
armure, cat. d‘expo. Musée des beaux-arts de Valenciennes, Tournai (Belgique), La Renaissance du
livre, 2003, 189 p.
Collectif, Moriyama Daidoh, cat. d‘expo. à la Fondation Cartier pour l‘art contemporain, Paris / Arles,
Fondation Cartier / Actes Sud, 2003, 160 p.