MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Kleeman, F.Y., ‗Inscribing Manchuria: Gender, Ideology and Popular Imagination‘, East Asian History,
Number 30, December 2005.
Lahusen, Thomas, ‗The Russian Far East After Landscape: A Photoessay‘ [Northeast China and
Russia], The South Atlantic Quarterly, 98.4, Fall 1999
Lahusen, Thomas, ‗Dr. Fu Manchu in Harbin: Cinema and Moviegoers of the 1930s‘, The South Atlantic
Quarterly, 99.1, Winter 2000
Lahusen, Thomas, ‗Remembering China, Imagining Israel: The Memory of Difference‘, The South
Atlantic Quarterly, 99.1, Winter 2000
Rimer, J. Thomas, ‗Paris in Nanjing: Kishida Kunio Follows the Troops‘, in Mayo, Marlene J., Rimer J.
Thomas, Kerkham, H. Eleanor (eds), War, Occupation and Creativity: Japan and East Asia, 1920-
1960, Honolulu, University of Hawai‘i Press, 2001, p.176-187.
Tamanoi, Mariko, ‗A Road to "A Redeemed Mankind": The Politics of Memory among the Former
Japanese Peasant Settlers in Manchuria‘, The South Atlantic Quarterly, 99.1, Winter 2000
Wartime Period and Yan’an Base Areas
Barmé, G., ‗Using the past to serve the present: Dai Qing‘s Historiographical Dissent‘, East Asian
History, Vol.1, June 1991.
Benton, G., ‗The Yenan Literary Opposition‘, New Left Review, no.92, July-August, 1975
Benton, G., Wild Lillies: Poisonous Weeds, Sydney, Pluto Press, 1982
Dai Qing, Wang Shiwei and ―Wild Lillies‖: Rectification and Purges in the CCP, 1942-1944, Armonk,
M.E.Sharpe Inc., 1994.
Holm, David, Art and Ideology in Communist China, Oxford, Clarendon Press, 1992 [see also unpublished
chapters from his Ph.D. thesis on Graphic Arts and Yan‘an].
Mao Zedong, Mao Tse-tung on Art and Literature, Beijing, Foreign Languages Press, 1967
Mcdougall, B., ed., Popular Chinese Literature and the Performing Arts, Berkeley, University of California
Press, 1984
Mcdougall, B., Mao Zedong‘s ―Talks at the Yanan Conference on literature and art‖ a translation of the 1943 text
with commentary, Ann Arbor, Centre of Chinese Studies, University of Michigan, 1980
Sullivan, Michael, ‗Recollections of Art and Artists in Wartime Chengdu‘, The Register of the Spencer
Museum of Art, University of Kansas, vol.VI, no.3, 1986.
1949-1966
Andrews, Julia, ‗Traditional Painting in New China: Guohua and the Anti-Rightist Movement‘,The
Journal of Asian Studies, vol.49, no.3, 1990.
Andrews, Julia, Painters and Politics in the People‘s Republic of China, 1949-1979, Berkeley, University of
California Press, 1994.
Boucher, Brian,‘Red bright and shining: focusing on the Mao years, 'Art and China's Revolution' brings
to light the art and visual propaganda so often quoted-and satirized-by today's Chinese
artists.(FOCUS ASIA), in Art in America 96.11(Dec 2008): 120(4).
Chuang Shen, ‗The Central College of Fine Arts in Peking: Its History and Function‘, in Lee, N. and
Leung, C-K. eds, China: Development and Challenge, Hong Kong, University of Hong Kong, 1981.
Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution, Asia Society, New York in association
with Yale University Press, New Haven and London, 2008.
Clark, J., ‗Realism in Revolutionary Chinese Painting‘, Journal of the Oriental Society of Australia, July 1991
Clark, John, ‗The Chinese Artists‘ Association‘, Art Monthly [UK], May 1986.
Cohen, J.L., The New Chinese Painting, 1949-1986, New York, Abrams, 1987 [bibliography includes a
number of 1980s US‘ exhibition catalogues]
Croizier, Ralph, ‗Politics in Command: Chinese Art, 1949-1979‘ in Chiu, Melissa and Zheng Shentian,
Art and China‘s Revolution, Asia Society, New York in association with Yale University Press, New
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Fineberg, Jonathan, Art Since 1940: Strategies of Being, New York, Prentice Hall Press, 2000