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61 Luo Zhongli, Mao Yan, Sun Liang, Wang Guangyi, Xu Jiang, Ye Yoingqing, Yu Hong, Yue Minjun, Yan Peiming, Yang Jiecang, Zeng Fanzhi, Zeng Hao, Zhang Xiaogang, Zheng Zaidong, Zhou Chunya]. Navarra, Enrico, et al, Made by Chinese, Paris, Galerie Enrico Navarra & Hong Kong, Hanart TX. Pijnapppel, Johan, ‗Wang Jianwei, Material for Thinking‘, Art Asia Pacific, No.34, 2002. 2002 [Beijing Afloat], Feng Boyi curator, BTAP, Pijnappel, Johan, ‗Beijing Afloat at Beijing Tokyo Art Projects‘, Asian Art News, vol. 13, no. 1, January/February 2003 Huang Zhuan and Pi Li, ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002 Gao Minglu, ed., Chinese Maximalism, Beijing: Chongqing Publishing House Lim, Michelle., ‗History from Wood‘ (The Exhibition <strong>of</strong> Half a Century <strong>of</strong> Chinese Woodblock Prints: From the Communist Revolution to the Open Door Policy and Beyond, 1945-1998), in Asian Art News, Vol. 14, No. 1, January/February 2004, p.60-65. Machan, Kim, MAAP in Beijing 2002, Beijing: Hebei Education Publishing House Stringa, Nico, Terrecotte Cinesi dalla 48 a Biennale di Venezia, Cornuda, Grafiche Antiga, 2003 [English essays by Dal Largo, Erickson, Stringa] 2003 [Chinese Maximalism] Yap, Chin Chin, ‗Chinese Maximalism‘ in Art Asia Pacific, No. 38 (Fall 2003), p. 37 [Left Wing (Cao Fei, Fang Lijun, Gu Dexin, Song Dong, Sui Jiangguo, Zhuang Hui, Du Zhenjun, Huang Yongping, Shen Shaomin)], Zhang, Zhaohui., ‗Left Wing at Left Bank Gallery‘, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.76-77; ‗Left Wing: An Exhibition <strong>of</strong> Contemporary Chinese Art‘ (Review) in Art Asia Pacific, No. 40 (Spring 2004), pp. 80-81 [Twenty Year Anniversary <strong>of</strong> Hanart T.Z. Gallery] Thomson, Jonathan, ‗Themes and Variations‘, in History‘ in Asian Art News , Vol. 14, Number 4 (July/August 2004), pp.46-53 Gao Minglu, Chinese Maximalism, Chongqing, Chongqing Publishing House, 2003 Li Xianting, Curator‘s Notes on Prayer Beads and Brush Strokes, Beijing, Beijing Tokyo Art Projects, 2003 Scarlett, Ken., ‗Changchun, China: to Confront or Confirm‘ in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.72. Shao Dazhen, et.al., eds., Symposium Papers for the First Beijing International Art Biennale, China, 2004 (Bilingual), Beijing, Renmin meishu chubanshe, 2003. Tetmajer, Xenia., ‗The Power <strong>of</strong> the Public Realm at the 2500 Cultural Transmission Space‘ (review), in Asian Art News, Vol. 14, No. 2, March/April 2004, p.85. 2004 Coleman, Julia, ed. Critical Mass, London, Chinese Contemporary, 2004 Zhang Zhaohui, Concrete Horizons, Wellington, Adam Art Gallery, 2004 2005 Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005 2006 Absolute Images: Chinese Contemporary Art [Fang Lijun, Zhang Xiaogang, Yue Minjun, et.al.], Beijing, Arario Gallery, 2006 Beautiful Cynicism [Anselm Kiefer, Wang Guangyi, et.al.], Beijing, Arario Gallery, 2006 Chen Chieh-Jen, Hong Hao, et. al., Double –Kick Cracker: An Exhibition <strong>of</strong> Chinese Contemporary Art, Beijing, Tang Contemporary Art, 2006 Fan Fang, et.al., Naughty Kids: The Chinese New Generation Born After 1970, Beijing, 2006 Gu Zhenqing, et.al., Two Asias, Two Europes: An International Exhibition <strong>of</strong> Contemporary Arts, Hong Kong, Timezone 8 (Distributor) Gu Zhenqing, To Each His Own, Hong Kong, Timezone 8, 2006 (Distributor) Gu Zhenqing, Visual Production, Hong Kong, Timezone 8, 2006 Köppel-Yang, Martina, et.al, Surplus Value, Beijing, Tang Contemporary Art Gallery, 2006
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CHINA-HONG KONG AND MACAO 72 Genera
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111 Kastner, Jeffrey, ‗Art, Anti-
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113 Nanjô, F., ‗Situation in Jap
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115 Koplos, Janet, 'Korea and Japan
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117 Kikuchi, Yuko, ‗Sources of In
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119 Moeran, B., ‗Individual, Grou
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121 Onoda, Natsu, ‗Drag Prince in
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125 Sacchi, Livio, Tôkyô, Archite
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127 Japan : A.D.A. Edita, 1992. And
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129 Ito, Toyoo, Ito Toyoo = Toyo It
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131 Bibliographies, [c1987] Ross, M
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133 Sacchi, Livio, Tôkyô, Archite
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135 Hamaguchi, E., ‗Towards a the
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137 Nakano Hajimu, ‗Kuki Shûzô
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139 Morse, R., Sugimoto, S., Images
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141 Modern Japanese Art: Texts by J
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143 Kim, Youngna, ―Let‘s Pause
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145 Kim Whanki: Schwabsky, Barry,
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147 Ahn, Soyeon, ‗Korean art in t
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149 Minjung Misul Choi, Tae-man,
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151 Daw Ohn Kyi, ‗Mandalay Under
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155 soldier‘, Asian Art News, vol
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157 Office of Contemporary Art and
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159 Art in Thailand, Bangkok, the P
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161 Sculpture and Printmaking, Silp
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163 No Na Pak Nam, Wat Phumin and W
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165 Piriya Krairiksh, Thai Reflecti
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167 Somporn Rodboon, ‗Thai Contem
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169 14th Art Exhibition by the Memb
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173 Mulder, N., Inside Thai Society
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175 Reyum Publishing, 2002. Eastbur
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177 Individual Artists Bui Huu Hung
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179 Pham Kien Giang: Findlay, Ian,
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181 Art in War Period Anthology of
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183 C. David Thomas, ‗Ceramic Art
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185 ‗Supplement Vietnam‘, Asian
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187 Contemporary Indonesian Art, Ta
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189 Gallery, 2004; Wiyanto, Hendro,
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191 Wiyono, Gigih: Kidd, Eilish,
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193 Kraus, Werner, ‗On the Recept
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195 Jakarta Feature: Asian Art News
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199 European Images of S.E. Asia an
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205 Lee, Weng Choy, ‗Just what is
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211 Ching, Isabel, ‗A Diary of Wo
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217 Arcega, Michael: Cha, Carina
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221 Ventura, Roberto: Guillermo, Al
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223 Roll, Christian, ‗The Philipp
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225 Javelosa, Jeannie E., ‗Introd
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231 Parimoo, R., ‗Modern Movement
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239 Chatterjee, R., From the Karkha
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241 Kelkar, N.M., The Story of the
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245 Kapur, Geeta, The Centre-Periph
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247 Bordewekar, Sandhya, ‗Reality
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285 ‗Asia and Modernity‘, Speci
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289 Munroe, Alexandra, moderator,
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291 Hill, Joe Martin, ‗Taking Sto
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293 De Marchi, Neil, Review of Phil
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295 Foster, Hal ; Rosalind Krauss,
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303 Hori, Motoaki, ‗Between East
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317 1989 Magiciens de la terre, Mar
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319 Transience: Chinese Art at the