MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

240
Jain, Jyotindra, Ganga Devi: Tradition and Expression in Mithila Painting, 1997.
Jain, Jyotindra, Indian Popular Culture: The Conquest of the World as Picture, National Gallery of Modern
Arts, New Delhi, 2002.
Jain, Jyotindra, Other Masters: Five Contemporary Folk and Tribal Artists of India, New Delhi: Crafts
Museum, not dated.
Jain, Kajri, Gods in the bazaar : the commercial, sacred and libidinal economies of Indian 'calendar art', unpublished
PhD, University of Sydney, 1998
Jain, Kajri, Gods in the Bazaar: The Economies of Indian Calendar Art, Durham, Duke University Press, 2007
Jain, Kajri, Of the every-day and the "National Pencil": Calendars in Post-Colonial India, M.A. Thesis, University
of Sydney, 1992.
Mishra, Vijay, Bollywood cinema: temples of desire, New York: Routledge, 2002
Mukhopadhyay, A., Das, N., ‗19th Century Printmaking in India‘, Art Heritage, no.5, 1985-86.
Nandakumar, R.,―Raja Ravi Varma in the Realm of the Public,‖ Journal of Arts and Ideas, Nos. 27-28,
March 1995.
Neumayer, Erwin & Schelberger, Christine, Popular Indian Art: Raja Ravi Varma and the printed Gods of
India, Oxford Unviersity Press, 2003
Parimoo, R., ‗Kitsch: The Vulgarization of Art‘, The Times of India, 16.11.1975.
Paul, A. ed., Woodcut Prints of 19th century Calcutta, Calcutta, Seagull Press, 1983 [review, Santo Dutta in
Journal of Arts and Ideas, no.9].
Pinney, C., ‗The iconology of Hindu oleographs: linear and mythic narrative in popular Indian art‘, Res,
no.22, Autumn 1992.
Pinney, Chritopher, ‗An authentic Indian kitsch: the aesthetics, discriminations and hybridity of popular
Hindu art‘, Social Analysis, no.39, September 1995.
Rajadhyaksha, A. and Willemen, Paul, Encyclopedia of Indian Cinema, London and New Delhi: British Film
Institute and Oxford UP, 1999.
Ray, P., ‗Early Graphic arts in Bengal‘, Lalit Kala Contemporary, no.18.
Sengupta, Paula, ‗Punjab Pictures‘, Art India, vol ix, issue ii, quarter ii, 2004.
Uberoi, Patricia, ‗ From Goddess to Pin-Up: images of women in Indian calendar art‘, ART AsiaPacific,
no.14, 1997
Uberoi, Patricia, ‗Feminine Identity and National Identity in Indian Calendar Art‘, Economic and Political
Weekly, 24.4.1990.
The British Art School System
Bagal, J.C., Centenary: Government College of Art and Craft Calcutta, 1864-1964, Calcutta, Government
College of Art and Craft, 1966.
Bäumer, B., Rupa Pratirupa: Alice Boner Commemoration Volume, New Delhi, Bibli Impex Private, 1982.
Birdwood, George C. M. Industrial Arts of India, published for the Committee of Council on Education,
London: Chapman and Hill, 1880
Buck, E.C., ‗Preface‘ & ‗Draft Scheme for the Promotion of Industrial Arts in India‘, The Journal of
Indian Art, vol.1, October 1886.
Boner, G. & Fischer, E., Alice Boner, Artist and Scholar, Varanasi, Bharat Kala Bhavan, 1982 [discusses
and abstracts Alice Boner‘s well-known work on the Sun Temple at Konarak].
Bose, P.N., Principles of Indian Silpasastra [1926] New Delhi, Bharatiya Publishing House, 1978.
Burns, C.L., ‗The Functions of Schools of Art in India‘, Journal of the Royal Society of Arts, June 18, 1909.
Cohn, Bernard S., Colonialism and Is Forms of Knowledge: The British in India, Priceton: Princeton UP, 1996.
Goswamy, B.N., Dahmen-Dallapiccola, A.L., An Early Document of Indian Art, New Delhi, Manohar,
1976.
Gladstone Solomon, W.E., The Bombay Revival of Indian Art, [on sending panels to the British Empire
Exhibition, Wembley] Bombay, Sir J.J. School of Art, 1924.
Guha-Thakurta, T., The making of a new ‗Indian‘ art: Artists, aesthetics and nationalism in Bengal, 1850-1920,
Cambridge, Cambridge University Press, 1992.
Heath, L., ‗The Mayo School of Arts, Lahore‘, Arts and Letters (Society for India), 1931