08.01.2013 Views

MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

290<br />

McEvilley, Thomas, ‗Arrividerci Vencie: the Third World Biennials –reviews <strong>of</strong> Third World<br />

international survey exhibitions‘, ArtForum, November 1993.<br />

Meyric Hughes, Henry, ‗The History and Significance <strong>of</strong> the Biennale as an instrument <strong>of</strong><br />

Globalization‘ in Art Criticism and Globalisation, Assoçiao Brasiliera de Criticos de Arte, São Paolo,<br />

2006.<br />

Okabe, Oomi, ‗Gendaibijutsu no hen‘yô to Bijutsuten‘, in Omuka Toshiharu, kenkyû daihyôsha,<br />

Kansha, Tenji, Kanshô, sono juyô no bijutsushi, [Heisei 14 nendo -16 nendo kagaku kenkyûhi hojokin,<br />

Kenkyûhôkokusho no. 1430029] Tsukuba, Tsukuba Daigaku Geijutsugakkei, 2001<br />

Osborne, Peter, ‗The power <strong>of</strong> assembly –art, world, industry‘, in Macdonald, Ewan & Parker, Luke<br />

editors, 2006 Biennale <strong>of</strong> <strong>Sydney</strong>: Zones <strong>of</strong> Contact, <strong>Sydney</strong>, Biennale <strong>of</strong> <strong>Sydney</strong>, 2006<br />

Poinsot, Jean-Marc ‗Large Exhibitions: A sketch <strong>of</strong> typology‘ in R. Greenberg, B.W. Ferguson, S.<br />

Nairne eds. Thinking about Exhibitions, Routledge, London and New York, 1996<br />

Rug<strong>of</strong>f, Ralph, & Rinder, Larry, ‗In Conversation‘, at www.stretcher.org/archives;<br />

Rug<strong>of</strong>f, Ralph, ‗Rules <strong>of</strong> the Game‘, frieze, 44, January-February, 1999Smith Terry, ‗Biennales in the<br />

conditions <strong>of</strong> contemporaneity‘, Art and Australia, vol.42, no.4, Autumn 2005.<br />

Smith, Terry, What is contemporary art? Contemporary Art, Contemporaneity and art to come, <strong>Sydney</strong>, Artspace<br />

Visual Art Centre, 2001<br />

Stallabrass, Julian, art Incorporated: the story <strong>of</strong> contemporary art, Oxford, Oxford <strong>University</strong> Press, 2004<br />

Tama Bijutsudaigaku Geijutsugakuka Tatehatazemi Shimpojiumu kikaku, Isozaki Akira, Okabe Aomi,<br />

Kitagawa Furamu, Nanjô Fumio, Hasegawa Yûko, Yokohama Kaigi 2004: Naze Kokusaiten ka?,<br />

Yokohama, Bank<strong>ART</strong>1929, 2005<br />

Zabel, Igor, ‗What our village needs now….Biennial localisation factors, Biennials in Dialogue conference,<br />

Kassel, Documenta Halle, August, 2000<br />

Art, Markets, and the Economy<br />

Abbing, Hans, Why are artists poor? The exceptional economy <strong>of</strong> the arts, Amsterdam, Amsterdam <strong>University</strong><br />

Press, 2002, 2004.<br />

Baudrillard, Jean, For a critique <strong>of</strong> the political economy <strong>of</strong> the sign¸ [tr. Levin, Charles], New York, Telos<br />

Press, 1981. [see the chapter: ‗The Art Auction: sign exchange and sumptuary value].<br />

Burn, Ian, ‗The art market: affluence and degradation‘, Artforum, April 1975; Harrison, Charles &<br />

Wood, Paul, ed., Art in Theory, 1900-1990: an anthology <strong>of</strong> changing ideas, Oxford, Blackwell, 1992.<br />

Castets, Simon, ‗Everyday Miracles: National Pride and Chinese Collectors <strong>of</strong> Contemporary Art‘, in<br />

Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(4), December, 2007, pp. 51 – 57.<br />

Caves, Richard E., Creative Industries: contracts between art and commerce, Cambridge, Harvard <strong>University</strong><br />

Press, 2000.<br />

‗China is the world‘s second largest exporter <strong>of</strong> art‘, The Art Newspaper, XX, 66, February 2006.<br />

‗Christie‘s going going to China to hold auctions‘, New York Times, 20 October 2005<br />

De Monthoux, Pierre Guillet, The Art Firm: aesthetic management and metaphysical marketing, Stanford,<br />

Stanford Business Books, 2004.<br />

Erickson, Britta, ‗Contemporary Chinese Art: To Get Rich is Glorious‘, in Yishu. Journal <strong>of</strong> Contemporary<br />

Chinese Art, v. 6(4), December, 2007, pp. 8 – 16.<br />

Findlay, Ian., ―Hong Kong A Decade On‘, in Asian Art News, v. 18(1), January/February, 2008, pp. 96<br />

– 113.<br />

Galenson, David W., Artistic Capital, New York & London, Routledge, 2006.<br />

Ginsburg, Victor; Weyers, Sheila, ‗Creativity and the life cycles <strong>of</strong> artists‘, Journal <strong>of</strong> Cultural Economics,<br />

30, 2006<br />

Greffe, Xavier, Arts and Artists from an Economic perspective, Paris, Economica/UNESCO, 2002. [review<br />

Snatagata, Walter, Journal <strong>of</strong> Cultural economics, Aug 2004. Vol. 28, Iss. 3]<br />

Guillet De Monthoux, P., The Art Firm: Aesthetic Management and Metaphysical Marketing, Palo Alto,<br />

Stanford <strong>University</strong> Press, 2004.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!